Professional Documents
Culture Documents
And howls and hollos long and loud. Howls=screams Hollo-cry loudly
Metaphor - Comparing two unrelated objects, but instead of saying, “this looks like
that,” the poet says, “this is that.”
Note: The poet isn’t saying the sea looks/behaves like the dog. He says, the sea is the
dog. It’s a stronger comparison.
Simile - (Not in this poem, but related) A lighter version of the metaphor. Usually has
the words “like” or “as” to make a comparison.
Example: “Sighing like a furnace” (as pointed out in the previous answer).
Note: The poet gives a human form to the sea by calling it “he”
Imagery - Using words in such a way to convey an image to the reader’s mind. This is
more common in poetry than it’s given credit for.
Examples: “The rumbling, tumbling stones,” and “Licking his greasy paws.”
Note: These words are deeply expressive. As a reader, you get the picture of the sea
rolling around rocks, and how similar it is to a dog licking its paws.
Examples: “sniffs” and “cliffs” | “June” “tune” and “dune” | “shores” “snores”
Note: This technique is used to give a musical element to the poem, make it sound nicer
to the reader’s ears. It’s like an enhancement technique.
Examples:
Note: The words, “rumbling” and “tumbling” each have two syllables (disyllabic words)
and the words “stones” and “bones” have one syllable each (monosyllabic words).
Placing these words (note that they also sound similar) together in close succession, the
poet brings out a rhythmic pattern that reflects the crashing sounds of the waves.
Note: The words “snuff” and “sniff” both have the same beginnings: “sn”. When
pronounced in succession, they give a certain ring to the phrase. That’s the use of
Alliteration.
Example:
Note: The poet repeats “bones” four times to emphasise that the dog and the sea both
make the same sound (moans) all day. It’s a dull routine, and to bring it out, the poet
says it again and again. Also, note that “bones” and “moans” are rhymes, and they are
also long-sounding words that also reflect the dull sounds of the dog and sea.
With this personification of nature, the poem may be suggesting that the world
around us can be engaged in some ways as if it were alive, awake and aware.
We might consider the whims of nature and its appetites as elements to be
feared and appreciated and recognize that creatures with appetites can be
unpredictable.
We might also read the poem as implying that the sea is only a small part of a
larger natural system and therefore is subject to forces beyond its control just
as we are -- or just as a dog might be. The sea experiences the weather and
the sunshine and reacts. It may be huge and powerful but the sea is not in
command of hot and cold, of rain or sunshine.
These readings are available in the poem, yet the overall sense the poem
projects is one of camaraderie and understanding. The voice of the poem is
less awed by the sea than it is sympathetic with the playfulness and
lonesomeness of the sea.
FURTHER READING:
https://www.enotes.com/topics/literary-terms/complete-ind...
https://www.enotes.com/topics/poetry
list Cite
link Link
One element of the poem that really strikes me is its mood. We commonly
read poems that depict nature, even the sea itself, as tranquil and calming, or
stories (especially movies) about dogs being "man's best friend." But this
poem does something different with both. The idea that the sea has "clashing
teeth and shaggy jaws," that it "gnaws" and "roars" like an angry, hungry
animal, is a strikingly original comparison: a metaphor, to be exact, as other
commenters have pointed out. Therefore, the mood is not peaceful, and it is
not friendly; instead, it is off-putting, concerning, even frightening. The
unexpected mood draws attention, then, to the idea that even things that
seem lovely, things that are most often depicted as beautiful or kind, can still
have the power to be destructive and menacing. Even when the sea is
tranquil or the dog is companionable, when either one "lies on the sandy
shores," there is still a beast capable of doing real damage underneath that
temporary "quiet."
list Cite
link Link
The second stanza particularly has strong auditory imagery and visual
imagery. For instance, the "night wind roars" and the "moon rocks." The dog
imagery fits well to the comparison to the waves that come upon the shores at
night:
FURTHER READING:
https://www.poemhunter.com/poem/the-sea-36