Professional Documents
Culture Documents
2, Winter 2015
Contents
Foreword .........................................................................................................3
At the Heart by Dora Brown ...........................................................................5
Art by Diigii ...................................................................................................6
Sherlockian Fake Geek Girls by Liz .................................................................7
Through the Decades by Khorazir (Anke Eissmann) .....................................13
“A Perfectly Overpowering Impulse” (SCAN) Or, What’s A Square Like
Me Doing At A Retired Beekeepers’ Meeting? by Tweedisgood ...............17
Uninvited by A. J. Odasso ............................................................................20
Discretion by Violsva ......................................................................................21
Art by Ili ........................................................................................................23
The Man with the Watches and the Test of Time by James C. O’Leary ...........24
Art by Diigii ..................................................................................................32
Highgate by Elinor Gray .................................................................................33
Art by Fyodor Pavlov ....................................................................................35
Omi-Palone by Brontë Schiltz ..........................................................................36
Reading Holmes as a Trans Man by Basil Chap ...................................................39
My Dearest Holmes: A Review by Katie .......................................................44
Art by Ili ........................................................................................................49
Bent Back To The Original? Jeremy Brett And The Re-Queering Of Sherlock Holmes
by Quentin Broughall ...........................................................................50
Family Portrait by Maia Kobabe ......................................................................54
The Wonders of Shipping Johnlock by Shirley Carlton ..................................55
Art by Button ................................................................................................59
Come at Once, If Convenient by Meow .................................................................60
It’s Psychosomatic, Watson by Meow ..................................................................60
Contributors ..................................................................................................62
Afterword ......................................................................................................65
List of Canonical Abbreviations .....................................................................66
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The Retired Beekeepers of Sussex
Copyright © 2015 by
The Retired Beekeepers of Sussex
All Rights Reserved
Foreword
“... he sat dazing for a moment in silent amazement at a small
blue book which lay before him. Across the cover was printed in
golden letters Practical Handbook of Bee Culture.”
– “His Last Bow,” 1917.
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The Practical Handbook of Bee Culture No. 2, Winter 2015
At the Heart
Dora Brown
After “At the New Year”, by Kenneth Patchen
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The Practical Handbook of Bee Culture No. 2, Winter 2015
Liz (@her_nerdiness)
F requently I’ve heard comments to the effect of, “Why do Holmes and
Watson always have to be gay? Why can’t they just be friends?” I ask
you, though, when have Holmes and Watson ever been portrayed as openly
queer1 in any major adaptation? Arguably, The Private Life of Sherlock Holmes
demonstrates Holmes’ unrequited romantic love for Watson, but as of 2015
there has not been a single mainstream adaptation wherein Holmes and
Watson are actually a same-sex couple. So when someone asks, “Why do they
always have to be gay?” what is that person really saying? I would argue they
are expressing their discomfort at having their own notions about Holmes
and Watson challenged by what appears to be a new nexus in the broad
Sherlockian fandom: the online slash fandom.
Slash fandoms have existed for decades, but the internet has brought slash
to the surface of our cultural landscape through increased availability and
accessibility. The term “slash” refers to romantic and/or sexual pairings of
same-sex couples due to the slash used to denote a pairing, such as Kirk/
Spock. Decades ago, slash fanworks were distributed through paper zines
sent in the mail, then through listservs and newsgroups, then through
LiveJournal, and now primarily through sites like Tumblr, fanfiction.net,
Wattpad, and Archive of Our Own (AO3). In 2014, anyone can peruse the
Johnlock (Sherlock Holmes/John Watson) tag on tumblr or AO3 and find new
content 24/7 without having to seek out a zine to subscribe to. Interviewers
now regularly ask actors if they are aware of the slash fanfiction and fanart
of their characters available online, and many of them are. Some are even
enthusiastic about the idea.
Slash fandom is, in many cases, largely a queer, female space. In my
personal experience, almost everyone with whom I’ve interacted in fandom
falls under the queer umbrella, which includes bisexual, pansexual, asexual,
lesbian, and gay people who are variously cisgender, transgender, non-binary,
genderqueer, or agender. Critically, most members of fandom fall outside
the boundaries of a cisgender heterosexual male identity. Though many
mainstream publications have assumed that straight women are writing all the
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gay erotica, that’s not necessarily true. In 2013, a survey of 10,005 AO3 users2
found that users of the site that responded to the survey were overwhelmingly
female with a significant queer population: “32.3% heterosexual women,
29.8% bi-/pansexual women, 3.6% homosexual women, 6.0% asexual
women, 12.9% women of other sexualities, 5.3% bi-/pansexual non-binary
people, 1.0% hetero- or homosexual non-binary people, 2.1% asexual non-
binary people, 3.2% non-binary people of other sexualities, 3.0% men and
0.9% non-respondents to one or both questions.”3 In particular, members
of male-male pairing fandoms were slightly less likely to be heterosexual
women and slightly more likely to be bi-/pansexual women as compared
to all respondents.4 Although this survey is not necessarily representative of
the entire fandom, as it constituted only AO3 users who chose to respond to
the survey, it provides a useful lens through which to view the online fandom
experience.
