20 25 a0 a4 an 6s 50 62 8 80 84 102 96 105 110 a4 119 124 STIR IT UP GET UP, STAND UP 1 SHOT THE SHERIFF LIVELY UP YOURSELF NO WOMAN, NO CRY ROOTS, ROCK, REGGAE ExoDUS JAMMING WAITING IN VAIN THREE LITTLE BIRDS TURN YOUR LIGHTS DOWN LOW ONE LOVE / PEOPLE GET READY I8 THIS LOVE SUN IS SHINING SO MUCH TROUBLE IN THE WORLD COULD YOU BE LOVED REDEMPTION SONG BUFFALO SOLDIER IRON LION ZION 1 KNOW A PLACE GUITAR TABLATURE EXPLAINEDGUITAR TABLATURE EXPLAINED Guitar music can be notated three dfferent ways: on a musical stave, n tablature, and In rhythm slashes D A Dd EG oo opea ste TTT) Fa RHYTHM SLASHES are writen above he stave, Notes: ‘Stum chads in the yh diated. Reund A ralahoads seat sng nes, iW ‘THE MUSICAL STAVE stows pices and tytn {nd saved by ies tobe. shes ae Sings, famed ater es sven tse aptabet el oe 3 : TABLATURE graphical repress be guitar H = Iogear cach hort ne reps 3 7 = Sting ond each umber eset ae ql 4 sing 2tet——1S\B2nd sings openD chard open payed together DEFINITIONS FOR SPECIAL GUITAR NOTATION ‘SEMI-TONE BEND: Ske te note and WHOLE-TONE BEND: Suke he notyand_ GRACE NOTE BEND: Stik he nots and QUARTER-TONE BENO: Stik the nate and See ess ee emacs areNeaensneracs: Sau iy Fatal Be 6 a = ae 6 d | Fal % ——— + — = SEIDAREEASE site too a COMPOLND BEND ARELEAE Shee PRESENT Benes sh, PRE ENO RELEASE Sn es wanenices peacock Seetesem eae mnee (inet eeee trace batt he Seine mo Shetorge Pre Be 2. a_at AS (orf Ras vie) eet = o ~ oe ~ a Pat 7 Pe ASONIOG ee tewents_ SODERETRIE Sette ai SEONADMOAEEASE eat Hom AD Be ene an Meemonne sy, lenubancee,, meee erate! Satine * ii seats 5 a Ge = Fee —— a 1 be 7 re I oe # € ATO: The sig vse HAMMER Sek rt over te PULL-OF: Fae omg on ents LEGATO SUDE USS: ist Sendeguaresssigtercwieh te” winenege sensan erage ‘Be sunded Staats hea awa bane eae ft ag foam han Corners ing win ace togeby win png, pl be toes sande gper dows esr she feng euout pe te sexd Yoke rt Sindheteaa sock seeenanenns _ ‘— —x= 4 (pope 7 eS — — e eo ~ e NOTE: The speedo ny bends insted by the music notation ad tempoSHIFT SLIDE (GLISS & RESTRIKE; Same TRILL: Very py alternate between the TAPPING: Hammer (tap) te rt ‘legato sige exceptte second note © nolesindicated by continously Rarmerng_indated wi he pelchand index oe suc. ‘mand pling of. ‘nile igor and pul of tothe note free by be ret hand PIOK SCRAPE: The ego ofthe picks ried down (ru) te sting, rosucing a scratchy sound =_ 9 el se = Ee a [MUFFLED STRINGS: A percussive sound's NATURAL HARMONIC: Ste te note ‘rouozdby laying the ret hand across the whe heft hand sgh toch he ‘Stings witout cepressing and stikng Sting drecty over te Wet indicate, Them wie pick hana PINCH HARM normal pk aac. £ PALM MUTING: The otis partly muted RAKE: Drag th ick across the strings bye plkhand ign touching tended wrt a snl mtn, sting) jst before te bide NC: The note is ote samaly and aharmonc is poduced by dg the ege of te thumo rte tip of ‘he index tnge of he pick hae to he lop 5 LARP HARMONIC: The rte rete normaly anda harmon is procced by gory resting the pk ands index nge oct above he indieaied fet (r parentheses) wile he pick far thamb or pick asst by plucking the appropiate sing, ‘TREMOLO PICKING: Te nati picked at ‘api and centrucusl as posse. ARPEGGIATE: Pay the noes of the chard Indicated by qu ting hem tom totom ap, SS 7 Zz e & —_ - ——— = 1 SWEEP PICKING: Rhythmic downstoke VIBRATO DIVE BAR AND RETURA: The andor upstckemoton acs he sigs. ph ofthe noe oc chris rapped 2 Specie numberof tps nym hen IBRATO BAR SCOOP: Depress te bar st before stking he rots, ten quickly VIBRATO BAR OP: Srke te note and then medially drop a specie ruber of tps then release back tothe orginal release the ba, retued tote origina pth. pic pV VY é —s = we wibar 4 ADDITIONAL MUSICAL DEFINITIONS D&.al Coda (accom » cana not (ly ude. = econ + tcmemmevergrainaty (staccato) + Shorten tine vl of note rf + ownstoke v + Upstke NOTE: Tablature numbers in parentheses mean; 1 THe noe sustained, but anew rtultion (ach as hammeron Fide begins D.C.al Fine 2 Anat may be feted but ot necessary layed = ES + Gobeck he sign), hen pay nti the bar marked To Coda © ten ship 0 ‘te soaten marked © Coda + Gobacko he besonng ote sang and play ut he bar mara Fine on) + Instruments lent ops ou. Repeat bars between sans. Won arepeated ston has ateront acing, lay the fest ending on te est {ine andthe send ending ony te send tineSTIR IT UP Words & Music by Bob Marley q- Intro a Moderately Slow 4 =74(J7-J 3) ty ty Fe A Ry Fe Get deen 7 fre F)* F)+ Fh Fr Fe fy: 1-2 eS = — = ——— ?. Fo wah ah igh [Altightsconrled and amin TAURghsVerse ‘ir I Rhy. Fi 1 times ie m/ REA, Se ee D E an Stir— i up, Stir— it up. Come on and stir it up,jag Ja) g ‘gd Vor. Fig ont y 7? 