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Presents

Roald Dahls Willy Wonka

Tuesday, May 1, 2007


10am Concert Hall
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Welcome to Cuesheet,
a performance guide
published by the
Education Department
of the John F.
Kennedy Center for
the Performing Arts,
Washington, D.C.

This Cuesheet is
designed to help you
enjoy the performance
of Roald Dahls Willy
Wonka.

The candy marks


topics for discussion
or activities you may
want to do with other
students, friends, or
Music and Lyrics by
family.
Leslie Bricusse and Anthony Newley
Whats in
Adapted for the Stage by Cuesheet?
Leslie Bricusse and Tim McDonald
What Happens in Roald
Based on the book Charlie and the Dahls Willy Wonka?
Chocolate Factory by Roald Dahl pages 23

Telling the Story


Through Music,
pages 45

Creating Wonkas
World of Pure
Imagination, pages 67

Think About and


Resources, page 8
H appens
a t i n
h Ro
ald
W
Da hl s
Main Characters The Story
More than 30 characters appear in
Roald Dahls (pronounced
ROW-all DOLL) Willy Wonka. Some
are played by actors, others are played
by puppets. The main characters are:
I n the musical, Willy Wonka
owns a magical and mysterious
chocolate factory. Although he
excels at making candy, he would like
to retire. He hopes to find the right
person to take his place.
The children who tour the
Charlie Buckets family is poor.
chocolate factory
They do not have enough money to
Charlie Bucket, a poor boy buy food, warm clothes, or even some
Augustus Gloop, a boy who candy. Charlie dreams of making
loves food chocolate bars, just like his father,
grandfather, and grandmother used to.
Veruca Salt, a spoiled, bossy girl
Everyone, but especially Charlie,
Violet Beauregarde, a girl who is excited to learn that Willy Wonka
loves gum has started a contest. The five lucky
Mike Teavee, a boy who is people who find golden tickets inside
obsessedextremely focused obsessed with television Wonka chocolate bars get a tour of the
on one thing chocolate factory and a lifetime supply
Charlie Buckets family of chocolate. Charlie wants badly to
eccentricunusual and
win, but cannot afford to buy candy.
unpredictable Charlies parents
At the last minute, Charlie finds the
musicala play that tells its Charlies four grandparents
final golden ticket. He joins the other
story using dialogue and songs (puppets)
winnersAugustus, Violet, Veruca, and
fantasticalwonderful and People in the chocolate factory Mikeon a fantastical tour of Wonkas
almost unbelievable chocolate factory. Wonkas workers,
Willy Wonka, the eccentric
the Oompa Loompas, make the
(pronounced ek-SEN-trik) owner of
tempting treats. During the tour, each
the factory
child breaks Wonkas rules.
The Oompa Loompas, factory
Before Charlie leaves, he admits to
workers (puppets)
Wonka that he broke the rules. Moved
by Charlies truthfulness, Wonka gives
Charlie an incredible gift
2
Wo nka?
ly
il
W From Page Looking for an Heir
to Stage In the musical, Wonka
is looking for an heir
The story for the musical comes from a
(pronounced AIR)someone to take
popular book, Charlie and the Chocolate
over the chocolate factory and carry on
adaptmodify or change Factory by Roald Dahl. To adapt the
his work.
consequencesevents that
story for the stage, the playwrights
happen because of things
decided which events and characters to Think of something important
people do or say
keep or change and whether to create that you do and take pride in. If you
new characters and events. They also needed to find someone to take your
improviseto perform or write worked with people who wrote lyrics place, how might you go about it?
without practicing ahead of and music so that the songs would help What qualities would you want that
time tell the story. person to have? Why? Discuss or write
your ideas.
Laughs & Scares After the performance, discuss the
The musical Roald qualities that Wonka sought for his
Dahls Willy Wonka replacement.
includes funny scenes and some
scary moments.
Before the performance, think
about these questions:
Charlies grandparents do not hear
very well. How might their
conversations be funny?
The children take a boat
ride through a dark and
mysterious tunnel. How
might this be scary? Funny?
When the children break
the rules, they face
consequences. How might
these be scary? Funny?
After the performance, recall
and improvise some situations
that were both funny and scary.

