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Piano/Vocal 1
AWAY
[Rev. 11/16/14]
Lively Music and Lyrics by
q = 116 SHENELLE AND SPENCER WILLIAMS
stomps 2 3 4
#4
Ens. & 4
J J J
= low sounding drum
5 6 7
FEMALE ROMANI SOLO:
# j j j j
& #j j
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
#
{ &
J J J
Drums/Percussion simile
simile
?# r
{
>
> >
=
8 9 FEMALE ROMANI SOLO: 10
#
& #j J j j j j
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
MALE ROMANI SOLO:
# j j j j
&
Hey, Hey, A way. Hey, Hey, A way.
=
11 12 13
# j j
& j J
# #
Hey, Hey, A way. Let the mu - sic free you. ha ha ha!
# j j
& j j
Hey, Hey, A way. Let the mu - sic free you. ha ha ha!
Copyright 2014
A
2
14 WOMEN: 15 16
# j j
& j j j j
#
ff Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
MEN:
# j j
& j j j j
{ #
ff Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
E simile
# > > > > >
& V V V V V V
f
B7/E
E
#
& #w
ff
w
w
+Gtr./Drums
?#
w w w
w w w
Drums/Percussion
{
?#
=
> >
r
>
simile
17 18
# j j j
& J
#
Let the mu - sic take you, Hey, Hey, A - way.
div.
# j j j
{ &
# J
Let the mu - sic take you, Hey, Hey, A - way.
E
#
& <#> w w
w
w w
?#
{ w
w
w
w
19 20 21
3
# j j j j j J
& # #
Hey, Hey, A way. Hey, Hey, A way. Let the mu-sic free you.
# j j j j j j
{&
Hey, Hey, A way. Hey, Hey, A way. Let the mu-sic free you.
B7/E
#
& w #w w
w
w w
w
w
?#
{
= w
w w
w
w
w
22 MALE ROMANI SOLO: 23 3 24
#
& #w
J
Come, come with me let's tra - vel a - way.
mf
ENSEMBLE:
# j j j j j j
& #
p
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
E B7
#
& w
w w
w #w
w
w
w w
w w
w
?# w w
{
=25
w
26
w
27
w
w
3
# #
& J
Sing, sing with me, Let's sing to the
# j
& # J j j j j
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
E
#
& <#> w
w w
w w
w
w
w w
w w
w
?# w
{ w w
w
4 B
28 29 30
# 3 # n
&
J
day. A day when
# j j j J j j
& # #
Hey, Hey, A way. Let the mu-sic free you. Hey, Hey, A way.
A
> > > >
V V V V V V V V V V
B7 A
# j
& #ww #w
w
w
w w
w
? # w
{ w
J
31 32 33
FEMALE ROMANI:
#
& j
A
#
& J
all our wor ries are gone. A
# j j
& <n>j j j j
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
C G D
#
& j j j
? # w
{
w J
5
34 35 36 37
# 3
& J
day, day when we stand to - ge-ther un-der neath the same bright sun.
# 3
J #
&
day, day when we stand to - ge-ther un-der neath the same bright sun.
# j j cresc.
j j j j
& w
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
A C G B7
# j
& j j j
#
cresc.
j
?# w
w
{
J w
w
w w
=
38 FEMALE ROMANI: 39 40
3 3
#
&
Come, come a - long with me.
MALE ROMANI:
# #J J
& J J J J
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
WOMEN:
#
& j j j j j j
#
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
MEN:
# j j j j
{ & j j
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
E B7
#
& j j j
#
?#
w
{
J w
w
w
6
41 42 43
#
&
Lis- ten to the mu - sic it will set you
# #
& J J J J J J
Let the mu-sic take you. Hey, Hey, A way. Hey, Hey, A way.
# j
& # J j j j j
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
# j j j j j j
{ &
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
E
#
& j # j j
? # w
{ w
J w
w
7
rit. C Mysteriously, freely
44 45 h = 66
46
# # 3
& 2 n 22
free. Yeah
# 3 w 2
& #J J #J J 2 2
Hey, Hey, A way. Let the mu-sic free you now.
#
& j j j J 23 w 2
2
# #
Hey, Hey, A way. Let the mu-sic free you now.
# j j j j 23 w 2
{ & 2
Hey, Hey, A way. Let the mu-sic free you now.
Mysteriously, freely
h = 66
B7 rit. C E D
# 3 2
& j # # w
w 2 n n 2
w
w
? # w w 3 2
{ w
w 2 2
=
47 48 49
#2 3
& 2w 2
YOUNG HAYDON:
#2 3
& 2 2 w
What is this song I hear?
G E D G
#2 3
& 2 2
w
? #22 3 w
{ w
w
2 w
8
50 51 52
# 2 3
& 2 2
I feel it in my soul. The mu - sic strong and
E D G E D
# 2 3
& 2 2
w w
?# 2w 3
{ 2w 2
=
rit.
53 54 55
# w 2 U 4
& 2 4
clear, Like none I've heard be - fore.
G E D
# U
2 4
& 2 # 4
rit.
?# w 2 4
{ w 2
4
=
A tempo
D q = 116
E A7/E B7/E
56
+Gtr. 57 58 59
#4 e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e
& 4 #
sp
J J J J J J J J
? # 44
{ w
w
w
w
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9
60 61 62 63 WOMEN:
#
& j
f A
MEN:
#
{ &
J
f A
64 E 65 66 67
# j
&
J
day when all our wor ries are gone. A
#
{ & J
day when all our wor ries are gone. A
A C G D
#
& j j j j
?#
{ w
J w J
10
68 69 70 71
3
#
&
J
3
day, day when we stand to - ge-ther un-der neath the same bright sun.
# 3 J #
{&
day, day when we stand to - ge-ther un-der neath the same bright sun.
A C G B7
# j
& j j j
#
cresc.
?#
w
w j
{
J w
w
w w
72 WOMEN: 73 74
# j j j j
& #j j
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
MEN:
# j j j j j j
{ &
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
E
# B7 j
& J
J
f
j
? # j j w
{ w
w
w
w w
11
75 76 77
# j
& # J j j j j
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
# j j j j j j
{ &
Let the mu-sic take you, Hey, Hey, A way. Hey, Hey, A way.
E
# #
& # J J
j
? # j j
{ w
w w
w
w
w
78 79 80
# j j
& # #j J w
Hey, Hey, A way. Let the mu-sic free you.
# j j j j
{ & w
Hey, Hey, A way. Let the mu-sic free you.
B7
# #w
w j
& w
#w
w #> > > > > > > >
j > cresc.
? # w w j
{
w w > > > > > > > >
F 12
81 SOP: 82 83
# j j
& j j j j
Hey, Hey, A way. Hey, Hey, A way. Hey, Hey, A way.
ALTO:
#
&
Hey a - way. Hey a -
TENOR:
#
& <n>R w J
A- way, a way. A-
BASS:
<n>
?#
E D/F C D7
#
&
? # w j j j
w
w j
{ w w
w
w w
91 92 93 rit.
15
# j j
& w b bb
Come with me. Do you feel it
# j j
& w bb
w
Hey, Hey, A way.
#
& w bb
<n>w
Hey a - way.
#
& J w w bb
A - way.
?# w w
bb
Hey a - way.
rit.
E B/F D/F
# bb
&
? # w j j
{ w w bb
w
16 Opt. ad lib
94 95 96 97
bb w w
&
too?
b
&b w w
b
&b w w
b
&b w
w
? bb w w
G D7/F G/B F7 D
&b
b w
w
w # j j bw
w
?b
{ b #
w w w #
=
bb sp j cresc.
j U
& j j w
Hey, Hey, A way. Hey, Hey, A way.
sfz
sp cresc. U
b j j j j
&b w
w
Hey, Hey, A way. Hey, Hey, A way.
sfz
b sp cresc.
U
w
& b J J J J
Hey, Hey, A way. Hey, Hey, A way. sfz
sp cresc. U
? bb J J J J w
E9
w F7 G
b nww
w U
& b w
w ww
w w
w
sp
? bb w U
{ w
w
w w
w
FOR TONIGHT
Piano/Vocal 1A
O DAD, YN DEULU DEDWYDD
[Rev. 8/8/14]
Music by
Freely SHENELLE AND SPENCER WILLIAMS
HAYDON:
1 2 (Thomas cuts Haydon o)
#4 j j
& 4
r
Oh Dad, Yn deu - ly ded - wydd, Y deu-wn a dio - lch o ne - wydd
Copyright 2014
FOR TONIGHT
Piano/Vocal 2
STAY
[Rev. 7/26/14]
Music and Lyrics by
Flowing SHENELLE AND SPENCER WILLIAMS
h = 88 2 3 4
#C
&
E E7 C
#C
&
Both hands 8va
w w w
w w
w
? #C
{
5 NETTIE: 6 7 8
# j j
& w
I look ev -'ry where, And find
E E7 C
#
&
w w w
w w
w
?#
{
9 10 11 12
#
& w j
no-thing there.
E E7 C
#
&
w w w
w w
w
?#
{
Copyright 2012
2
13 NETTIE: 14 15 16
# j j
& w w j j
Are you look - ing to? Or is that
HAYDON:
#w w
& J J J J
Are you look - ing to? Or is that
E E7 C
#
&
w w w
w w
w
?#
{
17 18 19 20
#
& j
your blank stare?
#
& J
your blank stare?
E E7 C
#
&
w w w
w w
w
?#
{
21
# j
22
j
23 24
& w w
When I feel this way in - side.
# w
& J J
When I feel this way in - side. I look to you.
A D7
#
&
?# w w w
w w
{
3
25 26 27 28
# j j j j j
& w w
Oh I feel this way in - side.
#w
&
I look to you.
