Professional Documents
Culture Documents
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Special pointers in using the Mamiya RB 67 .................. .. . 1
"firess the shllitttr co:ckrng ILv~r down • Specifications of the Mamiya RB 67 ................................. 3
fulfy'>11ntri ~t stof?S., Never *reh{$1~~)t ~ Features of Mamiya RB 67 ............................................. 4
halfway. : : ~ u Names of parts for operation .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 6
Wherr ttle sttutter cotl\irig lever 1st re; &
Rear body cap.................................................................. 9
le~ed halfway .· etnd it returns.mthe ·war~'- & • ", ~ Attaching and removing lenses .......................................... 10
ing sl gna·l oil ~fle· FQIJ film hotd~f$ tur~s r Shutter operation ............................................................ 12
red ev~t'l wnen the ~~hutter is not released How to handle the focusing hood .................................... 13
(pg, ,22·}. • "': n' .•· : Focusing screen ............................................................... 14
Revolving adapter ............................................................ 14
Wh'en * th.e t mirrdr: release oppratlng " How to use the lens hood ................................................ 16
~knob on th' feris i:s 'Set to "' M 'hph&to.. 4 Carrying strap ............................................................... 16
graphs c~·nat *be tak43n 1;11erel~ ~~Y: Attaching and detaching the roll film holder ....................................... 1 7
presstng the sHu~tiu: . buuoq. %
4
The Mamiya RB 67 is part of a unique camera system de- The revolving adapter (turning a full 90 ) allows choice
veloped by Mamiya Camera Company, the recognized world of vertical or horizontal picture format
leader in large format photography. It takes its place along- The Mamiya RB 67 enables you to quickly change the format
side the famous Mamiya Press and Mamiya C Professional direction by revolving the back of the camera instead of
cameras. changing the camera position, a feature extremely convenient
Equipped with the many following features, you can use to in photographing with the camera mounted on a tripod, or
full advantage this large format, single-lens reflex camera not even hand held.
only in general photography but also in fields covering fashion, Single-lens reflex system without parallax
commercial, scientific, news and industrial applications. The greatest feature of a single-lens reflex camera- that
The 6 x 7 em negative format offers an ideal full negative of being able to photograph exactly what you see on the
ratio for 8 x 10 inch enlargements as well as larger photo- focusing screen-- turns out to be very effective when combined
graphic prints, no cropping is necessary when making blow- with the convenient close-up capability of the Mamiya RB 67_
'I)S_ This ensures you more effective use of the full negative Excellent Mamiya Sekor Lenses with built-in lens shutter
and sharper pictures due to lesser degree of enlargement. (Seiko ::: 1)
The between the lens-shutter synchronizes with electronic
flash at all shutter speeds.
All Mamiya Sekor Lenses from the 50 mm wide angle to the
360 mm telephoto, offering excellent image quality and superb
resolving power, are equipped with an automatic aperture
control feature. The lenses also have a depth of field preview
lever so that the depth of field at any aperture setting is
plainly visible.
4
_______ ____ ________________________
'" ""
Various film holders can be used by changing the back Additional features
adapter 'i' Lenses arequickly and positively interchanged with the
In addition to the film holders for the Mamiya RB 67, there RB 67 bayonet safety ring system.
is a back adapter for attaching accessories of the Mamiya '~ Since the focusing hood is easily interchangeable, you can
Press or Mamiya Universal. Especially useful is the Polaroid® easily switch to an eye-level finder or a magnifying hood
Land pack film holder, for the Mamiya Universal, which lets depending on your needs.
you to see a finished picture on the spot-seconds later-
adding versatility to the camera for news photography where
* In addition to the standard Fresnel lens focusing screen,
also available are focusing screens with rangefinder spot,
speed is required, and for fashion photographs, scientific,
microprism, cross hair, or checker grid. Select and change
commercial, or industrial photography in prechecking com-
to the screen to suit your specific purpose in a matter of
position and or exposure setting. This camera is designed to
seconds.
easily accommodate many accessories, offering unusual con-
venience and versatility.
* There are three types of roll film holders, one for 120 and one
for 220 roll films (6 x: 7 em format), and one for 120 roll film
Roll film holder for Mamiya RB 67 with safety device
6 x 4.5 em format.
The carnera is equipped with a safety device to prevent re-
A rapid film advance lever ( one-stroke film advance ) permits
leasing the shutter while the dark slide is in the holder nor
quick shooting"
does it permit the holder to be removed while the dark slide
is out.
* Dry plate or cut film can be used with the RB 67 double
cut film I plate holder.
Close-up photography by extending the camera bellows
As with the versatile Mamiya C Series cameras, you can make
* Independent mirror-release photography is also possible
when needed.
interesting close-up photographs without using extension tubes
merely by extending the camera bellows up to its full 46 mm * A quick-shoe is available for mounting the camera quickly
extension. When using RB 67 auto-extension tubes, life-size, on a tripod.
1 : 1 close-up photography is possible. * Graflok back film holders made by Graflex can also be used.
5
---------------------------- - ~~ ·---~ --- - -' -- - - - ~·- . - - ···· -~- - · · ~~-
6 8 9 10
6
, . ... ~-···- - - - · - ~~-- ·- - ---------------
-- ~ ---------------------
11 12
7
- - - - - - -- - - - - - -- - - - - - - -- - - • . . . ~ • • o• o o • ·- ~· , _ .w - o - ~ -~ o• • • , _ _• • D~·~~~ - -~-- ·
1 8 - - --;
20
1 7 - - ---1
8
• Rear Body Cap
~--------~ ·---------------------------------------------------------------------------------------------
26 27 28 29 30 32 33 34
34
10
34
1. Remove the front body cap from the 3. Remove the rear cap of the lens. 5. Then turn the bayonet ring (26), and
camera body. align the red mark on the bayonet ring
4. Cock the shutter of lens. Firmly turn
2. Be sure that the mirror (10) is in with the triangular mark at the center.
the shutter cocking pins (34) with your
the cocked, down position in the camera fingers, to the red cocking position 6. Mount the lens keeping the triangular
body, shielding the camera film plane marks (35). Now the shutter blades are mark aligned with the lens mounting
from exposure to I ight. open. When removing your fingers from mark (4), then firmly twist the bayonet
If the mirror is up, cock the mirror by the pins, the cocking pins will turn back ring clockwise. Now, the camera and
fully pushing down the shutter cocking to the green marks (G). shutter have been set.
lever ( 1 l toward the front of the camera.
