Professional Documents
Culture Documents
Hana Tabit
Ms. Burakowski
Honors Art II
3 January 2018
MET Reflection
Among the MET’s extensive collection, three pieces stuck out to me. Joan of Arc by Jules
Bastien-Lepage (1879), Pierced Window Screen (second half of the 16th century), and Drawing
for “The Card Game” by Fernand Léger (1917), captured my eye and drove my intentions
towards a large painting, lush with detail, and containing optical illusions or spiritual figures.
Jules Bastien-Lepage, Joan of Arc (100 x 110 in), Oil on Canvas. (“Joan of Arc.”).
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As a child, my biggest role model was Joan of Arc, and so to see a massive canvas dedicated to
her awakening as a soldier of God struck a chord. This two-dimensional painting was created
using oil on canvas. Within the piece, the artist painted teenage Joan of Arc looking towards
heaven with “seemingly-possessed wide-open clear blue eyes, feverishly flushed cheeks, and
[an] upturned gaze [suggesting] that she has been transported into a moment of mystical
communion with the saints,” (“Joan of Arc”). Her grasp on a nearby branch grounds her to the
natural world. Young Joan has abandoned the spinning wheel, which lies on the ground behind
her and to the left, and instead listens to God. The artist covered every part of the canvas in paint,
making the piece full and enveloping. I want to create a similar effect in my final piece by
working on a larger scale and filling the space with incredible detail. The artist has also managed
to impressively capture Joan’s figure and expression. Although she is standing still, there is
movement in her muscles, her clothing, and her expression. The figure has a strong, tangible
presence, in contrast with the angelic figures on the left of the canvas, which the artist has made
“transparent” and painted using gestures and basic features. Joan is grounded in the physical
world while simultaneously convening with the supernatural, a quality I hope to produce in my
own work.
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Pierced Window Screen, (H. 73 in. W. 51 5/16 in. Th. 3 1/4 in.).
This piece, similar to Joan of Arc, the screen is lush with detail and intricate designs. This piece
would surely produce beautiful contrast between light and shadow when in sunlight or other
light. Traditionally used as an exterior window (“Pierced Window Screen | The Met.”), this piece
was pierced and carved from red sandstone. The artist created several patterns throughout the
piece, and it is is three dimensional in that certain aspects are raised higher than others. There is
balance in how the artist has arranged the patterns to fit within an arch, surround the arch, and
frame and harmonize the entire work. This work inspired me to create intricate yet harmonious
Fernand Léger, Drawing for “The Card Game”(20 3/4 x 14 7/8 in.),
The artist of this piece used graphite and ink on off-white wove paper; subsequently mounted to
paperboard in order to create an abstract cubist work. The artist intended to capture a common
occurrence among the soldiers of World War I; the card game. As the artist had fought in the
machine-man,” (“Drawing for "The Card Game.””). The abstract cubism also fills the page in
this piece, similar to the aforementioned works. The simple lines and shading the artist used
create the illusion of a full canvas. I did not like the piece at first, because there were so many
illusions within the lines and shading that I was confused by the subject. However, through all
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this, I did see a card game. I marveled at the artist’s ability to capture his subject with only basic
lines and shading. Within the piece the artist used alternating curved and straight lines of the
Works Cited
“Drawing for "The Card Game.”” The Metropolitan Museum of Art, i.e. The Met Museum, The
“Joan of Arc” The Metropolitan Museum of Art, i.e. The Met Museum, The Metropolitan
“Pierced Window Screen | The Met.” The Metropolitan Museum of Art, i.e. The Met Museum,
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