Welcome

to FANFARE by Sample Logic

Thank you for purchasing FANFARE powered by KONTAKT PLAYER. This manual is designed to get you up and
running quickly. It will guide you through installation and through the features available in FANFARE.

The information in this document is subject to change without notice and does not represent a commitment on
the part of Native Instruments Software Synthesis GmbH. The software described by this document is subject to a
License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced
or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments
Software Synthesis GmbH. All product and company names are trademarks of their respective owners.

User Guide written by Sample Logic, LLC

FANFARE2011 All Rights Reserved. Sample Logic, LLC & System Blue
Sample Logic and FANFARE are trademarks of Sample Logic, LLC.

Sample Logic, LLC
New York, NY
www.samplelogic.com
info@samplelogic.com

Native Instruments Software Synthesis GmbH, 2011. All rights reserved.

KONTAKT is a trademark of Native Instruments Software Synthesis.

Germany
Native Instruments GmbH
Schlesische Str. 28
D-10997 Berlin, Germany
www.native-instruments.de

USA
Native Instruments USA, Inc.
5631 A Hollywood Boulevard
Los Angeles, CA 90028
www.native-instruments.com

FANFARE Manual 1

Table of Contents

MISSION STATEMENT...................................................................................

END USER LICENSE AGREEMENT.................................

INTRODUCTION.. 4
What is FANFARE?.. 4
TECHNICAL SPECIFICATIONS.............................

FANFARE IN DEPTH... 6
How FANFARE is organized..... 6
Instrument Categories 7
User Interface & Controls. 9
General Feature Overview & Descriptions 12
MIDI MAPPING. 23
TIPS & TRICKS......... 24
TROUBLESHOOTING..................................... 24
CREDITS. 25

FANFARE Manual 2

MISSION STATEMENT

Sample Logics mission is to design new cutting edge tools for composers, producers, sound designers, musicians
and performers of all musical styles and genres. This is why we are continually developing new concepts for sample

libraries that focus on blurring the line between music and sound design. As a company, we continue to move
forward, building a bridge to the future by exploring unique undiscovered sonic territory, while providing more
tools for the composers toolbox.

END USER LICENSE AGREEMENT

All of the sounds offered in our products are created and owned by Sample Logic LLC. By purchasing a copy of our
products the original end user is granted a lifetime license of 2 machine authorizations to freely use the enclosed
sounds for any commercial purposes provided the following conditions are met. To purchase additional licenses
contact authorization@samplelogic.com.

(1) The License forbids resale, relicensing, or other distribution of these sound samples and software, either as
they exist on each disc, this internet server, or any modification thereof. The Original owner cannot assign, lease,
lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples and
software to another user, or use them in any competitive product.
(2) Sample Logic LLC is not held responsible if the material sold does not fit the end users initial purpose. The
sounds and samples are sold as is with no warranty or refund privileges, unless the product is proven defective.
If the product is defective the end user is permitted 30 days after the time of purchase to contact Sample Logic
with his or her claim and will receive further instructions where to return the defective product. No money will be
refunded, however a new copy of the product will be sent to replace any defective products.
(3) Licensor does not take responsibility for sold material that does not properly translate to sample instrument
formats that were not originally programmed in and offered.

FANFARE Manual 3

INTRODUCTION

What is FANFARE?

Sample Logic and System Blue are proud to present FANFARE-a ground-breaking Kontakt Player virtual instrument pairing
the DCI World-Champion Blue Devils marching brass with the award-winning sound design of Sample Logic. From traditional
marching brass to full-blown cinematic soundscapes, FANFARE delivers the definitive marching brass library for educators
and arrangers, and an extraordinarily versatile and inspiring construction toolkit for film, TV, game composers, producers,
and electronic musicians. FANFARE features a broad array of samples recorded by Leslie Ann Jones on The Scoring Stage at
Skywalker Sound (Lucasfilm Ltd Company) and on the field at Ralph Wilson Stadium (home of the Buffalo Bills) by Grammy
Award winner Frank Dorritie. The indoor recordings were done at close, mid, and far microphone placements, while the
outdoor recordings were captured with state of the art stadium surround sound recording techniques. The resulting sonic
textures range from full stadium ambience to an in-your-face" 85-piece brass ensemble, with all of the recordings
capturing The Blue Devils signature sound of amazingly inventive chords, avant-garde clusters, swells, and organic brass
effects.

