Professional Documents
Culture Documents
TEACHER
LEADERSHIP
Assignment 1
Abstract
The following report focuses on the improvement of a Stage 4, Year 8 English Unit: ‘Changes’.
This unit was originally designed for use in lower-ability classes at Chifley College: Bidwill
Campus. This report proposes recommendations for the improved suitability of the unit in
regard to teaching a comprehensive class with students that are Gifted and Talented, EAL/D,
and students with a diversity of learning needs. In order to effectively achieve this, the unit
has been reconstructed through the utilisation of the Understanding by Design (UbD)
framework to ensure that the proposed changes are concomitant with success for students
in the class. The targeted areas of improvement through this report are the improved
sequencing of learning, Literacy and Numeracy development, and the development of
personal and social capabilities through the learning.
Benedict Stone
Executive Summary .......................................................................................................................... 2
Objective and Context .................................................................................................................. 2
Goals ............................................................................................................................................. 3
Recommendations........................................................................................................................ 3
Part I – Comparative Table of Unit Alterations ................................................................................ 0
Part II – Contextual redesigned program documentation ............................................................... 3
Context ......................................................................................................................................... 3
Concept Map ................................................................................................................................ 4
Scope and Sequence..................................................................................................................... 5
Assessment Schedule ................................................................................................................... 6
Unit Outline .................................................................................................................................. 7
Assessment Task........................................................................................................................... 0
Part III – Report of Recommendations ............................................................................................. 4
Reference List ............................................................................................................................. 10
Appendix – Original Program Documentation ................................................................................. 0
Scope and Sequence..................................................................................................................... 0
Assessment Schedule ................................................................................................................... 1
Unit Outline .................................................................................................................................. 2
Assessment Task........................................................................................................................... 0
Executive Summary
Objective and Context
This report has been designed for the English faculty at Chifley College: Bidwill, which is located in
Western Sydney. Chifley College: Bidwill is a comprehensive co-educational school which has
streamed classes for English. The population of the school is highly diverse, with 40% of students
being from a language background other than English (LBOTE), and with 17% of students at the
school identifying as Indigenous or Torres Strait Islander individuals. Couples with this, the
socioeconomic status of the school is relatively low, with 81% of parents in the bottom quarter of
earners. The school is relatively even in terms of female to male students, with 52% to 48% split
respectively.
Originally, this unit was taught in a Year 8 English classroom with lower streamed students at Chifley
College: Bidwill. This class consisted primarily of students from a LBOTE, with socioeconomic factors
impacting students in the classroom.
Reference: Statistics and tables above are retrieved from the MySchool Website. Retrieved from:
https://myschool.edu.au/school/41838/profile/2017
Goals
- Address the literacy concerns through the learning in the unit and incorporate further
strategies for numeracy priorities through the learning.
- Improve the integration of ICT in the classroom as a resource to support learning.
- Challenge students through an inquiry focused learning, that focuses on solving problems
through collaborative approaches to learning
- Facilitate and encourage students to be able to demonstrate learning through a variety of
means, providing flexibility in the approach to assessment
- Provide effective differentiation for students in order to meet the needs of a diversity of
learners in the classroom
- Improve the sequence of learning across the unit to ensure that learning is meaningful and
has a clear progression.
Recommendations
The following recommendations will consist of the unit being taught in a comprehensive classroom
without streaming, meaning that there will be students of mixed academic ability in the classroom.
Furthermore, in the classroom there will be students with a LBOTE, and students that are Gifted and
Talented, as well as students that identify as Indigenous and/or Torres Strait Islander, and students
that are impacted by socioeconomic issues. Inclusive in this comprehensive classroom will be a
diversity of learners, including students with additional learning needs. Therefore, the
recommendations within this report primarily focus upon differentiation, literacy and numeracy
concerns, and the improvement of sequencing and assessment in the unit.
- Improve the differentiation provided in the classroom through ensuring all students in the
class have opportunities to engage with the learning and succeed.
- Improve the explicit instruction of Literacy as well as modelling in the classroom to ensure
that students are scaffolded through learning.
- Improve the sequencing of learning to ensure that there is a coherence between units, and
that the learning within the unit of work has a clear progression to assist in the development
of skills.
- Improve the provision of formative assessment through the development of a portfolio task
that operates as a key component in the learning.
Part I – Comparative Table of Unit Alterations
Context
The context for the redesigned unit of work is a contemporary classroom with students of mixed ability in the classroom. Furthermore, in the classroom will
be students with a LBOTE as well as students with individual learning needs, and students that are Gifted and Talented. The class will like the rest of the
school have students that are impacted by socioeconomic issues, as well as students that identify as Indigenous and/or Torres Strait Islander
Concept Map
Scope and Sequence
Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10
Term 1
Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10
Film: Common Film Module – Change – Conceptual Study.
Term 2
students will explore the ways in which the Common Module – ‘Change’ is represented in and through texts. Students will explore the various aspects of change that influences an individual perspective
such as self (personal), social, physical, environmental and values and beliefs. This unit will also require students to explore how texts can explore how change is triggered, the process of change and the
impact of change on an individual. Students will have the opportunity to explore the concept of change through a prescribed text and compose extended responses that demonstrate their understanding and
knowledge of the concept of change.
Focus outcomes: EN4-1A, EN4-2A, EN4-3B, EN4-4B, EN4-5C, EN4-6C, EN4-7D, EN4-8D
Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10
Non-Fiction: Environment – News, Media, and Information. Recording and Advertising Digital Voices
Term 3
In this unit students explore and respond critically, imaginatively and interpretively to a variety of media related texts. They will explore the purpose of media articles and look closely at the idea of bias and
differing points of view. Students will be provided with the opportunity to explore and expand their understanding of the influence of the media within the context of their everyday life.Types of texts: fiction,
poetry, nonfiction; spoken texts, print texts, media, multimedia and digital texts (websites, audio)
Public Voices & Changed Voices: Bias
Types of texts: media, multimedia and digital texts
Focus outcomes: EN4-2A, EN4-3B, EN4-4B, EN4-5C, EN4-7D, EN4-9E
Week 1 Week 2 Week 3 Week 4 Week 5 Week 6 Week 7 Week 8 Week 9 Week 10
Drama – Introduction to Shakespeare.