3
ll in g t h e St
T e or
y
Singing Lessons
Th
rough
The factory workers, the
Oompa Loompas, teach a lesson to
each of the five young visitors through
the song, Oompa-Loompa-Doompa-
Things to
De-Do. Here is the last verse that is Think About
repeated each time. The second line
(the lesson) changes for each child: The musical touches on
several themessubjects, messages,
Oompa Loompa doom pa dee dah or lessons. The themes of the musical
If youre not greedy, you will go far! come out in the words and the music.
After watching the performance,
You will live in happiness, too! discuss or write what you learned
Like the Oompa-Loompa, doom pa dee do. about:

Here are the different second lines Imagination


that you will hear. Note that one lesson Greed
is given twice.
Telling the truth
1. If youre not greedy, you will go far!
Thinking positive
2. Given good manners, you will go far!
3. If youre not spoiled, you will go far!
4. If youre not greedy, you will go far!
5. If you are honest, you will go far!
Before the performance, guess
which child (Charlie, Augustus, Veruca,
Violet, or Mike) the Oompa Loompas
are singing about.
During the performance,
watch and listen to see
whether your guesses
were right.
After the
performance, write a
new second line about
a lesson you need to
remember. Try singing
the verse with your words
included.

4




Who Sings
ic 5. I only have one dream in life

us These Lines?
Theres very little to it!
To own one stick of lifelong gum

M
And all life long, to chew it!
Before the performance,
read each of the song 6. I want the works
lyrics below. Look for clues that I want the whole works!
help you guess who from the list of Presents and prizes and sweets
characters will sing the lines. and surprises
Of all shapes and sizes and now!
After the performance, check your
Dont care how!
guesses. (Dont peek! The answers are
I want it now!
on the bottom of this page.) Also, in a
small group, recall the song melodies 7. There is a problem with lots of our
and sing the lyrics. youth!
Not everybody likes telling the truth!
List of Main Characters 1. But soon Ill be retiring
Telling the truth starts a beautiful
The Oompa Loompas To make way for someone new
buzz
Someone youthful and inspiring
Charlie Bucket Isnt it nice when someone does?
But who?
Charlies parents
2. Whenever my luck is on the blink,
Charlies grandparents I think positive!
Whenever Im feeling down and out,
Mike Teavee
And dont know what to do,
Violet Beauregarde I never give way to fear and doubt
Cause thinking positive sees me
Veruca Salt
through!
Augustus Gloop
3. Some kids like electric trains
Willy Wonka And some kids like to use their brains
To earn a university degree!
I dont share their thirst for knowledge
I dont see a need to go to college
Me, I see it all on TV!
4. You will find in your mind
Theres a world of endless fascination!
No more fun place to be
Than in your imagination!

p
Oom a L Mike Teave
3.
he
om

e
A
et

4.
n
T

pa

W
uck

s
ruca Salt 7.

illy
we
s

ie B

W
rs

on
:

1.
a rl

ka Wi
h

5. lly W
Vio onka 2. C
Ve

. let
Be a
uregarde 6
5
Cr onk a s Wo
eating W rl d
Setting the Charlies
rents
grandpa
Stage for Your
Imagination
The people creating

PHOTOS : MICHAEL WARCHOL


Roald Dahls Willy Wonka
want you to use your imagination
during the performance. As the show
opens, notice the bare stage and Willy
Wonka singing about imagination.
During the performance, pay
attention to how your imagination
helps create the world outside and
inside the chocolate factory. Some
other things youll notice:
Oompa
The actors become other characters Loompa
In the musical, puppets are used for some of the
by changing costume pieces or
characters. These pictures show two kinds of
using puppets. puppets in the process of being constructed.
The actors move scenery panels
Charlies grandparents are
and objects to change the setting.
Special lighting is used when the
Wearing Many Hats puppets. Only their upper bodies
are being built because they
children ride a boat through the always sit in bed. Notice they
Try your hand at
are constructed as skeletons.
tunnel inside the factory. This changing characters quickly This will make the poor, starving
lighting makes parts of the like the actors do in the musical. grandparents look thin even
scenery glow in the dark. when they are dressed in pajamas.
Before the performance, collect Notice too, how one of the
some simple costume pieces, such as round balls, used for the puppet
hats, scarves, sunglasses, aprons, or head, has been carved. When
purses that are easy to put on and completed, all puppets will have
take off. Choose a character to be detailed faces.
(like a cook, reporter, or detective)
The Oompa Loompa puppets
and dress the part. Then say the line,
are attached to rolling stools.
He found a golden ticket! Then The actor sits on the stool and
change to another character by manipulates the puppet. When
changing your costume. Speak the finished, the cardboard disks
same line as the new character would that comprise the body will be
(for example, excited, angry, sad, made of plywood cut to look like
gears and painted bright green
frightened). What else can you do to
and purple.
show you have switched characters?
Afterward, talk about your experience. PUPPETS DESIGNED BY MARIE SCHNEGGENBURGER

