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The

Academy 2016: "Drum Corpse Bride"

Brass and Percussion Arraged by: TheMTCrew


  4    42  44  
  4
 = 78  = 104

B♭ Trumpet


B♭ Trumpet    44   
42
 44  

 4   
42
 44  
B♭ Trumpet
  4

  4   
42
Mellophone   4  44  

  4   
42
 44  
Mellophone
  4

  4   
42
 44  
Baritone Horn   4

 4   
42
 44  
Baritone Horn   4

 4   
42
 44  
Euphonium   4

 4   
42
 44  
Sub-Contrabass Tuba
   4

44   
42
Flugelhorn   44  

      3 4        
  4         
    4      

     42   4   
     6      
3

       
3


   4 3        24      44         
Vibraphone

   3    

 4                  
   
 3 3 6 3 5
6
3

 4   
42
 44  
  4
3
Marimba  3

  4   
42
 44  
Xylophone
   4

 4   
42
 44     
  4 
44
42
44
Timpani

Crash Cymbal       

 4    42  44  
  4

    44    42  44  

Saw Synthesizer

 4 
Violin   4    42  44 

2
       
 
7

B♭ Tpt.

      
B♭ Tpt.  

      
B♭ Tpt.
 

             
Mph.       

             


Mph.
      


       
Bar. Hn.  

      
Bar. Hn. 

      
Euph. 

      
SCB. Tu.
 

Flghn.       

                                               
 
  
                    
                                                  
Vib.


  


       
          
         



Mrm.

       
Xyl.
  

      
Timp. 

Cr. Cym.              

      
  
 

        

Synth.

   
  
Vln.   

3
 
        
13

B♭ Tpt.

       
B♭ Tpt.  

       
B♭ Tpt.
 

  
              
Mph.
 

             


Mph.
     

          
Bar. Hn.     

         
   


Bar. Hn.

        



Euph. 

     
 


SCB. Tu.
  


Flghn.       

   
             
                   
       
    
                                    

Vib.

       
     
               
                
 
      
Mrm.

        
Xyl.
  

      
Timp.  

Cr. Cym.             

         
 

         

Synth.

       
Vln.   

4
            
   

19

B♭ Tpt.

               



B♭ Tpt.

              


B♭ Tpt.
 


             
Mph.       

      
       


Mph.
   


                     
    

   
Bar. Hn.

                 
  


Bar. Hn.

              


Euph. 


 

        
   
 
SCB. Tu.



Flghn.       

 

            

                 
                    
     
3

                 
       
Vib.

       
 
      
     
  
    
 


   
                 

Mrm.  

       
 
6

Xyl.

      
Timp. 

Cr. Cym.       

      
 

        

Synth.

      
Vln.  

5
                          
       
 = 78
25

B♭ Tpt.

                       



B♭ Tpt.


                       


B♭ Tpt.
 


    
                                                          

Mph.   
 
                                                           

  


Mph.
  


                
    
    


Bar. Hn.

         
 


        


Bar. Hn.

                    
  


Euph. 

   
          


          
      
SCB. Tu.



Flghn.              


   
              

  
Vib.

             


             
 
Mrm. 

               
Xyl.
 

             
Timp.  

                  
 
Cr. Cym.

               
  
  

                

Synth. 

 
Vln.               

6
      
 43       44  
 
       
 = 116


38

B♭ Tpt.

    
43
      4
4
         
 


B♭ Tpt.
 

   
43
      4          


B♭ Tpt.
 4    


    
43
        4      
Mph. 4

   
43
      4      


Mph.
  4


        4                     
43
  
Bar. Hn.       4       

 

 
43
            4         
4    
  

 
      



Bar. Hn.

     4                 


43
       


Euph.  4       

   
43   
          4


SCB. Tu.
       4        


  
43
       4    
Flghn. 4

    
43
        4    
4

Vib.

     
43
      4
4
   

   
43
      4    
 4
Mrm.

    
43
      4    
Xyl.
  4

   
43
      4    
 4

43  44
Timp.

Cr. Cym.             


     43       44    

      43       44    

Synth.


Vln.      43       44    

7
                 
                   
      
  
51

B♭ Tpt.

                
                   
B♭ Tpt.      

   
                             
        
      
B♭ Tpt.
   

   
                                
  
Mph.

 
                               
Mph.
    

               
Bar. Hn.                        

                      
             
Bar. Hn.

                              


   
      
Euph.

         
SCB. Tu.
               

Flghn.        

          
    

Vib.

         

         
   
Mrm.

        
Xyl.
 

       
Timp. 

Cr. Cym.        

       
 

         

Synth.

       
Vln.  

8
             
                      
58

B♭ Tpt.

  

                         
              
B♭ Tpt.
  
 
                                          
B♭ Tpt.
    

               
Mph.       
 

                    
Mph.
   

            
Bar. Hn.                         

                  
Bar. Hn.                 

                        
    
     
Euph.

    
          
 
SCB. Tu.

Flghn.       

    
                        
               
    
    
 
   
Vib.

    
     
  
   
    
         
    
             

Mrm.

       
Xyl.
 

      
Timp. 

Cr. Cym.       

      
 

        

Synth.

      
Vln.  

9
                     

 = 174
64

B♭ Tpt.



