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PULSE '17 Audition Exercises

All 12 major keys


"Squirrels" Ian Grom
**be able to play this all up at forte for a power scales variation
q= 90-160 bpm


2 3 4



Marimba/Vib
mp f

Piano Both Synths need to learn both parts in all 12 keys, and alternate parts after each scale



Synth 1 mp mf f


Strings



mf
Synth 2

Laptop (Bass)

mp mf f



Timpani
mp mf f
R l l r
R
L r r l


Drum Set

mp
f


Mounted Tambourine
Shaker


Aux 1
mp f
2



5 6 7



Mar./Vib
mf mp f



Synth. mf mp mf f








Synth.



Bass

mp mf f


Timp.
mp f

mf

Dr.











mf mp f



Aux 1
mf mp f

Pulse Percussion 2017 Auditions


Yes, this is accented :)

3

8 9 10 11


Mar./Vib

mp f mp



f
Synth. mp mp


mp
Synth.




Bass

mp mp




Timp.

mp mp





Dr.

f mp
mp



Aux 1
mp

Pulse Percussion 2017 Auditions


All 12 minor keys 4
(natural minor only)
q=90-130 Inner mallet range
q=130-160 2 mallet range
"Minor, I don't even know her"
15 16

12 14 13




Mar./Vib

f




Marcato Strings


f
Synth.



Marcato Strings




f
Synth.


Bass



f



Make adjustments as needed for octave placement and playability

Timp.
f

Create your own driving tom groove that catches the accents in the patterns

Dr.

Concert BD - towel dampened with 2 chamois mallets



Aux 1
mf

Pulse Percussion 2017 Auditions


5 Always using the raised
7th scale degree at the end


17 18 19 20




Mar./Vib


Always using the raised






7th scale degree at the end



p
Synth.



Always using the raised
7th scale degree at the end




p
Synth.



Always using the raised


7th scale degree at the end






Bass

Always using the raised


7th scale degree at the end





Timp.

Dr.


Aux 1

p

Pulse Percussion 2017 Auditions


6

q=130 bpm
"Urbina Outfitters" Contributed by Erik Urbina
Phrase markings indicate where you should be moving your body with the half note



21 22 23 24 25



Mar./Vib

4 1 3 2 3 2 4 1 3 2 3 2 sim... 4 2 3 2 3 2 3 2
f

Piano





f
Synth.

Strings





Synth. f


Bass
f


Timp.
f


Mallet outline rhythm - follow this to create a 16th based groove with backbeats on 3

Dr.
f


Mallet outline rhythm - we will use this skeleton to create a more elaborate part


Aux 1
f

Pulse Percussion 2017 Auditions


7

29


26 27 28 30


Mar./Vib





Synth.





Synth.


Bass


Timp.


Dr.



Aux 1

Pulse Percussion 2017 Auditions


8B section - descending
31 33 35

32 34
Mar./Vib
mp
mp f





mp
mp f
Synth.






mp
Synth. mp f



Bass

mp f



Timp.

mp f


Dr.
mp
mp f



Aux 1
mp
mp f
Pulse Percussion 2017 Auditions
Watch the note change here!
9

36
37 38 39 40
Mar./Vib
6 6 6 6 6 6
4 2 3 1 3 2 4 2 3 1 3 2 f



f
Synth.





f



f
Synth.





f


Bass

f


Timp.
f


Dr.
6 6 6 6 6 6
f

6 6 6 6 6 6

Aux 1
f

Pulse Percussion 2017 Auditions


10
6

6


41 42 43 44 45


Mar./Vib
f mp
6 6
mp



mp f mp
Synth.

















mp f mp
Synth.












Bass
mf f





Timp.
mf f


Dr.
6 6 6 6
mp f mp

6 6 6 6

Aux 1
mp f mp

Pulse Percussion 2017 Auditions


11
6

6 6

46 47 48 6



Mar./Vib
f



f
Synth.



f
Synth.

Bass


Timp.


Dr.
6 6 6 6
f

6 6 6 6


Aux 1
f

Pulse Percussion 2017 Auditions


12



49 50 51 52 53
Mar./Vib
3
pp


mf pp
Synth.




mf pp
Synth.




Bass
p


Timp.
p


Dr.
p



Aux 1
p

Pulse Percussion 2017 Auditions


"CONTROLLED" DOUBLE LATERAL STROKE
An articulated rotation is used here to generate a more rhythmically accurate and powerful stroke than the traditional double lateral.
13
q= 60-90 bpm
2 3 4 2 3 4 2 3 4 2 3 456 6


1 2 36 1 2 3

54 1 2 3 1 2 3 1 2 3 1 2 3 55 6

2 3 4 2 3 4 57 58



Mar./Vib

mf-f **Feel the quarter note groove over everything 6

"CONTROLLED" DOUBLE LATERAL STROKE




Piano



Synth. mf **Feel the quarter note groove over everything

"CONTROLLED" DOUBLE LATERAL STROKE



Strings



Synth.

mf


Bass






mf


Timp.




mf Purdie Shuffle feel
R R R 6 6 6 6

R

Dr.
mf
Toms Rivet Cym.

















Aux 1



mf

Pulse Percussion 2017 Auditions


14
6 6



59 60 61 62 63
Mar./Vib

6 6 6 6
6 6

Synth.



Synth.





Bass



Timp.

6 6 6 6 6 6 6 6


Dr.




Aux 1


Pulse Percussion 2017 Auditions


15
65
4

3 2 4 3 2 4 3 2 4 3 2
3 2 1 3 2 1 3 2 1 3 2 1

68

64 66 67
Mar./Vib
6 6
6 6

Synth.



Synth.




Bass



Timp.

6 6 6 6
Toms




Dr.

f






Aux 1




Pulse Percussion 2017 Auditions


16
4

3 2 6 6

69 3 2 1 70 71 72
Mar./Vib
6 6 6 6
6 6

Synth.



Synth.


Bass


Timp.

6 6 6 6 6 6 6 6

Dr.








Aux 1

Pulse Percussion 2017 Auditions


17


73
74

75

6 6


Mar./Vib


6 6



Synth.



Synth.


Bass



Timp.

6

6
6

6



Dr.







Aux 1

Pulse Percussion 2017 Auditions


18
6 6

76 77 78 79

6 6


Mar./Vib



Synth.




Synth.


Bass


Timp.

6
6
6
6




Dr.







Aux 1

Pulse Percussion 2017 Auditions

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