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 Surajkund International Crafts Mela

Home Fairs and Festivals Surajkund International Crafts Mela (Faridabad) Past Mela (Year wise)

ShareThis

At a glance

Aims and Objectives

Vision

Partner Nation
 Theme State

Features of Mela

Cultural Programmes

Craftpersons

Past Mela (Year wise)

How to reach

Organising Agency
Over the years

1987-88 1989 1990

1991 1992 1993
1994 1995 1996
1997 1998 1999
2000 2001 2002
2004 2005 2006
2007 2008 2009
2010 2011 2012
2013 2014 2015
2016

Surajkund Crafts Mela : 1987 & 88

The year was 1987. The Mela ambience was simple. The architect who set the pattern of the Mela grounds was Shri Surendra Patel of Sharad Gandharva from Gujarat. The Mela grounds were intrinsically rural in
appeal and so, the gate was designed as a plain mud structure. A hidden stairway led to the shehnai platform. The thatched roof tops and the presence of the shady trees set the stage for a delightful rural
experience. During these two years, the Surajkund Mela played up no particular theme.

Surajkund Crafts Mela : 1989

Theme State : Rajasthan

Commemorative Structure : Shekhawati Gate : The tradition of encapsulating the theme state into the foreground began from this year onwards. Since then, a commemorative structure came to be designed
every year. Colourful Shekhawati gate of Rajasthan was chosen as the master motif of the Mela. A haveli and gate were built. Each structure was decorated with arched niches and brilliantly coloured wall murals,
typical of the colourful town of Shekhawat. Even today, the haveli and the gate are a fascinating signature of Rajasthan. The gate is 25-feet high and has been decorated by folk painters.
Surajkund Crafts Mela : 1990
Theme State : West Bengal

Commemorative Structure : Vishnupur Gate : The Vishnupur gate reflects ancient structural traditions of West Bengal. Built with delicate terracotta patterns, the gate reflects architectural traditions that are over
1000 years old. Vishnupur was once the administrative seat of the Malla dynasty of Bengal. Though the Mallas were a warrior clean, they were also patrons of art and culture.

Delicate relief patterns were used to embellish temples of which the existing Vishnupur temple is one. The famous Bankura house belongs to this genre. The Vishnupur Mela gate has a convex roof and elaborate
terracotta decorations typical of the traditional Vishnupur temple structure. The delicacy of which can be seen even today.

Top

Surajkund Crafts Mela : 1991

Theme State : Kerala
Commemorative Structure : Kottayambalam Gate

Kerala formed the master motif of the Mela in 1991. It was symbolised by the Kottayambalam Gate. Designed by Laurie Baker, the gate is 31 feet in height. The structure is built of bricks and topped with tiles. The
pyramidal roof is decorated with brass pinnacles. The structure reflects folk architecture; an image even reflected in temple structure that can be seen in Kerala.

Surajkund Crafts Mela : 1992

Theme State : Chhattisgarh
Commemorative Structure : Danteshwari Devi Gate

The year 1992 celebrated Bastar of Madhya Pradesh as the Mela Theme.
It was for the first time that a tribal motif formed the centre of attention, the deeply revered form of the mother goddess Danteshwari Devi, decorated the Mela gate built in Dhokra Metal craft tradition. The Devi is
flanked with her retinue of local Gods and Goddesses. The gate is 33-feet in height.

Top

Surajkund Crafts Mela : 1993

Theme State : Orissa

Commemorative Structure : Mukteswara Gate

The gate of the Mela celebrates Orissa. The 'Gem of Orissan architecture' is the phrase associated with the Mukteswara temple.

It comes from a tradition that has lost its history.

The Torana decorative motif of the original temple is reflected in gate. Built by the craftspersons of Orissa, the gate displays fine stone carving traditions. The original Mukteswara temple along with its additional
motifs of the Raja Rani and the Lingaraj temples marks the beginning of the Peedha temple traditions in the region. The gate is 16-feet in height.

Surajkund Crafts Mela : 1994

Theme State : Karnataka

Commemorative Structure : Hoysala Gate

The Hoysala Mela gate is a replica depicting the emblem of Hoysala dynasty at the top flanked by Shardula, the mythic animal. Two Dwarpal Akas in typical Hoysala style guard the Hoysala Gate with mantpas
intervening in between the lower portion of the pillar. The top of the gate is shaped in the Vijaynagar style.

The Hoysalas of Karnataka were one of the illustrious rulers, who commanded power in the southern part of the Karnataka. Hoysala architecture was a mile stone in the history of the temple building in
Karnataka. It is during this period that simplicity in temple art gave place to ornamentation in both architecture and sculpture.

The Hoysala temples at Belur, Halebid and Somanathpur constructed during the 12th century are eminent pieces of art with minute ornamentation on walls and pillars.

Top

Surajkund Crafts Mela : 1995

Theme State : Punjab
Commemorative Structure : Ram Bagh Palace

The architecturally unique structure is the entrance gate of Ram Bagh Summer Palace, Amritsar, built by Maharaja Ranjit Singh in 1819 A.D.

Surajkund Crafts Mela : 1996

Theme State : Himachal Pradesh

Commemorative Structure : Maheshwar Temple Gate

Serene Himachal finds a reflection in the Maheshwar temple Gate. The state made its distinct mark in the Mela with this exquisitely done up gate.

Top

Surajkund Crafts Mela : 1997

Theme State : Gujarat

Commemorative Structure : Gujarat Gali

Pol of Gujarat-1997

Pol is the term derived from the Sanskrit word Pratol which means gate or entry. Pol is a micro neighbourhood consisting of a street with group of houses on both sides, found in old and traditional towns & cities
of Gujarat. Street width basically meant for pedestrians is usually narrow, constantly varying strategically, widening at certain nodes forming open spaces. It has within its fold a hierarchy of open spaces of varying
shapes, sizes and scale suitably adorned and equipped with elements like shrine, chabootra, otta, raised platform around a shade-tree, community well etc. Social and religious functions along with community
gatherings take place in these open spaces.

A Poles always has a well-defined entrance complete with gates and designed to have a residence of the gate keeper (Polia) incorporated at first floor level. The building height rises above single storey and
subsequent floors cantilever out, thus keeping the street shaded through most of the day. Houses have narrow frontage with common walls on both the sides. Houses occupy the entire plot and have courtyard
(chowk) inside, which brings light & ventilation.

Every house has small Otla or platform in front, which acts as a buffer zone between public and private space and is a platform where important social interaction takes place. It has a row of columns supporting
a faade which projects out as one moves upward to the upper floors. The striking quality of a typical pol is the exquisite workmanship, detailing in wood and stone carvings, which go into making the facades of
houses. Most of the decoration in Hindu & Jain houses focuses on symbolic forms with floral and geometric patterns whereas in Muslim house non-figural patterns are preferred.

Top

NORTH EASTERN STATES -1998

Theme State : Northern Eastern States (Seven Sisters)
Commemorative Structure : Assam - RANG GHAR

Rang Ghar or the sports pavilion of Assam is believed to be only existing amphitheatre of Asia standing solitary on Rupahi Pathar called Rupahi now (a vast field) near Sivasagar town. Rang Ghar was first
conceived by Swargadeo Rudra Singha, the most powerful and illustrious king of the Ahom dynasty.