72 9 779 Pir Fy Pe = — SS SEE 4 > pr Pe Pt Fs Bs arms PR _ 7 pana sa a , ‘ =n : = gts SS c=Bag Vo. Pig. 1 Fy Ft Pos Po BP Pe SSS =a =e 25 ee ey Sa : —— iar —-— eS ¢ a 7 SS : 7 — =Chorus or Wy oy Fs es A BP = eels are = = ew. ee Ba ope sy debs. —= = = a = 7 LPs FIT A Bs A gis EEE —}— 2 = es oe tf = -—S Sir i op Come ony ba 7 Choe on and ft SI = = 2 —— — ~ : ——= tA Ie? EEE fae =a pat : pe <= Pt Ft A As Bs Fs ee 9 it — eae = = 7a ee == ¥ = = = = = — £ | — eS =Bg. Vo. Fig. 1 2tmes D. or Py 1 Pr 1 Fy Parry ire push the wood, and TU1 Fo APRs Foy Arms A All you've got % is Teepe init and+ yy (Ooh PO17Fo Fo By Farms PR — Come/on, cool me1 Bs Py Pos os Br Aarts 2 Youre: = i pe, ale Se tore Jyoat PB Po oly Ay os a eh A i Pal Pr BoP Pele ifs ret Instrumental Solo x WI Fal Pit fh Fh te i laa Py Pir Fie Pr Part foe PM bougowt 7 72 Fay Fi Pa a A oa eee Pt PT Pt Pe Plt ft Pale PP aa ire 1 Pi Aa Be A Ase ee PP i A Fa A By Pe 2 (eto PP oP I A fe PP — Ft PTT 1 Paley Ph Be a pa Sas —eP+ 73s FP? F?Ss , om rm Bs Arm ig = = = it up ee ‘tir itGET UP, STAND UP Words & Music by Bob Marley & Peter Tosh cm Intro Chorus ‘Moderately Slow Reggae J = 76 once) NCB) cm Get up, stand up Rhy Pet Ge. 2st de (ta 2) Stand up for. your ight for your righ er © Copyright 1979 Fity-Six Hope Road Music Lited/Odi Music LintedBlve Mountain Musi Limited! Stuck On Musi/Embasty Musle/Cherey Lane Musi Publshing Company Incorporated. USA 2.19%) Altightscontote by Rykomusic Limite. 29 Latimer Rosd Landon WIO RA (37587 h Street, London WiD 318 (120, 20Don't give up the fight. ‘Stand wp for. your ight Verse cm |.Preacher man don’t tell — me — 2 Most Roy Fie? 2 eo ple think a heaven is un - dee the earth. ‘great God will come from the sky,a (4,3 WF, 2a 2:61 Tinow you don't know what life i real-ly worth He said all___that_litier is gold. take away ev-"ry- thing “and mike ex-'ry-bod-y fel high But if you know what life oN that sto-ry ain't ney -erbeen told. So now you see_ the light, eh. You stand up or — your right. Come ont you would look for yours on cath. And now a you see. the light ‘You stand up for yourright. Jah! a Endy Fi? Chorus Geely Rg Get up, stand vp. 2Don't give up. the Fight for. your right Verse Don't give up — the fight. 3. You're sick and tred_of your i= sm-chi-sm game, yn and goto heaven in a Jesus’ name,_ Lov. some peo-ple some - times, 23can't fool all the peo. ple all s see the light, Outro Ge iui ye for_ ur rights. standup, stand vp So. youbetter Get up, for. your Fight. Getup, standup, Don't give up the Fight Stand up for. your right Don’t give up — the fight. 26I SHOT THE SHERIFF Words & Music by Bob Marley Gm cm Eb6 Dm cm 1 yt -# . Moderately d = 96(J9-J )) we 1 fade 17 did - wt shoot no ecxcusion) but in shot the sher = Ge 24am Pa 1 fpr ey ty = in! For what, 0 me down, Tedon't know LAll a round in myhome - town, always hat-ed me. 2. Sheriff John Brown, 4 See Additional Lyriesed Ray Fig O81'0/ Ry. Pi 1 mes, se Bry he ite bm oa io oS They say they want to bring Bvety = tim T Eb Dm Gm 5 6 sm ing of the dep =u - ut See ct) now leo o i be- fore it grows. Them be - fore they grow (rAd es Ger 3D oot - oh Ob now, now, ae Read it inthe news Tt ar ee 26Pe Fed fae Fags ds t Lord knows, ‘where was the dep-u- itt but 1 swear it was in rel = de- fense,) (xh, 00h, ‘he sher = if, Lor “shot the sher “Rong vas ii TW )- Fin p+ Fr Ta b> ads JA on Totaa) 1 tet eater uf gee Waele md tey “ay ooo om To Coda &) Ty Dd fader Agdr hs A ™ pa dy ds a, eS _f y Yeah. Yeah, Yes, a self - de-fease Yeah, ~ oh, cap -i- tal of-fence.—) (ab, ooh, ooh, PDs er Phy Fs Pa Pe BB - 3.Free-dom came my.way, one day. And 1 srt = ed ot of __ town, 27(e-2-m/ REC 3ne, sale on ee Bs Dm Gm bs Dm Chorus Sek Sina sie om spilt-y, Twill pay, Bor 1 say, ~ (1 shot thesher = itt but 1 did-a’t shoot no — T did n’tshoot no dep uy mo pu yy ne cm Gm DS, al Coda but 1 didn’t shoot no dep - w= ty coh, ah, ooh.) 28Tihs ds Fiji d+ Ads Cine dr oni) ‘Additional Lyrics 4. Reflexes bad the beder of me ‘And what i t0 be, rus be, Ev ryday the bucket a- go a well One day the bottom a go dp out, ‘One day the bottom a= go dropout. ‘Chorus 1.1 1,1 shot the sheriff, ‘Loe didn't shot the deputy, no, Yeah 1 (shot the sheriff) [But didn’t shoot no depuy, yeah 29LIVELY UP YOURSELF Words & Music by Bob Marley = 2 Intro a Moderately J =132(12-3 5) NC. 1 ean You're gon -na © copyright 197 Finyix He ‘Allights controled ane 3 ic Limite Muse Lines yRykomusic Lined, 29 Lali served, nteratonal Copyrgh 30 in Musi Limited. don WIO 6.Chorus D c at pf? emia up your - self, — and don't be D G tee? G oh, reg-gae is a - noth-er bag, Ey live ~ ly up your 31{| a i Verse (2 wi if A, 3s se D c D> G D rock 50 you rock $0, like you nev-er did be-fore You dip s0 you dips, ip — through my door. (en Rite os ° : ‘ gine == Spot pep = e ~ E +f = Es = =| J www 32Chorus (Gok 6 RTC sie @ 3 oe TD TD omnia ay. You're gon-na live - ly up your - self, and doo't say n0.