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Along with Luce Irigaray and Julia Kristeva, Cixous is considered one of the mothers of poststructuralist feminist
theory.[5] In the 1970s, Cixous began writing about the relationship between sexuality and language. Like other
poststructuralist feminist theorists, Cixous believes that our sexuality is directly tied to how we communicate in
society. In 1975, Cixous published her most influential article "Le rire de la mduse" ("The Laugh of the
Medusa")[6] translated and released in English in 1976. She has published over 70 works; her fiction, dramatic
writing and poetry, however, are not often read in English.
Sigmund Freud
Psychoanalyst Sigmund Freud established the initial theories which would serve as a basis for some of Cixous'
arguments in developmental psychology. Freud's analysis of gender roles and sexual identity concluded with
separate paths for boys and girls through the Oedipus complex, theories of which Cixous was particularly critical.
Jacques Derrida
Contemporaries, lifelong friends, and intellectuals, Jacques Derrida and Cixous both grew up as French Jews in
Algeria and share a "belonging constituted of exclusion and nonbelonging"not Algerian, rejected by France,
their Jewishness concealed or acculturated. In Derrida's family "one never said 'circumcision' but 'baptism,' not
'Bar Mitzvah' but 'communion.'" Judaism cloaked in Catholicism is one example of the undecidability of identity
that influenced the thinker whom Cixous calls a "Jewish Saint."[7] Her book Portrait of Jacques Derrida as a
Young Jewish Saint addresses these matters.
Through deconstruction, Derrida employed the term logocentrism (which was not his coinage). This is the concept
that explains how language relies on a hierarchical system that values the spoken word over the written word in
Western culture. The idea of binary opposition is essential to Cixous' position on language.
Cixous and Luce Irigaray combined Derrida's logocentric idea and Lacan's symbol for desire, creating the term
phallogocentrism. This term focuses on Derrida's social structure of speech and binary opposition as the center of
reference for language, with the phallic being privileged and how women are only defined by what they lack; not
A vs. B, but, rather A vs. A (not-A).
In a dialogue between Derrida and Cixous, Derrida said about Cixous: "Helene's texts are translated across the
world, but they remain untranslatable. We are two French writers who cultivate a strange relationship, or a
strangely familiar relationship with the French language -- at once more translated and more untranslatable than
many a French author. We are more rooted in the French language than those with ancestral roots in this culture
and this land."[8]
In 2000, a collection in Cixous' name was created at the Bibliothque nationale de France after Cixous donated the
entirety of her manuscripts to date. They then featured in the exhibit "Brouillons d'crivains" held there in 2001.
In 2003, the Bibliothque held the conference "Genses Gnalogies Genres: Autour de l'oeuvre d'Hlne Cixous".
Among the speakers were Mireille Calle-Gruber, Marie Odile Germain, Jacques Derrida, Annie Leclerc, Ariane
Mnouchkine, Ginette Michaud, and Hlne Cixous herself.
Major works
The Laugh of the Medusa (1975)
This text, originally written in French as Le Rire de la Mduse in 1975, was translated into English by Keith and
Paula Cohen in 1976. Cixous is issuing her female readers an ultimatum of sorts: either they can read it and choose
to stay trapped in their own bodies by a language that does not allow them to express themselves, or they can use
their bodies as a way to communicate. Cixous develops a type rhetoric that has the potential to expand on the
purpose of feminist theory as discourse advocating for the rights of women. criture feminine is a style of writing
that falls outside of the discourse of patriarchal systems and therefore allows women to address their needs and
narratives by claiming her identity. This text is situated in a history of feminist rhetoric that separated women in
terms of their gender and women in terms of authorship.[9] The Laugh of the Medusa works to bridge this gap by
placing emphasis on the woman as individual, commanding her to write and use her body as source of power and
inspiration. Cixous uses the term the Logic of Antilove to describe her criticism of the systematic oppression by
patriarchal figures. She defines the Logic of Antilove as the self-hatred women have, they have made for women
an antinarcissism! A naracissim which loves itself only to be loved by what women havent got, this idea
persecutes women by defining them by what misogynistic tradition believes makes the female sex inferior.[10]
Cixous commands women to focus on her self as an individual, particularly her body and write to redefine her
identity in the context of her history and narrative. She believes writing is a tool women must use to advocate for
themselves, in order to acquire the freedom women have historically been denied.
