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GENDER ROLES

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color theory
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world of tomorrow
contents

44 Gender Roles
JPG members find that gender plays many
significant roles in societies worldwide.

38 9 Women
A foundation that strengthens its community by
helping women and opens its doors to Leo Marino.

60 The Way We Were


Rogelio Pereda shares five compelling
stories of gender transformation.

L’orrore 06 by Giampaolo Dal


jpgmag.com/photos/1757084

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contents

66 World of Tomorrow

4 Lettuce Farm 84 Instantly Captivated


Wicak Baskoro shows the steep risks of farming. Scott Sandler’s love affair with PX
Silver Shade film.
6 Making His Mark
Janet Greco meets a man with many talents. 85 Color-Coordination
Things that help keep Mandy Crandell
11 Decisive Moments 8 Large Scale Protection organized.
Thousands of iguanas greet Allison Inloes.
86 My Wife, My Muse
10 By the Books Photographers focus on their spouse
in The Model Wife.
Daus Adrian finds a DJ in a library setting.

82 Last Call 88 Photo Challenge


JPG members find inspiration
Nataly Rader chronicles the disappearance
in Henri Cartier-Bresson.
of pay phones.

18 Color Theory

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HOW IT WORKS

JPG Magazine issue 22

chief technical officer


Devin Hayes

editor
Darlene Bouchard
1 GET THE SHOT! 2 SUBMIT FOR PEER REVIEW
JPG members all over Photos and stories submitted are
creative director
document their worlds. voted on by the JPG community.
Rannie Balias

editorial intern
Nathaniel Jue JPG HEADQUARTERS

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3 FINAL SELECTION 4 PUBLICATION
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Each issue of JPG Magazine features recurring


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JPG Magazine is a division of 8020 Media, Inc.

On the Cover:
Report
Clean Up • Items
By Tim Engle • Book books everyone W
What do e Carry
Photo y
with yo ou take
jpgmag.com/photos/2514900 own.
should u?

JPG ((ISSN 1935-0414)) Issue 22 by 8020 Media, Inc. 660 4th Street #249, San Francisco, CA 94107.
POSTMASTER: Send address changes to: JPG, 660 4th Street # 249, San Francisco, CA 94107
©2010 JPG Visit jpgmag.com/themes to contribute!
4 Capture something incredible? Tag your photo with ‘sightings’ on jpgmag.com
SIGHTINGS
6 8 10 11

RISKY BUSINESS
Wicak Baskoro finds that survival
for these Indonesian farmers
has steep consequences.
jpgmag.com/people/wicakbaskoro

These local farmers are planting crops on


the side of Mount Slamet, the second highest
peak on the island of Java, Indonesia, and
one of the most active volcanos in the region.
Volcanic eruptions are not the only threat in
the area: the steep sides of this mountain
also increase the potential for landslides.
Planting trees on the sides of this volcano
could prevent future landslides, but most
farmers are unaware of this and there are
no regulations in place to encourage them
to do so.
Here, the farmers are cultivating lettuce
because the long harvesting period of
trees would have a significant impact on
them financially. To me, this represents
the courage that Indonesian farmers have
when dealing with economic and ecological
problems. While the types of crops they grow
may affect their future, they must also figure
out how to survive today.

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SIGHTINGS NICE TO MEET YOU

THE NOT-SO-SECRET LIFE OF DIKKE DENNIS


Janet Greco discovers that her subject has
made a permanent mark on Amsterdam.
jpgmag.com/people/frozenbaydotcom

6 Introduce us to someone interesting at: jpgmag.com/themes/3


I didn’t know it at the time, but Dikke Dennis is quite a famous guy.
I used to see him almost every day when I would pass his tattoo
shop located in the Jordaan neighborhood of Amsterdam. The name
of the shop was 666, and it said “Dikke Dennis” on the window. I
finally found out that this was his name, which translates to Thick
Dennis. He would often sit out front with an array of characters,
some of whom were quite intimidating. Eventually, I found the cour-
age to ask if I could take some pictures inside his tattoo shop.
This is a digitally stitched panorama taken towards the end of
the shoot when Dennis and Patricia started watching television
because they got bored of me. I found out during the shoot that not
only is a he a well-known tattoo artist, but he is also famous for
being in the band Peter Pan Speedrock, appearing on TV and in a
movie, and even having a book written about him.

