B

The Acoustic People

catalogue

amplification systems
sonic excellence for acoustic, electric and bass

Preliminary
Editorial Udo Rösner Michael Eisenmann
Director Director

Across the world, acoustic instruments have come into Be sure all issues will be dealt in a quick, uncomplicated
focus. All kinds of instruments from traditional to mo- and satisfying way. If you ask us for recommendation…
dern can be enjoyed in solo or ensemble settings and please understand, we will always say what we believe
within all musical styles. Yet as little ‚plugged in‘ the in… besides that and the ‚fog‘ out there, there is no way
‚unplugged‘ may be, authentic amplification is the key! other, for you personally than getting out there, evalua-
Every instrument deserves to be clearly heard in its na- ting yourself, with your instrument in your environment
tural beauty. Since 1992 we at AER have never let go our and talking to people that you trust… eye to eye. We do
passion for instruments, music, tone and that little bit not want to spoil your pleasure coming to a decision and
extra we can add on top to push things further, perform enjoying it! If it is with AER… fantastic, if not… it is more
better, be ahead – we just love it. than OK. It is your decision that counts!
Being regarded the reference class in acoustic amplifi- This catalogue gives you an abstract on the AER amp
cation (we received five MIPA awards for best acoustic product range. You may not find every AER product
amps) and with the many positive comments of you, in each country AER is distributed in for various good
thrilled and committed musicians, we have a lot of con- reasons. For inquiries, get in touch with us at
fidence and motivation to keep on going! It is to say tachauch@aer-amps.com
‘thank you‘ for your support and understanding and for The products are always subject to change without
staying with us even if things take a little longer. notice. Attached Arabic numbers indicate major version
There are many ways for us to explore still, to improve changes (e.g. concept), small indexes indicate model up-
and get better. We do feel the road has not ended yet, dates effecting e. g. speakers, amps or effects.
thus we advance into other fields including musical inst- We hope it helps a bit.
ruments and accessories. We know little things can make
big difference and be sure if we can hear a difference we
will pass it on to you.
Besides this we will maintain what we are doing: deli-
ver extraordinary solutions for musicians from the ins-
trument to the loudspeaker. We are very serious about
what we do, how we do it and where we do it – a lot of
research, well thought out concepts, exquisite compo-
nents and materials, high manufacturing standards and
quality control. We respect musical instruments, we care
about you and your musical needs. You can talk to us
and you will find that there are specialists close to you.
AER products are no commodities. You will find them in
qualified, serious and passionate stores for musical ins-
truments in your country. People there are experienced
to answer your questions and they provide the opportu-
nity to help you make up your mind. They are backed up
by a network of excellent distributors who are respon-
sible for AER in your country.
The M.I.P.A. Awards
2001, 2002, 2004, 2006 and 2007 (not shown)

2
 40
Acoustic
Shorty knows his way
watts

Solutions
Systems that cut through Alpha
pad

The Alpha defines the starting point of serious acoustic amplifi- Inputs
cation at AER. Based on the success and the experience with the input one combined XLR/6.3 mm (1/4”) input jack socket as
Compact 60 we developed an even smaller lightweight model high-quality line- or balanced microphone input
that has no difficulties living up to the rigors of the road. stage 24 V phantom power, gain control.

Open sounding and quick in response this amp masters diffe- input two 6.3 mm (1/4”) input jack socket as high impedance
line input stage with pad (high/low attenuation) and
rent ranges and is thus not afraid of bigger instruments. gain control.
• 40 watts, dynamic control Tone Controls
• 8” (200 mm) twin cone speaker equalizer three band tone controls
• Single-channel, two inputs colour ‘mid-cut-treble-boost’-filter
• digital reverb effect digital reverb
• 6,2 kg (13.67 lbs) Power
power amp 40W / 4 ohms, dynamic control
analog signal subsonic filter, low distortion
processing RMS limiter
Speaker System
8” (200 mm) twin cone speaker
Features
headphones, line out, DI-out, external
effect loop via send and return, footswitch
(internal/external effect on/off )
Accessories
padded gigbag
Specifications
cabinet 12 mm (0.47”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 260 mm x 265 mm x 235 mm
(10.24“ x 10.43“ x 9.25“), HxWxD
weight 6,2 kg (13.67 lbs)
Can be combined with
AG 8 (see page 20)
AS Q8 (see page 23)

3
 50
Acoustic
Reinforcing the starting point

Alpha
watts

Solutions plus
Systems that cut through

We felt the Alpha needed a bit of support, and we… a little Inputs
more attention to the starting range. Besides a facelift – a diffe- input one combined XLR/6.3 mm (1/4”) input jack socket as
rent look – a bigger cabinet and a ‚tuned up‘ power amp move high-quality line- or balanced microphone input
the Alpha plus into a different league of performance. More stage 24 V phantom power, gain control.
volume, extended headroom in combination with the Alpha input two 6.3 mm (1/4”) input jack socket as high impedance
simplicity. line input stage with pad (high/low attenuation) and
gain control.
• 50 watts, dynamic control
Tone Controls
• extended dynamic range
equalizer three band tone controls
• 8” (200 mm) twin cone speaker
colour ‘mid-cut-treble-boost’-filter
• Single-channel, two inputs
effect digital reverb
• digital reverb
Power
• 7,55 kg (16.65 lbs)
power amp 50W / 4 ohms, dynamic control
analog signal subsonic filter, low distortion
processing RMS limiter
Speaker System
8” (200 mm) twin cone speaker
Features
headphones, line out, DI-out, external effect loop via
send and return, footswitch (internal/external effect
on/off )
Accessories
padded gigbag
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 265 mm x 330 mm x 235 mm
(10.40“ x 13.00“ x 9.25“), HxWxD
weight 7,55 kg (16.65 lbs)
Can be combined with
AG 8 (see page 20)
AS Q8 (see page 23)

4
 60
Acoustic
Relaxed, everything under control

Compact
watts

Solutions 602
Systems that cut through

input clip colour channel 1 input clip channel 2 select power

high/ line/
low mic

gain bass middle treble gain bass treble pan return master

Compact 602 efx

The Compact has proven that there is an all-round, small, Inputs

powerful and yet simple to use complete solution for stage, stu- channel 1 6.3 mm (1/4”) input jack socket as high impedance
dio and home use that works up to the highest demands and line input stage with pad (high/low attenuation) and
standards of acoustic players. gain control.

