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Leeanne Cooper, Editor
leeanne.cooper@warnersgroup.co.uk
P.S
Did you know we have
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CMYK / .ai CMYK / .ai
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easy, simply register IN ASSOCIATION WITH
31/10/2017 15:29
www.thiscakelife.co.uk
Anglo American Media Ltd, publishers of Cake Decoration & Sugarcraft Magazine, Cake Craft Guides: Party Cakes, Wedding Cakes & Sugar Flowers.
13
INGREDIENTS NEW TRENDS 2018
Essentials
COVER STAR! 06 Market Place
Open for news, reviews, tips and
45 Bang on trend techniques
If you missed some of our biggest
NEW YEAR, NEW CAKES... WE SHOW YOU HOW!
!
R
00
ON
E
OV
trends plus our fantastic monthly trends from this year, don’t worry as
W
BE
£8
TO
ES
IZ
PR
E
AK
FC
giveaways – over £800 to be won! we take a look back at 2017 and the
O
p01_NEW TRENDS18_COVER_BUMPER.indd 1 10/11/2017 10:07 favourite! media, as we talk all things cake
60 Steampunk Sally and showcase your amazing
25 EXCLUSIVE reader offer sugar work!
Steampunk is a trend that is here
to stay! Adapt your designs for a A gift from us to you! Your last
wonderful metallic, Victorian and chance to treat yourself to a 72 Cake baker: Café society
industrial finish – this character is professional airbrush. A delicious recipe for coffee
a great place to start! lovers.
26 Made with fondant and love
Create a 3D wired dragonfly to 73 Cake collaboration: Cake
adorn cakes for any occasion. stories matter…
THANKS GO TO: Take a look at this fantastic
Laura Dodimead, Carol Deacon,
44 Get the look with Culpitt collaboration of cakers, using
Lisa Elliott, Verusca Walker, Veronica Seta,
Emma Burrows, Rhu Strand, Make cute and easy teddy bear stories that mattered to them as
Karen Keaney and Zoe Burmester cupcakes. children as their inspiration.
winner!
Here is our Editor Leeanne with our Great British
Cake Decorator 2017 winner, Nicola Gerrans,
presenting her award in person at Cake International.
To find out more about her and her award-winning
cake, visit www.thiscakelife.co.uk and see the full
interview in our next issue!
10
76 Cake & Bake Show 30 Racing car
This year the UK’s biggest baking A fun cake for children’s
event rose to the challenge of parties, you could even add
providing a sweet day out to LED lights to the headlights for
thousands! We take you behind extra wow factor!
the scenes…
32 Oriental black and white
80 Airbrush for beginners: Veronica Seta’s trend prediction
Tantalising tartan for 2018 is mixing monochrome
Learn how to airbrush tartan on cake and pastels, infused with
with these simple steps. inspiration from Oriental dress
patterns and flowers.
81 Next month FREE
Take a sneak peek into our January 36 Bokeh and baubles W COME
EL
2018 issue – don’t miss it! Two trendy techniques that you GIFT!
will love; glam gelatine bubbles PAGE 10
Exclusive Tutorials EDITOR
LOVES
and airbrushed bokeh effects!
OVER
Market Place
Open for ideas, giveaways, competitions, products, news,
£800
WORTH OF PRIZES
TO BE WON!
inspiration and more…
Fantastic giveaway! Making a splash!
Fantastic Ribbons are offering one lucky reader the
chance to win a wonderful bow maker to help you Make some fin-tastic cake toppers with these
provide your bakes with the perfect finishing touch! fab new products from FMM Sugarcraft!
The winner will also receive a storage container that ‘Under the sea’ is a popular theme at the moment, making
holds over 36 rolls of ribbon, plus a basket of cake these products right on trend! Create lovely mermaid tail
board trims – how decorations in two sizes; the larger size can be used as a cake
fantastic! To view their topper for your main cake and the smaller size to decorate
full range of products and accompanying cupcakes. The Under the Sea set contains a
view tutorials on how to starfish, sea horse, fish, octopus and shell so you can create
use the bow maker, visit fun cakes for all types of occasions from children’s birthday
www.fantasticribbons.com. parties to weddings on the beach! Five winners will each
receive a Mermaid Tails and Under the Sea Motifs set!
For more inspiration visit www.fmmsugarcraft.com.
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HOW TO ENTER...
Entering our giveaways for a chance to win is simple:
Visit www.cakedecorationmagazine.co.uk.
Closing date for entries is 18th December 2017.
Good luck!
TURN OVER FOR MORE GREAT GIVEAWAYS!
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As a reader of Cake Decoration & Sugarcraft magazine, you are already part of the
world’s sweetest club, and now there’s more! Join our cake community online and have
all your questions answered…
DISCOVER
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celebrates your amazing work, provides inspiration for every season, occasion and
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Cake
paste, add a little tylo
to your sugarpaste.
EDITOR
LOVES
PREPARATION:
Bake 7.6 x 15cm (3 x 6in) round Victoria sponges and stack with a good
amount of buttercream in between each layer. Spread buttercream all the
way around the edge to give a good crumb coat and place in the fridge.
CAKE ARTIST:
Laura Dodimead
YOU WILL NEED
EDIBLES:
• 1.5kg sugarpaste: tuxedo black
(Squires Kitchen)
• 100g sugarpaste: delicate lemon 1 When set, roll out black sugarpaste 2 To cover the board, roll out
(Squires Kitchen)
•edible colour dust: professional and cover cake. Smooth down sides delicate lemon sugarpaste,
high strength black, metallic silver, with your palms and trim excess with paint board with edible glue and lay
metallic gold, snowflake lustre a pizza cutter, then smooth using the sugarpaste over the board.
and metallic gold sparkles (Squires Bellissimo flexi smoothers to create a
Kitchen)
• royal icing flawless finish and a straight edge.
• vodka
• edible food pen black (Squires
Kitchen)
• 200g sugar florist paste: white
(Squires Kitchen)
EQUIPMENT:
• 18 gauge florist wire: white
• 8 x dowels
• Trex
• craft knife 3 Cut excess with a palette knife 4 Mix some gold dust with a little
• scissors and gently smooth over the top vodka and airbrush board gold.
• white lollipop sticks
• mini posy picks
with a smoother.
• card for templates
• airbrush
• cake scraper
• pizza cutter
• 15mm gold ribbon
• Dresdon tool
• small circle cutter
• tiny circle cutter
• cookie cutters (for clock)
• Bellisimo cake smoothers
• no.1 paintbrush 5 Whilst wet, sprinkle gold sparkles 6 Using the gold dust/vodka mix,
• paint palette dust over the board randomly and paint the outline of a champagne
• pin leave to dry. bottle on to the front at an angel with
• 20cm (8in) round board
• 1m black 15mm ribbon a no.1 paintbrush, write ‘FIZZ’ on the
label, then paint ‘AULD LANG SYNE’.
Alternative
f inish
This is an essential topper
technique as you can
recreate with any shape
7 Mix a small amount of silver dust 8 Use the remaining gold and
and colour!
with vodka to make a paint and silver paint to paint different sized
paint a small cocktail glass next to bubbles around the bottle,
the bottle with a clean no.1 brush. glass and all over the cake.
Paint the liquid in the glass gold
with the excess gold paint.
9 Draw the balloon onto a piece of card and cut out. Lay template on a
piece of thinly rolled white flower paste. Wipe a little Trex on to the blade
of the craft knife and cut around the template. Repeat to get two balloon
shapes, sandwich a lolly pop stick between the two cut out balloon shapes
and set aside.Once dry, mix up more gold dust with vodka and airbrush
the balloon, adding more colour to the edges to create shading and allow
to dry out. Take edible black food dust and mix with vodka and paint an
outline all the way around the balloon.
10 Draw the party hat on a piece of card and cut out. Lay the template on a
piece of thinly rolled white flower paste. Wipe a little Trex on to the blade of
the craft knife and cut around the template twice, sandwich a lollipop stick
between the two hats and allow to dry. Cut out thick curved stripes from
masking tape. Stick the stripes over the hat and airbrush the untaped edges
in gold to create the illusion of depth and allow to dry out. Remove masking
tape and use the excess black paint to paint in between the gold stripes.
To finish, paint an outline all the way around the party hat to highlight.
11 Roll out white flower paste thinly and cut out two different sized circles 12 When the white circle has
using two cookie cutters. Cut two larger circles and sandwich a lollipop firmed up take the edible black
stick between them and allow to dry. Airbrush the circles gold and while pen and draw on a clock face.
wet place the small circle in the centre and allow to dry.
13 To make the champagne glass, 14 Mask the top of the glass and 15 Paint and outline bubble details
repeat the template and lollipop airbrush the gold paint as liquid in on the glass and set aside to dry. ➜
stick process as before. the glass. Remove masking tape
and airbrush the rest with a vodka/
snowflake mix for sparkle.
16 Take a small piece of white 17 To make the fireworks, cut strips 18 Dab a little water on to the
flower paste and roll thinly. of wafer at different thicknesses uncut bottom edge and begin to
Cut long thin strips of paste. and cut thick strips vertically across roll the wafer paper around the wire
Holding the end of the paste, the entire piece, make sure you until completely attached. Repeat
wrap the rest of the strip around leave 1cm uncut at the bottom. this process five or six times.
thick dowels. Repeat a few times
to make four springs. Gently push
the springs up off of the dowel
gluing the end to the top of the
dowel and curving the spring and
allow to dry. Once set in position,
airbrush the snowflake/vodka
paint to the spirals.
AIRBRUSH
like a pro!
Cake decorator and airbrush artist Lisa Munro has been teaching airbrushing for
cake decorating for over eight years now in The Airbrush Company’s training
room in Lancing, West Sussex.
Lisa’s new and improved beginner's maintenance of your airbrush. you. All students will receive a 10%
airbrushing class is open to At this point everyone will have discount off any equipment available
complete beginners or anyone who an airbrush in their hands and Lisa through The Airbrush Company so
has already attended Lisa's previous will guide students through basic it’s a great way of trying out the
classes and would like a refresher techniques, strokes and exercises, airbrushes before you consider
- but still want to learn some- shading to achieve a 3D effect, purchasing one.
thing new. The course has been colour blends and fades, airbrushing The next date for this class is on
restructured to include new airbrush with stencils and airbrushing Wednesday 31st January 2018.
techniques and skills and is even 3-dimensional flowers and insects If this date is not suitable, please
more comprehensive than before. made from icing. call 01903 767800 or visit
This hands-on workshop covers Students then start working on a www.airbrushes.com to register
as many techniques and airbrush cake dummy, airbrushing an orchid your interest in the next course.
effects as possible in one day. design for the rest of the course Lisa will also be announcing a
You will discover the airbrush as a and will take this away at the end new class early in 2018, introducing
versatile addition to your of the day. more advanced techniques such as
sugarcraft techniques. If you’re looking to try something highlights, movement and freehand
Lisa starts the day by explaining new, or you already have an airbrushing. Keep an eye on the
about the equipment and how airbrush and would like to learn website for more details or contact
airbrushes and compressors how to use it or even enhance Lisa directly on Lisa@airbrushes.com
work, also covering cleaning and your skills, this class is perfect for for more details.
Learn how to
Airbrush
Cakes with
Lisa Munro
31st January 2018
EQUIPMENT:
• 3 x small heatproof bowls
• small saucepan
• small paintbrush
• pastry brush
• 12 x washed holly leaves
• a tray for drying leaves
• small sharp non-serrated knife
• cake smoothers
• plastic food bags
1 Place twelve sheets of gelatine 2 Remove the gelatine, squeeze out
• small hammer or mallet into a bowl of cold water and allow excess water and place the leaves in a
• teaspoon to soak for ten minutes. heatproof bowl. Add three tablespoons
• piping bag of the soaking water and place the bowl
• ribbon
• cake board over a gently simmering saucepan of
water until the gelatine has dissolved.
