)

//

FROM THE LIBRARY OF

REV. LOUIS FITZGERALD BENSON. D. D.

BEQUEATHED BY HIM TO

THE LIBRARY OF

PRINCETON THEOLOGICAL SEMINARY

gtcdott
Vo. ^< j5-~j.j^. j^^yM
<. jK*(,,'<f' ,-

7/ ^ ^
 ee^'^^'^

armonia Americana.
CONTAINING
i A concife NTRO D U CT ON to the
m
GROUNDS
I I

WITH
of MUSIC.
VARIETY
Suitable for DIVINE WORSH I P,
A

of
and the Ufe of
AIRS,
MUSICAL SOCIETIES.
Confiftins of THREE and /F OUR PARTS.
By SAMUEL H OLYOK E, A. B.

PRINTED AT BOSTON, S;ypo!jr?.pI;lc?.itr.

By ISAIAH THOMAS and EBENEZER T. ANDREWS,

At F just's Statue, No. 45, Newbury Street. MDCCXCI.
Sold at their Eookftore, by faid Thomas at his Bookftore in Worcester, aod by the Bookfellers in Town anikCrunrry.
=^
 . .
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John Appleton, jun. do. do.
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Rev. Thomas Barnard, Salem.
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 io3S^ StJ^S ter^^ !^5^^^t W^Sji-a^^ ^ jj^M fra^S
-Hrf'^<-.- W^t-* 'wvfi*-.-' -.^V-i* ^'iiV ^^^Jr ->-/".-; KV Hirr^

R E A E.
J HE advantages for Jludylng the principles of harmony beings In this country^ fo limited., It cannot be expelled that a ampofitlon of this

nature can Jland the tfjl of crltlcljm. This clrcumjiance conftdered. It Is hoped that candid allowances will be made In the perufal of thefolloxvlng

Jheets, whlih are rcfpeSifuUy Sl-mlttedto the public eye.

JVlth reffiil to the d(fign of the compofetlm. It may be obfrvid.^ that It Is adapted., as far as poffible., to the rules of pronunciation. Confequently,

the miftc requires a moderate mii'ement ; for It Is very difpcult to follovj the exaSl motion of the pendulum, and pronounce with that propriety and
elegance, which the Importance ofthefuljeS! mry demand. It may then be proper here to remark, that fentlment and expreffion ought to be the

principal guide In vocal mifc.

Perhaps feme may he dlfappolnted, that fuglng pieces are In general omitted. But the principal reafon ivhy few were Inferted was the trifling

effect produced by that Jort of mufic ; for the parts, falling In, one after another, each conveying a different Idea, confound the fenfe, and render the

performance a mere jargon of words. The numerous pieces of this kind, extant, mufl be a jiifflclent apology for omitting them here.

Subfcrlbcrs are mfi rejpeflfully thanked far their encouragement of the work : And they are affuredthat great attention has been paid to render

it correal. Such errors as efaped notice, while the work was In the prefs, are pointed out in the Errata.

Should ivhat Is now cffjred, meet accc^tjnce, adlltlons will hereafter be made of congregational and occafonal pieces, vjlth feme hints upon ex-

preffion.

To become In feme degree vfeful to the comrr^inlty was the motive for this .publication ; which, it is earneflly iL'lJhed, may anfiver the end- dc~
fgned.
I
January, 1791.
 A concife INTRODUCTION to the GROUNDS of MUSIC.
MUSIC of pleafing founds, and is naturally divided into Melody and Harmony. Melody is a feries of fingle
confifts in a fucceffion
founds. Harmony is the pleafing union of two or more fingle founds. Modulation is the art of changing the key or mode, in
which a pieceof mufic is compofed. So long as we preferve the fundamental harmony, without departing from the degrees of the oc-
tave, the key is ftill the fame but when we make a cadence in any new key, fome one of the degrees muft be changed from natural to
;

fharp or flat. The principal diftinftions of mufical founds are time and tune ; to the combination of thefe two qualities is chiefly to be af-
oribed the pleafing and endlefs variety of the mufical art.

Of the general S C AL E of M U S I C.
TftEnotes of the fcale are feven, diflinguiflied in a certain order by the firfl:feven letters of the alphabet, A, B, C, D, E, F, ; and G
when we have afcended to the eighth note, the fame order is repeated.
Three odaves being feldom within the compafs of the human voice, the bafs flaff is therefore affigned to the graveft voices of men, the
tenor ftafFto the higheft of men's voices, the counter flafFto boys voices, or the loweft voices of women, and the treble ftafF to the higheft
voices of women.
GENERAL SCALE.
iz c
A Cliff is a charafler placed at the beginning of a ftafi^, fliowing what found of the general fcale it reprefents.

=
ThischarafterjEi:, called the F cliff, is ufed only in the bafs. It has the feventh degree of found in the general fcale.

(-) l
1^ i
9 f'a A r s
= " S --1 =^
|l:t
"1
V" JIh
I
<:
L?
^ " general fcale.
jrn
This charader, iBt,
^^
ini
called the C clifF, is commanly ufed in the counter. It has the eleventh degree of found in the
sr
I ?
>- s
fi
c I
r'
^ I g { f This charafter, -q-, called the G clifF, is ufed in tenor and treble, and fometimes in counter. It has the fifteenth
*
I J
degree of found Uk^ the general fcale, in a woman's voice, but in a man's voice, it has the eighth degree of found.
\ Q j => This charadeqByi^f, is frequently ufsd inftead of the above, and has the fame name.
 Tbe general SCALE divided,
Bass. Tenor. 1 Counter. Treble.
B
'

space above 10 Space above ".' Space above A i6 Space above

Fifth line, -A Fiftli line -F 1+ Fifth line G 15 Fifth line
Fourth . Space G i Fourth Space K n' Fourth Space F 15 Fonrth Space
Vourth line V 7 Fourth line U Fourth line Fourth line
Third a^ i; 6; Third Space C 1! Third D
F, 13
12 Third Spac
Thild line D S: Third line B 10 Third line i; II Third line
Second Space c 4 Second Space A Second B 10 Second
-Second line a ^ Second line G Second line -A Second line

Firft Space A 2 Firil '

Space F 7 Firft
g
Firft
Kirft line U Firft line K 6 Firft line- F 7 Firft line
i Space below D 5 E 6 Space below
In the above diviilon, the figures, en the right hand of eachj difcover the correfponding founds of the general Scale, and likewife the
pitchof the feveral parts together.

TABLE of TRANSPOSITION.
The natural place for mi is in B
But if B be flat, mi is in E
If B and E be flat, ini is in A Above mi, are faw, fol, law, faw, fol, law ; and below mi, law, fol, faw, law, fol, faw, and then
It B E and A be fiat, mi is in D comes mi.
if B E A and D be flat, mi is in G Obfcrve that from B to C, and from E to F, afcendjng or defcending, are fmitones. 'The
J fB E A D and G be flat, mi is in C
F reftare whole tones. But, if the rni be traRfpofed to any other letter, between mi and faw, and
It F be fliarp, iri is in law and faw, the diftance is but a f^Tiiton, afcendin^ or defcending.
If F and C be <harp, mi in C The reft are whole ^one?,
as bffors.
If F C and G be Iharp, mi is in G
If F C G
and D be fliarp, mi is in D
JfF C G D and A bo fliarp, mi in A
 A SCALE of NOTES ahd their PROPORTIONS.

Hanies

Semibreve
Notes. Reffs.
n:i=:z=z
_ 2 bars.
rests.
4 bars. S bars. lobars.
j

:- g-
- Semibreve

contains

Minim Minirtis

Crotchet ~p N. B. Refls, being marks,

^ -nrrz
or notes of filence, are of the 2E Crotchets

fame length, in time, as the I- HI

Quaver m^ZZ^HZ notes for which they ftand. 8
~ ptftpZHZplLptl^ Quavers

Semiquaver P" ar""

U n AC' T^ """
rtrr r r r r r rrr r rrr~'~~'
'

pemif^Ua'

Dettiiqxiavcr
Ifz

*
MUSICAL CHARACTERS, with their EXPLANATIONS.
Nsmes. Clrarsfters. Explanations. Examples.
~ P P^^P
^ Staff '^~-~-~ five Iifi, wifli their fpaces, whereon the mufick is written.
~~f^ "I P~'~~~"
Brace fliows how manyparts
ypa are fung togethefk
ES=i^EfeEii

8
Examples.
Names. Cliaraaers. Explanations.

Ledc^er Line is added, wlien notes afcend, or defcend, a line beyond the ftafF,

Flat b> fet before a note, finks it Haifa tone.

liUPiiiil
Sharp raifes a note half a tone.

g:!- Each of thefe b *> let at the beginning of a tunc, lias inSuence through the tune, unlefs contradidled
by a natural ^.

reduces a note, made or fiiarp, to its primitive found.

Natural Iq flat

=E=i=gi!=^pg
? ,c. fliows what part of the tune is to be fung over again, from any note,
Repeat 1'^ againft which it is placed.

(how that the note under figure i is fung before the repeat; and the , -j |--p_ --^ -i---p_f._
figures note under figure 2, after pafling that under figure i ; if tied together I JJl-j-J r Tpa-:P_p:p^3:gI p
I. 2.
by a flur, both areiung after the repeat. y Illi:j^_-zi4 txI'T-fliltrJdrzrZ

Slur (<-> is drawn over, or under fo many notes as are fung to ontffyllable.

- _^_
dire<as that the found of the note, o\'er vrhich it is placed, (hould be confrin- T"p~ P
Hold J \
1"^ T~"~
ued beyond its cuftomary length. 2^-^ T^ ' ^ '^ T
^ r I
J
W"
Marks of
4ift)nlvon '
'
over which they are placed, fhould be fung as dif-
fignify that the notes,
tindly and emphatically as poflible. ^
y-

p
^
>- -^ P-
^
 r

Examples.
~
Names. Charafters.
Direct A-^ is fet at the end of a fiaf?,
Explanation?.
to direct the performer to the firft note in the next Itaft. F j
| J
T
.T
*^- p
~

any three notes, denotes that they are fung in the time of two
H--^ i^^
fet over, or under ~a _T
^'S"''<= 2 notes of the fame kind. I=IZ:?:ztFK^pt====:

Point of adds tothefoiiEdof a note; f.g,. when fet to a femibreve, it makes it equal &:e-e-4-s-<3-T-33J- j^J^3TO3 g T-
Addition"^ to three minims, &c. e '
-
1
- p--p-p---t f*"~ i
~j;~T:

Single + divides the time agreeably to the meafure note. e-^-T-p Ba e^^- T
Double
bar
TT
-J-j-
(^^Q^^j jhg enj of ^ fl^ain.
zziiizzqizrizizzHzzzzzzzz:
'
I
~
I
TT

Clofe iJjihows the end of a tune,- "i"|"^"Z

^ .,.
^
is u(ed as a grace, and may be either open, or clofe. e. g. if the note, next
""'o'en mliTe'"
^'"'^ ^^^^Swl^J
cV above the note to be (haken, (whence the (hake is always begun) be a whole
^^'^
] tr
tone, it is an open (hake ; but, if it be but a femitonediltant, it is a dole (hake. ':p~TZZJLl\'.T'n~T~~~'ZZ^Z ^~(l

'

Apoggia- __-^-..__j-.
tura, or. are notes to lean on, inftjaffing intervals, and muft be dwelt upon, according r"^ d /" f *

leaning N J,

j to the value or length of the note. ZII^II3::^.^:^p.-!

""" i^
notes
 LegQturCjQ ^ coirpiciier.cif (vo, or more notes of any kind, being on tlie fame line, or

or t)e ipate, v.iili a llur ovei them, whicli muft be fung, as one continued found.
I I

:E=
Choofing -c- are nots placed in a diiefl line over each other, either of which, or both,
notes ->- may be (uiiir.

or the K E Y S, and TRANSPOSITION.

THERE
any other
are but two
ke)-, vvitli;>ut
natural keys in miific, viz.
placing either flats
C the (harp, and A the Minor or flat key.
Major or No
tune can be formed on
or fiiarps at the beginning of the ftafF, which brings them to the fame eJeit, as the two
naiiifal keys. A k^'v note U the hit note in the bafs. and contains the air of the tuae, being thi found ui )n of all the other parts.

