Professional Documents
Culture Documents
in One Year:
An Instructional Design
for Working
with Middle School Students
Table of Contents
Section 1 - KISS Level 1.1 - Identifying Subjects and Verbs
Section 2 - KISS Level 1. 2 - Adding Nouns, Pronouns, Adjectives, Adverbs, and Phrases
Section 3 - KISS Level 1. 3 - Adding Complements (PA, PN, IO, DO)
Section 1
Education is
Everything
(Detail)
1780
What Is a Sentence?
Jean-Honore
Fragonard
(1732-1806)
A simple sentence is a group of words that names something and then says
something about what it has named. Because the thing that is named is what the sentence
is about, grammarians call it the subject. The most important words that say
something about the subject are called verbs. In the following sentence, the subject is
in green and is underlined once. The verb is in blue and is underlined twice.
Birds fly.
Note that some sentences say something by asking a question about the subject.
Do birds fly?
In longer sentences, we speak of subject and verb phrases. In
The little words are the most difficult.
words is the subject, but because the words The and little go with words, we
can call The little words the subject phrase. Similarly, the most difficult go with
are, so we can call are the most difficult a verb phrase. A phrase, in other words, is a
group of words that does not contain both a subject and a verb that says something about
the subject.
The following are examples of sentences:
April is the cruelest month.
Is April the cruelest month?
Bert likes baseball.
Does Bert like baseball?
There are thousands of verbs in English, and learning to recognize them is probably
the hardest part of understanding grammar. The next few exercises will help you. You
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will be expected to make some mistakes, but the next lessons will introduce you to some
verbs that you will be expected to always recognize correctly.
Note that many sentences will have more than one subject/verb pattern:
At supper, the food was passed around, and the glasses clashedtogether
till they rang again; while before the town-gate the mail-coachstopped with
twelve strange passengers.
Simply find a verb or verb phrase, find its subject, and then check for another verb and
its subject until there are no more verbs in the sentence. Then go to the next sentence.
Is It a Sentence?
Adapted from Voyages
Fillette au
Grand Chapeau
1908
by
Single-Word Verbs
Mary Cassatt
(1844-1926)
Many verbs express action that is performed by the subject. There are thousands
of such verbs in English. The following are examples.
Ginger wrote a story.
Bill argued with his friend.
They went on a trip.
Paula kept a diary.
Some common words do not express action, but they always function as verbs
and therefore should always be underlined twice. The most common of these describe
a "state of being." Most of these verbs are forms of the verb "to be" -- "am," "is," "are,"
"was," and "were." When used alone, these verbs state what the subject is, what kind of
thing it is, or where it is:
Mysha was our cat.
Their neighbor is nice
I am in the garden.
Other words that are always verbs and that express "state of being" are "seem,"
"resemble," and "become."
The baby seems hungry.
That store resembles a barn.
The weather became nasty.
If you remember not just these words, but what the words mean, you should be able to
recognize many other verbs. For example, "The weather turned nasty" means that the
weather became nasty. Because "turned" means "became," it functions as a verb and
should be underlined twice.
The words "has" and "had" are always verbs, as is "have" (unless it follows the word
"to" -- you'll learn more about that later).
Margaret has Ted's book.
The walls have pictures on them.
There are more words that function only as verbs. You'll learn about many of them in
later lessons. For now, you need to remember that:
"Am," "is," "are," "was," "were," and "has," "had," and "have" (unless it
follows "to") are always verbs that you should underline twice.
Single-Word Verbs
from
5.______________________________
2.______________________________
6.______________________________
3.______________________________
7.______________________________
4.______________________________
8.______________________________
Helping
Verbs
Present
I am playing.
We are playing.
You are playing.
Bobby is playing.
Bobby does play.
Future
I will have to play.
You will play.
Bobby will play.
Bobby will be playing.
Bobby will have been playing.
have:
do:
do, does, did, done
Note that "will," "going to," and "used to" are also used as parts of a verb
phrase:
Sam will play tomorrow.