NOTE:
When cocking the shutter, be sure to
turn until the pins are aligned with the
red marks. The shutter will not be
cocked if turned only to the green marks.
After removing the lens from the
camera body, the shutter is always
cocked.
10
NOTE:
Shutter Blade
Lens installation is possible even if Mirror Condition Operation
Condition
'the mirror and / or the shutter are/ is not
s'et; however, operations in the table
must be followed to obtain a normal set
condition.
Always pull out the dark slide of the
film holder after setting the camera to
a normal condition.
However, when the shutter release
1 Closed
Removing the Lens 1. Press the shutter cocking lever down Releasing the Shutter :
fully.
To release a lens shutter wh ich is
2. Turn the bayonet ring counterclock- removed from the camera body, turn the
wise, aligning its red mark with the lens cocking pins (34) clockwise, while press-
mounting mark (4) on the body, and ing the shutter lock pin (33) with a
remove the lens. finger. The cocking pins should b~
turned all the way, do NOT leave the
If you attempt to remove the lens with pins turned only halfway.
the mirror in the up position, the camera
safety interlock mechanism is engaged
which does not permit the lens bayonet
ring from turning fully to th.e dismount
position. Cocking the camera, which
lowers the mirror and protects the film 34
plane from accidental light leak , disen-
gages this safety mechanism permitting
lens removal easily.
It is advisable to release the shutter 33
when the len s is not to be used for
several days or longer.
11
---------------------------------------------------------------- ----- - ----
• Shutter Operation
1. Align the scales on the shutter speed 2. Press down the shutter cocking lever By turning the shutter release lock
ring (28) and the aperture ring (27) (1 ). The shutter in the mounted lens and the ring (8) and aligning the index mark
with the red dot on the center of the mirror in the camera body are cocked simul- with the orange-yellow dot on the camera
lens barrel. taneously. The lever will return to its original body, the shutter release button cannot
position by self-action. be pressed. This device prevents ac-
Always set the shutter speed to the
click stop position. In-between shutter If the lever is depressed by 45° or cidentally releasing the shutter while
speeds cannot be used. However, the more (but not fully), the lever will remain carrying the camera in its case.
fully automatic diaphragm can be set at there without returning to its original NOTE:
full and half click stops. position.
If the slide lock (17) of the revolving
If the shutter speed is changed, after Once the shutter is cocked, the cock- adapter is not pushed fully in or out,
cacking the shutter, do not turn the ing lever will not move until the shutter you may not be able to press the shutter
sh~Jtter speed ring rapidly. is released by pushing the shutter re- release button. Always shift the slide
When not using flash, the M-X selector lease button. Therefore, when the cock- lock until it comes to a halt.
lever (24) can be set to either M or X; ing lever will not move, you know the
however, never set the lever between shutter is cocked. Time Operation
M and X. 3. To release the shutter, press the
By setting the shutter speed scale on
When switching the M-X selector, move T (time) and releasing the shutter, the
shutter release button (9). If the shutter
the lever to the right or left, while pressing and the mirror are not cocked, the shut- shutter will remain open for an extended
th" :~ver against the lens barrel. ter release button cannot be pressed. time exposure. To close the shutter,
The socket inside the shutter release turn the shutter speed ring toward the
1 sec. marking or press down the shut-
button is threaded so that a cable re-
lease or a self-timer can be easily at- ter cocking lever about 30°; however,
do not move the shutter cocking lever
tached.
until just before closing the shutter.
1.:...
How to Handle the Focusing Hood
("
"l3
• Focusing Screen. Revo~viny A,q,dapter
Various types of framed focusing When the focusing hood is open, and When the horizontal format mark ( 15)
screens are available for the photogra- the shutter is cocked, an image is visible of the revolving adapter is facing up-
pher's convenience. on the ground glass of the focusing ward, a horizontal format will result.
First remove the focusing hood, then screen (13). To compose a vertical photograph, turn
take out the focusing screen ( 13) while Turn the focusing knob (5), adjust the the revolving adapter clockwise until it
holding both sides. To attach it, hold focus, and compose the picture. Depth stops. To change from vertical to hori-
each side and insert the focusing of field of the aperture becomes visible zontal, turn the revolving adapter coun-
scrcm into the top of the camera body on the ground glass focusing screen by terclockwise. In either case, be sure to
and press down lightly. fully depressing the depth of field pre- turn the adapter a full 90 ° until it clicks
view lever (31) on the lens. When re- and stops. If the adapter is stopped
tit;'~.: · tDview the focusing screen moving your finger, the lever will return halfway, the shutter release button can-
to its original position and the lens not be presseq.
P-. vertical picture format is indicated
aperture will fully reopen. NOTE:
b~ solid lines and a horizontal picture
foru . :1t is indicated by dotted lines on Do NOT turn the revolving adapter
the ·(ocusing screen. while the shutter release button is being
pressed.
l4
~----~- -- ~------- - -- -- ·--- ··~" ~----- -----------------------------
15
----------------------------·-· - -·- ~- ~ -
• How to Use the Lens Hood Cat· ry~rig Strap
----------------------------------------------------------------
Attaching
While holding both sides of the
strap attaching metal, slide the at~
taching metal toward the hanging
direction, after fitting and pressing
the round hole on the metal back
side to the lug for strap on the
camera body.
Note:
This lens hood can be used commonly for the 90mm,
Always attach and use the strap
127mm, 180mm, and 250mm lenses.
so that it and the strap attaching
1. Screw the attachment ring into the front of the lens metal are straight.
mount. When changing the strap hang~
2. Pull the folded rubber hood straight out, using it as the ing direction, always reattach the
hood for the 127mm, 180mm, and 250mm lenses. strap.
3. For the 90mm lens, fold the hood back halfway.
To fold the hood, pull it straight out, place the hood on a
flat surface, and push down from the top to easily fold the
lens hood.
You can also leave the hood on the lens for portability by Detaching
. ·ushing back and turning out the hood while it is attached To detach the strap, slide the at-
to the lens. taching metal in reverse direction
A filter can be screwed in between the lens and the hood, to attaching, while slightly raising
')r in front of the lens hood. the leaf spring on the attaching
metal with a finger tip.
16
Attaching Detaching
1. To attach the holder, the slide locks 2. Then attach the roll film holder and 1. Insert a dark slide in the roll film holder.