The present two-storied oval shaped brick building popularly known as Rang Ghar was built by Swargadeo Pramatta Singha, the able son of Swargadeo Rudra Singha in 1746 A.D. From the Rang Ghar, the King
and royal families used to watch animal fights and fights between man and animal and other sporting events. Bihu festival was also celebrated in the field of Rang Ghar by the King and he invited his subjects and
the neighbouring kings to this event.

Top
COMMEMORATIVE STRUCTURE OF MEGHALAYA

Kaing Sad, located at Samit about 15 kms. from Shillong is the headquarters of Hima Khyrim or the Khasi state of Khyrim built in a traditional shape and style of a Khasi dwelling house. It is the official residence
of the high priestess of the Hime and known as Kaing Sad. It has an elegant courtyard where the well known Nongkrem dance is performed annually.

UNAKOTI TIRTHA

The ancient hilly place, Unakoti Tirtha, which means one less than a crore, is a Saiva pilgrimage of 8th century A.D., situated at a distance of 8 km from Kailashahar district. It is famous for its bas-relief sculptures
carved on the face of a hill in India.

Among the rock-carved figures, the Shiva head and the Gigantio Ganesa figure deserve special mention with the head of Shiva having beard and moustache. A replica of Unakoti is portrayed here.

Kangla Santhong- Manipur

Kangla the erstwhile fortified palace of Manipur, is an important landmark of Manipur. Sovereignty constructed in typical Manipur style with marked influence of eastern Asian architecture in design and style. It has
a main archway or entrance in the shape of Lord Jaganathas vehicle known as Kang topped by identical structures on each side of the archway in typical Manipuri style. The gate was formed by solid round
pillars and the roof of the structure was crowned by galvanized iron sheet. The gate was destroyed completely in 1891 when Manipur was over run by the Britishrs.

Top

Surajkund Crafts Mela : 1999

Theme State : Andhra Pradesh
Commemorative Structure : Char minar

The replica of the famous Char minar from Hyderabad captures the essence of Andhra Pradesh. The structure erected adds to the charm of Surajkund and is a neatly executed replica.

Surajkund Crafts Mela : 2000

Theme State : Jammu and Kashmir
Commemorative Structure : Jammu Kashmir Gate- Khanqah-I-Moulla

The Khanqahs (Hospices) are an integral part of the Sufi order. They have served as the nerve center for spreading of the message of truth, compassion and piety. Kashmir is the land of Sufis. The Khanqah-I-
Moulla was the first of its kind of a unique centre. Its foundation was laid by the great Sufi saint and scholar Hazrat Mir Syed Ali Hamdani, popularly known as Shah-I-Hamdan. Shah-I-Hamdan visited Kashmir
thrice, each time spreading religious preachings. He also brought hundreds of craftsmen from central Asia who taught crafts to the local people. This replica of the Khanquah-I-Moulla pays a tribute to the
craftsperson.

Surajkund Crafts Mela : 2001

Theme State : Goa
Commemorative Structure : Goa Gate

Goa - blessed with unmatched natural beauty and eye-catching structures. The Pergola is depicted in the Goa Gate. Pergolas, a sitting area or passageway, were built at vantage points along the coastline
wherever the view was breath taking. The pergola is a statement by itself that unfolds the beauty perceived through the play of its light and shade. A Picture Frame highlightsg the magnificence of the ocean. It
also speaks of the open-ness of the people of Goa, their simplicity and ability to appreciate the infinite truths hidden in nature's lap.

Top

Surajkund Crafts Mela : 2002

Theme State : Sikkim
Commemorative Structure : Sikkim Gate

A multi-colored carved gate depicts Buddhist symbols like a dragon that is a mythical animal considered the protector of Dharma. Ridha Choekhor meaning deer and wheel of dharma represents Lord Buddhas
first sermon at Sarnath, a snow lion Padma Choegyed showing eight-fold path from teachings of Lord Buddha and Chi-Minda, who is pardoned by the Lord subsequent to repentance of his misdeeds. As per
tradition, a miniature Chorten (stupa) is also constructed. It has been erected in close vicinity of Apna Ghar.

Surajkund Crafts Mela : 2003

Theme State : Uttaranchal
Commemorative Structure : Uttaranchal Gate

A replica of the Badrinath Temple gate decorated with models of the Valley of Flowers and temple architecture from the Jageshwar temple complex, all this formed the part of the commemorative structure.

With nearly 16 different colours being used in the 20-feet high gate and a Lord Shiva statue being a part of the decorations, great attempt was made to recreate the aura of Uttaranchal.

Top

Surajkund Crafts Mela : 2004

Theme State : Tamil Nadu
Commemorative Structure : Arjuna Penance Mamallapuram-Tamil Nadu

This 7th century A.D. monument is located at Mamallapuram, which is a world heritage site, near Chennai in Tamil Nadu.

It is one of the worlds largest and finest bas-relief measuring 27 m x 9m. As we look at this huge black-shaped rock, a story unfolds. It depicts Arjunas petitioning Lord Shiva for the powerful weapon Pasupa-
Thasthra. On one side, a majestic elephant and a fissure splits the sculpture down the middle and on the other side is a masterpiece of Pallavas sculpture and architecture. Arjunas penance constitutes a rich
and engrossing tale of Hindu mythology.

Top

Surajkund Crafts Mela : 2005

Theme State : Chhattisgarh
Commemorative Structure : Chhattisgarh Gate

Top

Surajkund Crafts Mela : 2006

Theme State : Maharashtra
Commemorative Structure : Trimurti from Elephanta Caves

This year's state theme was Maharashtra and visitors had a chance to admire the commemorative gate with a carved replica of Trimurti from Elephanta Caves, a world heritage site.

Top

Surajkund Crafts Mela : 2007

Theme State : Andhra Pradesh
Commemorative Structure : Charminar Gate

Top
Surajkund Crafts Mela : 2008
Theme State : West Bengal
Commemorative Structure : Vishnupur Gate

Top

Surajkund Crafts Mela : 2009

Theme State : Madhya Pradesh
Commemorative Structure : Bhimbetka Gate

Top

Surajkund Crafts Mela : 2010

Theme State : Rajasthan
Commemorative Structure : Refurbished Shekhawati Gate

Top

Surajkund Crafts Mela : 2011

Theme State : Andhra Pradesh
Commemorative Structure : Renovated Charminar Gate

Top

Surajkund Crafts Mela : 2012

Theme State : Assam
Commemorative Structure : Renovated Rang Ghar

Top

Surajkund Crafts Mela : 2013

Theme State : Karnataka

Top

Surajkund Crafts Mela : 2014

Theme State : GOA

Top

Surajkund Crafts Mela : 2015

Theme State : Chattisgarh

Top
 Surajkund Crafts Mela : 2016
Theme State : Telangana

Top

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* Site last updated on 25 Aug 2017 Visitors : 1214080

India-English

Skip to Content

Web Sea

An official website of Haryana Tourism


About Haryana
Tourism Hubs
Experience Haryana
Fair & Festival

 Surajkund International Crafts Mela

Home Fairs and Festivals Surajkund International Crafts Mela (Faridabad) Past Mela (Year wise)

ShareThis

At a glance

Aims and Objectives

Vision

Partner Nation
 Theme State

Features of Mela

Cultural Programmes

Craftpersons

Past Mela (Year wise)

How to reach

Organising Agency
Over the years

1987-88 1989 1990

1991 1992 1993
1994 1995 1996
1997 1998 1999
2000 2001 2002
2004 2005 2006
2007 2008 2009
2010 2011 2012
2013 2014 2015
2016

Surajkund Crafts Mela : 1987 & 88

The year was 1987. The Mela ambience was simple. The architect who set the pattern of the Mela grounds was Shri Surendra Patel of Sharad Gandharva from Gujarat. The Mela grounds were intrinsically rural in
appeal and so, the gate was designed as a plain mud structure. A hidden stairway led to the shehnai platform. The thatched roof tops and the presence of the shady trees set the stage for a delightful rural
experience. During these two years, the Surajkund Mela played up no particular theme.

