Professional Documents
Culture Documents
Region III
Division of City Schools
NORTHVILLE 15 INTEGRATED SCHOOL
Northville Cutud Angeles City
Email: northville15is@yahoo.com
GENERAL DIRECTIONS: Analyze the questions and encircle the letter of your answer. Use
a black pen in answering. Other pen inks are not allowed. Avoid erasures.
LISTENING
For numbers 1 to 5, listen as your teacher reads the selection and answer the following
questions.
1. As explained by Martin Luther King Jr., what is the purpose of nonviolent direct action?
A. It creates an environment of tension in which no one is willing to negotiate.
B. It prevents negotiations from taking place.
C. It dramatizes an issue so that it can no longer be ignored.
D. It delays negotiation until people are ready to confront an issue.
2. Communities in the South refused to address the problems of inequality and racism.
What solution did Martin Luther King Jr. propose?
A. take violent direct action so that people are forced to pay attention
B. take nonviolent direct action so that the problem cannot be ignored
C. wait for community leaders to agree to peaceful negotiations
D. work and preach against violent tension within communities
3. Which audience did Martin Luther King Jr. most likely target when writing this letter?
A. people who supported his work
B. people who lived in the North
C. people who fought for civil rights
D. people who questioned his methods
4. What is the main idea of this excerpt from King’s letter?
A. Without violent tension and fighting, change would be too slow.
B. Nonviolent direct action is needed to bring about change.
C. Negotiation is a better method than direct action to cause change.
D. Socrates also used nonviolent tension to bring about change.
5. Thinkers and leaders other than Martin Luther King Jr. have created tension to bring
about change. What evidence from the passage supports this statement?
A. “Just as Socrates felt that it was necessary to create a tension in the mind so that
individuals could rise from the bondage of myths…”
B. “You may well ask, Why direct action? Why sit-ins, marches, etc.? Isn't negotiation
a better path? You are exactly right in your call for negotiation.”
C. “I just referred to the creation of tension as a part of the work of the nonviolent
resister. This may sound rather shocking. But I must confess that I am not afraid of
the word tension.”
D. “Too long has our beloved Southland been bogged down in the tragic attempt to live
in monologue rather than dialogue…”
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READING AND LITERATURE
For numbers 6-11, read the poem, “He Had His Dream” by Paul Laurence Dunbar,
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For numbers 12 -15, determine the tone conveyed in the sentence.
A. Annoyed
B. Calm
C. Excited
D. Scared
12. Wow! With a top speed of one hundred fifty miles per hour, that car can almost fly!
13. She delicately placed the cooing baby on a soft, freshly cleaned blanket.
14. As that hurricane threatened, the wind's blast caused angry fifteen-foot waves to crash
over the small houses near the shore.
15. Ugh! Do I really have to sit through another boring lecture on data entry again?
Read the following lines from "The Garden of Proserpine" by Algernon Swinburne. Then
answer the question below.
There go the loves that wither [dry up],
The old loves with wearier wings;
And all dead years draw thither [there]
And disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs. ...
And love, grown faint and fretful
With lips but half regretful Sighs,
and with eyes forgetful
Weeps that no loves endure [last].
16. In the first two lines, what image did the speaker use to describe love?
A. Love that goes away and have exhausted wings
B. Love that grow both wobbly and worrisome
C. Love who is both young and old
D. Love that dies
17. What is the mood in the poem?
A. Wastefulness and excess
B. Sadness and despair
C. Happiness
D. Mistrust
18. What is drama?
A. a series of stories for TV only
B. arguments between two people or groups
C. a story designed solely to be performed in a theater
D. a written work that is meant to be acted on stage, in TV, or in the movies
19. What is a scene?
A. the backdrop of the action
B. it's what the audience "sees"
C. drama caused by parties who are in disagreement
D. division on an act during where there is no change of scene or break in time
20. When writing a play, which of the following tools does the playwright primarily use to
reveal a character?
