Professional Documents
Culture Documents
Joannes Richter
Abstract
The Roman, Greek and runic alphabets (Futhark and Futhorc) have been based on a central
symbolic “I”-pillar. All alphabets also contain an initial “A”-vowel symbol and a terminal “U”- or
“Ω”-vowel symbol. In the course of time the central I-position and/or the terminal vowels may have
lost their unique positions by shifting their locations in the alphabet.
Only the runic alphabets have been equipped with a set of initial key letters ᚠ,ᚢ,ᚦ in the ᚠᚢᚦ-
keyword (“Futh”), whose segments in bidirectional reading may symbolize a number of important
elements such as prominent divine names “Wut” and “Tuw” as well as the personal pronouns “wut”
and “thu”. This initial ᚠᚢᚦ-keyword is located outside the A-I- Ω structure of the Futhark and
Futhorc.
The three initial symbols ᚠ,ᚢ,ᚦ in the Elder Futhark and Younger Futhark (~150–1100 AD) may
refer to the personal pronoun of the 1st person dual (in old-Dutch: “Wut”, → “we two”), the
personal pronoun of the 2nd person singular (“thu” → “thou”) and to 3 deities “Vut” (Woden),
“Tuw” (in English: “Tuw” or “Tue” as in Tuesday) and “Thor” (symbolized by the rune ᚦ named
“Thurs” respectively “Thorn”).
In the Anglo-Saxon Futhorc (400–1100 AD) the 3rd, 4th and 5th runes ᚦ,ᚩ,ᚱ (“Thor”) additionally may
refer to the deities “Thor” and “Rod”.
The initial ᚠ,ᚢ,ᚦ–keyword of the various Futhark and Futhorc suggests the names “Vut” (Wōden)
and the reversed form “Tuw” (Tīwaz) were the first symbols to be represented in the alphabet's
concept.
In Futhorc the name Thor (Þórr or Þur) may have been introduced in a later stage of the alphabet to
compensate the symbolic power of the supreme Roman Jupiter by modifying a vowel “a” in
Futhark to “o” in the Futhorc alphabet.
The pillar concept of the Yggdrasil
The Runic alphabets seem to have been concentrated around a central axis, which is represented by
the vowel I. This thesis may be illustrated by the Hälsinge runes or staveless runes1.
The name "staveless runes" is imprecise, since the i rune consists of a whole stave. The Hälsinge
alphabets may vary some of the runes' shapes, which results in runes consisting of short main staves
such as the f, þ, k, h and the s runes consist of shortened main staves.[1]
The following Hälsinge alphabets also apply a centered main stave i rune and additionally the f, þ
(Thorn) and s runes, but the k and h deviate from the stave concept.
The symmetry is perfect for the central elements (the runes for N, I and A), which may be illustrated
in the close-up of the Hälsinge runes:
1 Runen-Sprach-Schatz, oder Wörterbuch über die ältesten Sprachdenkmale(1844) ... Udo Waldemar Dieterich
The main stave clearly represents a main axis and seems to be centered to symbolize the center of
the world. In a sense there is a mythological link to the world's pillar and mythical tree Yggdrasil,
which is supposed to carry the sky and prevent the collapse of the 9-layered Norse hemisphere.
The branches of Yggdrasil extend far into the heavens, and the tree is supported by three
roots that extend far away into other locations; one to the well Urðarbrunnr in the
heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr.
x x x
1 2 345678 901234567890 1234
[ᚠ] ᚢ ᚦ ᚨ ᚱ ᚲ ᚷ [ᚹ] ᚺᚾ ᛁ ᛃ ᛈ ᛇ ᛉ ᛊ ᛏ ᛒ ᛖᛗ ᛚ ᛜ ᛞᛟ
[f] u þ a r k g [w] h n i j p ï z s t b e m l ŋ d o
Table 1 Elder Futhark runic alphabet
In fact the Elder Futhark has been designed to provide us with two runes for the I-symbol, in which
one is supposed to be a short I and the other a prolonged I. The difference has a symbolic impact as
only the long vowels really count as fundamentals.
