25 Photographize Magazine - Issue 25 - March 2015 PDF

E | MAGAZINE
MARCH 2015
MARCH 2015
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer
All images and text published in PhotographizeMag

are the sole property of the featured authors and
15
27
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51
63
75
the subject copyright.
3
pag
pag
pag
pag
pag
pag
pag
No image or text can be reproduced, edited, copied
3
or distributed without the express written permission

of its legal owner.
2010-2014 PhotographizeMag | all rights reserved

Andrea Costantini
Garca de Marina
Editor,founder,publisher and
Kasia Derwinska
Art Director : Andrea Costantini

Brooke Shaden
Ellen Jantzen
Follow me:
Xavier Rey
web: www.photographize.org
Tomasz
email: photographizemag@gmail.com
Cover : Andrea Costantini
This issue contains pictures that
some viewers may find disturbing.
Viewer discretion advised.
MARCH 2015
Photographize is an independent electronic magazine,
downloadable FREE, that involves any kind of art
regardless of technique or period such as illustra-
tion, painting, digital art, photography, sculpture,
graphics. Wants to be a virtual place based on the
immediacy, where the images are presented in their
pure beauty have the ability to capture and capti-
vate the viewer

15
27
39
51
63
75
3
pag
pag
pag
pag
pag
pag
pag
3

of its legal owner.

Andrea Costantini
Garca de Marina
Editor,founder,publisher and
Kasia Derwinska
Art Director : Andrea Costantini

Brooke Shaden
Ellen Jantzen
Follow me:
Xavier Rey
web: www.photographize.org
Tomasz
email: photographizemag@gmail.com
Cover : Andrea Costantini
This issue contains pictures that
some viewers may find disturbing.
Viewer discretion advised.
Photography is my way of communicating with the world. In my
work, I talk about own experiences, thoughts, doubts, fears and
hopes trying to reflect my own life's path.
In addition to my experiences, my creations are inspired by night

dreams as since childhood I remember most of them and I believe
that dreams are the most simbolic language of our subconscious, a
guide to navigate in the modern world.
I am autodidactic and I dont recognize myself as a photographer.

I use photography as a tool, like a brush for painting or any
instrument to play music.
My work is an attempt to connect substantiality of the world that
surrounds us with elusiveness of feelings and thoughts. For that
reason I describe my creations as building a bridge between the
visible and the invisible.
Thought Echo Kasia Derwinska
All images and text published in PhotographizeMag are the sole property of the featured authors and the subject copyright.
3 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 4
Photography is my way of communicating with the world. In my
work, I talk about own experiences, thoughts, doubts, fears and
hopes trying to reflect my own life's path.
In addition to my experiences, my creations are inspired by night

dreams as since childhood I remember most of them and I believe
that dreams are the most simbolic language of our subconscious, a
guide to navigate in the modern world.
I am autodidactic and I dont recognize myself as a photographer.

