Professional Documents
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USERS MANUAL
Version 2
M2000
STUDIO EFFECTS PROCESSOR
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TABLE OF CONTENTS
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PRECAUTIONS WELCOME
Congratulations on the purchase of your new M2000.
We hope, that you will have as much pleasure using it
WARNING - THIS APPARATUS MUST BE
as we had making it.
EARTHED
The M2000 is basically two separate effect Engines housed in the
Use only a 3 prong grounded AC line cord like the one
same box. They can be used as such but they can also work
supplied with the M2000.
together in a number of Combined configurations. The outputs of
Be advised that different operating voltages require the use of a the two Engines are mixed down to a common stereo output.
different type line cord and attachment plug. The general Control of the M2000 is accomplished by moving
In doubt contact your TC distributor. the cursor with the cursor keys; value changes are made by
turning the Adjust wheel.
Check the voltage in your area and use the correct type. The rest is simple. You select the area that you wish to control by
pressing the function keys on the front of the M2000; i.e., if you
Voltage Line plug according to standard want to Recall you press the RECALL key.
Mount the M2000 with a little space above and below in a well About this Manual
ventilated rack. Don't block the top or bottom. Many people in the music business have an aversion to reading
manuals. We understand that. So if you feel like starting without
Don't expose the M2000 to rain or moisture to prevent damage reading the whole manual, simply: Plug & Play. You can always
to the M2000 and the surroundings. use the manual for checking out areas that you have questions
about or if you want to dig deeper into the unit. Refer to the
Don't rely solely on the front screws when mounted in touring
Table of Contents for further information.
rack. Support the back of the M2000 as well.
On the other hand, you might want to know a little more about
Please report any shipment damage or equipment malfunctions the M2000 before you start pressing keys. The manual will take
to your dealer, TC distributor or the TC head office in you step by step through all of the M2000 functions. If you want
Denmark. to read about a specific function, please refer to the Table of
Contents.
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POWER + MEMORY CARD PPM + INDICATORS SETUP SECTION ENGINE 1 OR 2 COMBINED 1+2 CONTROL SECTION
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Notes:
To accomodate International regulations, we have also added a back panel power switch.
You dont need to use the power switch on the rear panel. Use the front panel power switch instead.
Remember to use the left input when youre using only one input.
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RECALL + SNAPSHOTS
The Recall Displays Combined Recall presets are available from the Combined Recall.
Normal RAM bank:
The Recall display is the homepage of the M2000. This means that you return to this display whenever you exit any other display of the The M2000 is capable of Recalling Combined presets, meaning a This bank can hold up to 128 of your normal presets.
M2000. preset for each Engine in a combination. Combined RAM bank:
The Recall display is split into two halfs, showing the presets of both Engines at the same time. Engine 1 is always the top half while A Combined preset consists of two normal presets and the The Combined Ram bank can hold up to 128 of your Combined
Engine 2 is the bottom half of the display. Routing of the M2000: i.e. by Recalling Combined preset 30, a presets (see Combined presets).
Chorus will be loaded into Engine 1; a Reverb will be loaded into
If you want to have only one effect, use one engine and set the other in bypass mode. Engine 2, and the Routing will change to Serial (see Routing). The two Ram preset banks are located after the corresponding
Rom banks . This means that you scroll through the 128 Rom
Recall Display Algorithm type Primary parameter Edited flag Preset number To Recall a Combined preset: presets to enter the Ram bank.
Press the Combined Recall key and scroll through the
presets using the Adjust wheel. Press OK when you For fast RAM access press shift and turn Adjust
Engine 1 Bank indicator find the right preset. wheel one click to the right.
(RAM/ROM)
The Preset number and the OK key will be blinking while you
are previewing, indicating that the shown preset is not Recalled Snapshots
Preset name
yet. The Snapshots are fast Recall keys. Store your favorite
A Combined preset is made out of two normal presets. This presets or use the Snapshots as four compare keys.
Engine 2
means that when you return to the normal Recall display (the
Homepage) the M2000 will display the numbers and names of
the two presets that the Combined preset consists of. The Edited
flag will light if the presets have been modified.