Thi two Natural Keys.

i.i{illliiililliH^Eliiiig:iiii
_ j;'P-_a_p_ :P_ J

The firfi is called A, the natural Minor key, having the lefs 3d, 6th and 7th above its key note.
The fccou.l is called C, the natural Major key, having the greater 3d, 6ih and 7th above its key note, being half a tone fliarper in its
fini third.

Of TRANSPOSITION of KEX S.

THE hrlVihingto be ccnf.dcred in tranfpofiticn is them/, which is the mafter, or leading note, guiding all th refl-, both above and be-
low,
 TABLES
The mi tranfpafeJ by flats in the ihree clifFs.
of TRANSPOSITION.
The mi traiifpofeJ by fliarps.
A flitremovf 5 tlie mi a fouith above, or a fifth below the place where it was A (}iarp removes t!ie mi a fifdi above, cr a lourtli below its fcrmrr
before, by adding a flat every remove. place. Tlie mi ftands on ihe lame letter with llic Iharp lart added.
B proper. E A_ D G C B proper. P. proper, t' C G U j^ A B proper.

ini

::5iti:z:-.^o:t3cr::s:^;5;i:i-i::-::|::5-s-ife:

mi

Of SYNCOPATION, or DRIVING NOTES.

TH I S is one of the moft difficuh leflons for beginners, becaufe the hand is moved up, or down, while a note is found-
ing.
EXAMPLES.
'i 3 4 J 3 4 > 3+ 3

d d iiu d du u dd ii ii dd ii u dd uu d d ii d d u d d u d d ddii.

N- B. Th lectcr d ftinds f:.r ilown, and the letter u tor uo-

Tu faauliarize cije ptetsd^ng exiraplei, obftivt either the &gvtw plac^ above, or the'Ittctc> wMch are fet under ih* ftave
 12

TRANSITION is
Of TRANSITION.
from one note to anotlier. But fingers ought to be exceedingly
fliding gracefully careful in performing this grace,
tiiat they do not introduce difcords, where none were defigned, which may injure the coinpoficion. It had better be omitted, than
imJifferently performed.
E X A M P L E.

Eight Notes.
Tenor and Treble. _
- f> "ZZZ I
^'T"~ ~"|
r"Z'-Tr\-T'0~T'?'T "T" T"^~T~0'TgiTT"^ i ,
~ T" - I n r~

.
iill^ii^^Siyiil^giiiil
Soi, la>v. I'ol, la fol, fol, faw, law, ful, faw, mi, law, fal.

^'^"^^
TIME.
T HERE
or modes.
are three divifions of time, viz.

meafured by even numbers, as

common,

COMMON TIME
triple, and compound ; which are diftinguilhed by certain charaders, marks,

Is 2, 4, 8, &c. each bar including fuch quantity of notes, as will amount to one Semibrevc, which is the

meafure nolc, and guides all the reft ; and it is to be known by thefe marks, O JTI
^^ or 5- The firft three of thefe tharalers

contain, each of them, the value of a Semjjjrevc in a bar ; the two laft contain no more than a Minim, or its value in other notes, in a bar.

13
Examples.

This chaTaler, or mode,

ufed to denote a very flow movement ; and fignifies that a
23 4 1134
Semihreve fliould be founded
ner ; I ft, let the ends of the
, is

^
while one may leifurely lay, i, 2, 3, 4 ; it is beaten in this man-
fingers fall, 2dly, the heel of the hand, 3d!y, raile the heel of the
hand, and laftly, raife the ends of the fingers, which completes the bar. See the example. d d u u dd u u.
123 4 1234.
s, denotes a little quicker movement, and is beaten in the fame manner, as the
This charaifter,
preceding mode. See the example.
j
l-

d d ti u d d 11 u d d u u.
I 2 12.
This charaler, ~, is confidered, as a quicker movement, than the above mentioned mode. It

i? are hut two beats in a bar, and is thus beaten ; let the ends of the fingers
fignifies that there
fall, which takes half the bar, then raife them, which completes it. See the example.
d u d u d u.
I z I : 12.
This charafler, ~, S
denotes two beats in a bar. A minim, or crotchet in this mode, is
confidered in the
the
^

^ ^,fucceeding miific, as of the fame length with a minim or crotchet in
~
firft mode. See the example.

TRIPLE TIME two

meafured by odd numbers, as 3,
Is 6, 9, l:c. each bar including the quantity of three minims, three crotchets, or three quavers ;

of which muft be fung with the hand falling, and the other with it rifing, thus ; ift, let the ends of the fingers fall, 2dly, the heel of the

hand, 3dly, raife the ends of the fingers, which finiflies the bar. This divifion of time is diftinguiflied by thefe marks, or modes,

Example/.
>_2 3 '^ 3 123.

The firft mode of triple time, 5, is called ihre^ to two, which includes either a pointed femibrevc, ~3p-p' P'T'g:~t~f'P'^"f'lf:
a minim and a femibreve, or -^ three minims, &c. in each bar. See the example. grPP^t ^~g -^^^ ^' -f

d d u dd u dd u.
 h
H Examples.

The fecond, 2^, is cx'lec) three frorn/our, including either a pointed minim, "^ 9
3
e_;il__
'^ 3
"1
j
~
crotchet and
ciarnpl
^ a minim, or three crotchets, &c. in each bar. See the
^ ~ T P~ '*'
P"
ddu.
123.

The third- mode, 21, is called three from eight, containing in each bar, el- :ZIIII3 fE_ ZS_:il__ 12 I ^-_ M^
thera pointed crotch-2 et, a quaver and a crotchet, or three quavers, &c. See "p rp r r J ~~~"|,Tt
the example. ^ J^ ^^
,j
^
~f
jj-,
|

Obferve that the lower figures, 2, 4 and 8, in the three laft modes, denote the compofition to be of the meafure of fuch like notes, as

will make one bar in common time.

.
Has but four modes at prefent in ufe.
COMPOUND TIME Examples.

_- Tg_ _ j ~^ipZj-- :|-I]

The contains either two pointed minims, er fix
^

firft, g, called/^- to four, .
,

^| ^
cratches in a ^ bar; See theexmnple. 4* '~^~~ I ^ ~
. ^'r|~~r j
F ~'*'^^~^~'!

d u d u d 11.

or
The fecond, 2^> called /jr/rsw ei?ht, includes either rwo pointed crotchets,
C\v niirivprs
fix quavers -^ in
;H in a.
a bar. examnle.
See the example.

{> 7~r
ft

d
r-n~
*-^

d u u
mm
I 3 4 * 3 4^ 1*3 4-

The third, j5, called /wf/v.f /'*>-, contains cither four pointed' minlnif, "l5it'ST2'3*j3:E?'^M^^/f^3jri
of twelve a;
"^
crotchets in a bar.
/i;

See the example. ^ a.igj^.tj^i-

0;ai|:[l|ip|: pr:
^ppp pp|^
d
i234-3^"^--
d u u d d u u.
4. '134-
The fourth, g, called twelve ti eighty includes either four gointed crotchets, ;^---r^4-+ gga^^ n^^-
OT twelve qua 77 vers in each bar. See the example. i^Sr
^ rfizZZZ?^^.
"
d d u u' _
N. B. The two Srft aioies are two beats in ;ach bar, three crotchets, or three quayert down, and three up. The t*o laft are fow l>cat iseack bar, fix crotchets, or lix quaveri.
4own, aad &x up.
 Tl'.e all the modes at prefsnt in ufe.
preceding are The proportion between the feveral modes Is omitted ; dircilive terms being now
generally to regulate the pertormance.
irfed
Accent is a certain force of voice upon particular pnrts of a bar, whlcii inufl coincide with emphatical words. In cominon time,
where there are four beats in a bar, the accented are the firfb and third p^rts of the bar ; where there are but two beats, it generally falls
ujion the firft part of the bar. In triple time, the accent, commonly, falls upon thetirft part of the bar.
Obferve that, in all modes of tim,the hand mull fall at the beginning, and rife at the clofe of each bar.

LET every perfon take tlie

GENERAL
fart, to which Iiis voice
RE M ARKS.
is bed adapted. For, if one fings tenor whofe organs are formed for the bafs, he will hang as a weight

upon which
ulhers, will (ink tlie time from
original pitch.
its

The month ought to be opened fi> as to give the voice free pafTage. By neglefling this, a good voice will be fpo1<et3, and a bad one made worfe.
Singing through the note lias a nioft difagreeableeffedt upon the hearer. No one worild commit this tanh a fecond time, were lie made fenfible of his error.
Many lingers conceive that they ling well, when they exert the whole (ireiigfh of the voice. 'J'his precludes all delicacy of lltc and exprelTion ; and ren-
tiers the performance at bcft bur a dilfonant bawling. By linging within the natural compafs of the vuicr, we retain fiie power of fwelling occalioiially and
of giving force to particular palfages.
Pronouncing diftinctly, and with propriety, is one of the moft elTential cDnfiucrations in finging. Great attention, therefore, onglit to be paid to emphafts ;
tor without it the ideas will be oblcure ; and the defign of the mufic \0(i.
Words beginning with a vowel ought not to be pronounced, as if they began with a confonant. This is a vety coninron tault ; and is occafioned by fliiit-
titig, inrtead of opening the mouth, previoudy to tlie pronouncing of vowel founds.
The finger (liould pay all poflTible attention to w ht he is performing. For, if the herer have reaton to fufpetl the finger to be heedlefs of the fitbjec?^,
ifi which he preiends to be engaged, he will be dilguficd both with him and his performance.

To (iiig wiihout affeclaiion of any kind, to full naturally into tlie palTion of tlie fong, and to execute it feelingly, iihout any efforts, but fuch as are pro.
per to the palfion, cannot fa of beftig agreeable to the hearer.
1

Care (honid be taken that every note be founded ; for by omitting the found of one, we may perhaps lofe the force of feveral fucceeding notes.
After the true found of eacli noie is learnt, gr.iccs, &c. may claim attention.
A profound lilence ought to be obferved, wherever it is inteniietl by the compofuilt, that the coinpofition be not injured ; which will be the confeqttencc
of introducing founds where none were defigned.
Attention fhould be paid to all the terins, which are placed over the mufic to direft the performance ; as they greatly adirt expreflion ; and will have k
'liirprili'.ig eRtft, if conducted with judgment. Yet they are feldom obferved ; or it they be, it is in fo negligent a manner, as to produce little, or no effetl
lipon the hearer.
Great care (hoiild be taken in the performance, that the inner parts may not predominate, but be fnbfervient to the principal pai-t.
To perform acceptably, it is highly necelTary that the fubject, in the firft place, be thoroughly underftooj ; then reucated agreeably to the bcft rile? of
pronunciation. Afterward, the notes are to be applied ; and a particular attention paid to eniiiliaiical words. In fotne places, the time onght to wait for e.^pref-
ijn. In otliers, the movement ftiould be quickened. There fliould likewife be a ceCation of found beiv.'fen, and frequently in the liiiddle of many fen-
 i6

teiiceSf efpecially thoCe, whieh are nnportanr,fivbliine and eTprenivev that the mind may have the power, infome degree, of ^eali^ing the idea. The Ptaiif
and Font' llioiild alio be flriiiUy regarded.
Tlie perfurniance being thus regulated, the whole force of the fentiments will be imprelfed upon the mind. We
may then enter into the fpitit, and jnQice may be done
to every part of the conipotition.
Hence the neceifity of an iultrm^tor's being niafter, not only of founds,- but ot language and pronunciation. In both reading and fpeaking, the propriety,
moderation, and rapidity of pronunciation, depend upon the judgment of the perfon employed in either.
The expreiling of fentiments through the medium of harmony^ muft i.T the fame manner depend upon the judgment of the performer. Therefore, every
inP.ruclor Ihould endeavour to allitl the judgment of his pupils, by explaining the nature and dcfign of mufic, as adapted to particular fentiments or paf-
Jions, tliat their pertornjances may be executed in a manner adequate to the particularity of the fubjeft.
Abuve al,l, let a fui table attention be paid to the important truths uttsred in finging, that the great judge of quick and dead may be praifcd wilb reverence-
and folemnity.