In this unit students will explore a Shakespearean drama text which is regarded as quality literature. This ensures that they explore texts from other countries and times, and understand the contextual
Term 4
value of studying a variety of texts. The unit will introduce students to Shakespeare’s universal characters and their stories, as well as the richness of Shakespearean’s language to engage students. The unit
will require students to understand the key ideas, language features and form of the play ‘Romeo and Juliet’.
Students experience play reading, learning about dramatic techniques, and performance of a scene in groups. This unit includes peer and self-assessment.
Types of texts: drama; print texts
Spoken and Visual Texts, News Report Writing
Types of texts: fiction, nonfiction; print texts, visual texts
Focus outcomes: EN4-1A, EN4-2A, EN4-4B, EN4-5C, EN4-7D, EN4-8D, EN4-9E
Reference: The following scope and sequence has been developed through the use of the original documentation provided by the school, and through the use of the
recommended scope and sequence provided by NESA. Retrieved from: https://syllabus.nesa.nsw.edu.au/assets/global/files/english_s4_sampless1.pdf
Assessment Schedule
Formal Assessment
Assessment Task Assessment Task Assessment Task Assessment Task
1 2 3 4
Assessment Book Review Common Module - Multimodal In class –
Name:
Essay Presentation News Report
Description Students are to write a Student’s write 500 – 800 Create an advertisement
Students are to write a
review based on the class word essay on the Common about a product or campaign
news report on a key event that
prescribed text which Module – Change by using directed towards an
has occurred in the
examines how the text fits their prescribed text. environmental issue. Analysis
Shakespeare play ‘Romeo and
of advertisement composition
into the key features of the Juliet’.
Students complete in-class presented to class with a
genre. creative task using Change as speech Rationale
the focus.
Students complete a
portfolio through the course of
the semester which is marked
satisfactory or Unsatisfactory.
Weighting 25% 25% 25% 25%
Due Date Term 1, Week 9 Term 2, Week 7, 10 Term 3, Week 8 Term 4, Week 4
Outcomes EN4-1A, EN4-3B , EN4- EN4-2A,EN4- 6C, EN4- EN4-1A, EN4-2A , EN4- EN4-4B, EN4-5C , EN4-
4B and EN4-6C 7D and EN4-8D 7D and EN4-9E 6C and EN4-8D
Unit Outline
UNIT OUTLINE
Subject: Stage 4: Year 8 English Course: Film Study: Common Module – ‘Changes’ Number of Weeks: 10
Unit Overview: In this unit students will explore the ways in which the Common Module – ‘Change’ is represented in and through texts.
Students will explore the various aspects of change that influences an individual perspective such as self (personal), social, physical,
environmental and values and beliefs. This unit will also require students to explore how texts can explore how change is triggered, the
process of change and the impact of change on an individual. Students will have the opportunity to explore the concept of change through a
prescribed text and compose extended responses that demonstrate their understanding and knowledge of the concept of change.
Key Concepts/ Big Ideas The importance of this learning
- Understand how the concept of ‘change’ is The importance of this learning Is that students will be able to understand how ideas are
represented in both fiction and in non- represented in and through texts. Students will be able to understand the individual perspective
fiction set texts and media that texts highlight and understand and be able to demonstrate how texts construct and convey
- Students create their own texts that explore meaning.
the concept of ‘change’
- Students understand the way in which QTM Elements General Capabilities CCP Other Areas
change may be represented and the way Deep Knowledge Critical and Creative Thinking Aboriginal and Torres Civics and
that humans may change and the way that Strait Islander Citizenship
they may experience these changes Engagement Ethical Understanding Histories and Cultures
- Students understand the social and political Diversity and
purpose of studying the concept of ‘change’ Metalanguage Personal and Social Capability Asia and Australia’s Difference
- Students understand the impact of change Engagement with Asia
and reflect upon the experience of learning Student Direction Numeracy Work and
about ‘changes’ including their learning Sustainability Enterprise
experiences. Connectedness Intercultural Understanding
- Understand the various forms that change
can take Information and
Communication Technology
Literacy
Unit context within Scope and Sequence Syllabus Outcomes
This unit is situated within Stage 4, and continues on EN4-1A: responds to and composes texts for understanding, interpretation, critical analysis, imaginative expression and
from study of fiction, in which students have learnt pleasure
EN4-2A: effectively uses a widening range of processes, skills, strategies and knowledge for responding to and
and begun to understand English language devices composing texts in different media and technologies.
and the way in which meaning is represented and EN4-3B: uses and describes language forms, features and structures of texts appropriate to a range of purposes,
formed within and across texts. Following this unit is audiences and contexts
the study of Non-fiction which involves students EN4-4B: makes effective language choices to creatively shape meaning with accuracy, clarity and coherence
EN4-5C: thinks imaginatively, creatively, interpretively and critically about information and increasingly complex ideas
applying understandings on textual understanding and arguments to respond to and composes texts in a range of contexts
and analysis towards a broader range of texts. The EN4-6C: identifies and explains connections between and among texts
continuum of learning across the scope an sequence EN4-7D: demonstrates understanding of how texts can express aspects of their broadening world and their
and through this unit is beneficial in the way that it relationships within it
builds upon skills and understandings in the EN4-8D: identifies, considers and appreciates cultural expression in texts
learning.;
Sequence Outcomes Teaching and Learning Strategies including assessment for learning. Assessment
Learning EN4-6C Unpacking Common Module – “Change” The portfolio
Sequence 1 EN4-7D Provide introduction to the concept. serves as an
(2 weeks) Learning Intention: Students will be able to understand the concept of Change, and the ongoing
many different ways that this may be represented in texts, and the any different ways that formative
assessment
change may take form.
measure week
by week for the
Key Inquiry Questions teacher.