It has found many friends around the world with its size – smiled channel 2 combined XLR/6.3 mm (1/4”) input jack socket as
high-quality line- or balanced microphone input
at in the beginning – being its second strongest side. It has be- stage 24 V phantom power, gain control.
come the standard equipment – „…the amp of choice“ – for
those musicians who value sound, simplicity and independence. Tone Controls
It has qualified for nearly all instruments and applications. equalizer three band tone controls for channel 1 and two band
tone controls for channel 2
• 60 watts, dynamic control
colour ‘mid-cut-treble-boost’-filter
• 8” (200 mm) twin cone speaker
effect digital effect processor with 4 presets:
• Twin-channel, 3 and 2 band EQ 1 – 3= reverb and 4= flanger.
• 4 digital effect presets (reverb and flanger) Power
• 7,55 kg (16.67 lbs) power amp 60W / 4 ohms, dynamic control
analog signal subsonic filter, low distortion
processing RMS limiter
Speaker System
8” (200 mm) twin cone speaker
Features
headphones, line out, DI-out, external effect loop
via send and return, footswitch (internal/external
effect on/off )
Accessories
padded gigbag
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 265 mm x 330 mm x 235 mm
(10.40“ x 13.00“ x 9.25“), HxWxD
weight 7,55 kg (16.65 lbs)
Can be combined with
AG 8 (see page 20)
AS Q8 (see page 23)

5
 60
Acoustic
To boldly go…

Compact
watts

Solutions classic pro

Systems that cut through

input 1 gain1 input 2 gain 2 effect power

clip clip

mute piezo mute band

line width
V/U
48 9 pan return master
L
Compact bass freq. middle treble program
Classic
M

P P/M
professional

The Compact Classic pro is aimed at classical players and their
instruments. Compared to the Compact 60, the Compact Classic
benefits from an improved 2-way-speaker system, a more com-
plex three band EQ with parametric bass and the 32bit AER digi-
tal effect processor with carefully designed presets for classical
instruments.
All the features combine perfectly to more allow for the finer
tonal texture of a classical instrument throughout the full audio
band. It enhances the low frequency response without increa-
sing feedback risk and creates beautiful ambiences that enrich
the tone.
Inputs
Input 1 combined XLR/6.3 mm (1/4”) input jack socket to
access an input matrix with six different presets for
the pre-amp section (e.g. sources with microphone-,
line-, piezo- or piezo/electret-level), gain control
Input 2 6.3 mm (1/4”) input jack socket as high impedance
line input or AER-piezo input stage, gain control.
Tone Controls
equalizer three band tone controls with bass parametric and
bandwidth-switch (Q-factor).
effect 32 bit AER digital effect processor with 16 presets.

• 60 watts, dynamic control Power

power amp 60W / 4 ohms, dynamic control
• two-way speaker system, 8” (200 mm) twin cone
speaker plus tweeter analog signal subsonic filter, low distortion
processing RMS limiter
• Single-channel, two inputs, 3 band EQ with bass
Speaker System
parametric
two-way speaker system, 8” (200 mm)
• 32 bit AER digital effect processor with 16 presets twin cone speaker plus tweeter.
• 7,8 kg (17.20 lbs) Features
adjustable aux in, headphones, tuner out, insert, line
out, left/right out, send/return, footswitch (switch
internal to external effect and mute channels), adjus-
table DI-out (pre/post effect switchable), presence
control
Accessories
padded gigbag
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 265 mm x 330 mm x 235 mm
(10.40“ x 13.00“ x 9.25“), HxWxD
weight 7,8 kg (17.20 lbs)

Can be combined with

AS 281 (see page 22)
AS Q8 (see page 23)

6
 60
Acoustic
This amp is made for walking…

Compact
watts

Solutions mobile 2
Systems that cut through

gain bass middle treble gain bass treble eff.pan return master

channel 1 channel 2 effect

aux return

mobile 2
Musicians often asked us for a system for acoustic instruments
that provides AER sound and quality everywhere… indepen-
dent from the mains.
This is exactly what the Compact mobile has been developed
for. Based on the Compact 60, thus identical in sound, but with
adapted technology and slightly changed dimensions you can
play without the mains for three to four hours. Whether you cho-
se to play in the old town or on a glacier, the sound is always
clear and omnipresent.
In case of insufficient battery power the intelligent power con-
trol gives a warning and saves you from lack of power during
performance. Moreover it prevents the batteries from being
completely exhausted.
• 60 watts, battery powered
• 8” (200 mm) twin cone speaker
• Twin-channel, 3 and 2 band EQ
• 4 digital effect presets (reverb and flanger)
Inputs
channel 1 6.3 mm (1/4”) input jack socket as high impedance
line input stage with pad (high/low attenuation) and
gain control.
channel 2 combined XLR/6.3 mm (1/4”) input jack socket as
high-quality line- or balanced microphone input sta-
ge with switchable 48 V phantom power, gain control
Tone Controls
equalizer three band tone controls for channel 1 and two band
tone controls for channel 2
colour ‘mid-cut-treble-boost’-filter
effect digital effect processor with 4 presets:
1 – 3= reverb and 4= flanger.
Power
power amp 60W / 4 ohms, dynamic control
battery type two high–power sealed–acid batteries 6V, 12 Ah for
3 – 4 hours of independant performance. Battery
power control

• up to 4 hours performance independent Speaker System

from the mains 8” (200 mm) twin cone speaker
Features
Aux-in, headphones, line out, DI-out, external effect
loop via send and return, footswitch (internal/
external effect on/off )
Accessories
padded gigbag
optional: special cable to supply power from
cigarette lighter jack
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 325 mm x 330 mm x 285 mm
(12.80“ x 13.00“ x 11.22“), HxWxD
weight 13,85 kg (30.54 lbs)

7
 200
Acoustic
New acoustic system…eXtra Loud
watts

Solutions
Systems that cut through Compact XL
input high clip gain colour bass middle treble input line clip gain bass treble pan select level master
low mic