A vibrant community of slash fans has developed in response to the
various new Sherlock Holmes media properties, including the Robert Downey
Jr. movies (2009 and 2011) and BBC’s Sherlock (2010). Many of us were
introduced to Sherlock Holmes for the first time through these new adaptations,
although plenty have been reading his adventures since childhood. A thriving
community of canon slash fans has also existed both online and pre-internet
since long before this recent influx of Sherlock Holmes adaptations. As avid
slash fans, we naturally gravitate towards deep relationships between male
characters, and the relationship between Holmes and Watson is clearly a
special one.
We also exist among a broader geek culture on the internet, which has
had its own fraught and protracted battle with respect to gender relations.
Many facets of geek culture have long been unwelcoming to women, which is
part of why slash fandom developed as an offshoot of science fiction fandom
in the first place.5 Historically, women have struggled for acceptance in many
geeky communities, including science fiction, gaming, and comics. Women
who dare to be active and outspoken members of these communities are often
harassed, sometimes even to the point of fleeing their homes due to death
threats.6
In many interactions between male and female fans, male fans will
question a woman’s “geek cred” by quizzing her on obscure (or even basic)
fandom trivia. For example: recently, a friend of mine was wearing a Captain
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America shirt and was confronted by a man who asked her if she even knew
Cap’s name. Among many geeks, there is a persistent stereotype of a “fake
geek girl,” explained as follows:
… “fake geek girls” is a term used to describe, “pretty girls pretending to be geeks for
attention” as Joe Peacock put it in a post on CNN. The idea is that hot women go to
cons, dress up in sexy cosplay outfits, and pretend to care about Star Wars or Spider-
Man in order to... do what isn’t exactly clear. The logic rather breaks down at this
point. Something about attention whores, something about taking advantage of geeks,
something about male paranoia and a big fat dollop of misogyny seems to be the basic
reasoning. Such as it is.8
Many men in geeky communities seem to be threatened by women
existing visibly in a space typically considered to be exclusively male, so they
express their frustrations by questioning why these women are even there in
the first place, let alone doing something like demanding better representation
and treatment of women. When a male fan asks “Do you even know what
Captain America’s name is?” he is implicitly telling a woman that she doesn’t
belong. He’s really asking her, “Why are you here?” Even if she answers “Steve
Rogers,” it doesn’t really matter; to that guy, she will never belong.
So amidst this milieu of the false threat of the “fake geek girl” in male-
dominated communities, we have many young, female, queer Sherlockians
who are slash fans joining the larger Sherlockian community. We are all fans
of Holmes and Watson, but what does that mean?
As the Baker Street Babes posted on their tumblr:
Just saw someone in a tag saying that you aren’t a true Sherlock Holmes fan unless
you’ve read the canon. Nope. You’re a true fan if you love Sherlock Holmes and John
Watson and their crazy stupid adventures. That’s all you need. You like the thing.9
Reading the canon is no longer the only entry point into the Holmes
and Watson fandom, or, as AO3 categorizes it, “Sherlock Holmes & Related
Fandoms.” After more than 120 years in circulation, Sherlock Holmes and
John Watson have outgrown the pages they’re printed on. The canon has
been adapted so many times that the characters of Sherlock Holmes and John
Watson have become archetypes, a shared cultural legend, perhaps even a
myth. And to use a term the internet is quite fond of, they have become a
meme.
The term “meme” was first coined by biologist Richard Dawkins to mean
a unit of cultural information, analogous to a gene as a unit of biological
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of myself to be assured that I was a valuable human being and not alone in
the world.”14 However, most Western media focuses on the stories of white
heterosexual cisgender men, an identity that does not describe most online
fandom members or even a majority of human beings. In order to feel like
we belong, queer people seek out queer spaces and queer stories, and fandom
serves both of those ends.
Online fandom has created a space where both queer readings and queer
people are welcomed with open arms, and online fandom has spent decades
reinterpreting mainstream works of fiction through a queer lens. Finally, online
fandom spaces are now emerging into the mainstream consciousness, placing
a new spotlight on spaces and fanworks that were previously relegated to the
shadows. As members of both traditional and new fandom spaces interact, I
hope that all can learn to coexist.
When asked “Why do Holmes and Watson always have to be gay?” many
queer and/or female fans hear, “Why are you here?” As stated previously,
Holmes and Watson have yet to be portrayed as a same-sex couple in
mainstream media, so this is hardly a fair question. The question is patently a
nonsensical one, so I ask you to think about what it is you are really saying. I
ask that you welcome new fans and hear them out on their interpretation of
the source material without preconceived notions. Different readings of the
text can peacefully coexist, because in the end, we all love Sherlock Holmes.
As long as each new generation continues to love Holmes and Watson so
deeply and is so invested in them, Holmes and Watson will continue to live on
forever. And isn’t that what we all want?
NOTES
1. I use the term queer as an umbrella term because it’s possible to be in a same-sex
relationship without being gay. For example, many fans interpret John Watson as bisexual.
2. Lulu. “AO3 Census: Masterpost.” 5 Oct 2013. http://centrumlumina.tumblr.com/
post/63208278796/ao3-census-masterpost
3. Lulu. “Overall Gender and Sexuality of AO3 Users.” 12 Aug 2014. http://
centrumlumina.tumblr.com/post/94562495289/overall-gender-and-sexuality-of-ao3-
users-this
4. Lulu. “Demographics of M/M Fandom.” 12 Aug 2014. http://centrumlumina.
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tumblr.com/post/94573747770/demographics-of-m-m-fandom-this-data-is-from-the
5. Lothian, Alexis, Kristina Busse, and Robin Anne Reid. “``Yearning Void and Infinite
Potential’’: Online Slash Fandom as Queer Female Space.” English Language Notes 45.2
(2007): 103.
