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EUROPEAN ARMOUR
AND ARMS
VOL. V
w
A RECORD OF
EUROPEAN ARMOUR
AND ARMS
THROUGH
SEVEN CENTURIES
BY
SIR
Bt.
VOL. V
>
LONDON
u
800
w.5
PREFACE
HIS
volume
closes
the
Sir
late
introduction told
more recent
Guy
first
friends,
He was
the late Mr.
Woods
lies
As a
about him.
little
Francis the
an essay on "
The Sword
their Galleries,
of Joan
The
his
often steal
of Sir
wander through
to inquire
Laking
It
when he was
to Christie's to
of his
of Arc," written
his
As one
of
name
called
on Sir Francis
visit resulted in
away
Christie's.
;
his
work
more
Kennedy
collections,
to
to be
be merely
lists
show how
more and
of
names
and numbers.
When
On
all
over Europe.
mediaeval and renaissance works of art and on pictures his opinion was widely
his criticism
to
art,
He
to the study of
devote himself.
his
as
is
"Critical
work
his
At
much a milestone on
De Cosson and
Burges'
"Helmets and
Before he was thirty he had published his book on the armoury at Malta.
Mail."
Household the
office
He
of Keeper.
He
in the
last
In
Royal
articles
to
furniture in
years of his
life
he
died at the age of forty-four, having married in 1898 Beatrice Ida, the daughter
He
Mylne Barker.
say that he worked hard because
would often
his
work was
his play
but he
never shunned dull and monotonous drudgery, which must have been very tedious to a
man
is
He
Yet he has
great reader.
left this
By
history of armour,
and
hardly a page which does not contain some description or reflection of his own.
called his
His appreciation of
line
making a drawing
to represent
So
it.
it
was with
He
nature he was
his
book
he wished
his
hand or
to illustrate
is
seen
to
make a beginning
in
in
work upon.
Sir
jealousy
was easy
'
Nearly
vol.
i,
all
which so absorbed
his
ii,
vi
less
This attractive
still
See also
who had
the
PREFACE
same archaeological
dislike of
all
He was
known
This attribute of
generous
to a fault,
and
his
to few.
who were
interests.
made him
many
left
will
a delightful companion.
many
were
friends,
Many
in
am
Guy
trust,
of the spirit of
the man, and of his great love for and devotion to his subject.
I
who
fear
is
far
York Terrack.
April, 1922.
VI
CONTENTS OF VOLUME V
CHAPTER XXXVII
THE DAWN OF THE
XVIIth
CENTURY
The beginning of deterioration -Suits at Windsor, and references to those formerly there and
now in the Tower of London Evidence from Pyne's " History of Royal Residences "
Armour of Henry, Prince of Wales Examples of French and Italian suits of the
XVIIth century A suit made for Henry, Prince of Wales, at Greenwich, possibly by
W. Pickering A suit said to have been given to him by the Prince de Joinville Suits
1'ACE
Statue of Charles
Fatal
of the
A
case
armour
Suits
men-at-arms
travelling
foreign primitive equipment
effect
in
II
Irish
for
for
CHAPTER XXXVIII
XVIIth
Cup-hilted rapiers
for
hilts
"
of the
...........
59
APPENDICES
I.
II.
III.
Notes on Forgeries
On Armour preserved
Henry Cripps-Day
in
Bibliography
m
275
305
IX
OF ILLUSTRATIONS
LIST
IN
VOLUME V
1I(; -
1424.
1425.
PACK
...........
oe armour,
Three-quarter
H.M. the King, Windsor Castle
H.M.
H.M.
Collection:
Ciianfron.
1427.
1429.
1430.
1431.
Half
1432.
Half
suit
of armour,
North
Italian,
.
Portrait
the King,
Collection:
in
early
XVIIth century.
13
14
Royal
Windsor Castle.
The Dulwich
1605-7.
11
Gallery
14
15
16
Collection:
'
17
Collection:
H.M.
.......
18
H.M.
1439.
Now
H.M
1438.