A D7
#
&
?# w w w
w w
{
29 30 31 32
# j j j j j j
& j j
Some times life chang -es key, Bring -ing some -thing I,
#w
& J J J J
Bring -ing some thing I,
E E7 C
#
&
loco
w w w
w w
w
?#
{
33
#
34 35 36
& j
Did -n't see.
#
& J
Did -n't see.
E E7 C
#
&
w w w
?# w w
{
4
37 NETTIE: 38 39 40
# j j j j
& w j j
Can you hear the sounds? Or is it all a big
HAYDON:
#w
& J J J J J J
Can you hear the sounds? Or is it all a big
E E7 C
#
&
w w w
w w
w
?#
{
41
#
42
j
43 44
&
my -ster - - y?
#
& J
my -ster - - y?
E E7 C
#
&
w w
w w
w
?#
{
45 46 47 48
# j j
& w
Why don't I feel It's in tune?
#w w w
&
Why don't I feel?
A D7
#
&
?# w w w
w w
{
5
49 50 51 52
# j j
& w w j
j
Why don't I feel it's in tune?
#w w
& J
J
Why don't I feel it's in tune?
A D7
#
&
?# w w
w w
w
{
53 54 55 NETTIE: 56
# j j j
&
w
Stay with me. And
#w
&
B A B
# w
& # #w
w w
w #
w
? # w w
w
{ w w
57 58 59 60
3 3
# j j
& j
don't go a - way, Cause no - thing will be the same with out
A B A E
3
#
& ww #
w
?# w
w
{ w
3
6
61 62 63 64
#
& w w
you. Stay, stay,
HAYDON:
# w w
& J
I can't stay, stay
B E E7
#
& #w
w #w
w
w w
?# w w
{
65
#
w
66
w
w 67
68
& w w w
stay. Stay, stay,
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&
stay. Stay, stay,
C E E7
#
&
?# w
{ w
w
w
69 70 71 72 73
#w
&
stay. Stay, stay, stay.
#w w w
J w
&
stay. I can't stay, stay stay.
C E E7 C
#
&
?# w w w
{ w
w w
w
w
7
74 75 76 77 78
# U
& w w w w
Stay, stay, stay.
# w U
w
&
Stay, stay, stay.
E E7 A(4) A
#
& j
w
w #w
w
w
w w
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{
<>
w
w
w
w
w
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79 80 81 82 83 84 85 86
#
&
Underscore dialogue
E C G D E G7 C
#
&
w
w w
w w w
J w w
w
w w
w w w
w nw
?# w w w w
J
w w
{
87 88 89 90 91
#
&
E
G D E
#
&
w w
?#
{ & j
w
8
92 93 94 95 96
# j j
& w
I look ev -'ry - where,
# w
& J J
I look ev-'ry - where
# A #U
w E E7
# w
&
# U
{& w w w
C(9) C E w E7 C(9)
#w w
& w w w w
# ? w w w
{& w w w w
w w
9
# # 3 #
& J J J J
Stay with me. Don't go a - way. Be the same with out
A B A B A E
3
#
& ww # w
w #
w w
?# w
w w
w
{ w w
3
# # w w w
& J
you. I can't stay, stay, stay.
B7 E E7 C
#
&
w #w
?# w w
{ w
w w
w
w
10
# w w w
& J
Stay, stay, stay. I can't
E E7 C
#
&
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<>
w
w
w w
#w w w
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stay, stay, stay. I won't
E E7 C
#
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11
C C A E
2 3 4
#### 4
& 4
+Guitar
? #### 4 j j j j j j j j
{ 4
5 HAYDON: 6
####
& r
n
mf You can't keep step - pin' for - ward if you're al -
G C
####
&
? #### j j j j
{ #
#
7 8 9
#### j n
& <n> r
- ways look - in' back. So turn a -round and see what's com -ing next. I
A E G
####
&
? #### j j j j
j j
#
{
#
Copyright 2012
2
10 11
####
& n j
sense the dis - ap - point - ment al -most ev - 'ry - where I turn. This
C A
####
&
? #### j j j j
{
12 13 14
#### #j j j
& n J
is - n't just a sto - ry in my head. So do the things you
E G C
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? #### j j j j
j j
{
#
#
15 16 17
#### j j j
& j j <n> j j
J J J
al -ways do but I won't al - ways stand with you. And
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#
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3
18 19 20
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if you need to be this way, Then I can't prom - ise I
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21 22 23
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will stay, All I want yeah and all I know is
mp
G A9
####
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mp
? #### j j j
{ w w
w w
24 25 26
#### j j j j j
&
I hear the mu -sic and it rush -es through my skin. But, I can't ex -plain it and
E/G B(4)
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{ w
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4
27 28 Pi mosso cresc. 29
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no one un-der stands but then my heart keeps pull' in me in all di- rec - tions and I just can't keep it
30 HAYDON: 31 32
####
& J w
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in. Oh yeah.
f
ENSEMBLE:
#### j j j
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Keep it in now, yeah Why won't you keep it in just, Keep it in now, yeah
mf
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33 34 35
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You have to keep it in just, Keep it in now, yeah. Why won't you keep it in? Just
? #### J
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36 37 38
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Keep it in now, Oh
Keep it in.
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39 40 41
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42 HAYDON: 43
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Ev - 'ry - day gets har - der when you're liv - ing in that way. De -
mf
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44 45
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ni - al guilt and shame be - come your friends.
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46 47
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Peo - ple get in - side your head and make you want to change. The
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48 49
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pres - sure keeps on moun - ting and it does - n't seem to end.
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50 51 52
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All I want yeah and all I know is I hear the mu - sic and it
mp
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mp
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53 54 55
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rush -es through my skin. But, I can't ex -plain it and no-one un-der stands but then my
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Pi mosso
56
cresc. 57 58
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heart keeps pull - in' me in all dir -ec - tions, and I just can't keep it in.
f ENSEMBLE:
#### j
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Keep it in now, yeah
f
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Pi mosso
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cresc.
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59 60 61
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Oh yeah. Keep it in
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Why won't you keep it in just, Keep it in now, yeah You have to keep it in just,
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62 63 64
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Keep it in now, yeah. Why won't you keep it in? Just Keep it in now, yeah.
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65 66 67
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Don't tell me keep it in. Oh No
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Keep it in now, Just keep it in now, yeah Why won't you keep it in just,
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68 69 70
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Keep it in.
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You have to keep it in just, Keep it in
Keep
it in now, yeah
now, yeah.
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71 72 73
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Why won't you keep it in? Just, Keep it in now.
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74 75 76
#### j j
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when I'm all a - lone out here, I hear such sounds of beau
#### j j j
& j j
J J J J J
I hear such sounds of beau
? ####
A(4) B C
#### w w
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& ww
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mp
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12
77 78 79
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- ty. The mu - sic it is ev - 'ry - where. It's
#### j j j j j
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J
- ty.
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It's
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E E7 A G7/B
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w
? ####
{ w #w
cresc.
80 81 82 83
#### j
& j j j j j j j j
j
J J
call-ing me a - way. And when I close my eyes at night, I
#### j j j j j
& j
J J J J J
call-ing me a - way. I
? #### J J J J J J
C C/E E A B
#### w
w j
& w
w w
w
w
? ####
{
w
w
13
84 85 86
#### j j j j j j j
& J J
lis - ten and I won - der. If o - thers feel this feel
#### j j j j j
& w
J J J J J w
lis - ten and I won - der.
? #### J
J w
J J J
C E A
####
& w
w w
w
w w
? ####
{
87 88 89 90
#### j j j j
& J J J #
J
- ing too, Or I'm a - lone to - day. Just keep it in.
####
&
? ####
B C G
####
& w w w w
w
w w
w #w
w w
w
? #### w
{ w w
w
.
14
91 92 93 94 Haydon ad lib.
#### J R
& R
Just keep it in.
#### j
&
Just keep it in.
? #### #
J
C A E G
####
&
#
> > > >
? #### j j j j j j
j j #
{
> >
>
> #
95 96 97
####
&
####
&
? ####
C A E
####
&
> > >
? #### j j j j j j
{
15
98 99
#### #
>
& J
Just keep it in.
#### j
&
Just keep it in.
? #### #
J
G C
####
& r
#
> >
? #### j j
{
#
>
FOR TONIGHT
Piano/Vocal
COME ALONG 4
[Rev. 8/6/14]
Music by SHENELLE AND SPENCER WILLIAMS
Mysteriously, Freely Verse based on "High Waving Heather"
by Emily Bront
C E A(9) F C E A(9)
2 3 4 5 6 7 8
#### 6
& 8 EE EEE EE
E EE EE E EE EE EE
(Guitar) for rehearsal
? #### 6 E EE EE EE EE EE
{ 8 E
E E
EE EE
E E
9 MIRELA: 10 11 12 13 14 15 16
####
&
Softly Ah Ah
(as she passes Haydon)
#### C E A(9) F C E A(9)
& EE EEE EE
E EE EE E EE EE EE
? #### E EE EE EE EE EE EE EE
{ EE E E E
Allegro
17 q. = 92 18 19 20
####
&
Copyright 2012
2
21 22 23 24
#### j
&
Moon-light ap pears as sum -mer and au-tumn will blend.
25 26 27 28
#### j
& j
Earth ris - es up and Hea -ven be - gins to de - scend. The
29 30 31 32
#### j
&
cool night air whis -pers re lief from the day. As a
37 38 39 40
#### j
&
Shin -ing and low -er - ing, swell -ing and dy - ing. Chang -ing for - e - ver from mid -night to noon.