Surajkund Crafts Mela : 1989

Theme State : Rajasthan

Commemorative Structure : Shekhawati Gate : The tradition of encapsulating the theme state into the foreground began from this year onwards. Since then, a commemorative structure came to be designed
every year. Colourful Shekhawati gate of Rajasthan was chosen as the master motif of the Mela. A haveli and gate were built. Each structure was decorated with arched niches and brilliantly coloured wall murals,
typical of the colourful town of Shekhawat. Even today, the haveli and the gate are a fascinating signature of Rajasthan. The gate is 25-feet high and has been decorated by folk painters.
Surajkund Crafts Mela : 1990
Theme State : West Bengal

Commemorative Structure : Vishnupur Gate : The Vishnupur gate reflects ancient structural traditions of West Bengal. Built with delicate terracotta patterns, the gate reflects architectural traditions that are over
1000 years old. Vishnupur was once the administrative seat of the Malla dynasty of Bengal. Though the Mallas were a warrior clean, they were also patrons of art and culture.

Delicate relief patterns were used to embellish temples of which the existing Vishnupur temple is one. The famous Bankura house belongs to this genre. The Vishnupur Mela gate has a convex roof and elaborate
terracotta decorations typical of the traditional Vishnupur temple structure. The delicacy of which can be seen even today.

Top

Surajkund Crafts Mela : 1991

Theme State : Kerala
Commemorative Structure : Kottayambalam Gate

Kerala formed the master motif of the Mela in 1991. It was symbolised by the Kottayambalam Gate. Designed by Laurie Baker, the gate is 31 feet in height. The structure is built of bricks and topped with tiles. The
pyramidal roof is decorated with brass pinnacles. The structure reflects folk architecture; an image even reflected in temple structure that can be seen in Kerala.

Surajkund Crafts Mela : 1992

Theme State : Chhattisgarh
Commemorative Structure : Danteshwari Devi Gate

The year 1992 celebrated Bastar of Madhya Pradesh as the Mela Theme.
It was for the first time that a tribal motif formed the centre of attention, the deeply revered form of the mother goddess Danteshwari Devi, decorated the Mela gate built in Dhokra Metal craft tradition. The Devi is
flanked with her retinue of local Gods and Goddesses. The gate is 33-feet in height.

Top

Surajkund Crafts Mela : 1993

Theme State : Orissa

Commemorative Structure : Mukteswara Gate

The gate of the Mela celebrates Orissa. The 'Gem of Orissan architecture' is the phrase associated with the Mukteswara temple.

It comes from a tradition that has lost its history.

The Torana decorative motif of the original temple is reflected in gate. Built by the craftspersons of Orissa, the gate displays fine stone carving traditions. The original Mukteswara temple along with its additional
motifs of the Raja Rani and the Lingaraj temples marks the beginning of the Peedha temple traditions in the region. The gate is 16-feet in height.

Surajkund Crafts Mela : 1994

Theme State : Karnataka

Commemorative Structure : Hoysala Gate

The Hoysala Mela gate is a replica depicting the emblem of Hoysala dynasty at the top flanked by Shardula, the mythic animal. Two Dwarpal Akas in typical Hoysala style guard the Hoysala Gate with mantpas
intervening in between the lower portion of the pillar. The top of the gate is shaped in the Vijaynagar style.

The Hoysalas of Karnataka were one of the illustrious rulers, who commanded power in the southern part of the Karnataka. Hoysala architecture was a mile stone in the history of the temple building in
Karnataka. It is during this period that simplicity in temple art gave place to ornamentation in both architecture and sculpture.

The Hoysala temples at Belur, Halebid and Somanathpur constructed during the 12th century are eminent pieces of art with minute ornamentation on walls and pillars.

Top

Surajkund Crafts Mela : 1995

Theme State : Punjab
Commemorative Structure : Ram Bagh Palace

The architecturally unique structure is the entrance gate of Ram Bagh Summer Palace, Amritsar, built by Maharaja Ranjit Singh in 1819 A.D.

Surajkund Crafts Mela : 1996

Theme State : Himachal Pradesh

Commemorative Structure : Maheshwar Temple Gate

Serene Himachal finds a reflection in the Maheshwar temple Gate. The state made its distinct mark in the Mela with this exquisitely done up gate.

Top

Surajkund Crafts Mela : 1997

Theme State : Gujarat

Commemorative Structure : Gujarat Gali

Pol of Gujarat-1997

Pol is the term derived from the Sanskrit word Pratol which means gate or entry. Pol is a micro neighbourhood consisting of a street with group of houses on both sides, found in old and traditional towns & cities
of Gujarat. Street width basically meant for pedestrians is usually narrow, constantly varying strategically, widening at certain nodes forming open spaces. It has within its fold a hierarchy of open spaces of varying
shapes, sizes and scale suitably adorned and equipped with elements like shrine, chabootra, otta, raised platform around a shade-tree, community well etc. Social and religious functions along with community
gatherings take place in these open spaces.

A Poles always has a well-defined entrance complete with gates and designed to have a residence of the gate keeper (Polia) incorporated at first floor level. The building height rises above single storey and
subsequent floors cantilever out, thus keeping the street shaded through most of the day. Houses have narrow frontage with common walls on both the sides. Houses occupy the entire plot and have courtyard
(chowk) inside, which brings light & ventilation.

Every house has small Otla or platform in front, which acts as a buffer zone between public and private space and is a platform where important social interaction takes place. It has a row of columns supporting
a faade which projects out as one moves upward to the upper floors. The striking quality of a typical pol is the exquisite workmanship, detailing in wood and stone carvings, which go into making the facades of
houses. Most of the decoration in Hindu & Jain houses focuses on symbolic forms with floral and geometric patterns whereas in Muslim house non-figural patterns are preferred.

Top

NORTH EASTERN STATES -1998

Theme State : Northern Eastern States (Seven Sisters)
Commemorative Structure : Assam - RANG GHAR

Rang Ghar or the sports pavilion of Assam is believed to be only existing amphitheatre of Asia standing solitary on Rupahi Pathar called Rupahi now (a vast field) near Sivasagar town. Rang Ghar was first
conceived by Swargadeo Rudra Singha, the most powerful and illustrious king of the Ahom dynasty.