Dense with literary allusions, "The Laugh of the Medusa", is an exhortation to a "feminine mode" of writing; the
phrases "white ink" and "criture fminine" are often cited, referring to this desired new way of writing. The new
way of writing Cixous employs is found in the techniques she uses to construct the text and how she instructs
fellow women to use writing as a means of authority. Cixous is interested in the female body and how it is closely
connected to female authorship. She conveys this message by employing a conversational dialogue in which she
instructs her audience directly. She urges her audience to write using many direct conversational statements such as
Writing is for you, you are for you; your body is yours, take it.[11] Cixous' repetition in her message that women
must write for themselves and claim their bodies bridges the gap between the physicality of the female body and
their authorship. In doing so she challenges the distinctions between theory and practice expanding on the feminist
rhetorical tradition.[12] The Laugh of the Medusa is successful in its creation of a writing style that allows women
to claim authority because it was created on the foundation of the womans claim to herself and her body, therefore
eliminating the oppressive effects of patriarchal control of rhetoric.[13] This text is also a critique of logocentrism
and phallogocentrism, because it de-prioritizes the masculine form of reason traditionally associated with rhetoric,
having much in common with Jacques Derrida's earlier thought.[14] The essay also calls for an acknowledgment of
universal bisexuality or polymorphous perversity, a precursor of queer theory's later emphases, and swiftly rejects
many kinds of essentialism which were still common in Anglo-American feminism at the time.
In homage to French theorists of the feminine, Laughing with Medusa was published by Oxford University Press
in 2006.
Bibliography
Unless otherwise indicated, the city of publication is Paris.
Fiction
Le Prnom de Dieu, Grasset, 1967.
Dedans, Grasset, 1969.
Le Troisime Corps, Grasset, 1970.
Les Commencements, Grasset, 1970.
Un vrai jardin, L'Herne, 1971.
Neutre, Grasset, 1972.
Tombe, Le Seuil, 1973.
Portrait du Soleil, Denol, 1973.
Rvolutions pour plus d'un Faust, Le Seuil, 1975.
Souffles, Des femmes, 1975.
La, Gallimard, 1976.
Partie, Des femmes, 1976.
Angst, Des femmes, 1977.
Prparatifs de noces au-del de l'abme, Des femmes, 1978.
Vivre l'orange, Des femmes, 1979.
Anank, Des femmes, 1979.
Illa, Des femmes, 1980.
With ou l'Art de l'innocence, Des femmes, 1981.
Limonade tout tait si infini, Des femmes, 1982.
Le Livre de Promethea, Gallimard, 1983.
La Bataille d'Arcachon, Laval, Qubec, 1986.
Manne, Des femmes, 1988.
Jours de l'an, Des femmes, 1990.
L'Ange au secret, Des femmes, 1991.
Dluge, Des femmes, 1992.
Beethoven jamais, ou l'xistence de Dieu, Des femmes, 1993.
La Fiance juive, Des femmes, 1994.
OR. Les lettres de mon pre, Des femmes, 1997.
Voiles (with Jacques Derrida), Galile, 1998.
Osnabrck, Des femmes, 1999.
Les Rveries de la femme sauvage. Scnes primitives, Galile, 2000.
Le Jour o je n'tais pas l, Galile, 2000.
Benjamin Montaigne. Il ne faut pas le dire, Galile, 2001.
Manhattan. Lettres de la prhistoire, Galile, 2002.
Rve je te dis, Galile, 2003.
L'Amour du loup et autres remords, Galile, 2003.
Tours promises, Galile, 2004.
L'amour mme dans la bote aux lettres, Galile, 2005.
