Gender Representation and Stereotyping in the Action/Adventure Genre
This is a social issue that is especially provident and controversial in modern day society and is addressed most clearly in action/adventure (AA) films. Majority of such films conform to the stereotypical gender roles with the men often playing the protagonist and hero and the women simply being an object to make said protagonist look better. However, such stereotypes are beginning to be challenged in the world of AA films. The stereotypical gender roles aforementioned play into majority of the classic AA films such as James Bond, Star Wars and Indiana Jones. Here we see the protagonist(s) as a strong male who is often generically attractive. This is likely due to the fact that for the majority of people these would be viewed as Mens Films as most in the AA genre are. Therefore, the entertainment industry makes a protagonist more relatable by making them the same gender as the majority audience, in this case, male. These are all relatively old franchises from the 1960s to the 1990s where nearly every AA film was sexist and had a strong male lead. The one exception perhaps being the Alien franchise during the late 1970s to present day where Sigourney Weaver plays the strong female lead of Ripley. The fact that this is the only notable exception from this time period highlights the sexism and lack of female representation of the old AA films. There are many stereotypical gender roles in AA films for both men and women. For example, in Avengers Assemble you have the moral hero (Captain America), the anti-hero (the Hulk due to his aggression toward the other members), the super villain (Loki) and the comic relief (Iron Man). All of these roles are stereotypical of the AA genre. The female roles include the cold badass (Black Widow) and the sidekick (Agent Maria Hill). These go against the female stereotyping of the helpless damsel-in-distress. However, Black Widow is sexualised as she often wears a tight suit which is a stereotype, the objectification of women through sexuality. Again this is done to appeal to a mainly male audience. However, some of the more modern AA films that have been released are starting to challenge if not completely contradict these stereotypes. A perfect example is the newly released Ghostbusters with a primarily female cast. Here the original plot is reinvented with a dumb male secretary rather than the female from the original. Another film that shows this male superiority in AA films being challenged is Wonder Woman where the lead is a strong, not overly sexualised, woman with a male love interest to make her look better. This is happening due to the change in audience with more and more women becoming AA fans. The social issue of sexism is being raised to make the films being released a lot more relevant to modern day viewers. In the past AA films have simply stuck to stereotypes because they worked to bring in majority of viewers but now, because the times have changed and sexism is a more prominent social issue, the AA genre is tackling stereotyping head on. Granted, there is still stereotyping happening in AA films but this is less relevant to gender now. The female can be the strong moral hero and the male can be the clever sidekick. It is not so shocking now to find AA films with strong female leads even if they are not the main protagonist (see Gamora in Guardians of the Galaxy). So, while the overwhelming majority of AA films still show the men as being stronger, braver and superior to women, there has begun to be some change and female representation is becoming more prominent in modern AA films and because of this the social issue of sexism is becoming less of problem within the AA genre. In this way, they have addressed it.