The present two-storied oval shaped brick building popularly known as Rang Ghar was built by Swargadeo Pramatta Singha, the able son of Swargadeo Rudra Singha in 1746 A.D. From the Rang Ghar, the King
and royal families used to watch animal fights and fights between man and animal and other sporting events. Bihu festival was also celebrated in the field of Rang Ghar by the King and he invited his subjects and
the neighbouring kings to this event.

Top
COMMEMORATIVE STRUCTURE OF MEGHALAYA

Kaing Sad, located at Samit about 15 kms. from Shillong is the headquarters of Hima Khyrim or the Khasi state of Khyrim built in a traditional shape and style of a Khasi dwelling house. It is the official residence
of the high priestess of the Hime and known as Kaing Sad. It has an elegant courtyard where the well known Nongkrem dance is performed annually.

UNAKOTI TIRTHA

The ancient hilly place, Unakoti Tirtha, which means one less than a crore, is a Saiva pilgrimage of 8th century A.D., situated at a distance of 8 km from Kailashahar district. It is famous for its bas-relief sculptures
carved on the face of a hill in India.

Among the rock-carved figures, the Shiva head and the Gigantio Ganesa figure deserve special mention with the head of Shiva having beard and moustache. A replica of Unakoti is portrayed here.

Kangla Santhong- Manipur

Kangla the erstwhile fortified palace of Manipur, is an important landmark of Manipur. Sovereignty constructed in typical Manipur style with marked influence of eastern Asian architecture in design and style. It has
a main archway or entrance in the shape of Lord Jaganathas vehicle known as Kang topped by identical structures on each side of the archway in typical Manipuri style. The gate was formed by solid round
pillars and the roof of the structure was crowned by galvanized iron sheet. The gate was destroyed completely in 1891 when Manipur was over run by the Britishrs.

Top

Surajkund Crafts Mela : 1999

Theme State : Andhra Pradesh
Commemorative Structure : Char minar

The replica of the famous Char minar from Hyderabad captures the essence of Andhra Pradesh. The structure erected adds to the charm of Surajkund and is a neatly executed replica.

Surajkund Crafts Mela : 2000

Theme State : Jammu and Kashmir
Commemorative Structure : Jammu Kashmir Gate- Khanqah-I-Moulla

The Khanqahs (Hospices) are an integral part of the Sufi order. They have served as the nerve center for spreading of the message of truth, compassion and piety. Kashmir is the land of Sufis. The Khanqah-I-
Moulla was the first of its kind of a unique centre. Its foundation was laid by the great Sufi saint and scholar Hazrat Mir Syed Ali Hamdani, popularly known as Shah-I-Hamdan. Shah-I-Hamdan visited Kashmir
thrice, each time spreading religious preachings. He also brought hundreds of craftsmen from central Asia who taught crafts to the local people. This replica of the Khanquah-I-Moulla pays a tribute to the
craftsperson.

Surajkund Crafts Mela : 2001

Theme State : Goa
Commemorative Structure : Goa Gate

Goa - blessed with unmatched natural beauty and eye-catching structures. The Pergola is depicted in the Goa Gate. Pergolas, a sitting area or passageway, were built at vantage points along the coastline
wherever the view was breath taking. The pergola is a statement by itself that unfolds the beauty perceived through the play of its light and shade. A Picture Frame highlightsg the magnificence of the ocean. It
also speaks of the open-ness of the people of Goa, their simplicity and ability to appreciate the infinite truths hidden in nature's lap.

Top

Surajkund Crafts Mela : 2002

Theme State : Sikkim
Commemorative Structure : Sikkim Gate

A multi-colored carved gate depicts Buddhist symbols like a dragon that is a mythical animal considered the protector of Dharma. Ridha Choekhor meaning deer and wheel of dharma represents Lord Buddhas
first sermon at Sarnath, a snow lion Padma Choegyed showing eight-fold path from teachings of Lord Buddha and Chi-Minda, who is pardoned by the Lord subsequent to repentance of his misdeeds. As per
tradition, a miniature Chorten (stupa) is also constructed. It has been erected in close vicinity of Apna Ghar.

Surajkund Crafts Mela : 2003

Theme State : Uttaranchal
Commemorative Structure : Uttaranchal Gate

A replica of the Badrinath Temple gate decorated with models of the Valley of Flowers and temple architecture from the Jageshwar temple complex, all this formed the part of the commemorative structure.

With nearly 16 different colours being used in the 20-feet high gate and a Lord Shiva statue being a part of the decorations, great attempt was made to recreate the aura of Uttaranchal.

Top

Surajkund Crafts Mela : 2004

Theme State : Tamil Nadu
Commemorative Structure : Arjuna Penance Mamallapuram-Tamil Nadu

This 7th century A.D. monument is located at Mamallapuram, which is a world heritage site, near Chennai in Tamil Nadu.

It is one of the worlds largest and finest bas-relief measuring 27 m x 9m. As we look at this huge black-shaped rock, a story unfolds. It depicts Arjunas petitioning Lord Shiva for the powerful weapon Pasupa-
Thasthra. On one side, a majestic elephant and a fissure splits the sculpture down the middle and on the other side is a masterpiece of Pallavas sculpture and architecture. Arjunas penance constitutes a rich
and engrossing tale of Hindu mythology.

Top

Surajkund Crafts Mela : 2005

Theme State : Chhattisgarh
Commemorative Structure : Chhattisgarh Gate

Top

Surajkund Crafts Mela : 2006

Theme State : Maharashtra
Commemorative Structure : Trimurti from Elephanta Caves

This year's state theme was Maharashtra and visitors had a chance to admire the commemorative gate with a carved replica of Trimurti from Elephanta Caves, a world heritage site.

Top

Surajkund Crafts Mela : 2007

Theme State : Andhra Pradesh
Commemorative Structure : Charminar Gate

Top
Surajkund Crafts Mela : 2008
Theme State : West Bengal
Commemorative Structure : Vishnupur Gate

Top

Surajkund Crafts Mela : 2009

Theme State : Madhya Pradesh
Commemorative Structure : Bhimbetka Gate

Top

Surajkund Crafts Mela : 2010

Theme State : Rajasthan
Commemorative Structure : Refurbished Shekhawati Gate

Top

Surajkund Crafts Mela : 2011

Theme State : Andhra Pradesh
Commemorative Structure : Renovated Charminar Gate

Top

Surajkund Crafts Mela : 2012

Theme State : Assam
Commemorative Structure : Renovated Rang Ghar

Top

Surajkund Crafts Mela : 2013

Theme State : Karnataka

Top

Surajkund Crafts Mela : 2014

Theme State : GOA

Top

Surajkund Crafts Mela : 2015

Theme State : Chattisgarh

Top
 Surajkund Crafts Mela : 2016
Theme State : Telangana

Top

Newsletter

Publish
Management

Plan
My Trip

Tenders

Business
Directory

Opinion
Poll

Complaint &
Grievance

Contact
Nodal Officer

Mr. Munish Kapoor (IT Incharge)