(17) on the top and bottom of the slide both slide locks firmly in the di- Two white lines on the side of the holder
camera have to be at the left ends of rection of the arrow ( ..... ). indicate the position of the inserting slit.
the slots. If the slide locks are in the NOTE: 2. Remove the roll film holder by sliding
center, push the slide lock release levers Be sure to attach the roll film holder both slide locks in the opposite direction
(20) and push both slide locks in the from the back to prevent it from hitting of the arrow( ..... ).
opposite direction of the arrow (..... ). the warning mark coupling pin (18) of If the dark slide is not inserted, the slide
the holder. locks will not move.
Should either slide lock be moved while
nothing is attached to the revolving
adapter, the slide lock release lever will
engage and the slide lock will not move.
If this happens, press the release lever
and return the slide lock to the open
position.
17
----~- -~
1. The shutter release button cannot be If the dark slide is pulled out slightly, the 2. When a dark slide is completely in-
oressed while the dark slide is in the holder. shutter release button can be pressed . This serted , the slide lock release lever (20) is
operation can be utilized for shutter testing. automatically released , and the slide locks
In this case, the double-exposure warning (17) can be slid without pressing the re-
signal turns red . When the holder is loaded , lease levers.
do not pull out the dark slide beyond the On the other hand , if the dark slide is not
tip of the triangular hole in the top center inserted , the slide locks will not move un-
of the dark slide, otherwise the film may be less the release lever is pressed . This pre-
fogged . vents accidently removing the film holder
from the camera and fogging the film.
18
-·- --- ----~-- -· ----
- - -~ · ~ -- ~ · · - --~ ~--
-~
R 14 Take-up spool stud
R6
• I
R7
.! ~--·
' J ·~
n . .~-~
R13
. R14
• Loading Film
When loading and unloading film, avoid direct sunlight.
Use a location in the shade.
5. Pull out the leader paper and insert the tip into the
groove of the take-up spool. Position the film so that the
5 leader paper is winding evenly between the spool flanges;
otherwise the film may be taken up unevenly, causing
trouble.
20
-- · --· . - - ·-- - - - - - - - - - - - - - - - - - - - - - - - ---
7. Put the insert into the cassette aligning the top side of
7 the insert with the. white dot of the cassette.
21
• Photographing •I-
22
- -- ----- ~- --· ~ -- - - · -----~-- - ---------------------------------------•. 1
Distance from the film plane to the subject can be de- Maximum Close-up Photography Table
termined by the distance scale (7). L ens·to·subject
Lens Magnification Subject cov e ra ge
Curves on the distance scale are represented in a different distance
:o!or for each lens. The figure on the distance graduation 50mm f/4. 5 1 %" ( 4.9em) 0. 88 2 )1" X 3 ,\{;;" ( 6.4 X 7.8cm )
(5; which meets the curve for the lens used after focusing 3 .%;" ( 8.0em) 3 .%;"X 3 %," ( 8. 0 X 9.7em )
65mmf/4 . 5 0 . 71
.-evc.als the distance to the subject.
.. For example, if the distance graduation and the curve are 90mm f/3. 8 7 %" (19.8cm ) 0 . 51 4 %''x 5 %" ( 11.1 X13.5cm )
? S shown in the photo after focusing with the 127 mm lens,
127mm f/3 . 8 1' 5 %" (43.4cm ) 0.36 6 %" X 7 J{s" (15.5 Xl8.9cm )
yo;.: can confirm that distance to the subject is 5 ft by reading
the f.'raduation aligned with the orange curve. 180mm f/4. 5 2' 9 ;{.;" (84. 7em ) 0.26 8 %" X 1'%," ( 22. 0 X32.5cm )
250mm f/4.5 5' 3" ( 160 em ) 0 . 18 1' ?(~' X 1' 2 %" (30.6 X37.2cm )
The lens-to-subject distance represents the distance of the subject from the front
edge of the lens barrel.
24
·---- -~ ~ -~-~- -- --------------------------------It
-··
• Using a Tripod
Exposure compensation for close-up
photography
When the bellows is extended for close-up photography and
the distance between the lens and the film plane increases
beyond normal, an increase in exposure is required.
To adjust the exposure, use the exposure compensation
scale appearing on the distance scale (7). The exposure
compensation scale shows an index for each lens marked in
1/2 steps.
Focus on the subject and note the pattern of the scale
where the distance scale for the lens meets the distance
scale graduation plate edge. The compensating value is shown
below.
Read the compens?tting value of the same pattern, and
increase the exposure accordingly. For example, when the
scale shows the pattern as shown in the photo when focused 23 22
on a certain subject, exposure needs to be increased by one
step. If your exposure meter shows the exposure setting of
1/60 sec. at f/16, the setting must be adjusted to 1/30 sec. For maximum picture sharpness the use of a sturdy tripod is re-
at f/16 or to 1/60 sec. at f/11. commended. Insert the tripod screw into the tripod socket (23)
One exposure step corresponds to one step on the aperture ·at the bottom of the camera.
scale or one step on the shutter speed scale. For 0.5 step When a tripod with a 3/8 inch tripod screw is used, remove the
compensation, use the in-between aperture scale settings. inner socket by turning the tripod socket counterclockwise with a
When using the CdS finder for the Mamiya RB, exposure coin or si.milar disk inserted in the slots of the socket. The stanclard;
need not be compensated, since the meter reads actual ex- tripod has a 1I 4 inch tripod screw and can be used for this cam ere
posure directly. in conjunction with the inner tripod socket.