6. Feminist media critic Anita Sarkeesian has been a target of a continuous harassment
campaign due to her critique of misogyny in video games. See the following article:
McDonald, Soraya. “Gaming vlogger Anita Sarkeesian is forced from home after
receiving harrowing death threats.” The Washington Post. 29 Aug 2014. http://www.
washingtonpost.com/news/morning-mix/wp/2014/08/29/gaming-vlogger-anita-
sarkeesian-is-forced-from-home-after-receiving-harrowing-death-threats/
Additionally, indie video game developer Zoë Quinn has faced similarly targeted
harassment campaigns because of her position as an outspoken feminist in gaming. See
Sanghani, Radhika. “Misogyny, death threats and a mob of trolls: Inside the dark world
of video games with Zoe Quinn - target of #GamerGate.” The Telegraph. 10 Sep 2014.
http://www.telegraph.co.uk/women/womens-life/11082629/Gamergate-Misogyny-
death-threats-and-a-mob-of-angry-trolls-Inside-the-dark-world-of-video-games.html
7. Berlatsky, Noah. “‘Fake Geek Girls’ Paranoia Is About Male Insecurity, Not
Female Duplicity.” The Atlantic. 22 Jan 2013. http://www.theatlantic.com/sexes/
archive/2013/01/fake-geek-girls-paranoia-is-about-male-insecurity-not-female-
duplicity/267402/
8. The Baker Street Babes. 19 Aug 2014. http://bakerstreetbabes.tumblr.com/
post/95193427509/hmmmmmmmmmmmmmmmmmmmmmmm-just-saw-someone-
in-a
9. Polasek, Ashley. “Anything Goes: The Memetic Life of Sherlock Holmes.” Scintillation
of Scions. Hilton Garden Inn, Hanover, MD. June 7, 2014. Conference Presentation.
(Tweets documenting the conference presentation can be found here: https://storify.
com/her_nerdiness/scintillation-of-scions)
10. Penny, Laurie. “Laurie Penny on Sherlock: The Adventure of the Overzealous
Fanbase.” New Statesman. 12 Jan 2014. http://www.newstatesman.com/culture/2014/01/
sherlock-and-adventure-overzealous-fanbase
11. Bryson, Mary. “When Jill jacks in: Queer women and the Net.” Feminist Media Studies
4.3 (2004): 239-254.
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tweedisgood
Notes
1. The term appears in 1811 in the Lexicon Balatronicum: A Dictionary of Buckish Slang,
University Wit, and Pickpocket Eloquence, an updated version of Grose’s Dictionary of the
Vulgar Tongue. It is defined therein as: “QUEER STREET. Wrong. Improper. Contrary
to one’s wish. It is queer street, a cant phrase, to signify that it is wrong or different to
our wish.” Although often being associated with the Carey Street bankruptcy courts,
which also lends its name to a similar phrase, the term Queer Street appears to predate
the courts’ move to Carey Street [near Lincoln’s Inn fields and the other Inns of Court]
from Westminster in the 1840s.
2.http://henryjenkins.org/2010/02/camille_bacon-smith_and_henry.html.
Interestingly Henry Jenkins, one of the earliest academics to study media fandom, is the
author of an Ebenezer Scrooge/Jacob Marley slashfic.
3. Arthur Conan Doyle, “Memories and Adventures” 1924, Ch. VIII.
4. It has been a legal precept in England, since at least the 17th century, that no one
may enter a home, which would typically then have been in male ownership, unless by
invitation. This was established as common law by the lawyer and politician Sir Edward
Coke (pronounced Cook), in The Institutes of the Laws of England, 1628: “For a man’s house
is his castle, et domus sua cuique est tutissimum refugium [and each man’s home is his safest
refuge].”
5. http://www.oldbaileyonline.org/static/Gay.jsp
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Uninvited
A. J. Odasso
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Discretion
Viosva
After that, she can’t help but watch them. Every movement, every smile,
every word – but they are just as normal, just as they have always been. Noth-
ing has changed.
But why would anything have changed? It did not sound like that close-
ness was anything new.
She has grown too used to them – if anyone could grow used to Mr.
Holmes – to tell if there is any sign they are more than simply friends – that
she was not imagining what she heard. They are simply them, and she could
not think of them any other way. She is rather shocked that she thought of
them so – shocked that she was not shocked, in fact.
So she lets it all fall to the back of her mind, since she cannot think
whether she wants to know or what she would do if she did.
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Two months later a client hammers on the door at six o’clock in the
morning until Rosalie at last rises and lets him in. She strides upstairs, not par-
ticularly pleased (though it certainly isn’t the first time such a thing has hap-
pened), and knocks rather more firmly than she might have on Mr. Holmes’
bedroom door.
She is answered by a loud thud, and a string of muffled curses in a voice
and vocabulary that certainly aren’t Mr. Holmes’s. She stands perfectly still
in front of the door for a moment, until Mr. Holmes exits through the small-
est possible crack, shuts the door behind him, and says, “Well?” He neither
sounds nor looks any happier than she had been at being awoken, his dressing
gown held tight around himself and his face decidedly grim.