1) What makes a person want to change; 2) What defines a change; 3) in what different
ways can a change occur; 4) why would the concept of change be so prevalent in texts?;
Why would we study change; What is your understanding of the concept of change, and
what does change mean to you? How do you interpret this? Students
What is a Common Module? Provide an overview of the unit and an explanation of write a
the purpose of the Common Module. structured
- Students work together in groups to understand what the concept of ‘change’ is, response to
and use their personal reading materials, personal experiences, and discuss with demonstrate
their knowledge
one another to understand what the concept of change is. The teacher and the
of the concept of
class will create a whole-class mind map using CMAPS so that the picture and
change.
understandings of Changes can be created as a class.
- The teacher will introduce metalanguage, and technical terminologies to student
responses, explaining meanings and importance of using the technical jargon.
Aspects of Change:
o Definitions on aspects of Change: Self, Social, Environmental, Perspective,
Physical
Quotes about Change: Provide a list of quotes which reflect the concept
and Change and get students to explain the aspect of change it reflects.
Students provide a real life example of each aspect of Change or an
example from another text which reflect these aspects.
PEEL Paragraph: Students are to answer the following question and
write a PEEL Paragraph based on an aspect of Change. “An individual can
change in many ways”. Reflect on yourself and link the question to an
aspect. Then, explain how it is relevant to you furthermore, providing an
example.
Students will consider different examples from their life/community and
also the different types of change that they have experienced.
Students will discuss the factors that may lead to a change occurring,
and for changes revolving around a person, the qualities and
characteristics that may be required for this change to occur.
Students imagine they are in a situation of change, and explore how
they would navigate the situation, and the impacts and causes of such
changes.
Students will research individually an aspect of change that a person has
experienced in the past. Students can choose a visual means of
presenting this information (PowerPoint, Spark video, Prezi)
Students will create a 5 or 10 step breakdown of what experiences
individuals will face as a result of a change. In this, students will focus on
different types of changes in creating these responses, thinking about
the personal and social impacts.
Problem solving: Students are given scenarios and determine what aspect of change
it relates too. This can be completed as a group activity.
Trigger, Process & Impact: Think-Pair-Share - Students are given a set timeframe to
brainstorm what triggers, process and impact of ‘Change’ then swap with the person
sitting next to them and share their answers. Then as a class, compose a mind map of
“Triggers, Process & Impact”.
- After students have learned about the different aspects of change, students begin
looking at texts that they have read and studied, as well as looking at different
contemporary resources that are relevant to students for students to investigate.
- In this activity, students will write a paragraph in PEEL format about their definition Students
of change prior and will also write a definition after the completion of this activity. compose an
- Students will write a reflection on the comparison between the two different empathy task
definitions that they have written, reflecting on the changes between their based on the
responses and why they have changed their definitions and understandings. character from
- Portfolio: students will upload there two definitions of Change, and also their the film
reflections to the portfolio as a part of their evidence of learning.
Related Text Analysis: Short Film – ‘Marry Me’ directed by Michelle Lehman
Students will analyse the related text to demonstrate how texts can represent the concept
of ‘change’. Students watch, Tropfest – Marry Me and answer questions surrounding the
main persona (Chloe).
https://www.youtube.com/watch?v=XFdbZHMBxfg
Prediction Inquiry: what changes do you believe will be present in this text?
o
o Trigger: What triggers Chloe’s change in the film? It is triggered by her interest,
influence by another person or emotional connection?
o Process:
What transformation does Chloe undergo when she tries to get
attention from Jason?
Does Chloe encounter any new values or beliefs in the process of
changing?
Letter writing: Write a letter to Jason from the perspective of Chloe,
explaining what you initially thought of him (the beginning of the short
film) and what you think of him now (refer to the end of the short film).
o Impact: Class discussion – As a class, discuss how Chloe had changed by the
end of the film. Was it a negative or positive change? Explain and reference
relevant examples.
Portfolio – students will write a paragraph discussing the different forms that the concept
takes through the text, and the way that forms of changes are related and can operate Students
within each other. demonstrate
Short Text Analysis: understanding of
Students will analyse a variety of texts types (visual images, poems, song lyrics, short concept through
extracts, etc.) to demonstrate their understanding of the concept of ‘Change’ in different analysis of short
texts.
texts.
Learning EN4-1A Learning Intention: Students will be able to understand the features of visual and text The portfolio
Sequence 2 – EN4-2A based mediums for representing ideas and conveying meaning. serves as an
2 Weeks EN4-3B ongoing
Essential Questions: What stylistic features are integral to texts in order to convey ideas of formative
assessment
change? How are different types of changes conveyed in texts? Why do different texts
measure week
convey ideas differently?
by week for the
How do these techniques assist in further understanding the way in which change is teacher.
represented in the texts studied so far in the class. (Spiral inquiry approach to studying
texts)
Introduction to Techniques
Brainstorm: Students are to brainstorm the film techniques that they know. Get
students to share their responses.
Inquiry- the teacher will provide students will a range of written and visual texts that
represent Asian, as well as Aboriginal and Torres Strait Islander histories and cultures.