Hyperrve, Galile, 2006.
Si prs, Galile, 2007.
Cige : vieilles femmes en fleurs, Galile, 2008.
Philippines : prdelles , Galile, 2009.
ve s'vade : la ruine et la vie, Galile, 2009.
Double Oubli de l'Orang-Outang, Galile, 2010
Theater
Essays
See also
Antinarcissism
List of deconstructionists
Jean-Louis de Rambures, "Comment travaillent les crivains", Paris 1978 (interview with H. Cixous)
Phallic monism
References
Further reading
Blyth, Ian; Sellars, Susan (2004). Hlne Cixous : live theory. New York London: Continuum.
ISBN 9780826466808.
Conley, Verena Andermatt (1984). Hlne Cixous: writing the feminine. Lincoln: University of Nebraska
Press. ISBN 9780803214248.
Dawson, Mark; Hanrahan, Mairad; Prenowitz, Eric (July 2013). "Cixous, Derrida, Psychoanalysis" (http://d
x.doi.org/10.3366/para.2013.0085). Paragraph, special issue: Cixous, Derrida, Psychoanalysis. Edinburgh
University Press. 36 (2): 155160. doi:10.3366/para.2013.0085
(https://doi.org/10.3366%2Fpara.2013.0085).
Garnier, Marie-Dominique; Mas, Joana (2010). Cixous sous X: d'un coup le nom. Saint-Denis: Presses
universitaires de Vincennes. ISBN 9782842922405.
Ives, Kelly (1996). Cixous, Irigaray, Kristeva: the Jouissance of French feminism. Kidderminster: Crescent
Moon. ISBN 9781871846881.
Penrod, Lynn (1996). Hlne Cixous. New York: Twayne Publishers. ISBN 9780805782844.
Puri, Tara (2013), "Cixous and the play of language", in Dillet, Benot; Mackenzie, Iain M.; Porter, Robert,
The Edinburgh companion to poststructuralism, Edinburgh: Edinburgh University Press, pp. 270290,
ISBN 9780748653713.
Williams, Linda R.; Wilcox, Helen; McWatters, Keith; Ann, Thompson (1990). The body and the text:
Hlne Cixous: reading and teaching. New York: St. Martin's Press. ISBN 9780312057695.
Wortmann, Simon (2012). The concept of ecriture feminine in Helene Cixous's "The laugh of the Medusa.
Munich: GRIN Verlag GmbH. ISBN 9783656409229.
External links
Avital Ronell, Judith Butler, Hlne Cixous (https://www.youtube.com/watch?v=8k91WwJIhl8) on YouTube
approach the notion of affinity through a discussion of "Disruptive Kinship," co-sponsored by Villa Gillet
and the School of Writing at The New School for Public Engagement.
Julie Jaskin: An introduction to Cixous (http://www.engl.niu.edu/wac/cixous_intro.html)
Mary Jane Parrine: Stanford Presidential Lectures' Cixous page (http://prelectur.stanford.edu/lecturers/cixou
s/)
Carola Hilfrich: Hlne Cixous Biography at Jewish Women: A Comprehensive Historical Encyclopedia (htt
p://jwa.org/encyclopedia/article/cixous-helene)
Stanford Presidential Lectures and Symposia in the Humanities and Arts (http://prelectur.stanford.edu/lectur
ers/cixous/conley.html)
Categories: 1937 births Living people People from Oran French people of Algerian-Jewish descent
French people of German-Jewish descent Cornell University faculty University of Paris faculty
European Graduate School faculty French literary critics French literary theorists French women writers
French Jews French feminists Jewish feminists Jewish philosophers Jewish writers
Philosophers of sexuality Postmodern feminists Feminist studies scholars Rhetoricians
Continental philosophers Deconstruction French women philosophers Poststructuralists
20th-century French philosophers 21st-century French philosophers 20th-century women writers
21st-century women writers Prix Mdicis winners French philosophers Feminist theorists Women critics
Algerian women writers