Werner's Nomenclature of Colours: Adapted to Zoology, Botany, Chemistry, Mineralogy, Anatomy, and the Arts
By Patrick Syme
4.5/5
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About this ebook
Read & Co. presents this new edition of Werner's Nomenclature of Colours. First published in 1814, this small volume comprises a collection of 110 swatches displaying nature's colour palette together with their poetical descriptions.
In the 18th century, German geologist Abraham Gottlob Werner set out to establish a standard reference guide to colour for use in the general sciences. Scottish flower painter Patrick Syme later enhanced and extended Werner's work to include all of the most common colours or tints that appear in nature, with each colour swatch accompanied by examples from the Animal, Vegetable and Mineral Kingdoms.
The resulting work was used by many scientists, explorers and anthropologists to further their studies, including Charles Darwin during his time on the HMS Beagle. Werner's Nomenclature of Colours is considered the predecessor of modern systems such as Pantone and has even inspired heritage paint ranges from the likes of Dulux and Farrow & Ball.
Read & Co. is republishing this beautiful little volume in a new facsimile edition and has taken great care to reproduce the original text and art for a new generation of artists and scientists.
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Reviews for Werner's Nomenclature of Colours
19 ratings2 reviews
- Rating: 4 out of 5 stars4/5A nice composite facsimile edition with introductory matter of this neat publication attempting to systemize colors for scientific description. My favorite bits are the examples of plants and animals used to describe the various shades.
- Rating: 5 out of 5 stars5/5Used this when reading Darwin.
Book preview
Werner's Nomenclature of Colours - Patrick Syme
WERNER’S
NOMENCLATURE OF COLOURS.
A NOMENCLATURE of colours, with proper coloured examples of the different tints, as a general standard to refer to in the description of any object, has been long wanted in arts and sciences. It is singular, that a thing so obviously useful, and in the description of objects of natural history and the arts, where colour is an object indispensably necessary, should have been so long overlooked. In describing any object, to specify its colours is always useful; but where colour forms a character, it becomes absolutely necessary. How defective, therefore, must description be when the terms used are ambiguous; and where there is no regular standard to refer to. Description without figure is generally difficult to be comprehended; description and figure are in many instances still defective; but description, figure, and colour combined form the most perfect representation, and are next to seeing the object itself. An object may be described of such a colour by one person, and perhaps mistaken by another for quite a different tint: as we know the names of colours are frequently misapplied; and often one name indiscriminately given to many colours. To remove the present confusion in the names of colours, and establish a standard that may be useful in general science, particularly those branches, viz. Zoology, Botany, Mineralogy, Chemistry, and Morbid Anatomy, is the object of the present attempt.
The author, from his experience and long practice in painting objects which required the most accurate eye to distinguish colours, hopes that he will not be thought altogether unqualified for such an undertaking.