And it doesn't stop thereFANFARE not only boasts the finest traditional marching brass samples available, but
extends the librarys sonic reach via Sample Logics signature blurring the line between music and sound design
programming techniques. Starting with the traditional brass recordings, an entire library of morphed cinematic
multi-sampled instruments was created, putting not only world-class marching brass at your fingertips, but also an
inspiring array of melodics, pads, leads, stingers, impacts, transitions, atmospheres, and articulated rhythmsall
organized into easily accessible, production-ready presets.

Whats under the hood?

Over 800 Instruments and multis recorded and processed at 88.2k/24-bit, delivered at 44.1k/24-bit.
30GB sample library (uncompressed)
20GB via Kontakts lossless sample storage compression
Standalone, VST, AU, DXi, or RTAS
NI Kontakt Player 4 with native 64-bit support

Instruments

A complete collection of traditional marching brass instruments (trumpets, mellophones, euphoniums,
tubas, and trombones) recorded with multiple round robins, multiple dynamics, and up to five
microphone placements
Scoring Stage: Individual instruments and sectionals
Stadium: Large sections and full ensemble
A complete collection of evocative morphed cinematic instruments and rhythms
Atmospheric/ambient soundscapes and stinger construction kits
Arpeggiator/Arpeggigater rhythmic instruments
Swipes, scrapes, impacts, and reverse transitional effects

Multis

Over 100 performance-ready multis (playable interactive preset templates made from multiple
instruments)

FANFARE Manual 4

TECHNICAL SPECIFICATIONS

Kontakt Player 4.2.3 or higher

Kontakt Player supports: Native 64-bit support for Standalone, VST, AU, RTAS,DXi, ASIO, Core Audio,
DirectSound, WASAPI
Mac: OS X 10.6 (latest update), 10.7, Intel Core Duo, 2 GB RAM (Kontakt Player 4 and higher)
Mac: PPC (Kontakt 4) and Intel (Kontakt player 4 and higher) Compatible
PC: Windows 7 (latest Service Pack, 32/64 Bit, Intel Core Duo or AMD Athlon 64, 2GB RAM
FANFARE is compatible with all major DAWs and with Sibelius 7* and Finale 2011*. FANFARE is
compatible with Sibelius 6 and earlier version of Finale that support Kontakt Player plug-in format.
20 GB disk for FANFARE library, 1GB for Kontakt Player

FANFARE Manual 5

FANFARE IN DEPTH

Important features that will enhance your experience with FANFARE.

Most instruments feature a variety of key ranges and transpositions that are pitched relative to the chromatic
scale.

In most cases, samples have been mapped so their fundamental pitches are nearest to the middle C octave
range (C3). Sample ranges outside the recommended key map should be used at your own discretion.

Sample key ranges have been stretched (transposed) to maximize creative possibilities and sonic fidelity.
FANFARE has been pre-designed with custom MIDI CC mappings for easy user control using an external MIDI
controller/surface. See MIDI mapping.
For traditional instruments, Key Maps have been laid out using various optimizations based on Mics and
Instrument families. See FANFARE Traditional Instrument Overview.pdf

How FANFARE is organized

FANFARE is built around 2 main categories: MORPHED and TRADITIONAL.