PARTICULAR REMARKS.
In tunes.of three parts, and in thofe,. whieh.have a double bafi, in the following work, the upper is confidcred as the tenor, or leading part and the tre-- ;

ble,. or fecond part, is placed between that and the bafs. Irt tunes of four parts, the order is this, ill. the bafs, 2d. tlie tenor, 3d. the counter, and
4th the treble.
\y herever choofing notes occur, in any part, it may be proper to divide the voices, that one dlvifion of them may perform the upper, and the other the
lo"er feries of notes, which will increafe the harmony. .^
The pilckof a tui.e ought nut tu be taken from the tenor, but from the key note in the bafs, the tone of which note determines the air of the compofilion.

ERRATA.
I i Lr.ltrrb> ft. IF, ijih bar, under a crotchet upon C, infert a crotchet upon G, 2i line. 6S Firft tenor ftaf*", 7th bar, fcr a crotcheton D, 4th line; infert acrotchet on C, 3d fpace.
Fitll bals rtal}, J2th bar, inleit a point after die crotchet. 80 Fiift bafs ftalF, laft bar, for a minim on D, middle line, infert a Irmibrevc.
I
2d. tieblt Ti.lt', 3<i bar, !or a n^uavcron E, 4ih fpace, infert a quaver on A, id fpacc- 83 Firft tennr ftjft', 5th bar, for a oiinrm on D, 4th lire, infa-t a I'emibreve.
Firfr lennr It iff, 8th bar, ..fte.- the crotchet, infert a point.. ibiJ. Second tenor fiaft, 5th bar, for a crotchet on E, 4th fpace, infert a crotchet on D, 4ih
For *' he part," read ** lie pad."
Firit bafsftaft', III bar, for the lit minim on D, middleline, infert a minim on C,2d fpase. 90 Second tenor ftafi', 3d bar, for a quaver on C, 3d fpace, .infert acrotchet, and erafe the
For**caie," read "fear.'* point,
Firl^ treble ftaff, 7ih bar, for a femiquaver onE, 5th line, Infert a (emiquaveron D, 4th ibid. Second treble ftaff, 3d bar, for a quaver on A, id fpace, Infeit a trotchet, and erafe the
piint.
After die three lai> crotchets in the three laft ftaves, infert points. 96 Firft bafs bar, for a crnt.het upon A, ill fpace, Infert a.miniir.
ftart", (jth
!n i-.e laft treble and bafs ftaves, after the laft crctchet in the 6ih bar of each, infert 9S Firft bafs ftatf, id bir, aftei the firft quaver, i.ifcrt a point,
piincs. iji Firft teour ftaff, )rt bar, in.crt a crotchet on G, id line, a 3J above a crotchet on
The laft bafs (U3, 4th bar. for a quaver on D, above the^ ledger Jloe, infert a fem'qua- E, iJlline.
vtr, and a point betv^cn t.hat and the preceding quaver*. ibid. Second tenor ftaff, ift bar, for the ift crotchet oa A, id fpace, infert a ciotchtOD,
For *' lecd of," read *^ feed or.'* 2d line,
Lift bafs ftaff, 7ih bar, fur tlie 3J ijuavtr on G, 4ih fpace, infert a quaver with a
^, ibid. For " away" read " a toy."
un r, 4th liue.
 |30tttdnU Word3 by Dr. r<jw, I'7'

Sing totheLord Je-ho-vah'sname, Andinhisftrengthrejerfce 5

Ex - alt . cd be our voice. With thanks ap-

^.iT^-
}=3::
igf:^
When his *faI-va-tion is our theoi^

r^_ _ ft eP -. m !^!!!li*. -Sl.A-

C_S^

tf- zz3:tzj;

^asiiis And pfalms of honor fing ;

B:E^?5:^liEiEE:Ef^^:Ef;iEE-?i;iEd
The LoM's a. God of boundlefs might, The whole ere- a-tion's king.

proach his aw - ful fight. 7he whole ere - a-tioo's king.

i8 i^omfret*

con^cei Ra . demp - tionS won-ders let u Cng, And praife our

In ccl - e - brat-ing luvt dl - Vine, Let all man-kind in ;

^illiiipSiiliiiiiiiiiii^S"^i

Sa viour and our King.

and our King. Re icmp - lion's -ders let us Cng, And praife oor -
Sa - viour -

SltlSSpiiiiSi^ilS^iPiSs
-t
^Z-.y-i\-*-4'^
EfejEdEE^tS
t N/^*.^
 19

[ilSliiiiliiHsiiiliiiii Thus we exalt the Lord, Lamb, And thus we praife the hcav'niy dove.
All glory to thy wondrous name, Father of mer-cy, God of love; the

e-B-=

,^--^ __^ _^^ _ _ _ -P^-_- Q_.

e^. IB^iliiSSiiiittiSiiliiiri
Have mer-cy LoiJ on me. As thou ert ev - er kind, Lt me, oj - prell with loads of gui't, Thy wont - ed mer-cy find.

^^^^^^^^m^^^^^
:aO

Ve
wm
that - bey th' immortal king. At - tend his ho - ly place. Bow to the glo - ries of his pow'r. And blefs his
V ' ^
wond'rous grace. His, Sec.

ili^pl^gpS
iiH^H
*irpiiiilliS^I|^^^^^^^Sia

Lift up your haaJs by moni-ing

^ . .. .

And
"^1 1^
fend your
,
fouls on high;
.

m^^^m^^^^m^m
light. Raife your admiring thoughts by night, - - bove the ftar - ry (ky.

fe ^w

jig^i^iiipg pp^il^^^lferfgpit^
 2t
/~N -\ /-^ /->

af^^
The God of
IP ^i^SiiilfeS^
Si-on cheers our hearts. With rays of quick'ning grace ; The God that fpread the heav'ns a-broad. And rules the fwelling fcas.

2rf^^
ii^sie^eissiEiiiii
2rf-H
pilg^tt^^il^^^^i^
Brent.

iMiiiiiSSiiii?iiiSiiiis^ia
E - ter-nal Spi-rit, we confefs, And fiog the wonders of thy grace ;
Trom God the Fatb, - er, God the Son.

SIKgiiSSeiiii
m=i
Thy pow'r conveys thy blefTings down.
S3-:

^^^^Si^iS^^^-^SisE^^SS


22 (iZPlCHfOtD^ Words by Dr. ra..

J 1 U"^ 1
J 1 U-BiL_^^ I _4 __^ 1
,^ ., .^y^ V ^t-
" 14-1-J fc->

Al - migh - ty Ood, to the* b end - Icfj hon-oors Jone, The un - di . Tid - ed Three, and the myf-

te - rious One. Where lea - foo fails with all her pow'is, There faith prevail), and love a - dores.

O -^^ ,
^^ ___,a>W -^ p ^
-i^--
g|g=El|^^
-g-
[
.
^
_. -f ^
 3lnbofert =3
^H=- ifeS
Th.fc glctioas^inds-, how bright tly(hi,Wh.nc= all their whit. - ray ? Hor came they to the bsf. - py feats Of - er - lading day ?

-*-
5^2H
g^:^:5B

-^ ^

From tort'ring pains to end - lefs joys, On fi,

m^m^m^i
y wheels they rode,
r>

And (Irange^ wafli-d their gar-ments white, In Je - fus' dy-ingbkod.

24 C.OtTtptOrt Words by Dr. Z)orf</r;V/^^.

^F-
ss
Ar - ray'd in beau-teous green. The hills and Tallies Ihine, And man and beaft are fed, Bjr Prov- i - dence di - vine. The

75- 1

l-S^^iS^pP^i^^p
S^ii^^iiipi^^^i^ii^S^

bar - Teft
l^^^pi^^^liiliEpS
bows his gold - en ears, The co - pious feed of fu - Cure years.

iiHilpiipfeiiii-^ilil
^EEi ^jai
^pg^Egggpjgigg^ig^
 mitmS, Words by Dr. r./. 2^

Bc-comea the grinileuf of a God j Where ft^rs re - Tolve their lit- tie roatids.

^ail^iEfeiiiSgiii^^iiiiiggg-^ii
- tcr-iial pow^r, wliofe high a - bo(k in - fi - nite lengths be-yond tne bound?,

.gz^^lgEJi pi^g^gpgl^ggigigElgg^igg

iiissteiiPi.#siiiilliiii;^i^
I hee,while the firft artb-an-gel fings, He hides his face be-hind his v.ings j And rsaks of fliln - ing thrones a-round, Fall worfiiiping, and fpread the ground.

-_.^,_.,.:^^o. ^-B-^-e
S;fc:T.
D
""" ' ~ ' -^ , - a.. .._[_.. .
2b il?orfolft.

The God of mer - cy be a - dor'd, Who calls our fouls from death ; Who faves by his re - deem - ing word. And new ere - a - ting breath.

iiilii|filltiigiliiill|lliiPllEiiiilliii
.1: c* -s-

^'~^ ''"'^ /^>

^ . '^
_ _i_ "3 _!?**' _i i_^ s "^ '
ft C^ j^ _ _^

To praifcthc Fath - er and the Son, And Spir - it all di - vine; The one in ^hree, and three in one. Let Saints and An - gels join.

i^_ i*^_^ /^-~\ /-^ /-^

_
-

_ <^ ->__

Bl V^ V^

ii3|f=iiSli?ilE^iiyil^ii^ll^|l=^^iii

I^tiltttftOn Words bv Dr. DoJdriJge. 27
^ /^ A /^ ' A g

Hail ! ev - er - laft - ing fpring, Ce - left - ial foun-tain, hail ! Thy dreams fal - va - tion bring, The
F
a - ters nev-er

r^ -p-m /-> /'"s ^ *^ ,

y^~-^ ^ ''"^
ft
^^ ^"^ ''"^ -^^

ISIiP^^i^^liiiliPi^PirSiiiiili -r-

5-' >s_^ v^ p
fail. Still they en - dure. And ftiU thev flow. For all our woe And fov - reien cure.

- 1 pp
EEESEiE^iEEEl i
^HI
28 S)tUtbri500* Wofds by Dr. Doddridge.

In - dul - gent Ged, with pity - Ing eyes. The fons of men fur - Tey, And fee how youthful finners fport In - ftructise way.
a de

u
S^iiUliSillF:^ izir?:

:^^p=^SSiilii5limg^ii^
Ten thoufanj dangers luik a-round. To bear them to tiie tomb; Each in an hour may plunge them doivn, Where hope can nev - er come.

^-f-
i
I
9~^
'~j'-Fg~F~r~r"t-r^ r r--F-F-i^
^S=f=;i*:^zErE=E:H=E3t=:bzi!!:?:f^:*:i:Ei:E:f5^
[
ril- J_Jiiid;i_ l-.:d-Ji_^- V^ i
TW-* 4--'

q-T-P-lP-y-
arax:-
 mtlt^^* Words by Dr. tfl'.', 29

fEEf; ^'B --
tt^ -Ii-a*''-

My tho'ts fer-ment thefe low - cr (kies, And look within the veil 5 There I'prings of eod - lefs pleaf- ure . rife. The ters nev-er fail.

^il^^^^ffi^HHipi^l^^g
l^i^^^l & Si^^i^i^^i-:-^
^-N ,<-> /->

IS^^^g^i^g^ili^lliiiii
V^ \^> i^
pSii
fracri ^saiESESEEi-:
:3i: iS^^SE^^^S^: =2eSE?E;^i$; s* >*
 :^rntjell. Words by Tate & hradj.

.-n
S^gi^iiiii^^i^iiiiiii
""iSti^i

God*s tem-ple crowns the ho-ly mount, The Lord there con -de- fcends to dwell. His Si - on's gates in
ts: -&--r-
his ac - count.

^liiiiiiiSr^^iSifcSii^S:^!
^iSliliiiiifciiiSSliiilipiiiii

iiiiiiiil;iiSpi=i^iiiil^=S^^Hil^
Our If-rel's fail" - eft tents ex - cal. Fame glo - rious things of thee (hall fing, O ci - ty of th' Al - mighty king

iiipig^Siiili^^Slli!^
 3i

+-%5:?;:: j
I'll praife my maic-er with my breath, And when my voice i oft in death, Praife (Iiall employ my no - bltr^ pow'rs ;

sliililgiili^Slfii^iglliiiiiil

My days of praife fhall ne'er be pail, My

My days of praife, My days ct praife ihall ne'er he pali, While lile and tho't. While

ays of praife /hall ne'er be pad. My While lite and cho't and be - l^ii. While

=^li==fe:liii^^iiii=^rilSiil My Whili life anj thj't and be - jag bi, "V

.-^2
/'~\
^ /N

ilipiiiiiiii^E^^glsiiiliiSiiSiiiS
life and tho't, and Or im-mor-tal- i . tv e:iduies, Or im-mor-tal-i - ty en - dure?, Or

and tho't, and be - ing laft. Or immor - tal- i -ty enJutes. O

Si -*-PH
^-F-

Jift, Ac. Or i.T/mortal - i . ty en-duies. Or

^P=^E^||liPE|^;^fj^gg
dures. Or

^^tlSDUrP* Words bv Dr. /)oc,7,/jf.

l^^giiiliir^iiliiiiiiiirigiB^i^
5al - Ta-tlon Lord is thine, And all thy faints con - fefs, The roy-sl robes in which they fliine. Were wrought hv fov'reign griice.