They were going to play baseball.
Toni also used to play baseball.
When you underline verbs, be sure to underline all the helping verbs in the
verb phrase.
Note that some of these include more than one S/V pattern.
1. Why did you come to France?
2. The fallen and unfortunate King of France had been upon his
throne in all his glory.
3. He will be judged at Paris.
4. I should have to pass the night at Tellson's.
5. Jerry has been my bodyguard on Sunday nights for a long time
past and I am used to him.
6. "What have YOU got to do with it, then, if a person may inquire?"
7. I am going to send you on to Paris, under an escort.
8. Charles had had to pay heavily for his bad food, and for his guard.
9. He should have been declared a good citizen at Paris.
10. Mr. Attorney-General had to inform the jury, that the prisoner
before them was old in the treasonable practices.
10
As you try to identify verb phrases, remember that the following words often function
as "helping" verbs and are thus part of the verb phrase.
Can and Could
Dare
Might
Need
Ought
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Note that some of these include more than one S/V pattern.
1. "I can buy pen, ink, and paper?"
2. No man could have said, that night, any more than Mr. Jarvis Lorry
could.
3. I dare not confide to him the details of my projects.
4. "He may not have known of it beforehand," said Mr. Lorry.
5. She must have told his brother.
6. Their escape might depend on the saving of only a few seconds
here and there.
7. Why need you tell me what I have not asked?
8. We ought to have six score a day.
9. Your suspense is nearly ended, my darling; he shall be restored to
you within a few hours; I have encompassed him with every
protection. I must see Lorry.
10. "If I should prowl about the streets a long time, don't be uneasy;
I shall reappear in the morning."
11. I had better not see her.
12. Some of us will have a secret attraction to the disease.
13. It would seem to be always the same question.
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13
Note that some of these include more than one S/V pattern.
1. Then the piercing shrieks would begin again, and she would repeat
the cry.
2. He tried to prepare himself in vain.
3. They continued to cry.
4. The shadows of the wintry afternoon were beginning to fall.
5. I should like to ask you:--Does your childhood seem far off?
6. The road-mender tried to get a peep at secret weapons in his breast.
7. "I begin to think I AM faint."
8. They continued to be uttered in their regular succession, with the
cry, "My husband, my father, and my brother!"
9. And now, Sydney, old boy, I want to say a word to YOU about
YOUR prospects.
10. "I little thought," said Miss Pross, "that I should ever want to
understand your nonsensical language."
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Note that some of these include more than one S/V pattern.
1. Mr. Cruncher all this time had been putting on his clothes.
2. This must be kept secret from Lucie.
3. We had better go in.
4. I should have been much the same sort of fellow, if I had had any luck.
5. I am going to tell you something that will rather surprise you.
6. The real wickedness and guilt of his business might have remained
undiscovered.
7. "Well! you have been present all day, and you ought to know."
8. It could scarcely be called a trade, in spite of his favourite description
of himself as "a honest tradesman."
9. That abominable place would have been haunted in a most ghastly
manner.
10. His shirt was open at the throat, as it used to be when he did that
work.
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Illustration
by
N. C. Wyeth
16
The thousand injuries of Fortunato I had borne as I best could; but when he
ventured upon insult, I vowed revenge. You, who so well know the nature of my soul,
will not suppose, however, that I gave utterance to a threat. At length I would be
avenged; this was a point definitively settled but the very definitiveness with which it
was resolved, precluded the idea of risk. I must not only punish, but punish with
impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally
unredressed when the avenger fails to make himself felt as such to him who has done the
wrong.
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Section 2
KISS Level 1. 2.
Adding Nouns, Pronouns, Adjectives, Adverbs, and Phrases
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Self-Portrait
with Bandaged Ear
1889
Nouns
Words that name people, places, or things are nouns:
dad, sister, friend, Mr. Jones,
park, school, New York,
tree, apple, car, air, idea, health
Note that many nouns name things that you can see, but others name things such as
"air," "idea," or "health" that cannot be seen.