2 R (Algiz or Elhaz) is the name conventionally given to the "z-rune" ᛉ of the Elder Futhark runic alphabet. Its
transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-
European terminal *s.
3 In Proto-Norse and Old Norse, the Germanic *z phoneme developed into an R sound, perhaps realized as a retroflex
approximant [ɻ], which is usually transcribed as ʀ. This sound was written in the Younger Futhark using the Yr rune
ᛦ, the Algiz rune turned upside down, from about the 7th century. This phoneme eventually became
indistinguishable from the regular r sound in the later stages of Old Norse, at about the 11th or 12th century.
Central positions in the Elder Futhark runic alphabet
The original languages even restricted their vowel patterns to three letters A, I, U (in Roman
symbols), respectively A, I, Ω (in Greek symbols). The yellow marked long vowel ï is situated at
the perfect center of the alphabetic row:
whereas the blue marked short or simple vowel i and a purple marked j are approximating the
center of the following alphabetic row:
5 The futhark on the Kylver runestone from Gotland, Sweden - Agrell, Sigurd "Lapptrummor och
runmagi" (1934) – public domani
4 The letters that do this in Hebrew are < >אaleph, < >הhe, < >וwaw (or vav) and < >יyod (or yud). The matres
lectiones correspond closely to what is called in modern linguistics glides or semivowels. (Mater lectionis)
Long and short vowels
The central core of the i j p ï in the u-a-i-j-ï-e-o structure in the Elder Futhark runic alphabet
suggests a difference in symbolic interpretation of long an short vowels.
The Romans used 5 vowels A-E-I-O-U and marked the long vowels with an apex. The Long I ⟨I)
used to transcribe a long i-vowel /iː/ in Latin. It stands in for the apex used on other the long vowels:
á é ó vv /aː eː oː uː/. For Latin an example is documented in Wikipedia's entries Apex and Long I,
which in modern rendition would be lūciī a fīliī, with a macron rather than apex to indicate vowel
length.5
In Greek language the vowels α ε η ι ο υ ω have been used in short vowel versions: α, ε, ι, ο, υ and
long versions: ᾱ, η, ῑ, ω, ῡ. The vowels alpha (A), iota (I), and upsilon (U) are used for both
long and short vowels. The letters epsilon and omicron, are used for short and eta and omega for
long vowels. It must be noted that A, I, U are the archaic triad for the vowels in all languages. The
vowels ε, ο, η, ω seem to belong to later extensions. Probably the introduction of the subset ε, ο, η,
ω had to be initiated by the discovery of new planets.
Also the Tetragrammaton JHVH and YHWH and its Greek translation IAΩ may be correlated to
the archaic triad A, I, U, respectively IAU.
In the course of studying the ego-pronouns I discovered the cuneiform old-Persian ego-pronoun
“adam”, which directly correlated Persian “ منmæn”, the Turkish ego-pronoun variants “мен”, to
the creation legend in which the first “man” Adam had been created. Due to its vocal similarity the
Sanskrit ego-pronoun aham1 may be correlating to “adam” and to the creation legend as well.
I interpreted European ego-pronouns such as the singular letter Neapolitan, Norsk and English
vowels “i”, Wycliffe's “Y”, the Scottish, Venetian “a”, the Icelandic “e”, the Albanian “u” and the
Danish “æ” as deteriorated versions of the long variants like the Provencal ieu, the Jauers' jau, the
Macedonian jac (jas), the Italic iou and the German ih, which in shortened versions are known as
French “je”, Slavic “ja” and Italian “io” or Spanish “yo”.
These ego-pronouns all seemed to correlate to the creation legend in which a first human being
Adam or Man, had been created as an image “yau” (the basic ego-pronoun) of the divine creator,
the sky-god “Dyaus”6.
5 Apex (diacritic)
6 Etymology for the Name Dyaus (Concept) (2014) – quoted in Proceedings in the Ego-pronouns' Etymology
The etymology of pillar-shaped letters
Asked by Alexander the Great what was the thing they, the Celts, most feared they answered:
"We fear no man: there is but one thing that we fear, namely, that the sky should fall on
us; but we regard nothing so much as the friendship of a man such as thou."