Within each category is a unique set of sub-folders and sub-categories ordered by timbre/sound type or genre.
These contain a variety of instruments that are labeled by their general sound description. Instruments have been
categorized by genre, timbre, and the mood they evoke, but by no means should they be limited by title or
category. Our system is designed to better help you with organization and finding the sound you are looking for.
Please keep in mind that Instruments are labeled based on what our programmers felt appropriate. Some could fit
into multiple categories; therefore they are named in a way that suggests this. In these situations, the instruments
are placed into the genre that it most appropriately fits. For detailed information on the traditional instrument
keymaps and definitions, see FANFARE Traditional Instrument Overview.pdf

FANFARE also includes a MULTIS folder, which follows the same labeling system based on sound-type or genre.

FANFARE Manual 6

Instrument Categories

MULTIS Powerful presets templates combining various FANFARE instruments into all in one presets.

CONSTRUCTION BEDS Multis consisting of various instruments mapped out across the keymap as zones.
The various regions of the keyboard contain different sonic elements.

INSTRUMENT STACKS Multis that contain several instruments stacked on top of one another, sharing the
same keymap range. The intention of these multis is to be performed by playing multiple notes.

ONE NOTE GLORY Multis that contain several instruments stacked on top of one another, sharing the
same keymap range. The intention of these multis is to be performed by playing one note.

TRADITIONAL A collection of multis that contain only instruments from the Traditional Instruments
folder.
MORPHED

ATMOSPHERES Soundscapes and ambient textures

Ambience - Continuously sustained textures that are static or full of organic motion.


Bizarre

Stingers

Dark N Scary
Electronic
Euphoric Spiritual
Low End
Mixed Emotions
Mystery Suspense
Organic

IMPACTS - One-shot percussive hits

INSTRUMENTAL Melodic lead or harmonic instruments
Arpeggiated - Notes are sequenced and alternated into a rhythmic tempo-synced pattern
Melodics - Lead instruments
Pads Sustaining chordal instruments
TRADITIONAL

INDIVIDUAL Solo performer

Euphonium

Mellophone

Trombone (tenor)

Trumpet

Tuba (concert/bell up)
SECTIONAL Large group of performers recorded simultaneously

Euphoniums

Mellophones

Trumpets

Tubas/Contras (bell front)


STADIUM Full Brass ensemble of 85 performers recorded simultaneously outdoors in a football stadium


FANFARE Manual 7

Instruments labeled as MW means that they are pre-programmed with effects assigned to the mod wheel of your
MIDI controller. Additional programming has been implemented for affecting instrument timbres and/or various
other instrument parameters for real-time sound sculpting.

Instruments labeled as SEQ means that they are pre-programmed with tempo-synced effects driven by the
internal sequencers inside the instrument interface.

Instruments labeled as AT means that they are pre-programmed with effects assigned to your keyboards
aftertouch.

For more detailed information regarding Traditional instrument nomenclature, please refer to the FANFARE
Traditional Instrument Overview.pdf

FANFARE Manual 8

User Interface & Controls

Each instrument consists of multiple windows and a static mixer control section:

MIXER VIEW (3-Mic Instruments)

MIXER VIEW (5-Mic Instruments)

MIC CHANNEL STRIPS

Insert Effects Each mic channel has its own set of customizable effects that are inserted directly in the mics
signal path.
Send Level Each mic channel has its own send level knob and a drop down menu to choose the send effect. Send
effects are located on the Master channel strip.
Pan Slider Each mic channel has its own independent pan control.
Volume Fader Each mic channel has its own independent volume control.
Stereo/Mono Each mic channel can independently be switched to a mono or stereo signal. Stereo is default.



FANFARE Manual 9

MASTER CHANNEL STRIP

Random Clicking this button randomizes various parameters of all insert/send effects.
Send Effects Phaser, Flanger, Chorus, Delay, and Reverb. Each mic channel can independently send signal to
these effects using the send level knob. To edit effect parameters, click on the effect name.
Compressor This is a master channel insert effect. Click this button to open to the master compressor window.
Arp/Art Arpeggiator/Articulator Button. This button opens the Arp/Art window. The small black/red button
toggles the Arpeggiator/Articulator ON/OFF.
Master Pan Slider Master pan control for the overall instrument. Hold down shift to make finer adjustments.
Pan Edit Button: Click here to jump to Master Pan controls.
Master Volume Fader - Master volume control for the overall instrument. Hold down shift to make finer
adjustments.
Options This button opens the Performance Options window.