-:-*-.

i^iiS=iiIgiilPlEiEiii|iiili'l;iliiiE|5i

!^iitCtiale, Words by Dr. H'tnii.
^'

^mmssms^^^^^^^^^mi^^M Tliy courts immuital pleafurejive, Tliy, &c.

i-^^.- -^

Thy courts immcrtal pleafuregive. Thy, fee. Thy, i

^^Tzxzi i:?:t-; ?-T-^-ryr^-.

si^iiKmiSiigiiliiiii^^iii^ig
Jelus flia;! reign where-er the f<i,Dos his fu^v-ffivejournies ran; His kinst-om ftrcich'dfrom <h^tn moon
^^^
^ ^-N^ -. ^,_
ftore. Till
ittvit, 1111 iiiuun mail
ftjil wn, ann
wax ,ni wjnp
,v, no more*

133?

$^^^^^^^^^^^^^^^M. :ite2S3?

34 JrUntr^l SDltS^* OntheTDeathofMr. . G.
,
-If-r.',.^-..
_ _ _^ ^_^ -^ __ .^ -1-0| 0-=^ JT^ . ^ ^
j^hz zJ:ziiis^~:tx:ij=[il:_d:l:xd2S-ztiFF:H^

fe|5liiiiliiiiiiSiiSiilliiiliiiil^
Farewell, fare - well, a fad, a long farewell. To this pale clay, whofe life hath fled, Re - fiijn it back to kind-red duft, Till

iiiiiililSii^SPiiSiiiSiEiilii^=ili

ISiiSiilliiPiiifgiiiSiiiSiigSiii
the lad trump a - wake the dead. A - dieu, thou dear de - part-ing foul. Thou go'ft from hence to Chrift a - bove ; There to par- take of

IzJzzjrcr^nzrzJzzziiQ'i pzj:zzziri:ztzjqze:p:izziz T^-e'J z:izp:zg:izi:-j ir~r T'P^e^::

 35
-a-i_-

e.-d - lefs b!if;, And eel . e - brate re - deeni-ing love. We mourn thyi fud - cen, fwit't re-move, From each, and all en - joy-ir.ents here;

!ilillilii^i^i^^iiiill^siiiiiiii6ii^

'^wiTMor:zzzzzziz=z:BZf:zz::Msr.T-^:^
EEESi:SSP:EEf32?i
When Chrift com - mands, we muil o - bey, WIlH - out a mur-mur or a tear. Sub - mit-ting to thy fov'-rei|n will, Let

tiSg^iiJ^p'Eiiiliiii^
k^=&i
36 ConcUidc with tlie firft line.

@=^i=fciEill-^^i^il5li|^
?^s,ISf-t-cz
us be
.[__

n - Isnr, and a -
^SgHiH^iiiliiiliiilll
dore, The God, who hath ere . at - ed all, And all ftiall rule for - ev

|liillliiiiiill^::lili|iigiii Eo=iEHIEE

M^dcrnn^
_ 3Crnl)etm ^
S?ii|liilii^liiliiiiiliiiiigiiiii;ii^i
All ye bright armies of the Ttics, Go worfhip where the Saviour lies ; An-gels and kings before him bow, Tliofe gods on Iii^h and gods be - low.
I
I
I
l< I

-e- -e- -e- -e- -- -s-

I /-^
-At
lzi53=TqT:i|:I:]:=]Hi|HijIz3 :DTP35qzpv2;P;-_T:s:q^T:g:;^.^^_^,^^^^p_^s^
3:t5:
^z^32H3io:3t^5:i3;;i
 HainSon. 0/
/-N /'~N /'>

No fongs of tri - umpli now fung,i Ccafe

be fung,; ( ill your fprightly airs; Let for-row fi-ience ev - ry tongue , And joy dlflolvc to tears. It"

:r::i.^i=i--z:i:T:^--:z==}:

iiii^Siigilli^iii^
\.-^^C.

s^Ess&s:

^i5ii;SSiii^&i1 [^F:fe=^:|-^P^fj|p5|iE
^-~\ _ rs

at this fight wc don't re-pent, What otli-er fight can move? Ua - gratc-ful, (hall wc not re - lent. And pay him love wi:h love.

iii^^^g^iiSl^iiSii^iii^iisliiiEi
38 :^niioUer,
Vii. Pianiflin

^^mMwMMmMf^^^^MM^^^^^M
AnJ let tliis fee - i.i.- bo - dy fail. And let it Aint ani die. My foul Aall quit this mournful vale,And foar to worlds on high ; Shall

i<^ 3"
_ m ,0^ (T\

m^m^^^^^^^^^t^^^^i :z^z!;Ji=t=:tztEi::tzi^z=t::tz=:i:S=zrE:Bl:?:

^mW^^^^i^^m^^M^^^^B^Mk
join the dif
I
- cm - bo -died faints, And find its long fought reS, That on - lyblifsfor which it panfs, In the Re - d

r~\ ,
-'-^ /'-^ ^^ /'-N

^^^ v^' \-^

ipPiii^i^;^gfeli
 t

2Sten!jam 39
^^
-^- pT.-:T-ri r-=^^~y.
g|llJiSSiii^|ilPSiEEiEEfcfe!^eESESi5as

Lord, hear the vo'ce of my complaint ; To my re - queftgWe car; Piefcrve my life fr n cru - el foes, And free ntiy foui from care.

ES:t:p::t-*pESd?tE!zEE:zzEEfcl^^

idiizziriciz m
Burlington.

A - wake, my foul, to lound his praifi, A - wake my harp to fir-g ; Join "'-^ my pow'.-s the fong to raife, And morn - ing Incep.fe bring

ZZIJiT-
40 Ca rtitgan.

rs ^-^ /"^

God is a --'nj of powV unkaown, Firm are the orJers ofhi^lhrone; If hcre-folve, who ^iareopp^fe. Or arte him why, or what he dpes ?

SBd^

X^STtl^UO* Words by Dr. Doddridge.

iSiiiiiiSiiiiiiSilipiiipiipliiM
Ye hamb;e fuuh re - j liee, And cheeirul triumphs ling; Wake all your har - mo - ny of voici-, For Je . fus 13 your king.
 ^N
CtollltrS]^. Words by Dr Do^lridge 41

Ye heliv'ns with founJsof iri-umph riiTg, Ye An-gels burft in - to a fong j

Jefus defcendsj vie . to - tious long. And leads the Ihin - ing train along.

F,:
zzrp
It- ^ll^^iiigll^iiiilpp^S^gi
iiifelli^S^fei^i tf_^= i ifEi-

Pia. For. Pia. .^ Tor.

Ye faints, that fleep in duft, a - rife, Let joy re - an -i - mate your clay j Spring to your Saviour thro' the /kies, And rcund his throne your hom-age pay,

_, '^ T^. /' /'-N /-^ ^ <-^ <^^ z*^

i:i]zin::pr5:-;;t-tfIi:;r=z=zm?^;c:-~

V_^ Vw^

:l:;:zEEEzzHE^--: ~e: zzEEbxrEf

42 I^CllTluOn* Words by Dr. DoJJn.
n /-> /"> /'^ m
pETJJEpj^J
Ye fubjefls of tlie Lord, proclaim The roy-al hon - on of his name, Je - ho-vah reigns be all your fong ;

/^ jj_ -^"^ j^
rrj^ n

llpliiiiiilill^Sl^Sigliiia^
Tis he, thy God, O igns, Pre - pare thy mod har - monioMsJhrains, Clai Hal-Ie lu jahs to pro - long

A^i
ililliilliiiiiSi 5eM^ ^ii^si^
 Brantion* 43

L-:&f--a

Tire
^^P^i^ip^itpfei^p^
feat - ter'd clouds arc fled at Jift, The raJa is gorte, tWe w^^t paft. The !ove-Iy ver - nal

^^^^^^^^^m^mi^m -W^

l^Tili^lfli
ppliiS^^i^Sliip^fpi
fettiiii^^Si^^i&lSiliili
[-Sir, The fcath - er'd choirs in - vite our ear. The fcjt - ter'd clouds are fled laft.

2Ezz:_
44-

The rain h gone, tlic win-ter's paft, The fov ly ver-nl flow'n ap - pear. The . feath cr'd choirs in-

i^lH^EpSsEfiil^p^i^^ilii^p
piiii^l^iiEii^^gli^^is^S^li^

vice our ear. Tie love - ly vcr-nal flow'rs ap - pear, The feath-er'd choirs i-ti

|^ei=^^|e^=e^eE ^=|^^^'i

l^^^m^^^^^mmf^^mm
 Kow with f*ectly p;n-five ipo, Coo the tur - tie doTe * lone. Now with
"^lij^Biiiii
fweet-ly p:n-fire mom, s the tur-tle

'!L-_^_-E_ft-.-r-
^g^|^g=fegE|^^Zp|Epgs |aai
,^^l
^
dove
^^^a - tone, s the tur - tie rfove a - lone, Coos the tur - tie dove a - lone.

i^l^^p^Mfc^i^i
m^^^M^^MB: ---^Sia:
46 pl)efu2:.

/. - las ! the brit - tie clay, Tht built ou bod - ies firft> And ev* - ry monch and ry day, 'Tis

S^igi^EgJilpi^^^^^^^Sl
liEiiiifeipipisi^i^il^^gi^^ig^^l

noulo'tiog back t d'jft. And cv' - ry month, and ev' - ry day, 'Tis mou.o' - ring, 'Tis mouiJ' - rir);^ back to. dui't.
^

^^^E^i^m^mmh ^^^m ;SE^iii?^EEE^

iz^S
 ^efignation* word, by cr . BoJJrit!gc. , 47

My SsT-iour, I am chine. By ev - er - la<l - ing bands, My name, my heart, 1 would re - figii. My foul in - to thy hands. To

?:jtzt

/T^ /~s'/'^ r^

iigiHSSiiiipiflp^iii;^
thee I dill would cleave. With ev - er glow- ir^iealjLet mil - lini tempt me Ch.-ift to leavs. They n'^v - cr
iiillEEEffi^^
IhdII pre . vail.

'^^^i^^^^m^^^M^^M
 I

48 lltemia* word, by Mine.

iiHipiiiiigiiiipll^l Wjch M/ foul

O hoiT dif - tref-finj wjs the (cene, When fuon I tho't to take my flight, but a fiutt'ring brcitli between
DCtWe io cv - cr - laftlng night.

^-'
/ ^
^n::
it__-

I
I __p_!__X. f_.z

-3:
My waft - body fackM with pain, Ana ring'ring on itie verge utMeath, All Helps to feve my Toul ueie vain, Or yet to iengtb^n cut my breath.

p^iiliSlsis:^illiiiltls^i
^-r;s^ f- r 1
r T-r r-p; r r-r-*y --rr-'^^-r . '
''

:?;#=F
 m&tx. Words bv Dr, B^7//a 49^
For.
o /"S m -/'-\ m -m- /^^ /->, ^-^ /^^

ppg|fe|g
Grace '.'lis a fweet, a charming themt, My tlio'u re - juke at Je . fas' name ; Ye in-els, dwell upon the fjund, Ye heav'ns, rertefl it to the ground.

siaiss v>_/ vv \_/ "*~iJ?~^^r'''

r^ /~s /-^

*>f-i"--r-

wmM^^^^^M^mi^i^^kt^-
r..r.
r-\ /-> ^

O
mm
may I live to reach the place, W
Where he un - -teils fan love -ly face. Where all hli beauires you be-huld, Aiiii fing his name to harps ut
t-s
gold.