3 Remove about a tablespoon of 4 Stretch a bit of plastic wrap over a plate or board and using a paintbrush,
the mixture and place into a small drip a few red dots onto the plate and place to one side to set. Wash the
bowl. Add a few drops of red food paintbrush immediately or it will set like rock!
colour and stir in.
5 Stir green food colour into the 6 If the mixture in the bowl has 7 When dry, carefully peel the
remaining gelatine. Using a pastry started to thicken, place the bowl gelatine away from the leaves.
brush, coat the top side of the leaf back over the simmering water and Cut or snap off any blobs of
with the green mixture. Repeat on re-melt it. Then give all the leaves a excess gelatine.
the other leaves and place to one second coat and leave them to dry
side to dry for about half an hour. for about twenty-four hours.
8 Peel the red berries off of the 9 Buttercream then cover your cake 10 Place the mints into a plastic
plastic wrap. with 750g white sugarpaste, trim food bag. Place the bag on a board
then neaten the base. Roll out 150g and hit with a hammer to smash
white sugarpaste and cut into a strip them - carefully.***
about 76cm long and 2.5cm wide.
Moisten board with a little water,
roll sugarpaste into a loose bandage ***
When bashing the mints, there
and unwind around the base of the
are a few health and safety issues
cake. Neaten the edges. as a flying shard of mint could cause
injury. Secure the neck of the bag
and don’t over fill it with mints.
You may need to use two or three
bags with a third of the pack
of mints in each.
If you are at all worried, wear
glasses (sunglasses are fine)
for protection or
safety glasses.
11 Arrange leaves and berries
around the edge of the cake and
hold in place with dots of royal icing.
THE NIGHT
CAKE ARTIST:
Before Christmas
Sarah Lou Smith ’Twas the night before Christmas, and all through the house,
SENSATIONAL SUGAR ART not a creature was stirring, not even a mouse’…be sure
to read this magical poem before you make this adorable
YOU WILL NEED design and add presents to the board too!
EDIBLES:
• 1 x 20cm (8in) square cake with a 01 02 03
height of 7.5cm (3in)
• your choice of filling
• chocolate ganache or buttercream
for crumb coating
• 2.5kg sugarpaste: white
• 61g modelling paste: brown
(Saracino)
• 60g modelling paste: white
(Saracino) 04 05 06
• 10g modelling paste: black
(Saracino)
• 20g modelling paste: red (Saracino)
• 1g modelling paste: pink (Saracino)
• 500g flower paste: white
• edible dusting powder: pink
• edible glue
• edible glaze 07 08 09
(Dinkydoodle Shell and Shine)
EQUIPMENT:
• 30cm (12in) square board
• 20cm (8in) square card (cut down
to be a rectangle measuring 15cm
(6in) by 20cm (8in)
• 20cm (8in) round cake card
(to use as a cutting guide for the MAKING THE HEADBOARD COVERING THE BOARD
headboard)
• rolling pin
1 Roll out white flower paste to a 4 Cover the cake board with white
• airbrush (Clairella) thickness of 5mm, 15cm in width sugarpaste and trim off any
• airbrush paint: brown and red and 15cm in height. Then cut base excess paste.
(Kroma Kolors) to 15cm long and the two sides to 5 Using a ruler, mark in horizontal
• craft knife x 2 (one for cutting the
board and one for working on
11.5cm tall, place the 20cm cake lines for the floorboards, mine are
the cake) card level with the top of the two 2cm apart, you can use the side of
• cutting board sides and cut out the circle shape your ruler to do this, or the pointed
(for cutting the board) on the top. end of the Dresden tool.
• scissors (small scissors, I use nail
scissors - only use brand new or 2 Roll out two sausages of flower 6 Add in vertical lines of the
ones used exclusively for cakes) paste, around 1.27cm in diameter. floorboards, I left a 10cm gap
• double-sided tape/non-toxic glue Using the pointed end of the between the boards and staggered
stick
Dresden tool, mark wood grain the boards on alternate rows.
• red ribbon to trim the board
• ruler horizontal lines onto the headboard 7 Using the pointed end of your
• stitching tool and vertical wood lines onto the Dresden tool, mark in lines to
• smile tool two side posts. Using edible glue create a wood effect of each of
• smoothers and acetate smoothers
• Dresden tool
attach posts to the main headboard the boards.
• small ball tools (I use nail art tools) and put on a wipe clean mat or 8 Using a small ball tool (I use nail
• small dusting brush cake card. art tools for this), mark in four holes
• edible black pen 3 Using brown airbrush paint, in the corner of each board giving
• snowflake cutters
(Patchwork Cutters) colour the headboard in brown the effect of the floorboards being
paint, then leave aside to dry. nailed down. ➜
10 11 12 13
14 15 16 17
18 19 20 21
22 23 24 25
9 Using brown airbrush paint, Make sure that you hold your knife in a Set aside to dry. Once dry attach it to
start by holding the airbrush quite straight vertical line to do this so that the head end of the cake using edible
close to the board on a low setting the cut side of the cake is straight. glue. Make sure that the indented
and colour between the floor boards 14 Torte and fill cake, attach to part for the mouse’s head is facing
and the sides of the cake (practice cake card and crumb coat (using inwards toward the bed, not towards
on a piece of kitchen roll or paper buttercream or ganache). Roll out 1kg the headboard.
first until you feel confident with the of sugarpaste and cover cake using
control of your airbrush). smoothers. Attach to board with MAKING THE MOUSE
10 Then go over the whole board ganache or royal icing leaving a 2cm 17 Mix white modelling paste and 5g
with a light spray of colours and gap behind the head of the bed for of the black modelling paste together
leave the paint to dry. the headboard. to create a pale grey. Use a 30g ball
11 Once dry, spray over the for the body, 25g ball for the head,
board with edible glaze (I used MAKING THE PILLOW 2 x 2.5g balls for the arms and 2 x
Dinkydoodle shell and shine). 15 Roll out 30g of sugarpaste to a balls for the ears.
Make sure that you cover your thickness of 1.7cm, a length of 9 x
worktop before spraying to protect 5cm, and smooth down the sides. MAKING THE MOUSE’S HEAD
it from the edible glaze. Using a stitching tool add a line of 18 Using the largest ball for the head,
12 Trim the board with a stitching around the sides of the pull out the nose shape with your
red ribbon. pillow. Using your fingers or a ball finger and thumb.
13 Using a cutting mat, mark a line tool, make an indentation into the 19 Then using the pointed end of
on the back of your board so that it pillow for the mouse’s head to lie. your Dresden tool mark in where the
measures a rectangle of 20 x 15cm. Using the snowflake cutter, gently nose is going to sit, use your knife to
Then using a sharp craft knife, emboss a pattern onto the pillow. draw in a line under the nose and use
cut along the line. Using it as a 16 Place the pillow onto a board or your Dresden tool again to mark in
guide, cut cake down to a rectangle. cake card and airbrush it red. the mouth.
26 27 28 29
30 31 32 33
34 35 36 37
38 39 40 41
20 To open the mouth, you can use 25 Cut off the back at an angle so ATTACHING THE MOUSE
the spoon side of your Dresden tool that the nose sits nicely against the TO THE CAKE
to pull down the bottom lip. Using face and attach. Add in two nostrils 30 Using edible glue attach the
the smile tool, mark in both eyes. using the Dresden tool. mouse’s body to the cake in
front of the pillow.
MAKING THE EARS MAKING THE EYELASHES 31 Attach the mouse’s head to
21 Roll the paste for the ears into AND EYEBROWS the indented part of the pillow,
two small balls and flatten slightly. 26 Roll out a very thin sausage of with the face slightly to the left.
Using a Dresden tool, mark in the black modelling paste, add a very fine
inside parts of the ears by pressing line of glue to the eyes and where MAKING THE COVERS
down gently. you would like the eyebrows to sit 32 Roll out 30g of sugarpaste
22 Using your knife, cut along the and attach these to the mouse. and cut into a large rectangle
bottom so that the edge to attach to 27 You can add on two tiny extra (large enough to cover ¾ of
the mouse is straight. pieces to add eyelashes to the the cake). Using a stitching tool
23 Roll out two tiny balls of pink corners of the eyes. add detail to top and bottom
modelling paste and attach to the of sheet and using a ruler,
inside of the ears. Using a tiny MAKING THE TONGUE mark diagonal lines to create
amount of edible glue, attach both 28 Roll out a tiny ball of pink paste, triangles.
ears to the mouse. and shape it into a teardrop shape. 33 Use the snowflake cutter to
29 Using your Dresden tool, press emboss a pattern in the centre
MAKING THE NOSE down lengthways to make an of each triangle.
24 Roll out a tiny ball of black indentation on the tongue. Attach to 34 Lay sugarpaste over mouse,
modelling paste, then pinch it gently the mouse using edible glue and press underneath it’s chin and across
between your fingers to make a into place with the flat end of your the cake. Add small dots of
triangle shape. Dresden tool. edible glue to attach it. ➜
42 43 44 45
46 47 48
MAKING AND ATTACHING tool add detail to the outside of MAKING THE HAIR BOW
THE MOUSE’S ARMS the bedspread. Then using the 45 Roll a thin strip of red modelling
35 Roll out two balls of modelling snowflake cutter emboss paste and cut out 3.8cm rectangle.
paste into two equal sized sausages, the bedspread. Fold ends inwards towards middle and
and flatten off one end of each of 41 Airbrush using red airbrush add another piece across the middle
them using your fingers. paint and very carefully attach it to of the bow. Attach to mouse with
36 Using the knife in a rocking the cake. edible glue.
motion, add in the finger details.
37 Bend both arms to add MAKING THE FLUFFY MAKING THE STOCKING
movement. SLIPPERS 46 Roll remaining red paste until 3mm
38 Attach to the mouse using 42 Roll out two 6g balls of red in depth. Using a craft knife,
edible glue. modelling paste, shape into a large cut out stocking. Using a Dresden
Tic-Tac shape and using the Dresden tool, push into top of stocking to
ATTACHING THE tool, mark in the foot holes. create an opening. Add stitching
HEADBOARD 43 Roll out a 1g piece of white detail to sides. Roll a thin piece of
39 Using royal icing or edible glue, modelling paste into a thin sausage white paste to make the fur the same
attach headboard to head end of and attach to slippers with edible way as the fluffy slippers and attach.
the cake. Hold in position for thirty glue. Using the point of the nail 47 Attach to headboard post on a
seconds or until adhered to cake and scissors, make tiny cuts to create slight angle and add a thin strip of
the cake board. the illusion of a fluffy trim. red paste to give the illusion that the
Roll thinner sausages of white stocking is hanging up.
MAKING AND ATTACHING modelling paste and cut into two
THE BEDSPREAD 2.5cm long pieces. Fold in ends ADDING THE BANNER
40 Roll out 20g of white sugarpaste to the middle to create bows and 48 Roll out a thin strip of flower paste
and cut into a rectangle thin enough attach to slippers. and cut into a ribbon shape, cutting in
to sit over the bottom quarter 44 Attach the slippers to the cake a v shape at each end. Using an edible
of the bed. Using your stitching board using edible glue. marker, write on your wording.
