Bassoon

Trois Sonate de Scarlatti

Dinu Lipatti
Nov 1943
Editor: George Moldovan
Andantino cantabile poco rit.
            
           
   
   
p

A A tempo
10
    
          
            
       
 mf 

17 
                 
             
 
f

23 B 
        
           
p mp mf p mp

34
 
 

 
        
        
 
pp

39 C    

       

    

 

 
mp
 pp mp
2 Bassoon
45
              
  
 
D
50
                     
       
mf E
55 
             
     

61                 
        

65 
                
 
69 F
                       
 

G f
79
   
       
       
   
             

86
            
   


pp
II. poco rit.
90      
      
     

95 H Allegro
   
 
                 
  
f
 mp
103
         
         
  p
 Bassoon 3
110
   
 
        
   
f

116 I
       
 
p

120
   
       
         
3

127 J   
               

3 pp
3

133    
   
        
   

 
K L
141        
   
       

    
f mp

150         
        
     
pp f 3

157      M
        
       
3 3

3

162

            
 3   
p
4 Bassoon
168    
                    

  3
 3 espress.

174 N
          
  


III.
180 1. 2.
  
         
      

186 O Presto
          
             
 
p

191
                       
    
  
pp

194
        
   
        
         
          

198 P     

           
          
  
 
      
   
f p     p
f
 Bassoon 5
202 
  
                 
    
       
       

206 Q
   
    

          
 
 p

208 
    
   
             
         
     

211
     
   

           
  

  
           

215
      R      
    
                             
f        
f


219       
                      
      
     
pp

cresc.
223 1. 2.
     
  
    
      
     
 
  cresc. ff
