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1 Macpherson’s study of Burke is telling with respect to this lack of direct engagement with
issues narrowly cultural and aesthetic. The 1980s and early 1990s produced, in the work
of W.J.T. Mitchell, Frances Ferguson, and Terry Eagleton (The Ideology of the Aesthetic) ,
influential studies of the crossings of aesthetics and ideology in Edmund Burke’s treatise
on the sublime and beautiful, but Macpherson’s brief but engaging study of Burke
published in 1980 in the Past Masters series declines to treat Burke’s aesthetics at all,
dismissing it in a sentence as ‘of little theoretical interest’ (19). There is, however, no
shortage of theorists who have been influential in literary and cultural criticism though not
primarily engaged with the cultural or aesthetic sphere and I contend that Macpherson
deserves stature among them.
which could be brought to bear on its [the New Left’s] cultural concerns,
or which could politically mobilize it or offer models of radical self-
identification’ (9) – as well as by a desire to disrupt established modes of
thinking in English by a style and syntax of thought foreign to it (Homer,
14-16).2
Significantly, Spivak’s endnote invites readers to look into Macpherson
if they want ‘a “straight” analysis of the roots and ramifications of English
“individualism”’ (‘Three Woman’s Texts’ 260). Spivak apparently means
that the analysis is not filtered through her own triumvirate of continental
theory of Marxism, psychoanalysis, and deconstruction, and belongs rather
within the mainstream of Anglo-American scholarship. Macpherson’s
interlocutors, however, recognized his affinities with Marxism,3 albeit a
Marxism cast in an interestingly displaced vocabulary: he did the Marxists
in different voices.4 Undoubtedly Spivak’s ‘straight’ also signals that
Macpherson’s work is comprehensible and seemingly perspicuous –
another version of Berlin’s ‘rational and lucid,’ although from a theorist
and an era that have become more suspicious of these values. But if
continental theory has had a productively bent or estranging influence on
the empiricist, positivistic modes of thought that continue to dominate in
the English language, by passing over Macpherson we risk missing the
stranger within – one whose critical practice may be all the more disruptive
for appearing so ‘lucid’ and familiar as to be unnoticeable. Furthermore,
one risks missing the important parallels between Macpherson’s work and
these strands of continental theory, particularly the Freudian Marxism and
proto-deconstruction of the Frankfurt School.5
Macpherson described the careful, rigorously close, dialectical reading
he performed upon the tradition of political theory in the English language
from Hobbes and Locke in the seventeenth century to Isaiah Berlin and
2 The lack of familiarity with Macpherson’s work, or the failure to note him in this context,
is remarkable. Michael Ryan’s Marxism and Deconstruction, a work that early on attempted
both to trace the affinities of these two modes of critique and to demonstrate how they
might productively supplement each other, devotes some six pages of the introduction to
outlining a deconstruction of Hobbes. Macpherson’s central concept of ‘possessive
individualism’ is employed by Ryan (2), and his point that Hobbes ‘cloaks class interests
in the assumption of universal reason’ (3) very much recalls Macpherson’s reading of
Hobbes, yet Macpherson is nowhere cited.
3 See Svacek for an excellent treatment of the question of Macpherson’s Marxism. As Svacek
comments: ‘there is a nearly uniform concern among Macpherson’s critical commentators
either to mask or unmask him as a Marxist’ (395). For many liberal critics of the Cold War
years, to label Macpherson a Marxist was sufficient for dismissing his ideas.
4 Townsend comments suggestively on the displaced Marxist vocabulary in Macpherson’s
work and the possible strategies involved in choosing to employ such a vocabulary (12).
