Untike Wages, Wa does no proce this eet of ambient subject
sy'n Svsng the om este ar ght of mater
Won Tsprocedare igure, even anract ancitc neavel in
vines het ater sweat wi. In gener, Wal preeets
Vrncaion ofan enaneed musical aoomy by easting Mi onan a
yng pero el As Monco Carer ar sere (1828)
raft ka wedgs{Wol]aheresto aria 2 pus pls
far awald a compet sapertvous
‘An regular phrascology compare
Mei Wold Ths gh fame ratte pritan ye piano. Ks
contin once and init—ie energies the wie,
1 kot beng appro ty et, ol has captaizes on the
ssf netcaecnte seal He in which Ue lao, expeiay
yoy potesonal pbc pestormanc, ited figutes he bol
sricle of onerous musical” Puno soni is rae 10
ave notte well
‘work of producing he ws ba
— hw pas gh hi
stip at be wicca ale Te
tue i two ages presen bt inorpee e
{eho spoke, coal ony reac compleen etre
‘mimic an ded Theo wo lena a
‘ily the forging master he judge oh
chited; he war thermater orn SM? Comderned
revs concep ofthe
‘ser wot tones ane seg
mater of th
hu the an pa
‘represent what the same master hears when he fatena. I
Mol’s scruiniring moe draticalyalery oth the social
Seals loa per ea Soca he
indalnd and the signi slo pformance cain
Sete ie wt lt ey ts pc a
SRE ar condense the illsionary. nyhogphie ese ob
Bayreuth: Hence dhe acti ofthe Vina Walter eh
Aram of ie existence (1897-1005) arranged twenty such
Wot snong Expres th ities she
» ssp pat into separate and poy nconnceearne dag
nts point tone aan Seba ton
‘ono sin Suber whowenowaions
iano ‘accompaniment of the preseluiers
{ily the tage on wich the wie heart alleges the mn
eps out ofthe ex's way while ving is mon Sober
Pao part oa ole resembling that ofthe chor cael Genny
lilo, the pao serves purty an a
wi cite cele ingen hme Ween nn Gee) vj nts ee nate. The
double, or fore Si voices speak of sin and repentance; the piano parts envelop them with
a pos oft an pin yh cans ot
Wolf modernizes the imptic ;
cette te imp heer own deg eat Seka. Merc the Marke sono,
mim cn
hve paved emp bag eneGp tactentiang soos ano coke
ing the role tthe pes
the very nature i
bot ie: ean
lex, prominent and dsree. Ap o pom
F Poropriaing the ves orm
Imelody, the plano part in Warnes an auton ine ee
‘oa the mae ofthe song. The muse athe ice ene
ofthe pactyhence snot Was al pe a
Tansy mayer while the oice muses allegorical om th
ENT fhe wa wey ha song posie—tow song ances he
a ercsal inn that ewe sek cis ae. Wield
fata vice, that imutom becomes a secet shared between the piano
NT whe audience: “Renost di das Laid fom the Goethe songbook.
Ina, almost pyc, apne. ex i he fam
reso for Wott 3 appt tn The
ering the feat nr tal practice of ‘fam Goethe's tonel Wil Ale’ Ayia
sir he een iy xr ye ‘in ng sty tt mae or a tonbook tan pre, Was
: paral sens. Grek chart one oe ling imenses wan orvestal see at the
ben sod a dematraied n oa ian p :
ao i on a Wagner nde I aon ce ed wo care i seal orcheaeexpos iO
$e he mio thine rhe tages in Comp er covering wave on wave of represed sexual desire and
% se oF waljechiy wth which the nate efi hostedge repre ic, that ths dsr Hike 0, cm
tainted by, incest