25
- - - - - - - - - - - - - - - - - - - - - - - - - --··- -·-·-- - -- - ··
26
r-- .- - - - -·
Extension Bellows extension scale (mm)
_ens Magnification Distance Subject coverage
tube Exposure compensation value (STEP)
I
I
+2.5
I I
j
1' 5Ys" 10~' 6>{" X7%" -3Ys" X 3%" 40 I
30 20 10 0
I I I I I I
No. 1 0.35-0.71
( 44 . 1- 26 . 0) em (15. 9X 19 .3 )cm- (7. 9X 9.6)em + 1.5 'I + 1 I
ll ){z" 8~' 3Kt;" X 4){; - 2~" X 2%" 40 30 20 I
10 0
127mm F3.8 I I I I I I
No.2 0. 65-1.01
(28. o- 20. 9)em (8. 7X 10. 6)em- (5.6 X 6. 8)em I +2 'I +1.5 I
10
No.1 +No.2 1.00-1.36
8%" 6%"
( 21.0-17.6)em
2%' X 2%" -1%" Xl%"
(5.6X6.8)em (4.1X5.0)em I'
40
I I
+ 2.5
30
I
I I
20
I I
+2
I I
j
No.1 0.25-0.51
2'9%" 1'7%"
(86.3-49.9)em
8%" X 10%" - 4%" X 5%;"
(22. 5 X 27. 4)em- (11.1 X 13. 5)em I'
40
I I
30
I
+t
I 2.0 I 10
'I + o.5:
1
1' 9%" 1' 3%" 4%" X 52_%" -3Ys" X 3%' 40 30 2p 10 0
I I I I
I
I I I
18Qmm F4.5
I'
I
No.2 0.46-0.71
(53. 8-39. 6)em (12 .4X 15. O)em- (7. 9 X 9.6)em +1.5 I + 1
1' 3%" - 1' 1" 3_%;" X 3%"- 2}{~' X 2%" 40 30 2.0 10 0
'I
I ·I I I I I I
No. 1+ No. 2 0. 71-0.96
(39. 8-33.0 )em (8.0X9.7)em (5.9X7.1)em I' +2 I + 1.5
10 0
5' 4Xs" 3' Ys" 1' }{;;"X 1' 3" -6%:;" X 7'%_" 40
I I
30
I
2,0 I· I I
No. 1 0.18-0.36
(163 - 93)em (31. 3 X 38.1 )em- ( 15. 5X 18. 8)em I' +t 'I +0.5 I
40 30 10 0
3' 3%'" - 2' 4%"' 6%" X 8]{z" - 4%" X 5%" I I I I 2.0 I I I
25QmmF4.5 No. 2 0.33-0.51
(10l-73)em (17 .2 X 20. 9)em- (ll.O X 13.4)em I' +I I
-!
I
2' 5Ys" - 1' 11%" 4 %" X 5%;" - 3){s" X 3%" 40
I I
30
I I 2.0 I
lp I
0
No.1+ No.2 0.51 - 0.69
(74 - 60)em (ll.lX13.5)em-(8.1X9.9)em I' +1.5 I +1 I !
40 30 20 10 0
11' 6%" -6' 9Ys" 1' 5%" X 1' 9%" -8%" X 10%"
I
I I I I I I I I
0.12-0.25
No. 1
(352 - 206)em (45 .O X 54. 8)em - (22. 3 X 27 .l)em I' +0.5 I
-i
40 30 20 10 0
7' 3'%." - 5' 4%" 9%" X 11%" - 6~" X 7%" I I
36QmmF6. 3 No. 2 0.22-0.35
( 222 - 165 )em (24. 7 X 30.1 )em- (15. 8 X 19. 3)em I'
I
+I
I I I
I
I I
+0.5 j
-·
5' 5%" - 4' 6%" 6}{;;" X 7 %" - 4%" X 5 %" 4,0 I
30
I I
2,0 I
lp I
(,'
No.1+ No. 2 0.35-0.48 ( 166 - 139 )em (16. OX 19. 4)em - (11. 7 X 14. 3)em I' +1 i .~
27
• How to Read Depth of Field
.(
1 . Focus on the subject, determine the 2. Depress the depth of field preview 1 . Turn the distance scale ring {29) and
aperture setting. lever, and the depth of field can be observed align the figure representing the focused
on the ground glass focusing screen. distance with the center index mark on the
depth of field scale {30) .
The two distances (on both sides of the
center index mark) opposite the same
figures as the actual lens aperture on the
depth of field scale are the near and far
limits of depth for a given distance and lens
aperture.
For example, when photographing a
subject 15 feet away with the 90mm lens at
an aperture of f /11 , objects from about 30
to 10 feet will be in focus .
28
Photography
Connect the cord of the flash unit to
the synchroflash terminal (25).
M-X selection
The M-X SQiecting lever is internally
locked to prevent unintentional switching of
the mode.
When switching the synchronization mode ,
push the lever against 'the lens barrel. While
pressing , turn it right or left until it reaches
the end . The letter X or M , which indicates
the contact type, should appear in the
window.
When employing electronic flash, set
the M-X selector (24) to X to synchronize
flash at any shutter speed. When M-
class flash bulbs are used, set the M-X
selector to M to synchronize at any
shutter speed. When F-class flash bulbs
are used, set the selector to X and pho-
tograph at 1/ 60 sec. or a slower shutter
speed.
The aperture setting for flash photo ·
graphy is determined by dividing the '
guide number of the bulb or the elec-
tronic flash unit by the distance.
Combinations with the 0 mark synchronize. Example
Flash Synchronization Table Combinations with the x mark do not synchronize (Guide number) 40
(Distance to subject) 5
Shutter speed =(Aperture setting) ~
Contact Bulb
1 __,!..... _L _L
to _L _L_ __!.__
rlx> NOTE:
M M class 0 0
2 4
0 0
8
*0 0
60
0
1 25
0
2 50
0 0
When an intensive current flows di-
rectly to the shutter due to an abnormal
Electronic flash 0 0 0 0 0 0 0 0 0 0 method of using electronic flash , the
synchronizing mechanism may be · d~rn
X F class 0 0 0 0 0 0 0 X X X aged.
M c lass 0 0 0 0 0 0 X X X X
29
-------- -- - ·-- -------- - -- ---- ·
•
------------------------------- -~ ~ --
Independent )
Mirror-up Photography ( Mirror Release
30
~ Mamiya RB 67 Operation Diagram
0
Aperture blade
o~
A perture blade
0 0
• The light baffle is raised to its limit.
• Both shutter blade and aperture blade are opened . • The aperture blade stops down to a preselected value.
• The mirror and light baffle are lowered to the set position. • The shutter blade is closed after being fully opened .
0 0
• The shutter blade is closed and the aperture blade begins stopping
(1)When pressing the shutter release button:
• The shutter blade is closed and the aperture blade stops dc·Nn to a preselected ap""'.;;r~
Ii
down.
• The mirror is raised and the light baffle starts rising.
• The mirror and the light baffle are raised .
(2) When releasing the shutter:
• Only the shutter blade operates, closing after being fully opened .
_j 1
L __ _ _ _ _ _
31
• Lens (with Seiko #1 Shutter)
mm
50
Composition:
f/4.5
11 elements in 8 groups
Picture angle : 82 °
Minimum apertu re: 32
Filter diameter : 77mm
Hood: Slip-on type
Weight : 32 -7 / 16 oz (920 g)
20' 5 . 12' 3 . 8' 9. 6 ' !0" 5 . 10" s· 3M' 4' BY." 4' I}( 3. 5. 2' 8.
