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OCCULT SCIENCE, LIBER III
The Sefer Dtzenioutha, or Book of Concealed Mystery, is the first of the three most
important books of the Zohar, the two others being the Idra Rabba, the Greater Holy
Assembly, and the Idra Suta, the Lesser Holy Assembly. The whole substance of the
Zohar is contained in the Sefer Dtzenioutha, the two lesser treatises being the
explanations and developments of the doctrines outlined in the Book of Concealed
Mystery. The last paragraph of which reads as follows: "Thus far, the Book of the King,
or of the Mysteries, or of Occultations, remains involved and hidden. Happy is that man
who goes in and comes out, and learns its paths and crossways."
The Sefer Dtzenioutha is divided into five chapters, containing respectively 49, 67, 36, 21
and 44 verses. The total number of verses thus being 217, which is the product of 7 and
31. Now 7 is a mystic number denoting the number of creative days, the colors of the
solar spectrum, the tones of the musical scale, the seven planets and many other things;
while 31 is by Gematria the number of AL, El, God. So this may symbolize or denote that
God moves in a sevenfold manner to produce His mysteries.
As it is considered that the first 24 verses of the first chapter contain the essence of the
Zohar, they will be given in full, and be followed by explanatory notes.
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1. At the beginning of the papyrus of Ani (one of the three writers of the Book of
the Dead) there are hymns to Ra and Osiris, and the famous scene of
judgement where is depicted the heart of Ani being weighed in the Balance
against the symbol of Righteousness. The great company of the Gods present
and the weighing takes place at one end of the House of Osiris while Osiris
himself sits enshrined at the other. Anubis is the Guardian of the Balance and
Thoth registers the result of the weighing.
The Smaragdine Table of Hermes says: "What is below is like that which is
above, and what is above is like that which is below, to accomplish the
miracles of one thing." Nature is filled with the duality of the Balance. We
have Light and Darkness, Life and Death, Mind and Matter, the Beginning
and the Ending, Time and Eternity, Harmony and Discord, Construction and
Destruction, Upwards and Downwards, Right and Wrong, Love and Hate,
Order and Chaos, Evolution and Involution, Progression and Retrogression,
and a host of similar duads, the contrasts of opposites.
In the mystery of the Equilibrium in the Deity between the Infinite Divine
Wisdom and the Infinite Divine Power lies the Stability of the Universe, the
unchangeableness of the Divine Law, and the principles of Truth, Justice and
Right which are a part of it. With this, results also the Supreme Obligation of
the Divine Law upon all men, superior to all other man-made law, but forming
the part and basis of the legal codes of men.
2. During this period of unbalanced forces there was no Microprosopus, and for
this reason the lesser countenance could not answer back to the greater
countenance. The Supreme Being had not yet proceeded from the Absolute.
The Abyss was yet in a chaotic state in which the unbalanced forces swayed
hither and thither, without the creative Will to control their fearful turmoil.
3. The Kings of Edom, mentioned in the first Instruction of this Series, may be
considered as the remains of the former Saturn, Sun and Moon Periods. It was
a transition period between the earth's incarnations, and the creative forces
had not recommenced work upon the earth.
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5. The term Ancient One, as well as the Crown, Kether, both also mean the
Macroprosopus, but are here introduced to bring into the theme the Ten
Sefiroth, which will be duly mentioned. In the preceding verse
Macroprosopus, otherwise Kether, is beginning to manifest. The other Nine
Sefiroth, which are equilibrated by their formation in trinities, are not yet
developed in the Ancient One, the Adam Kadmon, but exist within it in the
same manner as the tree exists latent within the seed from which the tree will
spring. Therefore these Sefiroth can be considered as negatively existent.
7. In one sense this verse is but a repetition of the idea expressed in verse 5, and
adds emphasis by that repetition. A balance in the physical sense consists of a
pivoted beam from the ends of which hang two scales. The point of the
equilibrium is in the center, when the scales are equally weighted. Similarly,
in His form, that is, in the form of the Ancient One, is a central point, which is
the Equilibrium, but the Balance is as yet undeveloped, latent. This first
notion of equilibrium is in the Ancient One because He is the first limitation
of the En Soph Aur, the Limitless Light, which proceeds from En Soph.
8. The allusion here is to the Sefiroth and refers to an activity within the
Equilibrium existing within the Ancient One. The words "ascended" and
"ascend" indicate the first existence of the Sefiroth.
