Professional Documents
Culture Documents
utilizing the
MU Art Education Lesson Plan Format
Developed by Dr. Kathy Unrath
*Lesson plans are always accompanied by a teacher-made
exemplar of potential student work!
4. STANDARDS:
NATIONAL VISUAL ARTS STANDARDS:
o Elaborate on an imaginative idea. VA:Cr1.1.3a
o Demonstrate an understanding of the safe and proficient use
of materials, tools, and equipment for a variety of artistic
processes. VA:Cr2.2.3a
o Apply knowledge of available resources, tools, and
technologies to investigate personal ideas through the art
making process. VA:Cr1.2.3a
o investigate and discuss possibilities and limitations of
spaces, including electronic, for exhibiting artwork.
VA:Pr4.1.3a
o Identify exhibit space and prepare works of art including
artists statements, for presentation. VA:Pr5.1.3a
o Speculate about processes an artist uses to create a work of
art. VA:Re7.1.3a
o Determine messages communicated by an image.
VA:Re7.2.3a
o Interpret art by analyzing use of media to create subject
matter, characteristics of form, and mood. VA:Re8.1.3a
o Evaluate an artwork based on given criteria. VA:Re9.1.3a
SHOWME VISUAL ARTS STANDARDS:
o Process and techniques for the production, exhibition or
performance of one or more of the visual or performed arts.
o The principles and elements of different art forms.
o Interrelationships of visual and performing arts and
relationships of the arts to other disciplines.
Missouri Fine Arts GRADE LEVEL EXPECTATIONS (GLEs):
o GLE:1.1C.FA1
o GLE:1.2A.FA1
o GLE:1.3C.FA1
o GLE:2.1A.FA2
o GLE:2.2F.FA2
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o GLE:3.2A.FA3
ISTE-S Standards
o ISTE 1a
o ISTE 1b
o ISTE 2a
o ISTE 2b
o ISTE 2d
o ISTE 4a
o ISTE 4b
o ISTE 4d
o ISTE 5a
o ISTE 5b
21st Century Learning and Innovation Skills (4Cs)
o Critical thinking
o Communication
o Collaboration
o Creativity
7. ESSENTIAL QUESTIONS:
Students will discover and learn about the design thinking process.
Name the three artist that we discussed and how they connect to the
big ideas that we have discussed.
Discovery: What is the challenge that is presented before me?
Discovery: Where should I look to help start my research into my
animal housing design?
Interpretation: How do I interpret the challenge?
Interpretation: Where is the meaning within my animal housing unit?
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9. OBJECTIVES:
Students will know what the steps of design thinking process is.
Students will be able to follow the design thinking process.
Students will be able to problem solve in their artistic process.
Students will know what three-dimensional forms are.
Students will develop a design for animal housing.
Students will decide on the best direction for their animal housing unit
through play and experimentation.
Students will create an animal housing unit that is a functional three
dimensional form.
Students will give critical feedback on each other's designs.
Students will be able to take their peer feedback and use it to evolve
their design.
10. VOCABULARY:
Design Thinking Process
Discovery
Interpretation
Ideation
Experimentation
Evolution
Environmental Art
Community Art
Social Practice
Three-dimensional Design
Collaboration
homes and their communities destroyed. Your job is to design a new home
and/or a community that your animal would be comfortable established a life in.)
Day 2-3 students will start their design process in the discovery phase. They will
look at how they are going to approach their challenge and prepare their
research through developing an idea box to break down their thoughts. Day 4-5
students will then step into the interpretation phase.They will break down their
thinking from their idea box by using SCAMPER to rework their ideas and
prepare for the next phase. Day 6-7 students will go into the next phase of
ideation. They will use the ideatoons strategy to plan out their animal housing
unit before they move on to experimenting. Day 8-10 students move into
experimentation phase and work on developing their animal housing. Students
will be working through their shortcomings to develop a working housing unit.
Day 11 students end with the evolution phases. They will be using visual thinking
strategies to review each other's work. Students will be taking their feedback and
working on evolving their design. Day 12-22 students will work with the high
school woodshop class to make their designs a reality and actually useful for the
community. Day 23 students will document their piece for it to be uploaded on
the school webpage.
Anticipatory Set- (Opening that engages and motivates students)
o What questions can you ask the students that will engage
them and lead them to an understanding of the ideas in the
lesson?
What are the attributes to the animal?
What environment will this be in?
How can my design be beneficial to my chosen
animal/species?
What design am I using to create the animals
housing?
What materials am I going to utilize in my creation?
o What questions will you pose about the art they view?
How does the big ideas of environment, community,
and social practices shine through these pieces of
artwork?
What is the message that they are trying to convey?
How are the artist creating meaning through their
different types of housing?
o What questions will you use to put students in a position to
understand the concepts, skills and techniques involved in
your studio activity?
What
Body of lesson- Students will continue the their process through the
use of design thinking. They will follow the flow of the phases of the
process.
o Discovery: students will break down their artistic challenge
and find a way to approach it.
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ISTA 5a Objective: Students will learn about the big Critical thinking
ideas and connecting artist.
Alan Sonfist
He is an environmental artist that developed
natural art sculptures from plants. He has
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http://www.alansonfist.com/landscapes_time
_landscape.html
Thomas Hirschhorn
Students look at his temporary monuments
installation in the Bronx. Even though this piece
is not a traditional housing it is a great example
of a community housing environment. Student
can use his art as an example to develop a
housing unit that can be utilized in an animal
community.
http://www.gladstonegallery.com/artist/thom
as-hirschhorn/work#&panel1-1
Andrea Zittle
By looking at Zittles art work students can get a
sense of how to live and what means to make a
house a home. Looking at the small station
wagons are personal spaces that are
developed for one occupant. These are perfect
for getting students to ask those social practice
questions when it comes to housing.
http://www.zittel.org/
ISTE 5b
12. ASSESSMENT/RUBRIC:
Students will follow the design thinking process from the chart below. They
will also be assessed on their compilation of the different strategies they
will complete throughout the lesson. These will be compressed into a
project design book so that the students critical thinking process is
documented for assessment.
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16. TEACHER REFLECTION: How will you know that this lesson is
successful and meaningful? List indicators.
I believe that I will be able to know if this lesson is successful and
meaningful for my students by gauging their understanding for the design
thinking process and their role as an a/r/tographer. During the process of the
project I can tell if students are clicking with the topic or not. It is key to always be
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asking the higher thinking questions while they are working through their process
to keep them engaged in work. If they are able to stay engaged and then give
meaningful feedback on their own and their peers works will indicate how
meaningful this lesson was for the students.