-p>^-^
zfii^^:zzp.p:l:dff=tj-t2: Siiisli?i^ffli

UrSSiiiiimiili^iirii
&
50 _ ConfOlatiOtt, A Funeral Air.
J^ +zrHv^
iiliigiiipiiligsgiiggiiiiiii^^g
Hcjr, what the voice from hcav'nde-cUres To thofe in Chrift, who die, " Re - leas'd from all their eart!ily cares, They reign wi^h him on high.

iiiliiiSililllliS^ilsliiiiiiSI^
iigileii?iSgii^^^|g^i;^iiii
::^iiliiigiliiii@^PSili^l^^P^li
Then, why la - mentde - part - ed friends, Or Death's a - larms ? Death's but the ler - vant Je-fus fends To call us to his arms.

iiiill^glspli^i^ Siy=i|g:]
p_.,_e_p.
P=^ e-
liliiSi^iiii -- P-
 51
fi-L-gz:f=23:

TSioq
i=3@E
Then jiy-ful-ly, whils life we have. To Chrifl.our life, we'lJ fing " Where is thy vie - to-ry, O, Grave ? And where, O Death, thy fting ?

llii^^iSiiilSili|iiiiiiiSiii

@ornington.

5*
5 1^ t? ~ "" '
Ekd
Nowwith the morn, my foul a-rife, Andftrctchto realms a - bove the ikies; Let ev' - ry pow'r of heart and tongBe.U - nite to lift a morning fong.
-f T
52 jf ttn^P* Words by Dr. IFaaa
-PT^ T
'

Glory to God, the Fath-er's name, Who, from our fin - ful race, Chofe out his fav'- rites to pro - clainij The hoB . ors of Ms grace,

-TT * T-r-
piipiiipii;saisi^iiipiai
--j-ig-i^.

n .<*^ For

:
Glo-ry to Cod the Son be paid, Who.dweltin hum-ble clay. And. to re . deem us from the dead, Gave his own life a- way.

m ^ ^
ki ^ j^

EEfiEE^Sj
 %mi&. /^-N r\ P's.
53

v^*

/'-N /'-N r^ /'-N /->>

i:idE:f:E
All glo - riuus God, what hymns of praife. Shall our tranf - port - ed voic - es raife ; Wbat flam - ing love, and z<;al is due, While
5jfC
1

=z=E^f^

r:^iEeEes-t^ z^z l
^ ^-y tzbz-i p I 1

r-^ <^
Eiii^_=3i^:^^^l^iii^-:igiiiilfeiil
'-'
hciv'n
' ' "
ftarids o - pen to cur view. What flam - ing love and zeal is due, While heav'n ftanrts o - p-n to our view.

S-1
tA Tenor. Gravemente.

Oncewe wsrcfall'n, and O huw! low, Juft on fhe brink of endlefs woe; Doom'J to the her- i - tage of hell, Where (inners in deep darlcnefs dwell.
m ^ ^_ -j^-^ -B-il^ * . -^-i e. ^ _ _ HL _

^ -^
ift Treble. P

iifiSSiiiliipi^^iliKiiiii
(

< 2d Treble.
But In, a cheer-ful ray of light Scac teis the hor-rid (hades of night: Lo, what triutrtihant grace
/-> /K
is fiiown To fouls
''"^
im -
^^
pov' - rifli'd and un-done.
. o

,
Tenor. Siclliano. j,^ ^ n ^^ ^ _^ '^ *. ____

)
^^ >^->' '^-' 'v.y U* b*" v-> "^ V-.' . _
Far, lar be - )oud thefe mor - tal Jh-ircs A bright in - her - i - tance is ours, Whi-ic faints in light our com - ing wait, T

W^ "^ 1*^ v_^ ^ U ^

(hare their to - ly blifs - ful ftate. Where faints in light our com - ing wait, To fl"'e our ho - ly L'ijs - ful flate.
 Pi t>la. ModOilo.

'^i:=iiSISiii^Steiii=si=tlEi5^ii
m^m^^Mm^mMU^m^Si^^mi.
If, rea - dy dreil for bcav'n, we fh'ne, Thine are t!ie robes, the ciown is thin^ j May cnd-lefs years their courrei)io*long, While chine the praife be

!ssgi:p^^i^^^llililll^^iigEi=:|=|^
'^ 1: '-f-t-t>-
r:i:==t::tr--=t

:qa3==ir
^^M^^^^mi^i^mw^^mi^fM^=^
alt
iSiigil^^iiigi^liliir-Si
our fong. May end- lefs years their courfe pro - long. While thine th praife be all our fj: g-

J33^ 3E m fejES
-0~P-
i^^ :sr:?

:ii
56 Xl)e Clofe of tf)e gear
TrfMe^loP'a .
^ i?_ ^ HZ> _ _ __^' ~>v_

So fly our moniThs and yeirs, Thus roll the lea - I mis on. Till deach the cur-tain drop, And life's gay ft( - e is dene.

So rty i.ur months and >ears, 1 hus r> II the lei - foss on, T ill death the curtain (Jroj), And life's gay fc-n - - - - e i is done.

-=gE^EpEp^3L#:^^-^^^=:T-

Trebfe Solo Pia.

^ fl
''"^^ " ^ 1 _

nument then And our aflions (how that we are tru - - - -.^ - ly wife.

f
let ;.ich

~-r-F-'-^-fi-nx-S * be

r-^-
p^c-cious in

-hj!
our ej ^s, let

r--r--r^ fr- r"i -~.f~ a ^:rr

-"^
r - - . -

O let each moment then be precious in our r-yes, And letour aftions fliow that we are tiu - ly wife.

-^ gr
 in^^ flgeyico. _
__ _ --r-*

Come, let us a - ntv/, Our journey purfue, Roll round with the } ear. Roil round iVith the year, Anil
UM-
p
(land ftill TUI our

;:2:fc:
ilElii^p^ieiil^Siiiii^^
^PlpiSipS^i^i^LSiMi-S^i
Syn-

-_^-__,_<fl-
L '^t-~^ 1^
"l~"b I L * L "
^
L I
I ^^'\ I

r
\
+--- - -siaiiiiixdiitiiiTi^

tna'der appear. And jiev-er ftand ttill Till our mafter appear. His a - dor-a-ble will Let us

H
S8

glad-ly ful . fil, And our tal-ents im - prove, our ul-entt im-prove, By the patience of hope And the la-bor of love. By the patience of hope And the

!
F-^-F- t--
^_i
Our
^.--
life is a
i^
dream, Oor

p^~p~f
^
?r?r
tzdzji
fL'M

time, as a ftream. Glides

^m
fwifdy away.

MZM
Glides

iiii^gii^^pE :aqp
m SE ^^ -^
^ :sl:
^^^li^

^g=a^^^^^^^feNyi^
lea nial year Rudi - es on to our view. And e - - - ter ni - tj's here, e ter - ni - ty's here, e-

E^
ifeiBB^^^^ :eEIE
6D Sym.

ter - ni - ty's here, e - - - ter - n! - ty's here.

iiHiH^^ii^lSSiil^'^^^il
^mmh^^E^^ f=f^
liSS S3E^:

^pi^^lpllilii^lSlpiiii^iS O that each in the day Of his coming may fay, I have fought my way thro', have fought my way

^i^iaSSiSStSii^^^^
thro- I hjv= work Thou didft g'v me to do, hve fin-i(hM the work Thou didi^ g.ve me to io.
finilh-J the
 6i

^^slil^ilp^rtlp^iii O that each from the Lord May re - ceive the glad word, Will and faith - ful - ly done, Well and faith - ful - ly done, En-ter

liiiSll^^^p^^i^
I^E^l^ES^^i iiiii^=yi

my And down on my throne, my And down on my throne.

^^
in - to joy fit enter in-to joy fit

^ ^^^ izs=i
5!zi= n-#
jc:::=5
glL-U-l-l^
-PL ^
is

S^Ms^^feSi
6-3 J)entjale

Teo mean this little globe for me, Nor will I e'er con- tent-ed be. To feed of things (a vain. Its great-ell treafurfs

=. *- # i r . u I ,'^ ta..^._jej..c :L.-za-J-L-S>i I ^-x: , za- ^5__ii|

i^^iE^^^iiii t-* ^^m.

/^ /-^ . /-N /-^

^SiEi^l^i^lpiii^^^iipi^
^
re butcirofs. Its grandeur fluJrt, it pleafures curft, Its joys all mixt with pain, Its joys all mixt with pain.

^Pgjaigg^i^^g^ ppte^^
m^^^m^^^^^^^^^m
 ^Wbm. 63
W^
i i ^ 4 4- t
lanz
-n-m~ V P
U-^U-EI:
Je - fus the Lord for - ev - er reigns, HI3 chUd-ren may
ei^S-^^^^^
ex . alt their ftrains In him their (landing is (e

iPS^miiiiiilllSiaiilS
^^H^^ iS^^Siiiite^
p{~

lil^^iiSli^&l^i^i^iS^i^^ /"> m /""N

^gpig^^ii^^gppgiiiiiii gp^ ^gig

cure. Their joys for ev en dure. When moon and
i g|
- er /hall - ftars (hall ceafe to ihine. They'll reign in realms, that are di -

zmn 1 a f=-f=-#-
e
FT^ ^-f^
M^i^^^^
^^^m
i
H ^tA
ssfe HiiiiSlilSli
vine. With Je-l"us re^gn, v<i", Je-fus bicrl, And lite - -' ^ ^'-^ .-,::... . .._ _.,

^S
^UnbUtP* Words by ^///w.

-S --^-ii

Ei*"'?:tEi^SpFp2SJ:pitEzeiE~i-
Hjrd heart ot roi..e ! O tt.ac the Ljid Would this b^'d heart lubduc ! O come thou bleft life giving word, And fnvm niy foul a - new.

^^^^^^^^^^^^^^^^^M. v^>

33HdIf:
-i^rzdJbiDiiigiiiz;
-+-e-
^^5=g|?^^|EEg||s:dg:o=gi|5^
 Moderato. ft^
i^A^lttlAt VTordi hy Z,u &: Brad, 6^
iE
'^m
>-^-t-
rzi
iliiiiiiiiiiEJi^Siiiil E-reftyour heads, e - tcr-nal gates, Un - feld to n - ter - tain The king of glo-ry, -fee he comes With his cc-left-ial
gg
train. E-

i:EB-Z^
_ ^_^ a -f"
^ ii_0 ^ . "?

mm^^^^^^^m^^
_H_i^ -^fc-f'^^-J=?^
reft your heads, t-ter-nal gate^, Unfold to en - ter - tarn The king of glo-ry, fee, he comes, fee he comes, With his ce - left - iil train Who
66

will Wliu "^ "*

is this king cf glory.' ?

**l *1 ^ *1 <1 1 irt

*_-^^_^_el if-_c^ _^ ._^ -^ p ^_

^ ^

Wni, king cr (hs king of Who? Who L"id ""~

.5 in^^ glu - rj ? glo-ry ? ? lK= fur ttrcn.nh re - iiowTor Whil^ ;

uihiskr.got gl-ry.-' \n.o is this k.nj, ihu kin.' tf t;'" - '7? Who? ,n

Wl,ai. ir..s ..Mg of ^fj.n? Who is th s king of gto - ry ? Whj ? '^

>"
T
F>r.

li^iiilii|ii^iliEiili^iii?iil?il^ n n a -^ ''~^ ^^ ^~^ ^"^ '^ -^ f~^ S~N ^~N A A a

I ii ifis kins of Wh.i? Who?Th: L' f^r ii,.,.:ti^;, fii^ LjrJ f >r ftrcn^jth len .wn'd, for flren-jth re- nown'd ;
In bat-tie mighty ; In
(^ 1^ r^ r-^ r^ r~\ /-"n r~\ _ /~n ^S /^ /*^
I-

iil^iipisiiiliiliESiH^ ass
nZ, P"U-U b

fgi^iiililiii^iiii^iiigi^i^^i
 67
/--N /'^ ^-N ;> I*'. /""^ (^

,')itilt m gh-.y, o'er liis lo-s, E . tcr - njl nc - tor crow.i'd. In bat;lc mighty,, oVi liis t'.jts, E - tcr - 11 r vidlor tr, wa'd. E -

Stocrstn.
i|_ (^ G\
_j_ ^ _^ _

iiiiil^iliiiiiiiiiliiiiiiiilii
res, unfold In itate to cn-tcr-ta'n The kinj cf g!o - r. , fee he comes, Wuli all his fl.in.jrg train. Who is this It n^ cl glory ?
 leipifiife

I Who? who? whi ? The Lord of hoftsrcEowo'd jOt glory he alnne is king, Who is with glo - ry crown'd. Of glory he a-!oneis king, Who is witli glo - ry crown'd.