— i eo You live ly up your — yal You live - ly up your - self, — anddon't be 90 wenn i 6 D = ———> =p fee fStop peters You live - ly up your - self, ‘cause reggae is a ee ft 33Verse Gen) RAA 3, ii > wonder why you act D 34Chorus (Ge 2 w/ RfC, 14 Bens cy D G D o mig Voctigt EndBigh Veer 2 Live = ly up your, ‘your_woman in the morning. time,. (Live - ly up your + seit) ip Vecsey 3; Interlude SHIRA. ey Po her, take you, take you, take live = ly 35Guitar Solo oe 36(2: Rie Chorus ‘Bg Vo Fig. Gee 2w RFC tT meas. cay 6 D DG 7 Set Om a. (2: Aes, Saxophone Solo D a 37Verse wre i AR ie si 38D, «. D : ny cttcese/ ap aaa eee ee) ct LD site Outro (er! a RC en se D G D G what you get 39What you got in the other bag you got hanging there? rn § ff Eo SS = : : rn : Ae : = 7 : 40ROOTS, ROCK, REGGAE Words & Music by Vincent Ford - ra er - ce v Ino Moderate Reese’ 3-6 (FID) ener ain )* Jey : —— — Qe ae & et + —— v neyo Elie lh oe SEES etsy eine ad Fg 1 a reg-gae mu sie (Dis-2 egg) Play 1 some music, [nos a> He se Bm Em Bm Fim? Bm Roots, rock — reg gas — Roots, rook, eg - ga ey) cere Poy Taam oe Pay) some mn ToCoda 1 ToCoia2Q Verse En Bm Find Bo Bm sy.mp2 eee ee Parone 1 Ry Fi 2, 3s Bm Em Fin? Bm Em a a Pipe _* ape a = = 2 = + swe sounds ood fe. Tanto fase Bm Em Fin? Bm En Bm I aa fpr SS te z & 5 * 3 7 f wae Feel lia dane = dance ‘cause we tee. © caren 4 iyi Hp aa ene Haneda Maine Allright contraleé ana by Rykomusie Li Latimer Roa, London 0 6RA "A RghsRerevedIernaional Cop were. 4DS. al Coda! Em Fim? Bm Em Ba Em Fem? — Fel tke dane = come dance with me. ‘QCodal Verse Ge Ry sme ‘Bm Em Bm Fim? Ply I on the R, and By whoa, want all my poorple to see. (Boo doo doo doo.) We 2 (eka) igs Voc w Ve. Fe Bm Em Bm Ft? bwd-bl- in? on ike (he top one hun = jst 8 mighty dread. nd A hg Vou w Vo. Bm Em Bm Fim? DS. al Coda 2 igh Voc woe. Bm Em Bm Fim tbob-blin’ on the top one hun like a mighty. dread, 42®Coda2 Chorus ‘1 Ry Fig ce Bm Em Bm Ft Bm Ply 1 some omy (Disa reggae mu - sic) Phy T some Verse Em ‘Br Pim? Bm Em gd oes w! Vo. Fi 2 wi REA Bm Fem? Bm Em Tmy people to see. We're bub-blin’ on the top one hun dred outro Blga Vou w/ Vor. Fi gd. Ve: w! Voc. Bm Fem? Bm Em Bm Jost kee might-y dread Pay 1 some mu — sic, reggae mu - sic Fem? Bm Em Bm Begin Fade Fade Out igs oe: w Voi. igh Vc: w/ Vor 2 Bm Fh Bm Em is 43NO WOMAN, NO CRY Words & Music by Vincent Ford com He EE fee aicieunere ot cn An : - : « ; (gu & ro) ‘eine troabone ‘Two ge a foro @ 7 Le eng trouout Beg voe tine oy Chorus ‘ir w/ Rhy. i 1.2 nes, sie c cB play Sime — © c cB =e 2S aes ee = No. woman, m9 en. — Now woman. 2 eS Bae lear — a am F cgi a © 5 tS — 2 Se Bane) : oe ars Son shed 0 tea consm moo oF Some © copyright 1974 Fity-sx Allright controled an "at Musi LimtedOdnt Musi Limite rerved Inernatonl Copyright Secured 44(be 1 Rt A, ese Bverse (G20 Ry Fig 2 ney se c op Am F c cB —— = L.Said, 1 re ~ mem - ber when we used. 10 2ASaid "1 reemem - ber ‘when we used. 10 = in the gov-em-ment’s yard in st in the gov-erm-ment’s yard in ~ Sieh town Ota o-t amv = ng te typo ates as ey Tien: And ten ag fe” wot mate aa, ae RS c ce sa F c oo ap Bn x $ - ft ae =o = f = at el = oS re would le wih he good peo = pe we at Goal fiendwe tad, oh Tapa ee ea Be ah rene wll cook om = nc am F : oe =] == 3 ood fiends we've lost — Jong —— the way. (ea) or - ridge, — fof which PHT share ith you. (Och —) © ow Am F Tn this bright fu tre you can't for = get your past My feet ismyon = ly riage —_ To Coda a+ tome 5 : GaSe a SSS a a ms 45Bridge NEO com) (am © ee eS = SSS ——— = ——— 7 —= z >= SSS 4 Se = == 3 = == — SS = Beet © (cm ® apap pgp = = ftp SSS SSS By. "rything’s —gon-m be al vit yean Ev. tyshing’s—gon-na tea ght ky = - Sees ~y ae ats SSS eo f= == 5 = == seennenn z + we + re 0 + ee ta) + Chorus ‘Gash m/Rby Fig 1,2 ie eS =- wom-an, no ary © — _ Ob, my ft de sis — ter, don't shed no tears 46etieg oetant fue fan 2 1 1 1 ay arDS. al Coda c F C__aeeennnnns, @ Coda Outro ‘Gu 1-w/ Ry Fig, Sts, se No, wom = an, no ey. (Oh, my ‘it le dar lin’, say don't shed no tears, — No, wom -an, no ery. EN 48Lit