                   

B♭ Tpt.

                 

   
B♭ Tpt.


                          
Mph.  

                   
     

Mph.
 

                
      
  

            
Bar. Hn.



         

Bar. Hn.

                 

      
Euph. 

     


SCB. Tu.
               

Flghn.           

                                                   
      
                                      
   
                  
Vib.

                 
                


     


         
             

Mrm. 3
3

           
 


Xyl.

          



Timp.

Cr. Cym.          

          
 

            

Synth.

          
Vln.  

10
         

74

B♭ Tpt.

        
B♭ Tpt. 

         
B♭ Tpt.


         
Mph.  

        
Mph.
 

         
Bar. Hn.  

        
Bar. Hn. 

        
Euph. 

        
SCB. Tu.
 

Flghn.         

 
       
                                                       
           
5


Vib.

   
  


   
  
           
3

        
5

             
3

             
5 5

 
                      
      
Mrm.

 
         
Xyl.
 

        
Timp. 

            

Cr. Cym.

        
 

          

Synth.

        
Vln.  

11
           

82

B♭ Tpt.

          
B♭ Tpt. 

           
B♭ Tpt.


       
                          
Mph.

     
                         


Mph.
  


             
                         
 
             
Bar. Hn.

                        



       
Bar. Hn.

     
                        


Euph. 

          


SCB. Tu.
            


Flghn.           

              
                 

           

Vib.

                            
    
               

Mrm.

            
               
Xyl.
 

          
Timp. 

Cr. Cym.           

          
 

            

Synth.

          
Vln.  

12
  
  
                               
                  
92

B♭ Tpt.

                          

                     
  
3
 

B♭ Tpt.

     3 
                                             
3


 

B♭ Tpt.
 
 

 
                    
                            
  
3 3

Mph.

                   
                            
 

    
3 3

Mph.

 

                 
 
Bar. Hn.             

   3    
                        
3


 

Bar. Hn.
 

                            3    
 

Euph.   

           3    
 

     
         
  
SCB. Tu.

 

Flghn.            

            
 

Vib.

             

           

Mrm.

            
Xyl.
 

           
Timp. 

Cr. Cym.            

           
 

             

Synth.

           
Vln.  

13
    
         
43  
44      89   
         
  = 174
103

B♭ Tpt.

               44        
43 
     89   
3 3

B♭ Tpt.   

 3  
      43           44            89   
3 3

   
 
3
B♭ Tpt.

   3   44        
        43         
     89   
3

Mph.

3   44        
      43        
     89   
     
3

Mph.

      
                   
43
 44    
Bar. Hn.              89                 

    3      44                           
43
   
   89              
3

     


Bar. Hn.

                          
43
 44           
    89              


      
3
Euph.

      
43
 44       
   89      
        


              
3
SCB. Tu.




43
  44     
89
Flghn.    

 
  
43
  44         89   

    89
Vib.

   
43
  44        

 
43
  44     
   89
  

Mrm.

  
43
  44         89   
Xyl.
 

 
43
  44     
   89
  


43
44
89
Timp.

Cr. Cym.            

     89
43   44        
 

    43   44         89   

Synth.

     89
43   44        
Vln.  

14
          

114

B♭ Tpt.

B♭ Tpt.           

          
B♭ Tpt.


           
Mph. 

           
Mph.


                                             
Bar. Hn.                   

                                                             
Bar. Hn.            

                                                             
Euph.            

          
                     
SCB. Tu.
         

Flghn.           

           
 

Vib.

           

          

Mrm.

          
Xyl.
 

          
Timp. 

Cr. Cym.           

          
 

           

Synth.

          
Vln.  

15
                                
                   
124

B♭ Tpt.

                                       
  

            
B♭ Tpt.

                  
    
                  
           
  


B♭ Tpt.

  

                                           
Mph.     

                          
                      
  

Mph.

  

           
Bar. Hn. 

          
Bar. Hn. 

          
Euph. 

          
SCB. Tu.
 

Flghn.           

           
 

Vib.

           

          

Mrm.

          
Xyl.
 

          
Timp. 

Cr. Cym.           

          
 

           

Synth.

          
Vln.  

16
                              
                          
134

B♭ Tpt.

                                          
   

     
B♭ Tpt.

             
                              
       
   

B♭ Tpt.

   

                                  
Mph.       

                                        
   

Mph.

   

       
       

 
Bar. Hn.

       
    
 

Bar. Hn.

           
 
 

Euph. 

      
 

SCB. Tu.
        
 

Flghn.        

        
 

Vib.

        

       

Mrm.

    
     
                   
Xyl.
 

       
Timp. 

Cr. Cym.        

       
 

        

Synth.

       
Vln.  

17
        

141

B♭ Tpt.

B♭ Tpt.         

        
B♭ Tpt.


         
Mph. 

         
Mph.


         
Bar. Hn. 

        
Bar. Hn. 

        
Euph. 

        
SCB. Tu.
 

Flghn.         

         
 
      
Vib.

       
                   
        

Mrm.

        
                                                              
Xyl.
  

         
Timp. 

Cr. Cym.         

        
 

         

Synth.

        
Vln.  

18

                                            44    
 = 174

     
149

B♭ Tpt.