Hall,
Armoury, Madrid
Half suit of armour, North Italian, about 1620. Rutherfurd Stuyvesant Collection, New York
Portrait of a Genoese Nobleman, depicting a suit of armour of
1437.
Town
1436.
.............
:
1435.
...
1434.
Windsor Castle
the King,
lection
1433.
Collection:
...........
........
Draguignan
1428.
1426.
Collection:
the King,
xi
20
22
22
FIG.
I440.
The additional
1441.
443-
the same
suit.
Collection:
H.M.
the
24
London
Suit of armour with extra pieces, probably made about 161 2-1 5
Tower of London
Rondache or target belonging to the same suit. Ex collection H.M
Now in the Tower of London
the King, Windsor Castle.
Three-quarter suit of armour, probably French, about 161 2-15. Col
H.M. the King, Windsor Castle
lection
Tilt-pieces belonging to the same suit. Collection: H.M. the King
Windsor Castle
Suit of armour, probably French, about 1610. Collection: H.M. the
King, Windsor Castle
Tilt-pieces, chanfron, and vamplate of the same suit. Collection
H.M. the King, Windsor Castle
Suit of armour which belonged to Charles I, French or possibly
English, about 1625-30. Tower of London
The statue of Charles I at Charing Cross
Suit of armour of Louis XIII of France, French, about 1620
Musee d'Artillerie, Paris
Additional pieces belonging to the same suit. Musee d'Artillerie
Tower
1442.
........
tilt-pieces of
.........
.....
1445-
1446.
1447.
1448.
1449.
1450.
145'-
..........
........
....
.....
......
Paris
I45 2
............
.........
..........
horse,
H54-
Museum
1456.
.......
...
1460.
30
33
34
37
39
40
4i
43
44
44
47
berg
H57-
29
Musee
d'Artillerie, Paris
1455-
28
Metropolitan
27
1444.
25
Musee
49
50
d'Artillerie, Paris
52
......
xii
Ex
48
collection
52
OF ILLUSTRATIONS
LIST
F,G
VOLUME
IN
V
MGI
......
........
.........
....
1461.
Castle
1462.
1692.
H.M.
Collection:
King, Windsor
the
Collection
H.M.
53
the King,
Windsor Castle
1463.
Crewdson
Mr.
Collection:
53
W. C
54
1464.
....
....
1465.
56
57
the retinue of William, third Earl of Pembroke, English, early XVI Ith century
(a) Helmet; (6) Cuisses; (c) Pikeman's breastplate and tassets
Mr. F. H. Cripps-Day. From the armoury at Wilton
Collection
Cup-hilted rapier. Royal Armoury, Madrid
Cup-hilted rapier, English or Dutch, about 1630. Wallace Collection
Rapier {Flamberge type), French, about 1630. Collection: Mr. Felix
in
....
1466.
1467.
1468.
Joubert
...........
1469.
bottom
...........
...........
........
....
1473.
Collection
English, about
Sword-rapier
1475.
Graystone
Sword-rapier hilt, English, about 1630-40.
1630.
Mr.
62
62
Herbert
63
Mr. G.
Collection: Mr. G.
Collection:
64
Ramsbottom
1476.
62
62
Rams
Collection:
1474.
hilt,
Mr. G. H.
60
62
1472.
60
62
1471.
Collection
58
Collection
1470.
55
Ramsbottom
64
Cup-hilted rapier, the hilt North Italian, about 1630-40; the blade
1477.
by Johannes Tesche.
Wallace Collection
65
1478.
1479.
67
Collec
67
Author
xiii
K1G.
1480.
........
67
67
148
1.
63O-4O.
The
1482.
1484.
............
..........
collection
1483.
Metro-
CUP-HILTED RAPIER, OF SPANISH FASHION, BUT PROBABLY ITALIAN WORKMANSHIP, about 1640. Rutherfurd Stuyvesant Collection, Metropolitan
(Fig. 1483)
Rutherfurd Stuyvesant Collection, Metropolitan Museum, New York
CUP-HILTED RAPIER, OF SPANISH FASHION, BUT PROBABLY ITALIAN WORK.