6.22 3.87 2.81 2.47 2.06 1.81 1.54 1 1.23 1.03 0 .88
4.5 4.5 8' 3 .
00 00 24.04 10.77 5.61 4 .06 2.87 1. 92 1. 45 1.16 54' 19 12' 9 . !0' 4 . 6' 5W 4' !OJ{' 3' SJ{'
\I
4.96 3.35 2.53 2.25 1.91 I. 70 1.46 I 1.18 0.99 0.85 16' 3 . 10' 8 . 7' 1!" 6' 37'2' 5' 575" 5' 4' 5Y." 3 II" 3· 3W 2' 7!-{"
5.6
I! 5 .6 I 24' 9 . 15' 1 . 9' 2. 6' 11 Y," 5' JY," 3' 67(
00 00 00 19 .23 7.25 4.84 3.23 I 2.08 1.53 1.21 II' !0"
3.52 2.63 2.10 1.91 1.66 1.50 1.31 1.08 0.92 0.81 11 7 . 8' 5Y," 6 8. 5 ' 6 . 4' 10){" 4' s.u· 4 '.u· 3'7){" 3' u· 2' 5%"
I 8 65' 2 . 24' 2 . f6' 8 . 11' 9. 8' 4. 5. !0" 3' l OY."
00 00 00 00 11.92 i 7 .91 4.35 2.48 I. 73 1. 33
1-
I
2.51 2. 03 I. 70 !. 58 1.40 I. 29 1.15 0 . 97 0.85 0 . 75 s· zy,· 6' 6Y," 5' 5. 4' 77( 4 2Y." J lOY." 3 ' 7 . J 2Y." 2' 9Y." 2' 3%"
I JJ 11
39' 10" !9' !0' II' 8. 7' zy,- 4' 47(
~
00 00 00 00 00 00 8.65 3.42 2.13 1.55
I. 79 !. 53 1. 35 1.27 1. 16 0.98 0. 76 0.68 5' JOY," 4' l! Y." 4' 3Y.' 3' 9Y." 3. 6 . 3' 3Y.' 3. 1 . 2' 10" 2 ' 6 . 2' ! ){"
1.08 0 .85
~~-
16 26' 11 " 10' 11 " 5' 5}-2 "
00 00 00 00 00 00 00 7 .49 3. 17 2.01
1.28 1.1 5 1. 04 1. 00 0.93 0.88 0.82 0. 73 0.66 0 .60 4'2}( 3' BY." 3' 43{" 3 . 7( 2' 107-f" 2. 9. 2 7. z· Hi " 2' 2Ys" !'JOY,"
2? 22
! 00 00 00 00 00 00 00 00 10 .90 3.51 8' 6.
;
-
I 0 .92 0.85 0 .80 0. 77 0. 73 0. 70 0.66 0.61 0.56 0 . 52 3' v.· 2' 97( 2' 7. 2' 4Ys' 2' 3Y," 2· 2W 2' 1%" 2' !' JOYs" !' 7%"
L~-
32
00 00 00 00 00 00 00 00 00 00 00
I 00
32
Composition: 8 elements in 8 groups
Picture angle: 68° 10'
Minimum aperture: 32
Filter diameter: 77 mm
Hood: Slip-on type
Weight: 29-5/ 8 oz (840 g)
16
3. 12 2.44 2.00 1.83 1.61 1.47 1. 30 1. 08 0. 93 0.817
16
10 3 7 10 6 4 5 3 ,, 4 9 4 5 4 w 3 7 . 3 I 2 , lj 1
X ;x ·~'C 10.4 4. 84 2.56 I. 74 I. 317 < ,-
30 8 19 1 12' 8 . 8 7 w 5 10 .':· ..7.:'J~ !
2. 24 1.88 1. 62 1.51 1.36 1.26 1.14 0.97 0. 85 0. 762 7 4 6 1 5 2 4 6 4 I V. 3 lOY. 3 6'• 3 2 '· 2 10 J
22
X :< X ,.. , ·(~
12.8 3. 70 2. 16 I. 529
22 r y y
24 10 12 8 7. 4 ; ,.,._ I
\
90mm f /3.8
Composition: 7 elements in 6 groups
Picture angle: 51 ° 50'
Minimum aperture: 32
Filter diameter : 77 mm
Hood : Screw-in type
Weight: 24-7 / 8 oz (705 g)
' 16.54 6.31 3. 90 2.58 1.82 1.40 0. 960 0. 777 0. 590 0.494 54 3 . 19' 7 . II' II " 8 7 . 6 3 )1" 4 . 8 3'9 )1" now I !1%" 1'5 %"
' "
.. . 0 5.6
w
I ()()
24.59 7.01 3. 59 2. 23 1.62 1.044 0.825 0.61 1 0.506 00 65' 4 . 20' 3 . 12' now 5 . 5 . 4'2 Y.' 3 I W 2' I' 6 y,·
8
II. 73 5.48 3.57 2. 44 1.75 1.36 0. 945 0.768 0.586 0.492
8
38 6 . 17' I . II 8 1 )1" 6' w
4 6 y. 3'8 )1" now n nr 1' 5 Y.'
\t· "' 63. 09 8.43 3. 91 2.34 1.67 1.064 0.835 0.615 0.508 00 129' 23 10" 13' J . 8' 3)1" 5 . 7 . 4 . 4 . 3 . 2 . 2' jf I ' 6 ){'
8.33 4.62 3.20 2. 27 I. 66 1.31 0. 924 0. 756 0.580 0.489 27 4 . 14 ' 7 . 9 ' II " 1' 6)1" 5 ' 9 . 4'4 y.· 3 7 ){' 29 W IllY." 1· 5 Y."