This cannot not be seen as an offense as the formula for the traditional Celtic oath also had been
based on a “crashing sky”:
"May the sky fall on us and crush us, may the earth gape and swallow us up, may the
sea burst out and overwhelm us."7
I remember to have Arthur Bernard Cook's analysis of the pillars' symbolism in early societies. 8 The
antipodal element in the center concept of the Greek world used to be the omphalos (navel), which
had to be seen as the female opposite element to the male pillar.
The Germanic religion does not seem to have introduced an omphalos as an antipodal element to
the pillar.
The generally accepted meaning of Old Norse Yggdrasill is "Odin's horse", meaning
"gallows". This interpretation comes about because drasill means "horse" and Ygg(r) is
one of Odin's many names. The Poetic Edda poem Hávamál describes how Odin
sacrificed himself by hanging from a tree, making this tree Odin's gallows. This tree
may have been Yggdrasil.
In the concept of correlations between the divine names and the ego-pronouns I also considered the
thesis of an “Ich”-drasil, which includes the German “ego”-word “Ich” as a pillar and an image of
the creator god. Of course this correlation “Ich” ↔ “Ygg” in Yggdrasill would perfectly match
“iéu” ↔ “Diéu” (in Provencal) and “io” ↔ “Dio” (in Italian). In English we may correlate the “I”
↔ “Ygg” in Yggdrasill.
7 The Celts in Ancient History in Myths and Legends of the Celtic Race by Thomas Rolleston [1911] quoted in the
blog: The Nuclear Pillars of Symbolism
8 Notes (1) to Zeus by A.B. Cook (1925) -Notes (3) to Zeus by A.B. Cook and Retrospect - Notes (6) to Zeus by
Arthur Bernard Cook (1925)
The digamma and the sonus medius-concept
The huge territories of the Germanic peoples and the Roman Empire required a most flexible
pronunciation of the common letters and words which applied relatively standardized alphabets.
The various languages required adaptations such as the “3 Claudian letters” and the “four letters of
the Merovingian king Chilperic I”.
Additional letters
The letter was later used as a variant of y in inscriptions for short Greek upsilon (as in
Olympicus). It may have disappeared because the sonus medius itself disappeared from
spoken language.[1] 9
Originally the digamma represented the wau-sound /w/, the consonantal doublet of the vowel letter
upsilon (/u/). Digamma or wau is in turn the ancestor of the Latin letter F, which as a symbol still
resembles the original digamma letter symbol.
9 Claudian letters
10 The Digamma-Joker of the Futhark
11 Discussion in 'Alternate History Discussion: Before 1900' started by Douglas, Sep 13, 2006.
12 The thorn (th) and Wynn (Ƿ ƿ - as w) were two of the runes which, according to Gregory of Tours, Chilperic I
introduced into the Merovingian scripts - Gearwor: Blogging on Old English Literature: Origin of Eth
13 (Commented →): He proposed the same thing in 581, but was thwarted by his grudging respect of Gregory of Tours.
14 A Medieval Project | Alternate History Discussion
15 Old English/Pronouns
The letter “W” (uui)
Another more reliable source specified one letter “W”:
The Frankish king Chilperic I proposed the addition of four letters to the Roman
alphabet, thus showing his knowledge of runes, since one of the four new letters,
described: uui, was shaped after the runic w16.
This half-consonant however also is an important symbol for the dual pronoun “wit”, which in the
meantime, became obsolete and extinct.
The uui also is important as it probably symbolizes the first character “F” (to be understood as a
digamma: understood as a “W”, but written “Fu”) of the Futhark.
For this reason Uirlanti (→ Wirland17 in Estonia) may also be a Futh-symbol, relating to the runic
“W-”, “Wit”- and/or “Wir”-symbolism.