- Students will investigate how these ideas are conveyed and will create a visual
representation of the Changes that are conveyed through the texts. Students will
also create a Mind-Map that represents the various techniques used in the
representation of ideas through the text. Teacher
- Portfolio – students will upload this document to their portfolio. checks student
Film Techniques: work to show
o Camera Angle the
o Camera Shots understanding of
o Diegetic/Non-Diegetic Sounds the technique.
o Lighting
o Montage
o Movement
o Flashback/Flash-forward
Literary Devices:
o Metaphor
o Simile
o Symbolism
o Diction
o Foreshadowing
o Imagery
o Personification
o Point of View – Omniscient & Subjective
o Motif
Learning EN4-1A Close Study of Prescribed Text The portfolio
Sequence 3, EN4-2A Learning Intention: Students will be able to understand how the director of the film has serves as an
3 Weeks EN4-3B represented the concept of change. ongoing
Essential Questions: formative
assessment
- What forms of change are represented in the film?
measure week
- How has the director represented the Changes within the film?
by week for the
- How are the elements of change linked within the film? teacher.
Outcomes: EN4-1A, EN4-2A, EN4-3B
The following activities are designed to assist in student’s analysis of the prescribed text to
demonstrate how it relates to the concept of ‘Change’.
Prediction: Students analyse the cover of the prescribed text to determine the aspects
of change that can be shown in the film. Students write a short response based on
their prediction.
- Interpretation of the DVD cover – students estimate what Changes they believe will
be present within the film as a result of the cover. Students will justify their
responses based on textual evidence from the cover of the case.
- Students will collaboratively create a timeline of the film, with each student in the
class taking a key event in the film to create a class timeline to put on the Students
classroom wall which will be finished for the next lesson. (this will serve as a visual write a
picctoral reference for students on the structure of the film). structured
Character Profile: Students are to provide a brief summary of each character and response
organize them into categories of: Main Protagonist, Antagonist and Minor Characters.
Select a character to focus on from the Prescribed Text and get students to create a
timeline on how the persona has changed throughout the film.
- Students will explain through creating a visual representation (poster, etc) of the
ways in which the composer conveys the concept through the use of narrative
elements and through the use of visual elements.
Key Scene Analysis: Select key scenes from the Prescribed Text to analyse closely.
Identifying and referring to the film techniques and literary devices.
Select key scenes that reflect the following aspect of change
Trigger: What triggered change?
Process: What process (transformation) occurred?
Impact What is the impact of change?
Lightning Writing: Provide students with different topics that relate to your
prescribed text to get them into the habit of writing PEEL Paragraphs
- The teacher will reinforce learning on paragraphing by utilizing a Gradual Release of
Responsibility model for learning. Students will then work on learning.
- Students will source their own related texts through researching for relevant
contemporary sources. Students will then create these responses and will upload these
responses to the Portfolio.
The teacher will explain to the students about their related texts, getting students to investigate
their texts through using questioning techniques, close reading, language study, as well as analysis
of the character. The students will analyse what attributes of the character in their related texts
contribute or are attributable to the changes
Assessment Task: (class task) – students will work in class to create a piece of creative writing that
uses techniques that the director of their set text has utilised. Elements of the film that students
can focus on are (character development, setting, images, descriptive writing, language
techniques, sentence structuring, tension, narrative arc/ voice, and structure) students should try
to utilise at least one stylistic feature.
- The piece of writing may be a diary entry, descriptive piece, narrative, report, or other
creative document that has the primary focus of change as a central element to the story.
Learning EN4-4B Connections to the world and to other contexts. The portfolio
Sequence 4, EN4-5C serves as an
2 Weeks EN4-8D Learning Intention: Students will be able to understand the significance in the representation of ongoing
Changes within texts formative
assessment
Essential Questions: What is the social significance of representing the changes that humans go measure week
through? How can we construct texts that represent changes for particular purposes? by week for the
teacher.
Learning Activities:
- Group task: students will work in small heterogenous groups working towards creating a
presentation for the rest of the class on how interconnected the nature of change is and
the relationship between changes both within a text and across texts.
- Students will write a short 1 paragraph reflection on this, uploading this to the portfolio.
Learning EN4-4B Essay Writing: Preparing the students for the Assessment Task The portfolio
Sequence 5, EN4-5C serves as an
1 Week EN4-6C Learning Intention: students will be able to write an essay that utilises PEEL paragraphing ongoing
EN4-8D to be able to communicate understandings about texts and consolidate knowledge in formative
assessment
written forms.
measure week
by week for the
- Utilise the Gradual Release of Responsibility Model to ensure students are able to teacher.
write effective paragraphs that convey understandings of the concept of change
through cohesive written paragraphs.
- The teacher will get students to put information into a table that they understand
so that they can choose any text to compare with the prescribed text of the
learning to be able to write a cohesive essay response to the question provided in-
class.
- The teacher will ensure to effectively model the structure of an essay.
Provide a list of examples from the prescribed text. Then do a joint-constructed PEEL
Paragraph where the class has to provide the Point, Explanation and Link.
Formative Task:
Students compose an extended response to show how the concept of ‘Change’ is
explored in the related text ‘of their choosing. The response must include
supporting textual references.
Students will upload this response to the portfolio for feedback from the teacher.
Assessment: Essay Response
Student’s write 500 – 800 word essay on how the prescribed text studied explores the
Common Module – Change.
This response must be typed, edited, drafted and corrected before submitting the final
copy to classroom teacher. Students will start the task in class having 2 lessons to work on
the task and ensure that it is drafted, edited, and finalised before handed in to the teacher
by way of uploading to the online portfolio portal .
Assessment Details Outcomes
Assessment Part 1 EN4-4B
Students through the course of the semester will complete pieces of work in class, and complete reflections as a part of EN4-5C
homework. Students will upload these tasks to the online learning portfolio for the unit. The teacher will provide feedback on EN4-6C
each piece of work for students which students can use to further their learning. At the end of the semester, students will be EN4-8D
provided with a satisfactory /unsatisfactory for this component of the learning. Through the course of the semester, the
teacher can request that students upload additional work to the portfolio. This assessment serves as both a formal and
formative piece of assessment that allows for the teacher to understand the achievement of students in relation to the
learning intentions.