F7 G E/G
#### j
&
? ####
{
41 42 43 44
#### j
&
Roar -ing like thun -der, like soft mus -ic sigh -ing Nights come in swift -ly and fade all too
F7 G E/G
#### j
&
? ####
{
4 ,
45 46 47 WOMEN: 48
#### j j j j j
&
soon. Come a - long and sing with us, You'll
G7 A E/B
####
&
#
? ####
{
49 50 51 52
#### j j j j j j j j
&
feel that you can live for - e - ver. Time stands still with me - lo - dy, And
53 54 55
#### j j 9
& 8
then the world will change, To
E/C G7
#### 9
& 8
#
? #### 9
{
8
5
56 ALL: 57 58 59
####9 4 9
& 8 4 j 8
La la la la, La la la la la.
F A C B
####9 4 9
& 8 4
> 8
w
> > > > > > >> > >>
? ####9 > > > > 4 9
{ 8
>
> 4
w
8
60 61 62 63 ,
####9 4 6
& 8 4 j w 8
La la la la, La la la la la.
F A C B
####9 4 6
& 8 4
> 8
w
> > > > > > >> > >>
? ####9 > > > > 4 6
{ 8
>
> 4
w
8
Underscore Dialogue
64 65 66 67
#### 6
& 8
la
68 69 70 71
####
&
VAMP
72 WOMEN: 73 74 75
#### j j
&
Fast through the val - leys a reck -less course wend - ing.
76 77 78 79
####
&
Mid -night and moon -light hold place for the stars that have been.
80 81 82 83
#### j j
&
Shad -ows on shad ows ad - van-cing and fly - ing.
C G/C F/C G C G/C F/C G
####
&
? #### j
{
84 85 86 87
####
&
Call -ing with one migh - ty voice to the life gi - ving wind.
88 WOMEN: 89 90 91
#### j
&
Shin -ing and low-er - ing, swell -ing and dy - ing. Chang -ing for - e - ver from mid -night to noon.
MEN:
? #### J
F7 G E/G
#### j
&
? ####
{
8
92 93 94 95
#### j
&
Roar -ing like thun -der, like soft mus -ic sigh -ing Nights come in swift -ly and fade all too
? #### J
F7 G E/G
#### j
&
? ####
{
96 97 98 99
#### j j j j
&
J J J J
soon. Come a - long and sing with us, You'll
? #### #
J J J J
G7 A E/B
####
&
#
? ####
{
9
100 101 102 103 104
#### j j j j j j j j j j
& J J J J
J J J J J J
feel that you can live for - e - ver. Time stands still with me - lo - dy, And then the world will
? #### J
J
J J J J J J J J
? #### # 9 4
8 4
G7 F A
#### 9 4
& 8 4
# > >
> > > >
? #### 9> > > > 4
{
8 >
> 4
10 Building in intensity
109 110 111 112
#### 4 WOMEN:
9 4
& 4
j 8 4
la la la. La la la La la la
? #### 4
MEN:
9
4
4 J 8 4
C B F A
#### 4 9 4
& 4 8
>
> > >
w 4
>> > >> > > >
? #### 4 9> > > > 4
{ 4
w
8
>
> 4
la la la. La la la La la la
MEN:
? #### 4 J 9 4
4 8 4
subito p
underscore
C B F A
#### 4 9 4
& 4 > 8 4
> > >
w
>> > >> > > >
? #### 4 9 > > > > 4
{ 4
w
8
>
> 4
11
117 118 119
#### 4 j 9
& 4 8 J J
La la la La la
#### 4 j 9
& 4 8
La la la
la la la.
? #### 4
J 9
4 8
La la la
C B F
#### 4 9
& 4 8
> w
> >
>> > >
>
>
? #### 4 9> >
{ 4
w
8
>
A C B
#### 4 6
& 4 > 8
> > > >> > > w
>
? #### > > 4 6
{
> 4
w
8
Underscore Dialogue 12
123 124 125
#### 68 j
&
la Ah
#### 6
& 8
la
? #### 6
8
la
HAYDON/WOMEN:
#### j j j j j j
&
Come a - long and sing with us you'll feel that you can
MEN:
? #### J J
#### j j j j j j j j
&
live for - e - ver. then the world will
Time stands still with me - lo - dy and
? #### J J J J J
J
Live for - ev - er. Time stands still with me - lo - dy. The world will
#### j j j j j j
&
change. When we leave it all be-hind the ma - gic that we
? #### J J
#### j j j j j j j j
&
soon dis -cov - er, Lets us see just what's in - side un - til we all be -
? #### J J J J J
J
Dis - cov - er. Lets us see just what's in - side. We all be -
####
&
# #
come as one, As one.
? ####
D C E A6 G C
#### j
& #
> > >
? #### n
{ j
n
> > >
FOR TONIGHT
Piano/Vocal
COME ALONG 4
WITH DANCE BREAK
[Rev. 9/26/14]
Music by SHENELLE AND SPENCER WILLIAMS
Mysteriously, Freely Verse based on "High Waving Heather"
by Emily Bront
C E A(9) F C E A(9)
2 3 4 5 6 7 8
#### 6
& 8 EE EEE EE
E EE EE E EE EE EE
(Guitar) for rehearsal
? #### 6 E EE EE EE EE EE
{ 8 E
E E
EE EE
E E
9 MIRELA: 10 11 12 13 14 15 16
####
&
Ah Ah
Softly
(as she passes Haydon)
C E A(9) F C E A(9)
####
&
EE EE EE EEE EE EE EE EE
E E
#
? ## # E EE EE EE EE EE EE EE
{ EE E E E
Allegro
17 q. = 92 18 19 20
####
&
Copyright 2012
2
21 22 23 24
#### j
&
Moon-light ap pears as sum -mer and au-tumn will blend.
25 26 27 28
#### j
& j
Earth ris - es up and Hea -ven be - gins to de - scend. The
29 30 31 32
#### j
&
cool night air whis -pers re lief from the day. As a
37 38 39 40
#### j
&
Shin -ing and low -er - ing, swell -ing and dy - ing. Chang -ing for - e - ver from mid -night to noon.
F7 G E/G
#### j
&
? ####
{
41 42 43 44
#### j
&
Roar -ing like thun -der, like soft mus -ic sigh -ing Nights come in swift -ly and fade all too
F7 G E/G
#### j
&
? ####
{
4 ,
45 46 47 WOMEN: 48
#### j j j j j
&
soon. Come a - long and sing with us, You'll
G7 A E/B
####
&
#
? ####
{
49 50 51 52
#### j j j j j j j j
&
feel that you can live for - e - ver. Time stands still with me - lo - dy, And
53 54 55
#### j j 9
& 8
then the world will change, To
E/C G7
#### 9
& 8
#
? #### 9
{
8
5
56 ALL: 57 58 59
####9 4 9
& 8 4 j 8
La la la la, La la la la la.
F A C B
####9 4 9
& 8 4
> 8
w
> > > > > > >> > >>
? ####9 > > > > 4 9
{ 8
>
> 4
w
8
60 61 62 63 ,
####9 4 6
& 8 4 j w 8
La la la la, La la la la la.
F A C B
####9 4 6
& 8 4
> 8
w
> > > > > > >> > >>
? ####9 > > > > 4 6
{ 8
>
> 4
w
8
Underscore Dialogue
64 65 66 67
#### 6
& 8
la
68 69 70 71
####
&
VAMP
72 WOMEN: 73 74 75
#### j j
&
Fast through the val - leys a reck -less course wend - ing.
76 77 78 79
####
&
Mid -night and moon -light hold place for the stars that have been.
80 81 82 83
#### j j
&
Shad -ows on shad ows ad - van-cing and fly - ing.
C G/C F/C G C G/C F/C G
####
&
? #### j
{
84 85 86 87
####
&
Call -ing with one migh - ty voice to the life gi - ving wind.
88 WOMEN: 89 90 91
#### j
&
Shin -ing and low-er - ing, swell -ing and dy - ing. Chang -ing for - e - ver from mid -night to noon.
MEN:
? #### J
F7 G E/G
#### j
&
? ####
{
8
92 93 94 95
#### j
&
Roar -ing like thun -der, like soft mus -ic sigh -ing Nights come in swift -ly and fade all too
? #### J
F7 G E/G
#### j
&
? ####
{
96 97 98 99
#### j j j j
&
J J J J
soon. Come a - long and sing with us, You'll
? #### #
J J J J
G7 A E/B
####
&
#
? ####
{
9
100 101 102 103 104
#### j j j j j j j j j j
& J J J J
J J J J J J
feel that you can live for - e - ver. Time stands still with me - lo - dy, And then the world will
? #### J
J
J J J J J J J J
? #### # 9 4
8 4
G7 F A
#### 9 4
& 8 4
# > >
> > > >
? #### 9> > > > 4
{
8 >
> 4
10 Building in intensity
109 110 111 112
#### 4 WOMEN:
9 4
& 4
j 8 4
la la la. La la la La la la
? #### 4
MEN:
9
4
4 J 8 4
C B F A
#### 4 9 4
& 4 8
>
> > >
w 4
>> > >> > > >
? #### 4 9> > > > 4
{ 4
w
8
>
> 4
la la la. La la la La la la
MEN:
? #### 4 J 9 4
4 8 4
subito p
underscore
C B F A
#### 4 9 4
& 4 > 8 4
> > >
w
>> > >> > > >
? #### 4 9 > > > > 4
{ 4
w
8
>
> 4
11
117 118 119
#### 4 j 9
& 4 8 J J
La la la La la
#### 4 j 9
& 4 8
La la la
la la la.
? #### 4
J 9
4 8
La la la
C B F
#### 4 9
& 4 8
> w
> >
>> > >
>
>
? #### 4 9> >
{ 4
w
8
>
A C B
#### 4 6
& 4 > 8
> > > >> > > w
>
? #### > > 4 6
{
> 4
w
8
Underscore Dialogue 12
123 124 125 126 VAMP
#### 68 j
&
la Ah
#### 68
&
la
? #### 6
8
la
C G C A G A
#### 6
j
& 8 J J
? #### 6
{ 8
C A G D B A D
####
& J J b
J
J J J J
? ####
{ b
B A B C(9) D
> > 9> > > > 4> >
b
& 8 4 j >j
sp
> > > > > >
?b 9 > > > 4
{ 8
4
w
14
b 6
& 8
? b6
{ 8
15
162 MIRELA: 163 164
b
& J J
Come a - long and sing.