128 RAM 128 RAM A Snapshot will always include both Presets, and Routing just
PRESETS
Your own presets
Routing mode PRESETS like a Combined preset.
With the Snapshots you are able to switch between completely
Preset banks
different configurations with the touch of a single key.
TAKING A SNAPSHOT:
The M2000 contains four different preset banks. Each bank can When you want to Take a Snapshot of your M2000 setup, press
hold 128 presets. Shift and the Snapshot key where you want to store.
The four banks are as follows:
Another way of Recalling is to use the Wizard described later in RECALLING A SNAPSHOT:
Recalling a Preset this section (see The Wizard). The Preset number and the OK Normal ROM bank: Recall of a Snapshot is very easy as well: Simply press the
When you wish to Recall a preset, simply use the This bank contains 128 normal factory presets. The presets are Snapshot you wish to Recall and the M2000 will change the
key will be blinking while you are previewing, indicating that the
ADJUST wheel to scroll through the presets and press available from Engine 1 and Engine 2. whole setup.
shown preset is not Recalled yet.
OK to Recall. Use the Cursor keys (or the other Recall key) to access the other Combined ROM bank:
Engine. The Combined bank contains 128 Combined factory presets. The
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The Serial mode is a Stereo In/Out This mode is for Dual Mono In/Out If you want your vocal to have a unique livingness, or the reverberated signal to be slightly
Routing. The Serial mode is very useful Routing. Left In/Out is always ENGINE 1 detuned, simply connect the pitch shifter or chorus in series with the reverb.
when you want two independent effects and Right In/Out is ENGINE 2. The Dual
in the same signal path; i.e., from a Mono is very useful when you want to There are numerous applications in this mode - try them out.
Keyboard through the M2000 Reverb and Chorus to The mixer. use the M2000 as two independent Inserts.
Parallel Stereo
The Parallel mode is a stereo In/Out When you select the Stereo Routing, the
Routing. Both Engines will work as stereo two Engines will link together to perform Two individual inserts on your mixer
effects and their Output will be mixed true Stereo. This means that the preset of Dual mono mode
down to a stereo signal. With this Routing, Engine 1 will be copied into Engine 2 and In the dual mono mode you are able to use two completely separate mono effects at the same
the M2000 can be used as two parallel effects on the same stereo the Edit pages will lock together. The Stereo Routing is indicated time. It can be equalizers or compressors or whatever you can imagine.
source. You may also set the I/O menu to left input to get two by the two Edit LEDS which will be lit simultaneously. Left and
independent stereo-out effects on the M2000 from a single send on Right channel audio path are completely separated in this
the mixer. Routing.
The Dual input mode is a Dual mono In / When the Preset Glide Routing is se-
stereo Out Routing. Left In is always lected, the M2000 will perform preset Post Production
attached to ENGINE 1 and Right In is changes by crossfading the current Effect Stereo mode
attached to ENGINE 2. Using this Routing enables you to get two and the new preset. This gives you a very When running in stereo mode both engines are linked in stereo and both channels audio path
different effects with separated inputs; i.e., connect Aux 1 from smooth change of effects; i.e., allowing a Delay to keep repeating are totally separated. This means that you can process Dolby Surround materials without
your Mixer to Left In and Aux 2 to Right In. You now have while a Chorus is being faded in. destroying the hidden information. Use this mode when adding reverb to your recording.
access to two separate effects with a common stereo output. Set The glide time is located in the Utility menu (see Util/MIDI).
the individual Preset output volumes (Combined Edit) to Please note that only one Engine is available while the M2000 is
achieve the correct effects balance. in the Preset Glide Mode.
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UTIL/MIDI
How to move around MIDI Out Memory Protect
In the Util/MIDI menu you always move by pressing the Channel Protect
Cursor keys and change values by dialing the Adjust Sets the sending MIDI channel of the M2000. This parameter sets the Memory protect On or Off. When the
wheel. Filter Protect is activated the Ram presets inside the High and Low
Sets wether the current section of the M2000 should send out limit are write protected.
Display MIDI Control changes (CTRL) and MIDI Program changes Low Lim
Viewing Angle: (PROG) or not; i.e., when Filter is set to PROG the M2000 will Sets the Low limit of the Memory protect. The current number is
Adjust for best contrast on the LCD display. only send out MIDI Program changes. included in the Protect.