1485.
Tower
1487.
68
London
of
Wallace Collection
72
in
70
-7'
69
........
7-
1488.
1489.
74
1490.
74
.....
.....
............
............
.........
........
1491.
1492.
1493.
its
Collection: Mr. G.
Collection:
Mr
1495.
1497.
1498.
Collection: Mr. G.
.
H.M.
74
the
75
76
H. Rams.
-77
74
suite, of Spanish
1496.
H. Rams-
G. H. Rams-
1494.
73
78
79
80
Joubert
xiv
LIST
F,G
OF ILLUSTRATIONS
IN
VOLUME V
PACK
1499.
1500.
1501.
Sword with
a hilt of
"
the
pillow
"
TYPE
...........
...
..........
..........
...........
1660.
"Pillow"
sword;
hilt
probably
French,
about
1660.
1503.
tion
1504.
1505.
1506.
1507.
1508.
Sword
Sword
hilt,
about 1670.
1510.
151
1.
1512.
.........
.........
15 15.
15
1
7.
5 18.
J.
Brett
J.
1650.
Ex
collection
Brett
...
...........
Collection:
Mr. S.
1520.
89
90
90
91
92
93
94
94
J.
95
95
Royal Collection,
98
Stockholm
15 19.
89
the
"
"
87
88
93
85
H.M.
Windsor Castle
1516.
Collection:
Windsor Castle
Hilt of a broadsword, probably Italian, about 1650. Collection: H.M
the King, Windsor Castle
Hilt of a broadsword. Collection: H.M. the King, Windsor Castle
Basket-hilted sword, dated 1650. Collection: Mr. F. H. Litchfield,
New York
Hilt of a basket-hilted sword, English, about 1650. Ex collection:
late
15 14.
......
Collection: Mr.
85
Wallace Collec-
the King,
1509.
84
Musee
d'Artillerie, Paris
Sword
84
Muse
d'Artillerie, Paris
1502.
82
98
99
XV
1523-
PACE
LIST
OF ILLUSTRATIONS
IN
VOLUME
PACK
FIG.
1541.
1542.
1543.
1544.
Complete suits, (a) About 1580, containing some old parts, but with
MODERN DECORATION OF THE XIXth CENTURY. (6) Of 160O, ENGLISH
WORK OF THE XI XtH CENTURY
Genuine half suit of about 1580, with the surface etched in the
XIXth century
A genuine breastplate of the XVItii century. Etched about 1870 by
Italian workmen
Helmet, partly genuine, decorated and gilded about 1870, by Italian
workmen
1545.
126
127
128
128
XIIIth century.
Armoury
Tower
of the
XIVth
of
(a) Bascinet,
London.
century.
late
Great
Tower of
(6)
of the
Armoury
early
XVth
Great
century.
helm,
(c)
Armoury of the
Tower of London, (d) Great bascinet, early XVth century. Armoury of the Tower of London, (e) Helm, early XIIIth century.
Ex collection: the late Sir Noel Paton now in the Royal Scottish
Museum, Edinburgh. (/) Helm, late XIIIth century. Ex colthe late Sir Noel Paton; now in the Royal Scottish Museum,
lection
London,
1546.
XVTH
CENTURY.
2.
xvi'i'ii
3.
century helmet.
4.
XVth
century.
xilth century.
early
12.
h elm,
century,
i i
Great
XIVth
century.
of a page's suit.
Helm,
Helm,
o.
great
bascinet,
bascinet, early
XVth
century.
13.
Ex
14.
collection
1548.
8.
helm,
1547.
XVth
6.
5.
9.
(b)
now
Armoury
of the
Tower
of
xvii
*3
in the
late Sir
Noel Paton
now
in the
century.
129
London
'3
FIG.
1549.
1550.
55
1.
XVIth
century,
(e)
1553.
1554.
(a)
1555.
XVth
Edinburgh
133
in the
.134
.136
(a) Leg-piece,
....