GLOBAL PARAMETERS

Attack / Release These knobs set the attack and release time of the volume envelope of the instrument. They
have been preset to various settings throughout the library. Attack controls how slow or quick a sound starts.
Release determines how slow or quick a sample will stop sounding when a MIDI note is released.
Hi Boost / Lo Boost Boost or reduce frequencies within the master signal.
Hi-Cut / Lo-Cut The Hi Cut knob rolls off hi frequency content using a Low Pass Filter.
The Lo Cut knob reduces low frequency content using a High Pass Filter.
Mixer View Button Click this button to jump to the mixer view.
Spinner Click this button to jump to the Spinner controls. (Orange = ON).
Rel. Trigger (not on all instruments) Release Trigger ON/OFF Button. When on, the instruments will not have a
release time envelope, rather a sampled natural release will be played when a note is depressed. This allows for
realistic customized sustained rolls, etc.
Round Robin (not on all instruments) Round Robin ON/OFF Button. When on, notes that are played in repetition
will alternate between a pool of samples triggering alternate performance takes of the same note.
Parameter Display Box Displays a parameters value when its knob or slider is clicked or moved.

MIXER VIEW (Morphed Instruments)

MASTER CHANNEL STRIP

Random Clicking this button randomizes various parameters of all insert effects.
FANFARE Manual 10

Insert Effects Customizable instruments effects.

Attack / Release These knobs set the attack and release time of the volume envelope of the instrument. They
have been preset to various settings throughout the library. Attack controls how slow or quick a sound starts.
Release determines how slow or quick a sample will stop sounding when a MIDI note is released.
Master Pan Slider Master pan control for the instrument. Hold down shift to make finer adjustments.
Pan Edit Button: Click here to jump to Master Pan controls.
Master Volume Fader Master volume control for the instrument. Hold down shift to make finer adjustments.
Arp/Art Arpeggiator/Articulator Button. This button opens the ARP/ART window. The small black/red button
toggles the Arpeggiator/Articulator ON/OFF.
Hi-Cut / Lo-Cut The Hi Cut knob rolls off hi frequency content using a Low Pass Filter.
The Lo Cut knob reduces low frequency content using a High Pass Filter.
Options This button opens the Performance Options window.

GLOBAL

Mixer View Button Click this button to jump to the mixer view.
FX Button Click this button to jump to the Arpeggigater view. Orange = ON
Parameter Display Box Displays a parameters when its knob or slider is clicked or moved.

FANFARE Manual 11

GENERAL FEATURE OVERVIEW & DESCRIPTIONS

B
E
G

A Effect ON/OFF Blue = ON, Black = Off

B Sequencer ON/OFF buttons When activated, use the corresponding knob to control the strength of the effect.
Red = Active, Black = Off. These black/red buttons are located next to any parameter that can be sequenced.
C Linked ON/OFF (3-mic instruments only) When activated, all microphones are grouped together for universal
control of the specific effects parameters. Linked control does not take effect until a physical manipulation of the
associated parameters has been made. Use the corresponding knob to control the strength of the effect. Red =
Active, Black= Off
D Strength Meter for selected sequenced effect parameter. Green is low and Red is max.
E Open Controls Click + to open the corresponding controls window.
F Parameter Display Box Displays the currently selected effect parameter.
G Round Robin or Rel. Trigger ON/OFF button

FANFARE Manual 12

EQ

Linked Groups all mic EQ knobs together for universal control.

Presets Choose an EQ preset from the dropdown menu. There are two sets of presets: Linked presets and
individual mic presets.

