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Enduring Understandings: Statements summarizing important ideas and core processes Inquiry Question(s): Guiding questions for your unit that connect the
that are central to a discipline and have lasting value beyond the classroom. daily lessons to a clear central purpose. These questions should prompt
students to engage with others around important ideas
1. Narratives are a regular part of our day to day life, especially as pertains to our 1. What are the strengths and limitations of First Person Narratives?
consumption of media, both fiction and nonfiction. 2. Which point of view is best for which medium/type of story?
2. Narrators in First Person Narratives (the protagonists/who the story is centered around) 3. Does a narrator being unreliable take anything away from the story itself?
are sometimes unreliable, meaning you cannot trust everything they are telling the Does it add to it?
audience. This can be attributed to a myriad of factors (their own inflated sense of self 4. Why do authors use unreliable narrators? What does this add/subtract
worth, lack of self worth, any sort of mental/cognitive deficiency, etc.). from the impact of a narrative?
3. The dual narrative allows the reader/viewer to see a fully fleshed out story, since events 5. How does exposure to different perspectives mold us as people?
are being told from two different perspectives. 6. What are the benefits of a Dual First Person Narrative and how does this
4. Counter Narratives are very important to the study of power individuals. translate to real life narratives?
5. if we only have a single story of a place or its people we then see that place and those
people as a singular thing,instead of a collection of many things.
6. By looking at stories of people who are not normally part of the narrative proper (either
due to power imbalance, visibility issues, outside manipulation, etc.), we can learn more
about both those people and our own preconceived notions and prejudices.
Important Content-based Vocabulary Technology/Instructional Materials Foundational Routines/Procedures: These are
routines you will teach your students so that they
Narrative: a spoken or written account of Technology can use them repeatedly without much direction
connected events; a story. Chromebooks/Computer Lab: because this is a writing unit, (ie. lit circles).
Point of View: (in fictional writing) the the students will be using computers supplied to them to do
narrator's position in relation to the story being most of the writing. Fishbowls: We will be using fishbowls to discuss
told. Film (Megamind): we will be watching this film at the end of aspects of narrative so that we have a student
First Person Point of View: First person the third week of the unit so the students can see a dual generated (and teacher approved) definition of
narrative is a point of view (who is telling a perspective narrative first hand without having to read a full text First Person Narrative and what its purposes are
story) where the story is narrated by one (counter narratives. Superhero/Villain dichotomy). in regards to this assignment.
character at a time PowerPoints: these powerpoints will be student generated and
Second Person Point of View: where the put up on Google Classroom for their reference during the Creative Writing Prompts: In order to analyze
narrator tells the story to another character writing process. different aspects of narrative (and FPN in
using the word 'you.' Common Curriculum: I post what we are doing daily on particular), we will be doing three different
Third Person Point of View: a form of Common Curriculum, a planning website that allows students to creative writing exercises taken from 642 Tiny
storytelling in which a narrator relates all have access to activities and reference/worksheets we use in Things to Write About by the San Francisco
action using third-person pronouns like class. Writers Grotto.
"he" or "she.
Plot: the main events of a play, novel, movie, Instructional materials Writers Workshops: Based on the academic
or similar work, devised and presented by the Notebooks: the students will be taking notes on narrative, text Write Beside Them by Penny Kittle, these
writer as an interrelated sequence. responding to creative writing prompts, and brainstorming for writers workshops will focus on both FPN
Setting: the place or type of surroundings their final narrative in their notebooks (they already have these specific skills/characteristics and more broad
where something is positioned or where an notebooks from last semester). aspects of writing (grammar, punctuation, format,
event takes place. The Danger of the SIngle Story: Chimamanda Adichies etc.).
Characterization: the creation or construction TedxTalk is the conceptual framework for the unit and will be
of a fictional character. referenced often. Work Time: the students will have nine in class
Figurative Language: language that uses The Book Thief: First three pages of the book (used to look at work days (including brainstorming/outline time)
words or expressions with a meaning that is second person narratives). and one in class peer review session.
different from the literal interpretation. The Yellow Wallpaper: Short Story (used to look at an
Unreliable Narrator: a narrator, whether in unreliable narrator).
literature, film, or theatre, whose credibility has Somebody That I Used to Know: This song will be used to
been seriously compromised illustrate the unreliable narrator and the dual perspective.