After the client is placated and his fiancée found, Rosalie realizes that
Mr. Holmes is watching her. She is amazed that her first feeling is reassurance
– but of course, Mr. Holmes is always watching, and this merely means that
he is as all-knowing as ever and the world is the same as it has always been.
She still does not know what to do. Her mother, who had been raised
Peculiar, would have known at once, but Rosalie hasn’t thrown them out yet
and cannot imagine doing it now. They are Mr. Holmes and Dr. Watson. She
can’t imagine the house without them, gunshots and queer callers included.
Well. Rather, she knows exactly what she wants to do, and cannot believe
it of herself. She wasn’t raised for this. She wasn’t raised to look at two men
and know that they fit together like hand and glove, that they are each infi-
nitely better with the other, that their names must always fit next to each other.
She can’t see them as separate, though. She cannot, most certainly, sepa-
rate them herself, perhaps destroy them. The idea is impossible. And she’s
heard what Mr. Holmes has to say about impossibilities.
The next time she knows Mr. Holmes is looking at her, wondering about
her, she meets his gaze squarely and nods. He looks straight back at her – she’d
not expect shyness from him – and nods in return. They stay.
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James C. O’Leary
fill the untidy gap on Watson’s second shelf, and his poem Passer, deliciae meae
puellae (Catullus 2). “Some have even made the case that the sparrow referred
to is a direct metaphor, either for Catullus’ penis or for Lesbia’s clitoris, and
‘passer’ (‘sparrow’) in Latin may also have been a slang word for ‘penis’.”6
Edward gets caught passing a bad check, though James knows it is due to
the influence of MacCoy. James buys the check up and convinces Edward to
go straight or he would see him in jail. Edward leaves for England (and leaves
MacCoy: “But I knew that this man Sparrow MacCoy had a great influence
over Edward, and my chance of keeping the lad straight lay in breaking the
connection between them.”).
Edward had kept himself straight in London for the first few weeks, and had done
some business with his American watches, until this villain came across his path once
more. I did my best, but the best was little enough. The next thing I heard there had
been a scandal at one of the Northumberland Avenue hotels: a traveller had been fleeced
of a large sum by two confederate card-sharpers, and the matter was in the hands of
Scotland Yard.
James chases the disguised pair to Euston Station and reveals himself as
the bearded man in the carriage. At Willesden, unnoticed by any witness he
enters Edward and MacCoy’s carriage. The trio have an argument. Emphasis
in the following lengthy passage have been added by me.
“Why don’t you run a Sunday-school?” he would say to me, and then, in the same
breath: “He thinks you have no will of your own. He thinks you are just the baby
brother and that he can lead you where he likes. He’s only just finding out that you
are a man as well as he.”
[...]
“A man!” said I. “Well, I’m glad to have your friend’s assurance of it, for no one
would suspect it to see you like a boarding-school missy. I don’t suppose in all
this country there is a more contemptible-looking creature than you are as
you sit there with that Dolly pinafore upon you.” He coloured up at that, for he
was a vain man, and he winced from ridicule.
“It’s only a dust-cloak,” said he, and he slipped it off. “One has to throw the
coppers off one’s scent, and I had no other way to do it.” He took his toque off with the
veil attached, and he put both it and the cloak into his brown bag. “Anyway, I don’t need
to wear it until the conductor comes round,” said he.
“Not then, either,” said I, and taking the bag I slung it with all my force out of the
window. “Now,” said I, “‘you’ll never make a Mary Jane of yourself while I can
help it. If nothing but that disguise stands between you and a gaol, then to gaol you shall
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go.”
That was the way to manage him. I felt my advantage at once. His supple
nature was one which yielded to roughness far more readily than to entreaty. He
flushed with shame, and his eyes filled with tears. But MacCoy saw my advantage also,
and was determined that I should not pursue it.
“He’s my pard, and you shall not bully him,” he cried.
“He’s my brother, and you shall not ruin him”’ said I. “‘I believe a spell of prison
is the very best way of keeping you apart, and you shall have it, or it will be no fault of
mine.”
“Oh, you would squeal, would you?” he cried, and in an instant he whipped out
his revolver. I sprang for his hand, but saw that I was too late, and jumped aside. At
the same instant he fired, and the bullet which would have struck me passed through the
heart of my unfortunate brother.
He dropped without a groan upon the floor of the compartment, and MacCoy and
I, equally horrified, knelt at each side of him, trying to bring back some signs of life.
MacCoy still held the loaded revolver in his hand, but his anger against me and my
resentment towards him had both for the moment been swallowed up in this sudden
tragedy.
MacCoy jumps off the train and James follows, both rolling down a steep
embankment.
At the bottom I struck my head against a stone, and I remembered nothing more. When
I came to myself I was lying among some low bushes, not far from the railroad track,
and somebody was bathing my head with a wet handkerchief. It was Sparrow MacCoy.
“I guess I couldn’t leave you” said he. “I didn’t want to have the blood of two of
you on my hands in one day. You loved your brother, I’ve no doubt; but you didn’t
love him a cent more than I loved him, though you’ll say that I
took a queer way to show it. Anyhow, it seems a mighty empty world now
that he is gone, and I don’t care a continental whether you give me over to the hangman
or not.”