The subsequent terms "who are not," "who are" and "who shall be" indicate
first, the Sefiroth in their negative existence; secondly, the Sefiroth as coming
into positive existence; and lastly, the Sefiroth, because they are balanced
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10. The profundity of the Kabala is manifest through the sublime simplicity of
its images, its symbols. The human form, which our author ascribes to Deity,
is but an image of his meaning, for God is beyond expression by human
thought or representation by any figure. According to the Mantuan Codex the
skull or cranium is the first, and the crystalline dew the second conformation
of the Macroprosopus. The crystalline dew is the Creative Lux or Aur,
proceeding from the En Soph.
11. 12. This Aether, which the Mantuan Codex calls the third conformation, is the
clear and unsupportable brilliance of the unspeakable Glory of the Ancient
One. The almost repulsive representation of the Macroprosopus as an
Aether-covered skull is depicted, not with the purpose of giving any true
conception of the Ancient One, but with the intention of causing, by that very
repulsion, the mind of the student to go to the opposite extreme and to
attempt, at least, to formulate mentally his own concept of the Supreme Being,
insofar as may be humanly possible.
13. This Forehead is the fifth conformation of the Ancient One. It is endowed
with a supernal benignity from which descend certain powers, qualities and
offices to the lower Sefiroth. Each Sefira is double in gender, it is feminine
inasmuch as it receives powers and qualities from the Sefira above it, and
masculine insofar as it transmits them to that below it. Thus is the propagation
of the powers of the Ancient One effected.
14. This is the origin of the concept of the All-seeing Eye. As it is written in
Prov. xv:3, "The eyes of the Lord are in every place, beholding the evil and
the good." Also in Job, xxiv:21, "For his eyes are upon the ways of man, and
he seeth all his goings."
We find also in the Book of the Dead Chapter LXXXIX, this expression: "For
thou shalt find the Eye of Horus, standing by thee like those watchful gods."
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Among the Hindu legends there is the allegory of Vishvakarma, the Creative
Power, who is called in the Rig-Veda the "All-seeing God." Were this Eye to
close, the whole universe would be dissolved, for the Divine Thought
directing it would be withdrawn from the Sefirotic emanations and chaos
would ensue.
The aspect or development of the lower nine Sefiroth accords with or depends
upon the ruling thought of the Higher Light, the first Sefira, Kether. The
Codex terms this the sixth conformation of the Ancient One.
13. This describes poetically the out-breathing of the creative spirit, the breath of
life, upon all forms that are to live. This is the seventh conformation of the
Macroprosopus.
14. This is the literal translation of the opening verse of Genesis. In the Hebrew it
reads: "BRAShITh BRA ALHIM ATh HShMIM VATh HARTz." Berashith
Bera Elohim Ath Hashamaim Vaath Haaretz. Now BRAShITh, Berashith, "In
the Beginning," may also be read BRA ShITh, Bera Shith, "He created the
Six."
We may interpret this not only as relating the genesis of the world, but also
the development of God, the Supreme Being thinking himself into
manifestation.
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The Six, which He created, are the six Sefirotic attributions of the
Microprosopus:
Mercy Justice
The Right Arm The Left Arm
Beauty
The Body
Firmness Splendor
The Right Leg The Left Leg
Foundation
Reproductive
The Microprosopus, being the reflection of the Macroprosopus, has these six
Sefiroth corresponding to the six conformations of Macroprosopus. Upon
these six depend the three inferior worlds, Briah, Yetzirah and Assiah.
15. By the Splendor of splendor is meant the magnificent beard of the Ancient
One. This beard is divided into thirteen parts, but yet is the one beard. Here
we have an application of the gematria, for the Hebrew word for Unity is
AchD, Achad, and its numerical equivalent is:
A ................... 1
Ch.................. 8
D ................. 4
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16. The world of unbalanced force was destroyed, the second earth, the restored
world, was not counted among the six Sefiroth enumerated above.
17. Seven Edomite kings died in the destroyed world and their possessions were
broken up. From these remains was the kingdom of the second earth formed.
18. The first sentence is from Gen. 1:2, and in the Hebrew text there are thirteen
words from the words "And the earth" to the end of the verse. Again there is
the symbol of Unity. The Face of the Abyss is the Vast Countenance, the
Macroprosopus, Kether, the Crown. Reflected in the Waters of the Abyss is
the Lesser Countenance, the Microprosopus, adorned with a lesser splendor of
splendor, a beard, which is divided into thirteen parts answering to the thirteen
divisions of that of Macroprosopus.
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19. There are six Hebrew words; "VIAMR ALHIM IHI AVR VIHI AVR."
