Professional Documents
Culture Documents
Cassidy Pham
Writing 39C
Professor Broadbent
4 May 2018
In 2016, an advertisement run in China for Qiaobi laundry detergent sparked controversy
worldwide. The advertisement featured a Asian woman doing laundry as a black male (covered
in paint) approaches her; the advertisement then depicts her tossing detergent in his mouth and
putting him head first into the washer, only to come out as a light-skinned Asian male
(Bromwich). Qiaobi’s advertisement had people worldwide challenging the thoughts and ideals
that were expressed through this advert: that lighter skin is more preferable than darker skin in
China. Many people took to notice the different connotations each male character played in the
advert, as it portrayed the black male as ‘dirty’ or ‘unclean,’ and the light-skinned Asian male as
a growing, yet deeply rooted in history, problem in China. The advertisement shines light on the
Pham 2
problem that has been prevalent in China for centuries: colorism; defining social class and
social worth based off of skin color, the colorism problem causes discrimination to run rampant
around China, for its long history in China creates the illusion that it is normal.
Fig 2. Portrait of Empress Wu from 690-705 A.D. Empress Wu, was glorified in paintings with white paint
the painter described would be so that the “...illustration of her beauty and status would stand
the test of time (Pan).” The artist, knowing that the medium they painted on would brown over
Pham 3
time, took the measure to paint Empress Wu’s face white: to ensure that her prestige was
known, even in the future. In most paintings of royal families, strong leaders, and other
prestigious people in ancient China, the depiction of white skin was all that was needed for
others to understand their class. The adoration of white skin created a rift in Chinese society,
one that would sustainably divide the social classes and cause discriminatory behavior for
centuries to come.
Although some scholars, like Trina Jones, believe the tensions of skin color were only
influenced by the vast background of agrarian China, other scholars believe that the influences
of Westernization also put pressure on the ‘moon-white skin’ ideals. As Western influences
began to flow into China in the 19th and 20th centuries, according to Eric Li, “Skin Lightening
and Beauty in Four Asian Cultures,” it brought along strong notions of Western beauty
standards and fashion, changing the perceptions of white skin in China to a beauty ideal.
Through movies and propaganda, it strengthened the ‘differences’ between light skinned and
dark skinned people, creating a rift that categorized their person based on their skin color. Pan
makes the argument, however, that Western influences of beauty and fashion standards didn’t
change Chinese perceptions, rather their “fascination with whiteness” and the many light-
skinned conquerors they faced throughout the years reinforced their ideals. Through the
influences of both Westerners, and their own culture, Western women donned white-lead
powder makeup to give them that ‘deathly pallor’ they wanted to achieve and Chinese women
“swallowed crushed pearls in their pursuit of a milk-white complexion (Naidoo).” The cultural
ideals of both the white-skinned conquerors from the West, as well as the social ideals held by
the Chinese, pushed women and men alike to move away from the norm of natural skin tone
Skin color in Chinese culture has many underlying connotations, as people with light skin are
more likely to be seen as, stated by Levashni Naidoo, “A Fairer Face, a Fairer Tomorrow? A
Fig 3. A ‘simplistic’ chart defining ‘white/black’ groups lead to discrimination against dark skinned
people, which is a problem that China needs to fix. Splitting the country in parts, colorism
creates barriers that one cannot fix alone; discriminating against darker skin tones, China
creates a system of ‘black’ and ‘white’ inside its monocultural society. This social problem
creates many barriers and boundaries that people must jump in order to feel included, or not
strengthens the ideal’s holds on China’s society, creating rifts that can only be fixed through the
destruction of colorism.
Pham 5
Through her comparisons of African-Americans and Asians, Trina Jones, “The Significance of
Skin Color in Asian and Asian-American Communities: Initial Reflections,” strengthens her
thoughts and ideas about how strong the bond between an Asian person’s social standing and
their skin color is, due to the many similarities Asians and
that skin tone matters, and how that affects even light-skinned
Fig 4. Women wearing facekinis in China Chinese believe in the phrase “one white covers up three
uglinesses (Li).” Li explains the colorism problem in the light of beauty, as many women in
China believe that you’re more beautiful if you’re lighter skinned. Going through many lengths to
achieve white skin, businesses have responded to the calls of Chinese women and created
large industries around this growing problem. From ‘facekinis’ to skin whitening products, the
consumer base in China grows with every year, in order to achieve the ‘correct’ skin tone.
As white skin ideals continue to present itself in Asia, the market for skin whitening products
increases in size every year, with its main consumer base in China. The issue of colorism in
China puts pressure on both light skinned and dark skinned people, where light skinned people
want to retain their light complexion and darker skin wanting to obtain a lighter complexion. The
skin whitening industry is growing hugely in the past 20 years, signaling the strongly apparent
issues that China has yet to address regarding colorism. Adding onto the ideals of white skin
Pham 6
China has held for centuries, the growing industry of skin whitening products creates a new form
of pressure on women in China. Li talks of the constant imagery of milk and pearls that surround
the ads of skin whitening products, as well as international superstars or Western women as the
As Naidoo compares the connotations brought upon by the skin whitening advertisements, with
roots of history that China today has yet to diminish (Li). The
Fig 4. China’s Skin Care Industry Sales than dark skin, and that showcases the effects of China’s history
that is still not dealt with. The adoration of white skin, and the problem of colorism in China, is a
shackle that holds down China from expressing, and accepting, free forms of beauty. Colorism in
China is an issue as it is a huge social problem that has been continuously affecting the lives of
Works Cited
Bromwich, Jonah. “Chinese Detergent Ad Draws Charges of Racism.” The New York Times. 27
qiaobi.html.
Fuller, Thomas. “A Vision of Pale Beauty Carries Risks for Asia’s Women.” The New York
https://scholarship.law.uci.edu/cgi/viewcontent.cgi?article=1108&context=ucilr.
Li, Eric, et al. “Skin Lightening and Beauty in Four Asian Cultures.” Association for
https://www.researchgate.net/publication/283857701_Skin_lightening_and_beauty_in_fo
ur_Asian_cultures.
9284/3/3/33/htm.
https://dukespace.lib.duke.edu/dspace/bitstream/handle/10161/7559/Elysia%20Pan%2C
%20Beautiful%20White.pdf?sequence=1.