Ixifiifizrf:?
iSiSHIpSii^SiiiiSiil
)jcforti

Vile wreicli I am! where (hjll I flee, T hide my guil-ty head > My fins I feel, and here I be In re - gionj of the dead.

iiiiiilg^lliilpllgSi
 Cftfttttplain, On the Refurre^lion and Afcenfion. 69
_C^ _ ir. Moderato. ir. - 's'l

Angels, roll ihe rock 3 - wav, Der. <,. D-jath, ic-fijn thy prey. See, tfie Saviour quits tlie ton, e.

iSS
ii:!TH!

ift-^-ft^-

Shout,> fe-iaphs, Cdbne!,' raife

mor-talII
L
.-.u ;
im m.i'rr^l hlocin
miirtii Dioom. fiiout ye r
glow-ing witth im - olonm, Oljw
/-ii
- ipg with -
^
7 '

iT=i:i:zq:it:T:ir?E:=:i:?:?-4-U4 ~
ll^i^^^^^^^i:
 Fair.e's c - - ter - nal trump of prail".-, Let lh2 earli'^ie - - out-eit bojnj E-cho ta th; bliff-ful faund.

^_*5_ __<*__ ^ _ _ . ^z^_ -Jt:lt.m^. .pA. -4.

Hail aid fi-'g tb' in - c,<r-r.iti Cud Hcuv'n unlolJs its poi-tals wije,

'S^^^;liliiiliPSIiii:igiliiiigi|llf|i
Matth-lefs he - re, thro* them vide. Keav'n unfolds its portals wide, Matchicfi h tJiro" them ride> Kin^; of glo-ry, mount thy throne.

|SiiiiiililiiS|slS^iiiiliiiiSiliiil

'2 ..:
S^^^l^ig^iiiiii^iiiiilHii
'
** Modcrafo..

Houndlel'i em-pirc chiue own. King mount thy throne, Boundlirfs eir.piic is th'ne Hii - le -iu -jih,

,^_T-_^_,*1 &.._ __^

_fc:___H- *._
H-T-H I
:rr-r-r--
^_
^-T -i

;lpiSliliplpiiiilpiiii;^EiEEEr^
ipi^^^f^^^'i^fP^-
^ ^ Crefendo. _
,
'

_g_ _

Hal - k- ij.jih, Hal - Ic- lii-)ih, Hal - le - -lu-jah, Hal - le - lu - jah, A-men. A-men A - - men.

'. *** #1. #^ ^ ,f1

S-!S-^3

:f-:e .-er_,

pi-L-*^i??zx=zz!fzzzSz=z?^zzzt::E=i::t=t==::=i=^: i;
--rt-e-d
o
 Victors'. Words by Relh. 7.V

iiiiiiiiiipgiiiP^?^^E|
Sing the trl-umphs of vour conq'ring head. Sing the triumphs of your conq'-ring head, and cru - ci - fi - ed king.

J^^^i^^^^^^^^l'^f^^^^^-^E^S^^Y^'^^^^^

pi^laiiiiliEiii|i=^SiyM^^ei

^liSHiif^^SiSi^il^iii
His at-chievements, when he vanquiOi'd all our lies, we'll fingj His atchieviements, when he vanquifli'd all our en- e - mies, we'll fingi
74

lig^^ggg^iite^te^gss^i
Slpiiiliiiiiiiii^
M.Mt rr,...,Tinhjnt, frtat and gtotious, He iftm death ana hell a . tofe ;
In him all his church vittonousTnumphd
ffl!:
dr<^J
o'er her - tul toes.

iiiiiiiiiiiEife^liiiM:^^
ISiiiisiiii^il^l^iiiaii^:^
I

:l:%miiSsill^pp^^^^^ iz

fSSipMlg^iii^iiiii^iiiii
High afcend-ing "uiidfi an- J^- ic Songs and founds of trumpets loud, In e - ter-nal triumphs lead-ing All the captive! of his blood.

rrrs^z
P -*#

EpSiSp^^^^S
 Mni'erato.
75

li^^l^gSiSilfliiiii
SlPS^iii
Hal-Je -lu-jib,
iilSiiiiil
Hal - le - lu-jah, Hal - ie - lu -jah, Clo - ry.
si" - fy; glo-ry, Lord, be thine.

SSBiHieft^lli^^iiii^iiiieiii
EE SlSH^^iiH^lfcll
=^ri:=i=|zPzi=p:=:gz:i4z
i:
^tOttJ* Words by Dr. iratts.

O for a (Tioat of fj-credjoyTo God the ff>v' - rejgn king, Let c\ '
- ry land their tongues employ,
tloy, And hymns of tri-umph fing.

r2ii. tj
=f

^^^^=FSgg=J=^liii^iiiii=^
76 2tSltnel)enDon. Words bv Bar/oTt-.'

^|tf
Great God, who form'd for To - cial joys Our nature; by thy pow'r and grace, And join'd in bleftcon-nu-bial ties The parents of our favor'd racci

iliiiiiSisliiiilB:
siiiiSiiii^ii

|rf:f3;|^i^jEi|^:f
Siiiii^igiiSJilil^P!
Our Sav-iour, our af - cend - ed LorJ, In Cana once a heav'niy gueft,Whofe bounty cheer'd the friend - ly board, Whofe prcfencegrac'd the nuptial feaft.

^"!i^.siipiiSSisi^SiiiSiiiil
tilig^^iiiigim^iPfeiS-i^i
 5ontfort w 77

Ci?e thapks toGod on high,Tb< univerfalLard,Thefov'rcignK.ing of Kings, And be his grace ador'd. His pow'r and gr2ce,Are (till the fame, And
Biii
let his name Have endlefs praife.

r:cip:5Si

VplDCn Words by Dr. U'atlt.

^z?i*^ i
-o-

i^HlEiSgilii
O Godot
Sili=iiiiii
mer - cy hear my caJi, My loads of guile re-move,Brcalc down this' fep- a -rating wall. That ba from thy love.

felli^i^^iiiSiSl^r^iiiiiii^pl
^^^?^S^I^^^I^iili^^^ipS
78 Jl^Ort) ft nt Words by Tate & Brady.

Thy wont - ed goodneO, Lord, re-peat, And eafe my troubled foul; Lord, for thy wond'reui mer-cies fake, Vouch-fafe to make me whole.

Ca0on, w Olds by Dr. Waits.

^----=tpiiiiiiPjiiigiiii-^iiii_3gi^^
When (hall the fuv" - reign grace, Of my for - giv - ing Cod, Re - ftore me from thofe dang' rouswajs. My wand'-nng feet have trod.
_
.

_ I

ES^piPS-^rfEEgiF-^ "9*F-^
l^teaz^:

i^^^i^^HUPKIiisl
 79

i^ElE^pgs
Be -ho!J Ac friend of fin-ners dies. With love and fi-ty mhU ejes.To fave gmlty wurW from death ! O fmneri hear hi.

!iliii^^glir^p^iipl^^^.#gi
dy. Jog groan, Your load of he
fin bear, ar-lone, And yields for you, and yields for yoi life and breath.

ai
::k=.
So i^ 5 5U t Words by Di-. rum.

PlllSlli^iiiiiriliiiiiiliiiirS#lli Con-veilc *hilc with death, Thinlc howa gaf? ng mor-tal lies. And '
pants
Stoepdown, my thot'sriiat ofe to rife,

;iiiiiiiiiiiiiii^SiSiiliiiisSii
iiftiiiiiliiiiliiiiiiiili
/-> /'-> 1^

Siigsi^^^f^ippl^ private friends and in the throng Of faints, h.s pra.fe ftall be my fong.
PraifeyetheLord,ou,CoJtopraifc,My foul her ut- mod pow'rs ftall raife ; With

tl^^gj iffliili^#iSiiiS:iiiiiiiii v_/ ^^ v_y

lilii^iiiiSSi^iiiiiPl^^iii If:
 Binntngljam, Nvords by .,/,... 8i

And why will Cod ncg - left my call ? Or who fliall pruf-lc by my fall. When life de - parts and love ex - pires.

|ilii;i|^ii|lHiSiiEi^SiiiplEgif^il(

r-T- -^
-^-*|rzg;^=:3}JE
~4Li__._^-j-C_fi_!iil.r;_5_flil-____r,| ^^1 ijZ-LT _flini__(__LZ[_-_Sfci_-X.p

m
Can duft and dark-nefs prjife the Lord ? Or wafce and biishten at his word, Aid tunc th harp with heav"n - ly cho

EEEElSSEi ^
:ztzI$z^z=^SzfidE^J:zpzJ:lF^^
;fctEztEiEe-&t=feSf::H-E=fei-ii:^^
 d^tttn^np. Words by Tate Sc BraJy.

^^4;~-=SS3=^fr~?igEEJ:&E^:(td:Jl!:^ ^iii
Ye faints and fcr - vinfs of the Lord, The triumphs of his raaje re-cord ; His fa - cred name <or - v - er blefs.

.__
11

Where-eVrthe cir-cling
iiisiiSiiSiiiigiilfii^
fun dif- plays His rif - ing beams and fet . ting rays^ Due praife to his great name a*-- drefs.

gjjiMi^gi^^i^^ ^k ^ m
 i^liiil
Turn, torn, un - hap - ;jy fouls'jfe- turn. Accept e - ter - na'. p:acr, Why will you at the Saviour fpurn, Who of - fers you bis grace ?

-e~P-
ziEEEfpizp e^ i^HglEiigiSsi&iiii^
Si^iilli^ii^^i^llifEiiillillSl
__.
PVl^-, Words bv Dr. If'ntif.
i
r-181

riHSlililSiiiSiiiiiiiiii

z:iE-_:zrrr~r:z::i~r ::T~:i:iz?sz3Eii :iz;i::5:to3
ISh-
iiiii
My
Sii^ESifessiie
Sav-iour and niy king, Ihy be.iu-ties di - vine; Thy lips witli bldHngs or- flow, And ev' - ry grace is thine.

-JT
iF 3^35^:
z^?E^^iisiiSaElSElEiiSjS ^(fi

iii^i^Sfil^S^ffiSPiSl EpK:
^4 iFapettetJtUe* For New Year's Day.
jg .^ ^r~^^ =>^ - m- -=^^ I C^^""^ - .

Sing to the great Je - ho - vali'5 p<-aire, All praiie to him be-longs ; Who kind-Iy lengthens cut our days, De- mands our ch;.;c-eil fongs.

_ , '^

r^ r~s ^-N

Whofe '"''"
''
prcv-i-dcnce hath "
'" us -'
brc't " thro' An .
'

orh |.j,;rg year ;

We all with vows and a-i-thems new, Be - fore our God ap - pea
 liSliliiSiiii^iiiiPixlitliilliiiiiillil
i
Allhail ! happy day, whenenroll'd inourclay, ThereJeemerap
erap - pear'd upon earth ; How can werefraintojoinin
we refrain to join in the drain, AnJ
Anj to hail our Im-man-u-el's biith.
Im-min-u-el's birth.

CLilntt Words by Dr. D3:-A/;;./?f.

X-.TC*

Loud to the prince ('fhcav*n.

Pliigsilillllliiliillli
To him your vows begjv'n, With conlcious worth, A'.l bright in charms

'^mWmi^^W^mmWmiMiSmMWMi\iw And fill his c lilts with praife. He Tallies forth.

S6 ;^(!)l5alf. Words by ^ttV.

nate i.'me ;

^miigigliip^iiiliSlliiiiiglll
/~s

^^s^isa^^B^igsn
its;
^

SiSl^iS:^^i^PiiS:ilSifeS'lll
 ^AlldtrdU)* Word s by Dr . Wans. Sj

pg^giggEJiilpiiiigi^Eg^giigg world, Lord

5f
Joy to the the ; Let earth r ceiv - - - e her king ; Letev'ry Reart pre - pare him room, And

^iSiSiliiiiiig^iiiElS at:e:s

w^^^^^^^m^^^^^i
3^^^^i^^^^^^^mi^:

r^sg^
'
p

heaven and nature iing. Lee ry heart pre

^^gg^^^^iggjig^
- par e him roam, And

^^^~r p-
hcav'n and na - ture *"ing.