:
1558.
Breastplate,
1559.
century
group of forgeries,
(a)
XVIth
Theatrical
German sword, English forgery,
Sword,
century,
(b)
561.
Sword
hilt, Italian
century.
1562.
Two
ib)
.
-139
XVth
.
In a private collection,
New York
139
Now
in a private collec-
1564.
1565.
139
C/NQUEDEA,
CENTURY
138
tion
1563.
136
Ex
Charles of Prussia.
1560.
135
Chanfron,
(<$)
1557.
133
In a private
in
....
....
1556.
XVth
century
Shield, XVIth century, made by E. Zuloaga, middle XIXth century.
Royal Armoury, Madrid
.
1552.
Late
hilt,
New York
MADE
.
BY
......
SaN-QuIRINE
.
In a private
IN
VENICE,
END
OF
139
XIXTH
.
139
139
LIST
OF ILLUSTRATIONS
IN
VOLUME
1566.
French forgery,
Bascinet,
1567.
aisout 1890
142
1569.
1570.
1568.
57
(6)
Bascinet of early
1.
Now
in
Sword
1572.
of
XIVth
1805.
'44
'45
.....
......
1573 to)
143
century.
141
about 1890-95
146
XIXth century
47
CORRIGENDA
Vol.
I.
P.
xliii,
line 12.
P.
1,
P.
lvi,
P.
lvii,
line
5.
line
5.
bottom
of page.
note
P.
lx,
P.
lxii,
P.
14, line
P.
16,
6.
note
2.
33.
20.
fig.
77,
P.
112, line
P. 113,
93-
fig-
fig.
5.
137.
P. 148,
fig.
187.
fig-
212.
but
in his
published works.
1365."
is
suit.
xix
That on the
right
P.
Vol. II.
"
at some early date been associated "read if associated has been so since the
end of the XVIth century."
The elbow cop in Sir E. Barry's collection bears the mark of the Missaglia family.
Under Figure, /<v " Bontelle's " read " Boutell's."
For "next" read' previous."
For "page 160" rairf"page 162."
"
For "it was originally discovered at Meuse read "it was originally found in the River
For "has
Meuse."
P> 53.
44-
"
P. 258, line 4.
Tri' s
fig.
659.
is
Figure
"
from
Utensils," vol.
ii,
Viollet-le-Uuc,
Dictionnaire
du
Mobilier
Fran$ais,"
article
p. 399.
is
pommel
in
illustrated,
The
grip
is
is
of the
XVIIth
century.
Vol. III.
P. 181, line
P.
Vol. IV.
1 1.
3.
P.2li,lastline.
P. 75, fig. 1 1 54.
P.
Vol. V.
190, line
P.
1 1
8, fig.
184.
a similar one,
1024."
"
Jacob
"
Cathedral
P. 186.
is
Insert
they are
"TITCHFIELD (CHURCH
heraldically barred,
is associated with the
tomb of
XX
A RECORD OF
SEVEN CENTURIES
CHAPTER XXXVII
THE DAWN OF THE
IHE dawn
of the
XVIIth
XVIIth century
CENTURY
brings us within measurable
We
In the fashion of
is
As we have
previously suggested,
before
the
advent
of
the
a
noticeable
deterioration in the
long
year 1600,
really
art of the armourer had become evident.
may consider, how ever, that apart
We
from
was centred on the productions of the swordsmith, of the gunsmith, and of the cannon-founder; the mere lack of encouragement shown to the armourer was the cause of his art rapidly deteriorating.
this deterioration, interest
We
of the beautiful
XVIIth century
list
Many
suits of early
I!
to
examine them.
We
and discuss the question of their probable makers, and we shall hope to show
that their attribution to the ownership of monarchs and princes of the time
may be generally accepted as accurate.