Phone : 0172-2702955-56

Email : haryanatourism@gmail.com

Haryana Tourism Corporation Limited

SCO 17-19, Sector 17-B, Chandigarh-160017

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India-English Skip to Content An official website of Haryana Tourism About
HaryanaTourism HubsExperience HaryanaFair & Festival Surajkund International
Crafts Mela Home Fairs and Festivals Surajkund International Crafts Mela
(Faridabad) Past Mela (Year wise) ShareThis At a glance Aims and Objectives Vision
Partner Nation Theme State Features of Mela Cultural Programmes Craftpersons Past
Mela (Year wise) How to reach Organising Agency Over the years 1987-88 1989
1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2004 2005
2006 2007 2008 2009 2010 2011 2012 2013 2014 Surajkund Crafts Mela : 1987
2015 2016 & 88 The year was 1987. The Mela ambience was simple. The architect
who set the pattern of the Mela grounds was Shri Surendra Patel of Sharad Gandharva
from Gujarat. The Mela grounds were intrinsically rural in appeal and so, the gate was
designed as a plain mud structure. A hidden stairway led to the shehnai platform. The
thatched roof tops and the presence of the shady trees set the stage for a delightful
rural experience. During these two years, the Surajkund Mela played up no particular
theme. Surajkund Crafts Mela : 1989 Theme State : Rajasthan Commemorative
Structure : Shekhawati Gate : The tradition of encapsulating the theme state into the
foreground began from this year onwards. Since then, a commemorative structure
came to be designed every year. Colourful Shekhawati gate of Rajasthan was chosen
as the master motif of the Mela. A haveli and gate were built. Each structure was
decorated with arched niches and brilliantly coloured wall murals, typical of the
colourful town of Shekhawat. Even today, the haveli and the gate are a fascinating
signature of Rajasthan. The gate is 25-feet high and has been decorated by folk
painters. Surajkund Crafts Mela : 1990 Theme State : West Bengal Commemorative
Structure : Vishnupur Gate : The Vishnupur gate reflects ancient structural traditions
of West Bengal. Built with delicate terracotta patterns, the gate reflects architectural
traditions that are over 1000 years old. Vishnupur was once the administrative seat of
the Malla dynasty of Bengal. Though the Mallas were a warrior clean, they were also
patrons of art and culture. Delicate relief patterns were used to embellish temples of
which the existing Vishnupur temple is one. The famous Bankura house belongs to
this genre. The Vishnupur Mela gate has a convex roof and elaborate terracotta
decorations typical of the traditional Vishnupur temple structure. The delicacy of
which can be seen even today. Top Surajkund Crafts Mela : 1991 Theme State :
Kerala Commemorative Structure : Kottayambalam Gate Kerala formed the master
motif of the Mela in 1991. It was symbolised by the Kottayambalam Gate. Designed
by Laurie Baker, the gate is 31 feet in height. The structure is built of bricks and
topped with tiles. The pyramidal roof is decorated with brass pinnacles. The structure
reflects folk architecture; an image even reflected in temple structure that can be seen
in Kerala. Surajkund Crafts Mela : 1992 Theme State : Chhattisgarh
Commemorative Structure : Danteshwari Devi Gate The year 1992 celebrated Bastar
of Madhya Pradesh as the Mela Theme. It was for the first time that a tribal motif
formed the centre of attention, the deeply revered form of the mother goddess
Danteshwari Devi, decorated the Mela gate built in Dhokra Metal craft tradition. The
Devi is flanked with her retinue of local Gods and Goddesses. The gate is 33-feet in
height. Top Surajkund Crafts Mela : 1993 Theme State : Orissa Commemorative
Structure : Mukteswara Gate The gate of the Mela celebrates Orissa. The 'Gem of
Orissan architecture' is the phrase associated with the Mukteswara temple. It comes
from a tradition that has lost its history. The Torana decorative motif of the original
temple is reflected in gate. Built by the craftspersons of Orissa, the gate displays fine
stone carving traditions. The original Mukteswara temple along with its additional
motifs of the Raja Rani and the Lingaraj temples marks the beginning of the
Peedha temple traditions in the region. The gate is 16-feet in height. Surajkund
Crafts Mela : 1994 Theme State : Karnataka Commemorative Structure : Hoysala
Gate The Hoysala Mela gate is a replica depicting the emblem of Hoysala dynasty at
the top flanked by Shardula, the mythic animal. Two Dwarpal Akas in typical
Hoysala style guard the Hoysala Gate with mantpas intervening in between the lower
portion of the pillar. The top of the gate is shaped in the Vijaynagar style. The
Hoysalas of Karnataka were one of the illustrious rulers, who commanded power in
the southern part of the Karnataka. Hoysala architecture was a mile stone in the
history of the temple building in Karnataka. It is during this period that simplicity in
temple art gave place to ornamentation in both architecture and sculpture. The
Hoysala temples at Belur, Halebid and Somanathpur constructed during the 12th
century are eminent pieces of art with minute ornamentation on walls and pillars. Top
Surajkund Crafts Mela : 1995 Theme State : Punjab Commemorative Structure :
Ram Bagh Palace The architecturally unique structure is the entrance gate of Ram
Bagh Summer Palace, Amritsar, built by Maharaja Ranjit Singh in 1819 A.D.
Surajkund Crafts Mela : 1996 Theme State : Himachal Pradesh Commemorative
Structure : Maheshwar Temple Gate Serene Himachal finds a reflection in the
Maheshwar temple Gate. The state made its distinct mark in the Mela with this
exquisitely done up gate. Top Surajkund Crafts Mela : 1997 Theme State : Gujarat
Commemorative Structure : Gujarat Gali Pol of Gujarat-1997 Pol is the term derived
from the Sanskrit word Pratol which means gate or entry. Pol is a micro
neighbourhood consisting of a street with group of houses on both sides, found in old
and traditional towns & cities of Gujarat. Street width basically meant for pedestrians
is usually narrow, constantly varying strategically, widening at certain nodes forming
open spaces. It has within its fold a hierarchy of open spaces of varying shapes, sizes
and scale suitably adorned and equipped with elements like shrine, chabootra, otta,
raised platform around a shade-tree, community well etc. Social and religious
functions along with community gatherings take place in these open spaces. A Poles
always has a well-defined entrance complete with gates and designed to have a
residence of the gate keeper (Polia) incorporated at first floor level. The building
height rises above single storey and subsequent floors cantilever out, thus keeping the
street shaded through most of the day. Houses have narrow frontage with common
walls on both the sides. Houses occupy the entire plot and have courtyard (chowk)
inside, which brings light & ventilation. Every house has small Otla or platform in
front, which acts as a buffer zone between public and private space and is a platform
where important social interaction takes place. It has a row of columns supporting a
faade which projects out as one moves upward to the upper floors. The striking
quality of a typical pol is the exquisite workmanship, detailing in wood and stone
carvings, which go into making the facades of houses. Most of the decoration in
Hindu & Jain houses focuses on symbolic forms with floral and geometric patterns