Pronouns
Pronouns are words that act like nouns but do not name specific people, places, or
things. They are often used to take the place of nouns:
Karla and George went to the store.
They went to the store.
Pronouns can stand in for a noun anywhere in a sentence.
The following words can be pronouns. You need not remember the top row
("Subjects," etc.). It is there to suggest how the different pronouns function in sentences.
Subjects
Objects
Possessive
Intensive
I
we
you
he
she
it
they
who
me
us
(you)
him
her
(it)
them
whom
mine
ours
yours
his
hers
its
theirs
myself
ourselves
yourself (yourselves)
himself
herself
itself
themselves
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Verb:
20
Illustration
by
Arthur
Rackham
Directions:
1. Underline verbs twice, subjects once.
2. Then put a circle around each noun and a rectangle around each pronoun.
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Study:
At a
Reading Desk
1877
by
Fredrick Lord
Leighton
(1830-1896)
What is a "Phrase"?
A "phrase" is a group of words that work together as one. Adjectives, for example,
modifying nouns and by doing so form noun phrases:
the old fir tree
Similarly, adverbs modify verbs, adjectives, or other adverbs, and by doing so they form
phrases:
came quickly
very beautiful
too slowly
Phrases grow as more words are added to them or as they connect to other words.
Phrases are named by the most important word in them. Thus
Verb phrases
Adjectival phrases
Adverbial phrases
is called a noun phrase because the "very" modifies "beautiful," and "beautiful" modifies
the noun "house."
Two Ways of Looking at Sentences -- Modification and Chunking
When we talk about "modification," we are looking at the way a word modifies, or
affects the meaning of the word it modifies. There is, however, another important way of
looking at sentences. Almost every word in every sentence connects to another word (or
construction) in its sentence until all these words end up connected to a main subject and
verb in the sentence. Linguists (people who study how language works) call this
connecting "chunking." You will be learning more about this later, but for now we are
simply interested in adjectival and adverbial phrases. Consider the following sentence:
The little boy runs very quickly.
The adjectives "The" and "little" modify (and thus chunk to) the noun "boy." In other
words, they form a noun phrase that functions as the subject of the sentence. Similarly,
the adverb "very" modifies (chunks to) the adverb "quickly," and "quickly" modifies
(chunks to) the verb "runs." They thus form a verb phrase that functions as the verb in
the sentence.
About these Exercises on Phrases
The following exercises ask you to focus on noun and verb phrases. You really do not
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want to work with simple sentences such as "The little boy runs very quickly." You can
do better than that. Therefore the sentences in the exercises are more complicated. The
directions for all these exercises are:
1. Underline every subject once and every verb twice.
2. Label every noun (N), every pronoun (PRN), adjective (J), and adverb (A).
3. Draw a box around every noun phrase and an oval around every verb phrase.
4. If parts of a phrase are separated by other words, draw a line to connect from box
to box or from oval to oval to connect the parts of the phrase.
The exercises include some words that function in ways that you have not studied yet. In
the exercises, these words are in bold. For these exercises, you should simply ignore
those words. For example,
In return Simon gave them a place to sleep on the floor of the attic.
In this sentence, "In," "to sleep on," and "of" are in bold, so you should ignore them.
Having completed KISS Level 1.1, you should be able to identify "Simon gave" as a
subject and verb.
Next you have to label every noun, pronoun, adjective, and adverb. You will need to
do some thinking, but remember that you are expected to make some mistakes.
"Return," for example, could be a verb, but here it does not have a subject, so it probably
functions as a noun. You should easily recognize "them" as a pronoun. Similarly, "a" and
"the" are always adjectives. After you follow direction number two, your paper should
look something like:
In return (N) Simon (N) gave them (PRN) a (J) place (N) to sleep onthe (J)
floor (N) of the (J) attic (N).