Dual First Person Narrative: a narrative that Do They Know its Christmas Time: This song will be used to
looks at the same scene from two different first illustrate what counter narratives add to the perception of a
person point of view. person.place (in this case, Africa).
Revision: When revising something you
Worksheets/templates/other instructional tools
are writing, you are looking at the overall Point of View Chart:
layout of the document. This includes such https://docs.google.com/document/d/1k5jEQNhSuWGsuDEyNJ
things as the ordering of subjects and the MYse-hybJC-Ax-KXqXxQx-D_s/edit
overall flow of the document. This is done Scene Activity:
https://docs.google.com/document/d/16Ol6bFlpXDwyR8nO4a0
before editing.
Upib6hdWMFtFDu0EPv8mtwrU/edit
Editing: When editing something you are
Template:
writing, you are looking at the layout of the https://docs.google.com/document/d/1RmZKly9Wu9FCPWPll
paragraphs in your document. This m5rbyH4k_ee1mnRcKPFcUo6WXc/edit
includes such things as ordering of POV PowerPoint:
sentences within the paragraph and the https://docs.google.com/presentation/d/1rlGoVF9IVC6GOOyW
flow of the paragraph. This is done before -BexzwyBC9XZXmTjfwU_liMwHTE/edit
proofreading. Somebody That I Used to Know Lyrics and Questions:
Proofreading: When proofreading https://docs.google.com/document/d/1409Wn-
something you are writing, you are looking lBFQDidKQOpUVM93T7bWChCYYnYUNAuMaBCyM/edit
Pictures for Gallery Walk
at your document at the sentence level. You
https://docs.google.com/document/d/1UEM_JnIbTauFDjhfiP8r
will be looking for mistakes, such as
U1tkBaNtIp7U9sNzjZNQHb4/edit
spelling, punctuation and grammar.
Main Narrative: A stereotypical narrative
of a person or place; becomes the main
perception of that person or place.
Counter Narrative: A narrative that
challenges/differs from the main narrative.
Resources: List texts, teaching materials, videos, and other supplementary Rigor & Intervention Strategies (ie.
resources you will visit. accommodations/modifications, reading comprehension strategies)
Book Excerpts
The Book Thief Lesson accommodations for students
Marcus Zusak This semester I am trying to integrate more differentiated activities and
Short Stories assignments in an attempt to increase student enthusiasm and participation
The Yellow Wallpaper We had an issue with students turning in work this semester, both
Charlotte Perkins Stetson formative and summative assessments.
Last Kiss Reading Comprehension
Ralph Fletcher Annotations
Songs the students will be annotating The Yellow Wallpaper since it is a difficult
Somebody That I Used to Know text.
Gotye and Kimbra the guidelines for annotations have been covered earlier in the year
Seasons of Love (Rent) agreement/ disagreement with the ideas in the article.
Jonathan Larson related personal experiences.
Do They Know its Christmas Time connections to ideas from other texts, class discussion, etc.
Band Aid questions you have about the text itself or the ideas it contains.
A song of their choice define unfamiliar words in the margins, either by using context
Various clues or the dictionary.
Films
Megamind
Dreamworks
Video
The Danger of the Single Story
Chimamanda Adichie
Dual First Person Narrative Example
https://docs.google.com/document/d/1RqYwy2_X8zWxNMTs6RSRYlrDDvWHCJ5acjS_
oQMSp2Q/edit
CCSS.ELA-LITERACY.W.9-10.3 The students need to be able to write a narrative, focusing on The students need to understand what the
Write narratives to develop real or imagined both the bare bones and the small details of narrative to create a defining attributes of narrative are and how to
experiences or events using effective technique, fleshed out story. The students need to be able to use the tools correctly incorporate them into their piece. The
well-chosen details, and well-structured event given to produce a real or imagined narrative. students need to understand the difference
between a well-chosen detail/structure and one
sequences.
that is inadequate for this assignment.
CCSS.ELA-LITERACY.W.9-10.4 The students need to be able to present me (at the end of the The students need to understand what makes a
Produce clear and coherent writing in which the unit) with a piece of writing that is a clear and coherent Dual Dual Perspective First Person Narrative as well
development, organization, and style are Perspective First Person Narrative. as standard writing conventions such as grammar,
appropriate to task, purpose, and audience. sentence structure/flow, paper format, etc. The
(Grade-specific expectations for writing types students also need to know the audience they are
are defined in standards 1-3 above.) writing for as well as comprehend the assignment
as a whole and the rubric they will be graded off
of. They will also understand what makes a
narrative clear and coherent.