whereas in Muslim house non-figural patterns are preferred. Top NORTH
EASTERN STATES -1998 Theme State : Northern Eastern States (Seven Sisters)
Commemorative Structure : Assam - RANG GHAR Rang Ghar or the sports pavilion
of Assam is believed to be only existing amphitheatre of Asia standing solitary on
Rupahi Pathar called Rupahi now (a vast field) near Sivasagar town. Rang Ghar was
first conceived by Swargadeo Rudra Singha, the most powerful and illustrious king of
the Ahom dynasty. The present two-storied oval shaped brick building popularly
known as Rang Ghar was built by Swargadeo Pramatta Singha, the able son of
Swargadeo Rudra Singha in 1746 A.D. From the Rang Ghar, the King and royal
families used to watch animal fights and fights between man and animal and other
sporting events. Bihu festival was also celebrated in the field of Rang Ghar by the
King and he invited his subjects and the neighbouring kings to this event. Top
COMMEMORATIVE STRUCTURE OF MEGHALAYA Kaing Sad, located at
Samit about 15 kms. from Shillong is the headquarters of Hima Khyrim or the Khasi
state of Khyrim built in a traditional shape and style of a Khasi dwelling house. It is
the official residence of the high priestess of the Hime and known as Kaing Sad. It has
an elegant courtyard where the well known Nongkrem dance is performed annually.
UNAKOTI TIRTHA The ancient hilly place, Unakoti Tirtha, which means one less
than a crore, is a Saiva pilgrimage of 8th century A.D., situated at a distance of 8 km
from Kailashahar district. It is famous for its bas-relief sculptures carved on the face
of a hill in India. Among the rock-carved figures, the Shiva head and the Gigantio
Ganesa figure deserve special mention with the head of Shiva having beard and
moustache. A replica of Unakoti is portrayed here. Kangla Santhong- Manipur Kangla
the erstwhile fortified palace of Manipur, is an important landmark of Manipur.
Sovereignty constructed in typical Manipur style with marked influence of eastern
Asian architecture in design and style. It has a main archway or entrance in the shape
of Lord Jaganathas vehicle known as Kang topped by identical structures on each
side of the archway in typical Manipuri style. The gate was formed by solid round
pillars and the roof of the structure was crowned by galvanized iron sheet. The gate
was destroyed completely in 1891 when Manipur was over run by the Britishrs. Top
Surajkund Crafts Mela : 1999 Theme State : Andhra Pradesh Commemorative
Structure : Char minar The replica of the famous Char minar from Hyderabad
captures the essence of Andhra Pradesh. The structure erected adds to the charm of
Surajkund and is a neatly executed replica. Surajkund Crafts Mela : 2000 Theme
State : Jammu and Kashmir Commemorative Structure : Jammu Kashmir Gate-
Khanqah-I-Moulla The Khanqahs (Hospices) are an integral part of the Sufi order.
They have served as the nerve center for spreading of the message of truth,
compassion and piety. Kashmir is the land of Sufis. The Khanqah-I-Moulla was the
first of its kind of a unique centre. Its foundation was laid by the great Sufi saint and
scholar Hazrat Mir Syed Ali Hamdani, popularly known as Shah-I-Hamdan. Shah-I-
Hamdan visited Kashmir thrice, each time spreading religious preachings. He also
brought hundreds of craftsmen from central Asia who taught crafts to the local people.
This replica of the Khanquah-I-Moulla pays a tribute to the craftsperson. Surajkund
Crafts Mela : 2001 Theme State : Goa Commemorative Structure : Goa Gate Goa -
blessed with unmatched natural beauty and eye-catching structures. The Pergola is
depicted in the Goa Gate. Pergolas, a sitting area or passageway, were built at
vantage points along the coastline wherever the view was breath taking. The pergola
is a statement by itself that unfolds the beauty perceived through the play of its light
and shade. A Picture Frame highlightsg the magnificence of the ocean. It also speaks
of the open-ness of the people of Goa, their simplicity and ability to appreciate the
infinite truths hidden in nature's lap. Top Surajkund Crafts Mela : 2002 Theme State
: Sikkim Commemorative Structure : Sikkim Gate A multi-colored carved gate
depicts Buddhist symbols like a dragon that is a mythical animal considered the
protector of Dharma. Ridha Choekhor meaning deer and wheel of dharma represents
Lord Buddhas first sermon at Sarnath, a snow lion Padma Choegyed showing eight-
fold path from teachings of Lord Buddha and Chi-Minda, who is pardoned by the
Lord subsequent to repentance of his misdeeds. As per tradition, a miniature Chorten
(stupa) is also constructed. It has been erected in close vicinity of Apna Ghar.
Surajkund Crafts Mela : 2003 Theme State : Uttaranchal Commemorative Structure :
Uttaranchal Gate A replica of the Badrinath Temple gate decorated with models of the
Valley of Flowers and temple architecture from the Jageshwar temple complex, all
this formed the part of the commemorative structure. With nearly 16 different colours
being used in the 20-feet high gate and a Lord Shiva statue being a part of the
decorations, great attempt was made to recreate the aura of Uttaranchal. Top
Surajkund Crafts Mela : 2004 Theme State : Tamil Nadu Commemorative Structure :
Arjuna Penance Mamallapuram-Tamil Nadu This 7th century A.D. monument is
located at Mamallapuram, which is a world heritage site, near Chennai in Tamil Nadu.
It is one of the worlds largest and finest bas-relief measuring 27 m x 9m. As we look
at this huge black-shaped rock, a story unfolds. It depicts Arjunas petitioning Lord
Shiva for the powerful weapon Pasupa-Thasthra. On one side, a majestic elephant
and a fissure splits the sculpture down the middle and on the other side is a
masterpiece of Pallavas sculpture and architecture. Arjunas penance constitutes a
rich and engrossing tale of Hindu mythology. Top Surajkund Crafts Mela : 2005
Theme State : Chhattisgarh Commemorative Structure : Chhattisgarh Gate Top
Surajkund Crafts Mela : 2006 Theme State : Maharashtra Commemorative Structure :
Trimurti from Elephanta Caves This year's state theme was Maharashtra and visitors
had a chance to admire the commemorative gate with a carved replica of Trimurti
from Elephanta Caves, a world heritage site. Top Surajkund Crafts Mela : 2007
Theme State : Andhra Pradesh Commemorative Structure : Charminar Gate Top
Surajkund Crafts Mela : 2008 Theme State : West Bengal Commemorative Structure :
Vishnupur Gate Top Surajkund Crafts Mela : 2009 Theme State : Madhya Pradesh
Commemorative Structure : Bhimbetka Gate Top Surajkund Crafts Mela : 2010
Theme State : Rajasthan Commemorative Structure : Refurbished Shekhawati Gate
Top Surajkund Crafts Mela : 2011 Theme State : Andhra Pradesh Commemorative
Structure : Renovated Charminar Gate Top Surajkund Crafts Mela : 2012 Theme
State : Assam Commemorative Structure : Renovated Rang Ghar Top Surajkund
Crafts Mela : 2013 Theme State : Karnataka Top Surajkund Crafts Mela : 2014
Theme State : GOA Top Surajkund Crafts Mela : 2015 Theme State : Chattisgarh
Top Surajkund Crafts Mela : 2016 Theme State : Telangana Top NewsletterPublish
ManagementPlan My Trip TendersBusiness DirectoryOpinion PollComplaint &
Grievance Contact Nodal Officer Mr. Munish Kapoor (IT Incharge) Phone : 0172-
2702955-56 Email : haryanatourism@gmail.com Haryana Tourism Corporation
Limited SCO 17-19, Sector 17-B, Chandigarh-160017 Tourism Department Tourism