FILTER

Linked Groups all mic filter knobs together for universal control.
Lo-Cut / Hi-Cut Use the Cutoff knobs to set the frequency at which low/high frequencies signals are cut
(attenuated) Note: Hi-Cut is linkable to input velocity under the Options.
Reson Use the Resonance knob to create a boost at the Hi-Cut cutoff frequency.
When a filter parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

FANFARE Manual 13

LO-FI

Linked Groups all mic LoFi knobs together for universal control.
Bit Determines the resolution in bits. Lower values cause a stronger lo-fi effect
Sample Rate Reduces the high frequency response and overall signal quality.
Noise Adds hiss to the audio signal.
Color (Noise Color) Determines the tonality of the noise applied to a signal. Increase to dampen high freq noise.
Output Sets the output level of the overall processed effect.
When a LoFi parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

DISTORTION

Linked Groups all mic Distortion knobs together for universal control.
Tone Sets the brightness of the process signal.
Drive Determines the crunch factor. The amount of distortion.
Bright Controls the tone of the high frequencies.
Bass Controls the tone of the low frequencies
Output Sets the output level of the overall processed effect.
When a Distortion parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.
FANFARE Manual 14


ROTATOR

Linked Groups all mic Rotator knobs together for universal control.
Presets Choose a Rotator preset from the dropdown menu.
Speed Sets the speed of the rotating speaker (slow or fast).
Balance Sets the ratio of sound produce between the rotating speakers high frequency horn compared to the
low frequency woofer.
Distance Sets the distance between the virtual microphones and the rotating speaker.
Mix Controls the effects strength.
When a Rotator parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

PHASER

Presets Choose a Phaser preset from the dropdown menu.
Depth Determines the amount of the LFO modulation. Higher values make effect stronger.
Speed Sets the speed of the LFO modulating the signal.
Phase Effects the phase difference between the LFOs that drive the left and right stereo channels.
Feedback Controls the intensity of the effect .

FANFARE Manual 15

FLANGER

Depth Determines the amount of the LFO modulation.
Speed Sets the speed of the LFO modulating the signal.
Phase Effects the phase difference between the LFOs that drive the left and right stereo channels.
Color Sets the speed of the LFO modulating the signal.
Feedback Sets the speed of the LFO modulating the signal.
When a Flanger parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

CHORUS

Depth Sets the amount of LFO modulation applied to a signal. Higher amounts result in stronger chorusing.
Speed Sets the speed of the LFO modulating the signal.
Phase Effects the phase difference between the LFOs that drive the left and right stereo channels.
When a Chorus parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

FANFARE Manual 16

DELAY

Time Sets the time resolution of the delay based on rhythmic values.
Damping Reduces high frequencies in the delayed signals.
Pan Sets a panning effect where consecutive repeats/echoes alternate between left and right channel.
Feedback Sets the amount/presence of repeating echoes.
Dry/Wet (Morphed and Loop Instruments Only) Sets how much delay is applied to the mix relative to the original
signal.
When a Chorus parameter is assigned to a sequencer, its knob controls the strength of the parameter being
sequenced.

REVERB (Digital or Convolution)

Type Switches between digital and convolution reverb.
Size Changes room size (digital) or the length of the impulse sample (IR).
Color Determines the type of material used to construct the room.
Damping Sets the amount of absorption in the room. Higher values = more absorption.
Lowpass Attenuates frequencies above the chosen cutoff frequency.
Highpass Attenuates frequencies below the chosen cutoff frequency.
Pre Delay Adds a short amount of delay before the effect takes place (digital). Determines the room size by
setting the length of the effect (IR).
FANFARE Manual 17

COMPRESSOR

Presets Choose a Compressor preset from the dropdown menu.
Threshold Sets a level above which the compressor starts reducing peaks. Signals above the threshold are
affected, those below are unaffected.
Ratio Determines the amount of compression.
Attack Sets how quickly the compressor kicks in after input signal exceeds the threshold.
Release Sets how quickly the compressor stops when the input signal falls below the threshold.
Output Sets the output level of the overall processed effect.