I ,] ' II
31' 7 . 15 1 . 9 ' S'!OW 4 . 6 . 3 . 3 . 2 y,·
'~ . - ·--
()() ()()
11. 84 4.48 2.52 1.76 1.093 0.851 0.622 0.512 00 00 1' 6%'
L.. e ·
3. 02
"'
2.38
"'
I. 96
()()
I. 59
00
1. 28
5.03
1.08
2. 60
0.814
1.327
0.688
0.968
0.547
0.668
0.470
0.536
32
910)1" 11 )1" 6'2!-i' 53 " 4 4 ){' 3 6 Y. 3'
00 00 00 00 20
w
2 . 6 . I ' 9 y,· 1' 5 Vs"
8'9 )1" 5 II' 3' 9W 2 2 y,· I . 7
3.1
--~--- --- ... ·--·- ·- · · - -·- -- -----·--- - - - - - - - - - - - - - - - - - - - -
127mmf/3.8
Composition : 5 elements in 3 groups
Picture angle : 38 ° 16'
Minimum aperture: 32
Filter diameter: 77 mm
Hood : Screw-in type
Weight: 23-1 / 8 oz (655 g)
5.6
32.26 7. 70 4.37 2. 77 1. 90 1.45 0. 981 0. 790 0.693 0. 645
5.6
106 ' 23 ' 7 . 13 3 9 8 6 7W 4 10" now 2 II )f 2 5 W 2 2 r. 1
41 4 . 17 3 10 11 7 5.
8
"'
22.84
14.30
7.03
5.84
4.16
3. 27
2.69
2.11
1. 87
1.55
1.43
1.02
0. 973
0.811
0. 786
0. 707
0.690
0.655
0.643
8
00
74 ' 11 21 8 12' 8 . 8 11 ~ 6 6
5 2 4 1 Y.
4 9 310 V.
3 )j
2 II
2"6' '.
2 5 1: ! -
-- -
.. '
~
I
"' 17.42 6.29 3. 39 2.16 1.58 1.03 0.8 15 0. 710 0.658 ex> 49 ' 0 18 5 11 4 7 7 5 3 4 I J{ 3 I 2 s 1 ~-' j u z
16.19 6. 27 3.89 2. 58 1.82 1.40 0. 963 0. 780 0.687 0.640 53 ' 1 . 19 ' 5 . 1111 8 7 6 3 )j 4 8 3 9 )j" 2 11 2 c ',"I ; 2 'I i
11 11 66 . 8 . 20 4 12 0 710)!
00 25.24 7.04 3. 59 2.23 1.61 1.04 0.822 0. 714 0. 661 54 )\" 4 2 J{' 3 I W 2 6 :v. L
16
11.48
00
5. 44
69 . 73
3.56
8.50
2. 44
3. 91
1. 75
2.34
1.37
1.67
0.948
1.06
0. 772
0.831
0.681
0. 720
0. 635
0.666
16
""
37 8 . 17 o· 11 0
137
8 I 6 1'
23'11' 13 1 8 3 )l
4 6 )j" 3 8 :v. 2 10 11 2 5 2 2 ';
5 7 4 4 3 I :V. 2 7 2 ~' \ ..t
l
"'
8.16 4. 59 3.19 2.27 1.67 1.32 0. 929 0. 761 0.674 0.630 26 ' 9 . 14 5 9 10 7 6 5 9 4 4 '1 3 7 ,, 2 9 J{ 2 4 % ·; \.
22
"'
y i2 .04 4.49 2. 52 1.75 1. 09 0.845 0. 729 0.672
22
Y> ~
31 11 15 1 9 0 5 10 4 5 J{ 3 2W 2 7 11 2 ~ '
32
5.80 3. 76 2. 78 2 06 i. 56 1.26 0. 903 0. 746 0.664 0.622
32
19 0 . II 11 8 7 )j 6 10 5 4 '1 4 2 3 6 2 9 2 4 1-8 2 178 I
00 ~
29 .80 5. 69 2. 83 1.88 1.126 0. 865 0. 742 0.682 Y' y
61 3 19 3 10 2 6 3 )j 4 8 )j 3 3 31, 2 8 v. 2 4 '1 I
25
~--------------------- - --- ·----- -- --- _ __..__
___ ---
• Lens (with Seiko #1 Shutter)
Aperture
Distance in Meter Aperture 0 :'..::' :.::
jf-----,---,-------,---;:. '•:.::
":.::
'•:,..:_:: t --..---~- ---,---4
; ":.::F:.::e:.::e;..
00 30 15 10 7 5 3 1.5 1.2 1oo 5o 3o 20 I 15 1--- lo_l----+--+-
80.18 21.94 12.71 8.94 6. 48 4.74 2.91 1.96 1.48 1.19 263 ' o· 12· 10· 42' 3· 27' r 1s· s:- 14' 3· l 9· 8W 6' IOYz' 4' 11}1' 3' lHi "
4.5 4. 5
00 47 .55 18.32 11.34 7.62 5.30 3. 10 2.04 1.52 1.21 160' o· 61' 3· 33' 1· 21' 6' 15· 1o· 1 1o· 4· T 1,!1" 5' 7'2" 4' 7'2 "
-t---+----1
1.96 1.48 1.19 209 ' o· 68 ' 1· 40 s · 26 ' 5· 1s· 5· 14' r 9' 1y,· 6' 10" 4' 11 " 3' 11)-f "
1~
: 5.6 63.82 2505 . 9593 12.23 8.71 6.36 4.67 2.89 5.6
I oo 19.43 11.75 7.79 5.38 3. 12 2.05 1.52 1.21 - - t -1-89_' o_·+-_
65_· _1.+-34' s · 21' L 16' o· [ 1o· 5' T 2· 5' 1· 4 y,-
' - 8 45.18 18 . 16 11.36 8.27 6 . 12 4.55 2.85 1.94 1.47 1.18 148' o· 60' 2· 37'9' 25· 2· 17' 10· 13" 9· 9' 5Y,' 6' g· 4' to?{· 13' ux·
301' o· 74 ' 5· 37· 2· 22· 1o· 16' 6' 1o· 7" T 3" 5' 17'2" 4' ?{"
[ - ,-
! 00 87.53 22.14 12.68 8.18 5.55 3.17 2.07 1.53 1.22
32.00 15 .62 10.33 7.72 5.82 4.39 2.79 1.91 1.46 1.18
11
105' o· 51' 8' 34' 3" 23 ' 8' 11· o· 13' 4" 9 3)1" 6' s · If
lOY. ' 3'!1 "
L
~ I 00 00 27 .62 14 . 26 8.80 5.82 3.25 2.10 1.55 1.23 93 ' 5" 41' 2' 24 ' 3' 17 ' 2' 10' 10' T 4Y," I 5' 2· 4'1"
16 22.68 13 .05 9.16 7.06 5.45 4.18 2.71 1.88 1.44 1.17 74' 5· 43' r 3o· 4· 21'9" 16· 1· 12· 9· 9· o· 6' 6W .- 9y,· 3' 1oy,·
16
00 00 42 . 59 17 .35 9.85 6.25 3.37 2. 14 1.57 1.24 146' o· 48 ' 10" 26 's· 1s · 4· n 3· 7· 6W 5' 3· .- 1y,-
22--~-16___o9~-lo___6o~-7-_-9o-+-6-.-3o-+-4-.-99-+-3_-9-l+--2-.6-o4--,-_s-3~-l-.4-2~-l-.l-5~ 22
52· 9· 34· 11 · 26' z· 19' 7· 14' w· 12· o· s · s· 6' 4Y," 4' sy,- 3' 10·
00 00 00 25 .08 11.88 6.98 3.56 2.20 1.60 1.25 66 ' 2' 30' 11" 20' z· 11 ' 11 " T 9Y," 5· 4' 4' 2Y."