A. dialogue
B. plot structure
C. setting
D. stage directions
21. What is the function of a playwright?
A. performs in a drama
B. critiques a drama
C. finances a drama
D. writes a drama
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22. Which of the following questions is most essential for a director to consider when
selecting a play to direct?
A. Will the members of the audience have a good time at this play?
B. Do I have a strong connection to the material in the play?
C. Does the play address contemporary issues?
D. Has this play been previously produced?
23. A director is planning auditions for a physical theater work about the invention of
electricity that will be devised largely during rehearsals. Which of the following
methods of holding auditions would be most effective for this production?
A. Asking actors to prepare and present contrasting one-minute monologues that
showcase their ability to make bold choices.
B. Leading groups of actors through a series of exercises that explore their movement
capabilities and give them an idea of what to expect from the show's creative
process.
C. Pairing actors up for cold readings of text borrowed from newspaper articles,
science textbooks, and technical writings
D. Interviewing actors individually and asking questions about their performance
backgrounds and the unique contributions they would make to the process
24. Despite a good working relationship with the set and costume designers, a director finds
that he almost always rejects the first ideas. Which of the following steps should the
director take to improve this situation?
A. Giving each designer extremely specific instructions of what their designs should
look like
B. Asking the designers to be more vigorous with their process and to avoid presenting
any preliminary work in the future
C. Waiting to see a finished model or sketches of the designs before giving feedback
D. Taking more time to discuss the script and production concept with the designers
early in the process
GRAMMAR
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For numbers 29 -32, identify the function of the given gerund phrase in each sentence.
A. subject
B. appositive
C. direct object
D. object of preposition
29. Electing her to office has lifted people's spirits in this country.
30. Most people at the office were in favor of leaving before 3 p.m.
31. Paul really enjoyed being editor of the yearbook at his high school.
32. George and Martha now regret renting that villa in Boracay.
For numbers 33-36, determine the correct position of possessive noun or pronoun in the
gerundial phrase/sentence.
A. Thrust Stage
B. Traverse Stage
C. Proscenium Stage
D. In-The-Round Stage
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39. A stage where the audience sits on two sides and it is good for creating an intimate
atmosphere.
40. A stage where the audience sits on one side only.
41. It is positioned at the center of the audience. This type of stage creates quite an intimate
atmosphere and is good for drama that needs audience involvement.
42. It is the oldest known fixed type of staging in the world, and it is thousands of years old.
43. The "poor theater" concept focuses on making which stage element?
A. words and ideas of the playwright
B. voices and bodies of the actors
C. music and sound effects
D. sets and costumes
44. Which of the following elements of theater would be most appropriate to explore in a
ninth-grade English class?
A. universal themes found in drama
B. collaborative creative process
C. role of drama in different world cultures
D. connection between actors and the audience
45. What is the best definition of play?
A. builds interest
B. turning point in the play
C. main conflict of the play
D. sequence of related events
46. It is when the playwright builds interest or suspense in a play.
A. Rising Action
B. Falling Action
C. Exposition
D. Climax
47. When you think of the challenge or obstacle that the main character must meet or
overcome, you describe the___________.
A. plot
B. theme
C. problem
D. solution
48. When responding to a script using formalist analysis, the response should focus on the
__________.
A. inherent features of the text.
B. text's performance potential.
C. adherence of the text to a specific genre.
D. relationship of the text to the playwright's other work.
49. A play that utilizes episodic dramatic structure is most likely to feature which of the
following elements?
A. a single locale
B. a large cast of characters
C. a time span that approximates real time
D. a linear plot that follows a chain of cause and effect
50. What is the importance of play synopsis?
A. It makes reading faster.
B. It helps the readers comprehend the play.
C. It may help the readers decide as to continue reading or not.
D. It is a useful exercise for highlighting areas that will appeal to your readers.
“Be not afraid of greatness. Some are born great, some achieve greatness, and others have
greatness thrust upon them.”
/cdb jcm/
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