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Temporary portfolio of Zara Asmail containing a selection of projects.

ZARA ASMAIL

Temporary portfolio of Zara Asmail containing a selection of projects.


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Designs for the S/S 18 collection of the fashion collective RECONSTRUCT,


which I have co-founded. Presented during MBFWA RESURRECCIN S/S 18
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Designs for the S/S 18 collection of the fashion collective RECONSTRUCT,


which I have co-founded. Presented during MBFWA RESURRECCIN S/S 18
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Photography, art direction and editing for the lookbook of the


S/S 18 collection RESURRECCIN by RECONSTRUCT. RESURRECCIN S/S 18
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Photography, art direction and editing for the lookbook of the


S/S 18 collection RESURRECCIN by RECONSTRUCT. RESURRECCIN S/S 18
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Photography, art direction and editing for the lookbook of the


S/S 18 collection RESURRECCIN by RECONSTRUCT. RESURRECCIN S/S 18
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Reconstructed Converse Heels, created for the S/S 18


collection RESURRECCIN by RECONSTRUCT. RESURRECCIN S/S 18
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Reconstructed Converse Chuck Taylors, created for the S/S 18


collection RESURRECCIN by RECONSTRUCT. RESURRECCIN S/S 18
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Designs for the F/W 17 collection of the fashion collective RECONSTRUCT,


which I have co-founded. Presented during MBFWA RE F/W 17
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Photography, art direction and editing for the lookbook of


the F/W 17 collection RE by RECONSTRUCT. LOOKBOOK: RE
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Photography, art direction and editing for the lookbook created to


announced a collaboration between Concrete and RECONSTRUCT CONCRETE X RECONSTRUCT
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Photography, art direction and editing for the lookbook created to


announced a collaboration between Concrete and RECONSTRUCT CONCRETE X RECONSTRUCT
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Photography, styling, art direction and editing for the lookbook to


present the graduation collection of the RECONSTRUCT members. RECONSTRUCT GRADUATION
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Photography, styling, art direction and editing for the lookbook to


present the graduation collection of the RECONSTRUCT members. RECONSTRUCT GRADUATION
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Based on the new workerW


THE NEW WORKER
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In todays society there still isnt any room for a man to show any weakness. Men are tied up in the struggle to
portray any emotions. They are tied up in these stere-otypes, tied up in how they should see themselves and how
others perceive them. They are very conscious of their behaviour. TIED UP EMOTIONS
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The knots in the garments reflect that. The chaotic knots represent the tied up emotions that will always play its
role in the man. The clean silhouette reflects that he can still get his life under control and order it. TIED UP EMOTIONS
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The human body can form in any way, were flexible crea-tures, we can move
in any direction. Were just like paper in that sense, paper is foldable and can
stretch in different ways.
MANIPULATION
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The texture of paper, is grid like and has a simple aesthetic. Paper reacts to its environment,
just like skin and the human body does. Paper is foldable, creating different layers. MANIPULATION
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With these different layers formed, it is linked to how skin has several layers, we have
rimples and creases creating several layered textures. MANIPULATION
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We humans learn to adapt to our situation. The whole happenings of the Middle East is affecting the people whom
live there greatly. The war between civilians and their corrupt-ed government is a never ending process. There is a
certain fear that people have linked to this situation and towards the world in general too. ADAPTION
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We humans learn to adapt to our situation. The whole happenings of the Middle East is affecting the people whom
live there greatly. The war between civilians and their corrupt-ed government is a never ending process. There is a
certain fear that people have linked to this situation and towards the world in general too. ADAPTION

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