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SIGHTINGS WTF

FEEDING TIME
Iguanas are both hunted and protected in
Honduras. Allison Inloes explores the refuge
where thousands of iguanas feel at home.
jpgmag.com/people/allison1524

This photo was taken at an iguana farm in Roatán, a


small island off the coast of Honduras. For the past 30
years, the farm has served as a refuge for iguanas, and
protected them from local hunters. Currently, about 2,700
iguanas consider this 15-acre property their home.
My younger cousin Julie was looking around the
farm and petting the iguanas when I took this picture.
They had just been fed, which is why there are so many
congregated in one area. It might seem a little scary that
she had so many iguanas around her, but they are very
mellow, so I think Julie found the situation humorous.

8 Got a funny, weird photo? Submit to WTF at jpgmag.com/themes/49


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SIGHTINGS FROM THE PIT

AMONGST THE STACKS


Within the setting of a library, Daus Adrian discovers
a musician that doesn’t do things by the book.
jpgmag.com/people/dausa

The interior décor of the restaurant and bar Bibliotheque


draws its inspiration from libraries. Located at the center
of Jakarta, Indonesia, Bibliotheque’s patrons are invited
to dine on Eastern European and Middle Eastern cuisine,
while they are surrounded by a collection of books that
stretch to the ceiling.
Every evening, the venue features an array of different
music. This is DJ Gallant, a regular performer who mixes
together classical music with anything from house, to
disco, or current hits.

10 Love live music? Submit to From The Pit: jpgmag.com/themes/227


SIGHTINGS

DECISIVE MOMENTS IN A NEW YORK MINUTE


Inspired by Henri Cartier-Bresson, Nathan Weyland
documents the culture found on the streets of New York.
jpgmag.com/people/nweyland

THIS SIGHTING VISIT


sponsored by MOMA.ORG 11
SIGHTINGS

JPG partnered with the Museum of Modern The first thing that I saw at the Museum of Modern Art New York
retrospective of Henri Cartier-Bresson’s photography, was a
Art New York to celebrate the exhibition, Henri series of wall-sized maps with crisscrossing arched lines that
Cartier-Bresson: The Modern Century, the first represent his near-constant travels during his career. He began
major US retrospective of the photographer’s traveling at age 22, and didn’t stop for over 40 years, so the
list of countries that he explored extensively is quite impres-
work in three decades. The winner of our Photo sive. Through the pages of Life and similar magazines, Bresson
Challenge: Inspired by Henri Cartier-Bresson, brought Americans their first intimate glimpses of distant coun-
Nathan Weyland, traveled to New York to see the tries. With this in mind, I decided to focus on what Bresson did
for much of his career during my visit to New York: street life.
exhibit and document the city’s culture. Find out In modern New York, one can emulate Bresson’s globe-
about his adventure on the following pages, and trotting agenda without leaving the five boroughs. Inspired by
this idea, I visited Puerto Rican East Harlem, Wall Street, Indian
see the runners-up on page 88! Jackson Heights in Queens, Chinatown in Manhattan, the trendy
Williamsburg in Brooklyn, and the wild Jamaica Bay. My goal
was to document the culture of New York by capturing moments
that constitute daily life throughout these neighborhoods as an
homage to Henri Cartier-Bresson’s life work.
The exhibition, Henri Cartier-Bresson: The Modern Century, is
a reminder of how much the world has changed, and simultane-
ously how nothing has truly changed at all. Today, people are
bombarded by images from around the world, so I pondered how
Bresson’s work continues to endure. The answer is found in the
pictures themselves, which largely depict relationships, daily life,
and significant social events. As the curator of the exhibition,
Peter Galassi, notes: Bresson’s true subjects were society and
culture—cornerstones of our civilization. By focusing on these
same subjects, I hoped to capture moments in New York society
that reflect our culture today, and have the same timeless qual-
ity found in Bresson’s photographs.

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