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 A STUDY OF PORN PIROMS COMPOSITIONS.

AN ABSTRACT
BY
AEUIMPORN RAKSAWONG

Presented in Partial Fulfillment of the Requirements for the

Master of Fine Arts Degree in Ethnomusicology
at Srinakharinwirot University
October 2009
Aeuimporn Raksawong. (2009).A Study Of Porn Piroms Compositions.Master Thesis,
M.F.A. (Ethnomusicology). Bangkok: Graduate School,Srinakharinwirot
University.Advisor Committee: Assoc.Prof, Dr.Manop Wisuttipat.Assist.Prof.
Karnchana Intrasunanon.

The purpose of this Thesis is to study the biography of Porn Pirom and his songs.
The study was conducted by analyzing 6 songs comprising 4 Lookthung songs which are 1)
Bua Toom Bua Barn, 2) Narm Tar Lar Sine, 3) Gra Tom Thong Gwar, 4) Jum Jai Jark; and 2
Lae songs which are 1) Dao Loog Kai Part 1 and Part 2, 2) Wung Mae Loog Aorn Part 1 and
Part
The result of the study reveals that the original name of Porn Pirom is Mr.
Boonsom Meesomwongse. He has 11 brothers and sisters. He is the eldest child. He was
married with Mrs. Rabiab Parknam and has 1 son namely Mr. Rangsun Meesomwongse.
Mr. Pron Pirom has great ability in many aspects of music, including singing and
composition which we can see from his works. He received Golden Record Awards 2509
from a song Bua Toom Bua Barn which was composed and sung by Porn Pirom himself and
another song; Dao Look Gai, which is a kind of Lae song. At present, he is a monk at Wat
Rattanachai (China Temple), Ayuddhaya.
Before he was ordained as a monk, he had composed various styles of song as
follows:

Lookthung Composition
1. The forms of song are sectional form and binary form
2. The composition of Lookthung is arranged in octameter
3. As for the rhythm, the song has major rhythm and is developed to new
version.

Lae Composition
1. The lyrics are composed at once and sung only one time
2. The composition comprises elegant and beautiful words. For example, Dao
LookGai was arranged in Ratchniklueng genre, having rhyming word at the
end of its stanzas (having rhyming word on the fourth line of each stanza)


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A1 8
A2 8
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 43

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 48

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 49

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 52

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 53

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1.1

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A1 8
B1 8
A2 8
B2 8
 59

2.
2.1
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3.
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A1 2
1 1 4 2
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1 7 2 G 3 9 B
1 9
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F 3 Minor D F
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B Flat F 3 Minor G B Flat

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4 Perfect 3 Minor 3 Minor 4 Perfect 3 Minor
 63

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F
4 Perfect C F 3 Minor D
F
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B Flat F

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 64

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B1 2
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Flat

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 65

2 2 5 2
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 66

3.2

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- 2

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B1

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B2

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B1 B2
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5

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2

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3
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5 3 2 5
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3 2 5

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2 5 1
2 4 5
 69

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2 5 2 3

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2 3 1 2 3
2

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6 2 5
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 70

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C
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C
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G
5. F 1 A1 3
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3
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 74

1.
1.1
10

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1.3

(Unitary Form) 4 Key G 8
Solo 9 Intro
A A2 Solo A3 A4

Introduction 8
A1 8
A2 8
Solo 9
A3 8
A4 8
 75

2.
2.1
9 14

2.1.1
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 76

2.1.2

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1 4
2 4
 77

3.
3.1
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1
1 2

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 78

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4 Perfect D B 3 Minor

3 4
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 79

A2
A2 2
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 80

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2 23 G 1 25
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4 A2 G

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 81

3.2

- 1

- 2

- 3

- 4

- 5
1 1
5
 82

- 6
3 3
6

- 7
2 2
7

3.3

A1 A2-A4 A1

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2 7

 83

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2 5

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3 1
2 3

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2
 84

1. D F 4
C
B B D B - 1
A C A
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B B ABGA
A
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G G

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4. D 1 D B A G A
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 85

4.
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A2 A3 A4 8
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4
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 86

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 105

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2.
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15.
16.
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18.
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20.
21.
22. 5
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
 122

37.
38.
39. (1)
40. (2)
41. (3)
42. (4)
43.
44.
45.
46.
47.

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1.3
1.
( Binary Form) 2 Key F
Sharp Minor 8
2.
(Binary Form) Key A Minor Intro
A1 A2 B1 A3 Solo A4
8 Solo 9
3.
( Binary Form) Key B Flat Major
8 Intro A1 A2

4.
(Unitary Form) 4 Key G Minor 8
Solo 9
 126

5. 2
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 127

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1 2

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-
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