I use photography as a tool, like a brush for painting or any
instrument to play music.
My work is an attempt to connect substantiality of the world that
surrounds us with elusiveness of feelings and thoughts. For that
reason I describe my creations as building a bridge between the
visible and the invisible.
Thought Echo Kasia Derwinska
Uroboros Kasia Derwinska
The Consequence Kasia Derwinska
Uroboros Kasia Derwinska
The Consequence Kasia Derwinska
Only fools have no doubts Kasia Derwinska Home can be everywhere Kasia Derwinska
Only fools have no doubts Kasia Derwinska Home can be everywhere Kasia Derwinska
All wants to fly Kasia Derwinska My home is my castle Kasia Derwinska
All wants to fly Kasia Derwinska My home is my castle Kasia Derwinska
Promise to the moon Kasia Derwinska Life is a matter of choices Kasia Derwinska
Promise to the moon Kasia Derwinska Life is a matter of choices Kasia Derwinska
Baggage of experiences Kasia Derwinska
13 No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner.
Baggage of experiences Kasia Derwinska
Born in Albi (France) in 1974, I make my first steps in the "Photography"
in 2005 when I arrived in Bordeaux.
My meeting with the group of Bordeaux photographers SPBordeaux was a
revelation and photography became for me an extraordinary means of
expression.
Eclectic in nature, I work all photographic style.
My love for the sea and waterscape photography in B & W, guide my work to Windows | Bordeaux, France 2008 Xavier Rey
a photographic style format where the square and the long exposure became
too obvious.
I love working in this format, fitting length to give landscapes
photographed another reality, another view ... mine. Photography b & w is My photographic approach is something instinctive, as an impulse that
my primary mode of expression and allows me to fully express my vision of prompts me to press the trigger at a specific time to pick a place,
the author. Sometimes I also do color, but it remains quite rarely. atmosphere, people ...
Beside this, I also work on other personal projects such as portrait or I love photographing in the moment, discover a place and I try to
report. appropriate it.
Born in Albi (France) in 1974, I make my first steps in the "Photography"
in 2005 when I arrived in Bordeaux.
My meeting with the group of Bordeaux photographers SPBordeaux was a
revelation and photography became for me an extraordinary means of
expression.
Eclectic in nature, I work all photographic style.
My love for the sea and waterscape photography in B & W, guide my work to Windows | Bordeaux, France 2008 Xavier Rey
a photographic style format where the square and the long exposure became
too obvious.
I love working in this format, fitting length to give landscapes
photographed another reality, another view ... mine. Photography b & w is My photographic approach is something instinctive, as an impulse that
my primary mode of expression and allows me to fully express my vision of prompts me to press the trigger at a specific time to pick a place,
the author. Sometimes I also do color, but it remains quite rarely. atmosphere, people ...
Beside this, I also work on other personal projects such as portrait or I love photographing in the moment, discover a place and I try to
report. appropriate it.
Double L | Cap Ferret, France 2009 Xavier Rey
Seven | Le Canon, France 2014 Xavier Rey
Double L | Cap Ferret, France 2009 Xavier Rey
Seven | Le Canon, France 2014 Xavier Rey
Ploumanac'h Dream | Ploumanac'h, France 2009
Xavier Rey
Lagon 2 | Saint Florent, Corse 2013 Xavier Rey
Ploumanac'h Dream | Ploumanac'h, France 2009
Xavier Rey
Lagon 2 | Saint Florent, Corse 2013 Xavier Rey
Cabane 17 | Port-des-Barques, France 2010 Vestiges 3 | Port-des-Barques, France 2010
Xavier Rey Xavier
Cabane 17 | Port-des-Barques, France 2010 Vestiges 3 | Port-des-Barques, France 2010
Xavier Rey Xavier
4 | Cap Ferret, France 2007 L'Echelle | Lac de Sanguinet, France 2009
Xavier Rey Xavier Rey
4 | Cap Ferret, France 2007 L'Echelle | Lac de Sanguinet, France 2009
Xavier Rey Xavier Rey
Faade | Paris, France 2009
Xavier Rey
http://silastheintruder.tumblr.com
Faade | Paris, France 2009
Xavier Rey
http://silastheintruder.tumblr.com
Im always been curious about photography and when the Art school
introduced me to the darkroom I was literally fascinated.
Since I was a child there was a camera around me. My father was a big
Nikon fan and he had a huge lens collection. He spent hours taking
pictures of my brother and me in our childhood. So I grew up with
photography and a curiosity for the pictures. All forms of art inspire
me, but one of my greatest influences from early in my career is
Surrealism.
Another source of inspiration for me is the majesty of some

architectures: Im fascinated by what the man has managed to build
around him over the centuries. I take pictures of faces and I modify
them by adding images, like in a montage. I love playing with lights and
shadows, tones and
textures.My imaginary worlds are a mix of architectures, objects and
animals.
I use the most advanced technologies to express myself, but papers and
pencils accompany the birth of my projects: sketches and notes turn into
thoughts and images. Is the power to escapes the constraints of social
and economic differences and the limits of space and time.
[OBLIVION] A Different State of Mind
005 - Gravity Andrea Costantini
I sleep with my Moleskine and a pencil because most of my ideas come to
me at night. I wake up and I write down what I have imagined or
dreamed, to be sure to remember everything next morning.
Im always been curious about photography and when the Art school
introduced me to the darkroom I was literally fascinated.
Since I was a child there was a camera around me. My father was a big
Nikon fan and he had a huge lens collection. He spent hours taking
pictures of my brother and me in our childhood. So I grew up with
photography and a curiosity for the pictures. All forms of art inspire
me, but one of my greatest influences from early in my career is
Surrealism.
Another source of inspiration for me is the majesty of some