de dar fi dont shed no tears, “JAMMING Words & Music by Bob Marley Bm ET G Fim D Bri" om am fm He Eee Bare og ro Ta a IE CoRR a Chors Roy Pet oe ret pa We're jam. ming ox 24ce0) (comin) (© copyright 1977 Fity-Six Hope Road Muse Limited Muse Lied Blue Mountain Musi Limited Allright controled and adriisared by Rykorusic Limited 229 Latimer Road Landon WID RA, "A RightsReserved. Internationa Copyright Se 50Ba = « Fm hope you lke jamming, Ain't no rules, - vow pe > bm > ¢ —— or Prt 2g fre wb prt pra for »? rs — ain't no vow, we can do T and Iwill see you through. "Cause ev-er-y Ge Sarkis ‘bm D Bm D Gc a day we pay the price. We are the liv-ing sacrifice, jamming "dl the jam is trough, — 51ane Brit ET ow Fim? ‘End Ry msn es oy Ave Axe Prt prt pret fxr pfrdrt po f f f f f f f f ‘To think that jamming wat & thing of the past. — Bm 2 o Fam7 jamming, hope this jam is gon-na Verse nae a D Bm D G bul-lete can stop us now, we neither beg nor we won't bow. [Nei ther can be bought nor sold, — 52all de fond the right, Jah Jah chil-dren must ~ nite, Eni re 3.2 "am (am- ming, jam-ming in the name of the Lord, (3: RCA, 13 measly is e A _ 2 —_s = ft __»5— oe aa Z # oe _ oe ies = : = $ a: = rm" : j 53Interlude ony Bra prt Derk pre Dra py com a) fy Mount Zi = Jah sit-teth in Mount Zi = on roe 283 = S f sry atar! Chorus ‘ie Ry. Fig 112 mea oly (iw Rhy. i 1 2mes (Gr 3:01 Ret A at men oly Geese . ‘Bm B ‘i crea tion, Yeah, we're, we're jamming, Bop.chu-wah:wah wah. We're jamming, (Bop - chw-wah) va(Bop - — chu- wah)bmm, 4 ¥ jamming, (jam-ming, jam-ming.) And jam down hope you're jam-ming, wo. oe? P Verse Bm ET Bo BD 6 Fmd knows how much I've — tied, keep you True love that now ox cant re = 55Ge Sw FI2 9 Chorus jam-ming, 56Fam Bat rope pr tk pr? a? jam-ming, we're jam-ming, we're jam-ming, we're jam-ming, we're % 6 Fi ? igeaa? prt prt fret vtopy f f f f f f jamming, we're jamming, we're jamming, we're jamming. Hope you likez Kora pra Barr prr par pa L 7 a jamming, we're jamming ‘We're jamming, we're jamming 1 want 1 want, am ming, jam ~ ming, jamming, T want to jam "it with you) = Fim Bet B t pre erent tees een ieee cea amen) et meee want to jam with you now. We're jam ming, 58hope you like jom-ming, 1 want to jam it with you Gam-mung) (Gam-ming)a hae pra pra Picea aay) et eae aiken waaey eve ecee) Uy fou lke - a jamming, 0, 1 ike, 1 hope you, — 1 hope y 603 5 a : rt par pars cote ‘1WAITING IN VAIN Words & Music by Bob Marley Abmaj7 Dbmaj7 hig” v Mderately Stow J =78 SSS —=—— = > => f Spoken: One, wo, el to, thyee Abmai7 Domai? Abmaj7 Ry. Fi ———— (3:8) FLT Dbmai7 Abmaj? Dbmaj7? nd RITA, iy © Copyright 1977 Fity-Six Hope Road Music LimtadOni Muse Linied/Blue Mountain Musi Limited Alirighte controled and wéminitered by yor 1229 Latimer oa London WID GRA, 'Al RightsReserved na pyight Secured. 62Verse Abmaj Dbmaj7 Sa = LFrom the very first time 1 placed my eyes on You, — ——— ‘Abmaj7 Domai? Nomai? aS: + SSS SS Tow. through Bat 1 know now that Fm bmg? Dy —— 1 E = Sa = —— way down on your tine, — but the wait «ing feel ie fine, — Aba? Abmai yy SS SS “eause I know how 10° do my (SSS = at So don't ueat me like 8 pup-pet_on a Sing Domai? Abmai? = Dbmai? T. i SSS Se thing Don't tak fo me a8 you think Vm dumb, Abmai7 Dbmai7 geree: He ae . nd igh Von Fi —S 4 5 ef # @ tose & ———: + of BRL ck oy wi Bags oe Ft Dbmai7 oe — Te your. love don't wan = nawait in vain for. your ove, “ease if 63Db Bb cmt Bb? Db sb mst wait ing — there — ~ ter is here, Guitar Soto Gr wi Rby Pe, 20m cm bm? ‘Abmaj7 Dbmai7 sill wait "AbmaiT Dbmai7 ‘a 64ene sivas kta bm Ava SoS =a z Se SS ? BS TE bem. de yeas. sce Pm tng on your do aed | sl can aoc ome Dbmaj7 Abia? Dbmai7 is i fem Table, Tanto know now, Abmai7 Domai? Abmaj7 to knock some more? Dbmaj7 there's lots of rie. but. your love is my re + lief Tears. Abmaj7 Domai | Abmaj? in my eyes — bum while 'm__ walt ing, while I'm. walt ing. for my_ 65Outro Chorus Dbmaj7 abmai? Dbmai7 T don't wanna wait in yain_— Yor” your. love. ‘abmajT Dbmai? Tor your love teh Voc i. 1. 