CCSS.ELA-LITERACY.W.9-10.5 Students need to be active in the editing of their work, revising Students need to understand the difference
Develop and strengthen writing as needed by both on their own and with peers during the time provided in between revising and editing and the importance
planning, revising, editing, rewriting, or trying class. They will be given a revision guide to follow with an of revising your work and the strategy that best
a new approach, focusing on addressing what is outline of different grammar conventions as well as tips for suits them and their needs.
most significant for a specific purpose and proofreading.
audience. (Editing for conventions should Students need to understand how to work
demonstrate command of Language standards productively with a partner (we will be doing
1-3 up to and including grades 9-10 here.) peer reviews), as well as how to proofread on
their own.
CCSS.ELA-LITERACY.W.9-10.10 Students will need to write both for full class periods (rough Students need to understand the importance of
Write routinely over extended time frames drafts, final drafts) and for five minute intervals (Free Writes, both prolonged and short period writing and how
(time for research, reflection, and revision) and Creative Writing Brainstorms). both can help the creative process.
shorter time frames (a single sitting or a day or
two) for a range of tasks, purposes, and Students need to understand that taking
audiences. advantage of prolonged writing time is a
necessity and something that will help them in
the process.
CCSS.ELA-LITERACY.RL.9-10.5 Students will need to look closely at the texts provided to pick Students will need to understand what makes a
Analyze how an author's choices concerning out both aspects of narrative in general and of the more narrow narrative a narrative and how an authors choices
how to structure a text, order events within it dual perspective/first person narratives in preparation for the affect the piece as a whole.
(e.g., parallel plots), and manipulate time (e.g., final assignment.
pacing, flashbacks) create such effects as They will need to understand the importance of
mystery, tension, or surprise. mentor texts and how reading first person
narratives will help them comprehend and create
first person narratives.
Here you can list any supporting standards you will draw on in the unit. These standards will not be the focus of the assessments or lessons in your unit
but may be important to the overall unit.
CCSS.ELA-LITERACY.W.9-10.3.A
Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or
characters; create a smooth progression of experiences or events.
CCSS.ELA-LITERACY.W.9-10.3.B
Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.
CCSS.ELA-LITERACY.W.9-10.3.C
Use a variety of techniques to sequence events so that they build on one another to create a coherent whole.
CCSS.ELA-LITERACY.W.9-10.3.D
Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters.
CCSS.ELA-LITERACY.W.9-10.3.E
Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative.
Aims Calendar
Here you should list daily objectives for the unit. You should block out non-instructional days. You may also want to list focus texts or
activities for these days. The overarching theme for the week should be the focus for the week or how the daily objectives move you toward
your overarching goals.
Monday Tuesday Wednesday Thursday Friday
Date: 1/30/17 Date: 1/31/17 Date: 2/1/17 Date: 2/2/17 Date: 2/3/17
Overarching theme for week: Introduction to both the new semester and the First Person Narrative unit. We will be looking at the different points of
view (1st, 2nd, and 3rd).
Overarching theme for week: First Person Narratives and Unreliable/Dual Narrators.
Overarching theme for week: First Person Narratives and the Unreliable/Dual Narrator.
The objective for today is to The objective for today it The objective for today Thee objective for today is to NON INSTRUCTION/HALF
unpack the film Megamind to emphasize the necessity is to introduce/clarify give students the tools to DAY
and begin to tackle the of Dual Narratives through the final assignment. successfully write their
necessity of Dual Narratives. pieces of our own history DFPN, beginning with a Students will have time to
(Americas History). Students will be using writers workshop on genre. work on their
Students will be able to see their past writing as well outline/brainstorm for their
what makes a Dual Narrative Students will be able to as the Students will be able to piece.
and use what they know to explain why Dual/Counter readings/classroom identify defining attributes of
create a quick assignment. narratives Narratives are examples inspiration for specific genres. Students will
necessary and how they their DFPN (Dual First have time to brainstorm for
can be used to combat Person Narrative). their DFPN.
ignorance and promote
positive human interaction.
