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Unit 1: Composer
Dmitri Shostakovich:
Dmitri Shostakovich was born into the Soviet Union in 1906. He is most famously
known as a Russian Pianist and Composer and composed mostly in the “Romantic” style. He
composed many symphonies and operas the latter of which Galop comes from. Being under the
rule of the Soviet Union, Shostakovich’s works were under much scrutiny and some of them
were even banned from being played in the USSR during his life time. He would then write a
new piece that the Soviet’s deemed “more Russian” and Shotakovich was in the clear. His
pieces were largely tonal with slight chromaticism. He was influenced highly by Mahler,
Mussorgsky, and Stravinsky which is where most of his musical ideas come from.
Donald Hunsberger was the long time conductor of the Eastman Wind Ensemble
beginning in 1965. He has arranged many orchestral scores for band including some movie
soundtracks, such as Star Wars and Festive Overture by Dmitri Shotakovich. In his life time
time he has recorded many things with the Eastman Wind Enesmble and conducted many
orchestras across the nation. Currently, Hunsberger rescores for silent movies and is the
Conductor Emeritus at Eastman.
Unit 2: Composition
Being under the rule of the Soviet Union, Shostakovich was always trying to please
the rulers as well as pushing the boundaries of musicality. This made his job very difficult with
a few failures on Shostakovich’s part. For example, Shostakovich’s Fourth Symphony was
deemed “not in the Russian Style”. The piece was banned from being played in the USSR and
consequently the World because the Soviet Union did not let the manuscripts out of the country.
Because of this, Shostakovich was forced to write another Symphony “in the Russian style”
which produced his famed 5th Symphony.
The operetta is a style of music that was performed for the low people of a country.
Most of operettas were comedic and made light of the long time musical performance of the
opera. Galop is from Shostakovich’s operetta, Moscow, Cheremushky, which by all accounts
was a hit in the USSR in the early 60s.
Galop is a grade 4 pieces according Kansas records and is written for Full Ensemble
including String Bass, and Harp (both optional), and Eb Clarinet. There are no out of the
ordinary percussion instruments but they include: Timpani, Xylophone, Snare Drum,
Tambourine, Cymbals, and Bass Drum. Every instrument gets into the upper part of their
registers, which Hunsberger address and writes “8vb ad. Lib” for all parts that get too high.
There is one special ornamentation, a trill in the flutes and no extended techniques and the
melody is held in the entire ensemble at times or found in the upper voices. The piece is marked
at quarter note equals 152 and stays in 2/4 for the entirety of the piece. The piece rotates
between C minor, A minor, with chromaticism.
Unit 5: Stylistic Considerations
Galop feels and looks like a typical march. This means that the pulse has to maintain
consistency and all markings of notes must be followed perfectly. Hunsberger writes out all
articulations necessary to play the piece correctly. For example, Hunsberger writes most eighth
notes with a staccato over it, most quarter notes with accents and most sixteenth notes with slurs.
Galop is also very loud most of the time so it will be important to maintain lightness throughout
the piece because the tendency is to play with a more air than their instruments can handle.
Melody:
The melody to this piece is very disjunct and loud. The opening melody is centered
around the 3rd of the key, the note E. It bounces between E natural and E flat, making the
melody never sit into the key. The “B” melody has a faster rhythm and is once again focused
around the 3rd of the key the section is in. The “C” melody is based around major and dominant
arpeggios in the sixteenth note form. The “D” melody changes it up and goes to A harmonic
minor. It follows the scale going down starting on the fifth then follows the scale going up. The
“E” section has the melody in a new instrument set using the low voices. It is comparable to a
Harmony:
The harmonies in the piece are either in moving thirds and fifths with the melody or very
chromatic descending lines in contrast to the melody. There are also harmonies that answer the
The rhythm of this piece is based in the eighth note and sixteenth note. The fastest
rhythmic setting is four sixteenth notes. The other rhythmic setting is “boom chicks” throughout
in the accompaniment.
Timbre:
The color of this piece is very bright. The only exception is the “dog fight” section where
the low voices have the melody. The color is bright because of the way it is orchestrated with
almost all of the voices in the upper part of their range. The exception is orchestrated with every
Rochford, B., Laprise, K., & Laprise, R. Concert: Ithaca College Campus Band.
Sheinberg, E. (2000). Irony, satire, parody, and the grotesque in the music of Shostakovich: a