Assessment Part 2
Students will write a piece of creative writing during the lesson for 40 Minutes. Through this task students will use a stylistic
feature (technique) from the prescribed text to create their own piece of creative writing that focuses around the concept of
change. In this task, students can create their own story through using a character from the prescribed text.
Assessment Part 3
Students will write an essay comparing the ways in which the prescribed text and related text convey understandings of
change. This assessment will be completed in and out of class, with students having 2 lessons to work on the task, with the
assessment due at the beginning of the next week.
Evaluation of the Learning and Teaching Indicators of Learning
Evaluation of the efficacy of learning through the course of this semester will be achieved through the use of formative Formative
assessment of all student work in the class, and through the use of directed open-ended questioning and direct observation in assessment throughout
the lessons. The portfolio will allow for a week by week understanding of the achievement of students in relation to the the course of the
learning goals of the unit. learning, and the use of
formal and informal
assessment measures in
the learning.
Assessment Task
Year 8 English – ‘Change’ Assessment
Note: The components of this task are worth 25% of your yearly assessment.
Outline/Description of Task:
This term you have engaged in a study of the Common Module Concept – ‘Change’. The
following assessment requires you to undertake in the following three components;
Note: Individual activities that are required throughout the unit will need to be uploaded by the first
lesson of the next week, including all relevant reflection activities. Through the course of the unit,
the teacher will provide feedback weekly to the documentation and reflections uploaded to assist
with learning.
This Task must be 500-800 words in length and will be completed over the course of two lessons.
You will then hand in your completed assessment task.
DUE DATE – Week 10
Assessment: Part Three
During this term you have engaged in the study of the Common Module Concept
– ‘Change’, through the close analysis of your class Prescribed text (film) and Related
text.
The task requires you to answer the essay question featured below. The task must
be drafted, edited thoroughly for mistakes and a final copy will need to be submitted
on the allocated due date.
Text
• Attempts a response demonstrating limited understanding of _______
D
ideas based on limited textual knowledge
• Attempts to organise and express ideas with limited _______
4–6
appropriateness to audience, purpose and form
_______
• Attempts to describe elements of the text(s)
• Demonstrates elementary textual knowledge
• Attempts to organise a response in an elementary way _______
E
_______
0–3
TOTAL Mark =
/ 15
Assessment: Part One
There is no marking rubric for this component of the assessment. As a part of your regular
lessons for English, there will be classwork activities and homework that will be required to
be uploaded to the online learning portfolio. You will be advised of all pieces of material for
this, and the due date for each component will be advised in the lessons.
Your responsibilities
- When assigned a piece of work, you will have it uploaded to the online portfolio by
the beginning of the next week. In cases where this is not possible, advise your
classroom teacher.
- Make sure to put effort into the reflections and activities, as this is an essential form
of feedback for you to be able to keep learning and improve your capabilities in the
unit
Teacher Responsibilities
- Your teacher will provide feedback on your reflections and uploaded documentation
within 2 lessons to ensure that you have feedback to enable you to keep improving.
Note – You will be provided more information regarding this task in the week prior to this
assessment, and the content covered in the unit at the point of assessment.
What am I being marked on?
- You have identified and then adequately used a technique or feature of your
prescribed text
- You have composed a piece of creative writing that demonstrates change.
- You have used narrative devices and made informed decisions in the composition of
your writing .
Stage 4 since 2014 and has been effective in engaging lower-ability students into the study of
film as a medium for the representation of meaning. This report serves to outline proposals
for this unit based upon the Understanding by Design (UbD) approach to unit development.
effectiveness of the learning being provided, and that the unit is aligned with current
evidence-based research. The purpose of this report is that it will allow for discussion of the
improvement of this unit within the English faculty. Through this report, the focus of the
suggestions will be in order to make sure that the unit is suitable for a diverse body of
students in a comprehensive classroom with varying ability levels in the class. The areas of
improvement being posited aim to improve the ‘Changes’ unit of work in regard to the
instruction and scaffolding, and that classrooms utilising such approaches are beneficial over
those that do not incorporate these strategies (Dooley & Thangapeumal, 2011; Olsen, et al.,
2010; CESE, 2014). Through the original unit, scaffolding is provided, although it is limited
due to the scaffolding removing educational challenge, with literacy instruction being
reduced to codes and conventions. McKenney (2018) states that teaching literacy in this
manner of codes removes the critical and creative thinking from learning, which is
Coupled with this, it is advised that students are provided more opportunities to write.
Schmoker (2018) notes the benefit student have from having increased opportunities to write.
Wass & Golding (2014) and McKenney (2018) state the increased engagement and success
for students that are supported in learning in this manner whereby engagement is provided
through the educational challenge, whilst learners being supported through scaffolding.