The objective for today the objective for today is to NON INSTRUCTION DAY
is to show the students talk a little more about how to
how to flesh out a integrate dialogue into a piece The objective for today is to
template (adding and how to make that give the students the full time
transitions, sentence dialogue important to the to work on their narratives.
flow, adding details, story.
adding dialogue, etc.).
Students will be able to
Students will be able to integrate dialogue into their
begin the process of writing.
fleshing out the template
they created last week.
Overarching theme for week: Refining/polishing our FPN throughout the writing process.
WRITING DAY 4 WRITING DAY 5 PEER REVIEW DAY WRITING DAY 6 WRITING DAY 7
The objective for NON INSTRUCTION The objective for today is to NON INSTRUCTION DAY NON INSTRUCTION DAY
today is to give the DAY have the students read and
students a review of critique each others work (peer
grammar rules review).
(commas, capital
letters, internal Students will be able to
punctuation, etc.). synthesize criticism and praise
Monday
Date: 3/6/17
SWBAT.
Lesson Plan 1
Lesson Plan Title: The Power of Storytelling and Setting Up Analysis of Narrative
Objective: Get students thinking about the power of storytelling and set up the First Person Narrative Unit. I will also introduce the
Free Writes (they will be doing Free Write #1).
Understandings:
1. Narrative: a spoken or written account of connected events; a story.
2. Stories are a very important part of our society.
3. The danger of a single story: if we only hear one story about a people, we will believe that is how all of those people are (taken
from the TedTalk we will be watching during this class period).
4. Different aspects of Narrative:
Narrators
Plot
Setting
Characters
Literary Devices
Point of View
DO:
1. Introduce the concept of Free Writes within the context of the new unit (creative writing). The students will each need a notebook
for this class (most of them already have one).
2. Have the students take out their notebooks and do Free Write #1 (this will be part of a grade at the end of the unit). (#1 and #2: 6-
7 minutes)
3. Pose the question, Why do we tell stories? (freeform class discussion) (5 minutes)
4. Introduce the video The Danger of a Single Story. (20 minutes)
5. Play the video, paying attention to students who put their heads down on their desks.
6. Debrief the video with mini Fishbowls on both sides of the room (10 minutes)
7. Brainstorm on the board: What makes up a story? What are important elements of a story? (5 minutes)
8. Introduce the importance of Point of View. (5 minutes)
Instructional Resources/Materials
Notebooks
The Danger of Single Story
https://www.youtube.com/watch?v=D9Ihs241zeg
Sticky Notes for the board
CCSS
CCSS.ELA-LITERACY.W.9-10.10
CCSS.ELA-LITERACY.RL.9-10.5
Essential Questions:
Students should consider these questions:
1. What does a free write entail?
2. Why is the idea of a single story dangerous?
3. What are the defining attributes of a story?
4. What are the defining attributes of a fictional narrative?
Summative & Formative Assessments, Performance Task(s) & Other Evidence i.e. Pre-assessments, Unit Tests, Quizzes, Essays,
Exit Cards, etc.
1. Formative: Free Write #1
2. Summative: Dual First Person Narrative
Lesson Plan 2
Instructor: Miss Pittel
Objective: get the students thinking about how Point of View affects the reliability of a narrator and why different perspectives are
important, not just in literature, but in their everyday lives.
Understandings:
1. First Person POV:
2. Fake News: In the context of current events, a new story that is mostly false (sometimes aspects are true to create the illusion of
credibility), but is accepted as fact by members of the populace.
3. Unreliable Narrator: a narrator that cannot be trusted for whatever reason; what they say can be either false or skewed.
DO:
1. Free Write/Creative Writing activity (5 minutes)
2. Put the students into their groups and have them talk about The Yellow Wallpaper (15 minutes)
the students will begin this activity by numbering off (1-3 or 4). Then they will be given a list of questions and each member will
take notes on their question (corresponds with their number) (5 minutes)
they will then talk to one another about how they answered the questions (7-10 minutes)
3. Bring the class together and talk about the Unreliable Narrator (based on the questions they answered in their groups) (5 minutes)
generate list on the board of things that make a narrator unreliable (3 of 5 minutes)
5. Pose the question, How do we know when a narrator is reliable or not?
6. Find a Fake News story (10 minutes)
How do you know this is fake news? What makes it unreliable?
How can you spot/separate fake news from real news?
