Peter Bernstein Study Group PDF Jordan Klemons

Finding the Better Notes:

The Melodic Tonic Triad and Top-Down Construction

Bb Major Scale (Bb) / 2

V24124134134241246 V24.1441.3224.6

Bb Blues using “quadratonic scales”

(Bb)/2 (Eb)/2 (Bb)/2 (Bb)/b2

Bb7 Eb7 Bb7 %

(Eb)/2 (Eb)/b2 (Bb)/2 (G)/b2

Eb7 Eo7 Bb7 G7

(C-)/2 (F)/b2 (Bb)/2 (G)/b2 (C-)/2 (F)/b2

C-7 F7 Bb7 G7 C-7 F7

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Peter Bernstein Study Group PDF Jordan Klemons

(F#) / 2,b6

24.145.41.323.24.6

F# triad over an E7 chord = E13(#119)

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Peter Bernstein Study Group PDF Jordan Klemons

Melodic and Harmonic Structure

from Someday My Prince Will Come

||: (Bb)/2 (D+)/b7 (G-)/2 (Eb)/b6

||: Bb D7 EbMaj7 G7

(C-)/2 (Eb)/b6 (C-)/2 (D)/b2

C-7 G7#5 C-7 F7

___________________________________________________________
|1.
(F)/2 (A)/b2 (Bb)/4 (D)/b2

D-7 Dbo7 C-7 F7

(F)/2 (A)/b2 (Bb)/4 (D)/b2 :||

D-7 Dbo7 C-7 F7 :||

___________________________________________________________
|2.
(Ab)/2 (Bb)/b7 (Eb)/6 (A)/b2

F-7 Bb7 Eb Eo7

(Bb)/4 (D)/b2 (Bb)/2 (D)/b2 ||

Bb/F F7 Bb F7 ||

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