architectures: Im fascinated by what the man has managed to build
around him over the centuries. I take pictures of faces and I modify
them by adding images, like in a montage. I love playing with lights and
shadows, tones and
textures.My imaginary worlds are a mix of architectures, objects and
animals.
I use the most advanced technologies to express myself, but papers and
pencils accompany the birth of my projects: sketches and notes turn into
thoughts and images. Is the power to escapes the constraints of social
and economic differences and the limits of space and time.
005 - Gravity Andrea Costantini
I sleep with my Moleskine and a pencil because most of my ideas come to
me at night. I wake up and I write down what I have imagined or
dreamed, to be sure to remember everything next morning.
004 - Wonderland Andrea Costantini
003 - Conflict Andrea Costantini
004 - Wonderland Andrea Costantini
003 - Conflict Andrea Costantini
[imaginaria] 009 Andrea Costantini
Each artwork of the Imaginaria series tells a story through images Here, the mind embodies the force that drives the wonderful gear of the
molded, written and then mixed with imagination. imagination that is released from the head. Anachronistic and ridiculous
To honor the great artist Michelangelo, who carved the David with the head ideas erupt from the mind, free from the dictates of the reason, like a
slightly larger than the rest of the body, to symbolize the power of panacea, capable of transforming the dullness of routine in the color of
reason, all the characters of Imaginaria are made with the same imagination.
disproportion. To the viewer, the freedom to read every time a different story, by
borrowing the artists imagination, the one of the depicted subject, or
simply by triggering his own imagination.
Each artwork of the Imaginaria series tells a story through images Here, the mind embodies the force that drives the wonderful gear of the
molded, written and then mixed with imagination. imagination that is released from the head. Anachronistic and ridiculous
To honor the great artist Michelangelo, who carved the David with the head ideas erupt from the mind, free from the dictates of the reason, like a
slightly larger than the rest of the body, to symbolize the power of panacea, capable of transforming the dullness of routine in the color of
reason, all the characters of Imaginaria are made with the same imagination.
disproportion. To the viewer, the freedom to read every time a different story, by
borrowing the artists imagination, the one of the depicted subject, or
simply by triggering his own imagination.
[imaginaria] 009 Andrea Costantini [imaginaria] 009 Andrea Costantini
[imaginaria] 009 Andrea Costantini [imaginaria] 009 Andrea Costantini
[symbiosis] 009 Mare Nostrum [symbiosis] 010 Amazonas
Andrea Costantini Andrea Costantini
She can be Mother or stepmother, uncontaminated or sick but mankind is Protagonists of this series are moderns fauns: common people, stripped of
always obliged to establish a relationship with Mother Nature. Too often, their clothes, which through a docile and meek surrender to their origins,
however, he forgets to be a guest or his roommate at most, and he become a are back to being one with Mother Nature, which at the end we can command
parasite and a tyrant kamikaze. only by following her rules.
The project "SYMBIOSIS" wants to give voice to an overwhelming need for

mankind to reconcile himself with the Universe.
[symbiosis] 009 Mare Nostrum [symbiosis] 010 Amazonas
Andrea Costantini Andrea Costantini
She can be Mother or stepmother, uncontaminated or sick but mankind is Protagonists of this series are moderns fauns: common people, stripped of
always obliged to establish a relationship with Mother Nature. Too often, their clothes, which through a docile and meek surrender to their origins,
however, he forgets to be a guest or his roommate at most, and he become a are back to being one with Mother Nature, which at the end we can command
parasite and a tyrant kamikaze. only by following her rules.
The project "SYMBIOSIS" wants to give voice to an overwhelming need for

mankind to reconcile himself with the Universe.
/art/photography/creative/
[symbiosis] 012 Hortus

Andrea Costantini
37 Ricardo Solis
No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 72
/art/photography/creative/
[symbiosis] 012 Hortus