5 The figures associated with this school, most centrally Benjamin and Adorno, have been
intensively engaged by Anglo-American criticism and theory over the last three decades
and I thus treat them as ‘contemporary.’
ii
6 A fuller consideration of this topic would also need to consider how Macpherson’s
practice and its underlying assumptions conflict with our contemporary assumptions and
concerns and what we might learn from such conflicts. While I touch on these issues here
in examining and defending Macpherson’s dialectical approach to liberal individualism,
I plan to treat such conflicts, or differences, at greater length in a separate essay devoted
to Macpherson’s critical method in relation to Adorno’s negative dialectics and Derrida’s
deconstruction.
tal unit of thought that is at the same time ideological, beyond which no
thinking penetrates. Furthermore, this conception of the individual
provides the central difficulty for the tradition of democratic theory that
has attempted to build upon the seventeenth-century basis.
The central difficulty in the concept of the individual in seventeenth-
century political theory, Macpherson argues, lies in its ‘possessive quality’
(Political Theory, 3). In a passage worth quoting at length, he puts very
forcefully both his conception of ‘possessive individualism’ and the
concomitant view of society that this assumption entails:
(58–59) and Jules Townsend (19) have noted, at the root of Macpherson’s
theorization and critique of possessive individualism. These concepts were
first outlined by Marx but were more elaborately developed by Lukács,
with notable and lasting influence on theorists such as Adorno and
Jameson. Lukács built upon Marx to suggest that – with the increasingly
complex and fragmenting division of labour under capitalism, and the
increasing reduction of social relations to abstract, distanced economic
relations of exchange – the individual was increasingly incapable of
grasping the totality of social relations, of grasping his or her fragmented
world as social process and social relation between humans. The world
appears, rather, as pre-made, a world of disassociated things that the
subject stands outside of and confronts as an object (Lukács, 83–149).
Macpherson’s central thrust was to argue how such a reified world-view
was ‘read back into the nature of the individual,’ so that the individual
human being comes to be seen as an isolated thing – and, more to the point,
a commodity to be bought and sold on the market. I am my own property,
a least common denominator of ownership justifying all other property
relations. If, with Descartes, modern philosophy seeks a stable origin in the
presence of a self-conscious cogito, then modern political theory, Macpher-
son argues, posits its origin to be self-ownership.8 A ‘subject-effect’ of
capitalist social relations is substituted as origin or cause of such relations.
With his suggestive reference to the act of reading in the formation of the
subject, Macpherson subtly draws attention to the kind of rhetorical
metalepsis that has engaged deconstructive critics in more recent years in
their own critique of the subject.9
Let me draw briefly two further parallels between Macpherson’s
concerns and those of other twentieth-century continental theorists who
have played a more central role in contemporary theory: Roland Barthes’s
essays from the 1950s, collected in Mythologies, offer a familiar, somewhat
parallel, argument about how ideology naturalizes or ontologizes the
historical to serve particular ideological ends; Adorno’s critique of the
German philosophical tradition up to and including Heidegger is in places
even more strikingly parallel to Macpherson’s concern with possessive
individualism and, more generally, with how the logic and rhetoric of the
xxxxxxx
twice repeats, italicizing the predicate for emphasis, that the ‘individual in
a possessive market society is human in his capacity as proprietor of his
own person’ (271, 275). In Democratic Theory, a later collection of essays,
Macpherson likewise suggests that the seventeenth-century political
writers ‘did not think of the propertyless labouring classes as fully human,
or at least not as full citizens’ (28).
The alternative that Macpherson provides in this last example is not
insignificant; there is potentially a considerable difference between not
being a full citizen and not being fully human. Macpherson’s hesitancy
here may point to a genuine and non-dogmatic uncertainty with respect to
just how deeply the assumptions of possessive individualism penetrate.