Veyomar Elohim Yehi Aur Vayehi Aur, meaning: "And the Elohim said, Let
there be Light, and there was Light." Numerical Units are sometimes used to
signify divine things; numbers of tens, celestial things; numbers of hundreds,
terrestrial things; and numbers of thousands, future things. Here we have the
number "six thousand," deduced both from the number of words in the verse
of Genesis, and also from the six enumerated Sefiroth, and as it is given in
thousands, it symbolizes the number six on the plane of an age yet to come.
20. The seventh period means Malkuth, the Kingdom, or the Queen, and these
with the six Sefiroth already given, constitute the seven lower Sefiroth. The
six mentioned Sefiroth denote mercies and judgements, and they are subject to
the balancing power of the seventh. The Kingdom, Malkuth, of the higher
powers, is the antitype of the Sanctuary, and as that was destroyed during the
exile of the Hebrews so also the Shekinah, the Divine appearance, exiled for
that period. The Hebrews include all the time of their exile figuratively in the
space of one day.
21. The last word of Gen. i:2 is HMIM, Hamim, "of the waters," and this is, as
already explained, the thirteenth word in this verse of Genesis. Now water is
the symbol of that measure of Mercy through which judgements and
punishments are mitigated. The six Sefiroth members of Microprosopus
persist and stand fast, therefore the Kingdom perished not; for though perhaps
formless and void, it retained the essence of its being.
22. At the end of the state of Chaos, Void and Darkness the Tetragrammaton
appears in exaltation. The Lord compriseth the Ten Sefiroth, and thus
expresseth their three Trinities of Balanced Force; Now disappear the
Formless, the Void and the Darkness and in their place reigneth Form,
Fullness and Light.
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All the aspirations of Nature were directed then towards Unity of Form,
towards the living synthesis of Equilibrated Forces; the Face of God, crowned
with Light, rose over the vast sea and was reflected in the Waters thereof. His
two eyes were manifested, radiating with splendor, darting two beams of light,
which crossed with those of the reflection. The brow of God and His eyes
formed a triangle in Heaven, and its reflection formed a second triangle in the
Waters. So was revealed the number Six, being that of Universal Creation.
That synthesis of the Word, formulated in the human figure, ascended slowly
and emerged from the Water, like the Sun in its rising. When the eyes
appeared, Light was made; when the mouth was manifested, there was the
creation of Spirits and the Word passed into expression. The entire Head was
revealed, and this completed the first Day of Creation. The shoulders, the
arms, the breast arose, and thereupon work began.
With one hand the Divine Image put back the sea, while with the other it
raised up continents and mountains. The Image grew and grew; the generative
organs appeared, and all beings began to increase and multiply. The Form
stood at length erect, having one foot upon the Earth and one upon the Waters.
Beholding itself at full length in the Ocean of Creation, it breathed on its own
reflection and called its likeness into life. It said: Let us make Man -and thus
Man was made.”
Such in brief is the creation of Man according to Kabalistic verbiage and the
oriental imagery in which it is clothed. There is nothing so beautiful in poetry
as this vision of creation accomplished by the great Prototype of Humanity.
According to this, Man is but the shadow of a shadow, and yet he is the image
of Divine Power. He stretches his hands forth from East to West, and to him is
the Earth given as a dominion. Such is Adam Kadmon, the primordial Adam
of the Kabalists.
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The Kabala shows that God manifests both male and female potencies, and it
agrees with Genesis in stating that the first man was androgynous. In Gen.
1:27 we read: "So God created man in his own image; in the image of God
created He him; male and female created He them." Also we find that God
was not considered as a single individual, but plural, for the ALHIM, Elohim,
has the plural ending IM, and moreover this ending is usually that of the
masculine plural, but is here added to ALH, which is a feminine singular
noun.
God, the Ancient of Days, thus is not a single, masculine power, but combines
the attributes of both Father and Mother. Their offspring is the Holy Spirit,
which is generally considered masculine, but the word RVCh, Ruach, Spirit,
is feminine, as is shown in this passage from the Sefer Yetzirah: "AchTh
RVCh AlhIM ChIIM," Achath Ruach Elohim Chiim; One is she, the Spirit of
the Elohim of Life. Here the word AchTh, Achath, One or Unity, is the
feminine of AchD, Achad, Unity. Hence we find the principles both of
polarity and of Gender at their primal origin in the Great Creative Intelligence.
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PROBLEM
READ THIS LESSON CAREFULLY ONCE EACH DAY UNTIL YOU RECEIVE
THE NEXT LESSON.
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