                                            44    
 

B♭ Tpt.       

                                           44     
 

B♭ Tpt.
       
 

 
                                        44    
Mph.
      

                                         44    
 

Mph.
       
 

                      4 
   
Bar. Hn.   4  

                    4 
  4  
 

Bar. Hn.

                    4   


 

Euph.   4

                       44   
 

SCB. Tu.
  
 

Flghn.           44 

           44 
  

       
Vib.

                              44 

          44 
 
Mrm.

                                     44 
Xyl.
 

          44 
 
44
Timp.

Cr. Cym.           

          44 
  

            44 

Synth.

          44 
Vln.   

19
                 
       
     89   
  = 174


159

B♭ Tpt.

               
           89
  
3 3 3 3





3

B♭ Tpt.

  
89
         
3 3


3


B♭ Tpt.
  


                    3  
  
       89      
3
Mph.

                    
     89     
3 3
  

  
3 3
Mph.
3 3
 

             
     9    
   8 
     
Bar. Hn.

            9                
 
3 3 3 3

 8    
 

Bar. Hn.
   

        
89
  
3 3 3 3

 
 

Euph.

  
89    
     
 

               

SCB. Tu.

  

    
89
Flghn.    

     
89
Vib.    

    
89
   

     
89
  

Mrm.

    
89
   
Xyl.


     
89
  

89
Timp.

Cr. Cym.         

      89   

      89   
Synth.

Vln.       89   

20
               44  
    
 = 174
167

B♭ Tpt.

        44  



B♭ Tpt.

        44  
B♭ Tpt.


          44   
Mph.    

       44   


Mph.



        44   
Bar. Hn. 

                                          44             
 


Bar. Hn.
                

        44  


Euph. 

               44     


SCB. Tu.
                              


Flghn.         44  

        44  
Vib. 

        44  

        44  

Mrm.

        44  
Xyl.


        44  

44
Timp.

Cr. Cym.          

        44  

        44  
Synth.

Vln.         44  

21
        43     44  
 43   
 = 158
176

B♭ Tpt.

       3     4  
43
   
B♭ Tpt. 4 4

       3     4  
43
  
B♭ Tpt.
 4 4

   
43
    4  
43
         
Mph. 4

  
43
    4  
43
        
Mph.
 4

         4  
43
  
43
  
Bar. Hn.  4

           3     4  
43
  
                         4 4


Bar. Hn.

      
43
    4 
43
   


Euph.  4

           3     4  
43
  


SCB. Tu.
                  4 4

      3     4  
43
   
Flghn. 4 4

       3     4  
43
   
Vib. 4 4
      3     4
4                     43  
  
4

       3     4               3    
 4 4 4
Mrm.

      3     4  
43
   
Xyl.
 4 4

       3     4  
43
  
 4 4

 43   44 43 
Timp.

Cr. Cym.            

       43     44   43   

       43     44   43   
Synth.

Vln.        43     44   43   

22
   4        
 4
 = 192
191

B♭ Tpt.

  4        
B♭ Tpt.  4

  4        
B♭ Tpt.
 4

  4        
Mph.  4

 4        
Mph.
 4

  4        
Bar. Hn.  4

  4        
Bar. Hn.  4

  4        
Euph.  4

  4      
SCB. Tu.
  4  


  4        
Flghn. 4


   44                                                   
   
   
Vib.

   44                           
                             

  4                                                    
 4
Mrm. 

  44        
Xyl.


  4        
 4

 44
Timp.

Cr. Cym.         

  4
4        

   44        
Synth.

  4
Vln.
4        

23
         

200

B♭ Tpt.

        
B♭ Tpt. 

        
B♭ Tpt.


        
Mph. 

       
Mph.


        
Bar. Hn. 

        
Bar. Hn. 

        
Euph. 

        
SCB. Tu.
 

Flghn.         

                  
                                                                           

Vib.

                    


      
                                                                           
        
Mrm.

        
Xyl.


        
Timp. 

Cr. Cym.         

        

        
Synth.

Vln.         

24
      43     44 

208

B♭ Tpt.

    
43
B♭ Tpt.      44 

    
43
    44 
B♭ Tpt.


    
43
Mph.      44 

   
43
    44 
Mph.


    
43
    44 
Bar. Hn. 

    
43
    44 
Bar. Hn. 

    
43
    44 
Euph. 

    
43
    44 
SCB. Tu.
 

   
43
Flghn.      44 

           3       
      
Vib.                                     4                           44            

                  


43     44 
       
    
                                 34                           44            
 
Mrm.


   
43
     44 
Xyl.


    
43
    44 

43
44
Timp.

Cr. Cym.          

     43     44 

     43     44 
Synth.

Vln.      43     44 

25
     
                        

217

B♭ Tpt.

      
               
     

B♭ Tpt.

                    
      

B♭ Tpt.
 

  
                           

Mph.

                               

Mph.
 

         
Bar. Hn.            

                     
  

Bar. Hn.

            

Euph. 

          

SCB. Tu.
         

Flghn.             

           
                            
          

                          
Vib.

                


               
 
Mrm.

            
Xyl.


            
Timp. 

Cr. Cym.             

            

            
Synth.

Vln.             

26
                        
     
 
                           
229

B♭ Tpt.