Andrea Costantini
37 Ricardo Solis
No image or text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 72
I was born 36 years ago. Another century, another reality.
However photography has been very close to me from early beggining.
I've been trying to develop my photo-sklills since I was teenager, but
I've quickly realized, that pure photography is not enough for me.
My imagination has been giving me another point of view, another
visions. I always wanted to see more, and to show more. With help came
thank God Photoshop. Using this great program, for me is like journey
through neverending possiblities, one and only limit is our imagination.
In my works I'm trying to touch every topic, every idea which comes to
my mind is different, so maybe that is why spectrum of my
photomanipulations is very wide.
Not only one or similar moods, topics, elements.
I would like to try eveything, it's one and only way to develop skills,
but also to train imagination. It's very powerfull thing - we have to
use it right
I'm still searching for my final style and way of showing emotions.
Hope someday I will find it.
Tomasz
I was born 36 years ago. Another century, another reality.
However photography has been very close to me from early beggining.
I've been trying to develop my photo-sklills since I was teenager, but
I've quickly realized, that pure photography is not enough for me.
My imagination has been giving me another point of view, another
visions. I always wanted to see more, and to show more. With help came
thank God Photoshop. Using this great program, for me is like journey
through neverending possiblities, one and only limit is our imagination.
In my works I'm trying to touch every topic, every idea which comes to
my mind is different, so maybe that is why spectrum of my
photomanipulations is very wide.
Not only one or similar moods, topics, elements.
I would like to try eveything, it's one and only way to develop skills,
but also to train imagination. It's very powerfull thing - we have to
use it right
I'm still searching for my final style and way of showing emotions.
Hope someday I will find it.
Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz Tomasz
Tomasz
Tomasz
Brooke Shaden was born in March of 1987 in Lancaster, PA, USA.
She grew up near the "Amish Country" until attending Temple
University. Brooke was photographically born in December 2008
after graduating from Temple with bachelor degrees in film and
English. She now resides in Arizona, USA with her husband and
three cats.
She began creating self-portraits for ease and to have full

control over the images, and has since grown into a
self-portrait artist. Self portraiture for her is not
autobiographical in nature. Instead, she attempts to place
herself within worlds she wishes we could live in, where secrets
float out in the open, where the impossible becomes possible.
Brooke works to create new worlds within her photographic frame.

By using painterly techniques as well as the square format,
traditional photographic properties are replaced by otherworldly
elements. Brooke's photography questions the definition of what
it means to be alive.
Deceasing Brooke Shaden
Brooke Shaden was born in March of 1987 in Lancaster, PA, USA.
She grew up near the "Amish Country" until attending Temple
University. Brooke was photographically born in December 2008
after graduating from Temple with bachelor degrees in film and
English. She now resides in Arizona, USA with her husband and
three cats.
She began creating self-portraits for ease and to have full

control over the images, and has since grown into a
self-portrait artist. Self portraiture for her is not
autobiographical in nature. Instead, she attempts to place
herself within worlds she wishes we could live in, where secrets
float out in the open, where the impossible becomes possible.
Brooke works to create new worlds within her photographic frame.

By using painterly techniques as well as the square format,
traditional photographic properties are replaced by otherworldly
elements. Brooke's photography questions the definition of what
it means to be alive.
Deceasing Brooke Shaden
The rose garden Brooke Shaden
An unheard cry Brooke Shaden
The rose garden Brooke Shaden
An unheard cry Brooke Shaden
The falling of autumn darkness Brooke Shaden To dust Brooke Shaden
The falling of autumn darkness Brooke Shaden To dust Brooke Shaden
Spreading seeds Brooke Shaden
The shadows we follow Brooke Shaden
Spreading seeds Brooke Shaden
The shadows we follow Brooke Shaden
The tide that takes us Brooke Shaden
The almost circus and invisible audience Brooke Shaden
The tide that takes us Brooke Shaden
The almost circus and invisible audience Brooke Shaden
A Tree to Climb Brooke Shaden
A Tree to Climb Brooke Shaden
Ellen Jantzen was born and raised in St. Louis Missouri.
Her early college years were spent obtaining a degree in graphic arts;
later emphasizing fine art. Upon graduation she and her husband, Michael,
settled down on acreage in Southern Illinois and set about to construct
several solar and energy efficient structures including their 2400 square
foot home. Organic gardens and goat husbandry took center stage in Ellens
life but a desire for a more artistic life led the couple to Los
Angeles California.
Ellen spent two years at FIDM (the Fashion Institute of Design and
Merchandising) in downtown Los Angeles. Here, she obtained her advanced
degree in 1992. After a few years working in the industry, including
several years at Mattel Toy Company as a senior project designer, she
became disillusioned with the corporate world and longed for a more
creative outlet. Having been trained in computer design while at
Mattel, Ellen continued her training on her own using mostly Photoshop
software. As digital technology advanced and the newer cameras were
producing excellent resolution, Ellen found her perfect medium.
It was a true confluence of technical advancements and creative desire

that culminated in her current explorations in photo inspired art using
both a camera to capture staged assemblages and a computer to alter and
manipulate the pieces. Ellen has been creating works that bridge the world
of prints, photography and collage.
Promise of Spring Ellen Jantzen