The nouns "return" "Simon" are not modified, so they are simple nouns, but "place,"
"floor," and "attic" are modified, so you should have boxes around three noun phrases:
"a place," "the floor," and "the attic."
Split phrases
Sometimes, modifiers are separated from the words they modify. For example:
Maybe she will give me a new red coat.
In this sentence, "Maybe" modifies (chunks to) "will give." In cases like this, draw an
oval (because "maybe" is an adverb) around "Maybe" and around "will give." Connect
the two ovals with a curved line.
Dr. Vavra, the developer of KISS Grammar, truly believes that you are smart and can
find the noun and verb phrases in even more complicated sentences. The following
examples include constructions that you will be learning about later, not only in KISS
Level 1, but also in KISS Level 3.
More than one subject or verb -- "and"
You may have already seen subjects that have more than one verb and verbs that have
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more than one subject. Technically, these are called "compounds." They are the focus of
KISS Level 1.4, and they are usually joined by "and." For now, simply remember to look
for all the subjects that go with a verb and for all the verbs that go with a subject. (Note
that the "and" in the following sentence is in bold. You are not expected to explain it, but
you should be able to identify both of the subjects of "hurried."
The Fairies and the Goblins hurried to the kitchen in the hollow.
Multiple subject/verb patterns
As in the following example, many sentences have more than one subject/verb
pattern. A subject/verb pattern and all the phrases that chunk to it is called a "clause."
You will be studying clauses in KISS Level 3. For now, simply remember to look for all
the subject/verb patterns in a sentence.
"You speak truly, brother," said another tree.
Note that the example includes the word "brother." You have not yet studied the function
of "brother," but you should be able to identify it as a noun.
Remember -- being smart does not mean that you will not make mistakes. Smart
people make lots of mistakes -- and they learn from them. Ideally, your teacher will go
over these exercises with you to help you understand your mistakes.
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Identifying Phrases
From "The Gorgon's Head"
by Nathaniel Hawthorne
in A Wonder Book for Girls and Boys
Illustrated by Walter Crane
Directions:
1. Underline every subject once and every verb twice.
2. Label every noun (N), every pronoun (PRN), adjective (J), and adverb (A).
3. Draw a box around every noun phrase and an oval around every verb phrase.
4. If parts of a phrase are separated by other words, draw a line to connect from box to box or from oval
to oval to connect the parts of the phrase.
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Identifying Phrases
From "The Gorgon's Head"
by Nathaniel Hawthorne
in A Wonder Book for Girls and Boys
Illustrated by Walter Crane
Directions:
1. Underline every subject once and every verb twice.
2. Label every noun (N), every pronoun (PRN), adjective (J), and adverb (A).
3. Draw a box around every noun phrase and an oval around every verb phrase.
4. If parts of a phrase are separated by other words, draw a line to connect from box to box
or from oval to oval to connect the parts of the phrase.
PERSEUS was the son of Dana, who was the daughter of a king.
And when Perseus was a very little boy, some wicked people put his
mother and himself into a chest, and set them afloat upon the sea. The
wind blew freshly, and drove the chest away from the shore, and the
uneasy billows tossed it up and down; while Dana clasped her child
closely to her bosom, and dreaded that some big wave would dash its
foamy crest over them both. The chest sailed on, however, and neither
sank nor was upset; until, when night was coming, it floated so near an
island that it got entangled in a fisherman's nets, and was drawn out high
and dry upon the sand. The island was called Seriphus, and it was reigned
over by King Polydectes, who happened to be the fisherman's brother.
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L1.2 # 19
Possessive Nouns Function as Adjectives
Possessive nouns and pronouns function as adjectives
That is Anthonys house. It is his house.
Directions:
1. Underline every subject once and every verb twice.
2. Circle every adjective and draw an arrow from it to the word it modifies.
3. Put a box around every adverb and draw an arrow from it to the word it modifies.
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Section 3
KISS Level 1. 3.
Adding Complements (PA, PN, IO, DO)
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