          
                                            
 
B♭ Tpt.

    
                    
                          
     

B♭ Tpt.

    
                                              
Mph.
   

                                          
Mph.
   
     

              
                     

Bar. Hn.

 


                               

Bar. Hn.

                 
         

Euph.

                 
SCB. Tu.
                   

Flghn.              

             
Vib. 

             

             

Mrm.

             
Xyl.


             
Timp. 

Cr. Cym.              

             

             
Synth.

Vln.              

27
                               
                  
242

B♭ Tpt.

                               
                   

B♭ Tpt.

                                     
B♭ Tpt.
    

 
                                                
Mph.
   

                                         
Mph.
      
 
 

          
       
Bar. Hn.                        

                      
                  
 

Bar. Hn.

                      
                 

  
Euph.

              
                        
SCB. Tu.
     

Flghn.                 

                
Vib. 

                

                

Mrm.

                
Xyl.


                
Timp. 

Cr. Cym.                 

                

                
Synth.

Vln.                 

28
                                
                
258

B♭ Tpt.


                                           
   
B♭ Tpt.

          
B♭ Tpt.
                            

                     


       
                
Mph.
   
      
                                          
Mph.


         
Bar. Hn.      







                  

         


    
   
                  

Bar. Hn.

                        
Euph.     
              

                 
SCB. Tu.
                         

Flghn.            

           
Vib. 

           

           

Mrm.

           
Xyl.


           
Timp. 

Cr. Cym.                  

           

           
Synth.

Vln.            

29
                    
                 
269 rit.
 = 82  = 82 Per
B♭ Tpt.

                                   
  



B♭ Tpt.

               
               


B♭ Tpt.
  


                                        
Mph.      
   

                                               


Mph.
 


                        
       
Bar. Hn. 

                     
  
        
 


Bar. Hn.

              
                  


Euph.  

      
   


SCB. Tu.
   
                  


Flghn.                


                
          
  
Vib.

                
  
 3 3 3 3

               

Mrm. 

               
Xyl.


               


Timp.

Cr. Cym.               

               

               
Synth.

Vln.                

30
             

 = 164
284

B♭ Tpt.

            
B♭ Tpt. 

            
B♭ Tpt.


            
Mph. 

           
Mph.


            
Bar. Hn. 

            
Bar. Hn. 

            
Euph. 

            
SCB. Tu.
 

           
Flghn. 



       
                    
    
 
3

             
     
Vib.

  
                     
                        
   
3


       
3 3 3 3 3 3

            

Mrm. 3

           

Xyl.


            
Timp. 

Cr. Cym.            

           


            
Synth.

           
Vln. 

31
      4
 46  4    
 = 72  = 96  = 72
295

B♭ Tpt.

     4
46
     
rit.

B♭ Tpt. 4

     4
46
    
B♭ Tpt.
 4

           
          46           44    

Mph.

   
46
  44    
   

Mph.


             
 
      46   44
   

   
Bar. Hn.

     
46   44
   

   

Bar. Hn.

          
46   44
   
 

Euph.  

 
46   44
   
 

         
        
SCB. Tu.

  

     4     
46
   
 
 4     

Flghn.

 
   
46
   44    


  44
Vib.

  
46
     
    
   
46
  44        
Mrm.

   
46
   44    
Xyl.


   
46

  44
   

46
44
Timp.

Cr. Cym.         


    46    44    

    46    44    
Synth.


Vln.     46    44    

32
       

303

B♭ Tpt.

B♭ Tpt.        

      
B♭ Tpt.


       
Mph. 

       
Mph.


        
Bar. Hn. 

       
Bar. Hn. 

       
Euph. 

       
SCB. Tu.
 

                   
        

Flghn.
3 3

           
  
  
              
  
    
 
  
Vib.

          
      
       

Mrm.

        
Xyl.


       
Timp. 

Cr. Cym.        

       


        
Synth.

       
Vln. 

33
         
          
 
42  44 
 = 60  = 116


310

B♭ Tpt.

       
              42  44 
  


3

B♭ Tpt.

                    
42  44 
  

   
3
3

B♭ Tpt.

  

            
                  42  44 
Mph.
 3 

                                       42  44 
3
  

Mph.
  3
3
  

             

         42
 4 
4

 
Bar. Hn.

      


         42
 4 
4
 

Bar. Hn.

            42  44 
  

Euph. 

           42  44 
 

SCB. Tu.
     
  

                 
42
 4 

   4
 3
Flghn.

          
42
        4 
4
5
5


5


Vib.

        
42
   4 
4

         
42
 4 
 4
Mrm.

         
42
  4 
Xyl.
 4

         
42
 4 
 4

42  44 
Timp.

Cr. Cym.          

         
 42  44 

           42  44 
Synth.

         
Vln.  42  44 

34
               
        
 = 154  = 162  = 88
321 rit.

B♭ Tpt.

                   
   
   

B♭ Tpt.

                  
   
   

B♭ Tpt.

  


Mph.                                   

                         


3

   
   3   

Mph.
 3
  3   

      
                    
   

             
Bar. Hn.

               
   
    

Bar. Hn.

                   
     
     

Euph. 

          
    

    
    
   
     


SCB. Tu.

   

Flghn.                    