16 Runes around the North Sea and on the Continent AD 150-700; proefschrift Jantina Helena Looijenga
17 Estonia disintegrates into the provinces Alentaken, Wirland, Harien, the Wik, Jerven and Odenpö. Archive for the
History of Liv-, Est- and Churlands – translated from: Esthland zerfällt in die Provinzen Alentaken, Wirland, Harien,
die Wik, Jerven und Odenpö. Archiv für die Geschichte Liv-, Est- und Curlands
Symbolic range of sounds in the fuþ-header
The Germanic territory shared “Fuþ” header by flexibility in the interpretation of the symbols,
which seemed to have been understood as jokers.
In the following table the symbolic range of sounds in the fuþ-header may be interpreted as:
1st symbol 2nd symbol 3rd symbol Remarks
1 [u] [u] Þ or t [u][u]þ Uut → Odin
2 [w] [u] Þ or t [w][u]t wut “We both” → (Old-Dutch) personal
pronoun dual 1st person nominative
Wut → Woden, (W)Odin
3 [v] [u] Þ or t [v][u]t vut Vut → Vidvut
Vut → Woden (→ “Mercury”)
4 [f] [u] Þ or t [f][u]t fut Fut → Dutch (vitality, vital energy,
sperm) – related to Latin futuō
5 [u] [i] Þ or t [u][i]þ uiþ
6 [w] [i] Þ or t [w][i]t wit “We both” → (Old-Dutch) personal
pronoun dual 1st person nominative
7 [v] [i] Þ or t [v][i]þ
8 [f] [i] Þ or t [f][i]t fit → Fitness (vitality, vital energy)
Vut
The Longobards spelt it Wôdan or Guôdan, the Old Saxons Wuodan, Wôdan, but in Westphalia
again with the g prefixed, Guôdan, Gudan, the Anglo-Saxons Wôdan, the Frisians Wêda from the
propensity of their dialect to drop a final n, and to modify ô even when not followed by an i. (1) The
Norse form is Oðinn, in Saxo Othinus, in the Faröe isles Ouvin, gen Ouvans, acc. Ouvan.
Up in the Grisons country---and from this we may infer the extent to which the name was diffused
in Upper Germany----the Romance dialect has caught the term Vut from Alamanns or Burgundians
of a very early time, and retained it to this day in the sense of idol, false god, 1 Cor. 8, 4. (2) (See
Suppl.) 19
Cotton Domitian A.ix reaches thus a total of 33 letters, according to the transliteration introduced
above arranged in the order
f u þ o r c ȝ ƿ/w h n i j eo p x s t b e m l ŋ d œ a æ y ea io cƿ k st g
Table 7 The alphabet in Cotton Domitian A.ix
1 f u þ o r c ȝ ƿ/w h n i j eo p x s t b e m l ŋ œ d a æ y io ea
2 f u þ o r c ȝ ƿ/w h n i io eo p x s t b e ŋ d l m j a æ y ea
3 f u þ o r c ȝ ƿ/w h n i j eo p x s t b e m l ŋ d œ a æ y ea io cƿ k st g
Table 8 Various futhorc alphabets (1) futhorc, (2) Thames scramasax, (3) Cotton Domitian A.ix
20 Anglo-Saxon runes
21 Wikipedia's entry: Letters (from Anglo-Saxon runes)
22 The Gods in the Days of the Week and inside the Futhor-alphabet
The Slavic supreme God Rod (or "Krodo") of the universe
The name for an equivalent deity in Saturday is found in Germanic myths. The name Rod in Slavic
mythology is documented as the Saxon king Krodo or Chrodo, whose statue had been demolished at
the Harz Mountain in 780AD by Charlemagne and he may have been an equivalent of Saturn23.
Rod (Polish, Slovenian, Croatian: Rod, Belarusian, Bulgarian, Russian, Serbian Cyrillic:
Род, Ukrainian Cyrillic: Рід) is a conception of supreme God of the universe and of all
its gods in Slavic Native Faith (Rodnovery).
In some old writings the name appears as Hrodo, Chrodo, Krodo, or the Latinised form Crodone.[5]
The 15th-century Saxon Chronicle attests that "Krodo" was worshipped also by Saxon tribes, who
inhabited modern-day northern and eastern Germany together with West Slavic tribes.[6]24
23 “The Saxon Chronicle” (1492) by Conrad Bothes – in German: „Sassenchronik“ („Cronecken der sassen“) (Chrodo)
24 Wikipedia: Rod (Slavic religion)
The dual forms for the personal pronouns of the 1 st person
In Old-Dutch the dual nominative for the 1st person singular (“we two”) is “wut” or “wit” 26 and the
Old-Dutch sky-god's name is “Tuw” or “Tij”27, correlating to the English Tue (in Tuesday).