S
,

KtZSL
:g=d xz; -p-~P~
ig^lilsl^eii^llHi
::rp: priiz:
--e-e-
{g^
88 Ct)tirCi^* Words by Dr. r^//i.
Andantlno. rTl
_^ _ % -
iMiilliiiiiii^iiSPiliilsSlili;illi
Thou fac-red one. Almighty Three, Great ev-er-Uft-ing myf - te - ryWhat lof-ty numbers (hall we frame. Equal to thy tremend'ous name

1,i:

(* Pi I in I I II
1 bo-* i**

;i?^lpg|iiiiiii|ii^^ii|liiglii^piiiii
Pl3. For. r>a. For.

t&Siiiiiigilliilgpi^^'^iiiiiiiii
Scrapis, the near-elt to the throne, iie - gin and Ipcik the gr^at unknown, Attempt the long, wind up your itm gf, 1 o un - t-y'd and boundlels things.

=^ (< I

tefpSEEEEE:
 6l5getDare; words by ^//;W. 89

i^S:iiipSiSLiliriilglSlSliSH
Ten thoufand praifes to thy name, O thou in - car - nate God !
'Twas thou that boremyguiitand ihame. And wafli'd me in thy blood.

iiS^iigliiSiiiil
lli^Siieiiiiii^=MSSiSiiili
5I?ortl)tngton.

ISZZSTE
i^
Sing to the Loio, who Joud pro-claims His various, and his faving names ; O may they not be heard alone, But by our fureexpeiieace kn

sen iS Effi

iiliiii^liliiiliiiiiigiilifiS^lii
izEi-zrdz:

M
90 i/UtnIj, M'ords by --f///*-.

iSElli
A- wake my foul, with pleaf-ure fing, For thy Re-decm-cr reigns; I'll foar withrapture on ihi wing, And raifc im-mor-tal ftrainj.

^??liiig|ig^^pi&iiii^

My

fus
Je-fus
h*i
y^-
loves to hear my voice And wipe my tears a - way; And I (hall yet with lilm re-joice In ev - cr - lad - ing day.

fiiiSiiiii^^^S^i^iiii?^^
^JaJE^Ep^^EgpE^ zs:ziz4=:

To triiic the bleed -itig Lamb, Let tv'- r> tjngue em - ploy, lliis Jc-lus is the aii - i;ers theo,c, And

iMii^Eii^iiMiliiiigilEiiiiiliiilP
liili^ii^igiiiiilliiiiiigilgipiii

^_ fi^ jN /^~\ I

:3j
all the fcra^Ji'f joy. This J-
- f js is the - gel's theme, And 2bJ all the It - riph's joy.
92
Sjm. Pia.

He is the Tinner's friend, He is the faint's delight, Then let our mor- tal notes af - cend, And with theheav'ns unite.

Pia. Sym. For. Sym.

Tell how to Col^tha,Hetravelidre(linblood, He dies to take our guile a-way, And bring us home to God.

Svm.
/'"N 'T^ ''">

:SS:
Olethim be ador'd By ev'ry heart and tonjjue, Ye heirs of biifs by hin re - ftor'd, O make his name your
y (ong.

ssgiiiriitiiiiiisiiiiip
 Let crowds, trom pole to poie, En-tcr his courts of grace, And cheer-ful, cheer-ful join with voice and

iii^liiiiiiii^plPilliiiisiiiiiigpiii
foul, His well de - erv
ferv - ed pralfe, and cheer-ful join. With voice aid foul, His welj de - fsrv . ed praife.

taiiiiii^iipi^iii^^Siiiliiiii
94

m
Ye hcav'niy ar-mies jjin To ling his blccQ-inf lovr, '1 lil we a - wake by graic di - vine, And join, And

^_.x:
^
L^ji^".

^iillilplliiipgilliiil^iliiiliil
pPSPllii^ii^i3iiiiiEiSi^S
jnin yciur notes a - bove. 1 ili we by grac join Ano jo es 4 - bov*.

feli=^iiliiiiMSiESliii;iliiiiiiSM
 . 95

m^&MM^^M^EmW^^^ml^^l^^M^. i^__
:^=:!=* ^

:izz. iiiipl
There his all wor - thy name Shall be our f*eet em - ploy. There we fhail found his glo - rious praiie In

i^E|Eiife^S:^@iiilii^!igNil=i^=iiEi=i
^^^i^pp^^E^l^kp^^Piiil^l

ev - er - lad - ing There we fliaW found hi; glo - rious praife In ev - i^r - lait . ing joy.

^m.

i=ziz3
i?^^^
:|^Eiiiipi^P^pfei=E|=^Efe^:
96 )omerfet words bv itlhu.

s:*' z:::d:n:T=I::

Now can my foui in God ie-j.;icc, 1 leel my Sav-iour's cheer - ing voice ; My heart awakes ta Cng his piiiife, Andlongsto join im - mor - tal lays.

iliiiiiifeiiiiiiiiili^Siiiiiriili,

And mt with im mortal ci-crms, Till I awake in realms above, For - ev - er to en joy thy love.
Hu':d me, O Je-fus in th.r.e arms. cheer - -

5^
-:==zczTf:ztzt-z:^---zz^^lZ^:=i-^
 Moderate. 97
z;zT;E^;i:ns:s:,
i^iSisI^^: God in Si-oij>in Si-on.

e T ^n r^P-P
g3-=d
Piaifcwaitethlor thee, O Cod, in Si-un. Piaife wait-et!i lor thee, O God _ in

*^ "^ "^ "^

'

O GoJ, i:i Si-on, in bi-on.

Cod, in Si-on. Ua-to theefnall the vow be per-torm'c,

for.

^pSigii^:^S^^iiiiSilPSplsS]
iiirtiPiiiiSl^^SliiiSiiliipii m'a in Je - ru - la - lem. Un-to thee Ciall all flefh
(lefh come, Un-to thee flijll a!i flefhcome.

ilE^:
^ R _^ U thou that hearelt pray r,

N
9^ V,3-r.f,.

Make a joy tul noilt, Mkc a jcy - t'ul.fcc.

i?liliyi;ili:liiiii:=i-lgig^ilii&ii Make a jay - lul noilt on-to GoJ, all ye lands, Make a joy - Jul nuile unto God, all ye lands.
niz:

iieiiitifliiiiii;iili^Sffiieps^ Make a ju) tul noife un - to G-.f, un - to God, all yt lands, Make

Make a j..y tul noife un-to God, Make a joy -

For.
ful noife, all ye lands, Make a, i'C.
frft^F
^
'

0- -^-

'

Sing
iy
f..rch the
t-4^J
i.o'tior ot nis
'
U-"
I

nan e,
1
I^1* B -L-Ji-gf
^^

the honor othis name.

I 'ti ^^i^A ^-^J ' ' ^='^-^ 1 ^^-1*-'
I

Make his (iraifeglorioiis. Sing toith tUc honor of his name, make iiispraife glorious. Bicfs ye God in the af-

torih the honor ''

Sing turth ' his
hi na^:, ot his n^me,
I

b':r.g forth thehoQor of his narne.

^^^^^iHi^fl^plliiiisgiiiSEii
'ptti'tl-js'^ l&ag? 333:^1 J^E
U thou king of Dlntsri* U V^
J-r
O thou king of faints. Jjftarjd true are ail thj- wiys, O tliou king oi faints.

thy wjy$, O thou king of ( incs.O thou k\m of fdinra.

lou kinj i^

^^gii^lSiliiiiiiim^iiiiiiiii U ib.ukingot fAlatt.

 lOO For.

Great is the Lord, Great is the Lord, Great is the Lord, and greatiy to be praif'd,His righteoufiicfs cndureth for - ev - er.

lVhofi-.allnotfcart>,fr, and gk.ulytliy name! *

The

l^^^-
. Divoto. ria.

T ^-m-if^-w-T---rP--7^-T-M-x-~ir-T-^--f^'-^-h^^

Slow to anger, and of great mercy. The Lord [o all, and his ten - der

Lord ii gracious Tlie Lnrd ia giaci.'U? and faJl of compaflion,

^
 lUoderato. P'^^-
lOI

from this time fjrtl. fotevcr,

-S.^-

rr.ercles are o-vei all his works.

31l^ffilii-llilipiieii
BleHcd, bl.'iTerf bleffed be the Lord, God of Ifr'el, from this time forth forever, fjr-

^t "^5 ^ ^ U* trom this time forth forever, _ ^

f-zz-lzctz_r:e-
~=:zzzgzzzi:r;
from thisti^ie torlhfu.cver,

Fortiflimo.

i^Hiill^il^ii and
gsgjg
blef-feJ be his (glorious name, iur - ev - er and ev er,
^zz=zzizz^=z:iT^i=zi:

-men, and a - men.

jszjEZZzzzq
i^iiiiPi^Eiipisiiii^^giiii
^^i^l!ili^:#fcSJ^i^liiiii
102 3*/UA'UlUiJ^ This may be performed with or without the preceding ANTME!vt.

mm^B^s^mfm^^^^ii
Now unto the King eternjl, iir.-mor-tal, in - if- i - blc, the on-ly wifcGod, be ho-nor and glory, thio'Jefus ChriA, for - ev . er and ev - er.
.Q-,^_

A-men.

IsiiJiiiiiigiiisiiMfi^iisliiii

j
Cocie, ItrC us jjin o'jr cheer - ful fongs, With an - gels round the throne. Ten thuu - f.md, thou - fand are their tongues. But

(^ -w^
 -_ '^^l
pp5P^-ii^l^|iS|g^l^:^^^|feW^-^i|^
all their joys. But all their joys are one. Ten thou-fand, thou-fand are their tongues, But all
II \.n^n
tlie'ir joys,
jujfS) Bjt
DJL a
'lJ their
lucir joys are one.

^^mm^^m^mmMmm^m
iiiiaii^gsi^iii^iiEiisiii^pi^
Worthy Lamb, To To be ex Wor-thy
the that dy'd, they cry. be. - alt - ed thus ; the Lamb, our lips re - plv For

I^IE^^J^S
*-i2-
zzz^Sb^zzz. ife ^tejgS'jaiPlg^pii^^
I04

Wor - ihy the Lamb, our lips re-ply, For he was flaio, For he waj (lain for

Wor - thy the Lamb, ojr lips re - ply, For he was flain for us. For he ivisf,a'n fjr us.

:iSi3^!ii^i^
Worthy the Lamb, our lips reply. For he wa<, &c.

SEfeEE
p^^-Siliipi^pii^i^pii^^iiJl
- fjs wor- thy to re-ceive, Hos-our and pow'r, and pow'r di-vinc. And blefl- ing?, more than we can give, Be Lord, be Lord, for - ev -er thine.
'I Je is

*
piii^ip:#i^^iigig^iipiiii -3--*^

!-^-^-4-

iqEz:>i-T~rg=z!i:qqr-Trp^^;zrr(g[rgiyrjErgzz
H sar-^ J J
l!Ei-^S3SSzzr:gr4S=i=^z5E3r^3^^zBEEiEfz
-
-rzgrgzgz
^-{--r F-i-bi^-.<-t!>,-K^-l^-p f

-C-
-J-

IT *
^

^^^^^ftpn
 10
l-k^-J[-t~ AS':,

-2r-
UJF=^^zt-z
Let all that dwell a - have the fky, And air, and earth, and feas, Con - Ipire to lift thy glo - ries high. And

! .-L_l..au Hi i-^ns^ES-H

iis^iiitapeiipi^iiiii^iliii
Splritoro.
^ ^

rp:ak thine end - lefs praMe. Tlie whole ere - a - tion join in one, To bitfs, To blefs the fa-cred name Of

giSi^i^pipSi^is^i^i^
zc:
^-
npfcin-^^n^rt
io6 ^_

ion the Lamb. The whole ere - a - tlon join in one. To

u? - on th= throne, And to
him that I'.ts

iiteiiiliiillSS^ii^SiiaEiilPi
=[iz!^z1

-^^^m^^^^^^^^^^
A FortiiTimo.

iPg^asgi^^S
blefs the n-cr=d name Of him that fns up - on the throne, And to a - dore the Lmk, to a -
^czrzf
djre, to a -
is^:^^
dore the Lamb.