Compact XL channel 1 channel 2 effect

A new member within the Compact family. A new discrete Inputs

power amp design for additional dynamic headroom. A new
speaker configuration for additional tonal range and the con-
tinuation of the well–proven features and functionality of the
Compact 60.
A beautiful sounding powerhouse for those who need more
volume, a more defined tone but yet love the straightforward-
ness of the Compact 60.
• 200 watts, dynamic control
• 2-way speaker system
• Twin-channel, 3 and 2 band EQ
• 4 digital effect presets (reverb and delay)
• 10,60 kg (23.30 lbs)
channel 1 6.3 mm (1/4”) input jack socket as high impedance
line input stage with pad (high/low attenuation) and
switchable 9 V phantom power, gain control.
channel 2 combined XLR/6.3 mm (1/4”) input jack socket as
high-quality line- or balanced microphone input
stage 48 V phantom power, gain control.
Tone Controls
equalizer three band tone controls for channel 1 and two band
tone controls for channel 2
colour ‘mid-cut-treble-boost’-filter
effect digital effect processor with 4 presets:
1 – 3= reverb and 4= delay.
Power
power amp 200 W / 8 ohms, dynamic control
analog signal subsonic filter, low distortion
processing RMS limiter
Speaker System
2-way system, 8” (200 mm) polypropylen low-midran-
ge + 1” dome tweeter, light-weight neodymium alloy
magnets
Features
ground lift, switchable 9 V phantom power, adjust-
able aux in, footswitch (effects on/off ), tuner, line out,
adjustable DI-out, send/return, headphones
Accessories
padded gigbag
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 325 mm x 330 mm x 285 mm
(12.80“ x 13.00“ x 11.22“), HxWxD
weight 10,60 kg (23.30 lbs)

8
 100
Acoustic
First M.I.P.A. award for AER
watts

Solutions
Systems that cut through Domino2
channel one input channel tw o

Domino 2
clip clip
channel high/ colour channel line/ colour
mute low mute mic

acoustic strategy input

gain bass middle treble send gain bass middle treble send

input power
channel three + four effect section

clip
colour
channel
mute
line/
mic
channel high/
mute low 48V stereo
sim.
gain return aux eff ect 2 pre
gain bass middle treble send select return return master master
input

The Domino started out as mono, multi-channel acoustic so- Inputs

lution for bigger stages. It allows 4 signals at the same time and channel 1 and 4 6.3 mm (1/4”) input jack socket as high impedance
is fully equipped to work as an orchestersystem for small and line input stage with pad (high/low attenuation)
medium sized venues especially in combination with the active channel 2 and 3 combined XLR/6.3 mm (1/4”) input jack socket as
extensions AS 281. high-quality line- or balanced microphone input
stage 48 V phantom power, gain control.
To maintain almost the same sound quality we decided to multi-
ply the soundsystems rather than using standard configurations Tone Controls
like 12“ and tweeter for higher volumes. Thus the Domino is equip- equalizer three band tone controls
ped with two 8“ twin cone speakers and two combined 60 watt colour ‘mid-cut-treble-boost’-filter
amps working as a 100 watt power unit. This gives him the accu-
effect 32 bit AER digital effect processor with 16 presets,
racy in the midrange and the speed for a realistic and vivid sound. individual effect sends per channel
Power
• 100 watts, dynamic control
power amp 100 W / 4 ohms, dynamic control
• 2 x 8“ twin cone mono speaker system. analog signal subsonic filter, low distortion
• Quad-channel acoustic system processing RMS limiter
• 32 bit AER digital effect processor with 16 presets Speaker System
2 x 8“ twin cone speaker system
• 13,95 kg (30.76 lbs)
Features
rec out, aux in, headphones, tuner, L/R out, insert, line
out, DI-out, send, return, footswitch (internal/external
effect on/off, mute channels)
Accerssories
softcover
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 365 mm x 420 mm x 295 mm
(14.37“ x 16.53“ x 11.69“), HxWxD
weight 13,95 kg (30.76 lbs)
Can be combined with
AS 281 (see page 22)
AS Q8 (see page 23)

9
 2x100
Acoustic
Domino goes stereo
watts

Solutions Domino 3
Systems that cut through

16 1 2
15 3
14 4

13 5

12 6

11 7
10 9 8
4x2
4
16 1 2
15 3
14 4

23
13 5

12 6

außen 11 7 26
10 9 8

Ansicht von x9
3.2
20 21x

What was supposed to be an update turned into a different Inputs

class … Domino 3. Now really stereo, with two twin cone spea-
kers and high performance poweramps. Two independend ef-
fect units, with 16 presets each, separately address pairs of the
four equally equipped channels (1, 2 and 3, 4).
A little software tool (Windows) connects your laptop with the
amp to modify effect parameters and create and save your own
effects.
channel 1 - 4 combined XLR/6.3 mm (1/4”) input jack socket
switchable for instruments, line-level or phantom
powered sources (e.g. microphones).
Tone Controls
equalizer three band tone controls for each channel
colour ‘mid-cut-treble-boost’-filter
effect 32 bit AER digital effect processor with 16 presets
(can be modified via USB and PC Software).

• 2 x 100 watts, dynamic control Power

power amp 2 x 100 W / 4 ohms, dynamic control
• 2 x 8“ twin cone stereo speaker system.
analog signal subsonic filter, low distortion
• Quad-channel acoustic system processing RMS limiter
• 32 bit AER digital effect processor with 16 presets. Speaker System
• PC Software for managing individual effect presets 2 x 8“ twin cone speaker system
• 16,00 kg (35.50 lbs) Features
switchable phantom power, ground lift, rec out,
aux in, return, send, headphones, tuner, footswitch
(internal/external effect on/off ), adjustable DI-out
Accessories
softcover
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 365 mm x 420 mm x 295 mm
(14.37“ x 16.53“ x 11.69“), HxWxD
weight 16,00 kg (35.50 lbs)
Can be combined with
AS 281 (see page 22)
AG 8 (see page 20)