Until recently the dual forms “wut” or “wit”, “vit”, “ƿit” and “við” seemed to have survived the
Roman civilization and occupation.
The dual forms “wut” or “wit”, “vit”, “ƿit” and “við” and their reversed forms “Tuw”, “Tiw”,
“Tiv”,”Tiƿ” and “Ðiv” are correlating with the fuþ-header of the Futhark alphabet. However the
deviations have to be checked for plausibility.
25 A Compendious Grammar of the Old-Northern Or Icelandic Language - George Perkins Marsh, Rasmus Rask - 1838
26 wut vnw., wit 1 wij twee, wij beide • verouderd Noordfries wat, wët, IJslands við • vgl. °onk1 ‘ons twee’, °jut/°jit
‘jullie twee (onderwerp)’, °ink1 ‘jullie twee (voorwerp)’ - Vergeten woorden | Taaldacht
27 Tuw2 m., Tij2 1 God, Hemelvader, de Heer van Licht en Recht, de oorspronkelijke Hoge God in het Germaanse
volksgeloof, ew. °Dings/°Dijs • Fries Tij (in tiisdei), Engels Tue (in Tuesday), Noors Ty, IJslands Týr • bijzonder
gebruik van °tuw1/°tij1, in °tuwsdag, vgl. °Met4 ‘Beschikker, Ordenaar, Schepper, God’ - Vergeten woorden |
Taaldacht
Jacob Grimm's explanation of the dual indicator “T”
Some of individual Futhorc-characters are explained by Jacob Grimm, who claims that the letter
“T” in “Wit” (“We two”) as the dual for for the personal pronoun for the first person) refers to the
duality of the word “we” (in German: wir as the plural form for the personal pronoun for the first
person).
Grimm's entry is found in the plural “wir” (“we”-section). The dual form for this word “wit” has
only recently been abandoned in the northern Frisian language. In the quotation Grimm's duality
claim has been marked yellow (by myself)28.
In symbolic representations the word “Wit” (“We two”) also includes the plural word “Wi” (“we
all”) by simply skipping the dual element “t”.
28 Neben der pluralform steht im älteren germ. der dual wit (t ist angehängte zweizahl) 'wir beide', vgl. got. ags. asächs.
wit, anord. vit (viþ), der sich auf deutschem boden nur im nordfries. erhalten hat, sonst durch den plural ersetzt und
schon ahd. nicht mehr bezeugt ist; vgl. lit. vèd.
Source → wir, pron. (In the German Dictionary (Deutsches Wörterbuch) by Jacob Grimm and Wilhelm Grimm)
The evolution of Germanic religion
Studying the structure of the runic alphabet might enable us to reconstruct the Germanic religion by
deriving the sequence of the initiating dates for the deities Woden, Tuw, Thor and Rod from the
Futhark/Futhorc-structures.
The earliest runic inscriptions date from around 150 AD. The three best-known runic alphabets are
the Elder Futhark (around 150–800 AD), the Younger Futhark (800–1100 AD) and the Anglo-Saxon
Futhorc (400–1100 AD).
29 Groeneveld, E. (2018, June 19). Runes. Ancient History Encyclopedia. Retrieved from https://www.ancient.eu/runes/
30 Anglo-Saxon runes
The reminiscence of the deities in singular
Obviously the runic alphabets managed to preserve the reminiscence of the deities in singular runes:
• Thor in the rune ᚦ, ð (‘th’)
• Tyr and Tīƿ (Tiw) and “any god” in the rune ᛏ (t)
• "[a] god" in the Anglo-Saxon rune ᚩ (o)
Woden
In an interpretatio romana Tacitus refers to the god Odin as "Mercury", Thor as "Hercules",
and Týr as "Mars", and the identity of the "Isis" of the Suebi has been debated.[7] 31
The earliest written runic evidence for Woden is “uþin” (on a skull fragment dated 725
AD)32.