6
g in ati o
fP a n
m
o

ur e I
In the
Problems to Solve Playwrights
Roald Dahls Willy Wonka
Shoes
involves many fantastical events. After the performance, Example of format for
This presents challenges for the people try writing four to six lines of new writing dialogue:
who create the sets, costumes, lighting, dialogue that tell a part of the story.
and sound effects. Mike: What does it do, Wonka?
Choose one of the following scenarios
Before the performance, work with or create your own. Wonka: Just one sip of my fizzy

a partner to make a plan for how you lifting drink and you will float
Use your imagination as well as
would show the following events on on air.
knowledge about the characters to
stage. Remember you can use only decide what they might say to one Mike: Float on air? Whoa!
costumes, simple sets, lighting, and another. Practice the conversation with
sound effects to solve each problem. a partner. How do the lines sound?
After the performance, compare Revise your lines as needed.
your ideas with what actually happened. Willy Wonka explaining to an
Charlie floating after he drinks Oompa Loompa his plan for a
a fizzy drink contest

Augustus falling into A reporter interviewing Charlie


a chocolate waterfall after the factory tour

Mike becoming just Mrs. Bucket telling the family they


6 inches tall after he have to eat cabbage soup again
travels through the TV Veruca, Violet, Augustus, or Mike
Violet turning blue telling one of their parents what
and puffing out happened to them in the factory

These costume sketches show what Charlie


and Mr. Wonka will wear. At the performance
notice the choice of fabric textures and colors.
COSTUME DESIGNS BY ROSEMARY PARDEE

7
in k ab Resources

T h ou t
You may want to
watch:
Willy Wonka and the Chocolate
Factory, DVD, 2001.
read:
Dahl, Roald. Charlie and the

The Spark of

RDNL
Chocolate Factory. NY: Alfred A.
Knopf Books for Young Readers,

Imagination 2001. (Hardcover)


Dahl, Roald. Charlie and the
Chocolate Factory. NY: Puffin Books,
Imagine worlds 1998. (Paperback)
of chocolate rivers or giant listen:
peaches or big friendly giants. Willy Wonka and the Chocolate Factory:
These worlds sprang from the Music from the Original Soundtrack
of the Paramount Picture. Hip-O
mind of popular British author Records 40020, 1996.
Roald Dahl (19161990), go online:
pictured right. Dahl once The Roald Dahl Web site
described how he came up www.roalddahl.com
with his ideas: The Field Museum: All About
Chocolate
fieldmuseum.org/chocolate/kids.html
It always starts with
a tiny little seed
of an idea, a little germ,
and that even doesnt Stephen A. Schwarzman
Chairman
come very easily Author Roald Dahl gathered ideas for his stories
Michael M. Kaiser
from some of his experiences. He noted that as
When I do get a good one, mind a young boy, he delighted in sweet shops and
President
Darrell M. Ayers
you, I quickly write it down so chocolate bars. Vice President, Education
that I wont forget it because it For more information about the

disappears otherwise rather like You, the Audience performing arts and arts education,
visit our Web sites:
a dream. But when I get it, I kennedy-center.org/education
The performers in Roald Dahls artsedge.kennedy-center.org
dont dash up here and start to Willy Wonka need help from you, the Roald Dahls Willy Wonka
write it. Im very careful. I walk audience. You are an important part Directed by Graham Whitehead

around it and look at it and of the musical. Being a member of an Roald Dahls Willy Wonka is a
commission of the Kennedy Center.
sniff it and then see if I think audience in a theater is different from Cuesheets are funded in part through
it will go. watching a movie or television show. the support of the U.S. Department
The performers are in the same room of Education, the Kennedy Center
Corporate Fund, the Morris and
What do you think Dahl means with you and are affected by what you Gwendolyn Cafritz Foundation, the
when he says, I walk around it and do. To do their best, the performers need Presidents Advisory Committee on
the Arts, and The Winnick Family
look at it and sniff it? How might this you to watch and listen closely. Other Foundation.
help? Write your little seed of an idea audience members also depend on your Cuesheet
and do what Dahl does. Then discuss quiet attention during the performance Editor: Lynne B. Silverstein
whether you think it is worth writing. so they, too, can watch and listen. Writer: Marcia A. Friedman
Design: Good Design/Nice Pictures
Illustrations from Charlie and the Chocolate
Factory by Roald Dahl, illustrated by Quentin

Watch. Listen. Think. Imagine.