Relate this to the question of authorship- Does the author of the piece have an effect on the credibility/reliability of the narrator?
6. Have the students bring out their lyrics (they picked songs last week that were examples of first person narratives) and determine
whether or not they have reliable or unreliable narrators (10 minutes)
does the artist impact the reliability of the narrator?
point out a specific line that makes you say either yes or no to the question of reliability
share your findings with those around you
7. Why is it important to understand perspective when it comes to our everyday lives? (until the end of class)
this is the set up for tomorrow (we will be examining Dual Perspective Narrative piece)
Instructional Resources/Materials
Notebooks for Free Write
Students Phones
this is one of the times where I will allow students to have their phones out
our cell phone policy is away at all times unless I say otherwise
Fake News Story (found by students)
Fake News Story (example)
Students lyrics from the week before
Methods and Procedures
Circle discussion
Each student in the group is an expert on a single question
They have 5 minutes to take notes on their question before they come back together as a group to talk about the questions
Technology
Allowing the students to use their phones in the class for a predetermined purpose
CCSS
CCSS.ELA-LITERACY.W.9-10.10
CCSS.ELA-LITERACY.W.9-10.3.B
Essential Questions:
Students should consider these questions:
1. Why do authors choose to use First Person POV when they write?
2. What makes a narrator unreliable?
3. is this a good method of storytelling? Why or why not?
4. Why is it important for us to understand perspective in our everyday lives?
Summative & Formative Assessments, Performance Task(s) & Other Evidence i.e. Pre-assessments, Unit Tests, Quizzes, Essays,
Exit Cards, etc.
1. Formative: Free Write
2. Summative: Dual First Person Narrative
Lesson Plan Title: The Importance of Counter Narratives-creating three dimensional portraits of people and places
Objective: Examine the importance of counter narratives in everyday life and, by extension, Dual First Person Narratives
They will be writing a DFPN at the end of the unit
Understandings:
1. The students have watched the Danger of a Single Story.
2. Counter narrative are stories (in this case true) that are meant to challenge common perceptions of a people or a place.
3. Counter narratives are important because they create a more three dimensional picture of a people or place and reduce the risk of
dangerous misunderstandings and misrepresentations.
4. People have a single story of Africa and other people/places
Refugees
Homeless people
Nuclear families
DO:
1. Remind the students of The Danger of a Single Story (2 minutes)
2. Introduce the activity with the photos (2 minutes)
The students will be responding to photos that represent a counter narrative
They will be required to analyze the importance of every photo and the counter narrative it is supplying
3. What is the single story of Africa that Chimamanda talks about in her Ted Talk? (3 minutes)
4. Listen to Do They Know Its Christmas and show photo of the expanded story of Africa (3 minutes)
5. Go through the questions for the activity (2 minutes)
Modeling the activity with the song and the picture of the African City
6. Divide the students into groups of four and send them to the corresponding station
7. Give them 3-5 minutes with each of the photos and then have them rotate (25 minutes total)
8. We will then come back as a class and have a fishbowl discussion over the following question (until the end of class)
Fishbowl question: what is the importance of counternarratives and what is at stake if we do not acknowledge them?
Instructional Resources/Materials
Photos
https://docs.google.com/document/d/1UEM_JnIbTauFDjhfiP8rU1tkBaNtIp7U9sNzjZNQHb4/edit
Do They Know its Christmas Time at all?
https://www.youtube.com/watch?v=bjQzJAKxTrE
Lyrics
https://docs.google.com/document/d/1O4wY3GXPIV2q8zz2g4oAd8XQRktrmz759jOtZ5Ks_hk/edit
Chart
https://docs.google.com/document/d/1C7u-8v8Lv21Ae0hIwb5dDGIw2POlZdI4-pBarNruGt4/edit
CCSS
CCSS.ELA-LITERACY.RI.9-10.1
CCSS.ELA-LITERACY.RI.9-10.3
Essential Questions:
Students should consider these questions:
1. What can we learn from examining counter narratives?
2. What is the importance of including counter narratives in our educational discourse? In our daily lives?
3. How can we be more open to counter narratives and their impact on our preconceived notions about people and places?
Summative & Formative Assessments, Performance Task(s) & Other Evidence i.e. Pre-assessments, Unit Tests, Quizzes, Essays,
Exit Cards, etc.
1. Formative: Free Write
2. Summative: Dual First Person Narrative