Professional Documents
Culture Documents
John Santana
Professor Ditch
English 115
6 November 2017
The novel, The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and
Annie Barrows, takes place in 1946 and centers around the character Juliet Ashton a successful
journalist who finds out about the island of Guernsey and gets to know the people and history of
the island. One of the first people she meets is Dawsey Adams, a quiet and stoic man who cant
express his love for her. The performance of gender in life and even in fiction can be very one
note due to characters always conforming to their gender norm, but that isnt always the case.
Throughout the novel these two characters break free of their prescribed gender roles by Juliet
taking on a more dominant role and Dawsey having a more passive role.
Juliet breaks free from her gender roles due to her independent personality and ability to
take charge and dominate over other characters. Juliet was orphaned by the age of 12, she was
then raised by an uncle who neglected her, and spent most of her childhood in a boarding school.
Yet, she was able to go through all that and turn out still mentally strong and grew up into a
independent, and confident woman. By Juliet being a woman it one would assume that her
[f]emininity would result in warm and continued relationships with men, a sense of maternity,
interest in caring for children, and the capacity to work productively and continuously in female
occupations (Devor 40). While she does fall under a few of theses categories she also shows her
masculinity by not being submissive and following along with whatever people say. She also
doesnt have a problem telling people to their faces that she is mad at them. This is evident in the
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scene where Mark claimed that the people of Guernsey were pretty smart because they got Juliet
to take care of their responsibilities. He pitied her gullibleness. At this point in the scene she
begins to feel that shock and anger at Mark for not caring about the child that she is taking care
of. Mark continues by talking about how Kit is a cute kid, but she shouldnt be a burden on
Juliet, to kick her out before she gets an idea of being emotionally connected. Juliet finally hits
her boiling point and at this point she couldnt find the right words to show her anger. Finally,
she told him to get out. He was taken off guard and was confused. She continued by telling him
that she never wants to see him again. Mark is represented in the book as being the common
strong, dominant man but Juliet is still able to dominate over Mark because he insults Kit and
the people of Guernsey. She lashes out because she has a strong emotional connection to them.
Her maternal care for Kit is what drives her to dominate over Mark due to her masculine
characteristic of sticking up for herself and others. By her taking a dominant stance and
confronting him she is demonstrating a masculine action due to a patriarchy that has reversed
active expressions of power as a masculine attribute which is what makes her so radical
considering the feminine way would be expressed through modes of dress, movement, speech,
and action which communicate weakness.. (Devor 40). Instead she completely controls Mark in
this situation. She showed her strength and authoritativeness over Mark which greatly contrasts
with the female gender role. Juliet embodies the way that a female character can be a radical and
Dawseys character is also radical towards the gender norm of how men should act
throughout the novel. Dawsey is the character that first reaches out to Juliet and tells her about
The Guernsey Literary Potato Peel Pie Society there in Guernsey. He also grows to have feelings
for Juliet yet struggles to actually confess his love to her.When Dawsey witnessed Juliet with
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Mark, she can see that he just stood there and stared at them both just waiting to see what would
happen. In this scene Dawsey could have been upfront about his contempt and jealousy for
Mark and to tell Juliet about his feelings. Instead, he just watches the two in silence then leaves,
which is more a characteristic of a feminine gender role. It has been accepted as a social norm
that people who communicate an air of authority or a readiness for aggression by standing erect
and moving forcefully People who attempt to control the direction of conversations seem more
masculine (Devor 43). Dawsey doesnt follow this typical example of what a man is supposed
to be like. This shows the fact that he does break away from the gender norm of being dominant
character who represents the Mark is outspoken and authoritative while Dawsey is quiet and
doesnt try to control other people. They both are two sides to the coin of man and how they can
act in accordance with other people. As Juliet came to get to know him more she came to realize
that Dawsey was very quiet and shy, that he didnt have really any friends. Unlike Mark who is
quite outspoken and dominates his surroundings and naturally gravitates people towards himself,
Dawsey is more reserved. And while showing no emotion is considered a masculine trait, shying
away from social settings and not being dominant is not. Another piece on Dawseys backstory