Before, however, we allude to any of the suits at Windsor Castle, for there
are many there to be recorded, let us first of all endeavour to ascertain why
they are now at Windsor and not at our national armoury, the Tower of
In attempting to account for the fact that parts of the same suits
are to be found both in the Tower of London Armoury and at Windsor
London.
we once held the view that nearly all the armour of importance to be
seen to-day at Windsor Castle was brought there from the Tower of London
about the year 1830, to decorate the Guard Chamber, subsequent to the
elaborate restorations made by Sir Jeffrey Wyatville. No record, however,
exists in the Tower Armoury Issue Book of armour having been sent to
Windsor about that time; so we must attempt to solve the question in some
Castle,
know, previous
to the general
the Castle previous to the general restoration of 1824. The first description
of the interior of Windsor Castle, and of the objects contained therein, that
has any bearing on the question, takes us back to the middle of the XVIIIth
1742 George Bickham, junior, brought out his
century, about which time
Deliciae Britanniae; or the curiosities of Hampton Court and Windsor
Castle delineated, a volume in which he describes at length the pictures,
painted ceilings, etc., but which only contains two references to armour. The
first
mention of
it
Room
of the
Round
Tower, where, after speaking of the trophies of pikes, muskets, drums, etc.,
he goes on to say: "... over the doorway going to the Dining Room are two
coats of mail, belonging formerly to two warlike princes (but to whom in
particular I cannot say) inlaid with gold; with horse armour, gauntlets, and
The
other accoutrements."
XVIIth
CENTURY
King's
in all.
Windsor
according to the
account of the late Sir Richard Holmes, was a suit which was said to nave
belonged to a Duke of Brunswick, given to the Prince Consort in 1842, and
so was not at Windsor Castle anterior to that date, it cannot be included
among the seven suits. Our desire is to prove that the following seven
suits
(1)
page
half suit,
1
27, Fig.
(2)
armour
year 1742.
made up
of
of
part
the Worcester
armour
(Vol.
iv,
109).
made up
three-quarter suit,
(Vol.
(3)
in the
iv,
three-quarter
suit,
of
part
n 20).
said
have
to
belonged
to
Prince
Smythe
Rupert
(4)
{post,
page
(5)
for
Fig. 1429).
three-quarter suit,
made
for
its tilt-pieces
for
Henry, Prince
Wales, decorated with a thistle and fleur-de-lis {post, page 16, Fig. 1435).
A full suit, with its tilt-pieces and chanfron, said to have belonged
(7)
to Charles, Prince of Wales, engraved and gilt (page 31, Fig. 1446).
of
we venture
belonging to the Windsor Castle Worcester suit. It came from the house
of an old lady whose mother (we will suppress the name) was one of the
housekeepers at Windsor Castle in the year 1832. To this missing ear-piece
was attached an old and faded ticket, on which was written: "When in
Windsor, in 1832, I got this piece of armour of the Black Prince from a man
years before, in cleaning armour in Windsor
He told me that, in cleaning the Black Prince's armour, he found
Castle.
this piece loose, and carried it off as a relic.
\Y. H.
"
Pyne
in his
in 1819,
and
foot, interspersed
in
among
these
is
a curious
we may surmise
that
Worcester
and disposed at equal distances in the King's Guard Chamber"; though Bickham, unlike Pyne, attributes none of them to a great personage of the past.
Though we have absolutely no evidence to help us to distinguish the
other four suits mentioned by Bickham as being in the King's Guard
page
2),
entrance to which are two coats of mail, curiously inlaid with gold; one with
fleur-de-lys, which is said to have belonged to John, King of France, and the
other with thistles, to David, King of Scotland, both of whom were
prisoners
in the Castle."
in
XVIIth
CENTURY
Why
it is
to understand.
This
difficulty we
that the different parts of the thistle and
little difficult
We
must suppose that Pyne omitted to notice that both the thistle and
the fleur-de-lis appear on the same suit, and not, as he states, the thistle on
one suit and the fleur-de-lis on the other.