He had turned his ankle in the fall, and there we sat, he with his useless foot and
I with my throbbing head, and we talked and talked unti1 gradually
my bitterness began to soften and to turn into something like
sympathy. What was the use of revenging his death upon the
man who was as much stricken by that death as I was?
The final few paragraphs are spent by James clearing up the remaining
bits of the mystery and asking the “well-known criminal investigator” for the
family bible back.
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There are many words and phrases that jump out at the twenty-first-
century reader with their double meaning obvious. In fact, many of those
meanings would be visible to a sophisticated nineteenth-century reader as
well, although the double entendres would not have the wide currency they do
today. “Straight” with its meaning of orthodoxy and conforming to societal
norms and “queer” with its meaning of atypical and abnormal along with
James’ tough-love harangue about Edward’s effemininity would carry the
same connotations then as they do now. Their period of enforced confinement
due to injuries led James understand MacCoy’s feelings for Edward were deep
and true and not exploitive.
By framing the story as a mystery and encoding one type of criminality—
in ways which today which will be seen as cliché and stereotypical though at
the time were not---within other, more socially acceptable criminalities, Doyle
was able to write about homosexuality in a clever “moving locked-room”
mystery suitable for a family magazine.
So we cannot say that Arthur Conan Doyle, Victorian white heterosexual
male, was flying a rainbow flag over Undershaw when he wrote “The Man
with the Watches” but he fictionally examined The Love That Dare Not
Speak Its Name and found it to be… love.
NOTES
1. See Richards, Dana, Conan Doyle and the Divorce Law Reform Union, Priory Press, 2010.
2. Stashower, Daniel, Teller of Tales: The Life of Arthur Conan Doyle. Henry Holt and
Company, New York, 1999.
3. McKenna, Neil, Fanny and Stella: The Young Men Who Shocked Victorian England. Faber and
Faber, London, 2013.
4. Stashower, ibid.
5. Sweet, Matthew, Inventing the Victorians. St. Martin’s Press, New York, 2001.
6. http://www.ancient-literature.com/rome_catullus_2.html
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Highgate
Elinor Gray
I t didn’t take me long at all to discover where Watson had disappeared to,
once the date at the top of the newspaper and Mrs Hudson’s strangely
subdued attitude were considered in conjunction with one another. The sky
outside was grey, and there was ice on the eaves of the roof across the street;
there were only a few things that could draw John Watson out of doors on a
day like this, and since I had no case at the moment, the reasons dwindled to
one.
I found him where expected, under a spreading oak, a bouquet of
hothouse flowers in one gloved hand and his hat held by the brim in the other.
He didn’t turn around as I approached, though I knew he heard me. I stepped
up beside him and for a moment we said nothing, looking down at the stone
standing erect in the frozen ground.
In Sacred Memory of
Mary Amelia Watson
beloved wife of John H. Watson
who departed this life 1891
aged 30 years
“Those who walk uprightly enter into peace;
they find rest as they lie in death.”
As we stood there it began to snow, the first flakes sticking to the cold
headstone. Watson put his hat back on and heaved a sigh. Then he bent and
laid the flowers before the stone. When he straightened up again, I slipped my
hand into the crook of his arm. I could tell his shoulder hurt by the way he
was holding it.
“I meant to be back by the time you got up,” Watson said, still looking
down at Mary’s grave.
“I meant to lie in until you returned,” I replied. The warmth of our bed,
even without him in it, had been difficult to abandon.
I saw him smile for a moment. “Well,” said he, “shall we go back?”
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“I’m not in a hurry.” The snow had begun to accumulate on the footpath
and on the shoulders of our coats. “I just came to see if you needed anything.”
Another smile, more subdued. “No,” Watson said softly. “Nothing in
particular.” He turned to look at me finally, and I saw he had wept. Not much,
but his eyelashes sparkled with ice and gave him away. He realised that I had
observed this fact and he cuffed at his eyes quickly, embarrassed.
“I don’t mind,” I said. “She was a good woman and she ought to be
missed.”
“I was thinking of you as well. Those were— years I would not repeat.”
“Nor I.” I had apologised enough, we’d agreed, but the guilt still gnawed
in my belly sometimes. “Watson.”
He met my eyes again, and I tipped his chin up with my index finger. His
lips were chapped and red, but they parted willingly as I leaned down to kiss
him. The wind was beginning to pick up, the snow swirling around us. My
toes and the tips of my ears were numb with cold; Watson’s mouth was warm
and welcoming. His tongue touched mine softly, and though I could not forget
the spectre of the woman who lay beneath us, it still felt right. He needed the
comfort: I had returned to give it to him.
“Let’s go home,” he whispered after a moment, barely drawing away
from me. I kissed him again, for good measure, and we walked back up the
hill, arm in arm. As we reached the main road where we might acquire a cab,
he paused on the footpath and squeezed my hand and said, “Thank you for
coming to get me.”
“You might have stood there until the snow obscured you entirely,” I
said, shrugging. “And I need you at home to set up that blasted tree, because
you know I’m not going to do it.” Selfishness was often enough the way to his
heart, I had discovered.
Watson laughed. “I do know that,” said he. “You try me sorely, Holmes.”