10
 120
Acoustic
His master‘s voice
watts

Solutions acoustiCube 3
Systems that cut through

input 2
1 2
clip piezo 9V 48V clip piezo 9V 48V
mute

gain
line mic E/P

bass
channel
middle
mute line mic E/P channel
program 2. 1 acoustiCube 3
mode colour treble mode gain colour bass middle treble return pre master master

pad mute pad mute channel

input 1 pan power

This is where it all started and it is undoubtedly regarded the Inputs

reference system for acoustic instruments and the best that we input 1,2 6.3 mm (1/4”) multi-purpose input jack socket with
can do in a small box like this – the ultimate solution for a soloist. mode select (piezo, line, mic, E/P mode).
The AcoustiCube was granted three M.I.P.A. awards so far. Tone Controls
In its 3rd generation now we have implemented advanced equalizer three band tone controls for both channels
dynamic control technology and extended the dynamic range colour ‘mid-cut-treble-boost’-filter
substantially. The new two-way speaker system is an incredib-
effect 32 bit AER digital effect processor with 100 presets
le improvement too! It allows a much clearer and defined bass (can be modified via USB and PC Software).
response and much lighter, more sparkling reproduction of the
complete range up to finest texture. Power
power amp 120 W / 8 ohms, dynamic control
Cube 3 is a full two channel version now allowing identical fea-
tures on both channels. It needed a face-lift for more operational analog signal subsonic filter, low distortion
processing RMS limiter
clarity and to allow additional important controls on the front
panel. Speaker System
two-way speaker system with 8“- diecast neodymium,
In essence we have combined all the suggestions of Cube
kevlar® cone bass and neodymium tweeter
enthusiasts over the years with all our knowledge and experi-
ence…without compromise… and we are more than pleased. Features
tuner, headphones, sub, line out, L/R-out, record,
• 120 watts, dynamic control master insert, adjustable aux in, presence, adjustable
• two-way speaker system with 8“-diecast neodymium, DI-out, send, return, ser/par. effect loop, mic input,
kevlar® cone bass and neodymium tweeter effects-software

• Twin-channel 2-way acoustic system Accessories

padded gigbag
• 32 bit AER digital effect processor with 100 presets optional: footpedal
• PC Software for managing individual effect presets Specifications
• 13,00 kg (28.67 lbs) cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 325 mm x 335 mm x 260 mm
(12.80“ x 13.20“ x 10.20“), HxWxD
weight 13,00 kg (28.67 lbs)
Can be combined with
CX 8, AS Q8, AS 281 (see pages 21, 23, 22)
Sub 10

11
 550
Bass
Analogue sound design,
digital power watts

Solutions BassCube 2
for
forAcoustic,
Acoustic,Jazz
Jazzand
andFusion
Fusion

volume hf level master solo master ens

volume notch compressor

BassCube 2

The BassCube 2 has proven to do an excellent job to reproduce Inputs

double bass authentically.
Well balanced analogue sound design covers the ranges gent-
ly and proportionately so that tone always stays clear, crisp and
transparent yet powerful and defined without any stress!
Its two channels are equally equipped and allow two different
instruments set up in all comfort – and be sure it works very well
for electric bass too.
Whether ‘arco’ or ‘pizzicato’ – the BassCube 2 sounds like your
bass: round and open – you can hear the stroke of your bow as
true to life as the placing of your fingers on the fingerboard.
• 550 watts, dynamic control
channels 1, 2 Combo socket XLR + 6.3 mm (1/4”) input jack
socket as high impedance unbalanced jack input for
instruments, line-level and mic-mode sources. (To be
addressed by mode switch: piezo, line, 9 V, mic, 48V,
E/P)
Tone Controls
equalizer three band tone controls for both channels
colour ‘mid-cut-treble-boost’-filter
effect Compressor with ratio and threshold,
notch filter with frequency,
level and bandwidth switch.
Power
power amp 550 W / 8 ohms, dynamic control

• Two-way coaxial neodymium speaker system, analog signal subsonic filter, low distortion
12“ bass plus 1“ HF driver processing RMS limiter

• Twin-channel 2-way acoustic system Speaker System

• Compressor and selectable input stage
• 20,00 kg (44.00 lbs)
Two-way coaxial neodymium speaker system,
12“ bass plus 1“ HF driver
crossover fc = 3,9 kHz, 12dB / oct.
Features
adjustable DI-master, DI-channel 1 and 2, aux in, aux
out, monitor, tuner, line out, subbass headphones in-
sert master, insert channel 1 and 2, footswitch (mute
channels and switch solo/ensemble), ground lift
Accessories
softcover
Specifications
cabinet 18 mm (0.70”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 400 mm x 400 mm x 365 mm
(15.70“ x 15.70“ x 14.00“), HxWxD
weight 20,00 kg (44.00 lbs)
Can be combined with
AS 550/D sub (see page 24)

12
 4x50
Bass
Multiple twin cone system

Basic
watts

Solutions Performer
for
forAcoustic,
Acoustic,Jazz
Jazzand
andFusion
Fusion

clip clip
channel line channel pad
mute mic mute
colour

gain bass middle treble input gain contour bass middle frequency treble
channel one + two

active power

on/off on/off

threshold ratio frequency aux effect solo ensemble

return return
compressor notch filter master

The Basic Performer is a solution for Bass and instruments of Inputs

the lower registers based on the experience of multiplying well
proven AER acoustic systems.
Small twin-cone systems are fast, provide a superior coverage
for the critical mid-range and have enough substance in the low
end.
channel 1 Combo socket XLR + 6.3 mm (1/4”) input jack socket
as high-qaulity line- or balanced microphone input
stage with switchable phantom power voltage.
channel 2 6.3 mm (1/4”) input jack socket as high-impedance
line input stage with switchable 9 V phantom power
and pad-switch (high/low attenuation).