Corporation Career - Jobs Intranet Fairs & Festivals Photo Gallery Video Gallery
Haryana Tourism.All rights reserved. Feedback | Sitemap | Contact us | Privacy Policy
| Terms and Conditions Developed by Cybersurf * Site last updated on 25 Aug 2017
Visitors : 1214080 India-English Skip to Content An official website of Haryana
Tourism About HaryanaTourism HubsExperience HaryanaFair & Festival Surajkund
International Crafts Mela Home Fairs and Festivals Surajkund International Crafts
Mela (Faridabad) Past Mela (Year wise) ShareThis At a glance Aims and Objectives
Vision Partner Nation Theme State Features of Mela Cultural Programmes
Craftpersons Past Mela (Year wise) How to reach Organising Agency Over the years
1987-88 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001
2002 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 Surajkund Crafts
Mela : 1987 2015 2016 & 88 The year was 1987. The Mela ambience was simple.
The architect who set the pattern of the Mela grounds was Shri Surendra Patel of
Sharad Gandharva from Gujarat. The Mela grounds were intrinsically rural in appeal
and so, the gate was designed as a plain mud structure. A hidden stairway led to the
shehnai platform. The thatched roof tops and the presence of the shady trees set the
stage for a delightful rural experience. During these two years, the Surajkund Mela
played up no particular theme. Surajkund Crafts Mela : 1989 Theme State :
Rajasthan Commemorative Structure : Shekhawati Gate : The tradition of
encapsulating the theme state into the foreground began from this year onwards. Since
then, a commemorative structure came to be designed every year. Colourful
Shekhawati gate of Rajasthan was chosen as the master motif of the Mela. A haveli
and gate were built. Each structure was decorated with arched niches and brilliantly
coloured wall murals, typical of the colourful town of Shekhawat. Even today, the
haveli and the gate are a fascinating signature of Rajasthan. The gate is 25-feet high
and has been decorated by folk painters. Surajkund Crafts Mela : 1990 Theme State :
West Bengal Commemorative Structure : Vishnupur Gate : The Vishnupur gate
reflects ancient structural traditions of West Bengal. Built with delicate terracotta
patterns, the gate reflects architectural traditions that are over 1000 years old.
Vishnupur was once the administrative seat of the Malla dynasty of Bengal. Though
the Mallas were a warrior clean, they were also patrons of art and culture. Delicate
relief patterns were used to embellish temples of which the existing Vishnupur temple
is one. The famous Bankura house belongs to this genre. The Vishnupur Mela gate
has a convex roof and elaborate terracotta decorations typical of the traditional
Vishnupur temple structure. The delicacy of which can be seen even today. Top
Surajkund Crafts Mela : 1991 Theme State : Kerala Commemorative Structure :
Kottayambalam Gate Kerala formed the master motif of the Mela in 1991. It was
symbolised by the Kottayambalam Gate. Designed by Laurie Baker, the gate is 31 feet
in height. The structure is built of bricks and topped with tiles. The pyramidal roof is
decorated with brass pinnacles. The structure reflects folk architecture; an image even
reflected in temple structure that can be seen in Kerala. Surajkund Crafts Mela :
1992 Theme State : Chhattisgarh Commemorative Structure : Danteshwari Devi Gate
The year 1992 celebrated Bastar of Madhya Pradesh as the Mela Theme. It was for the
first time that a tribal motif formed the centre of attention, the deeply revered form of
the mother goddess Danteshwari Devi, decorated the Mela gate built in Dhokra Metal
craft tradition. The Devi is flanked with her retinue of local Gods and Goddesses. The
gate is 33-feet in height. Top Surajkund Crafts Mela : 1993 Theme State : Orissa
Commemorative Structure : Mukteswara Gate The gate of the Mela celebrates Orissa.
The 'Gem of Orissan architecture' is the phrase associated with the Mukteswara
temple. It comes from a tradition that has lost its history. The Torana decorative motif
of the original temple is reflected in gate. Built by the craftspersons of Orissa, the gate
displays fine stone carving traditions. The original Mukteswara temple along with its
additional motifs of the Raja Rani and the Lingaraj temples marks the beginning of
the Peedha temple traditions in the region. The gate is 16-feet in height.
Surajkund Crafts Mela : 1994 Theme State : Karnataka Commemorative Structure :
Hoysala Gate The Hoysala Mela gate is a replica depicting the emblem of Hoysala
dynasty at the top flanked by Shardula, the mythic animal. Two Dwarpal Akas in
typical Hoysala style guard the Hoysala Gate with mantpas intervening in between the
lower portion of the pillar. The top of the gate is shaped in the Vijaynagar style. The
Hoysalas of Karnataka were one of the illustrious rulers, who commanded power in
the southern part of the Karnataka. Hoysala architecture was a mile stone in the
history of the temple building in Karnataka. It is during this period that simplicity in
temple art gave place to ornamentation in both architecture and sculpture. The
Hoysala temples at Belur, Halebid and Somanathpur constructed during the 12th
century are eminent pieces of art with minute ornamentation on walls and pillars. Top
Surajkund Crafts Mela : 1995 Theme State : Punjab Commemorative Structure :
Ram Bagh Palace The architecturally unique structure is the entrance gate of Ram
Bagh Summer Palace, Amritsar, built by Maharaja Ranjit Singh in 1819 A.D.
Surajkund Crafts Mela : 1996 Theme State : Himachal Pradesh Commemorative
Structure : Maheshwar Temple Gate Serene Himachal finds a reflection in the
Maheshwar temple Gate. The state made its distinct mark in the Mela with this
exquisitely done up gate. Top Surajkund Crafts Mela : 1997 Theme State : Gujarat
Commemorative Structure : Gujarat Gali Pol of Gujarat-1997 Pol is the term derived
from the Sanskrit word Pratol which means gate or entry. Pol is a micro
neighbourhood consisting of a street with group of houses on both sides, found in old
and traditional towns & cities of Gujarat. Street width basically meant for pedestrians
is usually narrow, constantly varying strategically, widening at certain nodes forming
open spaces. It has within its fold a hierarchy of open spaces of varying shapes, sizes
and scale suitably adorned and equipped with elements like shrine, chabootra, otta,
raised platform around a shade-tree, community well etc. Social and religious
functions along with community gatherings take place in these open spaces. A Poles
always has a well-defined entrance complete with gates and designed to have a
residence of the gate keeper (Polia) incorporated at first floor level. The building
height rises above single storey and subsequent floors cantilever out, thus keeping the
street shaded through most of the day. Houses have narrow frontage with common
walls on both the sides. Houses occupy the entire plot and have courtyard (chowk)
inside, which brings light & ventilation. Every house has small Otla or platform in
front, which acts as a buffer zone between public and private space and is a platform
where important social interaction takes place. It has a row of columns supporting a
faade which projects out as one moves upward to the upper floors. The striking
quality of a typical pol is the exquisite workmanship, detailing in wood and stone