                    

 
Vib.

                  

                   

Mrm.

                    
Xyl.


                   
Timp. 

Cr. Cym.                    

                   


                    
Synth.

                   
Vln. 

35
   
                               
          
340

         
B♭ Tpt.

     
                           
3


 

B♭ Tpt.
 
 
                             
  
 

B♭ Tpt.
   
 

                  
  
                            
Mph.             

       
                                         
          
3


Mph.
 
3


                               
   
 
          
Bar. Hn.

        
 
   


Bar. Hn.

                
        


Euph.  

 


          
       
SCB. Tu.



           
Flghn. 

            
 


Vib.

            

           
 
Mrm.

             
Xyl.


           
Timp.  

Cr. Cym.            

           
 

             
Synth.

           
Vln.  

36
          
            

 
   
351

   
B♭ Tpt.

               
  
        
  


B♭ Tpt.

     
 

            
   

B♭ Tpt.
  
   

  
 
      
                    
Mph.   

              
                        
  

Mph.
  
   

                
      
   
 
             
Bar. Hn.

          
 
  

Bar. Hn.

                      
   

Euph.  

  
   

       
                     
SCB. Tu.

   

              
Flghn. 

              
Vib. 

              

              

Mrm.

              
Xyl.


              
Timp. 

Cr. Cym.               

              

              
Synth.

Vln.               

37
B♭ Trumpet
The Academy 2016: "Drum Corpse Bride"

  4 3 4 8 4
  
42 44            
  4
 = 78  = 104


2   
                              



 
 = 78
25

   4 6 2         


43
 44          
         
 = 116
36

                
     


    
          
     
52

                   3  
         
    
58

                17 4
              

    

 = 174
67

                    
      


      

95

Brass and Percussion Arraged by: TheMTCrew


         4      3 13
3

 

3
   4    89
  3    4    
  = 174
103

                5     
3

      
            
124

  
                                     
    
            
134

 12                                  4
   

 
        4
140

  4                  
         9
6

 4    8
 = 174   = 174


158

           2 6 2 4 2 4
3 3 3

44
43
44
43
44
3
 

   
 = 174  = 158
170

 4 4 16 4 6
43
44                


 4
 = 192
192

            
 
             

    
     
228

         
       
         

         
            

238

  
            6    

            

245

                            
             

259

                
               
 
 = 82
267 rit.



2
          2 8
   
   3
64     44
 
 = 82  = 164  = 72  = 96
276
Percussion Section

14      
     2  4
 4     
 4
    4 4   
 = 72  = 60  = 116  = 154


299

 3   

   8 4             
       
 
 = 162  = 88
323 rit.

    

     

                          
    
   
343

3


   
               
       
 
354

 

3
B♭ Trumpet-1
The Academy 2016: "Drum Corpse Bride"

3 4 8 4
 4            
42 44

 4  
 = 78  = 104


2               4
   


  
 43
 = 78
25

3 6 2      


44
 4       
  
      
          
 = 116


41

                           


       
     
53

                     
                 
 
59

17 4
              
                


 = 174
67

                  
        


   
    3
    4
95

Brass and Percussion Arraged by: TheMTCrew


 3       4        3 13
3 3


 4  4  89         
  = 174

   
104

5
3


                                    
            
125

   
12  
              
                 
136

                                4        
 

     4 
 = 174

    
153

                 10 6 2
   89 44 43
 

    
  = 174  = 174  = 158


160 3

3 4 4 2 3 4 4 4 16 4 6
3 3

43
44        
3


 4 4 4 4
 = 192
182

                           

           
225

                 
  
    
                        
236

                   6
               
 
244

  
                                      
   
259

         
                         
 = 82


267

2 8 3 14

          6   4


4 4
 = 82  = 164  = 72  = 96  = 72
277
Percussion Section

2
                 2  4     
   4 4
 = 60  = 116  = 154


313

 3   

8 4          
   
        
 = 162  = 88
325

    

                            
      
     
  
344

 

            
   
355

 

3
B♭ Trumpet-2
The Academy 2016: "Drum Corpse Bride"

3 4 8 4
 4            
42 44

 4  
 = 78  = 104


2  4
   


                 43
 = 78
25

3 6 2 


44
 4         
   
    
            
 = 116


41

    


                
                  
   
53

               
                         
  
59

17 4      
  

                        
 = 174
67

 3  
              


              
95

Brass and Percussion Arraged by: TheMTCrew


  3     3  3     4            2 13


   4    4  89
  = 174


103

      5     
                   
            

124

  
            
                                 
134

12                           
  

            
139

 10 6 2
4  89 44 43
 

       4                   
 = 174   = 174  = 174  = 158

 
157

3 4 44
2 4 4 16 4 6
43
44
43
44
 

 4    
 = 192
182

   
                   

             

224

                            
                
233

6 6

  
                           
 
242

       
               
              

260


                                  
 = 82
268

2 8 3 14
      6   4


  4 4   
 = 82  = 164  = 72  = 96  = 72
3
280
Percussion Section

2
 4 8 4
     2 4
        4  4  
 = 60  = 116  = 154  = 162


314

  

            
             
          
 = 88

 
338

   

                    
            
  
348

  

      
 