Just far enough down to deny others the vote, and thus full participation
in civil society? Or far enough down to conceive of others as less than, or
other than, human? Nonetheless, the way these references provide ample
evidence that he believed the assumptions of possessive individualism
might go very far down indeed suggests that his thought might produc-
tively be placed in relation with a body of more recent poststructuralist and
postcolonial theory and criticism that has variously been concerned with
the construction of the human and the boundaries of the human and non-
human as defined in contexts of power and knowledge.11
In drawing this essay to a conclusion I would like to gesture towards
making such a relation by briefly attempting a reading of a passage of a
text that has engaged literary critics, particularly in Canada. This brief
analysis might begin to show some of the directions and possibilities
opened up by Macpherson’s problematic. That the reading might not
appear unfamiliar within the current ethos of literary criticism perhaps
further suggests that Macpherson’s concerns are current ones. And while
Macpherson’s own theory does not directly address such key contempo-
rary issues such as race, colonialism, and postcolonialism, this example
suggests how his work might be brought into a productive dialogue with
such concerns. At the same time, to read for the assumptions of possessive
individualism within more broadly cultural texts promises to advance
Macpherson’s own goals insofar as such a reading might begin to address
the question implicitly posed by Macpherson: How far do the assumptions
of possessive individualism permeate thinking in English and European
thought of the last four centuries?
iii
Hudson’s Bay to the Northern Ocean, is part of the infamous narration of the
ambush and slaughter of a group of Inuit by the Chipewyans with whom
Hearne travelled. In fascinatingly ambiguous and contradictory ways
Hearne is constructed within the text as an innocent bystander to these
events, one who morally condemns the attack and refuses active participa-
tion in it, yet who is at the same time compelled in the interests of his own
life to accompany the group and to witness the massacre. While the author-
ship and historical veracity of this part of the narrative are uncertain – it
being the practice of publishers of that period to supplement and embellish
exploration narratives in the interests of brisker sales (MacLaren, ‘Massa-
cre’) – such questions need not detain us, as I am concerned with broadly
shared cultural assumptions.
Throughout Hearne’s exploration narrative, an understated but per-
sistent question the text returns to are the limits and boundaries not only
of civilization and barbarism but of the human and the inhuman, and the
extent to which the European can judge the Native to be human.12 The
position of an earlier generation of historians and literary scholars, such as
Maurice Hodgson – namely, that Hearne in several instances sympatheti-
cally and sensitively upholds the underlying humanity of the Native
peoples – often strikes the reader as valid. Thus, for example, Hearne
contextualizes a practice such as cannibalism both by noting that it is only
practised under the most acutely life-threatening conditions and by
emphasizing that anyone who has engaged in the practice is thereafter
shunned by the others for having transgressed the most basic of social
prohibitions (22). In contrast, in the context of the Inuit slaughter Hearne’s
rhetoric tends towards description of the Natives as ‘bloody’ (96, 99),
‘barbaric’ (99), ‘brutish’ (100), ‘savage’ (100) and ‘inhuman’ (74).
Manifestly, this judgment derives from a moral condemnation of what
is judged to be unwarranted violence perpetrated by the Chipewyans upon
the Inuit. But in Hearne’s intricate descriptions of his party’s preparations
for the attack which, as I.S. MacLaren has pointed out, function as skilful
tactics in narrative delay to build suspense (‘Landscapes’ 33), Hearne
makes a suggestive reference not to morally condemnable behaviour but
to the simultaneous breakdown in both individuality and private property
among the war party he accompanies.
12 An informative overview of, and contribution to, the critical interpretations of this
question is provided by Hutchings.
to lead ... Never was reciprocity of interest more generally regarded among a
number of people, than it was on the present occasion by my crew, for not one
was a moment in want of any thing that another could spare; and if ever the
spirit of disinterested friendship expanded the heart of a Northern Indian, it was
here exhibited in the most extensive meaning of the word. Property of every kind
that could be of general use now ceased to be private, and every one who had any
thing which came under the description, seemed proud of an opportunity of
giving it, or lending it to those who had none, or were most in want of it.
(97–98; emphasis added)
iv
In his own contribution to the various efforts over the last two decades to
retrieve Adorno for contemporary criticism and theory, Fredric Jameson
has suggested that among other things, Adorno’s work could allow an
13 Perhaps the most pertinent form of such a logic in this context was the theory of the four
stages of civilization prevalent in the ethnography of the time whereby civilizations were
believed to progress from the depths of savagery to the heights of commercial society (see
MacLaren, ‘Massacre,’ 39–40).
14 For a reading of eighteenth-century theories of the sublime that ties aesthetic theory into
individuation, see Ferguson.
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