Address
Post Code
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3D WIRED Dragonfly
YOU WILL NEED
EDIBLES:
• white and green adjusted
sugarpaste (see recipe below)
• edible glue
• lemon extract
• selection of dust food colours
• edible glaze
EQUIPMENT:
• white florist tape
• dusting brush
• glue brush
• dusting brush
• fine paintbrush for eyes
• 26 gauge white florist wire
for body
• 28 gauge white florist wire
for wings
• pointy nosed pliers or
equivalent
1 Using a third length of white 26g extract with black dust food colour
Top tip florist wire create the 'T' support and paint the eyes.
for the body. Lay the wire down 5 Using an edible spray glaze,
Use either cornflour or white the centre of the body recess in glaze the body and leave to dry
vegetable fat in the mould to aid the mould and then fold it back on overnight.
release.
itself, at the point where the body 6 Insert adjusted paste into the wing
joins the tail bend the wire again recess until level and then carefully
Watch into a vertical, this will give you a remove from the mould, insert a
the video 'T' support. quarter length of white 28g wire
2 Push the adjusted paste into the into the wing, about half the length
If you want to see Ceri body recess of the mould, smooth it of the wing. Repeat for each wing
creating this 3D wired dragonfly to a flat surface. Using a modelling then leave on a flat surface to dry
visit the Katy Sue Designs
tool make a shallow groove down overnight.
Youtube channel to watch a free
instruction video. the centre of the body. 7 Carefully bend the wire at the base
3 Brush a little edible glue onto of each wing into a ninety degree
the 'T' support and then insert it angle. Tape the wings into pairs using
Adjusted sugarpaste into the groove, whilst holding it in white florist tape with the smaller
recipe position vertically use a modelling wing overlapping the larger wing,
tool to close the paste over the wire (the smaller wing is the back wing)
• 500g any brand of sugarpaste to conceal it. and then tape them to the body.
• 5g Tylo powder 4 Carefully remove the body from 8 Adjust the alignment of the wings
• knead the Tylo powder into the mould and lay it on its side to to suit your dragonfly and then
the sugarpaste and rest it in a
firm, after a few minutes carefully insert into your project using either
sealed bag for approximately
one hour before use. dust the body the colour of your a small flower pick or
choice and then mix a little lemon drinking straw.
This cake has been created and decorated by Ceri Griffiths using Katy Sue Designs Creative Cake System Moulds.
www.katysuedesigns.com
CHRISTMAS
Chic
"My design for Christmas is simple to put
together but gives a lovely effect and is a little
different from the usual festive scenes. It is
based on a Christmas card so all of the design is
focussed on the front of the cake. You can go to
town with using different shapes or embossing
E D I TO R
L OV E S
stamps as well as your own icing sheets and
ribbons. Go to town with your adaptations but
try to keep the theme rustic chic: twine, burlap,
hessian… all work very well!"
Lisa x
CAKE ARTIST:
Lisa Elliott
YOU WILL NEED
EDIBLES:
• 1 x 20 x 7.5cm (8 x 3in) round 1 Start with covering your cake and 2 Cut your icing image down
cake board with white sugarpaste, I have to size, mine is in line with
• 25cm (10in) round cake board
done this in one go with one piece the top edge of the cake and
• printed icing sheet
of rolled sugarpaste. When doing almost down to the base. A4 cut
• 1.5kg sugarpaste: white
• 150g modelling paste: black this, be sure to smooth the edges lengthways, this covers half of
(Saracino) down carefully to get rid of any air the cake as the idea for this cake
• 150g modelling paste: white bubbles before securing the paste is to look like a Christmas card
(Saracino) to the board. scene. If you want the design to
• red dragees go all the way around, you may
• large green dragees need two sheets. On top of that
• tiny purple dragees
I have used a hessian ribbon, you
• edible gold dust
can be creative with where you
• vodka (or rejuvenator spirit)
• edible glue place the ribbon, you could even
layer multiple ribbons.
EQUIPMENT:
• Christmas tree cutters
(or templates)
• ‘Merry Christmas’ stamp/
embosser (Papermania)
• royal icing (minimal amount,
for sticking)
• sharp knife/scalpel
• craft mat
• paintbrush (00 fine tip brush)
• paintbrush (thick, flat head)
• eucalyptus gel colour
• rolling pin
• ribbon for the board
• hessian ribbon
• double-sided tape 3 To make the trees you can either 4 Impress cut-outs on rolled black
use your own cutters (try and go for modelling paste and using your
at least three different sizes) or you craft knife, cut around them.
can use my templates. Print them Be sure to keep the middle tree you
Please download the template
from www.cakedecmag.uk out and cut around them with a have cut out as well as the outlines.
sharp craft knife/scalpel.
6 Roll out some green paste, 7 Cut around the embossed image 8 Now your Christmas trees should
keep it reasonably thick (6mm) and to create a plaque, you can either have hardened, using your gold dust
using your stamp, press to make make it square or oval or even and some vodka (or rejuvenator) paint
your ‘Merry Christmas’ plaque. make it look like a bauble! half of the trees gold. This should have
You could use any stamp here or if a shabby look to it so don’t make it
you choose you could use individual too perfect, if you can see some black
letters instead. showing through that is fine!
9 Using the gold again and your 10 Once hard/dry you can start 11 Do the same for the Christmas
fine paintbrush, paint over the placing them strategically on the trees around the base, layering them
‘Merry Christmas’ and any other front of the cake. The idea is to make on top of each other as you lean them
areas on your plaque where gold it look like a pop-out Christmas card. against the cake. They shouldn’t be
enhances the design. Leave plaque Using edible glue on the bottom of flush with the cake, just touching
and Christmas trees overnight to the plaque and a little on the back (and glued) at one point (top) and
harden and for the paint to dry. at the top (where it rests against the glued at the base. Place three or four
cake), place either in the middle or on the top, using royal icing to secure
off centre (like mine). and place something behind them
while they dry. Once the royal icing is
set you can remove the support.
12 Using edible glue, attach your 13 I’ve placed some larger green dragees in groups of three on the base
dragees, I have used red ones for and the top of the cake for added effect. Lastly using the double-sided
berries on my plaque. tape, place a ribbon around the board.
RACING
Car
This is a fun cake for kids or groups. If you like Verusca’s idea and structure and decide to
reproduce it, please share on our social media with #inspiredbyveruscawalker.
CAKE ARTIST:
Verusca Walker
1 Using template provided, trace 2 From the foam core cut where
YOU WILL NEED and cut base of cake from the MDF indicated to insert and hot glue a
board, foam core and cake board. straw. Hot glue all bases together
EDIBLES: like a sandwich. Make sure that
• 25cm square chocolate mud cake your skewer can slide comfortably
• 500g chocolate ganache inside the straw.
(3 x 1 ratio)
• 1kg sugarpaste: red
• 400g sugarpaste: black
• Tylose glue
• airbrush colours: dark red, black
and shimmer (Magic Colours)
• edible images
EQUIPMENT:
• serrated knife and small clean 3 Using your base as a template, 4 Now using a blueprint or
blade knife cut it from your 25cm cake. template provided, carve around
• glue gun the image, first from the top view
• cake decorating flower then side view. Don’t forget to
remove space for wheels.
modelling tool
• circle cutters for wheels
• mini air compressor
• power drill and drill bits
7 Airbrush to add a more realistic 8 Add edible images to your car. 9 After cutting circles from 9mm
look, playing with light and shadow. thick MDF with a 5cm hole bit,
Paint windows with a white colour. hot glue two circles together.
Paint the sides of the wheel and
decorate only the front of wheels.
ORIENTAL
CAKE ARTIST:
Veronica Seta
Black and White
My trend prediction for 2018 is mixing monochrome and
YOU WILL NEED pastels inspired by traditional Oriental dress patterns
and flowers.
EDIBLES:
• 1 x filled red velvet cake 30 x
7.5cm (12 x 3in)
• 500g buttercream
• 2kg white sugarpaste
• royal icing
• icing sugar for sugar lace
• gel colour: leaf (Colour Splash)
• airbrush colour: black
(Cassie Brown)
• dusting colours: lemon yellow
(Sugarflair)
• dusting colours: golden holly,
blackcurrant and pink 1 Roll out white sugarpaste and 2 Roll out a small amount of white
(EdAble Art) cover the 35cm board. Airbrush it modelling paste very thinly and
• black painting colour black. When dry, spray some glaze with a round pastry cutter, cut out a
(Rainbow Dust)
to fix the colour. circle. Thin edges with a ball tool on
• 500g modelling paste
• 200g gumpaste/modelling paste: a CelPad.
porcelain
(Cake&Cake, Vito Boccia)
• glaze
• edible glue
EQUIPMENT:
• 1 x round board 30 x 0.5cm
(12 x 0.19in)
• 1 x round board 35 x 2.5cm
(13.7 x 1in)
• 1 x round dummy 20 x 10cm
(7.8 x 4in)
• 1 x round dummy 15 x 10cm 3 Fold the circle twice. Open it as a 4 Position the filled cake on the
(6 x 4in)
rose and cut away excess paste at round 30cm board and cover with
• CelPad
• airbrush the bottom. Prepare several ruches rolled out white sugarpaste.
• Daffodil leaf cutter (Fine Cut) and take them apart. Glue on the ruches around the tier
• Echinacea set veiner with edible glue.
(Aldaval Veiners)
• Cymbidium set veiner (Roberta
Serafini Sugar Flowers)
• bamboo mould (Karen Davies)
• embossed rolling pin
• paint brushes
• Dresden tool
• ball tool
• cutter tool
• rolling pin
• pastry cutter
• friller tool
• non-slip mat
6 Mix 100g sugar for lace with 80g of
• 26 gauge floral wires (Culpitt) 5 Roll out white sugarpaste thickly water. Spread with a confectioners'
• pale green floral tape and impress with a bamboo mould. spreader lengthwise, crosswise and
(Hamilworth) Repeat four times. Stick the bamboo diagonally. Remove excess. Dry for at
• tinfoil strips, with a bit of edible glue, least ten hours. Peel gently to avoid
• lace mats (Cake Lace)
• posy picks all around the 20cm dummy. breaking. Prepare four lace fans.
Once dry, airbrush them black. ➜
7 Roll a small amount of 8 Fold the strip to shape a bow. 9 Airbrush the 20cm dummy with
modelling paste thinly and Pinch in at it’s centre and stick, bamboo black. Let it dry and glaze
emboss with the rolling pin and with a dab of edible glue, a very it to fix the colour.
cut a 10cm x 2.5cm strip. small strip at the centre of the the
bow. Prepare four bows.
16 Dust the leaves with 17 Fix two strips together with 18 Fix the leaves together with
blackcurrant and glaze them to fix pale green floral tape and then add pale green floral tape and dust the
the colour. the leaves all around. Dust the tape tape golden holly.
with golden holly.
19 Make a sausage with white modelling paste. Roll with a small rolling pin 20 Make a sausage with white
on a CelPad. Cut two petals using the cymbidium orchid veiner’s shape. modelling paste. Place in orchid’s
Insert a moistened 26 gauge floral wire. Place petal on CelPad and roll column mould, insert a 26 gauge
edges with a ball tool. Place petal in the veiner and press. Prepare fourteen floral wire and let it dry at least
petals and seven sepals of a different shape. twenty-four hours. Dust base light
pink, the top blackcurrant and the
anther cap lemon yellow. Dilute
some blackcurrant dusting colour
in a few drops of alcohol and with a
very thin paint brush, define centre
with very small dots.
21 Roll out a small amount of 22 Frill edges and stick it onto the
white modelling paste thinly. throat. Curl the top edges of the
Using the veiner’s shape, cut out throat petal back slightly. Let it
the orchid’s lip. dry for twenty-four hours
before colouring.
BOKEH
CAKE ARTIST:
Emma Burrows
and Baubles
We have two trendy techniques you’ll love in this cake, glam
YOU WILL NEED gelatine bubbles and airbrushed bokeh effects - genius!