WOMEN:
j j j j j j
&b
Come a - long and sing with us you'll feel that you can
MEN:
? J J
b
Come a - long and sing.
B F/C F/D
& b
?b
{
&b j j j j j j j j
live for - e - ver. Time stands still with me - lo - dy and then the world will
?b J J J J J
J
Live for - ev - er. Time stands still with me - lo - dy. The world will
& b
?b
{
16
169 170 171 172
b
& J J
change. When we leave it all be hind.
&b j j j j j j
change. When we leave it all be-hind the ma - gic that we
? J J
b
change. When we leave it all.
& b
?b
{
&b j j j j j j j
J
soon dis -cov - er, Lets us see just what's in - side un - til we all be -
?b J J J J J
J
Dis - cov - er. Lets us see just what's in - side. We all be -
& b
?b
{
17
177 178 179 180 Mirela ad lib. 181 182
b
&
come as
one.
&b
#
#
come as one, As one.
?b
E D F B6 A D
& b j
# > > >
? b b j
{ b
> > >
FOR TONIGHT
Piano/Vocal 5
DON'T GO IT ALONE
[Rev. 8/12/14]
Dramatically Music and Lyrics by
q =96 SHENELLE AND SPENCER WILLIAMS
D F7 2 B9 3 D F7 4 B
4
b
& 4 w
w
w
?b4 w
{ 4
w
w w
5 D F7 6 B9 G 7 D F7 8 B
& b j
?b
{
w
w
Folk-like
q = 140
9 10 11 12
MOLLY:
j j
&b j j j j j
j
I watch him all a - glow, But he looks to the sky.
F B/F F B/F
& b j j j
j
j j
j j
j
j
?
{ b w w
Copyright 2013
2
13 14 15 16
j j
&b j j j j j
j
I hold the an - swers here. But he just ques - tions why.
F B/F F B/F
& b j j
j j j j j j
j j
? b w
{ w
17 18 19
j j j j j j
&b
j
I want to live a lit - tle, If he'd just show me how.
& b j
j j j j j
j
? b b w
w b w
{ bw w bw
20 21 22
b j j j j j j
&
j
All I can do is close my eyes,
B/D F B/F
j j j j j j
& b j j
w
?b w w
{ w w w
3
23 24
&b j j j
J
and breath in dee - ply just for
F B/F
& b j
j j j
j
? b
{
25 26 27 28
j
& b E j w
opt.
Nettie
ee E e e e %
harmony
now.
F B/F F B/F
& b j j
j j j j j
j j
j
w
?b
{ w
w
w
w
w
29A 30 31
j
&b j j j
j j
He says the most a - ma - zing things I've ev - er heard.
F B/F F
&b j j j j j j
j
?b
{ w w
4
32 33 34
j
& b j j j
I sit and watch him, And hang
B/F F B/F
& b j j
j j j j
j j
? b
w
{ w
35 36 37
j j j j
& b j
on ev - 'ry word. But as I'm in
F B/F F(4)/E
& b j j
j j j j
j
? b
b w
{ bw
38 39 40
j j j j j
&b
the mo- ment, He is steps be - yond.
& b j j
j j
j j
j
j
? w b
w
w
{ b
w bw w
5
41 42 43
j j j j j
&b b j j j
b
All I can do is be sin - cere, and hope that one
B/D F/C B/D
& b j b
j j j j
b
? b b w
w
b
w
{ bw
44 45
j
& b <b>j e E
Opt. Nettie harmony
ne e
day, He'll re - spond.
F/C F(4)/E
j j j
&b
? b w bw
{ bw
46 47 48 49
j j j
& b E w
e E
e e e % e e
Please re - spond.
B/D F(4)/E B/D F(4)/E
& b j j j j j j j j
j
j
?b w bw w
b
{ w bw w
6
50 51 rall. 52
& b E e w w
e e e e % %
& b j j
j j j j j
j
? b
b
{
53
Underscore dialogue 54 55 56
& b
F B/F F B/F
j j j j j j j
& b j j j
? b
{
w w
B
57
Feels in 2 58 59
3 3 3 3 3
&b
See I'm to - tal - ly yours, Cause your cur - rent is strong, And I'm pulled out to
D F7 B
w
& w
b w
w
? j j
{ b
w w w
7
60 61 62
3 3 3
& b j
sea. Please don't go it a - lone. Just let one be - come
G D F7
w w
& w
b w w
w
w w
j
?b
{ w w
w
63 64
3 3 3
j
&b
two, And then you be - comes, You be - comes, You and me.
C
U
&b w
w w
w
w w
?b j U
w
{ w
w
a tempo
65 66 67 68
j j
&b w w
F B/F F B/F
&b j j j j j j j
j j
? b
{ w w
8
69 C 70 71
j
&b j j j j j
Some say that love's a game. But I'm not that na - ive.
F B/F F
j j j j j
& b j j
?b
{
w w - -
72 73 74
j
& b j j j j
So please just give a sign, And
B/F F B/F
& b j j
j j j j
j
w
? b
{ w
75 76 77
j j j j
&b j
then I will be - lieve. That we could be
F B/F F(4)/E
j j j j j j
& b j
? b
b w
{ bw
9
78 79 80
j j j
& b j j j
to - ge - ther, And start our life a - new.
& b j j
j j j j j
j
? b w
bw w
{ w bw w
81 82 83
j j j j j
&b b j j j
b
All I can do is let you in, And show you how
B/D F/C B/D
& b j b
j j j j
b
? b b w
w
bw
{ bw
84 85 86 87
j j
& b <b>j w
J
much, I want you.
F/C F(4)/E B/D F(4)/E
j j j j j j j
& b j
? b w b w w
b w
{ bw w bw
10
88 89
&b
J
I want you.
B/D F(4)/E
& b j
j j j
j
? b w b
{ w
rall.
90 91 92
&b w w
& b j j
j j j j j
j
? b
b
{
D
Feels in 2
93 94
3 3 3
&b
See I'm to - tal - ly yours, Cause your cur - rent is
D F7
w
& w
b w
w
? j
{b
w w
11
95 96
3 3
j
&b
strong, And I'm pulled out to sea.
B G
w
& b w
w
w
?b j
{ w
w
97 98
3 3 3
&b
Please don't go it a - lone. Just let one be - come
D F7
w
& w
b w
w
?b j
{ w w
99 100
3 3 3 ,
j
&b
two, And then you be - comes, You be - comes, You and me.
C
U
&b w
w
w w
w
w
? j U
w
{b w
w
a tempo 12
101 102 103
j
&b w J
You and me.
F B/F F
j j j j
& b j
? b
{
104 105
3
&b j
Don't go it a - lone.
B/F F
& b j
j j j
j
? b
{ w
106 107
j j
&b w
B/F F
& b j j
j
j
j
?
{ b
13
rit. opt. ad lib
108 109 110 111
3
j
&b w
Don't go it a - lone.
B/F B/F B/F F
U
& b j j
j
ww w
w w
w
w
rit.
? b w
w w
w U
{ w
w
FOR TONIGHT
Piano/Vocal 6
ALL THIS TIME
[Rev. 12/12/14]
Music and Lyrics by
SHENELLE AND SPENCER WILLIAMS
Andante
2 3
q = 88 NETTIE:
b4
&b 4 r
They say I had a mo -ther and a
B
b4
&b 4 w w w
w w w
mp 8vb both hands
? bb 4 w
{4
b
4w
w
&b r
w
w
w 5
w
w
w
r
6
r
fa - ther too. Who's love was strong and beau -ti - ful, Love's all they knew. I
E7/B B E7/B
& bb
w
w w
w w
w
? bb w
{7
w
w
w
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pic-ture how my fam -'ly could know hap - pi- ness. But no one speaks when all they feel is
E(9) D E(9)
b
&b w w w
w w w
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{ w
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Copyright 2013
w
w
2
10 11 12
b
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r
r
emp - ti - ness. Now in my mind the flow - ers bloom, And they're still here. They
F(4) F7 B E7/B
& bb
w
w w
w
? bb w
{ w
w w
w
w
w
w
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13 14 15
& bb j r
r
hold me close and smile when no one else is near. But I can-not re- mem- ber all the
B E7/B E(9)
b
&b w w w
w w w
? bb w w
{ w
w
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w
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16 17 18
cresc.
& bb r
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things they said. So some -one tell me what is real, And what is in my head. And
D E(9) D
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19 20 21 22 A little faster 23
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cresc. - - -
? bb w
w w
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24 25 26
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Now Hay -don is ex- plor- ing a new life a - way. I
mf
E7/B B E7/B
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27 28 29
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write to him and wait for his response each day. But it gets hard to smile and hide this
B E7/B E(9)
b
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lone - li- ness. So tell me when you're com- ing back, Andwhat I can ex- pect. And
D E(9) D
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33 34 35 accel. 36
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37 38 39 40
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can't let it go, These mem- or- ies old. Are
C7 F7/A B9 G
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they from my dreams or what I have seen? Should I be a - fraid? Or
C7 E
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mp
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43 44
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should I em-brace the things new and strange? Will they make me whole? I
G9 D7/A B7
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45 Pi mosso 46 47 cresc.
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know that I'm at home here. It's where I want to stay. But how does one e - rase the pain and
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fight from day to day? And all this time,
F(4) B B/A E7
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&
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52 53 54
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I've been won - d'ring who they are.
