Professional Documents
Culture Documents
HAROLD BLOOM
http://www.booknotes.org/Watch/157968-1/Harold+Bloom.aspx
BRIAN LAMB, host: Professor Harold Bloom, can you remember the first time you ever
read?
Professor HAROLD BLOOM (Author, "How to Read and Why"): Oh, yes. I
was born 70 years ago in an all-Yiddish-speaking household in the old
East Bronx, and I taught myself to read Yiddish when I was about
three; Hebrew when I was about four and English when I was about five.
And I read incessantly from the time I was three years old. In fact,
I am a lifelong addict.
LAMB: Do you have any sense of why you started reading so young?
Prof. BLOOM: I've spent years thinking about it on and off. I was
the fifth child, much the youngest, the last in a rather poor family.
My father was a garment worker; my mother, a housewife. He had been
born in Odessa; she, in Ashtetol, long since wiped out by the Nazis,
near Brest-Litovsk. Nobody else in the family read. And, I don't
know, I didn't think I was a changeling or anything. I--I loved and
was loved by my siblings and my parents, but I--something in me was
very lonely. Something in me felt what I think is the deep pleasure
that solitary reading only could bring, and so I began to read
incessantly.
Prof. BLOOM: In that chair? When I was younger, I could sit there
for some time, until my wife would rouse me out and say, `This is bad
for you. Go for at least a walk around the block or get on the
exercise bike,' which is what she says these days. Sometimes when I'm
writing a book, except for obvious needs, I--or being summoned to
dinner--I--I stay in that chair, or I move to the dining room table
because I can't bear to write when I'm by myself.
There's a huge study on the third floor, and, indeed, the house has
some 50,000 books in it, and there are two large offices at Yale,
which, between them, must have 30,000 more and an apartment in New
York with another 15,000. But I--I don't like to be where the books
are. I like to be where my wife is or somebody else is, perhaps one
of my sons, and I like to just know that somebody else is there while
I read or write. I mean, the activity is solitary, reading and
writing, but one doesn't want to be completely lonely.
LAMB: How often do you go to the classroom? How many times do you
teach a semester?
Prof. BLOOM: Well, I was never alone when I was a child. We were a
family of seven crowded into four rooms, and they weren't large rooms.
And certainly before I got married, I was very solitary. I don't
know. I don't think it's the fear of mortality. I believe fiercely,
as I say in the book you're holding, that one of the major reasons why
we do read and should read is because we cannot possibly know enough
people or know them closely enough.
But I suppose--I suppose, though I have been married for 42 years and
have known the lady for 44 years, and she is the best company there
is, I--I suppose something in me is unappeased and peregrine, as Mr.
Eliot says in one of his poems. Strange person for me to quote, as
he's not one of my favorite writers. I suppose my spirit is always
somehow looking for something, but that--that--that's what being a
reader is about, I would think, and that's what I am primarily. I
mean, I'm a professional teacher, I'm a professional literary critic,
a very old-fashioned one.
LAMB: What are your students telling you when they come to class, and
what are you seeing in the students that might have changed because of
cyberspace?
Prof. BLOOM: I think that the Yale students now--and I've known them
for 46 years as students--I think they're intellectually at least as
gifted as they ever were, but there is a difference. All but the very
most intensely literary among them simply have read a lot less, both
on their own and in school, before they come to Yale than, say, 20
years ago. And I think that has something to do with the screen. I
mean, as I remark at the beginning of this book and as I f--though
I--I tried to avoid polemic in this book as much as possible, if only
because I am weary of polemic, though my opponents don't seem to be,
judging by the reviews of this book that I haven't read, but I've been
told about--I don't want to read them--there are two enemies of
reading now in the world, not just in the English-speaking world.
But they will pass away. Their time is already going by. They are
already--one reason why they are getting nastier than ever,
particularly towards an old dinosaur like me, is simply because
they've lost their clientele. The students--the undergraduate
students flee them on every side. And, indeed, there is declining
enrollment in what used to be the English departments of the Western
world. And why shouldn't there be? Because--I don't think at Yale
American studies, for instance, which is the one department at Yale
where real adulteration has taken place--otherwise, on the whole, Yale
remains almost, not quite, a citadel in literary and humanistic
studies, certainly compared to almost anyplace else. And I know
because I've been around the other places, too.
But this is minor. The--the--it--it will pass. I may pass with it,
being old, but the more massive danger is obviously the screen, and
not--not so much the e-book. I recently went through my one e-book
experience. The New York Styles section sent me a Hewlett-Packard
hand-held computer, on which Mr. Gates and company had downloaded, I
would say, a 50th-rate thriller by the overrated Mr. Michael Crichton
called "Timeline." And by pressing a button, I was able to read
through this. I found it not a good experience, whether in terms of
the quality of what I was reading or the ghastly procedure that I was
following. I--I--I don't think that the e-book is going to destroy
the printed book, as so many fear.
