Professional Documents
Culture Documents
By Unsuk Chin
Bio
Born in Seoul in 1961
Studied composition at the Seoul National University with Sukhi Kang.
In 1985 moved to Hamburg to study with Gyorgy Ligeti.
The Piece
Written for Solo Soprano and ensemble
In Seven Movements, with Movement I II III VII,
Written in 1991, and IV V VI written in 1993.
Text and inspiration from the Fairy-tales The Endless Story by Michael Ende and Alice
Through the Looking Glass by Lewis Carroll.
The text is turned into an artificial language, with the text turned into different patterns,
removing any resembles of the original words.
Several instruments are tuned anywhere from a quarter to a sixth of a tone higher.
Soprano fluctuates between tunings.
Premiered in 1993 by George Benjamin
Influenced by Balinese Gamelan, Electronic Music and Color/light.
Movement 3 Movement 4
Movement 5 Movement 7
Movement6
Bibliography
Chin, Unsuk. Fantaisie mcanique; Xi; Akrostichon-Wortspiel; Double Concerto. Ensemble Intercontemporain with Samuel Favre,
percussion; Dmitri Vassilakis, piano; Stefan Asbury, conductor. KAIROS 0013062KAI. CD. 2011.
Lee, Jong Eun. 2014. "Inside the Hyper-Instrument: Unsuk Chin's "Double Concerto"." Order No. 3631888, University of
Washington.
Rhie, Kay Kyurim. "Quilting Time and Memory: the Music of Unsuk Chin." DMA diss., Cornell University, 2009.
Chin, Unsuk. Akrostichon-Wortspiel. London: Boosey & Hawkes, 1996.
Whittall, Arnold. "Unsuk Chin in Focus: Meditations & Mechanics." The Musical Times 141, no. 1870 (2000): 21-32.