The AER band-pass/bass-reflex cabinet design supports the Tone Controls

reproduction of even the lowest frequencies with definition. equalizer three band tone controls for both channels
High-End preamps, proper filters and additional professional colour ‘mid-cut-treble-boost’-filter
sound design make the Basic Performer a multitalented alround
effect Compressor, notch filter
solution.
Power
The sound characteristics are full range thus open and light power amp 4 x 50 W / 4 ohms, dynamic control
yet breathing as well as grumbling and surprisingly appropriate
analog signal subsonic filter, low distortion
for far more instruments than the bass-related instruments, e. g. processing RMS limiter
harp, cello, accordion…
Speaker System
• 4 x 50 watts, dynamic control 4 x 8“ twin-cone speaker system
• 4 x 8“ twin-cone speaker system Features
• Twin-channel acoustic system tape in, headphones, tuner, insert, line out, DI-out,
send, return, footswitches (effect on/off,
• Compressor and notch filter solo/ensemble, mute channels)
• 23,00 kg (50.72 lbs) Accessories
softcover
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 485mm x 365 mm x 400 mm
(19.10“ x 14.37 “ x 15.70“), HxWxD
weight 23,00 kg (50.72 lbs)
Can be combined with
AS 550/D sub (see page 24)
AS Q8 (see page 23)

13
 200
Bass
Simply irresistible
watts

Bottom Line
Combos for electric
for Acoustic, bass
Jazz and Fusion Amp one
bass band
boost width

It seems like we have done it again… Inputs

Over many years you have asked us for something small for
electric bass… simple, powerful and with a performance hard
to believe…
And there it is – the AER Bottom Line Amp one.
input 6.3 mm (1/4”) input jack socket as high impedance
line input stage with pad (high/low attenution).
Tone Controls
equalizer three band tone controls
colour ‘mid-cut-treble-boost’-filter

Based on a superb 10“ in a bass reflex encolsure, in combina-
tion with a serious 200 watt power amp, more than sufficient
power-supply and extended dynamic headroom – not to forget
Paul’s helping hands and ears – it is finally done.
• 200 watts, dynamic control
tone balance the tone balance enables the bass- or treble emphasis
or a combination of both
effect Compressor with ratio and threshold
Power
power amp 200 W / 8 ohms, dynamic control

• 10“ woofer neodymium magnet analog signal subsonic filter, low distortion
processing RMS limiter
• Single channel bass combo
Speaker System
• Compressor with ratio and threshold 10“ woofer neodymium magnet
• 13,50 kg (29.50 lbs) Features
ground lift, headphones, line out, sub out, footswitch
(muting and effect loop), send, return, insert pre/post
EQ, aux in, adjustable DI-out
Accessories
padded gigbag
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 325mm x 375 mm x 295 mm
(12.80“ x 14.80“ x 11.60“), HxWxD
weight 13,50 kg (29.50 lbs)

14
 240
Bass
Powerful and versatile
watts

Bottom Line Amp two

Combos for electric
for Acoustic, bass
Jazz and Fusion

Ø1
6x5

3x3.2
2 10
x9
.8

Amp two is the second member of the Bottom Line combo bass
amps. In line with Amp one, but with more defined speakersys-
tem and more power. A 12“ neodymium woofer for quick and
full bass response combined with a 4“ mid-high direct radiating
speaker for gentle trebles allows a wider range of sounds from
funk to pop and rock to jazz.
As further difference to the Amp one the signal path is lead
trough adjustable compression pre EQ to provide even more
dynamic headroom.
• 240 watts, dynamic control
• 12“ (300 mm) woofer neodymium alloy magnet plus a Power
4“ (100 mm) mid-high direct-radiating speaker
• Single channel bass combo
• Compressor with ratio and threshold
Inputs
input 6.3 mm (1/4”) input jack socket as high impedance
line input stage with pad (high/low attenution).
Tone Controls
equalizer three band tone controls
colour ‘mid-cut-treble-boost’-filter
bass boost +10 dB / 55 Hz
tone balance the tone balance enables the bass- or treble emphasis
or a combination of both
effect Compressor with ratio and threshold
power amp 240 W / 8 ohms, dynamic control
analog signal subsonic filter, low distortion
processing RMS limiter

• 23,50 kg (51.70 lbs) Speaker System

12“ (300 mm) woofer neodymium alloy magnet
4“ (100 mm) mid-high direct-radiating speaker
Features
headphones, line out pre/post master switchable,
sub out, footswitch (muting and effect on/off ), send,
return, insert pre/post EQ, adjustable aux in, tuner,
adjustable hf level, adjustable pre/post EQ DI-out,
ground lift
Accessories
padded gigbag
Specifications
cabinet 18 mm (0.70”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 500mm x 420 mm x 350 mm
(19.70“ x 16.50“ x 13.80“), HxWxD
weight 23,50 kg (51.70 lbs)

15
 275
Bass
Integrated amplifier
watts
for electric bass

Bottom Line Head one

Head for electric bass

» fs » fs
harmonics on/off ensemble/solo

ch select effect on/off

O
» overall
mute
I

bright

With all the experience in acoustics, dynamic control and Inputs

sound design AER reaches out into the field of professional elec- input (clean) 6.3 mm (1/4”) input jack socket as high end
tric bass amplification systems and introduces the AER Bottom line input stage
Line Head one. Tone Controls
equalizer three band tone controls
The concept: a small, light-weight two channel class d inte-
grated amplifier head that covers the range from Anglo-saxon colour ‘mid-cut-treble-boost’-filter
‘punch’ to european ‘hifi’ orientated sounds. Head one can be drive Tube emulation with gain 2 as drive control
used in three operational modes: 2-channel full-range mode, harmonics Blend between even and uneven harmonics and tone
2-way active mode and bridge-mode in combination with Cab to adjust the high frequency level of drive stage
one, Cab two or Cab three.
tone balance the tone balance enables the bass- or treble emphasis
It is equipped with ‘tube emulation’ for ‘drive’ sounds, two in- or a combination of both
dependent EQs, ‘colour-switch’ and ‘tone leverage’. Class d amps Power
are getting more popular as besides efficiency they can be made Two channel class d, dynamic control,
so surprisingly small and light. Besides these benefits they inhe-
HF out: 275 W / 4 ohms
rit a lot of problems (noise, distortion, cut-off ) especially if they
are used in ‘limit mode’. Their overall performance is extremely LF out: 275 W / 4 ohms
depending on the design and the smart use of controls and pro- Bridge mode: 550 W / 8 ohms
tections to guarantee proper functionality. We have done a lot
Features
to make that happen!
tuner, line out, highpass, lowpass,adjustable return,
Thanks to Paul from ‘Bass matters’ for his time, effort and send, ser/par external effect loop switchable
advice. Accessories
padded gigbag
• 275 watts, 550 watts in bridge mode, dynamic control
Specifications
• Single input with two corresponding pre-amplifiers dimensions 88 mm x 366 mm x 306 mm
• tube emulation, tone balance, etc. (3.46“ x 14.41“ x 12.05“), HxWxD

• 6,00 kg (13.32 lbs) weight 6,00 kg (13.32 lbs)

