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edu / summer
FE E S APPLICATION DE ADLINE S
Application fee (nonrefundable) . . . . . $35 March 1
Residential . . . . . . . . . . . . . . . . . . $1,100 Scholarship nomination application (if applicable)
Nonresidential . . . . . . . . . . . . . . . . $900 and all required documents
May 1
All payments must be submitted online. Students who Completed online application
are unable to make an online payment should contact Application fee
the Summer Seminars office. Supporting documents
May 15
PAY M E N T OPTIONS Program fee (residential and nonresidential)
The program fee can be paid in one or two installments. After May 15, completed application files are
Option A is a full payment of $1,100 (residential) or $900 reviewed on a space-available basis.
(nonresidential). Option B requires an initial minimum
payment of $400 and a final payment of the remain- WAITING LIST
ing balance. The initial payment secures a place in A waiting list is established when all spaces in a SCAD
workshops. If the final payment is not received by May Summer Seminars session are filled. Only students
15, the student is removed from workshops. Students who have been accepted into the program are eligible
admitted on or after May 15 must make payment in full. to be placed on the waiting list. If the preferred session
is full, the student may request to be placed on a wait-
ADMISSION REQ UI REMEN TS ing list. If a space becomes available at least two weeks
Admission to SCAD Summer Seminars is competitive. prior to the start of a session, the student is notified. If
Applicants should demonstrate academic strength the student chooses to accept an available space, all
and social maturity as well as a desire to succeed in fees are due immediately.
the arts.
Application materials should be submitted to the CANCELLATION/REFUND POLICY
intended SCAD Summer Seminars location. If applying Students who have been accepted into a SCAD
to both locations, all application materials, including the Summer Seminars session and have paid their pro-
application fee, must be submitted to both locations. gram fee are considered enrolled in the program.
The following application materials are required and SCAD Summer Seminars sessions are limited in size
must be received by May 1: and are filled on a first-come, first-served basis by
Completed online application accepted applicants who have paid the program fee.
$35 application fee Students who cancel enrollment more than two weeks
High school transcript; official is preferred (include prior to the start date of their session receive a full
Fall 2012 grades) refund less a $50 processing fee. Students who can-
One recommendation. The recommendation should cel enrollment later than two weeks prior to the start
be completed by a teacherpreferably of art. date of their session receive a refund of 80 percent
Recommendations from family members or friends of the program fee. Students who cancel enrollment
are not considered. due to extenuating circumstances may submit a writ-
Essay no longer than one page discussing your ten request for a full refund less the $50 processing
long-term goals as an artist and how the SCAD fee. Refunds are not granted to students who are
Summer Seminars program can help you achieve dismissed from the program for disciplinary reasons.
these goals
The high school transcript, recommendation and
essay should be mailed together in one envelope to
the intended SCAD Summer Seminars location, or the
documents can be uploaded to the online application.