LAMB: How does a teacher at a place like Yale know what other
teachers are teaching? How do you find out? I mean, do you ever go
to their classes?
Prof. BLOOM: Well, I said that--you will pardon my saying this, and
your viewers will pardon my saying this, I said that if you were to
purchase a desk or a table from a carpenter and the legs fell off,
though you had paid for it, and it was not usable as a table or a
desk, even if it had been created by a person of a particular
multi-ethnic group or a particular sexual orientation or of a
particular pigmentation or what--whatever you want to call
these--these things, I--I--I still hold with E.M. Forster, who, in a
passage to India, wisely said, `Well, what is this nonsense about
being white? We should call ourselves pink or gray because that's our
actual complexion.' I'm very weary of all this stuff.
But I--I said to them, `If the legs fell off, would you not demand a
rebate? And it wouldn't do any good to be told that this was'--I
mean, I don't want to go into individual nationalities or ethnic
groups or, you know, the whole range of it. `It wouldn't do any--you
know, you would still--no matter who you were,' I said to the
audience, `you would demand your money back,' in which they saw where
I was heading, and they started to boo me. I said, `Well,
think--think about what I'm saying, you know. You insist that your
table be well-made. You insist that your desk function. If you were
being wheeled in for a brain operation, and you were told that the
brain surgeon had been chosen on the basis of fairness, on the basis
of universalism, on the basis of multiculturalism, you would jump
right off the operating table. We do not enforce these things in the
medical schools. We do not require these quotas in departments of
mathematics or nuclear physics.'
And I said to the audience, `It shows you a profound contempt for
humanistic study. It shows you a profound contempt for literature and
for canonical literature; that you think it does not matter that you
can have an absolutely mediocre piece of work, you know, where the
legs fall off in a poem or a play or a novel. It does not matter to
you at all. You only care about the origin of it.' This caused about
half the audience to get very furious with me, indeed, but it seems to
me I'm only telling the truth.
And then they went into a symposium the next day, in which the faculty
members on it include--including one counterculturalist imported from
Berkeley to rough me up, and I just sat there and listened to them
abuse me and misrepresent me. And when it came my turn, I said, `You
know, I'm getting a little old. We're going to take a five-minute
break. And I invite the audience to stay behind, but everybody on
this platform must go because I've heard only ignorance and
abusiveness. I--I will not talk to them. I--I will entertain
questions from the group.'
But my entire visit at Stanford was like that, even at the president's
dinner table. I found it an absolutely embattled time, and I suppose
that is the phenomenon that I'm also encountering in the reviews of
this book, including both reviews in that countercultural American
newspaper, which is now, of course, and always has been our
establishment newspaper, The New York Times. The New York Times has
lost all of its standards, so far as I can see, both intellectual and
aesthetic. If I make more enemies among them, that will delight me.
They cannot--they cannot be worse than they are already. There are a
few people who can still read and think and write who can be found in
The Times, but The New York Times Magazine is now indistinguishable
from the SoHo News. It's preposterous. Indeed, it is edited by the
former editor of the SoHo News, and he's been very successful in
getting lots of advertisements, so doubtless he will be there forever.
It was only two or three years ago that I read one of their rock
critics, who's--I'm--I--I will not name him, making a very serious
comparison. He--he--he was not being ironical, in which he compared
the glyph formerly known as Prince to the young Mozart, saying that
they were absolutely equivalent in genius and that it was only our
absurd, reactionary, cultural prejudices that kept us from seeing
this. That is The New York Times. That is--that is the way we live
now. That is the way we read now. Of course, they also can't parse.
They're ungrammatical. They misspell. They misuse words.
They're--they're a preposterous thing.
Indeed, where has this not seeped by now? About two years ago, the
old British Museum Reading Room was transformed into what is now
called the British Library. I received a phone call from the
gentleman who was the incoming head of this institution, who told me,
over the long-distance phone, that they were inaugurating their new
existence with a weeklong celebration called An Age of Information.
And I said, `Why are you calling me, sir?' He said, `Well, we only
want you there for the last day, Friday, after tea time when you and
two other gentlemen will have a panel discussion on what it means
culturally to have entered the age of information.' I said, `You don't
want me.' He said, `Oh, yes, we do want you.' He said, `There will be
Sir So-and-so and Lord So-and-so.' I said, `I don't know who they
are.'
He got rather offended and explained to me, in rather hurt tones, that
Sir So-and-so was the leading British authority on information
retrieval. I told him honestly, and it's still true, I did not know
what information retrieval was, and I did not wish to find out, and I
still don't know what it is. I said, `Who is the other gentleman?'