Can be combined with
Cab one (see page 17)
Cab two (see page 17)
Cab three (see page 18)

16
 300
Bass
Bottom Line
Loudspeaker Systems Cab one
watts

Design features, besides efficiency, light in weight, small in size, 2 x 10“, 1 x 8“ Bassreflex loudspeaker-system
reproduction of a truthfull tone, have mainly been a fast attack
time, low distortion and high power handling. All of this is extre- Speaker-System
mely demanding and requires a lot of attention to all detail. t wo-way system with vented 2 x 10“
Cab one is a two way full range loudspeaker system. To extend neodymium in push-pull mode plus 1 x 8“-
twin-cone extended range
the bass range we decided to apply two 10“ speakers in push-
pull mode. This allows a smaller cabinet size keeping the low Power
rated power 300 W
cut-off frequency and thus allows more low end besides perfor-
ming with less distortion. impedance 4 ohms
frequency
Instead of a horn or tweeter, which we are not really friends of,
response 65 Hz –15 kHz
we trusted the performance of the AER 8“ twin cone extended
crossover 2-way, fc = 3.9 kHz, 12 dB/oct.
range chassis to cover the mid and high frequency range.
Accessories
softcover, 1 m cable with Speakon® plug
Specifications
cabinet 18 mm (0.71“ ) finnish birch plywood
finish water based acrylic, black spatter finish
dimensions 570 mm x 480 mm x 440 mm
(22.44“x 18.90“x 17.32“), HxWxD
weight 27 kg (59.54 lbs)

Schematic sideview

Cab one, 2x10“ plus 1x 8“

17
 350
Bass
Bottom Line
Loudspeaker Systems
Cab two
Cab three
watts

250
watts

Cab two is a 15“, Cab three a 12“ neodymium bass reflex loud- Besides many other design concepts bass reflex still is a very va-
speaker-system. Both work stand alone with Head one. Cab two lid compromise that provides extended bass range in a relatively
in addition is the perfect match to work in conjunction with Cab small cabinet with reasonable step response.
one as full stack. The cabinets are all made with extreme care, rock-solid com-
ponents and a lot of additional bracing to keep the level of static
noise as low as possible.

15“ Bassreflex loudspeaker-system
Cab two
Speaker-System
speaker 1 x 15“ neodymium woofer
98 dB 1 watt @1m
Power
rated power 350 W
impedance 4 ohms
frequency
response 45 Hz – 1.5 kHz
Accessories
softcover, 1 m cable with Speakon® plug
Specifications
cabinet 18 mm (0.71“) finnish birch plywood
finish water based acrylic, black spatter finish
dimensions 570 mm x 480 mm x 440 mm
(22.45“x 18.90“x 17.32“), HxWxD
weight 24 kg (52.91 lbs)
Cab two, 15“

12“ Bassreflex loudspeaker-system

Cab three
Speaker-System
speaker 1 x 12“ neodymium woofer
98 dB 1watt @ 1m
Power
rated power 250 W
impedance 8 ohms
frequency
response 60 Hz – 2 kHz
Accessories
softcover, 1 m cable with Speakon® plug
Specifications
cabinet 18 mm (0.71“) finnish birch plywood
finish water based acrylic, black spatter finish
dimensions 405 mm x 400 mm x 365 mm
(15.95“x 15.74“x 14.37“), HxWxD
weight 16 kg (35.3 lbs)
Cab three, 12“
18
 200
Guitar
Sky is the limit…
watts
the
240
Amps
Combos for electric guitar cheeky d. ‘s watts

input 1 dark input 2 mute gain 1 clip gain 2 dist. off volume ch. 1 colour bass middle treble level select aux-in master power
bright on ch. 2 ch. 2

cheeky d.
electric guitar amp
distortion equalizer effect

It has been a challenge for long and so here they are: The first Inputs
AER amps for electric guitar. input 1 6.3 mm (1/4”) input jack socket for clean channel 1.
Solid state input-stage and tube input-stage, tube distortion, Switchable to distorted channel 2, if input 2 is not
used.
and 200/240 watt high efficiency solid state power-amp.
input 2 6.3 mm (1/4”) input jack socket for
According to AER‘s sound philosophy, the cheeky d. is extremly distorted channel 2
clear, powerful and direct. It offers the sensitivity and distinction
to follow the smallest changes and provide you with enormous Tone Controls
dynamic reserves. equalizer three band tone controls
On the contrary the d. 12“v, with its more classic approach, stays colour ‘mid-cut-treble-boost’-filter
warm and smooth and has an eye for the vintage-orientated effect Built-in digital effect processor with 4 presets
players. (Reverb, Chorus, Delay).
For jazz, fast as hell for country-rock and fat and loud for Power
rock ‘n‘ roll.
power amps cheeky d.: 200 W / 8 ohms
• 200/240 watts, dynamic control dynamic control
• cheeky d. 10: 10“ (250 mm) twin cone fullrange speaker cheeky d. 12: 240 W / 8 ohms
dynamic control
• cheeky d. 12: 12“ (300 mm) AlNiCo guitar loudspeaker
analog signal subsonic filter, low distortion
• Single channel guitar combos processing RMS limiter
• 4 digital effect presets and distortion Speaker System
• cheeky d. 10: 16 kg (35.50 lbs) cheeky d.: 10” (250 mm)
• cheeky d. 12: 17,20 kg (37.90 lbs) twin cone fullrange speaker
cheeky d. 12: 12” (300 mm)
AlNiCo guitar loudspeaker
Closed cabinet (all models)
Features
headphones, line out, footswitches (distortion on/
off, dark/bright and internal effect on/off ), send,
return, insert pre/post EQ, tuner, aux in, speaker sim,
adjustable DI-out, ground lift
Accessories
padded gigbag, footswitch
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions cheeky d. 10 cheeky d. 12
325 x 376 x 296 mm 366 x 416 x 315 mm
(12.80“ x 14.80“ x 11.70“) (14.40“ x 16.40“ x 12.40“) (HxWxD)
weight 16 kg (35.50 lbs) 17,20 kg (37.90 lbs)