carvings, which go into making the facades of houses. Most of the decoration in
Hindu & Jain houses focuses on symbolic forms with floral and geometric patterns
whereas in Muslim house non-figural patterns are preferred. Top NORTH
EASTERN STATES -1998 Theme State : Northern Eastern States (Seven Sisters)
Commemorative Structure : Assam - RANG GHAR Rang Ghar or the sports pavilion
of Assam is believed to be only existing amphitheatre of Asia standing solitary on
Rupahi Pathar called Rupahi now (a vast field) near Sivasagar town. Rang Ghar was
first conceived by Swargadeo Rudra Singha, the most powerful and illustrious king of
the Ahom dynasty. The present two-storied oval shaped brick building popularly
known as Rang Ghar was built by Swargadeo Pramatta Singha, the able son of
Swargadeo Rudra Singha in 1746 A.D. From the Rang Ghar, the King and royal
families used to watch animal fights and fights between man and animal and other
sporting events. Bihu festival was also celebrated in the field of Rang Ghar by the
King and he invited his subjects and the neighbouring kings to this event. Top
COMMEMORATIVE STRUCTURE OF MEGHALAYA Kaing Sad, located at
Samit about 15 kms. from Shillong is the headquarters of Hima Khyrim or the Khasi
state of Khyrim built in a traditional shape and style of a Khasi dwelling house. It is
the official residence of the high priestess of the Hime and known as Kaing Sad. It has
an elegant courtyard where the well known Nongkrem dance is performed annually.
UNAKOTI TIRTHA The ancient hilly place, Unakoti Tirtha, which means one less
than a crore, is a Saiva pilgrimage of 8th century A.D., situated at a distance of 8 km
from Kailashahar district. It is famous for its bas-relief sculptures carved on the face
of a hill in India. Among the rock-carved figures, the Shiva head and the Gigantio
Ganesa figure deserve special mention with the head of Shiva having beard and
moustache. A replica of Unakoti is portrayed here. Kangla Santhong- Manipur Kangla
the erstwhile fortified palace of Manipur, is an important landmark of Manipur.
Sovereignty constructed in typical Manipur style with marked influence of eastern
Asian architecture in design and style. It has a main archway or entrance in the shape
of Lord Jaganathas vehicle known as Kang topped by identical structures on each
side of the archway in typical Manipuri style. The gate was formed by solid round
pillars and the roof of the structure was crowned by galvanized iron sheet. The gate
was destroyed completely in 1891 when Manipur was over run by the Britishrs. Top
Surajkund Crafts Mela : 1999 Theme State : Andhra Pradesh Commemorative
Structure : Char minar The replica of the famous Char minar from Hyderabad
captures the essence of Andhra Pradesh. The structure erected adds to the charm of
Surajkund and is a neatly executed replica. Surajkund Crafts Mela : 2000 Theme
State : Jammu and Kashmir Commemorative Structure : Jammu Kashmir Gate-
Khanqah-I-Moulla The Khanqahs (Hospices) are an integral part of the Sufi order.
They have served as the nerve center for spreading of the message of truth,
compassion and piety. Kashmir is the land of Sufis. The Khanqah-I-Moulla was the
first of its kind of a unique centre. Its foundation was laid by the great Sufi saint and
scholar Hazrat Mir Syed Ali Hamdani, popularly known as Shah-I-Hamdan. Shah-I-
Hamdan visited Kashmir thrice, each time spreading religious preachings. He also
brought hundreds of craftsmen from central Asia who taught crafts to the local people.
This replica of the Khanquah-I-Moulla pays a tribute to the craftsperson. Surajkund
Crafts Mela : 2001 Theme State : Goa Commemorative Structure : Goa Gate Goa -
blessed with unmatched natural beauty and eye-catching structures. The Pergola is
depicted in the Goa Gate. Pergolas, a sitting area or passageway, were built at
vantage points along the coastline wherever the view was breath taking. The pergola
is a statement by itself that unfolds the beauty perceived through the play of its light
and shade. A Picture Frame highlightsg the magnificence of the ocean. It also speaks
of the open-ness of the people of Goa, their simplicity and ability to appreciate the
infinite truths hidden in nature's lap. Top Surajkund Crafts Mela : 2002 Theme State
: Sikkim Commemorative Structure : Sikkim Gate A multi-colored carved gate
depicts Buddhist symbols like a dragon that is a mythical animal considered the
protector of Dharma. Ridha Choekhor meaning deer and wheel of dharma represents
Lord Buddhas first sermon at Sarnath, a snow lion Padma Choegyed showing eight-
fold path from teachings of Lord Buddha and Chi-Minda, who is pardoned by the
Lord subsequent to repentance of his misdeeds. As per tradition, a miniature Chorten
(stupa) is also constructed. It has been erected in close vicinity of Apna Ghar.
Surajkund Crafts Mela : 2003 Theme State : Uttaranchal Commemorative Structure :
Uttaranchal Gate A replica of the Badrinath Temple gate decorated with models of the
Valley of Flowers and temple architecture from the Jageshwar temple complex, all
this formed the part of the commemorative structure. With nearly 16 different colours
being used in the 20-feet high gate and a Lord Shiva statue being a part of the
decorations, great attempt was made to recreate the aura of Uttaranchal. Top
Surajkund Crafts Mela : 2004 Theme State : Tamil Nadu Commemorative Structure :
Arjuna Penance Mamallapuram-Tamil Nadu This 7th century A.D. monument is
located at Mamallapuram, which is a world heritage site, near Chennai in Tamil Nadu.
It is one of the worlds largest and finest bas-relief measuring 27 m x 9m. As we look
at this huge black-shaped rock, a story unfolds. It depicts Arjunas petitioning Lord
Shiva for the powerful weapon Pasupa-Thasthra. On one side, a majestic elephant
and a fissure splits the sculpture down the middle and on the other side is a
masterpiece of Pallavas sculpture and architecture. Arjunas penance constitutes a
rich and engrossing tale of Hindu mythology. Top Surajkund Crafts Mela : 2005
Theme State : Chhattisgarh Commemorative Structure : Chhattisgarh Gate Top
Surajkund Crafts Mela : 2006 Theme State : Maharashtra Commemorative Structure :
Trimurti from Elephanta Caves This year's state theme was Maharashtra and visitors
had a chance to admire the commemorative gate with a carved replica of Trimurti
from Elephanta Caves, a world heritage site. Top Surajkund Crafts Mela : 2007
Theme State : Andhra Pradesh Commemorative Structure : Charminar Gate Top
Surajkund Crafts Mela : 2008 Theme State : West Bengal Commemorative Structure :
Vishnupur Gate Top Surajkund Crafts Mela : 2009 Theme State : Madhya Pradesh
Commemorative Structure : Bhimbetka Gate Top Surajkund Crafts Mela : 2010
Theme State : Rajasthan Commemorative Structure : Refurbished Shekhawati Gate
Top Surajkund Crafts Mela : 2011 Theme State : Andhra Pradesh Commemorative
Structure : Renovated Charminar Gate Top Surajkund Crafts Mela : 2012 Theme
State : Assam Commemorative Structure : Renovated Rang Ghar Top Surajkund
Crafts Mela : 2013 Theme State : Karnataka Top Surajkund Crafts Mela : 2014
Theme State : GOA Top Surajkund Crafts Mela : 2015 Theme State : Chattisgarh
Top Surajkund Crafts Mela : 2016 Theme State : Telangana Top NewsletterPublish
ManagementPlan My Trip TendersBusiness DirectoryOpinion PollComplaint &
Grievance Contact Nodal Officer Mr. Munish Kapoor (IT Incharge) Phone : 0172-
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