EDIBLES: 01 02
• 20cm (8in) round cake on 25cm
(10in) board, covered black
• 3 tbsp gelatine granules
• 2 tbsp water
• airbrush colour: gold
(Magic Colours)
• lustre dust: gold (Magic Colours)
• edible glue
• Trex (white vegetable fat) 03 04
• 100g sugarpaste: black
EQUIPMENT:
• water bomb balloons
• small bowl
• polystyrene block/dummy
• masking tape
• cocktail sticks
• small brush for glue
05 06
• scissors
• small food bag
• 10cm (4in) cake card
• 8, 9 and 10cm circle cutters
• Cake Craft clock face stencil
• Cake Craft circles stencil
• gold ribbon
07 08 09
1 Blow up six balloons in a scale of bit of Trex over the surface of the 5 Microwave the mixture for ten seconds
sizes and knot them as high up as balloon, wiping away excess with then stir, you want the gelatine to be
possible to leave a long tail and nice kitchen paper. nice and liquid but it is essential that it
round shaped balloon. 4 In a microwaveable bowl add the does not boil. Repeat for five seconds at
2 Wrap masking tape around the tail three tbsp gelatine granules, a time until all lumps are gone.
of the balloon several times, then add two tbsp of water, one tbsp of 6 Leave the gelatine to sit for a minute,
a cocktail stick and wrap some more. airbrush gold colour and mix. it will thicken slightly and give better
3 The tape will help support the Allow the granules to absorb the coverage on the balloon.
balloon so ensure it is secure. Repeat liquid. Credit goes to the lovely Lindy Dip the balloon into the gelatine and
for all the balloons, then smear a tiny Smith for this gelatine recipe. roll it to cover all visible balloon.
10 11 12
13 14 15
7 Hold it above the bowl for a sticky and the bauble will spoil. airbrush some small circles around the
moment to allow the excess to drain 9 Once dry, the bauble should centre of the cake. I used the smallest
off. Turn it back up the right way and sound like glass when you tap it. three circles for this cake.
stick it into the polystyrene. Snip a tiny hole by the knot to let 12 Add more circles, airbrushing a
8 The largest bauble may droop the air out. If the balloon does not little more heavily on this second layer.
under the weight of the gelatine come away, gently press the stick The pattern should be random, and
but this is ok, it shouldn’t affect the into the bauble to help it release. mostly toward the middle of the cake.
result. Leave the baubles to dry 10 The balloon should come away in 13 Continue in the same way until the
overnight. Do not be tempted to tact leaving a clean gelatine bauble. pattern is built up. Use the smallest
touch them – the gelatine is very 11 Using the circles stencil, lightly circle to add some darker dots ➜
16 17 18
19 20 21
22 23 24
25 26 27
www.karendaviescakes.co.uk
• Moulds • Sugarpaste • Equipment • Tutorials
Boho Chic has never been easier with our Native Feathers
and Plaited Borders moulds.
NINA'S
CAKE ARTIST:
Rhu Strand
New Year
Join Nina in celebrating the arrival of 2018...how time flies!
PIMP MY CAKE Have you got your champagne flute ready? Standing about
20cm tall she has an internal armature and hand crafted face.
YOU WILL NEED
EDIBLES:
• Saracino modelling paste: 150g
black, 100g skin tone and 150g
white
• edible dusting powder:
pink for face
• metallic colours: blue, black, red
and gold (Rainbow Dust) 1 Bend the 18cm long 2mm 2 Place mark at the head twist
• wafer paper aluminium armature wire in half and with the 11cm end out along the
• edible glue pinch the end to make a sharp fold shoulder. Twist shoulder and arm
EQUIPMENT: (top of head). Twist to 4cm (11/2in). together, bend the other free end
• 2mm aluminium armature wire: Bend excess head wire out to the down. Repeat for other arm.
18cm (7in) x 1 plus 25cm sides to make shoulders. Mark the Twist the bent body wire together
(10in) x 2 25cm long 2mm wires at 11cm. for 6cm (21/4in) to the hips.
• 3mm aluminium armature wire:
29cm (111/2in) x 1
• 1 x florist wire
• 2 x 12mm (1/4in) screws
• pliers: long and blunt nose
• 15cm (6in) cake board
• tin foil
• Rhu Strand’s Face Base mould
-https://goo.gl/8S9QH0
• superglue (optional)
• scalpel
• Dresden tool 3 Centre the 3mm wire onto the 4 Cover the board. Pose the figure,
• boning tool body, wrap wire around the legs. one foot in front of the other.
• grooved golf tool (Cerart) Bend at hips to a total width of 3cm Fix to the board with screws, adding
• eggshell foam (11/4in) and at the shoulders to a superglue if needed. Cover the
• paint brushes
distance of 4cm (11/2in). Make a loop screws with the paste.
• gold glitter
• diamante at the end of the 'legs' and bend to
a right angle with pliers.
5 Scrunch the tin foil then wrap and 6 Cover the dress in paste to give a 7 Divide 35g of flesh paste in two: one
mould around the legs up to the smoother base for the top layer to piece 2/3 and the other 1/3 then shape each
waist. Shape the dress around the adhere to. piece into a 5cm x 3cm rectangle and
legs and body - try to keep the legs taper the top third and bottom half to start
one behind the other. shoulders and waist, leaving the bust area.
Nina is a great
topper for any
celebration not
just New Year.
8 Apply to front and back of the 9 Tease the paste up the armature 10 Use the Dresden tool to divide the
armature, shaping and smoothing to make the neck. Shape the bust. Smooth into desired shape with
the waist and shoulders together. shoulders in using your fingers your fingers, press in just below the
each side. neck to make indent and out towards
the shoulders for the clavicle. ➜
11 Divide a small ball of paste into 12 Roll a small amount of black 13 Follow the instructions on the
two, and roll into teardrop shapes. into a pointed shoe shape, glue to mould to create the face. Cut the
Flatten slightly and add to the back the front of the dress where the mouth with a scalpel and open with
of the figure for her bottom. Make front leg sits and paint with metallic a Dresden tool – I have used the
sure you don't put this too low. black paint. left-hand face.
14 Press in and up with a boning 15 Roll two rice sized pieces of 16 Use metallic paints to dot the iris
tool to help your face smile. white paste and insert into the eye and pupils in the eyes. Roll very thin
sockets. Add a small piece of black pieces of black paste for the eyelashes
to the inside of the mouth, add a and eyebrows, paint the mouth with
thin sausage of white for the teeth a red metallic paint and dust face and
and divide the teeth with a scalpel. cheeks with dusting powder.
17 Roll some black paste big 18 Grab hold of the top of the arm 19 Decorate the dress with
enough to wrap around the body securely and bend the arm down. sparkles of your choice. I've used
for the dress. Meet and trim at the Bend elbows at 4cm using pliers. stick on diamanté as the figure isn't
back then shape around the body. edible. Add a necklace.
22 Roll two 10g of flesh into a 8cm 23 Turn hands over and score from 24 Twiddle just below the hand to
carrot shapes and taper down to thumb to middle of base of palm, create the wrist.
make hands. Cut an 'L' shape to make this will help the thumb move.
the thumb, make three cuts for the Mark in finger bends to help
fingers and roll between your fingers them curl.
to soften edges. Use a suitable tool
to mark in nails and knuckles.
25 Cut a slit into the underneath of 26 Sit the arm over the wire and 27 Smooth the shoulders and
each arm with a sharp scalpel. smooth over the cut. Start at the ensure you are happy with the
hand end and cut away any excess position of the arms and hands.
at the shoulder if you need too. Paint her nails if you wish and add
Smooth into the shoulder area with shoulder straps.
a Dresden tool.
28 Roll a strip of black wide 29 Wrap around the head and trim 30 Add some additional strips to
enough to fit around the head and the top with scissors. the front of the head and around
deep enough to sit above the head. the face.
Texture with a grooved golf tool or
similar to add texture.
EQUIPMENT:
• 225mm rolling pin with guides
• Round Stainless Steel Cutters
• Cake Star Push Easy Cutters -
Shapes
• Cake Star Cake Decorating Kit
• Craft Knife
www.culpitt.com
www.cakedecorationmagazine.co.uk
44 | New Trends 2018 November 2017 | 56
www.cakedecorationmagazine.co.uk
BANG ON TREND
TECHNIQUES
Did you miss any of these clever cake tricks from this year? We revisit our eight
favourite techniques of 2017 to influence cake design for years to come!
E D I TO R
1 Using your airbrush and some
pink airbrush colour, gently colour
approximately one third of the
2 Spray some horizontal lines by
holding a cake card or paper in
front of the cake and spraying
L OV E S
cake with a light spray of pink. directly under it. The closer you go
Add some blurred lines by spraying with your airbrush the more defined
slightly heavier in sections. You can the lines will be.
add a drop of black to the pink to
darken it also.
3 Clean the pink out of your 4 Using blue with a drop of black,
airbrush by spraying water through spray the remainder of the cake in a
it. Using the yellow airbrush colour, blotchy pattern, adding some lines
spray approximately one third of the in the yellow section.
cake yellow, slightly darker at the
top and bottom but very light in the
centre as shown.
5 Using a cotton bud dipped in 6 Use navy petal dust mixed with
alcohol, remove some colour in a little alcohol to paint a thin line
varying sized circles as shown. around each circle. Shade the top
sections of the circles with the paint.
MOST INFLUENTIAL
TECHNIQUE
1 Roll out the pastel 2 Cover the top of the 3 Use a Dresden
coloured modelling modelling paste with tool to score a line
paste to approximately clingfilm and press the approximately one third
1cm thickness. circle cutter into the from the bottom of each
paste, this will give a macaron shell.
FAUX MACARONS
Y 2017
rounded edge to the
macaron shells.
KAREN KEANEY - JANUAR
1 Roll 45g of flesh coloured 2 Press two fingers down 3 To shape the nose, 4 Create the cheek bones
paste into an oval. Roll a either side of the nose, first mark the flare of the either with the side of a
finger half way down the or use the handle of a tool. nostrils with the wide side thumb, or the handle of a
face to create the eye line. Press down at the base of of a Dresden tool. Then tool. Stroke away finger or
Use a bone tool to gently the nose, then shape the use a round grey silicone tool marks, then pinch with
press each eye socket into nose with a soft round tool tool or Dresden to stroke finger and thumb to pull
place. Smooth away with or fingers while the paste is down the side of the nose the mouth slightly forward
fingers afterwards to take still soft. and shape around the tip and hollow the cheeks.
away lines from tools. of the nose. Push the same
round grey tool into the
nose to slightly indent the
nostrils, then open with
the hard pointed tool.
5 Use the hard pointed 6 Insert a scalpel into the 7 Use a grey round silicone 8 Insert the wide end of a
tool to mark two dots to mouth, cutting from corner tool to press around both Dresden tool to mark the
indicate the mouth area, to centre for both sides. the top and bottom lips shape of the eye. Hollow
then join the dots using the Keep the scalpel inside the to define. Push the lower either using the Dresden
tool as a scribe. mouth and lift up the upper lip in just under the sides or a small ball tool. Push
lip, then pull down the of the mouth to lift the the Dresden upside down
lower lip. Stroke the edge corners of the mouth into under the upper eye lid and
of the lips either with a a small smile. lift slightly to create upper
finger or with the wide end eye lids.
of a Dresden tool.
9 Emphasise the upper and 10 Push a hollow into the 11 Dust a little skintone
lower eye lids using a no.2 white then drop in a tiny mixed with cornflour into
grey round silicone tool or ball of brown paste. Repeat the creases of the face.
a soft tapered tool stroking with a smaller ball tool Begin to add eyebrows
around the eye. Insert very before adding a tinier ball with tapered sausages of
small rugby ball shapes of of black. Roll white paste white paste textured with
white paste into the eye. into a fine sausage and add a Dresden tool.
tiny pieces of paste for the
whites of the eye.
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1 Take two pipe cleaners and form 2 Cut two 7.5cm pieces of 18 gauge
the lettering. Form the letters as green wire. Bind with brown floral
you would do as if you were writing tape on the first leg of the ‘N’ and the
the word. Fix the places where last leg of the 'W’, then completely
the pipe cleaners meet by twisting cover all the exposed pipe cleaner.
them together. Feel free the fold Leave a piece of tape loose from the
pipe cleaners back on themselves curled ends of the letters and twist
to achieve the right look. Cut off this together to taper the end.
loose wire ends. Work with small pieces, smooth the
tape with a bone tool to remove
ridges but still keep it branch-like.