1 32 11.43 8.39 6.62 5.47 4.47 3.6o 2. 47 1.11 1.38 1.14 37' 6' 27's· zr w 11· r 1r 5' 1 11 · 1· s · zy,- 6' 111· 4· 7Y. - r 9Y."
32
00 68 .63 16 .80 8.37 3.86 2.30 1.64 1.27 - -1-- --+- - - 1 1-3_5_-_o_· 40' 2· 23'7" 12· 1!" 1 8' 2· 5' 6- , 4· 3·
1----
zr 4· 10· o· 7' 7Y," 5· 10" 4' 5Y, ' 3~
L__ 4_5 _ _ L_s_~_l3-L_6_~_49-L_5_~_4o~-4~-6-2~4-~--~-~-L-~---~-~-L_!_::_~--~_::_~-L_:_:_~ ~-L_:_:_~:.J 45
26 ' s · 17' 10· 14' 7· 11 ' 11"
69 ' 11' 31'1" 14' 9' 8' 9Y," 5' gy, · 4' 4)1"
3f
----· ----·- ~----·---·· · ·- ·--
··Dffitr+1J··
Weight: 46-3/ 16 oz (1310 g)
4.5
155
X
37.9
73.5
25.2
37.0
17. 8
22.9
13. 7
16.5
9.44
10.6
6. 73
7.30
4.87
5.14
2. 96
3.04
I. 98
2.02
4. 5
507 '
~
144
328
83 10
124
45 9
55 2
28 5
31 9
19 4
20 9
14 ' 8 .
15 5 ' 10 2 7 ,.
9 ' 10 6' ll W
_ __ ,
5.6
123 35 .7 24.2 17 .3 13.4 9.30 6.66 4.83 2. 95 1.98 404 134 80 6 44 9 28 I 19 2 14 7 9 10 r ;1
5. 6
y .
83.6 . 39.4 23 .7 17.0 10.8 7. 38 5.18 3.06 2.02 X' 393 132 56 8 32 2 20' ll 15 6 10 2 7 1
87 . I 32.0 22 .5 !6.4 12.9 9.04 6. 53 4. 77 2.92 I. 97 286 liS 74 7 42 10 27 4 18 10 14 4 9 9 • 10 ~
8 8
116 45.3 25.7 18.0 11.2 7.54 5.26 3.08 2 03 657 152' 60 I 33 3 21 4 15 8 IU ., '7 ~ Y;
-~
"'
11
61.6 27.8 20.3 15.2 12 .2 8.69 6.36 4.68 2.89 I. 96
ll
202
,.
101 67 5 40 6 26 5 18 5 14 I 97'~]6i0-j
y
257 57.5 29.2 19.6 ll .8 7.80 5.37 3. 11 2.04 195 65 6 34 9 2Ill 16 0 10 5 7 ?
"'
16
43.7 23 . 5 18. 0 13.9 II. 3 8.25 6.12 4.56 2.85 1.94
16
143
,.
84 I 59 6 37 6 25 2 17 10 13 10 ' !
~ n n· 9W
y c 93.1 36 .I 22.4 12.7 8. 19 5. 55 3.16 2.06 ~
321 75 3 37 3 22 10 16 5 10 7
30.9 19.3 15.4 12.3 10.3 7. 70 5.82 4.40 2.80 1.92 102 67 ll 51 34 I 23 7 17 I 13 4 9 3 ,, 6 8 :,
22 22
y y y
54.4 28.2 14.4 8.81 5.81 3.24 2.09 'C ·' Y'
'"' 95 5 41 5 24 3 17 2 10 10 7 4
22.0 15.4 12.9 10.7 9.09 7.03 5.45 4.1 9 2. 72 1. 89 72 53 5 42 6 30 I 21 8 16 I 12 9 9 lf 67
32 32
195 44 .7 17.6 9.88 6. 23 3.35 2. 12 154 49 3 26 8 18 3 11 2 7 (~
i
.~
=·- y
' "' .. .
IS.6 12 .0 10.4 8. 95 7.84 6.28 5.00 3. 93 2.62 I . 85 51 2 41 2 34 5 25 ll 19 6 14 11 12 I 8 8 ;., 6 5
45 y ~
25.8 II. 9 6. 96 3.52 2.18
45 .- "' "0 y
67 6 30 II 20 I ll ' 9 . 7 ~ . I
-_.- · - ----._....-
•
::, ~
-·
Lens (with Seiko #1 Shutter)
--1--
Filte r diameter: 77mm
Hood : Screw-in type
Weight: 43-6 / 16 oz (1230 g)
~ ".
64.00 39.28 28.34 20 .66 15. 44 12.32 8. 78 6.41 4. 11 3. 83 210' 162' 149' 103' 68'6" 53' 2' 40' 11 ' 26'8' 18'7' 14' 3'
22
00 00 220.31 55.25 28.53 19.23 11. 64 7. 72 5.33 4. 19 00 00 00 00 187' 103' 64 ' s· 34's· 21'9' 15' 10'
45. 36 31.44 24.06 18.32 14 . 11 11.48 8.36 6. 19 4.60 3 . 76 149' 123' liS' 86' 2' 60' 8' 48' s· 38'1" 25'6' 18' IJ' ll'
32
00 00 00 85.18 34 .71 21.80 12.50 8.07 5.48 4. 28 00 00 00 00 293' 128' 73'3' 36'7' 22' 6' 16' 3'
32 . 18 24.55 19 .84 15 .80 12 . 59 10.47 7.83 5. 91 4. 46 3.67 106' 92' 81' 8' 69'll ' 52'3' 42' ll' 34'9' 24' 17' 4' 13'6"
[ 45 45
00 00 00 oc 50 . 16 26.90 13 .95 8.62 5. 71 4. 41 00 00 00 00 00 196' 90' ll' 40' 4' 23'9' 16' 10'
38
-------------------""----- ~---~ ~- ·---- -----______ -------
, __
40
-··~--- ..~.-···-·~-- -- '·--·~-~~~~~-~·· ~~-~·----------------------- ....