F7 B B/A
& bb
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55 56 57 58
& bb w j j j
E7 F G D/F
b
& b #
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59 60
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But were they hap - py and were they ve - ry wise?
B7/F E
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61 Freely 62
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I guess I'll ne - ver know, 'Cause I'm a - fraid to ask.
E7 D7/F G
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& b
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So I'll just leave it in the past. .
E(9) F(4) B
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FOR TONIGHT
Piano/Vocal
FOR TONIGHT 7
[Rev. 8/4/14] Music and Lyrics by
Andante
SHENELLE AND SPENCER WILLIAMS
h = 80
B 2 3 D 4
#### C
& #
mp
w w
? #### C w w
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#
G 6 7 E 8
#### w
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9 MIRELA: 10 11
#### j
& # j
You asked me to meet you, Then you make that face.
B D
####
& #
? #### w w
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12 13 14
####
& # j j
I see you need some - thing, So
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Copyright 2012
15 16 17 18
2
#### j j
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now we're at that place. Yet this time is dif - f'rent,
E B
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{ #w w w
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19 20 21
#### j j
& #
And I don't know why. Is it 'cause I missed
D G
####
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22
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23
w
24
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25
cresc.
####
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J J J
you? Or fear of time gone by? mf Let's pre - tend this for
E B
#### w
& # J w
w
w
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26
# w w
27 28
w
#### j j j j
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to night that this is all we need. As
w D
#### w w
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& #w j w
w w
w
w
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w w
? ####
{ #w
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3
29 30 31
####
& # J j j j
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if this ca - no - py of stars Will shel -ter all our dreams.
G7 E
#### j w w j ww
& # w w w
w w
w
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32 33 34 35
#### j j j
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The on-ly warmth I ask is just to stay here by the re,
B
w
w D
#
## #
& #
#
? ## # w
{ # w
w
w
w w
36 37 38 39
####
& # j j
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And let me watch you as you sing of things that you de sire.
G
E
####
& #
? #### w
{ #w w
w
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40 41 42 43
####
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G E
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44 45 HAYDON: 46
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Look how ev' - ry star falls,
B
####
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w
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47 48 49
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When ti -ming means ev
In the blink of an eye.
D G
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w
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5
50 MIRELA: 51 52
#### cresc.
j j j j j
& #
We ne - ver e - ven get a chance to try.
#### j j j j j j
& # J
- 'ry - thing, We ne - ver e - ven get a chance to try.
E
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53 54 55
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Let's soak up this mo - ment. And no -tice the grand.
B D
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6
56 57 58
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We'll
#### j j
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'Cause may -be just for this day, We'll
G
####
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{ #w w
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59 60 61 62
#### j
& # j w
J
J
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sit here hand in hand. Let's pre - tend this for to night that
#### j
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sit here hand in hand. Let's pre - tend this for to night that
E B
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& # J
? ####
{ #w
w w
w w
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7
63 64 65 66
#### j j j
& # j j
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this is all we need. As if this ca - no - py of stars Will
#### j j j J
& # J J J J
this is all we need. As if this ca - no - py of stars Will
D G
####
& #
? #### w w w w
{ # w w w w
67 68 69 70
#### j
& # j j j
J J J
shel -ter all our dreams. The on-ly warmth I ask is just to stay
#### j
j
& # J J J J J J
shel -ter all our dreams. The on-ly warmth I ask is just to stay
E B
#### w
& # J
? #### w
{ #w w w
w w
8
71 72 73 74
#### j j
& # j
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here by the re, And let me watch you as you sing of things
#### j j J
& # J J J
here by the re, And let me watch you as you sing of things
D G
####
& #
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{ # w w w w
75 76 77 f 78
####
& # > j j J
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that you de sire. If we stop for one
#### >
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that you de sire. If we stop for one
E B
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>
f
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9
79 80 81 82
####
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mo - ment, Could this mean the end?
#### w
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mo - ment, Could this mean the end?
D7 G
####
& #
- - -
? ####
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83 84 85 86
####
& #w w J j J
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And we give in to temp - ta
#### w w J J J
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And we give in to temp - ta
E G F/A
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{ #
87 88 10 89 90
#### w
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tion, Will we still be friends?
p falsetto dim.
#### w
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tion, Will we still be friends?
B B(4) E(9)
#### j j
& # ww ww
w
w w
w
? #### w w
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91 92 93 underscore dialogue 94
#### w w
& #
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####
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1. 2.
95 96 97 98
VAMP
####
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1. 2.
E7 VAMP E(9) -
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ww w
w w
w
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Meno mosso 11
99 unison 100 101 102 103
#### j j
& # J J j j
J J
Let's pre -tend this for to night that this is all we need. As if this ca -no py
#### j j j j
& # J J
J J
Let's pre -tend this for to night that this is all we need. As if this ca -no py
B D w G7
#### w w
w w w
& #w w w w w
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mp
w w
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{ #
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of stars Will shel -ter all our dreams. The on-ly warmth I ask
E(9)
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ww b
& # w b <#><#>nw
w
w
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108 109 110 111 rit.
#### j j j
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is just to stay here by the re, And let me watch you as
#### j j J J
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is just to stay here by the re, And let me watch you as
F/A E9 rit.
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& #w w
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w ww
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you sing of things that you de- sire.
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FOR TONIGHT
Piano/Vocal KEEPING US ALIVE 8
[Rev. 12/12/14]
Music and Lyrics by
SHENELLE AND SPENCER WILLIAMS
whistling
q = 110 2
3 3 3 3 3 4
3
4 J JJ
&4 J J
hum with a strong release
4
&4 LL
hmm
&
4
4 L
hmm
q = 110
4
&4
>. >. >. >.
?4 w w w w
{ 4w
w
w
w
w
w
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molto rit.
5 3 3 3 6 3 3
7 3
J J J 3 2
3
J J J
& J J 4
& L 2
L 4
hmm
2
& L
4
hmm
molto rit.
2
&
4
>. >. >.
? w w w 2
{ w
w
w
w w
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4
Copyright 2014
Fast and steady
q = 120 2
8 3 9 10 11
2 J 3 4 w
&4 J 4
U
2 4w
& 4 4 w
u
Oo
2 U 4w
& 4 4 w
Oo
Fast and steady
q = 120
C C(4)
U
2
& 4
4
4
? 2 4 w
w
w
w
{ 4 4
w
Rhythm for the ensemble
w
claps
4 j J
j
4
12 13
& j
Each day we rise from dark - ness as we're
C
&
? ww
w
w
claps
{? J
simile
3
14 15 16
w
&
j
head-ed out the door be fore the dawn. We
C(4)
&
? w
w w
{ w w
w
17 18 19
w
&
lift and load to earn a pence thensud-den ly we nd the day is gone.
C C(4)
&
w
? w w w
{ w w
20 21 22
& j
We break a sweat and break our backs, We do the work of ten with on - ly
A7 F
&
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w
w w
{ w w
4
23 24 25
j
&
ve. We hard-ly earn e-nough for bread, But
C A7
&
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{ w w
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26 27 28 A
& j
do it 'cause the work keeps us a - live. J
A-
A-
j
& J
A-
F C
&
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29
w
live
30
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31
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live, A - - live
live, A- live, A live,
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live, A - live
F E7
&
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A - live, 5 A - -
32 33 34
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A - live, A - -
A - live, A- live, A live
j w r
&
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A - live, A -
F
&
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w
w
{ w w w
3
w j 2 3 3 3 j
& w J 4 J J J
live, It's not much of a liv- ing, But it's
a little faster
E7 F(9)
& 2
4
? w 2
{ w
w
w 4
6
a tempo
39 40 41 42 underscore
3
j 3j4
& 4
keep- in' us a - live.
3 3
j j 4
& 4
keep- in' us a - live.
a tempo
C C
4
& 4
p
? 4 w w
w
{ 4w w
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"Get to work!"
43 44 45 WINN:
& j
Each
C(4) VAMP
&
? w
w
w
w w
w
{
7
46 47 48
& w
eve-'ning as I rest my head, I pray that there will be a ship at bay.
&
At
&
At
C C(4)
&
w
? w w w
{ w w
49 50 51
& j
DearGod I need this work so that my fa-mi ly will see a no - ther
w w
&
bay,
w w
& w w
bay,
C
&
? ww
w
w
{ w w
8
52 53 54
w
&
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day. I'll lift in snow and load in rain and
A day,
j
& w
A day, And
&
A day,
C(4) A7
&
? w
w w
w
w
{ w
55 56 57
& j
ne-ver think of stay-ing home in - side. 'Cause
j
& J
ne-ver think of stay-ing home in - side. 'Cause
&
j
ne-ver think of stay-ing home in - side. 'Cause
F C
&
? w w
{ w
w w w
9
58 59 60
&
a-ny work is work e nough, I'll take the job that comes in with the tide.
&
a-ny work is work e nough, I'll take the job that comes in with the tide.
&
a-ny work is work e nough, I'll take the job that comes in with the tide.
A7 F C
&
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{ w w w
A live
61 62 63
& j w
J
A - live, A - -
A - live, A- live, A live,
j w r
&
J w
J
A - live, A -
&
? w w w
{ w w w
10 A - live,
64 65 66
w
& w j w
live, J
A - live,
A - live,
j w
& w
w J w
live, A - live,
E7 F
&
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w
w
{ w w w
A - - live,
67 68 69
w
w j 2
& J 4
A - - live, It's
A- live, A - live,
r w j 2
& J w J 4
A - live, It's
E7
2
& 4
? w
w
w 2
{ w w w 4
11
70 71 72 73
2 3 3 3 3
j 3 j 3 j ### 4
&4 J J J 4
not much of a liv- ing, But it's keep- in' us a - live.
3 3 3
2
3
3
j j 3 ### 4
j 4
& 4 J J J
not much of a liv- ing, But it's keep- in' us a - live.