2men ‘Abmaj? Dbmai7 | 1 don't wan = na wait in vein for your ‘Abmaj? Dbmaj7 eee ee a a SSS, don't wan-na, 1 don't wan-na, 1 don't wan-na, 1 don't wan-na, I don’t wanna wait in vain, — No 66Abmaj7 Domai? Ed Big Vox Fe? ene — — Taovtwarcna, Iedovt war, ramet wanet, dow wan, 1 dovt wan wat la vai. fey SF Fe 24. — — — 2 Se = 7 ‘kg Vow Fig 2. fade ‘Abmaj? Dbmaj? i ——— S aes * Begin Fade Abmajt Dbmaj? de — — , a — — ove that I'm — wait = ing on, — is my Tove haty Abmai7 Dbmaj7 Fade Out Jove that T'm waiting on, — its my love thatyou'rerun-ning from orEXODUS Words & Music by Bob Marley Am Intro Slowly J = 66 og. Am ae Has po Trae (0.1 2m Rhy Fg, 1A 4s, se (Movement of Jah peo hy. Fig A (© copyright 197 Finy-Sic Hope Road Music Limited/Odn Music Linitea/Btue Mountain Music Limited Alrights controled and administered by Rykomusic Limited, 29 Latimar Read. Londen WIO BRA “ll Rights Reserve, International Copyright Secured 68ple) Verse (Gi w/ Rhy. Fi 1, ces se (2 wR. 1A, 3a Am 1.Men and peo-ple will (ity mu a Let me tell you if SI alight, (cn esate fight you down. Tell you're. not wrong, then why? yeah ‘me why. f through the roads — of crea (Wen you © pen your eyes and let me tell you this, see Jah light) Ry. FL (Well, ev -“rything is al - right.) (2 w/ Ry Fig 1A, 27 dies, ia, ba, ha, ba, ha, hal So we've gonna ' on We te pmer- on, te ny, Chor +p t = PS = rs = SS SSS tet wags gear snag TUREGN OME hte ton Be eS “amb 6, Dao jm (3a fh — = = = = SS (Move - ment of Jah peo ple) (On, yeah, aaa + cinerea = = = ag ———— # == = = . mmees i ' ote <0 = Go jae “9(Move-ment of Jah peo - ple) Oh, yeah. ‘Yeah, yeah, yeah, wel. 2.Uh, = pen your eyes. — (Look with - in Aw you sat is fled? (Oth the life you're iv ing?) Hi We know where we're go BE we know where we're Tom. We Jeay in? Bab = y= fon, we're going tour fa > ther-land, (0, three, four Chorus Be 0 - dus (Move - ment of Sah peo = gh Vout ad hgh Vee. - ple) Ob, yeah Send us an oth er brother (Move - ment of Jah peo = ple) Bkgt Voc oy Beg. Fig 1s Moses, from a - cross the Red Sea, Send ws an oth - er brother Mo es, from a°~ cross the Red Sea 70Interlude (Ge 2-0) Rly Fig 1A, 25 ii hor peceamaa Al 5__ ma Am (Movement of Jah peo - ple) Ob,. ye Ed Bag Vox Fe? ntg Vo. Fig 2 ines a Now... now,nom, now. AL right Spoken: One, wo, thee, ‘four. Bridge nt Move! er Stcean Toa aioe armas by aly moving ona op a gh Teno Taal ave Wa op ad a we Wy Ong ST wtih wucing oper @ sng Verse ‘Am 3.0 = pen your eyes,— and look within Are you satis = fled_ with the 2Ie youre living? Welnow where we're go - ing, we know where. we're from. We we're go-ing to our fa — thers land z 5 5 3 Chorus ‘rt 0 / Rhy. Fi 14 ese (2 wi Rhy Fg 1A, tne se a) Move-ment of Tak peo:ple, moverment of Jah peo - ple “ (2 w/Rhy Fi 1A 12s, Ry. BBridge Verse ge ies se oa , ey 7einer A — 3 Move 4Jan come to break down ‘pres = ston, nile e- qul- i= yy. Wipe vans - gression, Move = ment of sah peo, = ple. (e.2W/ Ry Fi LA2 tse Gx. 0 dus) (Move = ment of = ah peo ple) Move = ment oF Outro wat Lien ys. ‘5 w/c, 2 V2 mes, ie ‘kod Vos 3.4, ine Play 8 Times and Fade apt Yor ie ad High Vou. F.3 "NC CAmm) Gm” (C5) Dns) ay tines (Move-ment of Jah peo - ple) Move Move. 1%THREE LITTLE BIRDS Words & Music by Bob Marley Hig ay Pa Intro Moderately Slow J = 74 oro t 9 fo JP 1 fa fp 1 fx J 1 fa Pp (oe 3 (een worry a bout a thing, ‘cause ev. "ry little thing's gonna best = right. iy. ig A 2? by. Fig 1B © cag 97 ity Sc op ead Mae ited Ms ied Moun Mu Line, Allright contrate oy ited 229 Latimer Roo TA Rigs Reserved. trator Copmigh secre, 75po tS —_ ==, antes aie a . - a on eee ee mn fea ee 6 . ; r: : ee 16Verse Gras, mornin’, smile. with the is-ing sun Three tittle birds, — pitched by my piece == == SS ==] IN 5 1f7t+prfar) 1 farpxr fr) 1/7) 1 fT door-step. Sing.in’ sweet songs, of meLodies pure and tue,4 maa D, 1 ft pt fap x fe pt PG ? Chorus Ss Bek Eh = SSS od vite} Gael worry “Bout thing, no lit = de thing is gon. ma Sing in’, don't lit = te thing gon na singin", don't i 78evry fi-te thing onina be al = right. — 2.Rise up this ev'ry lite thing gonna be al - right Him, don’t te. Chorus P28 a Rhy Bes PS tS - ati tofat Begin Fade Fbout (Cbout thing. = gh Say. dont worry a : D Fade Out aby - eee a = ¥ * = 5 ae thing, 10 ‘cause ev ty ee ting fe gon-na be al = sight. pos 44 fs ef 5 = 7 = = 1 = r a + —TURN YOUR LIGHTS DOWN LOW Words & Music by Bob Marley Am/D D G DFE Em c Bm fehl (0 7ifecy 7 FSgaTy OOfegee Pept 1 fy wt 29° ES GER ES “Ee Ee m Em Gt ° Dire oii Eke ae eae © 2 Ino NC. Am/D D Am/D D Gtr. 1leed © Drums J r mf vic God wile 102) = 4: aH IES - eed ‘Verse G DiF# Em c Bm Am ' 1 = GHea = = wpe e- = = = = = ‘Tum your lights down low, anda pull your win-dow cur 2.3, Tam your lights down low, nev -er'ty “to resis, s = _fe# eFee 2s — —- £ eB ee { = =: = ——— aa a 2 12-10 ¢ E ae — ——— (© Copyright 197 Fity-Sc Hope Ro 80 usc LiteOn Muse Liite/Blue Mountain Music Limite. by Rykorusic Limited, 329 Lalimar Road. London WIO SRA erved International Copyright SecuredAm(Dbass) Fig.3 Gte.3 (eke) G 8 Oh et — jah moon come.