3 Either hold the letters or place 4 Make a few daisies using the method
the wires into a polystyrene before but leave out the stem, just
block. Take tiny amounts of green attach a yellow centre to the petals.
sugarpaste. Dot edible glue on Place a dot of edible glue where you
the upper edges of the letters and would like to place a flower on the moss
using a kemper tool, press and areas and carefully place it down.
drag the paste to give a mossy Use the pointed end of a cel stick to
effect. Let it dry a little then dust push it in place. Repeat the previous
with a little moss green petal dust steps to make the ‘&’ symbol and
and green lustre. Dust the branches ‘Forever’. Add 18 gauge wire to the
slightly, just to highlight areas. long leg of the ‘&’ and the ‘F’, ‘e’ and ‘r’.
1 Make a paint with the copper 2 Paint the top of the base tier
petal dust and a mixture of vodka and make brush strokes about half
and/or rejuvenator fluid. Make way up and down on the two tiers
1 Using a clean dry 2 As the Isomalt begins to 3 Carefully pour half the 4 Pour the melted Isomalt
saucepan, pour the Isomalt melt, stir occasionally to Isomalt into a Pyrex jug, all over the covered cake
granules directly into the prevent them from burning. the sugar will be extremely board, try to avoid going
pan. Place over a high heat In the meantime, fill a sink hot so wear gloves to over the edge if you can.
to melt. one quarter full with cold protect your hands. The
water. Immediately after the remaining Isomalt needs to
last granules have dissolved be split between six jugs
submerge the bottom of the and set aside for later.
saucepan into cold water
to stop them from cooking.
Over cooking the Isomalt
will result in a yellowing.
MARBLING PAST201E7
ZOE SMITH - SEPTEMBER
1 Take 330g of plain 2 Twist the roll of icing and 3 Squash your marbled 4 Roll into a rectangle,
sugarpaste, 30g coloured then bend it back onto sugarpaste into a ball and length and height of
with the peacock dust itself and roll that together. knead lightly. the tier. Cut to size,
and 40g coloured with Repeat three or four times approximately 10 x 50cm
liquorice paste. Roll into for a fine marble effect. (4 x 20in). Roll around the
separate sausages, portion cake and smooth out
the plain sugarpaste into the back.
three pieces, then place
next to each other. Squash
together and roll into
a sausage.
GROWN UP GLITTER
and glam!
To create this cake I have used lots of trends that are hot right now, unicorn, gold leaf,
sprinkles, wafer paper and drip effect. It's a grown up cake for girls that still love all things
unicorn and shiney! Perfect for a magical wedding!
CAKE ARTIST:
Karen Keaney
ROSES & BOWS CAKERY
1 Place the 15cm cake onto some 2 Make the Cake Crack according
YOU WILL NEED
parchment paper and apply a to the pack instructions, I wanted a
very thin layer of white fat all runny consistency for this look.
EDIBLES:
• 15 x 15cm (6 x 6in), 12.7 x 12.7cm over the cake. Use a large paintbrush to paint the
(5 x 5in) tall - both dowelled Cake Crack onto the cake in
and 10 x 15cm (4 x 6in) tall downward strokes.
round cakes covered in white
sugarpaste (SatinIce)
• 20cm (8in) round cake board
covered with white sugarpaste
• white vegetable fat e.g. coconut
oil, Trex/Crisco
• Cake Crack
(The Cake Decorating Company)
• metallic airbrush colours: yellow,
pink, turquoise, green, blue,
violet and pearl (Magic Colours)
• gold sprinkles (Tesco) 3 Once the cake crack has dried, 4 Once the colours are complete
• readymade royal icing begin to airbrush using the give the cake a coat of pearl
• gel colour: turquoise metallic colours. Spray gently in airbrush colour. This gives the
(Magic Colours) patches as shown, starting with whole cake an iridescent look.
• 1 x sheet edible gold leaf the lightest colour and finishing Leave aside to dry. Once dry,
• colour dust: royal gold
with the darkest. place onto the cake board.
(Magic Colours)
EQUIPMENT:
• alcohol
Karen's Top
• large brush Tips:
• airbrush (see reader offer on
page 25) Only use a small amount of
• wafer paper water on wafer paper too
(I used A5 sized sheets)
much can dissolve it.
• paintbrush
• edible glue
• acrylic cake topper (Amazon) If your wafer paper is very
5 Cut the wafer paper length
• 7mm satin ribbon: gold, pink
and blue
ways and tear each strip in half dry use a steamer to
• 15mm ribbon: pale green as shown. ➜ soften it.
EDITOR
LOVES
6 Paint a very thin layer of water 7 Gently pleat the wafer paper as 8 Stack the 12.7cm tier onto the
along the straight edge of the shown, pinching along the straight 15cm cake and begin attaching the
wafer paper. edge to hold the shape. pleated wafer paper using edible
glue. Continue covering right to
the top of the cake.
9 Stack the 10cm cake on top of 10 Peel away the transfer paper 11 Repeat the process of adding
the 12.7cm cake. To attach the and the gold leaf that came in gold onto the Cake Crack finish on
gold leaf, paint random small contact with the glue, will remain the bottom tier.
patches of edible glue onto the on the cake surface.
cake. Take the sheet of gold leaf
and press the gold side gently into
the glued parts of the cake.
12 Paint the cake board with a 13 Cover the board with the 14 Mix the royal gold dust with
layer of edible glue. confetti sprinkles. alcohol and paint onto the sprinkles.
15 Take some royal icing out of the 16 Fill a piping bag with two or 17 Use the piping bag to pipe
pot and add a tiny drop of turquoise three tablespoons of the icing and droplets down the side of the
colour to make a pastel shade. set to one side. Pour some icing on cake as shown.
Add enough water to make a run to the top of the 10cm tier.
out consistency.
Karen's Top
Tips:
Creating different textures
adds an extra layer of
interest to your cake.
18 Put some sprinkles into a bowl 19 Sprinkle the sprinkles on top of
along with some gold dust. Shake the 10cm cake. Acrylic toppers can be a
the bowl to coat the sprinkles in great time saver.
the dust.
20 Insert the cake topper into the 21 To make the bow, decide on the 22 Tie a bow as shown and attach
10cm cake. length you would like. You need two to the 10cm cake. A dot of royal
lengths of gold and a length each of icing will help to adhere it to the
blue and pink. Tie one of the gold cake. Attach the 15mm ribbon to
lenghts around the centre of the the base board.
three other pieces. This gold ribbon
will attach to the cake holding the
bow in place.
HESSIAN
and Herb
WINNER
CAKE ARTIST:
Zoe Burmester Scandinavian style is epitomised in this elegant festive cake,
DARCEY OLIVER CAKE COUTURE with its Nordic patterns, natural fabrics, garden rosemary
YOU WILL NEED and winter berries. Set against a minimalist grey and white
EDIBLES: combination, this pared down design reflects a growing
• 18 x 15cm (7 x 6in) tall round trend in natural and holistic approach to winter celebrations.
cake, filled and ganached
(stack and support 2 x 8cm (3in)
cakes on top of each other with
bubble straws to create the
double barrell height
• 15 x 8cm tall (6 x 3in) round cake,
filled and ganached
• 2.2kg sugarpaste: ivory
(THE SUGARPASTE™)
• 10g flower paste: red
(Squires Kitchen)
• 20g flower paste: pastel green
(Squires Kitchen)
• 20g modelling paste: white
(THE MODELLING PASTE ™)
• gel colours: castle grey, chestnut
brown and yellow (Magic Colours)
• petal dusts: aubergine, red,
garden green, forest green,
lemon yellow, snow white and PREPARE THE CAKES
chocolate (Magic Colours) 1 Take 500g of ivory sugarpaste, roll out and cover the 25cm cake board.
• 100g cake lace mix: white
(Claire Bowman) Wrap and secure your chosen ribbon. Set aside to dry. Take approximately
• cornflour 400g ivory paste and roll out and cover the top tier, using cake smoothers
• edible glue to create smooth edges. Colour 800g of ivory sugarpaste with a little
• piping gel
• vegetable fat (Trex)
grey gel to create a pastel grey. Roll out and cover the tall 18cm (7in) tier,
• confectioners glaze working quickly on the top edge to prevent the paste from tearing.
• rejuvenator spirit or alcohol Finally take 200g of leftover sugarpaste and colour to a dark grey.
EQUIPMENT OVERLEAF Secure the separator onto a cake card, rub it with Trex, then cover and
smooth. Leave tiers to dry and firm for a couple of hours.
MAKING HESSIAN AND HOW 3 Use the knife to scrape away 4 Measure how high you want the
TO APPLY excess lace mix to reveal the hessian hessian to be and carefully cut it. You
2 Make up 100g of cake lace as per pattern. Place in the oven to dry out will need to join two lengths to go
the packet instructions. Add a few as per the mix instructions. Once around the cake. Take the top ivory
drops of yellow and brown edible dry, carefully peel back the silicone tier and lightly brush with a little
colour to achieve a natural hessian mat to reveal the edible hessian. piping gel. Place hessian onto cake
colour. Pour the cake lace mix onto and wrap around the tier, using tiny
the mat, using a plastic knife to dabs of piping gel to secure. Line up
spread the mix evenly over the mat. second piece of hessian and continue
around the cake until complete.
Try not to overlap the two pieces too
much to avoid an obvious seam. ➜
This sugar
rosemary and red
berry detail would
look incredible on
naked buttercream,
decadent ganache,
undressed fruit or
delicious drip
cakes too!
EDITOR
L OV E S
EQUIPMENT:
• 25cm (10in) round cake board
• length of hessian ribbon for the
above cake board
• 12.7cm cm (5in) round, 2.5cm
(1in) tall cake separator
• 12.7cm (5in) cake card
• 15cm (6in) cake card
• 18cm (7in) cake card MAKE THE ROSEMARY 6 Roll small balls of red flower
• cake smoother AND BERRIES paste, the size of peas. Dip the end
• flexi smoothers 5 Take 30 gauge wire and cut of the wire into some egg white or
• rolling pin
into short lengths (25 - 30 pieces). edible glue and then push the red
• self-healing mat
Group a few at a time using small berry on top, allowing the black
• cake lace mat - large: hessian
nose pliers to bend a hook at one end to poke through. Repeat with
(Claire Bowman)
end of the wire. Pass the tops of all berries and leave to firm up.
• plastic spreading knife
• scalpel
the hooked wires through a candle
• ruler flame to ‘burn’ them and make
• waxed or greaseproof paper them black.
• small nose pliers
• foam pad
• 18, 20, and 30 gauge wires
• florist tape: white and brown
• scissors
• steamer or kettle (PME)
• assorted brushes
• pins
• non-toxic pencil
• template (see page 17) or use a 7 Dust berries with a combination 8 Once berries are dry and shiny
design of your own of red and aubergine petal dusts to you are ready to assemble the
• tracing paper
achieve a deep red colour. Leave to stems. Take one of your woody
• mini circle plunger cutter
one side. Take a 20 gauge wire and brown wires and begin to add the
• blossom plunger cutters
cut into two medium lengths. Wrap berries one by one. Starting at the
(tiny and small)
brown florist tape thickly around it to top, work your way down until you
• small/medium posy pick
• Dresden tool
create woody stems. Now dip berries have about fifteen berries per stem.
• blade tool into confectioners glaze to make Repeat with the other stem and
them super shiny and leave to dry. place to one side.