based on sound evidence-based practice, and as such the modelling and direct instruction in
the unit will be provided through the use of the Gradual Release of Responsibility (GRR)
model. GRR is an effective means of modelling and scaffolding learners (Gannon & Howie,
2010; Boas & Gazis, 2016). Furthermore, in the attainment of literacy learning, the spiral
inquiry that students have a better understanding of concepts, especially when paired with
capabilities in the classroom, with no use of mathematical reasoning skills. The research
highlights the need to focus on the development of these capabilities in the English classroom
and that in order to do this effectively it should be embedded into the learning continuum
(CESE, 2016). Therefore, it is the recommendation that tabling, timelining and the use of
graphical representations are utilised for students to be able to understand learning in the
classroom to be able to use Numeracy capabilities effectively (Gannon & Howie, 2010; Boas
diversity of students with various skills, backgrounds and understandings. The original unit
of work had opportunities for collaborative learning which leads to social skill development,
albeit these activities were tokenistic with no discernible connection to deeper learning and
students developing empathy, cultural competencies and communication skills, which are
integral to a diverse classroom (Laal & Ghodsi, 2011). Ibrahim et al., (2015) further this,
stating that group work learning operates as a means of differentiation that creates a support
network for students. Through group work activities, students are exposed to new ideas,
perspectives and understandings which in turn deepens the learning for students (Payette &
Barnes, 2017). the benefits of group work are far-reaching and are suitable activities for UbD,
with research highlighting that it is an optimal platform for inquiry learning, allowing
opportunities for collaborative learning in which inquiry is the basis of the learning. This will
allow students to be supported through the differentiation that is provided in group learning
personal and social capabilities, and students with a LBOTE will be facilitated with
opportunities for language development (Brame & Biel, 2015; Ibrahim et al., 2015).
Learning sequencing
The focus of UbD learning is on the development of deep understandings with skills
and learning that is transferable. It is through backward design that this can be achieved, and
essential to this is that units of work operate with one another as a part of a program that is
cohesive, rather as individual units of work (Wiggins & McTighe, 2005). Research highlights
the need for continuity of learning across units, and that students have better achievement
when concepts are built within and across units (CESE, 2014). As a result of this, it is
recommended that there are clear links between the learning of Term 1 in regard to the
representation of ideas through texts, and the learning in Changes which is focused on the
representation of ideas in film. This can be achieved through the moving of ‘Changes’ from
Term 3 to Term 2, which will allow for a cohesive flow of learning. This will also benefit the
learning of Unit 3 which is concentrated on multimedia learning that can build on the
In the original unit of work, there is a lack of internal sequencing, evident through
there being no essential questions, learning intentions or explicit learning goals. This results
in the learning having no clear aim or direction. Coupled with this, the organisation of the
learning is in relation to broad topic and led by learning activities. As a result, there is a
section of learning in the unit on techniques which is not connected to the broader
UbD is the provision of learning that is framed around concepts, with clear intentions and
questions to guide the learning (Wiggins & McTighe, 2005; McTighe & Wiggins, 2013;
Yurtseven & Altun, 2017). This is furthered through Hattie (2009) who notes the benefit of
transparent learning where students and teachers are both aware of the intentions and reasons
As a result of this, it is recommended that the unit be split clearly into defined
sequences of learning with explicit learning intentions and questions to guide the learning of
each sequence. in doing this, it is necessary to organise the learning so that it has greater
coherence. It is necessary for there to be more explicit links between the learning to create a
clear aim to learning, whereby the sequences build logically from one another which is
aligned UbD approaches to learning. Exemplifying this is the use of the spiral inquiry
understanding in the teaching of techniques which links the learning of this to the study of the
texts allowing for a deeper understanding of previously studied texts in the unit (Gallagher &
Kittle, 2018). Cullen & Hill (2013) state the benefit of such an approach to ensure that
Assessment
The original formative assessment in the unit lacked opportunities for regular
feedback for students. Research highlights that regular feedback is paramount, and when
provided regularly leads to markedly higher gains for students (Hattie, 2009; CESE, 2014).
The most effective means to provide feedback to students is through formative assessment of
learning in the classroom which also acts as a tool for differentiation that provides an avenue
for adjustments to learning. The summative assessment that was provided in the unit only
provided one means of representing learning, and research highlights that there is a need to
ensure that all assessment is transformative and leads to overall student understanding
(Popham, 2011). Research highlights that the focus of assessment should be to document and
monitor change, and McCallum (2012) states that this should be embedded in order to not
make assessment the focus of learning. There is some formative assessment in the original
unit, although it is not embedded and does not provide enough opportunities for monitoring
students and providing effective feedback. Tucker (2018) reiterates the importance of
a portfolio. Didau (2014) and Fernsten (2009) state the efficacy of portfolios as a formal
assessment measure, as well as a formative assessment during the learning. Furthermore, the
summative assessment should be adjusted through the addition of a creative task. This will
allow for the unit to provide multiple opportunities to demonstrate outcome achievement,
which is inclusive as a form of differentiation via output, which is effectively provisioned
when coupled with the increased formative assessment through the portfolio (McCallum,
2012). The creative task will allow for the demonstration of learning in a different context,
with the portfolio acting as a means of students being able to demonstrate understandings
throughout the learning process. The portfolio has a focus on reflecting on learning which
allows for students to think about experiences of learning and how ideas have developed.
Conclusion
It is necessary as a part of designing using UbD to continually ensure that units and
programs are aligned with educational research to ensure the efficacy of learning. Therefore,
it is essential to engage in the evaluation and assessment of units of work. The unit of Change
has been evaluated in terms of its suitability for a comprehensive class with students of
varying ability, including students with a LBOTE. The recommendations have been made to
improve the provision of literacy and numeracy in the learning as well as assessment and
sequencing in order to improve the learning for the new context. It is the hope that this report
will lead to discussion on how to further improve this unit of work in the English faculty at
http://dspace.bracu.ac.bd/bitstream/handle/10361/3571/Istiaque%20Ahmed.pdf?seque
nce=1
Arias, Y., Garcia, O. (2013). How effective is cooperative learning in the EFL/ESL
Boas, E., & Gazis, S. (2016). The artful English Teacher: over 100 practical strategies for
Brame, C., Biel, R. (2015). Setting up and facilitating group work: Using cooperative
http://cft.vanderbilt.edu/guides-sub-pages/setting-up-and-facilitating-group-work-
using-cooperative-learning-groups-effectively
Calderon, M., Slavin, R., Sanchez, M. (2011). Effective instruction for English learners. The
https://www.princeton.edu/futureofchildren/publications/docs/21_01_05.pdf
Centre for Education Statistics and Evaluation (2014) What works best: evidence-based
Centre of educational statistics and evaluation. (2016). Report – How Schools Can Improve
Literacy and Numeracy Performance and Why It (Still) Matters. Retrieved on 10th
improve-literacy-and-numeracy-performance-and-why-it-still-matters
Cullen, R., & Hill, R. (2013). Curriculum designed for an equitable pedagogy. Educational
Didau, D. (2014). Forget about assessing learning after lessons. The Times Educational
com.ezproxy.uws.edu.au/docview/1564373183?accountid=36155
Dooley, K. & Thangaperumal, P. (2011) Pedagogy and participation: literacy education for
http://www.jstor.org/stable/23074857.