on how he used to be a pig farmer and how he wishes to hide that part of himself from everyone
else because he is worried may view him as being weak. By him having this insecurity that he
wants to keep secret can help those boys reading the book to understand that they dont have to
These type of characters give people a lesson on how they dont need to conform to
gender roles to be accepted and liked. Juliet is a female character who greatly goes against the
norm of what a women should act like in the sense the she isnt submissive. She even dominates
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over the strong male character of Mark. Dawsey is stoic and well composed man which shows a
conformity to him being a man but his performance can also come off as feminine due to him
being very quiet and not authoritative as the common man would be. All of this represents how
[t]here is no core or bedrock human nature below these endlessly looping processes of the
social production of sex and gender, self and other identity and psyche, each of which is a
complex cultural construction (Lorber 30). These type of characters matter because Good
stories are based on human identification That human identification shifts peoples perceptions
and understandings of the world. They now see the world through other peoples eyes (Del
Gandio 81). Juliets radicalism towards the female gender role can show girls reading the book
that they dont have to be submissive and just follow what society tells them. They too can be
strong, can be successful and dominate over others. Another good effect of these characters are
how it can relate to the reader, there are people in the story. It could be you.. It could be you and
other people Human beings are multidimensional and your characters should be too (Jason
Del Gandio 82). Dawsey is a multidimensional character by showing how he does in fact have
more layers with him due to the revelation of his past of him being a pig farmer and wanting to
hide that from everyone else which leads to him being viewed in the feminine way of being shy
and his love for Juliet and his struggle with expressing it. These characters can truly be role
models for those reading these types of stories. Stories where it radicalizes the way that people
should act. This is what progresses the idea of woman who can be masculine and men that can
be feminine.
People can see themselves in these characters and feel represented because it is a
different image than the one that society pushes on the impressionable youth. By having
characters like Juliet and Dawsey they can find themselves that rare character to connect to.
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Women have to face the stereotypes of people thinking that Women are supposed to have
"clean jobs" such as secretaries, teachers, and librarians...The best women are stay at home
moms (Brewer), is what leads to the unhealthy attachment to those norms that they find
themselves in. Men have to face the reality of not being allowed to show emotion, if a boy were
to cry then the parent may say Stop that crying right now. Only girls cry. Are you a little girl
now? Should I go buy you a little pink dress? Cut it out NOW! which is not a good reaction for
the child to experience due to the fact that gender stereotyping can be damaging to a childs
learning his or her sense of self and place in the world (Bosse). So with someone like Dawsey
who has many feminine qualities, he is able to break free and represents a side of men that
society would rather keep hidden away. Breaking free from the norms is natural. Juliet adapted
to her situations throughout life and became strong and outspoken which many girls may be able
to relate to. The same can be said for Dawsey who falls under those group of boys who are much
quieter, who are shy and dont have many friends. These characters become so much more by
Juliet and Dawsey are not one note. They each have depth to their stories. Juliet who was
raised by a neglectful Uncle grew up to be a strong independent women who was outspoken
Dawsey who was raised as a pig farmer who grew up being a quiet, shy and passive man.
Throughout the arc of these characters they go through the unconventional love story due to
Juliet being the one who takes action instead of Dawsey. From the point of Juliet noticing that
Dawsey was jealous of Mark being with her and that he didnt do anything about it to the end of
it all where Juliet is the one who proposes to Dawsey. This is one of the biggest ways that these
characters break free from the gender norm and subvert to a new kind of relationship between a
Works Cited
Bosse, Jennifer. How 'Man Up' And Other Stereotypical Sayings Hurt Boys. The Huffington
www.huffingtonpost.com/entry/how-man-up-and-other-stereotypical-sayings-
hurt-boys_us_594ac2b4e4b092ed90588b28.
www.healthguidance.org/entry/15910/1/List-of-Gender-Stereotypes.html.
Devor, Aaron. Becoming Members of Society: The Social Meanings of Gender, 35-43
Devor, Aaron. Becoming Members of Society: The Social Meanings of Gender, 35-43
Gandio, Jason Del. Rhetoric for Radicals: a Handbook for 21st Century Activists. New Society
Publishers, 2008.
Gandio, Jason Del. Rhetoric for Radicals: a Handbook for 21st Century Activists. New Society
Publishers, 2008.
Lorber, Judith. Night to His Day:The Social Construction of Gender from Paradoxes of