— shin «ing in, One my ore. come—anb © fi im $88 — se ee ee ee ee tt eS =S=s SSS 5 3-4 ——— | Fea Gr.2 G DIFF = “Play ad ib sim throughout D/F? Em Bm Am 8 81into ou ie aan Saying ooh ino our ie an Syne ooh + i $ 15% —§ = E ben fate —" 445 12 —— 4 a) i J + tt tt oe = ——————————— Tong longtime, T kept this mes ge for you gi aad "1 wan 300 10 know right now $8. 6 f Gu 3: wii. 4 —_ a iB Full Full 0p ei 08 I 82c Bm Am* = =a es still T want to get through to you gitl and T want you to know — = tet 8 ty itt 4 Bm Am SSS es eG 1 want to give you some love, want to give you some good, — good lov-ing. On 12-10— a 12 —12—10- 4010-10-40 Play 3 times c Bm Am pp Soe fr Tr a it ; = say I want to give you some good, — good lovingONE LOVE / PEOPLE GET READY “One Love’: Words & Music by Bob Marley "People Get Ready’: Words & Music by Curtis Mayfield Bb ae Eb Gm sehen Siege He an Intro es Moderately Slow J = 76(0-J J) Be, Fr, Bb, Bb ovr LTD TTD tft) Ta) 9 fas 7a? (oercuie) Chorus F Bb Bb F ye —————— B i : = 1 a a ecm Bb Bb F Bb End Ry. Fig Les get togeth - erand feel alright Hearthe children crying, hear the chikdren (One ove.) Saysing, give thanks and prise o the Lord and 1 will feel al right. Say ~ ing, heart) SN aaa a ane) eh tere ters eet vo-geth er and "Warner Chappell Music Limite All ighs Reserved, International Copyright Secured 84Bb "End Ry. Fe 2 Pp 7 PS - pd 1 =o SSS ¥ aS = Pot SS = eS ? SSS Sa 1 Let them al pss all. hei airy e-mu Thee is one ques- on hs Dudtegar > goth ot 0 fight this hos) Avma ged don Sowher the maces “ew Tone tre) »E om & Bb SS=— —————— SS , Soe SSS real ylove 10 ate Sena ep eee eS oom, are cae oe rte) amen ola There 5 oo ims chorus Gm Bb F Bb a ae cay JF a) . Pb, pattie: as == ——— ao SSS SS eee SS ht all man = kind jut Time his owns Besheves me One what ows Soo ha ne pace, tom te tah cr ote = eS og One hat att re enctear? Ow ba What a tou oe ogee ee a reheat? Ome hea What 2 tates Bo wee ls tere heat =) dats gem | Se and F : a feel al = tga. At Kk wnin be bo -snaiog Sostallit te in the nd fale aes re et ug fama To mS am “Gre tore, (ore Es a Gre - Prise to the Lord, and 1 will feel al yeah L's = aeget = togeth = er and Thanks and praise to the Lord, and wall fecha Kets “gt tgeth | rand thanks and praise tthe Lord) Geta a ie Begin Fade F Bb F Ba, Eb r1ftp 1 ft) 1 fp 1 ft +7 ) a ? en = s By 3 = —" sh (SS SSSe SSS fect al. = right_One more thing. feel al. = right Give thanks and praise to the Lor, and 1 wll . py Fade Out BR Bh, BE F, 1) 1f 49 1 fT) + fa? fr eS , — = 85IS THIS LOVE Words & Music by Bob Marley Fem D A EGe = Cim Bm E cim'Y cm Bait a i tel es Reston ee ce Tatra Moderately d = 122 (7) vow 182 ‘Weed NC. tm) nf + ww ) wwe » w vent tn eee ee eee = % LI wanna love ya ran ed Fy a et A oe] Fim ng yg > g pri pr pre prt pr Do and reat you right, 1 wanna love ya go = ee aa ——- — haa aC (© Copyright 1978 Fity-Six Hope Road Music Limlted/Odnit Music Limted/lue Mountain Music Limi Allrights controled and administered by Rykomusic Limited 29 Latmer Road, Lanéon VIO OR “Al Righls Reserved. Internationa Copyeght Sacred 86(3 wy. Fig 1,31 mes > A ect Fim © + ver our heads... 87Fim an Prt frre par Do mas, ie =; Ss love, is this’ love, “this love, i alls ove that im feeling? tne, tore toe fove tat Tam feling fips —— = aes r = SE ——- $ SF 7} -Bm feel - ing? ad Ry. Fg 2 (ie 3 wi Ry Fi 2 Cin twee tis, is Jove) oe ae = PS Nc@m (cfm ©) 89Bm) (Chm © © im) Tve got to know, ony » Ds D ? e as eta oo t 90D A Bot Fam 1 a Jove and weat love and reat you tight. — ) (Love and weat_ You ight —) rr oe 20/F1 D A Bot Fim To - > A wot ”por RPE share the same — room, yeah, or) Rat sine eh Senay Figs 2m Chorus 1 ous pik ) pa Te his. love, is this. tove, is this’ love, is this. ove that T'm cia Ont Bm ctm love, is this Ga 28 3 Bm NEGm Em ©) © (ec) 2Bridge NCO) __ Gm Cim © & (chm Oh yes, T__ know, yes, 1. know, yes, I know now. or or Bra prt pre pa Ob, yes I know, yer 1 know, yes 1 know now, Pm wilingand 9 ca Bm Fin 2 pre pyre pra pdr t pre pra pra py eet eae ta cade on your ta ‘con tat) E bY Cha” cm Bm wr pp or Pod d+ ~RY YannaVerse (ie: wy Fg ee akg Voc Fim D iA Bot love and SP ade ie — ——s ff cn Bag, Vee Fig Bs eveer-y ight som 142 Bene “corgorie wrnaraeH Beg. Vor Fi 1 Geet WRT E te, ste Fm D 9%Ba Vos Fi A GH Fim > A Et me Fi A Bot Big oe Fie Fade Out Fam D A Bot share the 5SO MUCH TROUBLE IN THE WORLD Words & Music by Bob Marley Am Dm Em Dm? Amv og Po foe iy i Be fe Bee e a 7 = s eR mes iy. Ed Rhy Fi ’ ae y > = ae) Q. = wm SSS SSS ee eyes. this mom = ing. Jan's sun fon the my os Mountain Music Limited oy 9 London WI0 RA, 'AIURights Reserved. International Copyright Sacred 