Publications for Steven Maras
2015
Maras, S. (2015). Jimmy McGovern through an Ethical Lens.
Journal of Screenwriting, 6(2), 203-220. <a
href="http://dx.doi.org/10.1386/josc.6.2.203_1">[More
Information]</a>
Maras, S., Nip, J. (2015). The Travelling Objectivity Norm:
Examining the case of the first Chinese journalism handbook.
Journalism Studies, 16(3), 326-342. <a
href="http://dx.doi.org/10.1080/1461670X.2014.895500">[Mor
e Information]</a>
2014
Maras, S. (2014). Media Accountability: Double Binds and
Responsibility Gaps. Global Media Journal: Australian
Edition, 8(2), 1-14.
2013
Maras, S. (2013). Objectivity in Journalism. Cambridge: Polity
Press.
2012
Maras, S. (2012). Contesting the Public Interest: The Selling of
the Pentagon as a Case Study in Objectivity. ANZCA 2012
ADELAIDE: Communicating Change and Changing
Communication in the 21s Century, Adelaide, Australia:
Australian and New Zealand Communication Association.
2011
Maras, S. (2011). Coupling and Decoupling Theory and
Practice: Rationalising Media and Journalism Education in the
University (after James W. Carey). China Media Report, 10(3),
25-29.
Maras, S. (2011). Some Attitudes and trajectories in
screenwriting research. Journal of Screenwriting, 2(2), 275-286.
2009
Maras, S. (2009). In Search of "Screenplay": terminological
traces in the Library of Congress Catalog of Copyright Entries:
Cumulative Series, 1912-20. Film History: an international
journal, 21(4), 346-358. <a
href="http://dx.doi.org/10.2979/FIL.2009.21.4.346">[More
Information]</a>
Maras, S. (2009). Screenwriting: History, Theory and Practice.
London, United Kingdom: Wallflower Press.
2008
Maras, S. (2008). On transmission: a metamethodological
analysis (after Regis Debray). FibrecultureJournal: internet
theory criticism research, 12, 1-20.
2007
Maras, S. (2007). Communicating Criticality. International
Journal of Communication, 1, 167-186.
Maras, S. (2007). Reading James W. Carey on the University
Tradition. Australian Journal of Communication, 34(3), 23-37.
2006
Maras, S. (2006). Social Capital Theory, Television and
Participation. Continuum, 20(1 March), 87-109.
Maras, S. (2006). The emergence of Communication Studies in
Australia as 'curriculum idea'. Australian Journal of
Communication, 33(2,3), 43-62.
Maras, S. (2006). Travelling with James W. Carey. Media
International Australia, 120(August 2006), 21-34.
2005
Maras, S. (2005), Our Search for Meaning in Changing Times:
An Interview with Bill Ticehurst.
Maras, S. (2005). Reflections on Adobe Corporation, Bill Viola,
and Peter Ramus while printing Lecture Notes. M/C Journal,
8(2), 1-5.
Maras, S. (2005). Some Theses on Critical Communications
Practice. Australian & New Zealand Communication
Association International Conference, ANZCA 2005:
Communication at Work: Showcasing communication
scholarship, Christchurch (NZ): Australian and New Zealand
Communication Association.
Maras, S. (2005). The problem of theory and practice: towards a
constitutive analysis. Journal of Media Practice, 6(2), 93-103.
2004
Maras, S. (2004). Notes on a Genre to Come: Screenwriting and
the 'Thesis-Film'. Cultural Studies Review, 10(2), 85-98.
Maras, S. (2004). The photoplay as emergent media form:
Victor O. Freeburg and Vachel Lindsay on photoplay
aesthetics. Screening The Past, 17, 1-7.
Maras, S. (2004). Thinking about the History of ANZCA : an
Australian Perspective. Australian Journal of Communication,
31(2), 13-51.
2003
Maras, S. (2003), An ANZCA Dossier
[http://www.anzca.net/about-anzca/dossier.html].
Maras, S. (2003). Communication and Social Capital Theory: A
Preliminary Discussion. Southern Review: communication,
politics and culture, 36(3), 44-63.
Maras, S. (2003). Presidents Reflect on ANZCA: Past and
Future. Australian Journal of Communication, 30(1), 1-24.
Maras, S. (2003). The Communications Environment. Media
International Australia, 106(February 2003), 94-109.
Maras, S. (2003). The Status of the Film Script Under US
Copyright Regulations: A Historical Note. Media and Arts Law
Review, 8(1), 1-14.
2002
Maras, S. (2002). A Semiotics of the Proxy. Social Semiotics,
12(1), 115-129.
Green, L., Maras, S. (2002). From Impartial Objectivity to
Responsible Affectivity: Some Ethical implications of the 9/11
Attacks on America and the War on Terror. Australian Journal
of Communication, 29(3), 17-30.
Maras, S. (2002). Re-Defining the Politique: Screenwriting,
Auteur theory, and the Separation of Conception and Execution.
Interdisciplinary Humanities, 19(1/2), 65-74.
Maras, S. (2002). The Medium as Platform: An Emerging
Sense of Medium. NMEDIAC: The journal of New Media and
Culture, 1(2).

2001
Maras, S., Sutton, D., Benjamin, M. (2001). Multimedia
Communication: An Interdisciplinary Approach. Information
Technology, Education and Society, 2(1), 25-49.
Maras, S. (2001). Paul Patton, Deleuze and the Political.
Southern Review: communication, politics and culture, 34(1),
125-128.

2000
Maras, S. (2000). Beyond the Transmission Model: Shannon,
Weaver, and the Critique of Sender/Message/Receiver.
Australian Journal of Communication, 27(3), 123-142.
Maras, S., Sutton, D. (2000). Medium Specificity Re-visited.
Convergence: the international journal of research into new
media technologies, 6(2), 98-113.
Maras, S. (2000). One or Many Media? M/C Journal, 3(6).
Maras, S. (2000). The Rhetoric of Interactivity. Australian
Screen Education, 23, 36-44.
Maras, S. (2000). Thinking with the Medium: An Approach to
Skilling. The UTS Review, 6(2), 141-166.
Maras, S. (2000). Translating Michele Le Doeuff's Analytics.
In Max Deutscher (Eds.), Michele Le Doeuff: Operative
Philosophy and Imaginary Practice, (pp. 83-104). Amherst,
NY: Humanity Books.