Professional Documents
Culture Documents
Langston Hughes
(1902-1967)
Page Poem
2 Mister Sandman
4 The South
5 Summer Night
6 The Cat and the Saxophone (2 a.m.)
7 Ruby Brown
8 Being Old
9 Scottsboro
10 Song of the Revolution
11 Let America be America Again
15 Song of the Refugee Road
16 Ballad of the Landlord
18 Dark Youth of the U.S.A.
19 Madam and the Rent Man
20 Song of Adoration
21 Madam and the Newsboy
22 Theme for English B
24 Brotherly Love
25 doorknobs
26 The Negro Mother
28 Final Call
Source: The Collected Poems of Langston Hughes. Arnold Rampersad, ed. NY: Vintage Classics, 1994.
The names and dates below the poems title are for first known publication.
Note: For the IOC, copies of the poems will contain no information other than the title, the poems text, and line numbers.
Hughes 2
Mister Sandman1
Brownies Book2, Aug. 1921
1
The Sandman is a mythical character in Northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they
sleep at night.
2
a publication for children edited by W.E.B. Du Bois
Hughes 3
And for every girl and every boy
For those whod have dreams that are charming and sweet,
30 Must be good in the day and not stuff when they eat,
Beast-strong,
5 Idiot-brained.
15 Passionate, cruel,
Honey-lipped, syphilitic
Is a kinder mistress,
The sounds
10 I toss
My soul
Aching emptiness,
Desiring,
Needing someone,
Something.
In the darkness
No, make it
5 LOVES MY BABY
liquor,
BUT MY BABY
daddy.
BUT ME.
Say!
15 EVERYBODY
Yes?
WANTS MY BABY
Im your
BUT MY BABY
20 sweetie, aint I?
Sure.
BUT
Then lets
25 ME,
do it!
SWEET ME.
Charleston,
mamma!
30 !
Hughes 7
Ruby Brown
Crisis, Aug. 1926
One day,
Joy of living,
10 Uselessness of things.
Who comes?
10 Christ,
Who fought alone.
John Brown.
Moses.
Jeanne dArc.
Dessalines.
Nat Turner.
Gandhi.
25 Sandino.
Evangelista, too,
To walk with you
3
The Scottsboro case began on March 25, 1931, when nine African American youths were accused of raping two white women on a freight train near Painted
Rock, Alabama. They were taken to a jail in nearby Scottsboro. Eight of the defendants were quickly sentenced to die and one, thirteen-year-old Roy Wright, to
life imprisonment. The communist-affiliated group International Labor Defense brought about a series of appeals and retrials, which after almost twenty years
ended in the release of all defendants. Hughes was particularly moved by the case, and his participation in fund-raising for the Scottsboro defense was a significant
force in his move to the left in the early 1930s. Hughes visited the eight youths held in Kilby Prison during a tour of the South in 1931 and gives a description of
the event in I Wonder as I Wander.
Hughes 10
Song of the Revolution
Negro Worker, March 1933
And who are you that draws your veil across the stars?
The free?
America!
Hughes 14
75 O, yes,
I say it plain,
Home nowhere!
None to care!
Landlord, landlord,
5 Landlord, landlord,
Police! Police!
25 Copper's whistle!
Patrol bell!
Arrest.
Precinct Station.
Iron cell.
30 Headlines in press:
In the first version of this poem, there was no stanza break between lines 24 and 25, but line 30 was set apart by
itself. Also in that version, the headlines occupied the final four lines of the poem, not three, and were not in
capital letters. The lines become capitalized in Jim Crows Last Stand (1943), in which the last two lines are
JUDGE GIVES NEGRO 90 DAYS / IN COUNTY JAIL Those two lines became one line in the final
version of the poem, in Selected Poems of Langston Hughes (1959).
Hughes 18
Dark Youth of the U.S.A.
A recitation to be delivered by a Negro boy, bright, clean, and neatly dressed, carrying his books to school.
To mould a place
I am Dark Youth
Attucks died
That is my mission.
Is my ambition.
With the White and the Black whom nothing holds back
I said, Neither am I.
I said, Listen
Id go to Hades
He said, Madam,
I said, Naturally,
Hughes 20
Song of Adoration4
sent to the American Negro Press in Chicago, Winter 1943-1944
To go straight to damnation,
4
In one newspaper clipping, the title is Song of Odoration.
Hughes 21
Madam and the Newsboy
Negro Story, Dec. 1944-Jan. 1945
Newsboy knocks,
Is a solid sender.
Then I read
Of Who is Who
If I was Marva Id be
25 Wouldnt you?
5
Marva Trotman and Joe Louis were married in 1935.
Hughes 22
Theme for English B
Common Ground, Spring 1949
a page tonight.
6
The college, according to this description, is the City College of the City University of New York (CCNY).
Hughes 23
25 I guess being colored doesnt make me not like
the same things other folks like who are other races.
But it will be
Thats American.
7
Montgomery Bus Boycott of 1956, led by Martin Luther King, Jr., and Ralph Abernathy
Hughes 25
doorknobs
Outsider, Fall 1961
of a doorknob on a door
5 walking, talking,
to let in life
Final Call
American Dialogue, Oct.-Nov. 1964
SEND FOR THE PIED PIPER AND LET HIM PIPE THE RATS AWAY.
SEND FOR MARCUS GARVEY (WHAT?) SUFI13 (WHO?) FATHER DIVINE (WHERE?)
8
Alfred Dreyfus (1859-1935)
9
Lemon Jefferson (1880-1929)
10
Patrice Lumumba (1925-1961)
11
Joseph Cinque
12
William Lloyd Garrison, Henry Ward Beecher, James Russell Lowell
13
Probably Sufi Abdul Hamid
Hughes 29
Harlem Renaissance
The first major, self-conscious literary movement of African American writers, although there had been much
black writing in America earlier. Immediately after the First World War, as a result of a massive migration to
northern cities, a group of young, talented writers congregated in Harlem and made it their cultural and
intellectual capital. The artistic and literary of New York considered a visit to the Cotton club, where Duke
Ellington played, a necessary journey. DuBose Heyward and Julia Peterkin, southern novelists, gave in Porgy
and Scarlet Sister Mary immensely popular pictures of poor African Americans; however, the motive force of
the Harlem Renaissance was not this fashionable position among intellectual whites but the accumulation in
Harlem of an impressive group who created the true power of the Renaissance. They were Langston Hughes,
poet, novelist, and playwright; Jean Toomer, author of the distinguished collection of poetry and poetic prose,
Cane; the poets Countee Cullen and Claude McKay; the novelists Eric Waldron and Zora Neale Hurston; the
poet and novelist Arna Bontemps, who was to become the historian of the movement. The Harlem Renaissance
was the first intellectual and artistic movement that brought African America to the attention of the entire
nation. The defining event of the Harlem Renaissance was the publication in 1925 of The New Negro: An
Interpretation, an anthology edited by Alain Locke. (A Handbook to Literature, 7th ed.)