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AUTOMOBILES/ ACTIVITIE S/FREE TIME/
TR A N S P O RTAT I O N CURFE W
SCAD Summer Seminars students are permitted to SCAD Summer Seminars students have limited free
bring cars, but these must remain in SCAD parking lots time. At 7 p.m., students are required to be in the resi-
during the program. Students are not permitted to dence hall for the evening activity. After 11 p.m., students
drive cars during the program. Transportation to and are required to be in their assigned rooms. Between
from class and activities is provided. workshops, students have lunch and are encouraged to
participate in planned activities that may include cam-
AR R IVA L pus tours, academic program demonstrations, cultural
Students arrive and check in at the residence hall outings, shopping and social events.
between 4 and 5 p.m. on Sunday, the first day of the
program. International students may arrive one day STUDENT CONDUCT
before check-in but must notify the SCAD Summer Smoking is prohibited at SCAD Summer Seminars and
Seminars office at least three weeks prior to the start in all SCAD facilities, including classroom buildings and
of their session. residence hall rooms/hallways.
SCAD maintains a zero tolerance policy for all illegal
DE PA RT U R E activities, including possession or use of drugs or alco-
Residential students must vacate assigned rooms by hol. At the discretion of the university, any student in
10 a.m. on Saturday, the last day of the program. violation of policies or otherwise creating an unsafe or
unproductive climate is dismissed from the program.
H O U S IN G
The program offers double occupancy housing in a VISITORS
SCAD residence hall. Rooms are equipped with beds, Only family members and other SCAD Summer
drafting tables and private baths. Bed and bath linens Seminars students are permitted to visit in the resi-
are not provided; however, linens are available for pur- dence hall. Overnight guests are not permitted.
chase during online program fee payment. Each stu-
dent is assigned a roommate; no exceptions are made. WORKSHOP FORMAT
A professional residence director and resident Workshops may include demonstrations, lectures,
assistants supervise students in the residence hall. studio work and local field trips. Students have access
to SCADs extensive facilities, resources and libraries.
SUPERVISION/S ECURI TY Supplies are provided. Students participate in two
All students are assigned a resident assistant at check- different workshops, one in the morning and one in the
in. Each RA is responsible for a group of students and afternoon. Families are invited to view student work
reports to a professional residence director. Security from all workshops displayed at a closing exhibition
guards are posted at the residence hall entrance 24 Friday evening. Details are provided at check-in.
hours a day. A current SCAD ID card is required for Students select workshops online after they are
access to any SCAD building/residence hall. admitted to the program and the initial online pro-
gram fee payment is submitted. Students are placed
DIN IN G according to availability and receipt of the initial
Residential students are provided breakfast, lunch and program fee. Students are notified of their workshop
dinner Monday through Friday in a SCAD dining hall. placement approximately two weeks prior to the
Dinner is provided Sunday; continental breakfast is start of their session.
provided on Saturday. Commuting students are pro-
vided lunch Monday through Friday.
Lunch for students who arrive early on Sunday is
not included, but may be available for purchase.

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ADM ISS IO N PORTFOLIO REQUIRE ME NTS
Admission to Pre-college: Rising Star is highly selective Portfolios are evaluated on the following qualitative
and preference is granted to applicants with a grade measures: aesthetic awareness, composition, drawing,
point average of 3.0 or higher on a 4.0 scale, a strong design, color perception, spatial perception, quality of
visual arts portfolio, and demonstration of maturity, presentation, technique and originality. Strong 2-D and
leadership and responsibility. 3-D work that shows attention to technique, drawing,
scale and original design are favorably considered.
ADM I SSI O N REQ UI REMEN TS Portfolios should consist of 1015 pieces that represent
Completed online application and $35 application the students best work.
fee. The application is available at scad.edu/apply.
Applications should be submitted before support- SUGGESTED PORTFOLIO PIECES
ing documents. Be sure to select Summer 2013 as Students are encouraged to submit their strongest
the intended entry term. work in any visual arts medium (drawing, painting,
Official high school transcript photography, animation or film short, etc.). Listed
Visual portfolio below are suggested basic drawing submissions.
One recommendation (forms are available online at Students should draw from observation whenever
scad.edu/rs). The recommendation should be com- possible.
pleted by a teacher in the students main area of self portrait
interest. Supplemental recommendations may be still life
completed by teachers, counselors or community drawing of a hand
leaders. Recommendations may not come from fam- homage to an artistic movement
ily members unless the student is home-schooled. perspective drawing
A 500-word statement of purpose providing an interior room drawing
overview of the applicants academic and personal still life or portrait with a strong light source
experience and readiness for college study landscape
Supplemental Requirements close-up nature sketch
Official report of SAT or ACT scores (optional for For more information on portfolio submission guide-
Pre-college: Rising Star admission; required for lines, visit scad.edu/portfolio.
freshman admission)
Evidence of English proficiency for students whose AP P LICATION TIME LINE
first language is not English April 15 is the priority deadline.
If applicable, any other documents or materials The application, nonrefundable $35 application fee
required to obtain a student visa and all supporting materials are required to complete
a file for admission.
FE E S
Application fee (nonrefundable) . . . . . $35 SCHOLARSHIPS
Program fee (nonrefundable) . . . . . . . $250 Students who would like to be considered for Pre-
Tuition . . . . . . . . . . . . . . . . . . . . . $4,000 college: Rising Star scholarships should indicate this
Housing and meals . . . . . . . . . . . . . . $1,000 on the application and submit all documentation by
Total . . . . . . . . . . . . . . . . . . . . . . . $5,285 April 15. Funding is limited and is awarded to the earli-
est qualifiers. Scholarship awards are available to both
U.S. citizens and international students.