Ellen Jantzen was born and raised in St. Louis Missouri.
Her early college years were spent obtaining a degree in graphic arts;
later emphasizing fine art. Upon graduation she and her husband, Michael,
settled down on acreage in Southern Illinois and set about to construct
several solar and energy efficient structures including their 2400 square
foot home. Organic gardens and goat husbandry took center stage in Ellens
life but a desire for a more artistic life led the couple to Los
Angeles California.
Ellen spent two years at FIDM (the Fashion Institute of Design and
Merchandising) in downtown Los Angeles. Here, she obtained her advanced
degree in 1992. After a few years working in the industry, including
several years at Mattel Toy Company as a senior project designer, she
became disillusioned with the corporate world and longed for a more
creative outlet. Having been trained in computer design while at
Mattel, Ellen continued her training on her own using mostly Photoshop
software. As digital technology advanced and the newer cameras were
producing excellent resolution, Ellen found her perfect medium.
It was a true confluence of technical advancements and creative desire

that culminated in her current explorations in photo inspired art using
both a camera to capture staged assemblages and a computer to alter and
manipulate the pieces. Ellen has been creating works that bridge the world
of prints, photography and collage.
Promise of Spring Ellen Jantzen

Toward The Known Ellen Jantzen Toward The Unknown Ellen Jantzen
Toward The Known Ellen Jantzen Toward The Unknown Ellen Jantzen
Let The Others Follow Ellen Jantzen Plenitude Ellen Jantzen
Let The Others Follow Ellen Jantzen Plenitude Ellen Jantzen
Cross Examining Reality Ellen Jantzen
From Within Ellen Jantzen
From Within Ellen Jantzen
Threshold Ellen Jantzen Undisturbed Ellen Jantzen
Threshold Ellen Jantzen Undisturbed Ellen Jantzen
Born in Gijn in 1975, Garca de Marina surfaced from undergoing
a deep transformation in 2010. A slumbering passion for photography broke
through his privacy, and started a sparkling career characterized by
photographic reflection, in sharp contrast to the authors restless
nature. In less than a year Garca de Marina gave in to a devotion for
photography, unveiled his rare photographic gaze on social networking
sites, and presented his work in various exhibitions. After a largely
unassuming and unquestioning life, photography involves a change of
personal outlook in a context of economic and social crisis.
This Poet of the Prosaic made the leap from social networking to the
galleries in a few months time. His uncommon creativity has not gone
unnoticed in the Spanish as well as the foreign media, having his work
published in several European and South American countries.
He has made a number of individual exhibitions and taken part in
different collective exhibits, in addition to diverse art fairs.
His lens is profoundly irreverent with the real: it seeks to transform
and stamp objects with new identities; it challenges the obvious, and
pays heed to the grandeur of the everyday. The bareness of his
photography endows objects with a leading role, while they are stripped
of their essence to be reinvented. It seeks to lend intensity and emotion
to a piece of cutlery or a match, or to tell a story, its own story, with
an eggshell. The artist does not carry out any photographic manipulation
on the images, but transfigures his subjects by setting up scenarios, and
searches for the best angle to take a picture of them. From the
minimalist perspective, the inventiveness of his gaze lays claim to
another reality. From observation we may create, from imagination we may
Garca de Marina innovate."
Born in Gijn in 1975, Garca de Marina surfaced from undergoing
a deep transformation in 2010. A slumbering passion for photography broke
through his privacy, and started a sparkling career characterized by
photographic reflection, in sharp contrast to the authors restless
nature. In less than a year Garca de Marina gave in to a devotion for
photography, unveiled his rare photographic gaze on social networking
sites, and presented his work in various exhibitions. After a largely
unassuming and unquestioning life, photography involves a change of
personal outlook in a context of economic and social crisis.
This Poet of the Prosaic made the leap from social networking to the
galleries in a few months time. His uncommon creativity has not gone
unnoticed in the Spanish as well as the foreign media, having his work
published in several European and South American countries.
He has made a number of individual exhibitions and taken part in
different collective exhibits, in addition to diverse art fairs.
His lens is profoundly irreverent with the real: it seeks to transform
and stamp objects with new identities; it challenges the obvious, and
pays heed to the grandeur of the everyday. The bareness of his
photography endows objects with a leading role, while they are stripped
of their essence to be reinvented. It seeks to lend intensity and emotion
to a piece of cutlery or a match, or to tell a story, its own story, with
an eggshell. The artist does not carry out any photographic manipulation
on the images, but transfigures his subjects by setting up scenarios, and
searches for the best angle to take a picture of them. From the
minimalist perspective, the inventiveness of his gaze lays claim to
another reality. From observation we may create, from imagination we may
Garca de Marina innovate."
79Garca de Marina
All images and text published in PhotographizeMag are
No image or text can be reproduced, edited, copied or
the sole property of the featured authors and the subject copyright.
distributed without the express written permission of its legal owner.
Garca de Marina
80
79Garca de Marina
All images and text published in PhotographizeMag are
No image or text can be reproduced, edited, copied or
the sole property of the featured authors and the subject copyright.
distributed without the express written permission of its legal owner.
Garca de Marina
80
Oxygeme Series Pablo Pro Oxygeme Series Pablo Pro
81Garca deor Marina
No image text can be reproduced, edited, copied or distributed without the express written permission of its legal owner. 82
Oxygeme Series Pablo Pro Oxygeme Series Pablo Pro
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
81Garca deor Marina
Kasia Derwinska 3
www.magic-art-photography.eu
Xavier Rey
www.xavierrey.com
Andrea Costantini
www.andreacostantini.org
Tomasz
www.fotowizjer.net
Brooke Shaden
www.brookeshaden.com
Ellen Jantzen
www.ellenjantzen.com
Garca de Marina
www.garciademarina.net
Garca de Marina
Kasia Derwinska 3
www.magic-art-photography.eu
Xavier Rey
www.xavierrey.com
Andrea Costantini
www.andreacostantini.org
Tomasz
www.fotowizjer.net
Brooke Shaden
www.brookeshaden.com
Ellen Jantzen
www.ellenjantzen.com
Garca de Marina
www.garciademarina.net
Garca de Marina