Offset High Lim
With this parameter you are able to add or subtract to the out- Sets the High limit of the Memory protect. The current number is
going Program change; i.e., the outgoing Program Change is included in the Protect.
Preset glide: preset 123, and the Offset is set to +1 the Program Change will Snapshot Protect
Glide time now be 124. Enables or disables the Protect of the Snapshots. When activated
This parameter sets the glide time of the incoming preset. The the Snapshots are write protected.
parameter is only active when Preset glide Routing is selected
(See Routing).
MIDI Map
MIDI Map Memory Backup
In the MIDI section you are able to see the MIDI setup Sets the current MIDI Map On or Off. Mem > Card
of both Engine 1, Engine 2 and the Combined section Prg. In Insert a PC-CARD Card in the card-slot and press OK. All Ram
at the same time. The current Program change Maps to a M2000 program (See presets of the M2000 will now be backed up to the Memory
Maps to). Card.
MIDI In Maps to Card > Mem
The current incoming Program change, set in Prg. In, will be Insert the PC-CARD Card containing your presets and press OK.
Channel changed to the Program number of this parameter. All Presets will now be Stored back into the M2000 Ram.
Sets the Channel of which the current Engine will respond to. Reset Map Warning:
When set to Omni the Engine will respond to all channels, When Press OK while this parameter is selected and your MIDI Map This action will destroy ALL existing Ram Presets of the M2000.
set to off no MIDI will be received. will be Reset. Mem > Midi
Filter Connect your M2000s Midi Out to a another M2000, a
Sets whether the current section of the M2000 should respond to Sequencer or any other Midi Recordable device. Press OK and
MIDI Control changes (CTRL) and MIDI Program changes
(PROG) or not; i.e., when Filter is set to PROG the M2000 will Security the M2000 will perform a Midi bulk dump of all Ram Presets.
Midi > Mem
only respond to MIDI Program changes. Security Lock Connect the Storing device to the M2000s Midi In and press OK.
Offset Press OK while this parameter is selected to Security lock the
The M2000 is now ready to receive a Midi bulk dump containing
With this parameter, you are able to add or subtract to the M2000. When locked, you will have to dial the PIN-Code shown
Ram presets. WARNING this action will destroy ALL existing
incoming Program change; i.e., the incoming Program Change is below to access the M2000.
Ram Presets of the M2000.
preset 123, and the Offset is set to +1, the Program Change will PIN-Code
now be 124. Set your own PIN-code for the Security lock by Dialing the
Prg. Bank Adjust Wheel.
Determines which Bank an incoming preset should refer to, Pedal
Ram/Rom. If you should forget your PIN-code, please enter the Reset page. Pedal
This will release M2000 from the locked state. (You do not have The Pedal input can control any one of four different features:
Sys-ex id to run any of the reset functions). Engine 1 Bypass, Engine 2 Bypass, Engine 1+2 Bypass and Tap
Sets the Sys-Ex ID number of the M2000. tempo.
Select by turning the Adjust Wheel.
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TUNER SCREEN
Tap Tempo Tap/Subdivision
The Tap Tempo key is similar to its cousin Learn on the TC This is read only parameters displaying the tapped time and the Deviation in cents
2290 Digital Delay. Only the M2000 Tap Tempo key can control Subdivided time in milliseconds. Tap Time Subdivision is
various parameters: Delay time, Decay time, Chorus speed, etc. corresponding to the parameter in your preset.
When you press the Tap key, a Tempo menu pops up. If no further Select guitar/bass
actions are made, the Tempo menu will disappear after a few The parameters controlled by the Tap key or note set manual
seconds. Detected note
The Tap key is attached to a default parameter in each effect type. Reverb Decay parameter
Master tune 440-445Hz
This means that the function of the Tap key changes along with Delay Delay time
the presets (See default list later in this section). Chorus Speed
Flanger Speed
The Tempo Menu Phaser Speed
The Tempo you tap is always measured in BPM (Beats Per Tremolo Speed MIDI Monitor Tuner
Minute). The Tempo menu is able to recalculate the tapped time Panner Speed Press Shift - Util/Midi to access MIDI Monitor. Press Shift - Routing to access the Tuner of the M2000.
into Subdivisions of the BPM. Simply set the Tempo menu to the
Subdivision you like, and Tap the BPM on the Tap Tempo key. Press and hold TAP for 3 seconds to learn MIDI In the MIDI Monitor, you are able to see all MIDI actions When Tuner is selected, the Outputs will be muted.