19
 60
System
Monitoring, reproducing,
supplementing watts

Components
Active Loudspeaker Systems AG 82

A N1646 Z494

The AG 82 is an active loudspeaker-system making use of Inputs

‘compact‘ system components such as: twin-cone speaker, inputs combined XLR/6.3 mm (1/4”) input jack socket,
power-amp, controller and cabinet. 6.3 mm (1/4“) input jack sockets and RCA sockets.
Tone Controls
Without special acoustic voicing the focus is mainly on its su- equalizer two band tone controls
perb audio-abilities and thus it offers an additional range of ap-
plications as e. g.: floor/stage or keyboard monitor, self powered Power
full-range P. A. system or in combination with modeling amps power amp 60W / 4 ohms, dynamic control
for electric guitar… analog signal subsonic filter, low distortion
processing RMS limiter
and for sure it is a valid supplement to any AER acoustic amp
Speaker System
using twin-cone speaker technology.
8” (200 mm) twin cone speaker
• 60 watts, dynamic control Features
insert pre/post EQ, ground lift,
• 8” (200 mm) twin cone speaker
adjustable line, mic and Aux
• multi-functional full-range system Accessories
padded gigbag
• 7,55 kg (16.67 lbs)
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 265 mm x 330 mm x 265 mm
(10.40“ x 13.00“ x 10.40“), HxWxD
weight 7,55 kg (16.65 lbs)

20
 120
System
Crisp and clear
watts

Components
Active Loudspeaker Systems CX 82
CX 82 is the revised 2nd generation of the former CX 8. Inputs
inputs electronically balanced, 10 kOhm XLR-connector
It is a small self powered 2 way full range system based on a
custom made 8“ diecast low mid speaker with Kevlar® cone for Frequency
improved stiffness and reduced distortion plus tweeter. frequency response (1 watt @1m): -6dB: 75 Hz -20 kHz
axial sensivity: 99 dB SPL, 1 watt @ 1m
Its high-class discrete power amplifier delivers 120 watts at crossover passive, 3,7 kHz, 12dB/Oct.
8 ohms with substantial power reserve due to oversized power
Power
supply.
power amp 120 W / 8 ohms, dynamic control
It is a stand alone system for general reinforcement /installation analog signal subsonic filter, low distortion
purposes and any monitor applications. It is perfectly matched processing RMS limiter
to complement acoustiCube 3 as stereo extention. In combi-
Speaker System
nation with different active AER subwoofer systems it forms a
8” low-midrange speaker, neodymium magnet,
mini PA system for acoustic, jazz or fusion ensembles suitable for kevlar® honeycomb cone
small clubs or theaters. 1“ dome tweeter, neodymium magnet
Features
speaker out, link, ground lift, dynamic bass boost
• 120 watts, dynamic control
Accessories
• two-way speaker system with 8“-diecast neodymium, softcover, K&M connector plate
kevlar® cone bass and neodymium tweeter
Specifications
• multi-functional full-range system cabinet 15 mm (0.59”) finnish birch plywood
• 12 kg (26.50 lbs) finish waterbased acrylic, black spatter finish
dimensions 335 mm x 265 mm x 260 mm
(13.20 “ x 10.43“ x 10.20“), HxWxD
weight 12 kg (26.50 lbs)
Can be combined with
(2x) AS 360 D/sub
AS 550 D/stereo

21
 100
System
Slim line D‘Appolito
watts

Components AS 281
Active Loudspeaker Systems

AS 281 is a small full range 2 way active system in D’Appolito Inputs

construction, based on 2x8“ low mid speakers with polypropy- inputs electronically balanced, 10 kOhm XLR-connector
len cone embracing a bi-radial horn (LM-H-LM). The main ad- Frequency
vantage of the D‘Appolito-concept is constant directivity espe- frequency response (1 watt @1m): -6dB: 65 Hz -20 kHz
cially in the ‘hang over’ range of the speakers. axial sensivity: 97 dB SPL, 1 watt @ 1m

It is equipped with a high-quality hybrid power amplifier that crossover passive, 5 kHz, 18 dB/Oct.
delivers 100 watts at 8 ohm with substantial power reserve due Power
to oversized power supply. power amp 100 W / 8 ohms, dynamic control

It is a stand alone system for general reinforcement/installation analog signal subsonic filter, low distortion
purposes or any monitor application. It is perfectly matched to processing RMS limiter
complement AER products as acoustiCube 3 or the Dominos Speaker System
into full stereo systems. In combination with AS 550 D/Sub it 2 x 8“ polypropylene low-midrange speaker,
forms a PA system for small clubs and/or acoustic, jazz or fusion biradial horn tweeter
ensembles. Features
speaker out, link, ground lift, dynamic bass boost
• 100 watts, dynamic control
Accessories
• 2 x 8“ polypropylene low-midrange speaker, biradial
softcover, K&M connector plate
horn tweeter
Specifications
• two-way full-range system.
cabinet 15 mm (0.59”) finnish birch plywood
• D’Appolito construction
finish waterbased acrylic, black spatter finish
• 14 kg (30.68 lbs)
dimensions 560 x 260 (front) x 135 (back) x 285 mm
trapezoid angle 50°
(22.0“ x 10.2“ x 5.31“ x 11.22“) HxWxD
weight 14 kg (30.68 lbs)
Can be combined with
(2x) AS 360 D/sub
AS 550 D/stereo

22
 200
System
Quick, direct, authentic…
watts

Components
Active Loudspeaker Systems
The concept behind the construction is to have a small sound
system, tonally well balanced with excellent speech intelligi-
bility, sufficient bass yet quick in response. A combination of
bass reflex and band-pass supports the low ranges. Four power
amplifiers driving four extended range 8“ loudspeakers and a
dome-tweeter, are hidden within this simple looking full-range
system.
• 200 watts, dynamic control
AS Q8
Inputs
inputs electronically balanced, 10 kOhm XLR-connector
Frequency
frequency response (1 watt @1m): -6dB: 65 Hz -20 kHz
axial sensivity: 99 dB SPL, 1 watt @ 1m
crossover passive, 2,7 kHz, 12 dB/Oct.
Power
power amp 200 W / 4 ohms, dynamic control