360



3
Mellophone
The Academy 2016: "Drum Corpse Bride"

  4 3 4
 
42 44
                  
  4
 = 78  = 104

     

 
              


    
       
16

  2              
  
          



                
 = 78
25

              4 6 2


  43
44   
 
 = 116


31

    


                             
   
 

51

                                     
  
   
60

     17 
                        


  
 = 174
68

Brass and Percussion Arraged by: TheMTCrew


                       


         
        
94

  3  3   3
4          89
 

           3     
           4    4 
102
3 3
 9 17
                                        
 8
  = 174

   
111

           
                              
  

 

134

  12  
                                   44    
   



 = 174

      
140

                    3 
     89         
 

 

  = 174

 
159
3

    6 4
44               
3

 43 44
3
  

 
  
 = 174  = 158
167

 4 2 3 4 44
4 16 4 6          
43
44


   
 4 4
 = 192
186

                          

     
      
225

         
                                   
  
236

6
                               
   
244

  
                                
     
259

2
 
                                
  
267

    2 8
                   
 = 82  = 82  = 164

  
274
Percussion Section



                    6       4 14
     4    4   

 = 72  = 96  = 72


294 rit.

3
    

             
    42  44    
    
 = 60  = 116  = 154

 3
314

  

 8
                      
 = 162  = 88


323

3
  3   

                    
      
           
    

340

3


      
          
               
    

347

  

          
     
  
 
357

3
Mellophone-1
The Academy 2016: "Drum Corpse Bride"

3 4
 4         
42 44

 4           
 = 78  = 104

     

               




        
 
16

2  
  
          
            


               
 = 78
25

   4 6 2


                 43
  44   
 = 116
31

                      


             
  
51

                                    
     
60

17 
                                 

 
 = 174
69

Brass and Percussion Arraged by: TheMTCrew


                    


              
         
95
3 3

3 17
   3     3          4           89
 

 
  4
  4
  = 174

 
103
3
                                       

128

  
                                        
  
134

12  
                                    44    
   


 = 174

      
140

      9
   9  44    
 

                    8
  
  = 174  = 174

 
159
3 3

    4 2 4 4 16 4
3

  3 44
43
44
43
44
3
  

      4
 = 158  = 192
176

6
4
4                               
  
216

                           

 
  
230

                       
    
                
 
240

6                                   
 
248

       
                       
262

2
                                  

 = 82


269



2 8 3
 
     
       46   44
 = 82  = 164  = 72  = 96
276
Percussion Section

14 
4
4                                     42
 = 72

 3
299

3
  

4 8
2 4
4  4                  
 = 60  = 116  = 154  = 162  = 88
319

3
  3   

           
      
 
 
                   
340

3


                   
            
 
347

 

                     
           
355

 

3
Baritone Horn
The Academy 2016: "Drum Corpse Bride"

  4 3 4 8            
42 44
 

   4      
 = 78  = 104

               2          


 
 
 = 78
21

         4 2      
 

 
  43     44
 = 116
31

  4          


                              
  4        
47

             
                           
 
52

            
                                    
  
58

                 
 17
  
        
 = 174


64

                 
Brass and Percussion Arraged by: TheMTCrew
    
 
         
 

      
 
89

      
          
3 

4
           4
  4
95

3 3
 
  4     3 
  89                            
    
  4      
  = 174


106

                                     


     


     
114

          16        12
        
    
119

                                    4  
 

  4   
 = 174
153

    


             9  9
44    
 


  8 
  = 174  = 174
160

        3 4   4 2
44   
3 3 3 3

44
43
  

  4
 = 158
176

 16 4 6 2
43
44               


 
 
 = 192
196

                
  

            
 
231

        6 
                        
  
241

   

      
                
     
255

2
               
             
 
264

                    2 8
   
 
 = 82  = 82  = 164
273
Percussion Section



             14
           4 6   44
 
 = 72  = 96  = 72
292

   


              
24  44 
  
       
 
 = 60  = 116  = 154
313

  

    8              

  
 = 162  = 88
324

                       
    

  
    
 
342

        
               

  
  
  
351

  

 
 
364

3
Baritone Horn-1
The Academy 2016: "Drum Corpse Bride"

3 4 8       
 4
  4
 
42 44                 
   
 = 78  = 104

 2    
                  



 = 78
22

4 2
           44        
 

 43      
 = 116
34

                                               


           
48

                                            
        
54


                                            
     
60

17   
 
                   

            


 = 174
68

Brass and Percussion Arraged by: TheMTCrew


                                3    


  
92

3 
          43   4        
 

   4   89        
  = 174

 
103
3


                                              
                
112

16
                                   
  
117

  12
                          4

  4
138

         


 4           9    
 

4  8    
 = 174   = 174
158

3 3 3 3

                                    
  

            
165

                       44                     
 = 174

           
171

2 4 4
                  43
44    43 44 

 = 158

     
177

2 16 4 6 2
  3 4               


4 4  
 = 192
193


                      

  
230

 6
                                    
   
240

2
                            
      
254

                       
   
264

2 8
                    

 = 82  = 82  = 164
274
Percussion Section



2    6   4 14            
 
 4  4      
 = 72  = 96  = 72
295

   

8              
    42  44     
 
 = 60  = 116  = 154  = 162
318

   