http://www.education.com/reference/article/portfolio-assessment
Learning: A secondary school case study. MERLOT Journal of Online Learning and
Teaching, 11 (1).
Gallagher, K., & kittle, P. (2018) Learning to write, writing to learn. Educational Leadership,
http://www.ascd.org/publications/educational-leadership/apr18/vol75/num07/Giving-
Students-the-Right-Kind-of-Writing-Practice.aspx
Gannon, S. (2010) Creative Writing. In. S. Gannon, M. Howie and W. Sawyer (Eds) Charged
with Meaning: Re-Viewing English: Third Edition (p. 223-230) Sydney: Phoenix
Education
Gannon, S., & Howie, M., & Sawyer, W. (2010). Charged with meaning: Re-viewing
Griffith, R. (2010) Students Learn to Read Like Writers: A Framework for Teachers of
Writing. Reading Horizons 50(1), 49-66. Retrieved on 10th April 2018, from:
http://web.a.ebscohost.com.ezproxy.uws.edu.au
Ibrahim, N., Shak, M., Mohd, T., Ismail, N., Permumal, P., Saidi, A. & Yasin, S. (2015) The
Laal, M. & Ghodski, S. (2012) Benefits of collaborative learning. Procedia- Social and
McKenney, Y. (2018). Making student writing matter. Educational leadership, 75 (7), pp 33-
http://www.ascd.org/publications/educational-
leadership/apr18/vol75/num07/Making-Student-Writing-Matter.aspx
McTighe, J., & Wiggins, G. (2013). Making a unit Intellectually Engaging. Big Ideas,
mctighe.aspx
Olsen, C., Land, R., Anselmi, T. & AuBuchon, C. (2010). Teaching secondary English
learners to understand, analyse and write interpretive essays about theme. Journal of
proquest-
com.ezproxy.uws.edu.au/docview/817784494?accountid=36155&rfr_id=info%3Axri
%2Fsid%3Aprimo
Payette, P., & Barnes, B. (2017). Teaching for critical thinking: Edward de Bono's six
Doi: 10.1002/ntlf.30110
writing to learn. Educational leadership, 75(7), 22-27. Retrieved on 10th April 2018,
from: http://www.ascd.org/publications/educational-
leadership/apr18/vol75/num07/Demystifying-Writing,-Transforming-Education.aspx
Tucker, C. (2018). The Techy Teacher / Prioritizing in-class writing in Learning to write,
writing to learn. Educational leadership, 75(7), 84-85. Retrieved on 10th April 2018,
from:
http://www.ascd.org/publications/educational_leadership/apr18/vol75/num07/Prioriti
zing_In-Class_Writing.aspx
Wass, R., & Golding, C. (2014). Sharpening a tool for teaching: the zone of proximal
Doi:10.1080/13562517.2014.901958
Wiggins, G., & McTighe, J. (2005). Understanding By Design, USA: ASCD Publications.
Wiggins, G., & Wilbur, D. (2015). ‘How to make your questions essential’ In Questioning
For Learning. Educational leadership, 73 (1), 10-15. Retrieved 10th April 2018, from:
http://www.ascd.org/publications/educational-leadership/sept15/vol73/num01/How-
to-Make-Your-Questions-Essential.aspx
Yurtseven, N., & Altun, S. (2017). Understanding by Design (UbD) in EFL Teaching"
Zammit, K. (2016). Responding to literature: iPads, apps and multimodal text creation.
Literacy Learning: The Middle Years, 24 (2). Retrieved on 10th April 2018, from:
http://www.ccsenet.org/journal/index.php/elt/index
Appendix – Original Program Documentation
Scope and Sequence
Fiction - Genre Study: Non Fiction: Film: Common Module Drama: Introduction to
Mystery/ Adventure Environment – News, – Change – conceptual
Topic Crime/ Superheroes Media & information study
Shakespeare
Reporting &
Class Study of Text: Advertising & Digital texts Visual Literacy – visual Spoken and Visual
Novel and Picture features/ Film Texts
Books Public Voices & techniques News Report Writing
Changed Voices: Bias
1 – 10 1 – 10 1 – 10 1 - 10
Weeks
Assessment Schedule
Weighting:
25%
Unpacking Common Module – “Change”
What is a Common Module? Provide an overview of the unit and an explanation of the Students use the
purpose of the Common Module. discussion to write their
own definition of
What is “Change”? ‘Change’.
o Class brainstorm: Discuss student’s understanding of Change
o Dictionary meaning or provide definitions of Change
o Word bank: Using a thesaurus provide a list of words similar to Change
o Self-Reflection: Students compose a response reflecting on how their life has changed
M
in the last 5-10 years.
Students write a
Aspects of Change: structured response to
o Definitions on aspects of Change: Self, Social, Environmental, Perspective, Physical demonstrate their
Quotes about Change: Provide a list of quotes which reflect the concept and knowledge of the
Change and get students to explain the aspect of change it reflects. concept of change.
Students provide a real life example of each aspect of Change or an example
from another text which reflect these aspects.