9 For the rosemary, cut multiple 10 Take a 20 gauge wire and wrap 11 Mix garden and forest green
short lengths of 30 gauge wire. in white florist tape to thicken petal dust with rejuvenator spirit
Knead some pastel green flower for the central stem. Mix a little to create a weak paint. Now paint
paste and roll into a tiny ball and green, brown and yellow petal each rosemary leaf on the inside
place onto the wire. Then roll the dusts (you are aiming for a brown/ only - making sure the outside of
ball between your fingers until long sage colour) with rejuvenator spirit the leaf is paler than the inside.
and thin. Use a Dresden tool or and paint the stem. Once painted, group together in
similar to flatten the leaf and then threes and fours and secure with a
curve the whole stem with your little white florist tape.
fingers. Repeat until you have thirty
to forty leaves.
12 Take the central stem and begin 13 Continue down the stem to 14 Once all leaves are attached, go
to add the cluster of leaves starting build up the rosemary. Twist leaves back in with a brush and paint over the
at the top and securing in place with so that the darker part is facing in white tape in the brown sage colour as
white florist tape. and the lighter part is facing out. before. Steam the whole stem over a
kettle to set the colour, and to create
a waxy finish. Leave to dry.
18 Cut the remaining shapes. 19 Place the traced template 20 Remove tracing paper to reveal
I adapted the original template so I around the cake, securing in place a sequence of dots or a
could use cutters I already had. with pins. Now you have a choice: traced image. ➜
I cut mini and small blossom flowers you can either trace the entire
and then lots of mini circles. design with a cocktail stick or
Make sure that the ivory sugarpaste pencil, or use a pin to lightly mark Zoe’s Top Tip:
is rolled very thinly as you don’t the position of the stars and dots. Make sure the covered cake
want these shapes too thick. Work your way around the cake, has had time to dry and firm
Check that the cut shapes fit moving the template as required.
over your template, and that the
up before you start to press
diamonds are accurate in size in an imprint onto it. If it is too
order to form the star shape. soft you will end up marking
the cake with your fingers.
21 Brush the backs of the 22 Next use a brush to add in the 23 Continue to build up the
diamonds with a little water or mini flowers between the stars, pattern until complete and leave
edible glue and place on the cake then begin to add the dots. I find it the cake to one side.
until you have created all of the easiest to place the bottom and top
stars around the tier. dots first and then fill in from there.
ASSEMBLING THE CAKE 25 Take an 18 gauge wire, fold in 26 Colour the modelling paste
24 Take your now dry rosemary and half and wrap tightly in white florist to a straw colour using a yellow
winter berry stems and wrap them tape to create the anchor to attach and brown gel colour. Roll very
together with a little brown tape. the stem into the front of the cake. thinly and cut into thin strips with
Leave bottom of stems exposed as Bend it at a 90° angle and attach a scalpel. Don’t worry if they are
these will be seen. the vertical end to the back of the irregular - this is better. Take a
spray. Slip a posy pick over the rest chisel/blade tool and mark the
of the anchor. strips to create a raffia effect.
27 With one of the strips make a 28 Brush backs of the long strips 29 Take your berry spray and brush
little bow by folding over, with a little water and wrap two a little edible glue on the back of
one end at a time to the centre of them around the hessian tier, the brown stem. Insert into the
and then cutting two little pieces crossing them over in several front of the cake at the point where
to create the tails of the bow. places. Note where the berry the raffia crosses on the left-hand
The middle of the bow will be spray will attach on the left side side. The edible glue on the back
covered in due course. and make sure the raffia crosses should help hold in position.
here. At this stage you should
now stack and secure the cakes
onto the prepared board,
placing the separator tier
centrally on top of the base tier,
securing in place with a little
royal icing. Next place the top
tier centrally overhanging the
separator and secure with icing.
STEAMPUNK
CAKE ARTIST:
Zoe Smith
Sally
A sub genre of sci-fi, steampunk is a style that is here to
BLUEBIRD CAKES
stay. You can adapt no end of designs for a fabulous metallic
Victorian/industrial finish and this character is a great start for
YOU WILL NEED
developing your confidence in pretty steampunk!
EDIBLES:
• 15cm (6in) cake and a 10cm (4in) 01 02 03
cake or dummy, prepared for
covering
• 25cm (10in) board
• 1200g sugarpaste: coloured
caramel (1kg for bottom tier,
200g for top tier)
• 350g sugarpaste: coloured
chestnut for the board 04 05 06
• 200g flower paste
• 50g modelling paste: flesh
(Saracino)
• 200g modelling paste
• 100g royal icing
• paste colours: turquoise,
liquorice, dark brown, paprika,
caramel, chestnut (Sugarflair)
07 08 09
• edible colour dusts: chocolate,
raw amber, brown, flesh, rose
gold and rustic (Rolkem)
• edible colour: gold
(Claire Bowman)
• petal dust: white
EQUIPMENT:
• 4 dowels 1 Using a little cooled boiled water centre front of your cake and leave
• spare 10cm (4in) dummy applied to the board, cover with to firm. Glue the cogs onto the
• wooden skewers
chestnut coloured sugarpaste. circle, arranging them so that they
• large and small cog cutter
(Black Cherry Cake Company) Press your wood grain impression all fit inside the circle.
• sugarshapers mat firmly onto the paste, line up 7 Roll out 20g of chestnut flower
(Innovative Sugarworks) and repeat. paste and cut out a cog with the
• large and small butterfly mould 2 Once firm, paint with a mix of large cutter. Set aside to firm for a
(Katy Sue Designs) chestnut food colour and rejuvenator few minutes but do not let it
• leather texture mat
spirit, making sure to paint in the dry completely.
• goosebump texture mat
• wood grain texture mat same direction as the wood grain. 8 Brush the back of the cog with a
• steampunk mould Set aside to dry. little glue and attach to the circle of
(Old Piping Bag) 3 Cover your base tier with 1kg of cogs - use dressmaker's pins to hold
• cog mould, frame mould, keyhole caramel coloured sugarpaste. in place whilst drying.
mould (FPC) Press the goosebump mat against 9 Mix rejuvenator spirit with gold
• 6cm circle cutter
• rejuvenator spirit
the paste firmly all over. dust and with a fine paintbrush,
• edible glue 4 Use the moulds to create an paint the gold cogs.
• paintbrushes assortment of cogs using 6g of flower 10 Paint the large cog with
• dressmaker’s pins paste coloured a light caramel. rejuvenator spirit and rose gold.
• craft knife 5 Cut out a circle using a 6cm cutter 11 Separate 3g of white flower
• quilting tool
from 10g of chestnut coloured paste into two balls. Using the large
• Dresden tool
• rolling pin flower paste. butterfly mould, fill one of the large
6 Glue the chestnut circle to the wings with a ball of paste. ➜
10 11 12 13
14 15 16 17
18 19 20 21
22 23 24 25
12 Press the two sides together, approximately thirty. 23 Glue on the buckle piece and
pressing firmly. Carefully remove the 19 Using 4g of brown flower paste, the prong into the hole. Paint the
wing from the mould and set aside make two buckles using the frame buckles gold.
to firm. Repeat. mould. Then roll out two pieces for
13 On one side only, paint the flat the back bars of the buckles and small TOP TIER
areas of the wing using turquoise pieces cut at an angle for the prongs. 24 Cover top tier in 200g of caramel
paste colour and a little cooled 20 Take 60g of caramel sugarpaste colour paste and texture with the
boiled water. and make four strips 2cm wide and leather mat. With 50g of brown
14 Paint the raised area in gold. 14cm long. Give two of the pieces paste, make a strap as before,
15 Glue to the cog and pin to dry. curved ends cutting 2cm off at the glue to base and make a piece 4cm
16 Using flower paste and the other end and using the quilting tool, for the end of the strap. Let it firm
keyhole mould, make a keyhole add stitching detail around the edges. slightly at an angle and glue to the
using part of the mould only, Add holes along the centre of the side. The join will be hidden later.
trimming so it will fit between strips with the end of a paintbrush.
the wings. Paint gold and glue in 21 Add texture using the leather mat. FIGURE
between the wings. 22 Repeat quilting and texturing to 25 Take 35g of flesh coloured paste
17 Colour 60g of flower paste dark other longer strips. First glue the and roll into a ball. Using a dowel
brown and roll out into strips cutting longer strips to the cake, then the press across in an arch shape.
3 x 1cm wide and approximately shorter on top. Make sure not to glue 26 With your thumbs, press two eye
24cm long. Glue one around the all the way down, you need to be able sockets and begin to pinch a nose.
base, one around the top and then to add the buckles. Approximately 27 Again with your thumbs, pinch in
one inside on the top of the cake. 2-3cm from the end, glue your a chin shape.
18 With the mould from the Old buckles back bar in between the two 28 Using the sugarshaper bond
Piping Bag, make studs from 7g of strap pieces. The buckle needs to be tool, roll against the nose to build
brown flower paste, level with one of the holes. up the shape.
26 27 28 29
30 31 32 33
34 35 36 37
38 39 40 41
29 Make nostrils using the into a sausage flattened on either end. corset and top back off and leave
pointed tool. Push through a skewer, through the to dry.
30 Using the round tip tool, neck and into the head at an angle. 44 Take two small balls of white
make the eyes. flower paste. Flatten each ball,
31 Push the bone tool into the cheeks. CORSET dot each eye with a dab of glue then
32 With the bone tool, start to firmly 38 Take 35g of dark brown flower smooth the paste to fit the eye hole.
press in from one cheek to another to paste, roll into a cylindrical shape and 45 Add some rustic dust around
create a lip. pinch in the middle, making it smaller the eyes.
33 Using the pointed tool make a at one end. 46 Paint the lips with rejuvenator
mouth groove from one cheek 39 Flatten each end and make a line spirit and rustic dust.
to another. down the centre with the 47 Dust cheeks, nose and chin with
34 Using the bone tool, push up from pointed tool. flesh dust.
the main groove gently to create a 40 Using the Old Piping Bag mould 48 With rejuvenator and chocolate
top lip. and 2g of chestnut flower paste, dust, paint irises onto the eyes.
35 With the fine end of the ball tool, make buckles and glue them on 49 Paint on extra details: liquorice
make a line running from the sides of the corset. for eyelashes and pupils, chestnut
the mouth to the nostrils. And with 41 Take 10g of modelling paste, roll for eyebrows and really weak
the larger end press above the eye to into a sausage shape, pinching gently chesnut for freckles. Add a tiny
create a lid. to create shoulders. Glue to the corset. white highlight to the eyes.
36 Take two small balls of flesh and roll 42 Draw a line up to the neckline and
into egg shapes. With the small bone make three doors for buttons. LEGS
tool end press in three indentations 43 Take the skewer with the head on 50 First make a ball with 30g of
and smooth to the side of the head. and push in through the corset and caramel coloured flower paste and
Repeat. top, check the neck is the correct flatten slightly. Cut off two pieces
37 Take a ball of flesh paste and roll length. Trim if necessary. Slide the as shown. ➜
42 43 44 45
46 47 48 49
50 51 52 53
54 55 56 57
51 Colour 70g of flower paste dark 56 Attach frills onto legs above the 63 Take a small ball of white paste,
brown and split into two balls. knees. Paint details on the boots. roll into a sausage and flatten. Wrap
Roll each ball into a sausage shape Push the main skewer with the head around the neck, attaching with a
that is thinner at one end. Make on, back through the top and corset dab of glue.
indentations as shown for the ankle and through the caramel piece into 64 For the arms, roll out two
and knee. the cake. sausages from a 24g piece of white
52 Cut off a section from each leg 57 Colour 40g of modelling paste modelling paste. Flatten slightly at
to create a foot. chestnut. Take 12g and make a semi the shoulders, bend at the elbows
53 Take the caramel section and put circle and with the pointed tool and make a few folds with the
a skewer through the centre on the press curved marks to create folds. pointed tool. Push in at the wrists
dummy. Position the legs against 58 With the other 28g roll out a with the bone tool.
the caramel piece. Mark the legs to sausage shape approximately 20cm 65 Take 1g of flesh and roll into two
create a line down the centre and long, thinner at either end and balls and flatten. Cut the fingers
across the knees. Pinch with the thicker in the middle. using a craft knife and pinch to
fingers under the knee. Use skewers 59 Smooth out the shape and again soften each finger separately.
to support the legs as they dry. draw on folds. 66 Glue the arms to the shoulders
54 When dry, paint stripes on the 60 Make a frill on either side but not and where the lower arms rest on
thighs with cooled boiled water and on the middle, using a Dresden tool. the thighs. Add a dab of glue at the
chestnut paste. Remove the skewers 61 Glue the semi circle piece on first wrists and position the hands facing
and position on the top of the cake, and then the frilled piece, draping upwards.
gluing in place. around to the front of the figure.