Blake, copyright 1998 by Quentin Blake
illustrations. Used by permission of Puffin Books,
A Division of Penguin Young Readers Group,
A Member of Penguin Group (USA) inc., 345

Enjoy Roald Dahls Willie Wonka! Hudson Street, New York, NY 10014. All rights
reserved.

2004, The John F. Kennedy Center


for the Performing Arts
88
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will allow our ushers to get everyone seated and for you and your students to visit the
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PLEASE CHECK LOCATION OF PERFORMANCE WHEN MAKING YOUR BUS


RESERVATION.

The staff of the Fine Arts Center needs your help! An increasing number of students are
coming into the performance space with gum, food, beverages, cell phones and portable
music players. None of these items is allowed in the halls for performances. Many of
these items are stowed in backpacks and are not easily noticed. Our goal is to offer high
quality performances for young people. In order to enhance the experience, we ask for your
cooperation in preventing these items from entering the hall.

For the comfort of all concerned, we ask that backpacks, lunches and other gear be left on
the bus. Our long-standing policy of no cameras or tape recorders still is in effect.

At the conclusion of the performance please remain in your seats until your school group is
dismissed.

We hope that you and your students enjoy your theatre experience!
PARKING AND DIRECTIONS FOR THE FINE ARTS CENTERS
CONCERT HALL and RAND THEATER

School Bus Parking: Students should be dropped-off at Haigis Mall off of Massachusetts Avenue.
University Security will direct buses to an appropriate parking lot during the performance
(typically by the football stadium). PLEASE BE SURE YOUR BUS DRIVER KNOWS THAT ALL
PERFORMANCES LAST APPROXIMATELY 1 HOUR AND THEY SHOULD RETURN A FEW MINUTES
BEFORE THE ANTICIPATED END TIME. If drivers are not with the buses, they may miss the
radio call from security asking them to return for pick-up, resulting in unnecessary delays
returning to your school.
Individual cars: If necessary, individuals may drop-off students with a chaperone at Haigis Mall (you will be
directed by security to the mid-point turn of Haigis Mall see map) prior to parking. We
recommend parking in the Campus Center Parking Garage to avoid searching
for a metered space. It is a five-minute walk to the Concert Hall. All other available parking
during weekdays is at meters. Available lots and pricing (current as of 1/1/07) are listed below:

Parking in the Garage is available to our patrons at a discounted rate of $1. To


receive this rate you MUST give the Garage attendant a parking pass. To receive your
pass, please call our office to let us know that you will be arriving by car. Parking passes
are sent with the invoices. Please call (413) 545-2116 if you didnt receive one.
Parking meters are enforced Monday Friday, 7AM 5PM. Meter rates are
$1.00 per hour.
Parking Garage near Campus Center, across from the Mullins Center off
Commonwealth Avenue
Lot 34 Behind Visitors Center with 3, 5 & 10-hour meters available
Haigis Mall 2 hour maximum on meters
Lot 62 - Adjacent to Fernald Hall with 3 hour maximum on meters, limited spaces available.
From the North: (Vermont, Greenfield) I-91 south to Route 116. Follow signs on 116 To the University of
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From the West: (Northampton, Pittsfield) Route 9 east through Northampton and over Coolidge Bridge.
Follow remaining directions under From the South.
From the East: (Belchertown, Ludlow) North on Routes 21, 181 or 202 to Route 9 into Amherst. Right on to
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on main road, which becomes Massachusetts Avenue. Haigis Mall will be on your right, Lot 34 on your left.
For Concert Hall, Rand Theater and Bowker Auditorium Patrons traveling by car are encouraged to park in
the parking garage. Discounted parking is available in the garage for $1. A parking permit is required for
discounted parking in the garage. Please call the Arts & Educational Programs Office if you require permits at
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Buses will drop-off students as indicated on map. Buses will be given parking instructions by Campus Security.

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