“I do my best, dear boy,” I said, patting his arm. “I do my everlasting
best.”
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Omi-Palone
Brontë Schiltz
Sherlock Holmes was in fact a woman, her clients and admirers would surely
have become aware of it. The mistake in the work of queer critics of the canon
lies, in my view, not in their disregard of the theory that Holmes was a woman,
but in their disregard of the possibility that Holmes did not see himself as a
man. Let me explain. In Victorian discourse, queerness was often described as
a third gender. Before the (derogatory, pathologised) term “homosexual” had
been coined, the term “Uranian” was used to denote someone with “a female
psyche in a male body” – someone who we would now refer to as a gay man,
but who, in the 19th century, was regarded as neither a man nor a woman
but someone somewhere in between. This was not only the case in external
discourse, but within the gay community, too, which brings me on to the title
of this piece. Due to the stringent laws on sexuality in England under Queen
Victoria, it was unsafe for gay and bisexual men to publicly discuss their desires
and experiences. Out of this dilemma grew Polari, a form of slang developed
and used predominantly by gay and bisexual men that allowed them to speak
openly without fearing arrest. One of several Polari terms for a gay man was
“omi-palone,” which translates literally to “man-woman” (likewise, “palone-
omi” or “woman-man” was used to describe lesbians). Just as it is believable
that a queer man in Conan Doyle’s time would distance himself from his
own attraction to men, it is equally believable that another queer man (and
particularly one who did not act on his desires, as is quite possibly the case
with Holmes) would be less cautious (not everyone was – take Wilde and Bosie
or Walt Whitman, for instance), and would not in fact view himself as a man
at all.
The majority of people who have written academically about queerness
in the Sherlock Holmes canon have treated the gender theories of Stout et
al. as a useful starting point, but ultimately counterproductive to their work. I
would argue that examining Holmes and Watson’s relationship to gender is in
fact not counterproductive at all, and in fact only serves to situate the canon
in a socio-historical context which supports the theory that both Holmes and
Watson, although they may have experienced, understood and expressed
their sexualities differently, took an interest in men that would not have been
deemed appropriate for explicit textual exploration in the period in which Sir
Arthur Conan Doyle was writing.
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Katie
“The accounts of these cases are too bound up with events in my personal life which,
although they may provide a plausible commentary to much of my dealings with Mr
Sherlock Holmes, can never be made public while he or I remain alive…”
R ohase Piercy writes My Dearest Holmes as the editor of two of Dr. Wat-
son’s heretofore unpublished manuscripts. The novel is composed of
one account, “A Discreet Investigation,” in which Holmes and Watson solve
a case of blackmail which is attributed to the Queen Bee, “an adventuress
of doubtful reputation,” and another which is concerned with the truth be-
hind Holmes’s disappearance and return. Due to the nature of these records,
which both have to do with homosexual life and romance, Watson had sealed
these and ordered them to be left unopened until 100 years after 1887, the
year in which the first case took place. At the forefront of both stories is the
developing romantic relationship between the detective and his biographer,
and so I would like to review My Dearest Holmes not only as a Holmes pastiche,
but also as one of the first genuine queer readings of the relationship between
Sherlock Holmes and Dr. John Watson.
As a character, Watson immediately struck me as somewhat terse, less of
a patient man than he portrays himself in the Holmes stories, and one who
speaks his mind more readily - for example, he takes issue with Holmes send-
ing him on “the most absurd wild goose chases” and defends himself when
kept in the dark. The novel begins with Watson attempting to listen to Holmes
as he animatedly discusses the particulars of a new case, though he is much
the worse for wear after a night of drinking, and it is difficult to imagine Dr.
Doyle, as Watson’s literary agent at the Strand, doing anything but swiftly
redacting such a passage for propriety’s sake, were it intended for publication.
The dialogue is slightly more candid and colloquial, and the narration is much
more reflective and personal. Watson’s writing does not focus exclusively on
the case in the first section, nor does it cater solely to Holmes as a protagonist
and literary figure. Watson is also more realistic about Holmes’s deductive
ability, for example, his analysis seems less fantastical, and there are fewer
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near-impossible leaps of logic and more pauses for thought when questioning
his client. These differences, which are in any case necessary considering the
personal nature of the memoirs, contribute to a much more realistic portrait
of what it would have been like for these two men to live and work together.
Piercy absolutely maintains Watson’s style of narration and sense of humour
as well as a contemporary verisimilitude, even when broaching subjects not
discussed in Doyle’s canon, namely his attraction to Holmes, and homosexu-
ality in general at this time.
Though Watson does not really go into detail in depicting the places he
frequents to meet other gay men, his sexual encounters, or the company he
has kept (beyond an old acquaintance connected with the case, and a refer-
ence to a nameless sailor), the way Piercy represents queerness and homo-
sexual lifestyle at this period in history reads very accura≠tely, and is therefore
deeply sad in its restrictedness. Watson desires Holmes both romantically and
sexually, yet feels that Holmes can hardly be admitted to like him even platoni-
cally, that it opposes his nature to form close emotional attachments, and that
he is a mere foil to Holmes’s genius, and sometimes not even of enough use
to be that. He does not seem to be romantically interested in any other man,
but he does seek out sexual encounters with them to fill the void created by
Holmes’s supposed lack of reciprocation.
