Professional Documents
Culture Documents
/$*&0"1/(*21*3"2&4+2)5&'()*+"(1$66,&782$9(%:;;;
03*/+"<)=-&>$(92%&!?#$1/
7+3"12-&@+3"%$6&+A&*/2&7+1(2*,&+A&0"1/(*21*3"$6&'()*+"($%)5&B+6;&CD5&E+;&F&<>$";5&GHHC=5&88;&FIJ
FD
K3#6()/2L&#,-&University of California Press&+%/$6A&+A&*/2&Society of Architectural Historians
7*$#62&!MN-&http://www.jstor.org/stable/25068230
0112))2L-&GDOHPOGHFH&HC-DC
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/action/showPublisher?publisherCode=sah.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact support@jstor.org.
Society of Architectural Historians and University of California Press are collaborating with JSTOR to
digitize, preserve and extend access to Journal of the Society of Architectural Historians.
http://www.jstor.org
European Studies, where he co-chairs the Study Group on the European and Vilnius and a monograph on the concept of cultural landscape. He
He has published on Berlin imageries, Americanism inGermany, and edited two collections, one on the city of Lviv and the other on
City. recently
commemorative practices in Central Europe. Among his current projects urban history. His edited collection on urban and Euro
composing history
are a comparison of the historical imageries of Berlin, Gdansk, Lviv, Riga, pean integration will be published in 2006.
MAIKEN UMBACH
Manchester University
In recent decades, the visual (or pictorial) turn1 has directed reflect how individuals coped with modernity; they also rep
historians' attention toward the built environment just as resent political strategies. During the nineteenth century,
architectural historians have increasingly grounded their several of the rapidly industrializing cities in Europe?from
analyses
in historical context, reconstructing the socioeco Barcelona to Hamburg?carefully
planned their dramatic
nomic and/or political parameters of the building activity spatial expansion not only to cope with its practical effects,
they study. Both disciplines thus appear to be converging. but also to address the perceived threat of mental disloca
The danger such a convergence poses is that both camps tion. Much of the architecture that gave shape
to these
what is recorded in written sources counts.2 Yet architec nacular touch, a "sense of If we assume, as most
place."
ture is, first and foremost, something we see. The inher modern scholars of nationalism do, that place-based iden
ently more fluid and ambiguous connotations of semiotic tities emerge not from a place per se, but from the way in
systems other than text, especially the visual, often appear which architecture (and other rituals) interpret and stage
untrustworthy in comparison with archival records. Yet the geographical belonging, the potential political power of
visual aspect of the built environment has to be seen as an such architectural
strategies
becomes apparent. In the case
important historical source in its own right?used along of the expanding industrial cities facing the gigantic task of
side other sources, to be sure, but not to them. a vast influx of workers into an old,
subsidiary assimilating immigrant
We need to think of architecture not (only) as the object elitist civic culture, fostering powerful regional loyalties was
that needs to be explained, but as the object that does the often seen as a
saving grace from the threat of rival, more
normally hidden from historical view. And these are the The period between 1871 and 1914 was long seen by histori
processes that have been pushed to the forefront of atten ans as a
single era, during which a conservative
political sys
tion by cultural historians, under whose influence the par tem failed to adapt to the pressures of socioeconomic
adigmatic questions of the historical discipline shifted away modernization. contrast, the interwar were treated
By years
from "causation" toward is defini as the great of Recent pre
"meaning." Meaning by laboratory modernity.4 scholarship
tion fluid: traditions invented, remembered, half-forgotten; sents a different picture. The built environment has provided
identities tried out, and half-discarded; futures imagined, important clues for this r??valuation.5 Take the example of
planned, defended, half-abandoned. In shedding light on "historicism." As a style, historicism was firmly identified with
this shifty terrain lies architectural history's potentially the German imperial regime and its grandiose official propa
greatest contribution to history at large. ganda. Yet read more closely, so-called historicist buildings
It is important then for historians to learn to allow document a fluid and dynamic relationship with the past: from
architecture to speak for itself. If we decode it carefully, it a reservoir of
styles, employed according
to academic rules,
can offer insights into mentalities, memories, and other col to an expressive idiom with multiple meanings, uniquely
lective dispositions?and the rapidity with which such dis suited to the representation of the hybrid identities so char
positions change. Take, for example, the role that acteristic of the years around 1900, and incorporating allu
architecture has played in expressing people's responses to sions to collective,
longue
dur?e memories, a
subjective
stream
the process of modernization. Such responses not only of consciousness, and other such modernist mentalities.6
don, 1994).
interior. From Margarete Sch?tte-Lihotzky's Frankfurt
2. Peter Wagner, Reading Iconotexts: From Swift to the French Revolution
Kitchen to the socialist living room, the aesthetic and spa
(London, 1995), 169; Ernest B. Gilman, "Interart Studies and the Imperi
tial arrangement of rooms defined identities, from the mod alism of Language," Poetics Today 10 (1989), 5-30; andW. J. T. Mitchell,
ern housewife to the new man of socialism.7 Iconology: Image, Text, Ideology (Chicago, 1986).
Throughout
3.Maiken Umbach, "ATale of Second Cities: Culture and the
history, rooms provide clues about the ambitions of partic Autonomy,
Law inHamburg and Barcelona in the Long Nineteenth
ular social groups, the formation of new milieus, and the Century,"
American Historical Review 110 (June 2005), 659-92; Hartmut Frank, ed.,
definition of gender roles. Moreover, outside the realms of Fritz Schumacher. Reformkultur undModerne (Stuttgart, 1994); St?phane
elite history, the analysis of domestic interior space often Michonneau, "Soci?t? et comm?moration ? Barcelone ? lami-XIXe si?
allows us, as historians, to into the mind-set of those cle," Gen?ses 40 (Sept. 2000), 6-32; Andrea Mesecke, Joseph Puig i
tap
who left few traces in historical archives. Domestic spaces Cadafalch (1861-1956). Katalanisches Selbstverst?ndnis und Internationalit?t
in der Architektur (Frankfurt amMain, 1995); Joan R. V?rela, La Renaix
hold clues about the way people configured their lives, nav
en?a. La represa cultural i pol?tica (1833-1886) (Barcelona, 1991); Emili
igating between the poles of local roots and cosmopolitan Giralt, Pere Anguera, Manuel Jorba, et al., Romanticisme i Renaixen?a,
aspiration, politically tainted traditions and Utopian pro 1800-1860 (Barcelona, 1995), esp. Feran Sagarra, "Arquitectura iUrban
who are trained in the analysis of the visual. Yet this analy the period 1890 to 1930.