• 2 x 8“ woofer analog signal subsonic filter, low distortion

processing RMS limiter
• 2 x 8“ twin-cone full-range speaker Speaker System
• 1 x 1“ dome-tweeter with horn 2 x 8“ woofer
2 x 8“ twin-cone full-range speaker
• two-way full-range system. 1 x 1“ dome-tweeter with horn
Features
• bandpass/bassreflex construction temperature protection, bass boost, ground lift,
mid-cut/treble boost
• 26 kg (57.32 lbs)
Accessories
softcover, K&M connector plate
Specifications
cabinet 15 mm (0.59”) finnish birch plywood
finish waterbased acrylic, black spatter finish
dimensions 485 mm x 360 mm x 405 mm
(19.1“ x 14.17“x 15.95“) HxWxD
weight 26 kg (57.32 lbs)
Can be combined with
AS 550 D/sub (see page 24)

23
 550
System
Mid-High – Woofer System
watts

Components
Active Loudspeaker Systems
The AS 550 D mid/high system is a direct radiating coaxial self-
powered systems in a small bass-reflex enclosure. It is capable to
handle multiple applications e.g speech, delay-line or near-field
PA where no sub bass is required. The components are matched,
optimised for maximum efficiency and tuned for superb sound
reproduction.
Through the use of integrated class d amplifier and switch
mode power supplies we can keep size and weight surprisingly
low however electronically well oversized they allow maximum
dynamic range.
AS 550 D system
The AS 550 D sub is a self-powered bassreflex with a 15“ low
frequency chassis.
The tuned cabinet and the class d power amp with 550 W / 8
ohms permanent power (1000 W impuls power) deliver substan-
tial bass in a very small cabinet. It also allows enough dynamic
headroom for high step response.
Both, top and sub are perfectly matched and tuned and form
an easy to use, lightweight PA system for medium sized appli-
cations.

AS 550 D/top AS 550 D/sub
Inputs Inputs
inputs electronically balanced, 10 kOhm XLR-connector inputs electronically balanced, 10 kOhm XLR-connector
Frequency Frequency
frequency response (1 watt @1m): -6dB: 60 Hz -18 kHz frequency response (1 watt @1m): -6dB: 35 Hz -135 Hz
axial sensivity: 99 dB SPL, 1 watt @ 1m axial sensivity: 97 dB SPL, 1 watt @ 1m
crossover passive, 1,6 kHz, 18 dB/Oct. crossover active, 125 kHz, 24 dB/Oct.
Power Power
power amp 550 W / 8 ohms, class d power amp 550 W / 8 ohms, class d
analog signal integrated signal controller analog signal integrated signal controller
processing processing
Speaker System Speaker System
12“ lf and 2“ hf coaxial driver 15“ lf-driver
Accessories Accessories
softcover, K&M connector plate softcover, K&M connector plate
Specifications Specifications
cabinet 18 mm (0.71”) finnish birch plywood cabinet 18 mm (0.71”) finnish birch plywood
finish waterbased acrylic, black spatter finish finish waterbased acrylic, black spatter finish
dimensions 490 mm x 480 mm x 485 mm dimensions 490 mm x 480 mm x 485 mm
(19.20“ x 18.90“ x 19.10“) HxWxD (19.20“ x 18.90“ x 19.10“) HxWxD
weight 37,80 kg (81.15 lbs) weight 36,20 kg (79.80 lbs)

24
 Friends
Enthusiasts
&
of AER Honni soit qui mal y pense…

Colin Hay Farid Gambus Lee Ritenour Ulf Wakenius Steve White
Photo by: Rolf Ohlson

Philipe Catherine Lionel Loueke Amy Wadge Tommy Emmanuel Vitali Makukin
Photo by: Jimmy Katz

Michael Fix Pam Rose Joscho Stephan Smokin‘ Joe Robinson Jake Shimabukuro

Hucky Eichelmann Rainer Rohloff Silvain Luc Didier Lockwood John Goldie

Ferenc Snetberger Kiichiro Komobuchi Szandor Szabo Dhafer Youssef Susan Weinert

25
 Accessories
and more
AER bags and softcases

605.000.009 605.000.001 std. ALP
605.000. 004 std. CXL
605.000.005 std. AG 8
605.000.007 CPT/CPC
yellow lining
605.000.012 std. CHKD.10
605.000.016 special edition ALP 605.000.002 AS 550 D
605.000.017 special edition CPT 605.000.003 AS 281
605.000.018 std. CHDK 12“v 605.000.010 Sub 10
605.000.065 std. AC3 605.000.013 Amp two
605.000.070 std. CPT 605.000.030 BPF, AS Q 8
605.000.040 CX 8
605.000.045 DOM 2/3

mounting handle mounting handle mounting handle (big) leather handle

070.000.009 (aluminum) 070.000.585 (plastic) 070.000.595 (aluminum) 070.000.034 (black)
070.000.026 (plastic) 070.000.042 (brown)

Cube footswitch cable stereo cable speaker cable powercon

606.000.020 050.000.023 606.000.110 cable
620.000.042 for AU, NZ
620.000.020 for BR, CA, PH, US
620.000.043 for CH
620.000.021 for EU, KR, RU, TH, ZA
620.000.022 for HK, MY, SG, UK
620.000.044 for JP

555.000.006 for AU, NZ

555.000.015 for BR, CA, PH, US
speakon cable 555.000.045 for CH
555.000.025 for EU, KR, RU, TH, ZA
606.000.026   90 cm CPM 12V cable mains cable 555.000.020 for HK, MY, SG, UK
606.000.027 140 cm 606.000.160 555.000.040 for JP

26
 AER Tilt System
· Nylon fabric with velcro® connection
· Wooden reinforcement
· Gigbag compatible

USB cable Footswitch AcoustiCube SwitchMaster III

606.000.018 612.000.049 612.000.123

amps on stands
Basicly all AER amps can be connected to any regular speaker stand by using e.g. these opposite adapters in case there is no
adapter applied.

AER M 20 3/8”, M10 M20

connector plate connector plate reducer flange reducer flange
K&M 24521 070.000.515
3/8“= 070.000.048 070.000.490
5/8“= 070.000.049

flange adapter mounting adapter screw-on adapter

K&M 19656 K&M 195/8 K&M 24281

amp stand (heavy duty) microphone stand

K&M 21455 K&M 200 K&M = http://www.k-m.de

27
Audio Electric Research GmbH
Christine-Englerth-Str. 30
D-45665 Recklinghausen

www.aer-amps.com

20090921
28