PEEL Paragraph: Students are to answer the following question and write a
PEEL Paragraph based on an aspect of Change. “An individual can change in
many ways”. Reflect on yourself and link the question to an aspect. Then, explain
how it is relevant to you furthermore, providing an example.
Problem solving: Students are given scenarios and determine what aspect of change it
relates too. This can be completed as a group activity. Students analyse a
short film text.
DK Trigger, Process & Impact: Think-Pair-Share - Students are given a set timeframe to
brainstorm what triggers, process and impact of ‘Change’ then swap with the person sitting
next to them and share their answers. Then as a class, compose a mind map of “Triggers,
Process & Impact”.
Related Text Analysis: Short Film – ‘Marry Me’ directed by Michelle Lehman
Students will analyse the related text to demonstrate how texts can represent the concept of
‘change’. Students watch, Tropfest – Marry Me and answer questions surrounding the main
persona (Chloe).
https://www.youtube.com/watch?v=XFdbZHMBxfg
o Trigger: What triggers Chloe’s change in the film? It is triggered by her interest, Students compose
influence by another person or emotional connection? an empathy task based
o Process: on the character from
What transformation does Chloe undergo when she tries to get attention from the film.
E Jason?
Does Chloe encounter any new values or beliefs in the process of changing?
Letter writing: Write a letter to Jason from the perspective of Chloe, explaining
what you initially thought of him (the beginning of the short film) and what
you think of him now (refer to the end of the short film).
o Impact: Class discussion – As a class, discuss how Chloe had changed by the end of
the film. Was it a negative or positive change? Explain and reference relevant
examples.
Students are to respond to the texts using the following questions. Students are to
C What triggered change? analyse short texts to
What process (transformation) occurred? relate it to the concept
M What is the impact of change? of change.
Introduction to Techniques
Brainstorm: Students are to brainstorm the film techniques that they know. Get students to
share their responses.
Film Techniques: Teacher checks
o Camera Angle students work to show
M o Camera Shots students understanding
o Diegetic/Non-Diegetic Sounds of techniques.
o Lighting
SD o Montage
o Movement
o Flashback/Flash-forward
Literary Devices:
o Metaphor
o Simile
o Symbolism
o Diction
o Foreshadowing
o Imagery
o Personification
Prediction: Students analyse the cover of the prescribed text to determine the aspects of
change that can be shown in the film. Students write a short response based on their
prediction.
Character Profile: Students are to provide a brief summary of each character and organize
them into categories of: Main Protagonist, Antagonist and Minor Characters.
Select a character to focus on from the Prescribed Text and get students to create a
timeline on how the persona has changed throughout the film.
Students write a
Key Scene Analysis: Select key scenes from the Prescribed Text to analyse closely. Identifying structured response.
and referring to the film techniques and literary devices.
Select key scenes that reflect the following aspect of change
Trigger: What triggered change?
Process: What process (transformation) occurred?
Impact What is the impact of change?
Lightning Writing: Provide students with different topics that relate to your prescribed text
to get them into the habit of writing PEEL Paragraphs.
Essay Writing: Preparing the students for the Assessment Task Teacher scaffolds the
structure of an essay for
Provide a cut and paste PEEL paragraph relevant to your prescribed text so students can class.
SD identify the POINT, EXPLANATION, EXAMPLE AND LINK.
Provide students with a list of sentence starters (POINT). Students are to then continue on
with the sentence and compose a PEEL paragraph providing the explanation, example and
link.
Provide a list of examples from the prescribed text. Then do a joint-constructed PEEL
Paragraph where the class has to provide the Point, Explanation and Link.
Formative Task:
This response must be typed, edited, drafted and corrected before submitting the final copy to
classroom teacher.
Assessment Task
Outline/Description of Task:
This term you have engaged in a study of the Common Module Concept – ‘Change’. This task
requires you to write an essay that incorporates your knowledge and understanding of the concept
through your Prescribed text (Film) and Related text.
The task must be drafted, edited thoroughly for mistakes and a final copy will need to be
submitted on the allocated due date.
5C: A student thinks imaginatively, creatively, Have you identified the aspects of the text that reflect the
interpretively and critically about information, ideas and concept of Change?
arguments to respond to and compose texts.
Have you referred to the techniques and demonstrated that
6C: A student identifies and explains connections you understand how they are used to shape meaning within the
between and among texts. film and Related text?
Have you produced a correctly structured essay, using
8D: A student: identifies, considers and appropriate information, evidence, and ideas related to the idea
appreciates cultural expression in texts of change?
Term 3: Year 8 English Assessment Task
ASSESSMENT TASK No:
2
Course Components and Weighting
selected:
Components
Weighting
Writing 25%
The task requires you to answer the essay question featured below. The task must be drafted,
edited thoroughly for mistakes and a final copy will need to be submitted on the allocated due date.
• Skilfully explores how the concept of change is portrayed in the Prescribed _______
Text and Related Text
• Presents a sophisticated response demonstrating well-developed
A
understanding of the texts’ ideas based on relevant textual knowledge _______
13 – 15
• Organises, develops and expresses ideas effectively, using language
appropriate to audience, purpose and form
_______
• Effectively explores how the concept of change is portrayed in the Prescribed _______
Text and Related Text
• Presents a substantial response demonstrating a developed understanding of
B
the texts’ ideas based on textual knowledge _______
10 – 12
• Organises, develops and expresses ideas competently, using language
appropriate to audience, purpose and form
_______
• Describes aspects of the concept of change through the Prescribed Text and _______
make some reference to the Related Text
• Attempts a response demonstrating limited understanding of ideas based on
D
limited textual knowledge _______
4–6
• Attempts to organise and express ideas with limited appropriateness to
audience, purpose and form
_______
_______
TOTAL Mark = / 15