             
     

    
   
 = 88
337

   

                       
    

350

   

 
364

3
Euphonium
The Academy 2016: "Drum Corpse Bride"

3 4 8
 4
  4
 
42 44                   
 = 78  = 104

2 
           
 

           

 = 78
23

4 6
44                               
 

   43

 = 116

       
37



                                        
       

51

                                                
           
57

                  17
              
 
 = 174
63


                    

           
 

    

89

Brass and Percussion Arraged by: TheMTCrew


                  3      3     43    4
4
    
95

3 
  89                            
 

    44        

  = 174

     
106


                                              
            
114

16 12
                          
    

119

                             44              89
  
 = 174


154

10 4 4
 9 44         43 44   43 44 
  

8
  = 174  = 174  = 158
164

2 16 4 6 10
 
43
44         
 

  
 = 192
193

        

                         
  
238

6
                         
   
247

                              
  
261

     2
                     
 = 82


271

8 2    6     4 15 2
    
  Percussion Section  


 4   4
 = 82  = 164  = 72  = 96  = 72
283

  

2
4 8    
   2  4 
 4 4   
 = 60  = 116  = 154  = 162  = 88
317

     

                               
340

 

        
           
352

  

3
Sub-Contrabass Tuba
The Academy 2016: "Drum Corpse Bride"

3 4 8
 4
42 44
 
  4        
 = 78  = 104

   
2
 


                   
 = 78

        
23


4


   43             44
     
 = 116

     
34



        
            
       
49

                    
 
          
60


17

         
                    
 = 174
71



                     43  4
4
            
95

  
3 3

Brass and Percussion Arraged by: TheMTCrew


3
 

    44     9
   8                  

  = 174

 
106

18
                               


 
         
114
12
     
          
     
137

   
     44      89    
  

     
 = 174   = 174

    
156

          
   

              


165

         44   
  
 = 174

             


170

2
          
43


          
 = 158
175

         
4 2 4 2 16 4 6
  43 44
43
44
43
44
 
 = 192

 
182

2
  
 

    
            
224

  
                    
   
235


6
                    

   
 
  
244

                 
            
258

2
    
     
 = 82

                 
266



2 8
        
 = 82  = 164  = 72

          
275
Percussion Section

14 2
 
6
4   44    2
4
 
 = 96  = 72

            
296

     

8
   42 44  
              
 = 60  = 116  = 154  = 162

 
319



   

           
 = 88

        
339


 
   
 

        
             
354

 
   

3
Flugelhorn
The Academy 2016: "Drum Corpse Bride"

3 4 8 9 10 4 6 24 17
 44  
42 44 43
44
 = 78  = 104  = 78  = 116  = 174

16 2 4 28 13 6 6 10 6
 43 44  89 44 89 44
  = 174  = 174   = 174  = 174
88

2 4 2 4 4 16 4 6 17 8
43
44
43
44
43
44

 = 158  = 192
180

7 18 9 8 3
        64     44   
 = 82  = 82  = 164  = 72  = 96  = 72
247
Percussion Section

                           
  
 
     

300

 5
                        4
2  4 

Brass and Percussion Arraged by: TheMTCrew
  4 4
 = 60  = 116  = 154

  3
309

8 5 2  18 6
 
 = 162  = 88
325
Vibraphone
The Academy 2016: "Drum Corpse Bride"

     3
  4      3       2

   4     

   
   4    44   
 = 78  = 104

       
3

             3          
 
 3


  
6

                       
 

  
9

               
           


        
               
12

 
 
     
      3   
      
     
      
17


             
             
      
      
22

    10 4 6 10  
  

  3 4  
  4 4    
 = 78  = 116
26

   
Brass and Percussion Arraged by: TheMTCrew
                        
      
    
      
59

  
                    3
          
           
      
                       
64


  
                                               
 = 174


71

      
                   


        
     
76
5

  3         15
     
3

  43
5

      
          
81

  3 2 4 28 13 6 6 10 6
 44     89  44
89
44
  4
  = 174  = 174   = 174  = 174
104

 2 4 2 4 4
43
44
43
 44                       

 = 158  = 192


180



                           
               
 
198


             
       

                                              
202

        
        
                          
207

     
     3 
                         44
         4
211

 4                             
    
 4                        
216

2
          17 8 7 18
        
   
 = 82
220

     5      
 

            
 = 82

    
  
276
Percussion Section


3



 3    3 6  
       64    44 
   
 = 164  = 72  = 96  = 72
287

 


                   3
          
     
   
5


306 5

 
5

  5 4 8 5 2 18 6

 42  44   
 = 60  = 116 = 154  = 162  = 88
314

3
MarimbaThe Academy 2016: "Drum Corpse Bride"

   4        
 4     
              
 = 78
3 6 5


3 3 3

 4  
  4


    
   
     
         2
4   4
4
 = 104


  
3 6


6

 
42
 44 

3
3

                        
                         
 
6

   


       
                                 
  
9


               
Brass and Percussion Arraged by: TheMTCrew
          


 
                            
       
   
13

         
              
                  

   
 

         
18


     
         
    

               
                
 
20

  
              

    
6

10 4 6
           
43
   44
  
 = 78  = 116


23

10 4 6
     
43
44
 
 