96Pre-Choras tng (3.6/3, de ‘Am ‘an, ef Fa 2 em Seo sail - ing on their © go tips Blast off on their. space - ships. aa Ge: 1m Ri Fig, 2,23, sie m a F m : Fm tery re2 5 1 fa) Mil - tion miles fom re sa dy, 0 Chorus bh Ye Fa eam) —— Am F Em ”Da Det BDF PDs DP (0 ear — So much_ tou. ble in the world. All you gotta dois give a litte give a litte, one, more time, yeahs fake alittle, sive a Tit te more (Give a litte, Give a little, ake ait le, So you think. you've found he shy - ton, nunc ad Ret oS 8Ge. w/ Rhy Fi 3.2 nee lr a — = P=! == = F —— bat jee oe sion cu vs p- = ~Set f- t = = £ == —— —! = ee don’t you leave another com = net yeah Ss re Poy ar or fey Verse Guana Saco am Am = Dm —— hf gg = z a ew ames == Ss Saal £ = = r+ eee o , on == SS = SS SS & = = eaten 99=e yeah, =a snr wwe ae one ind) beet} Dn, En An Dm Em err Sr = =— = = == E eS Now they, Ustertenry SNM et tm Qf = i ttt Now 1 know your time as come. (Ha haha, hahaha) What goes on up is coming on down, (ahaha, hahaha) Goes - round and comes a- round. = (Hahaha, haha) Chorus ‘Ge n/ Rif A sii end ‘ited oe fig mer ‘Am oy TP 4 FS eet teem sie So much wou ble inthe world, 100Dm fobs ee r jai. : nd Big Vie Fie 2 — - = Ft 6 * ——— = os es = EE Se eS = = E ===: eee est Pea ‘sn _———— erie =— == so much trou ble inthe wort. (There is) Begin Fade Am ‘Am 101SUN IS SHINING Words & Music by Bob Marley Am Em? Intro Slowly J =72 “Wa pase a aa 7 Fi Bs Aa By Ba Br a BB verse m7 Emi3 yi Em 77 1.Sun is shining, 2Sun is shining, the weather is the weather is Em, Emé_ Em En? Em En Em? Ems Em 1 FP Pht PD Ft PB PD PD FB conseonsnis eta d == SS < — ot a Ft sect yeah Make you wanna move — your danc-ing Fxt To wet tow. Make ou wanna move — sour dancing fest, yeah Bue © Conytight 197 Fy He Alright controled and toknow, y'all toknow, jot if you can Road Music Linited/O¢nit Music Limite/Blve Mountain Mosic Limited fered by Rysomusi Limited. 329 Latimer Read, London WIO BRA. cserved Inerational Copyright 102To Coda tee Em En? Ems im Eo? Emi} Em ‘When the mom ing Em? Emi3 Em En? Emi3.— Em Am (Ss pp a 4 Want you to know, yall Canyou, can you, can you un - derstand? Interlude oe Em? Emi3 Em Em), Emi3 Em 103DS. al Coda Em Em Ema 1 A BBR 1 BB, Bie - _ 4 Do you be-lieve me? (Can you understand me, now, ba by? — Be f se Ge 104COULD YOU BE LOVED Words & Music by Bob Marley Bm D G Em Fim Em'¥ a . nn nn en ee sp ial ro oaeratly d= 102 on tet “Ne ‘om ©) __@m © _@m RH _m_@H G If Ps. ascuphoe * Coos pres payed by rn. Bey Py J) SD Te of Gm) @m _ eB) Chorus 7 wr FID + Fs Ps TT pura Could you beloved? ~ © copyright 1980 Fiy-Six Hope Road Music Limited MuicLimnted/Blve Mourtain Music Limited. Alrights controled and administered by Rykomusle Lite, 227 Laimer Road. Landon Wid JRA [A RightsReserved International Copyright Secure. 105L.Don't fet them fool ya, 2 Don't let them change Ya, 106so tohell if what you think in? (ob, oh, Chorus "Gor Sm Rite A AL, 2m 5 oy Fig a ime) 9 7 11S 1 f+ PT _——_—s FS Could you be loved? Then be Toved. — — 1 Now, could you be toved?__ Whos, 107Br End ay Fig Rhy. Bg Bad Ry Fi? 1 hed TTT Ss (2 w/b Fig 2, ines ‘Spoken ‘Could you be loved, now, could you be loved? 1: w/ RAB, 2 se ? oad of life isrock « y ‘and you may stumble, 100... So, why don't you point your fin - gers at some-one cfse that’s judging. you Bob: Love your bro = ther, man, — (Could you be, could you be, could you beloved?) (Could you be, cout you be loved?) DS. al Code igh Voc et ad migh Yoon! (Could you be, could you be, could you be loved?) (Could you be, could you be loved?) Coda wr PT + PT. 1 PD. PO ee ee 108Chorus (1 3 RATA AL, 2 et Bm G Ge 2 wks Fe = Cond you be ved] Then be ‘loved. = Now. could you be = loved? Whoa, (G2 wy Fi a ade = Pars, —— yeah. Then be loved___ on, (ait gone hema te an « is Toa? pra; ray) ~Td yeah, — Girt! SI te wel ns ay ss fom ware Beg. Yoo, 2imee Say some - thing, (Gome-thing) Say some - thing Say some - thing (Could you be loved? Say some - thing Say some thing. Reg - gat, reg - gae. Say some. thing Rock on, rockon. Say something Reg - gue, reg - gae. Say some-thing. Rock on, rockon. Say some- thing. (Could you be loved”. Begin Fade a WB. Vo Fig 2m Say some thing, Could you be loved? Say some - thing. Come ont Say some - thing. some = thing Sey some = thing Say some - thing 109REDEMPTION SONG Words & Music by Bob Marley Em Am G “eg im SRE Bo mes ty soll tener chan spe (2, 3085) - pate your - selves from men-tal slavery, none but our - selves. can. free our minds. === SSS SS d2ag Fa 2S SF a = T = | 2s 7 = —— =< == — © copyright 190 Fity-Se Alright controled