And then he said, quite coldly, `He is our leading authority on
software.' I said, `I've never learned to type. I'm not at all sure
what software is.' He said, `It doesn't matter.' He said, `In any
case, Professor Bloom, you ought to come. You will represent the
book.' I said, `This is ridiculous.' I said, `You're going to ask me
to have a discussion with an authority on something called information
retrieval and an authority on software, and I, wretched creature, am
supposed to represent the book? I am highly inadequate to represent
the book. Anybody would be. And I will not come. Goodbye, sir.' But
that is the British Library.
But these--these cracks and strains, which have deeply wounded our
universities and colleges and which have, I think, destroyed, for
cultural purposes, a great institution like The New York Times--I
think they operate now in the great public libraries also. I've been
speaking at a great many public libraries across the country, and I
ask them about their rare book collections, I ask them whether they
are maintaining themselves as circulation librarians, and they
dishearten me by telling me all too often that they're only open three
days a week. And all too often they tell me that they now concentrate
entirely upon providing computer services. And it breaks what is left
of my heart because I would have been nowhere in this life without the
various branches of the New York Public Library when I was growing up.
I--I started reading at the Melrose branch of the Bronx Public Library
when I was still so small I couldn't carry the books home. My three
sisters, much older, kindly carried them for me. And I went from the
Melrose branch of the Bronx Public Library, after I'd read through it,
to the Fordham branch of the Bronx Library, which is its research
branch, and I used that up. And I descended, at 15, clutching my
nickels in my hand for the subway, to the 42nd Street Library,
determined to read through that in the main reading room. And, of
course, I would never have succeeded. But soon enough, I was a
Cornell undergraduate, having won a fellowship, and spent four years
trying to read out that library and, for the last 46 years, have been
trying to read out the Yale Library, which no human being can read
through, though I've done what I could.
LAMB: You--go back to what you said, if you don't mind, at Yale and
your politics vs. the other professors'. What would you say the--you
know, in the politic--what is the...
I think that the United States has been almost destroyed by Ronald
Reagan and his legacy. He came into office that charming, smiling
fellow, and he assured us we could all emancipate our selfishness, and
that is what we have proceeded to do on a national level. And I think
we have done terrible things to the poorer people in this country.
And Mr. Clinton, whom I voted for twice, nevertheless, signed the
welfare bill and put five million more children under the poverty
line. Let it be said in his defense that I gather he has done
everything he could to partly make up for this, you know, as best he
could. But, still, I am not happy with him.
And most of these people now in the university, and certainly these
people in the media and The New York Times don't believe that at all.
Either you believe that--you know, what has it got to do with
politics? Leon Trotsky, who was a great, though murderous, human
being, but a remarkable writer. And in his own way, a remarkable
literary critic. He wrote quite a book called "Literature and
Revolution," which I frequently cite against the politically correct
and the school of resentment because in it, he--he addresses himself
to the revolutionary or Marxist writer and he says, `Take Dante for
your textbook.' And he is quite right.
LAMB: Contemporary...
Prof. BLOOM: Ah, yes. One book in particular, a very great book and
I'm very glad you bring it up, Brian, a book called "Blood Meridian,"
which I write about at some length at one point in this book. Many of
McCarthy's novels are remarkable, including "All The Pretty Horses,"
the first volume of the Border Trilogy. I--I don't think the second
and third volumes are quite as fine. And some of his earlier novels
like "Suttree" are very Faulknerian, somewhat derivative, are still
remarkable books. But he has written one masterpiece, which I would
say is--I mean, of contemporary American fiction, of fiction written
by human beings still alive and among us, I would list Philip Roth's
"Sabbath's Theater" and "American Pastoral." I would list Don
DeLillo's "Underworld." I would certainly list Thomas Pynchon's "The
Crying of Lot 49" and "Gravity's Rainbow" and his recent and
magnificent "Mason and Dixon."
Prof. BLOOM: I find him a very dubious historian, yes. I find him
another time server. Perhaps I'm being libelous, I don't know. But I
saw a piece by him in that wretched New York Times in which he said,
`Why--why--why should we make a fuss about whether or not a particular
president or presidential candidate has done any deep reading at all?
It's'--he said, `It's not at all essential for a president.
They--they might be much better presidents for not having read at
all.' I--I--I find that disgusting.
LAMB: What do you mean by time server?
Prof. BLOOM: Serving the time, trimming your coat, going with the
cultural wind, saying what will please the many, whether or not it is
true.
LAMB: Kids?
Prof. BLOOM: Oh, I'd rather not go into that. I mean, the--the
older one is not quite well.
LAMB: What about reading at--you know, for folks watching and they're
interested in this idea and they've never read, what
recommendations--I mean, never read a lot, but what--how would you
recommend somebody start?