Týr
Týr in origin was a generic noun meaning "god". In the late Icelandic Eddas Týr is
portrayed, alternately, as the son of Odin (Prose Edda) or of Hymir (Poetic Edda).
Tiw was equated with Mars in the interpretatio germanica. Tuesday is "Tīw's Day" (also in
Alemannic Zischtig from zîes tag), translating dies Martis.
It is assumed that Tiwaz was overtaken in popularity and in authority by both Odin and Thor
at some point during the Migration Age (around the 4th to 6th centuries AD).
Thórr
Odin is attested as having many sons, most famously the god Thor.
Beginning in the Viking Age, personal names containing the theonym Thórr are recorded
with great frequency. Prior to the Viking Age (793–1066 AD), no examples are recorded.
Thor is frequently referred to—via a process known as interpretatio romana (where
characteristics perceived to be similar by Romans result in identification of a non-Roman
god as a Roman deity)—as either the Roman god Jupiter (also known as Jove) or the Greco-
Roman god Hercules.
The Anglo-Saxon runes (400–1100 AD), which reveal the names Thor and Rod by defining the
“O”-symbol in futhorc may have introduced the rune ᚩ (o) as a dedication to "[a] god" and to
include the written name ᚦ,ᚩ,ᚱ (“Thor” and “Rod”).
Rod
Rod is a conception of supreme God of the universe and of all its gods in Slavic Native
Faith (Rodnovery). During the Saxon Wars king Charlemagne destroyed a Crodo statue in
780 AD33.
As attested by Helmold (c. 1120–1177) in his Chronica Slavorum, the Slavs believed in a
single God. Rod (→ Crodo) has been compared to the Latin time god, Saturn.[11] 34
At an early stage of Slavic history "Rod" replaced "Deivos" as the conception of the
supreme God. Deivos, "Heaven", was the name of the God of Heaven in the earliest Slavic
religion, cognate with the Proto-Indo-European *Dyeus (cf. Sanskrit Deva, Latin Deus, Old
High German Ziu and Lithuanian Dievas).[9]35
"Deivos" however was soon abandoned[4] to be replaced by the concept of Rod36.
33 Saxon tradition
34 Hanuš, Ignác Jan (1842). Die Wissenschaft des Slawischen Mythus im weitesten, den altpreussisch-lithauischen
Mythus mitumfassenden Sinne. Nach Quellen bearbeitet, sammt der Literatur der slawisch-preussisch-lithauischen
Archäologie und Mythologie (in German). J. Millikowski. (Hanuš 1842, pp. 115–116. )
35 Gasparini 2013; Rudy 1985, pp. 4–5.
36 Rudy 1985, p. 4.
The names for the days of the week
Other evidence for the interpretatio germanica exists in the Germanic translations of the Roman
names for the days of the week37, in which obviously names for planetary symbols are mapped from
Germanic to Roman names:
• The (female) sun to a (male) Sol Invictus
• The (male) moon to the (female) Luna
• Wōden (Óðinn; Wōden; Wuotan) to Mercury,
• Tīwaz (Týr, Tīw; Ziu) to Mars,
• Thor (Þórr or Þur) to Jupiter,
• Freya to Venus
• and an undetermined symbol to Saturn
The names for the days of the week may have been assigned to this pattern around the 1st century
AD.
37 According to Rudolf Simek, this occurred around the 1st century of the common era, when both cultures came into
closer contact. (Interpretatio germanica)
Abstract
The Roman, Greek and runic alphabets (Futhark and Futhorc) have been based on a central
symbolic “I”-pillar. All alphabets also contain an initial “A”-vowel symbol and a terminal “U”- or
“Ω”-vowel symbol. In the course of time the central I-position and/or the terminal vowels may have
lost their unique positions by shifting their locations in the alphabet.