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PR E- CO L L EG E: RIS IN G STA R
CO U R S E S

Foundation Studies Major/Elective Courses


Foundation studies classes consist of studio work augmented These courses offer students the opportunity to develop
by slide lectures, demonstrations, field trips and critiques. creative problem-solving skills and to communicate their own
Students expand their critical thinking abilities and deepen sensibility and vision. These courses fulfill introductory
their understanding of visual language, which can be applied requirements in respective majors and also may fulfill a studio
to concepts and materials encountered in major programs elective requirement. Placement is contingent on portfolio
and in the professional world. and transcript evaluation.

DRAW 100 Drawing I: Form and Space ARCH 101 Introduction to Architecture
Students learn basic skills and techniques for drawing from This lecture/seminar course introduces students to the theo-
direct observation using subjects such as still life, landscape ries and profession of architecture and encourages creative
and architecture. The depiction of form, light and spatial and analytical thought. By considering the entire scope of
depth is emphasized along with accurate proportion and the discipline and the profession, the course focuses on
scale. Research tools such as thumbnail sketches, quick stud- developing an ability to ask appropriate questions in relation
ies, sketchbooks and digital resources are used to develop to decision making regarding the built environment. Students
ideas. Analysis of drawings, critiques and classroom discus- explore the abstract, spatial, social/cultural, environmental
sions build vocabulary and enrich the students understand- and tectonic concepts that affect the built environment.
ing of drawing.
FASH 100 Fashion Technology
DSGN 100 Design I: Elements and Organization In this studio course, students are introduced to professional
Students develop an understanding of the organizational standard sewing techniques and apparel construction.
methods used in 2-D work. They utilize the elements and Through assignments, the techniques are applied to produce
principles of design while working in black-and-white and finished garments.
color media. Problem-solving processes and research are
integrated into the development, refinement and evaluation FILM 101 Introduction to Video Production
of images. The work of professionals in a variety of art and This course introduces students to basic video production
design fields is analyzed to demonstrate the application of techniques and provides an overview of film and television
2-D design. The importance of presentation and craftsman- theory and criticism. By combining theory and hands-on
ship is emphasized. exercises, students are expected to develop the technical,
analytical and critical foundations necessary in the video
General Education Courses preproduction, production and postproduction phases.
General education is an essential component of the under- Students may acquire the conceptual abilities needed to plan
graduate curriculum at SCAD, developing students as critical and execute a variety of video projects.
thinkers by providing an intellectual foundation and breadth
of knowledge for lifelong learning. PHOT 113 Photographic Foundations I
Through a combination of lectures, demonstrations, assign-
CMPA 110 ments and critiques, students learn to see photographically
Advanced Survey of Computer Art Applications through an exploration of the basic tools, techniques and
This course is designed for students already well-versed in aesthetics of digital photography, with an emphasis on the
the use of art and design computer applications. The course creative use of camera controls, exposure, digital imaging
covers basic components of digital design tools including software, and an awareness of the critical issues in contem-
vector, raster, modeling language and animation, culminat- porary photography.
ing in the completion of a final project. Following an over-
view of HTML and webpage design, students create their VSFX 101 Survey of Visual Effects
own home pages. This course introduces students to the history and develop-
ment of visual effects through lectures, readings and screen-
ings of important works. Students examine the various ways
in which artistic and technological tools have been used to
create convincing visual effects for film, television and games.
Studies focus on the variety of ways in which visual effects
techniques have evolved to keep up with increasingly dis-
cerning audiences.

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