55 Take 1g of white flower paste 62 Roll out a fine rope of paste and HAIR
and roll into a long fine sausage. drape it around her waist, glue at 67 Colour 35g of paprika modelling
Frill it with the pointed tool by the join. Add two small pieces made paste paprika for the hair. Separate
rolling the point along the paste. from the cog mould. into five balls: one large, then
58 59 60 61
62 63 64 65
66 67 68 69
70 71 72 73
74 75 76 77
flattened to a teardrop to cover 72 To make the tiny top hat, paste and roll into a sausage.
the back of the head, one slightly colour 2g of flower paste caramel Make marks to create three
smaller that needs to be flattened and make two balls - one bigger sections. Flatten either end and add
slightly for the bun, again one than the other. Flatten one indentations with a Dresden tool.
smaller in a sausage smaller at either completely and roll the other into 76 Glue to the neck. Add a little
end for the rolled fringe and two a cylindrical shape and flatten brown rope of paste around the
small carrot shaped pieces for the each end. hat base.
side sections. 73 Glue together and curl the 77 Dust the caramel paste of the
68 Glue the teardrop shape to the sides of the brim. cake with a mix of the dusts to create
back of the head and add hair detail 74 Attach the hat to the side of shading. Attach the base tier to the
with the pointed tool. the head with glue. Make a tiny board with a little royal icing. Dowel
69 Add the bun with a touch of glue butterfly using the small butterfly the base tier of the cake and glue the
and add hair texture. mould from Katy Sue. Colour as tiers together with royal icing. When
70 Glue on the side pieces giving a you did the large butterfly wings in position add a cog made from
little curl at the ends. and glue to her hands. Paint cogs brown flower paste with the small cog
71 Lastly stick on the rolled fringe to around her waist gold. cutter and paint with rejuvenator spirit
the front of the head. 75 Take a tiny ball of chestnut and rose gold dust.
HOW TO RECREATE M
SO ON
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LED cake lighting kit
www.cake-stuff.com
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Creating texture
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www.fantasticribbons.com
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a
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Slice of Social
Come join the conversation and show off your skills for the New Year!
Leeanne x
Metallics and
interesting textures
are set to be stylish
for 2018! Diane Ellis - Di’s Delicious Cakes
ENTRIES FOR
THE SUGARART
Spotty Cake Tin FASHION
SHOW, WHERE
OUTFITS
ARE 60-100%
EDIBLE!
MINIMALIST
WHITE AND
CLEAN
NEUTRALS
ARE SO CHIC!
From beginner to expert, we love to see the fantastic creations our readers have made. If you’d like
us to feature your work on these pages, please post pictures of your cakes to either our
Facebook or Twitter pages.
CAFE Society
Love your daily caffeine fix? We’ve got a delicious recipe to
make the most of your coffee.
Mocha brownies
INDULGENT AND COSY RECIPE
FROM LYONS COFFEE BAGS
CAKE STORIES
MATTER…
Last year in celebration of we completely agree! for our charity. This year, we are
International Literacy Day Twenty-nine sugar artists from tying the collaboration to our
(September 8th), me (Corinna around the world chose their own fundraising page. ALS is a
from Lovin’ from the Oven) favourite stories and have created progressive, neurodegenerative
and Heather McGrath (from amazing tributes to their own disease that over five-thousand
Cakepunk) celebrated the works favourite authors and illustrators. people are diagnosed with every
of William Joyce (www.facebook. The cakes created were so year with a life expectancy of only
com/SweetBillJoyce) and created fantastic that we had to design the 2-5 years. Help us share this story
a brilliant collaboration that got Facebook page, video and website by donating what you can to
a great reaction from everyone to do them justice. We think it has allow this invaluable research and
including William himself. The and we hope everyone else feels assistance to continue.
response was so positive that the same. Everyone’s story matters.
even after finishing and swearing After contacting some of the
we wouldn’t do another – there authors themselves they’ve
began talks of our other favourite responded with enthusiasm and
books growing up. We decided donated signed copies of their
that we would create another books to help raise awareness
collaboration to honour all of
the stories that mattered to us
and our children. William Joyce
says it best in one of his books:
“Everyone’s story matters,” and
Kay Gajra Kaykes, Fat Cat Ana Mourinho Remigio of Cupcakes and Dreams, Asterix
Theresa Taubrich of Crazy Sweets, Timbo Sullivan of Cakes by Tiimbo, Cecile Beaud, The Little Prince
Never Ending Story Where the Wild Things Are
Kelly McWillliam,
Fungus the Bogeyman
Heather McGrath of
Cakepunk, Mr Qwerty
the real stars of the show were a larger than life cup of tea and wondering around the market
the spectacular entries for the biscuits, famous British landmarks stalls, catching up on the latest
official cake competition, which such as Big Ben, and a giant bust baking and cake decorating trends,
were divided into the categories of of Queen Victoria complete with viewing the live demonstrations,
‘main competition’ and ‘cupcake liquorice allsorts necklace by Becky and of course seeing all the
competition’. With this year’s Graham that won best in show! stunning competition entries! We
theme being ‘Best of British’, This year we had a fabulous time look forward to seeing lots more
entries were spectacularly varied friendly faces and fellow cake
and equally as bonkers: some of enthusiasts at next year’s show on
the more memorable ones included the 5-7th October at Excel London
– see you there! CDS
Some of the
spectacular
entries for the
official show
competition
Blue Ribbons
making ideas we have in store for you! Wedding / celebration cake specialist 1 Fis
tuition for all levels of ability T: 01353 776085 M: 07932 070706 See website for details on our PME Diploma courses
and decorations.
Fishers Yard, StTin
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Neots, stand
2AG hire.Road,
Walton
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FREE local parking available
7 Ladysmith re
uRoad
ecenquiries@sugar-daddy.co.uk
SEmail: •E:
Lipson • Plymouth
Speedy &
• Children’s classes (school holidays) 01223 blue.ribbons@talk2
246840 SUGARCRAFT
at01752 252836 Website
• Ready made fruit cakes Sugar Design offers sugar craft courses at all levels from Shop 124
onlineWulfstan Way • Cambridge
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Spec
DEVON DUMMIES
ESSEX
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• Celebration Cakes for all occasions made to order Specialists
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and decorations. Tin and stand hire.
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Pg 81_Pghttp://www.sugardesign.co.uk/courses/
77 07/05/2015 15:03 Page 1 Classes TEL
7 Ladysmith
Online video tutorials are now available taking Road • Lipson • Plymouth
you directly into the classroom 01752 252836
Blue Ribbons ure E: blue.ribbons@talk21.com W: www.blueri
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DECORATING EQUIPMENT
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WHAT NEW SKILL WOULD
Pg 82_Pg 77 YOU
08/05/2015
LIKE TO
Please call 01902 497 498 or visit our shop
13:00
LEARN ?
Page 1
T: 0121 778 4692
Quiet area overlooking
Carlingford lough,
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ROMFORD
TELin
polystyrene
• ESSEX
Dummies from
: 01708
high quality
761727
all shapes and sizes
Poole BH1
RM1 2LT Tel: 01202
www.magi
T R A D
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46 High Street, Bilston,Specialist Sugarcraft Shop
Wolverhampton,
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Unit 4, Rear of 555 shopsRoad, Southend On
LEICESTERSHIRE
POOLE
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and
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Blue Ribbons
Essex, SS2 5FB 01702 462222
Hertfordshire
29 Walton Road, East Molesey, Surrey
For all yourKT8 0DH
Free next day local deliveries for orders Over 4500 products • Classes Sugar
Sugar & Ice
Design offers sugar
and craft courses
Online shop www.allaboutcakesbilston.com
SUGARCRAFT p ee d y &
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10% ec
S u re
discount E: blue.ribbons@talk21.com
using the code CCD1
’ W: www.blueri
sugarcraft
Sugar
and Tin and stand hire.
We decorated this stunning cake with our opulent metallic paint, which brings a new
NottinghamAT NG12COALVILLE
Sugar & Ice
dimension of indulgent metallic shine to your edible creations. Simply apply with a brush,
sponge or airbrush for a stunning metallic finish.
Classes 24 Hotel info@fi CoalvilleDemonstrations,
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LE67 3EP shopLearn
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7 Ladysmith Road • Lipson • Plymouth LEICESTERSHIRE’S LARGEST www.fi01530 necutsugarcraft.com Cake stand &C
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CUTTERS With thanks to the incredible cake artist Paulin of Crummb
817210
WHAT NEW SKILL WOULD
for allowing us to recreate her beautiful original design.
Dummies Direct
equipment sales
co.uk friendly advice please give us a call:
01902 238100 / 07917 176453
lessons,
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& Celebration
made to order
Cakes - PARTY
of £30.00 CAKES
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40 HIGH
Free next day local deliveries
10 and 11 for our cake and
for ordersSTREET
balloon
EPSOM • SURRE
•
Classes
Unit 3, Castle Street, Roseville, Coseley, T: 0121 778 4692 NEW BIGGER PREMISES NOW
West Midlands WV14 9DP
ROMFORD • ESSEX RM1 2LT
AT COALVILLE
www.cakes
Please phone or email for details -
this offer is not currently on our website Further
24 T EL:St,
Hotel 01708
Manufacturers of Fine Quality Metal Cutters suitable for Sugarcraft and761727
Coalville LE67
Cold 3EP
Porcelain T 0208
R A 950
D E0077 D I S C O U N T • M A I L O
Surrey
T:
www.cakesofgoodtaste.co.uk • Cake De
01530 817210
CHESHIRE CAKE DECORATING EQUIPMENT Over 300 designs
West Midlands
3-5 Cyril
POOLE
DUDLEY
St, Leicester LE3 2FF
Open 9.30am to 5.00pm
Blue Ribbons THAMEmary
Accesso
Mon to Sat
nhead Merseyside CH41 4EZ or check out our website ~ www.framarcutters.co.uk 449-451 Ashley Road give and Mai
51 647 1697
www.amazing-floral-sugar.co.uk
Suppliers to the Parkstone
trade
friendly
01902
advice please
only
238100 / 07917
Callusin
a call:
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176453
friendly service • In-house
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Doncaster DN1 3JN Poole BH14 0AX
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Dummies fromour high quality base - contact us3,now forStreet,
details of &our range Stand H
arcraft shop on the Wirral
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Unit 716286
Castle Roseville, advice.