Focusing Screen
Five different types of focusing screens
are available to meet individual needs
or preference.
.~
--+---
0 l No. 1
Matte
Entirely matted with
Fresnel lens
For general photography.
L_____;______ _ _ _ _
~-; f H+ ll
No.2
Fresnel lens and sectional
Convenient in arranging composition.
Most suitable for close-ups, copying, and photo-
=: t +~c~
Checker
grid markings
graphing buildings.
r------ - -
~-t- rl Entirely matted with
For general photography.
i
I! No.3 Convenient for quick, accurate focusing with
Fresnel lens and split the central split prism.
Rangefinder spot Focusing can also be done in the surrounding
prism at center
~---~
matte area.
·---
-~
i Entirely matted with
For general photography.
No.4 Convenient for quick focusing with the central
'®: Fresnel lens and micro- microprism.
I
Microprism
prism at center Focusing can also be done in the su ~,Jina I
~
i
IJ~::-_-::-:-
·-~
-. Entirely matted
For special photography.
No. 5 Center small circular par-
Suitable for high magnification c ose-up oc·l
I
41
---- ---------
• Accessories Exclusively for the Mamiya R5 67
Magnifying hood Universal sportsfinder
By attaching a magnifying Since it provides a wide range
hood in place of the focusing of view even outside the view-
hood, the ground glass focusing finder f ield, this is very conven ient
screen will be further shielded for phot ographing quickly moving
from extraneous light, offering objects such as sports events , air
easy viewing of the image either meets, races, etc. You can f ocus
outdoors or in the studio. The on the focusing screen witr the
magnifier has 2.5X magnification . sportsfinder attached to the
cam e ra.
42
·-~-'-- o •c· - - c •· •• ··- - · · - - - · " " -'· -- - -· ·• - --•• · · - -· - ,. · - - - - - - - - - - - - - - - - - - - - - - - --
I
+
120 Roll Film Holder Double Cut Film/Plate Holder Film Pack Adapter
10 exposures on 6 x 7 em format There are two types of double cut film/ Film pack used: 2-l/4X3-l / 4 inch or
Film used: 120 roll film plate holders; type A and type J . 2-l/2X3-l / 2 inch, 6 .5x9cm
Film advance: Advance lever in one Cut film used : The actual picture size will be a 6 x 7 em
stroke 2-1 / 2 x 3·1 / 2 inch, !6.5 x 9 em) ; two ex- format.
(Can also be wound in posures ; can be used for the both types
several short, defin ite of holders.
strokes) Dry plate used :
Exposure counter: Automatic resetting 2-1 / 2 x 3-1 / 2 inch, (6.5 x 9 em); two ex-
With double-exposure warning device posures; can be used for the both types
of holders.
220 Roll Film Holder When type A holder and Its sheath
20 exposures on 6 x 7 em format are used:
Film used: 220 roll f ilm Two exposures with 2·1/4 X 3·1 / 4 inch
Other specifications are the same as cut films.
120 roll film holder.
When type J holder and Its sheath
120 Roll Film Holder 6 x 4.5 are used.
16 exposures on 6 x 4.5cm format Two exposures with one-quarter of 4-3/ 4
Film used : 120 roll film X 6·1 / 2 inch, (12 x 16.5cm) cut film. Plate Holder Adapter
Finder mask for 6 x 4.5 format comes with In either case, the picture size will be a
the holder 6 x 7 em format. However, when film When this adapter is attached tv i:he
Other specifications are the same as the sheath type A is used, it will be little back of the camera, the plate ~older
120 roll film holder smaller than 6 x 7 em format in w idth. model 2 for Mamiya C can be used.
43
------ _.,_____ --
.~ ----~ ·- - ~~ ·- =~--~----
Revolving adapter
p
and M-lock. (and M-lock system
.As seen in the diagram, the R ~ lock is holders)
standard for the Mamiya RB 67 camera
body Consequently, in principle, and
adapter having an R-lock must first be
attached to the camera body. After
u- .. attach the selected film holder
thr.;ugh the adapter indicated on the
d ia;s r ~ m.
~4
------------· - _____
,_ - -------
-- - ~- - -----
4S
------------------------- ·----------·--- - ...------ -~ -
• General Accessories
Various accessories for Mamiya Press M-lock System Cut film / plate holder type J for Ma·
Series cameras can be used with the Roll film holder for Mamiya Press miya Press
RB 67.
P-lock System
Polaroid Land pack film holder for Cut film / plate holder type A for M ' ·
Mamlya Universal camera miya Press
47
• Mamiya RB 67 System Chart
-
Lens
Lens hoo d
~'
- so~~ t~s I
For 50 an d
65mm len ses
J®-i
Filter
{77 4>)) 65~. ~is i
Y2, YG, 02, ru
m
UV, SL, PL, 90mm f/3.8
r.,r~· (0-
<md ND16
1: 11 1
~LJ
Due to a modification of the product, design and specifications are subject to change without notice. 127mm f/3.8
I®
For 90, 127, 180
and 250mm len ses
'7~10
1
.~
··.~
~· (
li -r-~,~-~
~ \t:::~y
1:
t_'_~
Compartment case Carrying case 3 60mm f/6.3
For360 mm lens
1
''): 1'1
Mirror-up cable
Gelatin filter
holder release
Polaro1d and "Polacolor" are registered trademarks of Polaroid Corporation Cambridge Mass U S A
48 Graflex and Graflok are reg1stered trademarks of the Smger Company/Graflex D1v1S10n Rochester N Y U S A
• G-lock system accessories
~-
/y-----"'
1~1 ~ i~
~WJ~
120 roll film holder
No. ~No.3~ No9 No.P No~ 120 roll film holder 6 x 4.5
ch"'!' "'"'e"'je' 'P" Mre M'"!"'''m cm."-ha,,
~
a
Double cut film/plate holder type A
Double cut film/plate holder type J
Came" body
/
Revolving adapter Plate holder model 2
Film pack adapter for Mamiya C
@
~~.'~
\
Flashgun
adapter
Quick-shoe Roll film holder
model K
0 Cut film/plate
Strap
PolaroidLand pack film holder
for Mam1ya Universal