You also have the possibility of changing the Tempo using the tempo (MIDI-Clock). received by the M2000. The actions are displayed according to Select Guitar/Bass/Chromatic/Manual mode by turning the
BPM parameter in the Tempo menu. When a preset has been the current channels. ADJUST wheel. When Guitar or Bass is selected, the Tuner will
Tapped, the parameter attached to the Tap function will be only respond to notes corresponding to the strings of these
displayed in BPM in the Tempo Menu. Prog. Displays Program changes. instruments.
Note Displays Note On/Off. When set to Manual, you must select the desired Note using the
Tempo BPM Cntl Displays Control changes ADJUST wheel.
The BPM will display the Tapped tempo (BPM is equal to the 1/4 Sys-x Displays System exclusive commands In the Master section, you can Calibrate the Tuners default, 440-
Subdivision). You can also set your Tempo with this parameter Chan Displays the Midi channels 445 Hz.
using the ADJUST wheel. The detected note will be shown in the lower right corner. When
Subdivision Press any key to exit MIDI Monitor. the horizontal marker is 0, you are tuned in.
Sets the subdivision of the Tempo. If the Subdivision is set to 1/8,
the actual Tempo will be twice as fast as the tapped time, etc. The Press any key to exit Tuner.
following subdivisions are possible:
1,1/2,1/4,1/4T,1/8,1/8T,1/16,1/16T,1/32,1/32T (T for triplets).
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Morphing threshold
Dynamic Morphing
The Dynamic Morphing function is a great new way of
Edit Combined Edit interaction between your source signal and the Effect. Morph direction 1-2:
In the Edit menu, you always move by pressing the Cursor keys See illustration on next page If this box is selected, Engine 1 will be active while the Input is
and change values by dialing the Adjust wheel. When activated, the M2000 will morph between the two Engines below Threshold.
The relative Levels of the two Engines can be adjusted in this according to your Input level. This is a function for quick
Expert mode display. The range is: off - 0.0 dB. seamless changes of an Effect.
When pressing OK on the Expert line, the M2000 will enable you
to access a detailed Edit mode of the Reverbs. These levels affect both analog and digital outputs. Think about the vocal in a ballad being soft and subtle during the
verse and then rising to heartbreaking heights in the chorus. Now Morph direction 2-1:
Since the two different Edit modes (User & Expert) are not Move the marker by pressing the Cursor keys; change values imagine the Reverb changing along with it, from a small discreet If this box is selected, Engine 2 will be active while the Input is
compatible, it is NOT possible to return to the User Edit mode. using the Adjust wheel. Room in the verse, to a Big Bright Hall in the chorus. below Threshold.
When Storing a preset Edited in Expert mode, the current preset
will remain in expert mode forever. The Engine Out Levels are identical with the Outlev. parameter Simply select the two presets in the current Engines and then Note that the max. level of the Engines is set by the Engine Out
in the Edit page and will, at all times, be corresponding with activate the Dynamic Morphing function. Set the Threshold and bars above Dynamic Morphing.
these. the Speed of the Dynamic Morphing and check out the result.
The Dynamic Morphing is Stored along with Combined Presets.
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THE PROGRAMS
Reverb Programs the value will result in a more dense reverberation tail. Dont Chorus Programs Flanger Programs
set the value too high, as it will result in a not natural
HALL-ROOM-PLATE-AMBIENCE-GATED These presets are capable of producing a smooth natural The Presets range from very soft add-on effects to the
sounding reverberation tail.
All Reverb presets both have a User and an expert page. sounding stereo chorus effect. The Hicut filter gives you wildest guitar sound you can imagine. The Feedback filters
Room shape
The number of parameters depends on which preset you the ability to make it sound very warm. are capable of controlling both high frequency and low
Here you can choose between different room shapes.
have selected. frequency feedback.