ARP/ART TAB

Arp/Art Toggle Choose between the Arpeggiator or Articulator engine.
Sus. Pedal Control (Articulator Only) When activated, the sustain pedal controls when the Articulator is engaged.
When the sustain pedal is pressed, the ART runs, when depressed, the ART is off.
Note Order/Gate Select note order/direction from various presets for the ARP. This is where the GATER is
activated.
Octave Add octave transpositions to the ARP step range.
Strike Sets the number of repeats per note.
Duration Alters the note length of each ARP step.
Fixed Velocity Sets the initial input velocity played to the max input value.
FANFARE Manual 18

Steps Determine the playback pattern of the ARP/ART. Steps are governed by velocity. Draw in custom rhythms
with the mouse pointer by clicking and dragging in the step window. Set the number of steps from the input field
to right of the steps window (type or drag/click).
Speed Adjust the tempo in rhythmical values, synced to the master tempo.
Copy / Paste Copy or Paste a pattern, steps, and speed.
Randomizer Randomize the pattern and steps.
Humanizer Adds random velocity variations to the Arp/Art based on the offset assigned.
Presets Choose from 10 preset patterns.

OPTIONS

Link Send FX (3-mic instruments only) Groups all mic send level knobs for universal control.
Monophonic Enables monophonic (1 voice) playing mode.
Velocity to Hi-Cut Assigns the MIDI input velocity to control the Hi-Cut filter.
Glide Sets the glide time between notes creating sliding effect between consecutively played notes.
Voices Sets the number of voices played when pressing a key.
Spread Controls the panning amount of each voice.
Detune Sets the detuning between voices.
Round Robin ON/OFF (3-mic instruments only) When on, notes that are played in quick repetition will alternate
between a pool of samples, triggering alternate performance takes of the same note.
Sequential/Random Toggle (3-mic instruments only) Choose the pre-designed RR pattern or Random pattern.
RR Reset Time (3-mic instruments only) Determines the amount of time required to expire before the RR pattern
resets to the beginning.
Random Intensity Determines the amount of randomness applied when using the Master Random button.

FANFARE Manual 19

PAN (Mic Channel Strip)

Linked Groups all mic Pan knobs together for universal control.
Pan Slider Controls pan of the chosen mic.
Pan Sequencer ON/OFF Activates pan sequencing for the chosen mic.
Step/LFO Toggle Choose between the sequencer or LFO for parameter automation.

MASTER PAN

Position (3/5-mic instruments only) Toggle between Ensemble and Individual stage location. Ensemble is places
the performer(s) in their traditional location when playing with the full drumline. Individual places the performer
center stage.
Pan Slider Controls overall pan of the instrument.
Pan Sequencer ON/OFF Activates pan sequencing for the whole instrument.
Step/LFO Toggle (when seq. is activated) Choose between the sequencer or LFO for pan automation.

FANFARE Manual 20

VOLUME (Mic Channel Strip)

Linked Groups all mic volume knobs together for universal control.
Volume Knob Controls the gain of the chosen mic.
Volume Sequencer ON/OFF Activates volume sequencing for the chosen mic.
When volume is assigned to a sequencer, its knob controls the strength of the volume being sequenced.
Step/LFO Toggle Choose between the sequencer or LFO for parameter automation.

MASTER VOLUME

Volume Knob Controls the gain of the overall instrument.
Volume Sequencer ON/OFF Activates volume sequencing for the whole instrument.
When volume is assigned to a sequencer, its knob controls the strength of the volume being sequenced.
Step/LFO Toggle (when seq. is activated) Choose between the sequencer or LFO for volume automation.

FANFARE Manual 21

SPINNER

Presets Choose a Filter preset from the dropdown menu.
Distance Slider Controls the front/back stage location of the performer(s).
Pan Slider Controls the right/left stage location of the performer(s).
Parameter Dropdown Choose which parameter to edit in the step sequencer.
Steps - Determine the playback pattern of the Spinner. Draw in custom bipolar patterns with the mouse pointer by
clicking and dragging in the step window. Set the number of steps from the input field to right of the steps window
(type or drag/click).
Speed Adjust the speed in rhythmical values, synced to the master tempo.
Copy / Paste Copy or Paste a pattern, steps, and speed.
Randomizer Randomize the pattern and steps.
Retrigger When activated, the sequence is retriggered upon MIDI input. When deactivated the sequence runs
endless.