Importantly, he is not ashamed of his desires, even if he is ashamed of his
actions, judging by his vaguely disgusted references to the places he frequents
and his encounters with men he does not love, probably supposing it is dishon-
est to be intimate with one man whilst thinking solely of the true object of his
affections. Only once does he describe his “guilt and fear,” but states that they
are “the inevitable counterpart to such inclinations in our present unenlight-
ened age,” so he does not shy away from his natural inclinations, but realises
they are only unacceptable because society deems them so. He knows who he
is and recognises that it is possible to live in a homosexual relationship, even
if it had to be kept secret for fear of losing standing in society, or worse, see-
ing as the addition to the Criminal Law Amendment Act was passed in 1885.
Watson maintains, as stated in the preface, optimism for future generations,
and hope that society will come to accept different sexualities or at least allow
people to live more openly and authentically than was possible in the Victo-
rian era, and that his memoirs will be received “with sympathy and respect”
rather than disdain, revulsion, and hatefulness.
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Another aspect of the novel that stood out to me was the presence of les-
bian characters. Positive representation of queer women is something which is
regrettably still lacking in modern media, not to mention Holmes adaptations,
so it is very interesting and refreshing to see their inclusion in a story which
could easily have been completely focused on the two central male characters
and the homosexual male lifestyle of the Victorian era in general. At this time,
lesbian relationships were not banned, but were simply denied or deemed
“impossible,” and rarely even included in discussions about homosexuality.
Of course, this did not prove to be a benefit for women, as their gender alone
made it near-impossible to live independent lives. Watson, however, recog-
nises that lesbian relationships are possible, and does not seem to find them
surprising or uncommon in any way. He uses the phrase ‘confirmed spinster’
to attempt to explain their client’s circumstances to Holmes (who is perhaps
not so unwitting in these matters as Watson may have assumed).
A confidence develops between Watson, a gay man, and Miss D’Arcy,
a lesbian woman - when Watson realises that she knows his “secret,” he is
quick to become very candid about his experiences and his romantic inter-
est in Holmes, and Miss D’Arcy is quick to give advice. She tells Watson that
she believes Holmes prefers his own sex, or at least is indifferent to women,
as he is described in the canon. It is not due to an insufficiency of love and
respect for Watson (whether platonic or romantic), but the fact that he is un-
able to accept himself or his emotionally vulnerable side, that he oftentimes
acts unfairly, even cruelly, towards Watson. She also advises him to take a wife
in order to put their relationship on different footing, to protect both him and
Holmes from public suspicion in a threatening social climate, and to protect
himself from being emotionally hurt by constant proximity to the object of
his affections.
Holmes confirms a good deal of Miss D’Arcy’s speculation in the follow-
ing chapter, which contains an especially poignant and emotional moment
between him and Watson. In an excellent piece of dialogue, Holmes gravely
remarks, “This hideous new law… will cause untold suffering, both mental
and physical, and will bring about the downfall of some of the most gifted and
sensitive figures of our generation. I do not intend that either you or I should
be among them.”
The case itself is concluded somewhat rapidly, without the traditional
“reveal” moment and proud explication on Holmes’s part. In my opinion, this
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1984, was perhaps the first to place Watson on more of a level with Holmes,
making him less of a bumbling sidekick caricature and more of an intimate
friend, confidant, and biographer, both intelligent and emotionally sensitive.
Recent years have seen an abundance of more relationship-driven Holmes
series, and the ensuing new generation of fans has issued forth an incredible
amount of relationship-driven fanworks. Piercy seems well ahead of her time
indeed when considering that there were few, if any, positive and sincere rep-
resentations of Holmes and Watson developing a romantic relationship prior
to this pastiche.
My Dearest Holmes, therefore, is not only interesting as a thoroughly con-
vincing study in Victorian style, but as a truly sensitive portrayal of a variety
of queer relationships in this era. It is, above all, an exploration of the re-
lationship between Holmes and Watson which is heartbreaking, passionate,
sensitive, and beautifully expressed.
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Quentin Broughall
original stories; all Brett did was to restore this element, though in a way
that placed it to the fore as an essential feature of his personality. Through
his physical mannerisms and sartorial style, the showman in both Holmes
and Brett emerged with a verve and fluency that emphasised their shared
queer identity. Moreover, compared to previous actors who had played the
role, Brett’s performance possessed a freshness and immediacy that might be
claimed to have been lost through the overexposure of Sherlock Holmes in
popular culture. In short, within 41 separate television films produced over a
decade, Brett created a definitive Holmes that possessed a genuine affinity to
the original portrayed in the Strand Magazine, while reviving the queer traits
that had been deliberately elided from previous on-screen interpretations.
Twenty years after his death, Jeremy Brett’s Holmes still retains a rare
potency that remains influential. For many the quintessential Sherlock
Holmes, his version has clearly inspired certain aspects of more recent
performances. For example, Benedict Cumberbatch’s Holmes in the BBC
series Sherlock (2010) has been widely assumed to be gay, while Robert Downey
Jr.’s incarnation in the Guy Richie films (2009 and 2011) often pokes fun at
the supposed homoerotic tension between Holmes and Watson. All of this
has helped to keep alive a queer vision of Sherlock Holmes that has flourished
in the context of the increasing diversity and equality of twenty-first-century
sexual identity. Ultimately, however, Sherlock Holmes stands beyond any one
group’s revisionist claim on the character; so, while the LGBTQ community
might prefer a queer Holmes, truly, he continues to belong to all. Thus,
however much Holmes” character may be bent by alternative interpretations,
it can never be broken by them; he will always remain as aloof and enigmatic
in his identity as he once appeared behind Jeremy Brett’s inscrutable grin.