Changing the room shape will change the initial reflections.
Size mult.
Size multiplication factor. With this parameter you can
change the size of the room. Only the initial reflections are
influenced by this factor.
Lo Crossover
Crossover frequency between low and mid band
USER PARAMETERS reverberation filter. USER PARAMETERS USER PARAMETERS
Mid Crossover
Decay Crossover frequency between lo-mid and hi-mid band
Sets the decay time. The value indicates the time to where Speed Speed
reverberation filter. Controls the rate of sweep in a range from 1 sweep every 10 Controls the rate of sweep in a range from 1 sweep every 10
the reverb tail is damped to -60dB.
Hi Crossover seconds to 10 sweeps every second. seconds to 10 sweeps every second.
Pre-delay Crossover frequency between mid and high band
The time to arrival of the first reflection. Depth Depth
reverberation filter. Determines how wide a modulation (sweep) is produced. Determines how wide a modulation (sweep) is produced.
Reverb Lo
Initial lev. Phase Phase
Adjust the low frequency reverberation time.
Sets the Initial reflection level. Determines the sine wave modulation phase shift between Determines the sine wave modulation phase shift between
Reverb Mid
Rev.lev. left and right channels. At 0 the left and right modulation left and right channels. At 0 the left and right modulation
Adjust the mid frequency reverberation time.
Level of the reverberation tail. will move in sync. At 180 the modulation will move the will move in sync. At 180 the modulation will move the
Reverb Hi
Rev.width channels against each other. channels against each other.
Adjust the high frequency reverberation time.
This parameter adjust the stereo width of the reverb tail. HiCut Freq. FB Level
Expert mode
Rev Feed Hicut shelving type filter (6dB/oct). This parameter sets the Controls the amount of effect signal routed back to the
Press OK here to enter expert mode. Remember there is no
Determines how fast the reverberation will build up. hinge point of the shelving filter. flanger inputs. Select negative feedback to change feedback
way back to normal user parameters, after adjusting any
Rev.diff HiCut Level phase.
expert parameters.
Imposes the characteristics of the early reflections on the Sets maximum depth of cut above the HiCut shelving Delay
HiCut freq. later reverberation.
Sets the cutoff frequency of the HighCut filter. frequency. Controls the length of delay time.
Distance Delay FB HiCut
HiCut level The relative distance control varies the mix relations
Damping ratio in dB of the HighCut filter. Controls the length of delay time. Feedback High Cutoff frequency. Signal is damped 6dB/oct
between early and later reflections. Simulating how far away Mix above this frequency.
Mix you are from the sound source.
Mix between direct and effect. Mix between direct and effect. FB LoCut
Difusor type Out Level Feedback Low Cutoff frequency. Signal is damped 6dB/oct
Out Level The natural room mode peak frequencies and the smoothness
Adjust output level. Use this parameter to match levels Adjust output level. Use this parameter to match levels below this frequency.
of the tail are affected by this parameter. between presets. HiCut Freq.
between presets.
Mod Rate (see chorus)
The MODRATE varies the rate of modulation of the HiCut Level
EXPERT PARAMETERS recirculating delay paths simulating the reverb tail.
(only additional parameters mentioned) (see chorus)
Mod Depth Mix
Controls the amount of delay path modulation or "wander" Mix between direct and effect.
Diffuse in the reverb.
This parameter sets the degree of wall diffusion. Increasing Out Level
Adjust output level. Use this parameter to match levels
between presets.
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USER PARAMETERS
Intensity
Phaser intensity.
Speed
Controls the rate of sweep in a range from 1 sweep every 10
seconds to 10 sweeps every second.
USER PARAMETERS Depth
Determines the depth of modulation.
Delay HiCut Freq.
Controls the length of delay time. Hicut shelving type filter (6dB/oct). This parameter sets the USER PARAMETERS
FB Level hinge point of the shelving filter.
Controls the amount of effect signal routed back to the input. HiCut Level Mix
FB HiCut Sets maximum depth of cut above the HiCut shelving Mix between direct and effect.
Feedback High Cutoff frequency. Signal is damped 6dB/oct frequency. Out Level
above this frequency. Mix Adjust output level. Use this parameter to match levels
FB LoCut Mix between direct and effect. between presets.