Prof. BLOOM: To start? One hopes, of course, that they will start
as children, but if they haven't started as children, if they haven't
read Lewis Carroll or Edward Lear or "The Wind in the Willows" by
Kenneth Grahame, that beautiful book, I guess a wonderful place to
start would be with a book that I fell madly in love with when I was
11 or 12 and must have read a hundred times since, "The Pickwick
Papers" of Charles Dickens, an immensely readable and loveable book
and open. Open, humorous, charming, simple to read. Immensely
rewarding. And, of course, with the earlier plays of Shakespeare,
with "Romeo and Juliet" until, you know, one can go on to "Hamlet,"
until one can go on to the two parts of "Henry IV" and my great hero
Sir John Fulstaff, with Jane Austen, with the simpler novels like
"Sense and Sensibility" to begin with, but to go on to "Pride and
Prejudice" and "Emma" and "Persuasion," which are books of almost
Shakespearean quality and intensity.
Prof. BLOOM: I--I don't think there are any rules or advice on that.
I mean, everybody will find her or his own natural pace. I'm hardly
an advocate of speed reading. I happen myself to be just as I have a
preternatural memory, I had particularly when I was younger a
scandalous rate of reading. It has fortunately slowed down as I have
gotten old, but I still read very quickly indeed. But again, I
suspect it's a ...(unintelligible) inheritance and that these things
must in some way be genetically transmitted or transmitted in some
way.
But I--I don't think it matters how fast you read. I mean, for
reading there never will be enough time. And as I say in this book,
ultimately, you read against the clock because--you know, I remember
arguing in a book called "The Western Cannon" that if we had not just
our 70 or 75 or 80 years, depending upon medicine, if we all were
going to live 140 or 150 years, there would be no argument about "The
Cannon." There would be ...(unintelligible) enough in time to read
everything. And if you wished to read on a representative basis
rather than on the basis of high intellectual and aesthetic quality, I
would have no quarrel with it.
But time is limited, you know. There is only so much time. And there
is so much to read that would really enhance your life. It is as I
argue in this book not only one of the most intense of all pleasures,
but I think it is the most healing of all pleasures. I think it is
more profoundly therapeutic than most of what is urged upon us as
therapy. I mean, one does not quarrel, of course, with antidepressant
drugs or anti-schizophrenic drugs. They are essential. But when it
comes to the various modes of talking therapy or even of spiritual
therapy, I would urge a deep course of solitary reading of the books
that most matter instead.
LAMB: Where should you read? What's your environment? What should
it be?
Prof. BLOOM: Wherever you are, wherever you can read. Whether
you're alone or with others, it's a very good thing to read aloud,
whether to yourself or to others, if they will countenance it. Read
where you can and whenever you can. The editors of Shakespeare's
first folio, published, of course, after his death, his fellows actors
and company members, Heminge and Condell, ended their preface to the
first folio by saying, `Read him and read him again,' something that
all the theatricalists who insist that Shakespeare is only to be acted
and not to be read should perhaps take to heart. It is very rare
these days to, I think, do what are called high concept and
politicized directors that I'm willing to sit through a performance of
Shakespeare because while the quality of acting, particular of British
actors, is extraordinary, the quality of directors, particular of
British directors, is abominable. So I don't often manage to sit
through a production of Shakespeare, which saddens me.
LAMB: What about things like music? Do you listen to music while you
read?
LAMB: And what's the thought there? Why wouldn't you listen to
music?
The other day, I read somewhere something that delighted me. The
suggestion that how wonderful it would be if we had had e-books for
many centuries now, and suddenly, we had that marvelous great
technological advance, the printed book. You know, how wonderfully we
would welcome the printed book. You don't have to plug it in, you
don't have to worry about whether your machine is operating properly
or not. You don't have to download it. You just have to pick it up,
poor dog-eared thing that it frequently is when you've read it enough,
and carry it along with you and settle down in a corner with it.
How--what a marvelous technological advance we would celebrate it as
being.
Prof. BLOOM: I have told the president of Yale, Rick Levin, who is a
very splendid man, that I intend to be carried out of my very last
Yale class in a large body bag, still talking, many years down the
road. I--I will not retire. I don't think they will wish me to
retire. I don't think they can or will make me retire. Obviously, if
my health goes completely at some point and I cannot get myself into
the classroom, if my mind goes and I can no longer think and
articulate clearly, if I'm not capable of teaching well, then I will
stop teaching. But otherwise--otherwise, I would hope to teach until
I die. It's--it's what I do. It's what I've done for 46 years. And
I think I would go mad and feel worse than useless without it.
LAMB: This is the book. It's called "How to Read and Why." Our guest
has been Professor Harold Bloom. And we thank you very much.