Coseley,
T: 01302 323338 West Midlands WV14 9DP
Blue Ribbons stock a complete
A
polystyrene in all shapes and sizes www.magicmomentssugarcraft.co.uk
range of cake decorating supplies
•Manufacturers of Fine Supplies
Quality Metal Cutters •
suitable
01753 for
8
“Fine Cut”CHESHIRE DERBYSHIRE
LEICESTERSHIRE Order direct from: Derbyshire
SUGAR ARTISTRY
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everything for the cake decorator
from beginner
Accessories
&
Over 300 •designs
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£5.20
pipedrea
Fordet
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di
CRAZY ABOUT www.cake-craft.com/guides
For a brochure or more
Cameo Cakecraft
EXTENSIVE RANGE OF HIGH QUALITY TIN PLATE,
SUGARCRAFT CUTTERS MANUFACTURED IN ENGLAND Tel 01202 659760 or•Fax www.pip
01
Sugar & Ice
SUGARCRAFT CAKECRAFT
Visit our
• Park freewebsite for How
and easily
Email: to
at our
for catalogue of over 450 products inc SUPERMARKET
shop
framar@hotmai
19b Moor Road • Broadstone • W
Enquiries Guides and details of our cake D
LEICESTERSHIRE
Unit of4Décor
NEW RANGE ’Art
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For all your Street,
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Wecheck
serve out
the courses.
ourWindsor
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Birkenhead Merseyside CH41 4EZContact:
‘FINE CUT’
CAKE SUGARCRAFT
DECORATING T: 0151 PRODUCTS647 1697
SPECIALIST Suppliers to the trade
29 Walton
and Road, East Molesey,
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Workshop No.
Tin/stand 4 ••Old
hire Stable Block
edible photo 1 New Beetwell Street We are expanding our customer base - contact us n
Holme Largest
Pierrepont Hall • sugarcraft
Holmeclasses
Pierrepont shopChesterfield
on the Wirral
• Derbyshire S40 1QR KT8 0DH T: 020 8941 1591
• In-house Classes and Tin and
plaques • sugarcraft
meo-cakes.com 01246 234853 E: blueribbons@talk21.com
Nottingham NG12 2LD • Tel/Fax:
equipment sales 0115 933 4349
www.crazyaboutcakecraft.co.uk “Fine
Stand Hire Cut”
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CRA
EXTENSIVE RANGE OF HIGH QUALITY TIN PLATE,
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• 01753
BACK ISS
SUGARCRAFT CUTTERS MANUFACTURED IN ENGLAND
865682
CA
Enquiries for catalogue of over 450 products inc
NEW RANGE of Décor Art Cutters to:
• pipedreaming@btinternet.com For a
NEW BIGGER PREMISES NOW COMPLETE YOUR COLL
‘FINE CUT’ SUGARCRAFT PRODUCTS
AT COALVILLE www.cake-craft.com/guides • www.pipedreams-sugarcraft.co.uk
Workshop No. 4 • Old Stable Block
Holme Pierrepont Hall • Holme Pierrepont Chest
Jan_classifieds.indd 78
www.cameo-cakes.com
24 Hotel St, Coalville LE67 3EP Nottingham NG12 2LD • Tel/Fax:07/11/2017
0115 933 434911:54:47 01
www.cr
County Down
sugarcraft and
WHAT NEW SKILL WOULD cake decorating
YOU LIKE TO LEARN? Quiet area overlooking
requirements.
Carlingford lough,
Specialist Sugarcraft Shop 449-451 Ashley Road Call in for some
convenient
Parkstoneto shops
51 High Road, Bushey Heath, friendly service
and restaurants.
Call Jayne Notley now on 01778 391189 to discover the marketing
Hertfordshire WD23 1EEopportunities
Dummies from high quality
available
Tel: 01202 716286
Poole BH14 0AX
to&you.
advice.
Free next day local
polystyrene deliveries
in all shapesforand
orders
sizes Classes resume September 2015.
www.magicmomentssugarcraft.co.uk
of £30.00 (excludes cake and balloon
Nottinghamshire Leicestershire
LEICESTERSHIRE
orders) and 10% discount on orders IslePrivate
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parking, ARTISTRY
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over £100.00 on the premises.
PleaseSugar &forIce
phone or email details -
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LEICESTERSHIRE’S LARGEST
Iced Inspirations
Further details phone or email Mary
T:CAKE
0208 950 0077 www.iced-inspirations.co.uk
DECORATING SPECIALIST
www.cakesofgoodtaste.co.uk 02841 773402
Tin/stand hire • edible photo
CAKE DECORATING EQUIPMENT DUDLEY Openplaques
9.30am to• 5.00pm mary_devlin@hotmail.co.uk
sugarcraft classes
Mon to Sat equipment sales
3-5 Cyril St, Leicester LE3 2FF FREE DELIVERY ON ALL ORDERS OVER £60
The Waterdale Centre, 21 Queensgate,
10% off Doncaster
online DN1 orders
3JN usingwww.rosemacefieldcakecraft.com
code: CAKEGIFT 0116 263 0846 71 High St. Ryde, I.O.W. PO33 2SU
Unit 3, Castle Street, Roseville, Coseley,
T: 01302 323338
www.thecakedecoratingcompany.co.uk
West Midlands WV14 9DP
*Price shown includes 10% discount & is correct at time of going to print. Not to be used in conjunction with any other offers, exclusions apply. Valid until 31.12.17
@sugarandiceleic Tel. 01983 811409
Manufacturers of Fine Quality Metal Cutters suitable for Sugarcraft and Cold Porcelain
Merseyside CHESHIRE ToolsPARTY CAKES
Over 300 designs WINDSOR
For a brochure or more details please
Cameo Cakecraft Tel 01202 659760 or Fax 01202 659133
Email: framar@hotmail.co.uk
SUGARCRAFT SUPERMARKET 19b Moor Road • Broadstone • Dorset BH18 8AZ
A
Unit 4 , Park Entrance Business Centre, Vittoria Street, • Cake Decorating Supplies & £5.20 inc
Birkenhead Merseyside CH41 4EZ or check out our website ~ www.framarcutters.co.uk
Suppliers to the trade Accessories
only For dig
T: 0151 647 1697
We are expanding our customer base - contact us now for details of our range
Largest sugarcraft shop on the Wirral • Park free and easily at our shop
W
“Fine Cut” • We DERBYSHIRE
serve the Slough, Windsor
and Maidenhead area
EXTENSIVE RANGE OF HIGH QUALITY TIN PLATE,
SUGARCRAFT CUTTERS MANUFACTURED IN ENGLAND CRAZY ABOUT
• In-house Classes and Tin and
Enquiries for catalogue of over 450 products inc
NEW RANGE of Décor Art Cutters to:
CAKECRAFT
Stand Hire
For all your sugarcraft equipment
Contact:
‘FINE CUT’ SUGARCRAFT PRODUCTS • 01753 865682
Workshop No. 4 • Old Stable Block 1 New Beetwell Street
Order direct from:
Holme Pierrepont Hall • Holme Pierrepont •Chesterfield
pipedreaming@btinternet.com
• Derbyshire S40 1QR
www.cameo-cakes.com www.cake-craft.com/guides
Nottingham NG12 2LD • Tel/Fax: 0115 933 4349
www.finecutsugarcraft.com
01246 234853
• www.pipedreams-sugarcraft.co.uk
www.crazyaboutcakecraft.co.uk
15%
FF
E
Learn how to airbrush on cake with our
ER
OFF ALL
easy to follow steps Cake Craft
Stencils with co
CHEERS2018de
YOU WILL NEED *
EDIBLES:
• 8in round 6in deep prepared
cake on 10in drum
• 6in round 3in deep prepared
cake on 6in cake board Top Tip
• 1.5kg sugarpaste: white Use the airflow from
• 100g sugarpaste: black the airbrush to help
• airbrush colour: violet and dry the colour in
black (Cassie Brown) between layers
• airbrush colour: white
(Kroma Colours)
• edible glue
• edible gold dust
EQUIPMENT:
• Cassie Brown airbrush
• tartan stencil
• cutting mat
• craft knife
• brush for glue
• printed deer template cut out
• scissors
• sterilised pins
• gold satin ribbon
• double sided tape
the stencil to add the grey lines as to make the brooch and apply gold
• small brooch mould
• blusher brush indicated, either side of the thin dust with the blusher brush.
line (yellow arrows) and through Attach the rosette to the cake with
the central thick lines (red arrows). edible glue, then attach the brooch.
1 Knead together 900g of the white Repeat with the vertical stencil to 6 Create a tartan ribbon with the
sugarpaste with the 100g of black to complete the pattern. left over tartan sugarpaste and glue
create grey. Cover the large cake and 3 Lay the deer template onto the to the base of the grey cake.
add dowels. Cover the smaller cake tartan and secure with sterilised pins. Add the gold ribbon to the drum
with approximately 400g of white Use your craft knife to cut out the with the double-sided tape to finish.
sugarpaste and fix on top with a small deer head then using the template as 7 We added some willow twigs and
amount of ganache or royal icing. a guide, apply a little edible glue to berries for additional
2 Roll out 100g of white sugarpaste the cake. Carefully lift and place into decoration.
to a depth of approximately 3mm, position on the cake, ensure the ears
this should be around the same size and antlers are glued in place. Please download templates from
as your stencil. Lay the first stencil on 4 Roll out a second piece of www.cakedecmag.uk/tartan stencil
the sugarpaste, and using the violet sugarpaste to 2mm thick and repeat
colour in the airbrush, lightly spray the tartan pattern. Once dry cut Visit www.shesto.com for more
over the entire pattern. Allow the out a 10x15cm section and ruffle product information and ideas
colour to dry for a minute then repeat the centre together. Turn over and
with the second stencil. Empty any pinch together the edges to form a *15% discount is valid for Cake Craft
stencils only. Discount will be applied
remaining colour from the airbrush. complete circle. Turn it back the right
at the checkout on orders processed
In a small pot mix six drops of white way and tuck under the edge of the
through Shesto.com and completed
airbrush colour with one drop of circle to give a pillow effect. before midnight 31st January 2018.
black. Add to the airbrush and use 5 Use a little of the grey sugarpaste Discount valid for retail customers only.
Make the
ultimate
keepsake GO MINIATURE
MAKE THIS YOUR BEST CAKE YEAR YET, WE SHOW YOU HOW!
Editor: Leeanne Cooper Subscription Enquiries, Back Issues, UK Sugarcraft Shop Sales: The views expressed by contributors are unsatisfactory transactions. No warranty is
Cake Decoration & Sugarcraft Binders and Cake Craft Guides: Natalie Cole not necessarily those of the editor or implied in respect of any product mentioned
Warners Group Publications Plc, Cake Decoration & Sugarcraft Magazine, Warners Group Publications Plc, publisher. Every care is taken to ensure that herewith. The Advertising Standards
West Street, Bourne, Lincolnshire PE10 9PH Anglo American Media Ltd, West Street, Bourne, Lincolnshire PE10 9PH the content of the magazine is accurate; Authority exists to regulate the content of
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Tel: 01778 392427 Tel: 01778 395046
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Email: leeanne.cooper@warnersgroup.co.uk Email: tradeaccountorders@warnersgroup.co.uk Prizes, gifts or give aways offered in
Tel: 01778 395162 editor reserves the right to edit copy.
competitions might be substituted with ones
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Thanks
go to…
After an incredible year and amazing show season, we have to
give a huge happy shout-out to some brilliant cake companies
you will all know and love. Thank you for wowing us each
month with your latest products and giving us the opportunity
to give readers and subscribers the chance to win them in
our Market Place giveaways and Facebook 'Friyays'. We also
thank you for your generous support at Cake International,
Birmingham and Cake & Bake Show London and Manchester.
From sprinkles to sugarpaste, stencils to moulds, you have
made our wildest cake dreams come true!
JU ST £2.99
A MO NT H!
DOWNLOAD TODAY
WWW.POCKETMAGS.COM/CAKEDECORATION
Presenting our new look packaging! We’ve redesigned our whole range making it easier for
you to select your perfect shades. Our products have not changed, so you can unleash your
imagination and let your creativity sparkle just as always.
We decorated this stunning cake with our opulent metallic paint, which brings a new
dimension of indulgent metallic shine to your edible creations. Simply apply with a brush,
sponge or airbrush for a stunning metallic finish.