aAm G Em = ‘ = ae St | Mi-nues af = ter they tok 1 | Have no fear for) at- mite ~ ner = “cause none of —— or c GtBbas) b c — aoe = > = SS = SS e ae v T — See ee Bit my hand vase them ‘en o> the tne owing Shall hey) are 4 e —— - ————— = F ——S—S oe FS 7S 3 Em c Gaba) : = s = s S == Ss eS SS Sc (5 pene elec cis um phan Soma acc ae set a nt a of it, we've got won ote | Bok —— 1 =Won't Won't 3,8) All you help me sing— you help me sing — T ev = er have 2 G To Coda®Em Am Em Am Cr a re a ee oe Em Am Em Am DS. alCoda 1aBUFFALO SOLDIER Words & Music by Bob Marley & Noel Williams A Ftm D i a a na Moderately d= ae J) (1 (ea) een Fim om De fet fat FRer FRE SFR LBuf- fa to sol = die, tak. en from Af. ni QE ENR Pe sume sae G2 w/RWA Sh A aay Pe koowas a bor aol = dice Fight - ing on ar-tiv = aly heat of A mer is a Seo! fight-ing for sur = viv = oh Said, he was a buf - fa - lo sol eo fom Af. hs a, er, Fim A brought A. mere, Fighting on ar ‘dread lock Ras i Buf - tv. al, fa - lo sol > der © Copyright 189 Modar Music ongitute Musi Coporation/Music Sales Corpration, USA, {EMI Music Publishing (WP) Limited, 127 Charing Cros Read, London We2 6.3, ‘Campbell Conaly& Company Limited 8/9 Frith Stret London WID 38 (2260, "AU RightsReserved International Copyright Secured 4fight - ing for sur - viv a. 1 mean it heart rr Chorus D, Chm D. Cte, oer drt FRei Tri Fa Pra NK a When Tan- a- lyze the stench fo me it. makes Tr you know your his - - n, then you would know (Ooh, a Fim Ea Ct D, CH » F721 Poe Pope hy ao ——— us ot of sense, Flow the dread - lock Ras com = ing from. Then you would = n't have to ask = (Ooh, TF Vi FD Fs) t+ FQ) ps was the bur lool er. 2And he was who the heck T (Giok Tam, 3.1m just the an, =) Verse Be 2 wi RA, dies Fim A ce} Tai FQ Prt FRe far 7? buf fa. lo sol = der in the heat of A mer is ca iit a ale el er ee in the war for Amer is cw Te (vp) Trt fp? pra Bra Stol - en from A= - ca, Drought to A-mer=i - ca Buf-falo sol = dier, dead = lock Rasta ns> TQ FR? FRe FR FRe FR Of $= = Said he was fighting on ar = tiv = al Fight- ing on ar tiv = ah » FR Fda Ae Prd Fe An fight - ing for sur - viv a Sid, he was the buf - fa - lo sol = die, fight — ing for sur viv al Dav = en fromthe main land z at ae Det ae Ds inthe war for A mer is Tell ya tothe heat ofthe Car. ib > be - an, sing - in! 1 Jet Ae Ft Ri Fr rea Re 16® Coda Ve i291 RET Anes ‘s Ft, err” C rr———CrrLL S.Driv in’ dough San Juan,— the ams of As mer Pe n7Pye Ft Ae Ree Re Aen Fighting on ar = iv - al, fighting for sur-viv = al Fim, A rTP TPe FR TR? PRE FR? FRE FD Bul-fa-lo sol - der, dread - tock Ras ~ ta » SP?e? FR Fer fr rt PR2 Begin Fade Pim, EL A » Tee JQRe Fe Fe PR? KT 118IRON LION ZION Words & Music by Bob Marley a Baus D A Bo¥™ a a se ee ee Pa, obo ky a forge (© copyright 1992 Fit Six Hope Road Music Liited/Odnit Music Limited "AU RightsReserved. nternatenal Copyright Secured. Mountain Music Limited Allrigts controled and asministered by Rykorusic Limited. 329 Latimer Road. London WI0 6RA, nySy Verse (ie 1 Ry ig 2 Seine (er 2 wR) ed tne NC. Bm) Em Tm onthe rock, 2.1m onthe nun, fies ata oleae Pec ae Je prya ya Paya Say Ry. Fan ——— Gn? 120Bsust = SS = = ——— the ite Tm — gon-na_ be eae And they say-ing on ke a ion in Tm gon-na berecat Gir, wi PN 2, Ist meas ime ‘® Bm! NC Bm ‘ N> (cot in tin) Sex Solo Verse ‘tw hy Fi sie (G2 0 RATA, Em Bm 2 oe (Run-in’, and you're run-in’) See you pop, 1 take a stock iy. Pe 2 122Youre? nd Vor Fg? fis —— = == 4 (Run-nin’ like a fu ai tive, mts a E = = — at 4 Coda E 12 5 ‘outro Orn) amie 8 Ou. 2 NG. @m) D out peered 2 4 a 4 eS ————— == : = # ee é = ; = 123I KNOW A PLACE Words & Music by Bob Marley & Rita Marley rm oc a Oy erie hag ime “he “ae ae zy c (Gee J SSS on a (Wien de wine we 2) pee is "ae ed 4 ¥ _ ; Gio EHS Hyitts +t 3 = = = Ly —! Se i # 4 = ET: it c o (SSS S= ads 6S es es eee ne et PF H os $ 4 = ES = =} 4h $4 Ee © Copyright 197,201 Fify-Six Hope Rosd Music Limited Oni Mu Li ‘Al rights controled ana aeiitared by Rykomsic Lite, 229 La "AU Rights Reserved International Copyright Secured 126 1s Mountain Mase Lite. ou Landon WID GRA,all of _ your best friends. pba} pd ou. oer ' = all of — your best thoughts ritit ii . fh $b] Ash ag] sh) ee Bes ee I WY soa i atl Ot) ; e + 2 | . | Me o IM ae Bi nto ot Yh an m) lil 0 at a ml 4 | in Tl ts ft | i z 7 know 126 {l) | ; tat iat) a g u t IM T | ~ mil Ll ° tH lu ia ai ait | i he in Dg) Weah ) ) ASs === SS ? just & tt z 3. ‘i 4 =} fats 3B 2 ; k of cB ————— . A CB: gi 6 Ey 4 setts He inea Li £ x 3 eS G (F* bass) 12. (F* bass) 3S 2 And it’s Repeat and fade seocainy) 127