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FE E S APPLICATION DE ADLINE S
Application fee (nonrefundable) . . . . . $35 March 1
Residential . . . . . . . . . . . . . . . . . . $1,100 Scholarship nomination application (if applicable)
Nonresidential . . . . . . . . . . . . . . . . $900 and all required documents
May 1
All payments must be submitted online. Students who Completed online application
are unable to make an online payment should contact Application fee
the Summer Seminars office. Supporting documents
May 15
PAY M E N T OPTIONS Program fee (residential and nonresidential)
The program fee can be paid in one or two installments. After May 15, completed application files are
Option A is a full payment of $1,100 (residential) or $900 reviewed on a space-available basis.
(nonresidential). Option B requires an initial minimum
payment of $400 and a final payment of the remain- WAITING LIST
ing balance. The initial payment secures a place in A waiting list is established when all spaces in a SCAD
workshops. If the final payment is not received by May Summer Seminars session are filled. Only students
15, the student is removed from workshops. Students who have been accepted into the program are eligible
admitted on or after May 15 must make payment in full. to be placed on the waiting list. If the preferred session
is full, the student may request to be placed on a wait-
ADMISSION REQ UI REMEN TS ing list. If a space becomes available at least two weeks
Admission to SCAD Summer Seminars is competitive. prior to the start of a session, the student is notified. If
Applicants should demonstrate academic strength the student chooses to accept an available space, all
and social maturity as well as a desire to succeed in fees are due immediately.
the arts.
Application materials should be submitted to the CANCELLATION/REFUND POLICY
intended SCAD Summer Seminars location. If applying Students who have been accepted into a SCAD
to both locations, all application materials, including the Summer Seminars session and have paid their pro-
application fee, must be submitted to both locations. gram fee are considered enrolled in the program.
The following application materials are required and SCAD Summer Seminars sessions are limited in size
must be received by May 1: and are filled on a first-come, first-served basis by
Completed online application accepted applicants who have paid the program fee.
$35 application fee Students who cancel enrollment more than two weeks
High school transcript; official is preferred (include prior to the start date of their session receive a full
Fall 2012 grades) refund less a $50 processing fee. Students who can-
One recommendation. The recommendation should cel enrollment later than two weeks prior to the start
be completed by a teacherpreferably of art. date of their session receive a refund of 80 percent
Recommendations from family members or friends of the program fee. Students who cancel enrollment
are not considered. due to extenuating circumstances may submit a writ-
Essay no longer than one page discussing your ten request for a full refund less the $50 processing
long-term goals as an artist and how the SCAD fee. Refunds are not granted to students who are
Summer Seminars program can help you achieve dismissed from the program for disciplinary reasons.
these goals
The high school transcript, recommendation and
essay should be mailed together in one envelope to
the intended SCAD Summer Seminars location, or the
documents can be uploaded to the online application.
DRAW 100 Drawing I: Form and Space ARCH 101 Introduction to Architecture
Students learn basic skills and techniques for drawing from This lecture/seminar course introduces students to the theo-
direct observation using subjects such as still life, landscape ries and profession of architecture and encourages creative
and architecture. The depiction of form, light and spatial and analytical thought. By considering the entire scope of
depth is emphasized along with accurate proportion and the discipline and the profession, the course focuses on
scale. Research tools such as thumbnail sketches, quick stud- developing an ability to ask appropriate questions in relation
ies, sketchbooks and digital resources are used to develop to decision making regarding the built environment. Students
ideas. Analysis of drawings, critiques and classroom discus- explore the abstract, spatial, social/cultural, environmental
sions build vocabulary and enrich the students understand- and tectonic concepts that affect the built environment.
ing of drawing.
FASH 100 Fashion Technology
DSGN 100 Design I: Elements and Organization In this studio course, students are introduced to professional
Students develop an understanding of the organizational standard sewing techniques and apparel construction.
methods used in 2-D work. They utilize the elements and Through assignments, the techniques are applied to produce
principles of design while working in black-and-white and finished garments.
color media. Problem-solving processes and research are
integrated into the development, refinement and evaluation FILM 101 Introduction to Video Production
of images. The work of professionals in a variety of art and This course introduces students to basic video production
design fields is analyzed to demonstrate the application of techniques and provides an overview of film and television
2-D design. The importance of presentation and craftsman- theory and criticism. By combining theory and hands-on
ship is emphasized. exercises, students are expected to develop the technical,
analytical and critical foundations necessary in the video
General Education Courses preproduction, production and postproduction phases.
General education is an essential component of the under- Students may acquire the conceptual abilities needed to plan
graduate curriculum at SCAD, developing students as critical and execute a variety of video projects.
thinkers by providing an intellectual foundation and breadth
of knowledge for lifelong learning. PHOT 113 Photographic Foundations I
Through a combination of lectures, demonstrations, assign-
CMPA 110 ments and critiques, students learn to see photographically
Advanced Survey of Computer Art Applications through an exploration of the basic tools, techniques and
This course is designed for students already well-versed in aesthetics of digital photography, with an emphasis on the
the use of art and design computer applications. The course creative use of camera controls, exposure, digital imaging
covers basic components of digital design tools including software, and an awareness of the critical issues in contem-
vector, raster, modeling language and animation, culminat- porary photography.
ing in the completion of a final project. Following an over-
view of HTML and webpage design, students create their VSFX 101 Survey of Visual Effects
own home pages. This course introduces students to the history and develop-
ment of visual effects through lectures, readings and screen-
ings of important works. Students examine the various ways
in which artistic and technological tools have been used to
create convincing visual effects for film, television and games.
Studies focus on the variety of ways in which visual effects
techniques have evolved to keep up with increasingly dis-
cerning audiences.