Only the runic alphabets have been equipped with a set of initial key letters ᚠ,ᚢ,ᚦ in the ᚠᚢᚦ-
keyword (“Futh”), whose segments in bidirectional reading may symbolize a number of important
elements such as prominent divine names “Wut” and “Tuw” as well as the personal pronouns “wut”
and “thu”. This initial ᚠᚢᚦ-keyword is located outside the A-I- Ω structure of the Futhark and
Futhorc.
The three initial symbols ᚠ,ᚢ,ᚦ in the Elder Futhark and Younger Futhark (~150–1100 AD) may
refer to the personal pronoun of the 1st person dual (in old-Dutch: “Wut”, → “we two”), the
personal pronoun of the 2nd person singular (“thu” → “thou”) and to 3 deities “Vut” (Woden),
“Tuw” (in English: “Tuw” or “Tue” as in Tuesday) and “Thor” (symbolized by the rune ᚦ named
“Thurs” respectively “Thorn”).
In the Anglo-Saxon Futhorc (400–1100 AD) the 3rd, 4th and 5th runes ᚦ,ᚩ,ᚱ (“Thor”) additionally may
refer to the deities “Thor” and “Rod”.
The initial ᚠ,ᚢ,ᚦ–keyword of the various Futhark and Futhorc suggests the names “Vut” (Wōden)
and the reversed form “Tuw” (Tīwaz) were the first symbols to be represented in the alphabet's
concept.
In Futhorc the name Thor (Þórr or Þur) may have been introduced in a later stage of the alphabet to
compensate the symbolic power of the supreme Roman Jupiter by modifying a vowel “a” in
Futhark to “o” in the Futhorc alphabet.
Contents
Abstract............................................................................................................................................1
The pillar concept of the Yggdrasil.................................................................................................2
Architectural concept of the runic alphabet................................................................................3
Central positions in the Elder Futhark runic alphabet.................................................................4
The Kylver Stone........................................................................................................................4
The initial triad fuþ of the Fuþark-alphabets...............................................................................4
Long and short vowels................................................................................................................5
Traces of IAU, IAΩ in the sky-god's name Dyaus......................................................................5
The etymology of pillar-shaped letters.......................................................................................6
The Algiz (R) rune......................................................................................................................6
The digamma and the sonus medius-concept..................................................................................7
Additional letters.........................................................................................................................7
The Claudian letters................................................................................................................7
The modification of the Frankish alphabet by king Chilperic I ............................................7
The letter “W” (uui)...........................................................................................................8
The impact of new letters on the fuþ-header of the Futhark.......................................................8
Symbolic range of sounds in the fuþ-header...............................................................................9
Vidvut...................................................................................................................................10
Vut........................................................................................................................................10
The divine name “Thor”............................................................................................................11
Alternative sequences for the futhorc alphabets...................................................................11
Comparison of various futhorc alphabets.............................................................................11
The core section “fuþor”...........................................................................................................11
The Slavic supreme God Rod (or "Krodo") of the universe ....................................................12
The dual forms for the personal pronouns of the 1st person.........................................................13
The vowel cores IAU in Dyaus and the Jauer...........................................................................13
The þú of the personal pronoun of the 2nd person singular......................................................13
The dual forms “wut” or “wit”, “vit”, “ƿit” and “við”..............................................................13
Jacob Grimm's explanation of the dual indicator “T”...............................................................14
The evolution of Germanic religion...............................................................................................15
Elder Futhark runes...................................................................................................................15
Younger Futhark runes..............................................................................................................15
Anglo-Saxon Futhorc runes......................................................................................................15
The reminiscence of the deities in singular ..............................................................................16
The role of the ᚠ,ᚢ,ᚦ,ᚨ,ᚱ,ᚲ – keyword.........................................................................................16
The role of the ᚠ,ᚢ,ᚦ– and ᚦ,ᚩ,ᚱ-keywords.................................................................................16
Three gods encoded in three runes............................................................................................16
Woden...................................................................................................................................16
Vid (Svetovid)......................................................................................................................17
Týr........................................................................................................................................17
Thórr.....................................................................................................................................17
Rod.......................................................................................................................................17
The names for the days of the week..........................................................................................18
Priorities in introducing divine names......................................................................................18
Abstract..........................................................................................................................................19