F(9) G(4) A
2 ### 4
& 4 4
<#>
?2 ### 4
{ 4 4w
w
74 75 76
###
&
underscore
A
###
& <#>
p
? ###
{ &
77 78 VAMP 79
### bb
&
A(9)
# B
# bb <n>
&#
p
### bb
{&
12
80 81 82 VAMP
bb
&
B(9)
bb
&
b
{&b
83 84 85
bb
&
B F/A E/G
bb
&
b
{& b
Slower
86 WINN: 87
b
& b j
Your fa - mi- ly's been through so much and
Slower
F7/A VAMP B
b
& b
b w
{&b w
w
Haydon:13"That's putting it
quite nicely actually."
88 89 90
bb w
&
j
this is some-thing Tho-mas won't al low. I
E(9)/B
w
b
&b
b
{&b ww bw bw
w w w
91 92 93
bb w
&
see how much they love you but theymay not un der-stand the lifeyou found.
G/B G7
w
w
b
&b
bbw
b ? w
{& b <n>w w
w w
It's ne.
E(9) E(9)
b w
&b w
w
? bb w
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Gradually speeding up
w w
103 104 105
bb w
&
want.
bbw
& J
I will be ne.
Gradually speeding up
B/F G7
b
& b
?b
{ b w w w
15
106 107 108
bb
& w
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I hope it turns out ne.
We're
b w
&b j
J
We're
We're
bb j
&
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We're
F/A
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b
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ne.
109 110 111
bb w
w
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ne. We're ne.
ne. We're ne, we're ne.
bb r w
& w J w
w
ne. We're ne.
E(9) B/F
b
& b
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{ b w w w
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It's ne. It's
112 113 114
bb
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J
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It's ne. It's ne, it's ne.
bb j w r
&
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It's ne. It's
G7
b
& b
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{ w w w
ne.
115 116 117
bb w
& w j
J
ne. It's not much of a liv ing.
bbw j
&
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ne. It's
F/A E(9)
b
& b
?b
{ b w w w
17
118 119 120
bb
&
No it's not much of a liv ing, But it's
bb j
&
not much of a liv ing. It's not much of a liv- ing. But it's
B/F
b
& b
? bb
{ w w w
bb w w
& w w w w
keep - - ing us,
bb j 42
&
L L
hmm hmm It's
b 2
& b ww w w w 4
w
w ww ww ww
? bb w w w 2
{ w
w
w w w 4
& 4 J J j
>
not much of a liv - ing, But it's keep - in' us a - live.
>
B
3 3
bb2
& 4 j
3 3
3 3
f ff
>
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{ b4
FOR TONIGHT
Piano/Vocal
9
WAIT FOR THE MORN
[Rev. 8/6/14]
Music and Lyrics by
Gently, but with movement SHENELLE AND SPENCER WILLIAMS
h = 80 2 3 4 THOMAS:
bb b bC j
& b b
The
G E7
b
& b bbbbC > > > > > > > >
p
w w w w
? bb b bC w w w w
{ bb
5 6 7 8
3
bb b b j
& b b
cold of the win - ter is set - tl - ing in. And
G E7
b
& b bbbb > > > > > > > >
w w w
w w
w
? bb b b w w w w
{ bb
9 10 11 12
bb b b
& b b j
Net - tie goes wan - der - ing off. At-
G D(4) E7
b
& b bbbb > > > > > > > >
w w
? bb b b w w
{ bb
Copyright 2012
2
13 14 15 16
bb b b 3
& b b j
J J
tempt - ing not to miss you but she can -not pre - tend, That
G E7
bbb b
& b > > >
b > > >
> >
w w w
w w
w
? bbb w w w w
{ bbb
17 18 19 20
bb b b 3
& b b j
we have - n't hurt her and now She pays for our
C5 D(4) E7
b
& b bbbb > >
> > > > > >
w w
w
? bb b b w w
{ bb
21 22 23 24
bb b b
& b b
sins.
G C
b
& b bbbb > > > > > > > >
? bb b b j j w
{ bb w w w w
w w w w
3
25 26 27 28
bb b b
& b b
You see
G C
b
& b bbbb > > > > > > > >
j j w w
? bb b b w
w
{ bb w
w
w
w
29 30 31 32
bb b b j j
& b b J
just the oth - er eve - ning she stayed out so long. And
G E7
b
& b bbbb > > > > > > > >
? bb b b w w w
{ bb w w w
33 34 35 36
bb b b j
& b b w
I went to find her though hours too late. And
G D(4) E7
b
& b bbbb > > > > > > > >
? bb b b w w
{ bb w w
4
37 38 39 40
3
bb b b j
& b b
there she was sit - ting so emp -ty and pale. It's
G E7
b
& b bbbb > >
> >
> >
> >
? bb b b w w w w
{ bb w w w w
41 42 43 44
bb b b 3
& b b w
my fault I fear now that she's in such a
C5 D(4) E7
b
& b bbbb > >
> > > > > >
w w
w
? bb b b w w
{ bb
45 46 47 48
bb b b
& b b j j
j
J J
state. I think of our poor par - ents dear and
G C(9) E7
b
& b bbbb > > > > w
w
w
w
ww
j j w
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? bb b b w
w w
{ bb w
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5
49 50 51 52 53
bb b b j j j j j j j j J
& b b J JJ
I just can - not hide my fear. For sick -ness has a hold on her. And now I need
D C(9) E7 D
bbbb b w w w w w
& b w J w
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54 55 56 57
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you here so I'll wait for the morn. Yes I'll wait for the morn.
C(9) D G
bb w w w w
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j
w j
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58 59 60 61
3 3 3 3 3
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Ev -'ry - thing's clear -er in dawn than in dusk. I pray that you're coming so
C(9) D G
b w w w
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w w
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62 63 64
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do what you must while I wait for the morn. Yes I'll wait
D C(9)
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65 66 67 68
3 3 3
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for the morn. Find your - self here soon and trav - el with speed, For
E7 C(9) D
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69 70 71 72
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Net - tie is slip-ping and you're what she needs.
E7 A C(9)
b b
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w wn j n ww w
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73 74 75 76
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What she needs. What she needs.
E7 C(9) E7 C(9)
bbb w w
& bb
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77 78 79 80 VAMP
bb b b w j
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To-
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b
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> > > > > > > >
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81 82 83 84
bb b b j
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day Net - tie said she can hear your voice. . But
G E7
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8
85 86 87 88
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how can this be Hay - don, how? I
G D(4) E7
bbb
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b > > > >
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89 90 91 92
bbb 3
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want to have hope yet I can -not pre - tend. That
G E7
b
& b bbbb > > > > > > > >
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? bb b b w w w w
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93 94 95 96
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if all hope fails us, then she Will just want you
C5 D(4) E7
bbb b
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w
? bb b b ww w
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9
97 98 99 100
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now. I've told her I'll do all I can, To
G C(9) E7
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b # #
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11
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for the morn. Ev - 'ry - thing's clear -er in dawn than in dusk. Just
E A(9) B
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know that I'm com - ing, I'll do what I must while I wait for the morn.
E A(9)
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Yes I'll wait for the morn. Yes I'll wait
. for the morn.
B C7 A(9)
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I'll wait.
B E
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C7 E
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> > >
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> ww
? #### w w U
{ w w
w
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FOR TONIGHT
Piano/Vocal HOME 10
[Rev. 12/13/14]
With Urgency
Music and Lyrics by
h = 96 SHENELLE AND SPENCER WILLIAMS
B 2 3 4
#### C j j j j
& # J
J J
J J
J J
J
? #### C
{ #
5 HAYDON: 6 7 8 9
#### j j j j
& # J J J J
There you go ask - in', Quest - tions you know, I can - not an
B E G
#### j
j J j J j J j J
& # J
J J J J J
? ####
{
10
#
11
12 13 14
#### j j j
J
& # J J J
- swer now for sure. You just don't see it,
B
F B
#### j j
j
j
j
& # J J J J J J J J J J
? ####
{ #
15 16 17 18 19
#### j j w
& # J J J J JJ J
How much I care. It's why you can't go with me there.
E G
#### j F B
& # J J j J j J J j J j J
J J J
? ####
{ #
Copyright 2012
2
20 21 22 23 24
#### j j
& # w w w
But I know in time, That our
#### j E j F j B j j
& # J J J J J J J J J J
? ####
{ #
25 26 27 28 29
####
j w
& # w w w
love will grow. And if you'll
#### E j F j B j j E j
& # J J J J J J J J J J
? ####
{ #
30 31 32
#### w w
& # J
just wait, Then I'll
#### F j G
& # J j J j J
J J J
? ####
{ #
33 34 35
#### w w w
& #
be your home.
#### E j
F
j
B
j
& # J J J J J J
? ####
{ #
3
36 37 38 39 40
#### #MIRELA:
# j j
& #
j j
Night time has fall - en,
B/C G A D
#### j j j j j ##
& # J J J n j j j j j j j
? #### n ##
{ # n
n
41 42 43 44 45
## j j j j j j j
& j j
Si - lent and dark. You say that time won't make us part.
G B A D
#
& # j j j j j j j j j j j j j j j
? ##
{
46 47 48 49 50
## j
&
j j j j
j j
Too ma - ny ques - tions, Run through my brain.
D G
#
& # j j j j j j j j j j j j j j j
? ##
{
4
51 52 53 54 55
## j j j j j
& j j
w
No - thing's for cer - tain in this place. And I can't
B A D G
#
& # j
j j j j j j j j j
j j j j j
? ##
{
56 57 58 59 60
##
j
& w w w w
re - - spond,
, If you swear you'll
A D G A
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& j j j j j j j j j j j j j
j j
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{
61 62 63 64
## j
& w w
w
vow. 'Cause your will - - ful
D G A
#
& # j j j j j j j j j j j j
? ##
{
5
65 66 67 68 69
##
& w j w w w
ways, Make me won - - der now.