FANFARE Manual 22

MIDI MAPPING
The FANFARE user interface has been pre-design to respond to the general control surface of the AKAI MPK88, but
is not limited to this MIDI controller. Kontakt allows for easy MIDI Mapping (MIDI Learn) using the Automation tab
located in the Kontakt browser. There you can assign and un-assign MIDI CC Mappings.
The factory default MIDI Mappings for FANFARE are as follows:

Mic Volume Faders CC 20, 21, 22
Mic Pan CC 3, 9, 14
Mic Solo CC 28, 29, 30
Master Volume Fader CC 27
Master Pan CC 29
Attack CC 16
Release CC 17
Random Button CC 41
Options View CC 46
Mod Wheel CC 1
Expression (Volume) CC 11

TIPS & TRICKS

FANFARE can be loaded into the full retail Kontakt 4.2.3 or higher, which is a separate application not
included, but may be purchased from Native Instruments. This provides you the ability to customize the
internal sample programming and effects. If you own Kontakt, you can load this library and experiment,
stretch, layer, alter loop lengths, and apply effects to each instrument. Slight alterations in instrument
programming may improve sample playback for your software and desired effect. Customized instruments
should be saved with a new unique name so the original is preserved.
There are many sonic possibilities buried deep within FANFARE waiting to be discovered, but if you are just
starting out or in a hurry, we suggest trying out the multis (multi-instrument presets) for a true taste of
FANFARE. We recommend that you explore the library. Be sure to audition every key and sample.

Save large templates of instruments as multis to expedite your workflow.
When sequencing effects in the user interface, try adjusting the Strength knob(s) to moderate maximum
effect ranges, especially when effects cause resonant peaks or pops in the audio.
Consider reducing the release time for instruments that are sequenced when you desire to play melodic or
fast changing musical lines. A shorter release will allow sequenced effects to retrigger from the start of their
pattern; otherwise they will latch onto the sequencers current location.

FANFARE Manual 23

TROUBLESHOOTING

If something doesn't seem to work correctly, there must be a logical reason for it. Native Instruments software is
tested on a variety of computers and configurations to ensure proper function. Having said that, there remain an
infinite number of possible setups and within them any number of compatibility issues, software conflicts,
hardware problems, and so on.

Performance issues: If your CPU becomes bogged down during playback causing audio popping, glitches, or
dropouts, try the following suggestions:

Try turning off any convolution reverbs that are ON.

Reduce the number of voices in each instrument on the instrument interface.

Purge unused samples for instruments.

Adjust the latency slider under Audio settings tab from Kontakts Options menu.

Set the Kontakt CPU overload protection to relaxed or medium etc., and/or set the appropriate
multiprocessor settings from the Engine settings tab under Kontakts Options menu.
If you have more than 2GB of RAM, experiment with the KMS Kontakt Memory Server settings from the
Memory tab under Kontakts Options menu.

For unresolved issues, including authorization and installation troubleshooting, visit support page at
www.samplelogic.com/support , or send us an e-mail at: support@samplelogic.com

FANFARE Manual 24

Credits
Producers:
Sample Logic LLC Joe Trupiano & Keith Robinson
System Blue

Performers:
The Blue Devils 2010 Brassline
Cameron Chip Crotts (Trumpet, Mellophone)
Joe Hayworth (Euphonium, Trombone)
Kevin Ronan (Tuba)

Arrangers:
John Meehan

Engineers:
Leslie Ann Jones
Frank Dorritie

Mastered by:
Sample Logic

Special Thanks to:
The Native Instruments Team
David Gibbs
System Blue
The Blue Devils
Skywalker Sound
Dann Thompson
Jeff DeMello
John Christensen
Klaus Baetz
Alex Davis

FANFARE Manual 25