Professional Documents
Culture Documents
COURSE DESCRIPTION
This course examines the role of digital media and computers in contemporary culture
within larger histories of social and technological change. We consider the ubiquity of
computers in everyday life and the ways in which personal and collective identities
are shaped by emerging media technologies. Using a range of texts from the
humanities and social sciences, as well as works by filmmakers and visual artists, the
course provides an overview of key aspects of computer-mediated life in our digital
age. Topics include open source culture, media art practices, debates about the real
and the virtual, user-generated content and digital labor, surveillance, cyber-activism,
intellectual property, and the impact of social media. Central to our efforts will be an
examination of the ways social identities, as informed by gender, race, class, sexuality
and other vectors of difference, both shape and are shaped by media and technology.
LEARNING GOALS
Identify, describe, and explain the central critical and theoretical concepts and
methods appropriate for research on new and emerging digital media and art,
Present a detailed account of the historical context in which these concepts
were developed,
Outline and appraise major policy, ethical and identity issues involved in
contemporary digital media and art,
As part of your participation grade, you are expected to contribute 10 (TEN) weekly
reflection posts to our Blackboard Discussion Forum. Please write at least one
question as part of your response to TWO of the reading assignments. You are
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expected to follow the other posts your classmates submit. When discussing specific
sections of a reading, give reference to page numbers, so that your classmates can
easily follow your posts. I will clarify topics in summary responses, presentations and
videos after each forum has closed. Your contributions should demonstrate
engagement in our class topics and reading materials. You may also refer to examples
from your own experiences with media. While these responses are meant to be
informal, they should be written respectfully and clearly. If stating your opinion,
make all efforts to support your claims with evidence. Your responses should be
around 200 words.
Midterm exam consists of two sections: a section of short-answer questions for which
you define FIVE concepts; and a section of THREE essay questions. By short answer
I mean ONE paragraph. Essay responses should be around THREE paragraphs each.
The exam duration is 90 minutes. If you need special assistance during the exam,
please notify me at the beginning of the semester. No make-up exam will be
provided unless you provide official documentation explaining your absence.
Final exam consists of two sections: a section of short-answer questions for which
you define FIVE concepts; and a section of THREE essay questions. By short answer
I mean ONE paragraph. Essay responses should be around THREE paragraphs each.
The exam duration is 90 minutes. If you need special assistance during the exam,
please notify me at the beginning of the semester. No make-up exam will be
provided unless you provide official documentation explaining your absence.
One week during the semester you will lead the class discussion with your group.
Discussion groups will be set-up during the second week of the semester. A
successful discussion session should include the summary of the assigned article,
discussion of its relevance both to the earlier weeks topics and to the national and
local political, cultural and technological debates, and at least three discussion
questions to engage the other students into a dialogue. As your individual grade will
be based on the quality of the entire discussion session, you should collaboratively
work on the group dynamic besides your individual discussion.
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Academic Integrity and Plagiarism: Plagiarism is a serious offense. Baruch College
defines plagiarism as the act of presenting another persons ideas, research or writing
as your own, including:
--Copying another persons actual words without the use of quotation marks and
footnotes.
--Presenting another persons ideas or theories in your own words without
acknowledging them.
--Using information that is not considered common knowledge without acknowledging
the source.
--Failure to acknowledge collaborators on homework.
It is course policy to give a failing grade to any assignment that has been
plagiarized. A functional definition of plagiarism is four or more words taken from the
work of another. In addition, I am required by College policy to submit a report of
suspected academic dishonesty (plagiarism) to the Dean of Students office. This report
becomes part of your permanent file.
Your work must be your own. If you take from the work of another, footnote or
provide a citation for reference, and use quotation marks to indicate what you have
taken. If you use anothers theory and are paraphrasing it (putting it into your own
words), cite the reference. If you take materials from the web, provide a full URL for
reference.