B G A D
## U
& j j j j j j j j j
j j j w
w
w
? ## U
{ w
w
HAYDON
THOMAS U
## 4 U U
& 4
u
When I see the ris -ing tide, Will you be my home? Sun and moon and stars col - lide, Are you still my home?
D D A D D G
## 4 U U U U
& 4
U U
? ## 4 U
U
{ 4w w
w w
6
74 75
## U U 3
& j
4
J R
When the ri - vers do run dry, Will you fal - ter while I try to
U Uj
## 3
& 4
J
When the ri - vers do run dry, Will you fal - ter while I try,
G A D/F A
# U U 3
& # 4
U U
? ## 3
{ 4
76 77 78
U
## 3 2
& 4 4
u
keep our truths from all their lies? Will you be my
U
## 3 2
& 4 4
Keep our truths from all their lies? Will you be my
G D G G A(4)
## 3 U 2
& 4 4
U
? ## 3 2
{ 4 4
7
79 A tempo 80 81 82
##C
& w w w w
home?
##C w w w w
& w w w w
home?
A tempo
B
##C j A j D j D/F j
J J J J
& J J J J
? ##C
{
83 84 85 86
##
&
B
# j
A j D j D/F j
& # J
J
J
J
J
J
J
J
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{
8
87 THOMAS: 88 89 90
## j j j
& j j j
I think he's com - ing home real soon now.
MIRELA:
## 2nd
time only
j j
& j j j j
I'll keep on ask - in' Ques - tions I know,
HAYDON:
## 2nd
time only
& J J J J J
J
There you go ask - in', Ques - tions you know
B A D D/F
## j
J j J j J j J
& J J J J
? ##
{
91 NETTIE: 92 93 94 95
## j j j j j j j j
& w
I hope he's com - ing home to stay. Just pro - mise me
# j
& # j j
j j j j j j
w
You can - not an - swer now for sure. You just don't see
## j w
& J J J J J J J J
I can - not an - swer now for sure. You just don't see
B A D D/F B
# j
& # J
J j J
J j J
J
j J j
J
J
J
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{
9
96 97 98
## j j
& j j
that you'll be o - pen.
# j
& # j j w
it, How much I care.
## w
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it, How much I care.
A D D/F
## j
J j J j J
& J J J
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{
## w w
& J J J J J J
It's why you can't go with me there.
1.
B A D
# j j
& # J
J J
J j J
J
j J
J
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{
10
103 104 105 106 107
## 2. ALL WOMEN:
j
& w
j w w w
But I know in time,
ALL MEN:
## w w w w
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But I know in time,
2.
D G A B
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? ##
{
108 109 110 111 112
##
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w w
That our love will grow. And if
##
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##
&
J
w w w
Then I'll be your home.
G A B
#
j
j
& #
j j j
j j j j w
ww
? ##
{ w
w
Slower
120 NETTIE/MIRELA: 121 122 123 124
3 3
##
w w
& w
So if I just wait Will he
D/F G A B D/F
#
& # w
ww
w
ww w
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{
w w w
G A B
# " U
& # w
ww w
w >
? ## w " U
w
{ w w
>
FOR TONIGHT 11
Piano/Vocal ENTR' ACTE
"Come Along" Tempo Music and Lyrics by
SHENELLE AND SPENCER WILLIAMS
2 Guitar 3 4 5
#6 j j j j j j j j
& 8
B C G/D G/E D/F G/B
#6
& 8 #
>>>>>
? # 68
{
> > > > >
6 7 8 9 rall. 10
# j j j j j j #### 3
& 4
rall.
C G/D G/E B7
#
& #### 3
4
#
?# #### 3
{ 4
NETTIE:
Slowly HAYDON: 2nd time joins (coughing)
11 12 13 14 , 15 16 17 18
#### 43
&
Oo Oo
E E(4)
1st time only
#### 43
&
? #### 43
{
Copyright 2014
FOR TONIGHT
Piano/Vocal
Suo Gan 12
[Rev. 8/6/14] Welsh Folk Song
Arranged by
SHENELLE AND SPENCER WILLIAMS
Gently
E q = 108 E/D A(9) B(4) A(9)
2 3 4
#### 3 ej
& 4
e e e
j e e e e e
j e e e e ee
j
e
e e
Guitar
for rehearsal
? #### 3 e e e e e e
{ 4 e e e
G C C7 A B(4) E
5 6 7 8
#### j j e ej
& j
e e e e e e e e e e e ne e e e e
e
? #### e e e
{ e #e e e
e
9 MOLLY: 10 11 12
####
&
Hu - na blen - tyn, Ar fy myn - wes,
Hee - nah blen - tin, Ar veye man - wess,
? #### e e e e
e e
{ e e e
Copyright 2013
2
13 14 15 16
####
&
Clyd a chy - nnes, Yd - yw hon.
Kleed ah Xcha - ness, Ah - dew hawn.
G C C7 A B(4) E
#### j j e ej
& j
e e e e e e e e e e e ne e e e e
e
? #### e e e
{ e #e e e e
17 18 19 20
####
&
Brei - chiau mam sy'n, Dynn am - dan - at,
Brai - Xchyiam - am seen, deen am - dah - nacht,
? #### e e e e e e
{ e e e
21 22 23 24
####
&
Car - iad mam sy, Dan fy mron.
Car - yahd mahm - see, Dahn veye br'on.
G C C7 A B(4) E
#### j j e ej
& j
e e e e e e e e e e e ne e e e e e
? #### e e e
{ e #e e e e
3
25 26 27 28
+HAYDON:
####
&
Ni chaiff dim am - ha - ru'th gyn - tun,
Nee Xcheyef deem ahm - har - reeth gun - tin
E E(4) E
####
& ? ?
J ? ? ? ?
J ? ? ? ?
J ? ? ? ?
J ? ?
? ####
{
29 30 31 32
####
&
Ni wna un - dyn thi gam.
Nee wahn ayeen - din ah hee gahm.
E E(4) B(4)
####
& ? ?
J ? ? ? ?
J ? ? ? ?
J ? ?
? ####
{
33 34 35 36
####
&
Hu - na'n da - wel, An - nwyl blen - tyn,
Heen - nahn dah - well, Ahn - will blen - tin,
? #### e e e e e e
{ e e e
4
37 38 39 40
####
&
Hu - na'n fwyn ar from dy fam.
Heen - nahn vooien ar - vrohn da - vahm.
G C C7 A B(4) E
#### j j e ej
& j e e e
e e e e e e e e ne e e e e e
? #### e e e
{ e #e e e e
Pi mosso
41 42 43 44
####
&
E E/D A(9)/C
#### j
&
mp
sempre legato
? ####
{ - -
-
45 46 47 48
####MR AND MRS. PARRY:
&
Hu - na blen - tyn, Ar fy myn - wes,
Hee - nah blen - tin, Ar veye man - wess,
G C C7 A B(4) E
####
& J n
#### j j j j j j
{&
53 54 55 56
MRS. PARRY:
####
&
Hu - - na blen - tyn.
mp Hee - - nah blen - tin.
MR. PARRY:
####
&
Brei - chiau mam sy'n, Dynn am - dan - at,
Brai - Xchyiam am - seen deen am - dah - nacht,
G C C7 A B(4) E
####
& J
#### j j j
j j j
?
{&
61 62 63 64
#### ,
&
Ni chaiff dim am - ha - ru'th gyn - tun,
Nee Xcheyef deem ahm - har - reeth gun - tin
#### ,
&
Ni chaiff dim am - ha - ru'th gyn - tun,
Nee Xcheyef deem ahm - har - reeth gun - tin
E E(4) E
####
&
? ####
{
7
65 66 67 68 ,
####
&
Ni wna un - dyn thi gam.
Nee wahn ayeen - din ah hee gahm.
#### ,
&
Ni wna un - dyn thi gam.
Nee wahn ayeen - din ah hee gahm.
E E(4) B(4)
####
&
? ####
{
? ####
? ####
{
77 78 79 80
####
&
#### ,
&
in my, in my arms.
,
? ####
in my, in my arms.
C7
####
&
? ####
{
9
81 82 83 84
Sleep now.
####
&
In my, in my arms.
? ####
In my, in my arms.
F7 A(9) C7
####
&
? ####
{
85 86 87 88
Sleep now.
####
&
In my, in my arms.
div.
? ####
In my arms.
F7 A(9) E/B
####
&
? ####
{
10 Allarg.
89 90
####
&
? ####
Arms.
Allarg.
C7 B7/D
####
&
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{
Con moto
Sleep my dear - - est,
91 92 93 94
####
&
Arms. Arms.
f
Arms. Arms.
#
? #
##
Sleep, Sleep
E B(4)/A
####
&
f
-Gtr.
? ####
{
11
95 96 97 98
In my arms. ,
####
&
In my arms.
In. my arms.
,
? ####
in my arms.
C7 A(9)
####
&
? ####
{
####
&
Arms. Arms.
Arms. Arms.
#
? ## #
Sleep, sleep my dear - - est
E B(4)/A
####
&
? ####
{
Faster
In my 12 arms.
103 104 105 106
####
&
In my arms.
In my arms.
? ####
in my arms.
C7 F7
####
&
? ####
{
Sleep.
107 108
####
&
Gen - - - tly sleep
Sleep.
? ####
E(9)/G
####
&
? ####
{
rall. 13
109 110 111 112
SOP 1
####
&
Sleep now.
SOP 2
ALTO
####
&
Sleep now.
TENOR
BASS
? ####
sleep now.
#### p
&
Lie your wea - - ry
mp
####
&
Lie your wea - ry head to rest.