"
illustrations to Pyne's
History of the Royal
Residences," aquatint views are given of both the old Guard Room in the
Round Tower, and of the King's Guard Chamber in the Castle itself. In
In
James Stephanoff's
shown
Windsor
armour existing
at
Armoury
after the
for
Guard
rooms nummay, there was a store of arm-
Castle,
in the old
into
We
"
to receive at
Windsor from
Sir
Thomas Wollner
&
them
Scullez
ccc
iiij*
liij
ccc
iiij"
ccc
iiij
xx
l'MER
ccclxvij
Gorgette of Mail
Kodpieces of Steele
ccclxxvij
ccclxix
r
Warde to the said John Lynsey by comaundement
All which Parcelle were delivered by
of my Lord Protecto & other the Lordes of the Councell at Leaden Hall in Maye anno
"
predicto [1547].
Fig. 1424.
By
The
deal
is
first
that
14."
XVI Ith
little
middle of the XlXth century was for the first time reputed to
have been worn by Henry, Prince of Wales. At the time we speak of
there was no authority for this attribution. It became, however, an established fact, owing to the discovery by the author of a miniature in the
royal collection at Windsor, painted by Nicholas Hilliard in 1607, which,
the
Henry, Prince of
Wales, of his younger brother,
Charles, the succeeding Prince
of Wales, and of other hisportraits
characters
torical
it
could not
fail
of
an
identification
the
harnesses that
the
time,
bring about
many of
to
of
are
to-day,
tury
is
all,
not
the
so
XVIIth
very distant
have
of
these
Tower
the
cen-
of
London, appear
Crown
become
immediately
on
the
to
property
deaths of
Henry,
frail
no hesitation
in
pronouncing
is
These were
mounted in the
"
is
the suit
Fig. 1425.
Worn by Henry, Prince of Wales. Of French fashion and workmanship, about 1607. Collection H.M. the King, Windsor Castle
:
"
great horses for the manege. The horse upon which the figure of Charles I
statue of Charles I at Charing Cross (Fig. 1449), is a typical model of the great
M.
St.
to the
Anthoine.
IV
Prince by Henri
M.
St.
of
Anthoine remained
Henry
On
Room
which represents
King Charles
dawned
XVI Ith
cen-
tury
it
is
armour
of
The armour
Fio. 1426.
'
upon their principal plate. The skull-piece of the close helmet is made in
two halves and joined at the comb. To the apex of this was screwed an
ornamental finial which is now missing. The visor and bevor face-guard
are pierced on either side with a circular arrangement of holes for
breathing
purposes. There is a single deep gorget plate, and a tubular plume-holder
8
the back.
harness;
Fig. 1427.
it
CENTURY
XVIIth
In the
Town
Hall of
Draguignan
Fig. 1428.
The
(Fig.
1426).
essentially
These two
suits,
we
believe,
as that which
produced the suit of Henry, Prince of Wales, just discussed, but whose workshop it was we cannot say. The foundation and construction of the various
parts of the Prince Henry suit, and the methods of enrichment followed in
the etching, blueing, and gilding are almost similar to those seen on both the
Astor and the Draguignan suits; but we have to admit that the Prince
Henry
suit
is
The Draguignan
suit introduces in
foliage Clovis Evelike in style; while the principal motif in the decoration of the Astor suit
consists of the badge of some family, intertwined serpents, curious butter-
flies,
suit
monogram surrounded by
and a treatment of foliage similar to that seen on the last suit. Either
could be dated as early as about 1610, though both might well be as late
as 1625.
Another important
little
half suit of
in the
armour
at
some contemporary
the first Prince Henry
in
size
its
proof of the smallness of that Prince's stature, even at the age of fourteen,
we must not lay too much stress on this point. It is, however, certainly
not French, and differs in make and fashion from the first suit we have
described, and
be as early as
If,
is
is
somewhat
earlier type of
We
however, this suit is one of the harnesses still in this country, there
better reason for identifying it with the armour with the lions at
10
Fig. 1429.
Probably made
the
Tower
for
(Vol.
Half
XVIIth
suit of
CENTURY
armour
iii,
Fig.
1061)
than
with
the
one
we
are
about
to
describe.