^liSgi^igiii^ ipmiiS^iiiiil^
4:;^
-1-^f^-l
-0- -e-
 mOXfOXD, Word.i by Mr.
lO'
J- Lath-op.

"ZllE'-T--

when Chrift a-rofe, And triumphs o-er his helliiTi foes ; VViien' he af-cend-cd to the fky, CrownM wUh the pJm 0/ vie - to - ry.

/-^ / /N

iil|iiiiifpliiSi|liiilippifi^^^ Exalt works' of grace and fame.

Rejoice, iry foul, and ling his prife, Proclaim how wond'iou* are bis ways, Swell, fwell the anthems to his name, his

|pgiia^p:ggifaai iiiii|^iiggii^ i
io8 jIvCOminuCt, Words by Dr. Dadd/ulge.

laiigiiiilliiigi^lSllifel^i

fejf^ilipl

lau<l,aa<l loud pro - claim him nigli. An - gel - Ic trum-pcts rend th tantit And loud procbim him nigh.
m I I

iiifciii^iii^^^ga^ga
 SLl)l*iuTnft3* Words by Mr. George Rkha,ds.

Th' Al-migh-ty Ipakt, and Ga-briel I'p Up - borne on wings of light, Jehovah's glory round hi-n fpread. And chang'd, to day, the night

m e^E
GZ ~^ - - -
na-
VU. _-
^ _ _

Lh th' arch-an-gei flew. From God's e^- ter - nal throne j His ftiin - ing robe uf" bow hue, The (tars, moon, Tun ouc-rtionc.

l^Sl -^-1
iM^lfgi^piigigPi^
-9- t r -o- --

F
, , , _ UAe ,
*=*EEggaElEEiiiEi
note oi peace was heard on hish, Ij'id titi-ings ruMd a . - round.

Ten Oinifa nd th^ojland l;ft the /ky. To cych CiUva-tioB's found; ^ t

no
iiigiigii:
Shout, Ihout, l.r j..y ; le - jur.r, O earth, All hail, All h^.l, ihls glorious m:.rn, . Re Jo Je - ("us" Lirth, To day are nations

'^^$^^W0mMM^m^^^SMM^^m ^;^re:r;^:f:rzq::^zq
tzti:rt:T:t::M:i=ed

:cfez:i:

P!'._
;
;
_-t_m _f^
[

And
-&-i^\.
Goldenharps, atttiii'a
^_J._'
to
^_|
lovc,'l tius iwi:p
Z^:
V. - phra -
1

tab's ['lain.
i^-

f^^h-i
lliSiilSiiiiiiiiiiiiiiiiiii
Zi-on's bill CO ^ bcve Rc-tc-ho back the lir
'

=E=e^ -;gii^:iiili;ii^^lPtiitaiiSii And golden harps, <c-tun'd to love, Thus Iwcp E - phra - tah's plain.

^- SES 5
=aiz~
^ 1
^ES2E^
ft
F.
-ti: ^S
 "Fjr. fi) fi\
Pia. Tor. CrefccnJo. p. rrilTixo. Ill

;omes I Ht comes The

1 Saviour God. Good will, peace, pejcf, joy tor men. Glad lidings fliout to all a - broad, a . men, a-men, amCn, a - itif

.^-O ^

i|g^i^li^liii^SiPiiiiilglipiii
r- I-' T 1
i^i^R-^*
^^^i#^^#^i^W^^i33i^4i|il|i;
garmoutl). words bv^//;...

l^igSiSilii^iliiiiiliigiliil
i_^il^iESlSi F3 rizpiifiii^.^.;
--:&i
ii^gSmi
A-dieu to earihwith all yjur joy, A - 4i5u to all be - low ; Your pleal-urcs all I'd count a - way. If I rr.uil Je - fus kn

B|f^|^!^^p""^^^pj^^j^^|^g :5Nt:Eiii^
5:t:
ii

l^^ffiEgB^BSHiiiiiil^iillii
 112
MmieratoPi:

Comfort ye, Cam-foit yc itiy peo-p!e, faith your God,

^^^^^m
Speak ye com-fort-ably to Jc-ru - fa - 1 em, cry un - to her that her warfare

iiiiiiiSii;iiiiiiiii^Sli|gilil^ipii

is ac-com-j''r[fh'd, chat h i - <jui - ty is pardon'd. The voice of hJm that cri-eth in the wil-der.net, 3>rcH>aie ye .the way 0/ the Lord,

: iiliiiiSliii-^liPii^ii^iS^
E^iigppjaa teiisigigafg^^iiip^^gig
 113
r-F ^vc_

make
jj^yp^eg^ji^fcgBii^i
ftraiglit in the defcrc a high - way for our God, Ev' - ry val-ley ftall be ex - ait - ed, and ev' - ry mountain and
I

^^^I^H^l^ ?*EE5^iEiEEE~
iigi^^i^felippiMiPJgiMiii
Vigorofo.
.0..'^-- T ^iS 1
^-Hr-l-* ^^ r-#-^f-r-^^~----^i*-r^- ^

hill made low, the croolced llraight, and the rough places plain. And the glo - ry of the Lord fliall be re - veal'd, diall b re - veal'd ; and

^^^^M^^^^^^MW^^^^m^
faippililiiiiplii^ilfcitsi;
114
""r-v / '
t

.ill ll^lli fti<ill fee the fal.Vi-tlo) of God; The Lord gave the word ;

illiiigipiiiill^i^^^ai^^p-^
Pia. for.

iiiiliriiliililiSilpiiiii^^^
Great was the com - p.i>. ny of the pub - liHi-crs. The Lord gae the word) Cieatwas the com - pa-ny of the pub-IiHi-ers.

*^ *^ <^^
I .*? *<1
^ ____^

inrts-c:-
 i5

^g^g^EiB^^^i|gpi^#p
Tenoj. Andante. Pia

^-r-i-r

How beau - ti - fill are the feet of him that preacheth the gofpel of peace, that bringeih glad tidings, that bringeth glad

^^i^B^SaMiip^^i-iiiiSSP
^^S^^liiiliiii-^iiiinfril
ings of good, that pub - va tion. That pub - lifti - eth fal va tion.
tid - lirti - eth fal - - - - - - -

^E^zc^=bpl=pE^zi^yE^bg^lE^EpE;;EkJ
^^mm^^M
ift Tenor.

How beau-ti-ful are the feet of him, that bringeth glad

^^^^^^
tidings, that
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bringeth glad tidings, that pub-lifli-eth peace.

^d Tenor. ^ - 'S "J ^ _ . S -2

^Ig^lpfei^iiiPirpifei^
xi6
Moderato.

fiS HilSSap-^^il^^llSSiii^
that faith un - to Zi - on, thjf God reign-eth. that faith un-to Zl-ont thy God reign-eth.

-v/.

\^ i^ *-+ h "I
zztz i^^^fS^^iiiii
iililliiili^iiiilpsi^^^^^pp
Spiritofo.

iiiiiilpjiliiiiiiiigiilBiilgii^Eii joy,gUd tidings, glad tidings, break forthin-to joy, break forth in to joy,glad tidings, glad
Break forth In - to j. y, break f -rth In - to -

^-t-^^-f-^-Z^ZTzpzizizr-zz^QZ^^
z^z^^^^^^lz^z^z^iBf::^^-^^^

^ ^^^^m^^^^^^^^^^^^
 ^iii^i^^iii^.pilPl^ggi
tidings, break forth in- to joy, break forth in - to joy, glad tidingj, glad tidings, break forth in - to joy, break forth in - to joy. For the

V=p:
g^giimEgip JS5 g;|pEgEggpgg^l -f' F-

i^i^iE^^i^JE|^fi-^^i^EFgEp|Ep^f ^| ^ E iEr^|S.

=:f #-# =vF ijg i^^Bi^^igiigigigigigigi com-fort-ed For

Lord hath com - fort - ed his peo - pie. For the Lord hath com - fort- ed, hath his peo - pie. the Lord hath com

: . . ^ r"~r
iipengiiiiiiiipEiigi^i
For the Lord hath com-fort-ed his ' pro - pie,

S^pil^_^iSip^liililiil^fc For the Lord hath com - fort - ed h' peo - pie, hath com-fort - ed his peo - pie
ii8

p^-^^^^iz=^|E^Ep i:^^|EggpE^^ j

Eli^^yEyililpEgEli^pii^ppi^
fd his peo - p!e] and tiirnM a . gain the cap . tiv - i - ty, cap - tiv ty of Zi on.

^-f
i^iiililii^^ii^i^S^m^S

Th? raofom'd of thcLord fliaJl re - turn to Zion. The ranfom'd of the Lord ihallre - torn to ZJ-on, af - crib-jjig fal -
 .tion, and glo-ryf and hon-Or, and po un - to him, that lit-teth up^on the tlir'ne, and un - to the Lamb, for -

^ l-ort:i;i.-nu.

ev-er and c^' - cr, for cvtcr^

cv A - men.
-zez
-f^?-^M^p^-^-H-F-iJr-^-t-{~t-_-tt 1 -'
IK:E=

i^iiteagigs^^iipiiiii :lllbf
 N D E X.
it^The firft art of Doubie Tunes, with this mark (*) may be. 'ung as Single Tunes. ss^'

Kamct. Vcifcs Metre. Key. P"gt. Ninici. Verfes, Metre. Key. Page. Names. Verfci. Mte. nr. f.ge.

Auftria, 3 20 Eafton, I S.M. b 78 *Portland, 2 CM. % 7

Arndell, I P.M. 30 Edgeware, I CM. 89 Pomfret, i L.M. * 18
Arnhcim, I L.M. 36 Funeral Dirge, 4 b 34 Ringe, 2 CM, % 29
Andover, 2 CM. 38 Fernay, 2 CM. 52 Refio nation, 2 S.M. ^7,
Afhdale, I P.M. 86 Fayetteville, 2 CM. 84 Sturbridge, 2 CM. b 28
Brunfwick, J L.M. 19 Germany, P.M. 82 Salift)ury, i S.M. 32
Brent, I L.M. 21 Hinfdale, CM. 33 Sweden, 2 % 63
Burlington, 1 C.AL 39 Hartland, S.M. 40 Sunbury, i CM. b 64
Brandon, I 43 Helmfton, P.M. 42 Stow, I CM. 75
Birminghani, I P.M. b 81 Hague, CM. b 80 Syria, i S.M. 83
Baltimore, ,7 91 *lndoftan. CM. 23 Somerfet, 2 L.M. * 96
*Boxford, 2 L.M. 107 Laindon, CM. b 37 Tunis, 5 53
Compton, I 2d.P.M. 24 Leominfter, C M. 108 Ulfter, 2 L.M. 49
Cardigan, I L.M. b 40 Milbury S.M. b 19 UJm, I 2d.P.M . 85
Confolation, * 50 Millington, 2d.P.M . 27 Vienna, 2 L.M. h 48
ji

Clofe cf the Year, 2 b 56 Mornington, L.M. 51 Vidors, 3 73

Cliainplain, 4? 69 Mexico, . 57 Weftford, I 2d.P.M .% 22
4
Cyrcne, I CM. b 83 Marietta, 65 Wenham, i CM. b 39
*Chelfea, 2 L.M. 5* 88 Montfort, ad.P.M .
77 VVinchendon, 2 L.M. X 76
Chriftmas, 6 109 Norfolk, CM. X 26 Weftern, i P.M. b 79
I^OYoloCTV % 102 Norham, CM. b 78 Wellfleer, i L.M. 80
Dunkirk, 5 ibid. Nativity, ^5
Warfaw, 1 CM. * 87
L.M. % Northington, L.M. 89 Yarmouth, i CM. b III
EIrtow,
*Edinbur2hj
I

2 L.M.
33
41 Orleans, L.M. Si: 25 ANTHEMS.
Ephelus, I b 46 Ohio, P.M. c 3' Praife waiteth, &c. 97
Edcnvalc, b 62 Oxford, CM. b 68 Comfort ye my "people, Uc. ! J12
tidcn, ] CM. 77 Oftend, 2 CM. % 90
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a/nm J'-mi'l^^mmd.
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X.