Feedback Low Cutoff frequency. Signal is damped 6dB/oct Out Level Voice
below this frequency. Adjust output level. Use this parameter to match levels Sets which voice you are editing.
HiCut Freq. between presets. Pitch
Hicut shelving type filter (6dB/oct). This parameter sets the Sets the pitch of the current Voice (0-1200).
hinge point of the shelving filter. Level
HiCut Level Sets the level of the current Voice.
Sets maximum depth of cut above the HiCut shelving Pan
frequency. Sets the panning of the current Voice.
Mix Delay
Mix between direct and effect. Sets the Delay of the current Voice.
Out Level
Adjust output level. Use this parameter to match levels
between presets.
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PC-CARD Interface
Place cursor here Connector: PC-CARD Type 1 cards
and press OK to Standards: PC-CARD 2.0, JEIDA 4.0
finalize session. Card Format: Supports up to 2 MB SRAM
Control Interface
MIDI: In/Out/Thru: 5 Pin DIN
Pedal: 1/4 inch phone jack
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- The power switch on the rear panel is switched off. Function Transmitted Recognized Remarks
Basic Channel Default 1-3 1-3 Eng1: 1, Eng2: 2, Com: 3
The input PPM meters dont peak out. Changed 1-16 1-16
- You are using analog inputs, but the input selector in the I/O menu is set to digital in. Mode Default
- The analog input level is set too low. Messages X X
Altered
Note Number X X
Only left input PPM meter is showing a signal. True Voice X X
- Set input selector (in I/O menu) to Both Velocity Note ON X X
Note OFF X X
No sound through the M2000. After Touch Keys X X
Chs X X
- You are using analog inputs, but the input selector in the I/O menu is set to digital in.
Pitch Bend X X
Control Change from 10 and up from 10 and up Cntl.#10: Mix (If available)
You cant turn the power off. Cntl.#11: Output Level
- Hold the power switch pressed for at least 3 seconds. Cntl.#12: First Param. on Edit page.
Cntl.#13: Second Param. on Edit page.
All Program sounds phased Cntl.#14: Third ....
Cntl.#15: ...
- You are using the M2000 in combination with a mixing console (send/return), but have not set Mix to 100%. You can do this permanently
Cntl.#16: ...
in the I/O menu.
Cntl.#17: ...
Prog Change O O
True# 0-127 0-127
System Exclusive O O
Common :Song Pos X X
:Song Sel X X
:Tune X X
System real time :Clock O O
:Commands X X
Aux Messages :Local ON/OFF X X
:All Notes OFF X X
:Active Sense X X
:Reset X X
Notes
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NOTE
This equipment has been tested and found to comply with the Certificate Of Conformity
limits for a Class B digital device, pursuant to part 15 of the
FCC rules.
These limits are designed to provide reasonable protection TC Electronic A/S, Grimhjvej 3, 8220 Brabrand, Denmark,
against harmful interference in a residential installations. hereby declares on own responsibility that following
This equipment generates, uses and can radiate radio product:
frequency energy and, if not installed and used in accordance
with the instructions, may cause harmful interference to radio Wizard M2000 Digital Signal Processor
communications. However, there is no guarantee that
interference will not occur in a particular installation. That is covered by this certificate and marked with CE-label
If this equipment does cause harmful interference to radio or conforms with following standards:
television reception, which can be determined by turning the
equipment off and on, the user is encouraged to try to correct
EN 60065 Safety requirements for mains
the interference by one or more of the following measures:
(IEC 65) operated Electronic and related
apparatus for household and similar
Reorient or relocate the receiving antenna.
general use
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different
from that to which the receiver is connected. EN 50081-1 Electromagnetic compatibility - Generic
Consult the dealer or an experienced radio/TV technician emission standard - Part 1: Residential,
for commercial and light industry.
help.
EN 50082-1 Electromagnetic compatibility - Generic
The user may find the following booklet, prepared by the immunity standard - Part 1: Residential,
Federal Communications Commission, helpful: commercial and light industry.
You are cautioned that any change or modifications not Anders Fauerskov
expressly approved in this manual could void your authority to Managing Director
operate this equipment.
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