Professional Documents
Culture Documents
of Nicholas Visalli
Several theorists consider only microtonal music in which, structurally, there are microtona steps,
intervals, l (eg: E-Equarto tone) .In this sense, the Middle-Eastern music, where the scales, or
maqam, have a succession of seconds ( although with tuning other than our well-tempered) and
microtonal intervals occur sporadically, as an ornament, it is NOT considered microtonal music, only
music with a different tuning from our music wIth microtones.
So microtonal music is considered essentially one created in Western context, a branch of
experimental music, among whose founders include Alois Haba, Carrillo and many more.
In addition, microtonal music also accepts the vertical dimension (chord) and polyphony (these
elements do not exsist or are unattractive in non-Western music)
Joe Monzo provides the following discussion about the
etymology of microtonal
The modern resurgence of interest in microtonal scales coincided with the search for expanded
tonal resources in much 19th-century music. Jacques Fromental Halvy was the first modern
composer to subdivide the semitone, in his cantata Promthe enchin (1847). The first
microtonal piece to use Western instrumental forms is a string quartet by John Foulds (1897); and
the earliest known published quarter-tone composition, Richard Steins Zwei Konzertstcke, op. 26
(1906), is for cello and piano.