C E(9)/B A(9)/E
####
&
? ####
{
A cappella
121
SOP 1: 122 123 124
####
&
head. Calm - - ly.
SOP 2:
ALTO:
####
&
Have no fear now, I am with thee.
####
&
Slum - - ber on my breast.
####
&
Calm - ly slum - ber on my breast.
Hymn-like
129 130 131 132
####
&
breast.
? ####
breast.
####
&
? ####
MOLLY/HAYDON:
141 142 143 144
####
&
Sleep my dear - est, in my arms.
FOR TONIGHT
Piano/Vocal 13
DARK AND BRIGHT
[Rev. 12/12/14] Music and Lyrics by
h = 84 SHENELLE AND SPENCER WILLIAMS
C F(9)
2 3 4
&C w w
w J
w w
?C ww w
w w
w
{ C
w
w
F(9)
5 6 7 8
& w w w
w
w J
? w
w
w
w
w
w
{ w
w
9 10 11
HAYDON:
j j j j j j j
& j j
The sky seems so close to - night and so do you my love.
& w
w w
w w
? w
w w
w w
w
{
12 13 14 15
j j j w
& w J
Al -though I know we're far a - part.
F(9) C
& w
w
w w
w
J
? w w w
{ w w w w
w
Copyright 2013
2
16 17 18
w j j j j
&
Feel how each heart- beat pul ses reach
F(9) C
& w
J w
w
? w
w w
w
{ w
w
19 20 21 22
j j j j j j
& j w J
- ing time as one, As if we're sing - ing, dan - cing in
F(9) C
& w
w
J w
w
w
? w
w
w
w
w
w
{ w
w
23 24 25 26
J
& J J J J J J
each - oth - ers' arms. Watch - ing and wait - ing to find
C A7 C/F G(4)
& w
w w
w
w w >
?
{
>
31 32 33 34
HAYDON:
w w
&
ENSEMBLE:
& w w w
Dark and bright.
C C/D F(9)
& J J
? w w
{ w w w
w
4
35 36 37 38
w w w
&
Dark and bright.
& w w w
Dark and bright.
C C/D F(9)
&
J J
? w w
{ w w w
w
39 40 41 42
w w w
&
Dark and bright
& w w w
Dark and bright
C C/D F(9)
& J J
? w
{ w w w
w
5
43 44 45 46
w w w
&
Dark and bright
& w w w
Dark and bright
C C/D F(9)
& J J
? w w w
{ w w w
47 48 49 50
MIRELA:
j j j j j j j
& j w
I would give a - ny - thing to feel your hand in mine.
C F(9)
& w w
w
w w
J
? w
w w
w w
w
{ w
w
51 52 53 54
& j j j
J
w w
Don't let this dis - tance make us part.
C F(9)
& w
w
w w
w
J
? w
w w
w w
w
{ w
w
6
55 56 57 58
j j j j j j j
& j w
I hope you're look - ing up and feel that I am near.
C F(9)
& w w w
w w
J
? w
w w
w w
w
{ w
w
59 60 61
j j j
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When you are lone - ly then just look in - to your heart.
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Watch - ing and wait - ing to find our way back home.
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But mean - while our love is in the stars.
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Don't you know you're the best thing in my life?
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Don't you know you're the best thing in my life?
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FOR TONIGHT
Piano/Vocal
ONE STEP 14
(Don't Forget Me)
With urgency [Rev. 8/8/14] Music and Lyrics by
q = 136 SHENELLE AND SPENCER WILLIAMS
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& 4VVVVVVVV VVVVVVVV VVVVVVVV VVVVVVVV
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One step and I'm out the door - way.
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One step and there goes all my pride. And I know
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that if I go now there's no take backs. I just hope
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that he still needs me by his side.
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One step and now I feel him clos - er.
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And if he'll just give me the chance. Then I'll show
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him how my world works and he'll love it.
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But if he can - not see clear - ly, Then
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we don't stand, No we don't stand a chance.
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Don't for -get me. Don't for -get me love. Don't for -get me now.
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Don't for -get me. Don't live with re - gret. Don't for -get me now.
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'Cause I will brave the deep - est seas, if I be - lieve some - how
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that you, Won't for - get me Don't for - get me love.
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some peace of mind. Cause the truth is what I need
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now, But on - ly time, On - ly time will tell.
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- ly time will tell.
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Don't for - get me.
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Don't for -get me now.
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Don't for - get me. Don't live with re- gret. Don't for - get me now.
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FOR TONIGHT
Piano/Vocal
15
NO ONE KNOWS
[Rev. 12/2/14]
Music and Lyrics by
Driving
SHENELLE AND SPENCER WILLIAMS
h = 80
2 3 4
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5 THOMAS: 6 7 8
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Will we ev - er wake one day to find this is our hell?
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Copyright 2013
2
HAYDON/THOMAS:
13 HAYDON: 14 15 16 17
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No one knows. No
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18 19 20 21 HAYDON:
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one knows. How can we keep go-
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- ing, When ev-'ry - thing is lost?
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How do peo -ple find
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their place when love's so high a cost? No - -
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guess what'-ll hap -pen next, This could be the end. But we can't live in fear
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of the worst. If this is that
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time then we'll face our truth On - ly as it comes. But
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we can't live in fear of theworst.
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Will you learn to trust now?
59 60 61 62
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Can we learn to un - der - stand and let
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Will you show me how? Can we learn to un - der - stand and let
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things go for now? No one knows.
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things go for now? No one knows.
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No one knows.
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Will I find my place out there or will
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Leave this home so dear?
83 84 85 86
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No one knows.
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hap -pen next, This could be the end. But we can't live in fear of the
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worst. If this is that time then we'll face our truth, On - ly
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mp Oh love, Oh love of mine. I fear love,
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melody
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2
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I will be the one who burns this time. Oo, Oh Oo,
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Oo, Oh Oo, Oh
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fear love, That I will be the one who burns this time.
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FOR TONIGHT
Piano/Vocal PROCESS 17
[Rev. 8/8/14]
Music and Lyrics by
Driving SHENELLE AND SPENCER WILLIAMS
q = 150
4
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Well it's a rst step,
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2
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Work -ing through these thoughts. There is no
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an- swer, And no bat -tle to be fought.
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Cause life's a pro- cess, Get
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- ting where we want to be And when I n - ally work
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this through there's mea - ning to be found in all the loss.
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It's three A. M. now, And
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It's three A. M. now, And
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I make love to lone - li - ness. When you're not with me,
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I make love to lone - li - ness. When you're not with me,
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An ach ing sad - ness si - len - ces my breath.
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Cause love's a pro cess, Be - ing with the one
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Be - ing with the one
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we want, And when I hope to set - tle down it may
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we want, And when I hope to set - tle down it may
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just be the start of all the rest.
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just be the start of all the rest.
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- light n - ally, Floods through the o - pen doors. And the clouds
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- light n - ally, Floods through the o - pen doors. And the clouds
50 MIRELA/MOLLY:
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be - gin to clear. The sun makes all
HAYDON/THOMAS:
w
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the co - lors, Mean what you need them to.
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Then may-be you'll be free, Free to feel. Feel all the tex tures,
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Then may-be you'll be free, Free to feel. Feel all the tex tures,
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And learn the les - sons to be taught, Just nd a glim mer.
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And learn the les - sons to be taught, Just nd a glim mer.
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So hope can drive our ev' ry thought. Cause life's a
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So hope can drive our ev' ry thought.
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pro cess, Get - ting where we want to be. And when I n - ally work
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Get - ting where we want to be. And when I n - ally work
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this through there's mea - ning to be found
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this through there's mea - ning to be found
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in all the loss.
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in all the loss.
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Oo
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Oh my love,
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Oh love of mine.
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Oh love,
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Oh my love,
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FOR TONIGHT
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HAYDON:
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mf Let's pre - tend this for
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to - night, That this is all we need. As
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Copyright 2014
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if this ca - no - py of stars, Will shel - ter all our dreams.
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let me watch you as you sing of things that you de - sire.
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FOR TONIGHT
Piano/Vocal
19
HYMN FOR NETTIE
[Rev. 12/13/14]
Adagio e Rubato Music and Lyrics by
SHENELLE AND SPENCER WILLIAMS
TOWN ENSEMBLE:
2 3 4 5 6 7 8 9
b3
& 4
Oo Oo Oo
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Thomas'
10 11 12 13 14 15 16 speech 17
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Oo mp The sun hangs low, And
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18 19 20 21 MOLLY:
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mf But when one leaves, The
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When one leaves.
steals a - way the time. A stea-dy path to hea-ven we all climb.
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Copyright 2014
Molly holds this 2
note over Allegro
22 23 SOPRANO: 24 25 , 26 27
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heart must stay be- hind. For mine is with you still. Oo, Oo.
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Stay be - hind. My heart with you still. Oo, Oo.
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ROMANI MEN:
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ROMANI WOMEN:
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sweet and let our voic - es raise, To reach the place we
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long to spend our days, In that great home a - bove.
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In that great home a - bove.
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In that great home a - bove.
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51 52 53 54 ROMANI ENSEMBLE:
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Underscore Come a -long and sing with us, You'll
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TOWN ENSEMBLE:
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So now we seek a place with me - lo dy. With
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feel that you can live for - e - ver. Time stands still with me - lo - dy, With me - lo dy.
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me - lo dy. p With me - lo dy. With me - lo dy. With
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all parts gradually fading out
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TOWN ENSEMBLE: VAMP
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me - lo - dy. With me - lo - dy. With
ROMANI MEN: ,
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f The sun will set, But
molto rall.
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so must come the dawn. And through the ruin, We nd we must press
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on. So now we seek a place where we be - long. To nd that
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home, to nd that home, to nd that home,
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96 97 98 99
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Is with the ones we love.
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We love.
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molto rit.
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