of its legal owner.
2015 PhotographizeMag
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E | MAGAZINE

All images and text published in PhotographizeMag

or distributed without the express written permission

2010-2014 PhotographizeMag | all rights reserved

Art Director : Andrea Costantini

All images and text published in PhotographizeMag

or distributed without the express written permission

2010-2014 PhotographizeMag | all rights reserved

Art Director : Andrea Costantini

In addition to my experiences, my creations are inspired by night

I am autodidactic and I dont recognize myself as a photographer.

Thought Echo Kasia Derwinska

In addition to my experiences, my creations are inspired by night

I am autodidactic and I dont recognize myself as a photographer.

Thought Echo Kasia Derwinska

The Consequence Kasia Derwinska

The Consequence Kasia Derwinska

Seven | Le Canon, France 2014 Xavier Rey

Seven | Le Canon, France 2014 Xavier Rey

Lagon 2 | Saint Florent, Corse 2013 Xavier Rey

Lagon 2 | Saint Florent, Corse 2013 Xavier Rey

Another source of inspiration for me is the majesty of some

Another source of inspiration for me is the majesty of some

The project "SYMBIOSIS" wants to give voice to an overwhelming need for

The project "SYMBIOSIS" wants to give voice to an overwhelming need for

[symbiosis] 012 Hortus

[symbiosis] 012 Hortus

She began creating self-portraits for ease and to have full

Brooke works to create new worlds within her photographic frame.

Deceasing Brooke Shaden

She began creating self-portraits for ease and to have full

Brooke works to create new worlds within her photographic frame.

Deceasing Brooke Shaden

An unheard cry Brooke Shaden

An unheard cry Brooke Shaden

It was a true confluence of technical advancements and creative desire

Promise of Spring Ellen Jantzen

It was a true confluence of technical advancements and creative desire

Promise of Spring Ellen Jantzen

From Within Ellen Jantzen

From Within Ellen Jantzen

No image or text can be reproduced, edited, copied

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