Students submitting material previously or concurrently submitted for a grade in
any other course, whether at Baruch or elsewhere, should reveal this fact using
footnotes. If this material constitutes more than a small portion of your submission,
you should alert me to the nature of this material and obtain permission before
including the material. If you are submitting this material concurrently in another
course, you should also obtain permission from the other faculty member and advise
me when this permission is granted. Details of Baruch Colleges policies on academic
integrity can be found at:
http://www.baruch.cuny.edu/academic/academic_honesty.html
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Course Schedule
Recommended Reading:
Jay David Bolter and Richard Grusin Introduction: The Double Logic of
Remediation in Remediation: Understanding New Media
Recommended Readings:
Paul Ceruzzi Introduction and The Digital Age in Computing
James Gleick The Information Theory and The Informational Turn in The
Information: A History, A Theory, A Flood
Recommended Reading:
Janet Abbate Building the Arpanet: Challenges and Strategies in Inventing
the Internet
Fred Turner How Digital Technology Found Utopian Ideology, Lessons from
the First Hackers Conference, Critical Cyberculture Studies.
Week 6 (10/4) AI, Algorithm and Neural Network
Algorithm Code in The Johns Hopkins Guide to Digital Media
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Tarleton Gillespie The Relevance of Algorithm in Media Technologies.
The MIT Press.
The End of Code Two Wired Articles on A.I: Soon We Wont Program
Computers and What the AI Behind Alphago Can Teach Us About Being
Human
Katherine Hayles Nattarives of Artificial Life in How we Became
Posthuman.
AlphaGo, Deep Mind, Newsfeed
The Wired Microsoft Thinks Machines Can Learn to Converse by Making Chat a
Game
Required Readings
David Lyon 9/11, Synopticon, and Scopophilia: Watching and Being
Watched
Mark Andrejevic Introduction in iSpy: Surveillance and Power in the
Interactive Era. 1-21.
Recommended Readings:
Christian Fuchs An Alternative View of Privacy on Facebook.
Greg Elmer A Diagram of Panoptic Surveillance in Profiling Machines:
Mapping the Personal Information Economy The MIT Press.
Video Clip:
State of Surveillance VICE Interview with Edward Snowden
Required Readings:
Lisa Nakamura and Peter A Chow-White Introduction: Race and Digital
Technology: Code, the Color Line, and the Information Society in Race After
the Internet
Kate ORiordan Gender, Technology, and Visual Cyber Culture: Virtually
Women in Critical Cyber-culture Studies
Maria Fernandez Cyberfeminism, Racism, Embodiment Domian Errors:
Cyber Feminist Practices http://refugia.net/domainerrors/
Recommended Readings:
Faye Ginsburg Rethinking the Digital Age
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McGlotten, Shaka. Virtual Intimacies: Love, Addiction, and Identity @ the
Matrix. Queer Online, Media, Technology and Sexuality
Read: Drery, Mark, Black to the Future: Afrofuturism 1.0, Flame wars: the
discourse of cyberculture. Duke University Press, 1994
Recommended Readings:
EFF Zero Rating: What it is and Why You Should Care?
Jennifer Holt Regulating Connected Viewing: Media Pipelines and Cloud
Policy in Connected Viewing: Selling, Streaming, Sharing Media in the
Digital Era
Video clip: Ben Mendelsohn Buried, Bundled and Behind Closed Doors Video
Readings:
Friedrich Kittler Science as Open Source Process in New Media, Old
Media: A History and Theory Reader
Steven Weber Property and Problem of Software and What is Open Source
and How Does it Work? In The Success of Open Source
Open Source Hardware Statement of Principles
Video Clips:
Rip! A Remix Manifesto Video Watch in the Class Relates to Creative
Commons,
Recommended Readings:
McKenzie Wark A Hacker Manifesto. Anarchitexts.
Gabriella Coleman Our Weirdness is Free: The Logic of Anonymous-Online
Army, Agent of Chaos and Seeker of Justice. Negative Infinity, Triple
Canopy, 15, 2011.
Alexander Galloway Possibility. Anarchitexts, pp. 284-286.
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Video Clips:
The Internets Own Boy
Tribe, Mark. Dystopia Files. http://www.marktribe.net/dystopia-files/ [Watch
the 3 videos]
Links:
http://www.tacticalmediafiles.net
Required Readings:
Katherine Hayles How We Became Posthuman: Virtual Bodies in Cybernetics,
Literature, and Informatics. Prologue and Virtual Bodies and Flickering
Signifiers
Eugene Thacker What is Biomedia?
Donna Haraway A Cyborg Manifesto
Recommended Readings:
Thomas, D. Feedback and Cybernetics: Reimaging the Body in the Age of
the Cyborg in Seth Giddings and Martin Lister (eds.) The New Media and
Technocultures Reader. New York and London. Routledge.
Andy Miah Posthumanism: A Critical History in Medical Enhancements
and Posthumanity.