NOTES
1. In regard to a romantic connection between Holmes and Watson, the scene in "The
Adventure Of The Three Garridebs" where the former expresses deep concern for
the latter following his shooting has often been cited as indicative of their intimate
connection. In it, Watson exclaims that it had been "worth a wound […] to know the
depth of loyalty and love which lay behind that cold mask. […] For the one and only
time, I caught a glimpse of a great heart as well as a great brain". (Leslie S. Klinger (ed.),
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Shirley Carlton
emancipated place with lots of posts about LGBT and gender identity issues.
This is how I found out that I am genderqueer: I alternately identify with the
female and male gender, and, again, there turned out to apparently be more
people like that. Tumblr and fandom thankfully gave me the opportunity
to explore this new-found side of myself. I started an AU blog that features
reblogs of not only kid!lock, fawn!lock and punk!lock, to name a few, but also
fem!lock and trans!lock images.
As well as the incredibly open-minded attitude within fandom, there is
also the rather remarkable (I thought) habit of many fanfiction writers of
having their works beta-read by fellow writers. I was lucky enough to find
three very talented writers who were willing to beta my stories and teach me
a thing or two about fiction writing, thus enabling me to develop my talent
further. Without them, I would never have dared publish anything on the
internet. One of them even became a great friend with whom I correspond
(across the Atlantic Ocean) on an almost daily basis. Being able to “grow” in
a new field so many years after finishing my studies really gave me a powerful
energy boost that made my life significantly less dull – even though it hadn’t
been that dull to begin with.
for the first time (as Lestrade), which once again was a liberating experience.
And I won third prize in the cosplay contest! For months previously, I had
enthusiastically been collecting items of clothing and props for my cosplay. I
think that might actually be one of the most fun things about fandom: it gives
me a sense of purpose. My blog now has 1893 followers and I love seeing
them “liking” the posts that I have carefully selected to reblog for them. I
write stories, knowing that people will read and appreciate them. And feeling
appreciated and being seen, I think, is one of the most basic human needs.
Today
Although more than three years have passed, it is still difficult to wrap
my mind around the immense change that Sherlock Holmes and his fandom
caused in my life. It is almost as scary as it is fascinating. What would the rest
of my life have looked like without this extra dimension added to my free time,
to the development of my artistic talents and to my sexual and gender identity,
even? I think I’m actually rather glad not to know the answer to that question.
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Contributors
A. J. Odasso is the author of two poetry collections from Flipped Eye Pub-
lishing, Lost Books and The Dishonesty of Dreams. She serves as Senior Poetry
Editor at Strange Horizons magazine, and she has been writing in various liter-
ary and visual-media based fandoms for a very, very long time.
Basil is a small French worm whose passions include cooking, drawing, and
fighting anyone who has ever written shit about trans Holmes. They live in
Sussex (where they co-founded the Retired Beekeepers) and have a toned-
down gay cartoon in every issue of the BSJ.
Ili is currently studying set and costume design at a hungarian university. She
is fuelled by dark jazz, hot tea and the secret and desperate glimpses between
Sherlock Holmes and Dr. Watson. Leading a life of quiet desperation to touch
Martin Freeman’s victorian mustache, she is available at waltzingdetective.
tumblr.com or @slowbees on twitter.
Katie studies English Literature and French at the University of Sussex, does
a bit of art, and can be said to enjoy the occasional detective story. She can be
found as apidologist on tumblr and twitter.
Maia Kobabe recently graduated from California College of the Arts with
an MFA in Comics. More of Maia’s work can be found online at redgoldsparks.
tumblr.com.
Shirley Carlton is a Dutch biologist who runs two johnlock blogs, prettyre-
alisticjohnlockfanart.tumblr.com and prettyamazingjohnlockaus.tumblr.com
and can be found on AO3 under ShirleyCarlton.
Violsva has studied ancient civilizations and literature, and is currently pur-
suing a lifelong love affair with the city of Toronto. She can be found at vi-
olsva.tumblr.com.
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Afterword
S herlock Holmes called his Practical Handbook of Bee Culture with some Observa-
tions upon the Segregation of the Queen, “the fruit of my leisured ease, the mag-
num opus of my latter years!” We hope to continue to publish this Handbook,
but we can only do it with your help. Submissions are always open, and the
Handbook accepts fanworks of any and all varieties: fiction, non-fiction, meta,
essays, poetry, scripts, radio plays, visual art... anything you could print out
and hand to a fellow Holmes aficionado. Check our website for the theme of
the upcoming issue. The Handbook is in black and white and while we accept
colour submissions, please bear in mind that they will have to be edited to fit
the rest of the content. Also, please keep all submissions under a PG-13 rat-
ing. Exploration of gender and sexuality is encouraged but we can’t publish
graphic sex or violence. If you have any questions about, suggestions for, or
comments on the publication, get in touch! We look forward to hearing from
you.
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