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Welcome to Cuesheet,
a performance guide
published by the
Education Department
of the John F.
Kennedy Center for
the Performing Arts,
Washington, D.C.
This Cuesheet is
designed to help you
enjoy the performance
of Roald Dahls Willy
Wonka.
Creating Wonkas
World of Pure
Imagination, pages 67
3
ll in g t h e St
T e or
y
Singing Lessons
Th
rough
The factory workers, the
Oompa Loompas, teach a lesson to
each of the five young visitors through
the song, Oompa-Loompa-Doompa-
Things to
De-Do. Here is the last verse that is Think About
repeated each time. The second line
(the lesson) changes for each child: The musical touches on
several themessubjects, messages,
Oompa Loompa doom pa dee dah or lessons. The themes of the musical
If youre not greedy, you will go far! come out in the words and the music.
After watching the performance,
You will live in happiness, too! discuss or write what you learned
Like the Oompa-Loompa, doom pa dee do. about:
4
Who Sings
ic 5. I only have one dream in life
us These Lines?
Theres very little to it!
To own one stick of lifelong gum
M
And all life long, to chew it!
Before the performance,
read each of the song 6. I want the works
lyrics below. Look for clues that I want the whole works!
help you guess who from the list of Presents and prizes and sweets
characters will sing the lines. and surprises
Of all shapes and sizes and now!
After the performance, check your
Dont care how!
guesses. (Dont peek! The answers are
I want it now!
on the bottom of this page.) Also, in a
small group, recall the song melodies 7. There is a problem with lots of our
and sing the lyrics. youth!
Not everybody likes telling the truth!
List of Main Characters 1. But soon Ill be retiring
Telling the truth starts a beautiful
The Oompa Loompas To make way for someone new
buzz
Someone youthful and inspiring
Charlie Bucket Isnt it nice when someone does?
But who?
Charlies parents
2. Whenever my luck is on the blink,
Charlies grandparents I think positive!
Whenever Im feeling down and out,
Mike Teavee
And dont know what to do,
Violet Beauregarde I never give way to fear and doubt
Cause thinking positive sees me
Veruca Salt
through!
Augustus Gloop
3. Some kids like electric trains
Willy Wonka And some kids like to use their brains
To earn a university degree!
I dont share their thirst for knowledge
I dont see a need to go to college
Me, I see it all on TV!
4. You will find in your mind
Theres a world of endless fascination!
No more fun place to be
Than in your imagination!
p
Oom a L Mike Teave
3.
he
om
e
A
et
4.
n
T
pa
W
uck
s
ruca Salt 7.
illy
we
s
ie B
W
rs
on
:
1.
a rl
ka Wi
h
5. lly W
Vio onka 2. C
Ve
. let
Be a
uregarde 6
5
Cr onk a s Wo
eating W rl d
Setting the Charlies
rents
grandpa
Stage for Your
Imagination
The people creating
6
g in ati o
fP a n
m
o
ur e I
In the
Problems to Solve Playwrights
Roald Dahls Willy Wonka
Shoes
involves many fantastical events. After the performance, Example of format for
This presents challenges for the people try writing four to six lines of new writing dialogue:
who create the sets, costumes, lighting, dialogue that tell a part of the story.
and sound effects. Mike: What does it do, Wonka?
Choose one of the following scenarios
Before the performance, work with or create your own. Wonka: Just one sip of my fizzy
a partner to make a plan for how you lifting drink and you will float
Use your imagination as well as
would show the following events on on air.
knowledge about the characters to
stage. Remember you can use only decide what they might say to one Mike: Float on air? Whoa!
costumes, simple sets, lighting, and another. Practice the conversation with
sound effects to solve each problem. a partner. How do the lines sound?
After the performance, compare Revise your lines as needed.
your ideas with what actually happened. Willy Wonka explaining to an
Charlie floating after he drinks Oompa Loompa his plan for a
a fizzy drink contest
7
in k ab Resources
T h ou t
You may want to
watch:
Willy Wonka and the Chocolate
Factory, DVD, 2001.
read:
Dahl, Roald. Charlie and the
The Spark of
RDNL
Chocolate Factory. NY: Alfred A.
Knopf Books for Young Readers,
disappears otherwise rather like You, the Audience performing arts and arts education,
visit our Web sites:
a dream. But when I get it, I kennedy-center.org/education
The performers in Roald Dahls artsedge.kennedy-center.org
dont dash up here and start to Willy Wonka need help from you, the Roald Dahls Willy Wonka
write it. Im very careful. I walk audience. You are an important part Directed by Graham Whitehead
around it and look at it and of the musical. Being a member of an Roald Dahls Willy Wonka is a
commission of the Kennedy Center.
sniff it and then see if I think audience in a theater is different from Cuesheets are funded in part through
it will go. watching a movie or television show. the support of the U.S. Department
The performers are in the same room of Education, the Kennedy Center
Corporate Fund, the Morris and
What do you think Dahl means with you and are affected by what you Gwendolyn Cafritz Foundation, the
when he says, I walk around it and do. To do their best, the performers need Presidents Advisory Committee on
the Arts, and The Winnick Family
look at it and sniff it? How might this you to watch and listen closely. Other Foundation.
help? Write your little seed of an idea audience members also depend on your Cuesheet
and do what Dahl does. Then discuss quiet attention during the performance Editor: Lynne B. Silverstein
whether you think it is worth writing. so they, too, can watch and listen. Writer: Marcia A. Friedman
Design: Good Design/Nice Pictures
Illustrations from Charlie and the Chocolate
Factory by Roald Dahl, illustrated by Quentin
Enjoy Roald Dahls Willie Wonka! Hudson Street, New York, NY 10014. All rights
reserved.
The staff of the Fine Arts Center needs your help! An increasing number of students are
coming into the performance space with gum, food, beverages, cell phones and portable
music players. None of these items is allowed in the halls for performances. Many of
these items are stowed in backpacks and are not easily noticed. Our goal is to offer high
quality performances for young people. In order to enhance the experience, we ask for your
cooperation in preventing these items from entering the hall.
For the comfort of all concerned, we ask that backpacks, lunches and other gear be left on
the bus. Our long-standing policy of no cameras or tape recorders still is in effect.
At the conclusion of the performance please remain in your seats until your school group is
dismissed.
We hope that you and your students enjoy your theatre experience!
PARKING AND DIRECTIONS FOR THE FINE ARTS CENTERS
CONCERT HALL and RAND THEATER
School Bus Parking: Students should be dropped-off at Haigis Mall off of Massachusetts Avenue.
University Security will direct buses to an appropriate parking lot during the performance
(typically by the football stadium). PLEASE BE SURE YOUR BUS DRIVER KNOWS THAT ALL
PERFORMANCES LAST APPROXIMATELY 1 HOUR AND THEY SHOULD RETURN A FEW MINUTES
BEFORE THE ANTICIPATED END TIME. If drivers are not with the buses, they may miss the
radio call from security asking them to return for pick-up, resulting in unnecessary delays
returning to your school.
Individual cars: If necessary, individuals may drop-off students with a chaperone at Haigis Mall (you will be
directed by security to the mid-point turn of Haigis Mall see map) prior to parking. We
recommend parking in the Campus Center Parking Garage to avoid searching
for a metered space. It is a five-minute walk to the Concert Hall. All other available parking
during weekdays is at meters. Available lots and pricing (current as of 1/1/07) are listed below:
Buses will drop-off students as indicated on map. Buses will be given parking instructions by Campus Security.