Professional Documents
Culture Documents
KURT GARTNER AND THE KANSAS STATE UNIVERSITY LATIN JAZZ ENSEMBLE
1|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
Example 5. Developmental exercises for congas
Example 6. Bongocero (bongó player) – martillo (verse pattern), cencerro (bongo bell) pattern
(montuno pattern)
2|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
Example 9. Timbalero (timbale player) – cáscara (pattern for verse)
Example 10. Timbalero (timbale player) – campana (bell) pattern for montuno section
3|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
Example 14. Salsa percussion patterns
African
European
Indigenous
Mozambique
5|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
Example 25. Scales for D7 chord (or A min. to D7 cycle)
Check out 3-2music.com for published music for combo, big band, little big band
Check out descarga.com for artists and “starter packs” of CDs and DVDs
Amat, José Aladio. Afro-Cuban Percussion Workbook (CreateSpace Independent Publishing Platform
– available via amazon.com – ISBN 1463772432)
Gartner, Kurt. Analysis of the Stylistic Development of Selected Tito Puente Timbale Solos in the
Mambo Style (published dissertation, UMI)
Gerard, Charley with Marty Sheller. Salsa! The Rhythm of Latin Music (White Cliffs Media)
Puente, Tito and Jim Payne. Tito Puente’s Drumming with the Mambo King (Hudson Music)
Sublette, Ned. Cuba and Its Music: From the First Drums to the Mambo (Chicago Review Press)
6|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
SELECTED GLOSSARY (BY REBECA MAULEÓN)
agbe - the Yoruba term for a beaded gourd instrument also known as chékere or güiro.
agogo - an iron bell of Yoruba origin, used in conjunction with iyesá drums.
batá (drums) - the sacred, two-headed drums of the Yoruba people of Nigeria.
cajón(es) - wooden box(es) used in early interpretations of rumba, and still popular today.
cáscara - 1. The shell or sides of the timbales; 2. The pattern played on the shell or side of the
timbales.
clave - a five-note, bi-measure pattern which serves as the foundation for all of the rhythmic styles
in salsa music. The clave consists of a "strong" measure containing three notes (also called the
“tresillo”), and a "weak" measure containing two notes, resulting in patterns beginning with either
measure, referred to as "three-two" or "two-three". There are two types of clave patterns associated
with popular (secular) music: son clave and rumba clave. Another type of clave - 6/8 clave -
originated in several styles of West African sacred music.
guajira - an arpeggiated and floral song form, derived from the Cuban son with elements of the
canción form.
mambo (rhythm) - 1. The section added to the danzón form (in the 1940's) which featured an open
vamp and instrumental improvisation. 2. An up-tempo dance style, developed through the 40's and
50's, which blended several elements of North American instrumentation and harmony with
elements of the Cuban son.
mambo (section) - the section of an arrangement which features new material, including layered
horn lines called “moñas.”
palitos - "sticks" (lit.); specifically, the sticks and pattern played by the sticks in the genre of Cuban
rumba.
ponche - the fourth beat of a measure (in a measure of four beats), as well as an accent or break
which may be played by the rhythm section or the entire ensemble, often used as a transition from
one section of a song to another.
rumba - a Cuban folkloric secular form, consisting of drumming, dancing and call-and-response
singing which contains both African and Spanish roots. There are three styles of rumba: the yambú,
guaguancó and columbia.
7|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu
son - a style of popular dance music of the peasant or working-class, combining several Spanish and
African elements. The son began to take shape in the latter half of the 19th century in Cuba's
Oriente province, and gave birth to several hybrids, including the afro-son, guajira-son, son-pregón
and son-montuno. The son is perhaps the most important form at the root of today's popular salsa
music.
tres - a Cuban stringed instrument derived from the Spanish guitar, consisting of three double
strings and played with a pick. The tres is the signature instrument of the Cuban son.
tumbao (bass) - the repeated pattern played by the bass, often accenting beats 2+ and 4. The
pattern is a mixture of influences from the styles of the contradanza and the son.
tumbao (congas) - the repeated pattern played by the tumbadoras (conga drums), also referred to
as marcha (march), emphasizing the fourth beat of the measure, as well as beat 4+.
Yoruba - the people (and language) from Nigeria, and one of the most influential African cultures
throughout the Caribbean.
8|Page
www.ksu.edu/music/percussion
kgartner@ksu.edu