10  
 4      
  4   
47

10    
    44 
         
    
 

    
        
   
61


       
  

     

2
                  
                

     
                       
64

 
      

3
3

 3 2
    
 = 174

      
68

      
3 2                  
  
      


   
       
      
76


5 5 3

      
       
    
     
 

        
                         
81

    
             

      15 2 4 28 7
      
3
4
4
4    89
  = 174
87

15 2 4 28 7
     3
4
4
4
9
 8

3
            
            
                

146

      

       5 6 10 6 2

        
44 89 44 43
 = 174   = 174  = 174  = 158
151

5 6 10 6 2
    
44
89
44
43

4 3
3 44 3  44
4                    4
182

4 3
 3 44                       43   44
4

4 
  4                  
      
 = 192
192

  44                                  


   
               
             
197

                                 

4
  
      
     
201

                                       


   

               



205

                                      
    

 
          43     
       
209

                         3            
 4

    
  44  
          
   
214

      
             4                 
4

                    17 8 7 18
 

219

17 8 7 18
    

5
9

    
 = 82  = 82

 
273
Percussion Section
3 3 3 3 3 3 3 3

9
   

   
 
                    
                  

3

    
285

    
3 3

    
3

   3
        44
46
 
      
 = 164  = 72  = 96  = 72


289

3  
       
46

   44

     
      

300

 
          

  9 5 4 8 5
         
4 4 
2 4 
   
 = 60  = 116 = 154  = 162


304

9 5 4 8 5
   2 4
4 4  

6
2 18 6
  
 = 88
339

2 18 6
  

7
Xylophone
The Academy 2016: "Drum Corpse Bride"

3 4 8 9 10 4 6
 4  
42 44
 
43

 4 44
 = 78  = 104  = 78  = 116


24 15              15 2
    44        43 44 
 = 174
47

4 28        
     89                          
  = 174
107

         


    
                  
   
142

                                     
     
146

5 6 10 6 2 4

        
44
89
44
43
44
 = 174   = 174  = 174  = 158
151

2 4 4 16 4 6 17 8 7 18
4 3 4 3 4
4 4 4 4 4
 = 192
186

Brass and Percussion Arraged by: TheMTCrew


9 8 3 15 5
       6   4 2 4
4 4
 4 4
 = 82  = 82  = 164  = 72  = 96 = 72  = 60
272
Percussion Section

4 8 5 2 18 6

  44   
 = 116  = 154  = 162  = 88
320
TimpaniThe Academy 2016: "Drum Corpse Bride"

3 2 8 9 10
 4
42 44
    
  4  
 = 78  = 104  = 78

4 6 24 17 16 2 4 28 7

 43 44 43 44     89
 = 116  = 174   = 174
37

5 6 6 10 6 2 4 2 4
   44
89
44
43
44
43
44
 
 = 174   = 174  = 174  = 158
146

4 16 4 6 17 8 7 18 9
  44 43
44  
 = 192  = 82
192

8 3 15 5 4
    
  Percussion Section 46    44 42  44 
 = 82  = 164  = 72  = 96  = 72  = 60  = 116 = 154
283

8 5 2 18 6
  
Brass and Percussion Arraged by: TheMTCrew

 = 162  = 88
325
Crash Cymbal
The Academy 2016: "Drum Corpse Bride"

3 3 6 8
 44 42  44     
 = 78  = 104

2 3
   

               3
4
 = 78
26

6 22 10 6 16 34 2 44  4
  

3
 4 44       89
 = 116  = 174


41

28 13 6 44 6 98 10 44 6 2 3 4 4 2 3 4 4
 89 4 4 4 4
  = 174  = 174   = 174  = 174  = 158
111

4 16 34 4 44 6 17 8 7 6
 44      
 = 192
192

10 2 5 8 3
         46  44
 = 82  = 82  = 164  = 72  = 96
262
Percussion Section
Brass and Percussion Arraged by: TheMTCrew
15 5 4 8 5 2 18 6
 44 42  44  
 = 72  = 60  = 116 = 154  = 162  = 88
299
Saw Synthesizer
The Academy 2016: "Drum Corpse Bride"

3 4 8 7   10 4
 4        
42 44
 

 4 43
 = 78  = 104  = 78

3 4 8 7 10 4
 4
42 44
    
  4   43


6 24 17 16 2 4 28 13
    89
    43 44 43 44  
 = 116  = 174   = 174
41

6 24 17 16 2 4 28 13
  3 44
43
44 
 4    89 

6 6 10 6 2 4 2 4 4
44
89
44
43
44
43
 44
 = 174   = 174  = 174  = 158
152

6 6 10 6 2 4 2 4 4
 44
89
44
43
44
43
44

16 4 6 17 8 7 18 9 8
 3 4   
4 4
 = 192  = 82  = 82  = 164
196
Percussion Se

16 4 6 17 8 7 18 9 8
 3 4   
Brass and Percussion Arraged by: TheMTCrew
4 4

 3 4 15 5 4 8 5
   6
4   4
2 4
4 4 

 = 72  = 96 = 72  = 60  = 116 = 154  = 162
292

3 15 5 4 8 5
     6 4
4   4
2 4
4 4 
2 18 6
   
 = 88
338

2 18 6
   

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