Our
illustration
shows a small
suit of the
1
most
characteristic
North
Italian
We
The
tioned.
little
12
XVIIth
CENTURY
The same
one."
69
and of 1693
this estimate
is
again repeated.
We
fident that
it
is
say
we
feel
con-
is
described as
"
number
the
The
now
the
bell-shaped
are
now
(the fingers
missing);
tassets, each of a single plate; and
fingered gauntlets,
cuffs
Fig. 1430.
North
Italian
tion
workmanship, about
it.
1620.
Ex
Samuel R. Meyrick.
collec-
Now
The bevor
is
thick,
and
on the
pierced with a circular arrangement of holes for breathing purposes
dexter side only; it is kept fastened when lowered by a turning screw on the
and is attached to the
right side. The chin-piece opens down the sides,
r
pear-shaped cabasset.
Fig. 1431.
Reputed
Half
suit of
to have been
Emmanuel
early
armour
made
for
Fig. 1432.
century.
suit of
Philip
XVI Ith
Half
360,
early
XVIIth
for the
Infantado
North
III.
century.
armour
18,
Italian,
Royal
Armoury, Madrid
We
can say unhesitatingly that they are all ugly in outline and poor in workmanship: though they are rich in general effect by reason of their profusely
most excellent example of such a make of
etched and gilded surfaces.
XVIIth
CENTURY
may
suit
once figured,
of
who construed
certain details
the
Monaco; he
1
These emblems, together
conjoined hands.
with trophies of armour, entirely
occupy the
panels formed by what we may term Savoyard knots, issuing from square-shaped oma-.
ments.
Now,
this
is
on very many
apparently from the
to be seen
all
is
Armoury
made
Emmanuel
XVIIth
of Savoy, early
360 (Fig. 1431). In
century,
the same collection is a boy's suit in this
style,
stated to have belonged to the Infantado Fer-
Fig. 1433.
North
workmanship, about
Rutherford Stuyvesant
Italian
1620.
Collection,
New York
As
to this device,
"
cf.
The Wilton
Suits,"
15
this type of
20, 25.
armour
must have been the " smart but very ordinary parade
suit almost universally worn from about 1605 to 1625. The
picture in
question is ascribed to Vandyck in his Genoese period; but according to
in
northern
Italy,
it
Fig. 1434.
Attributed to Sir Peter Paul Rubens in his Italian manner, depicting a suit of armour
of North Italian workmanship, about 1605-7. The Dulwich Gallery
had better be considered a work of Rubens in his somewhat early Italian manner, and so
probably painted between the years 1605 and 1607. Here then can be seen
a recent
"
stock
One
critical
it
"
16
XVI Ith
those
of
is
England,
harness
in
the harness
known
to
Prince of Wales,
still
We
Vol. iv on pages
7,
attempted to give
when
39, 55,
it
before in
the author
It
is
supposed
to
be the work of William Pickering, of Greenwich, and to have been made for the Prince
about 161 o. This theory was originated
by
in the
XlXth
in the
Record
"
death of Prince
Henry
it
for,
of
whom
to
surprising that this error of description was left uncorrected in the guide books
of the Castle up to late Victorian times; for
It
Fig. 1435.
Made
early
XVIIth century
for
1610.
is
istic
Suit of armour
Windsor Castle
how
.17
By
Sir
the King,
Windsor Castle
18
the suit
XVIIth
CENTURY
armour
whence
it
of
was removed
it
now hangs
in the
Windsor
Armoury (Fig. 1436). Apart from the monogram of the Prince that appears
among the various decorations of the suit, the existence of the Vandyck portrait should be conclusive evidence as to which prince the suit was made for.
A similar portrait of Prince Henry wearing the same suit of armour is now
possession of the Marquis of Lothian. There also exists in Holyrnod
Palace a portrait of King James I, painted a year after the death of Prince
Henry, in which the same suit figures as a property in the background,
in the
Up
is
Henry,
armourer at Greenwich under James I, has been generally accepted, an association based solely on the probability of it being one of the two suits mentioned
in the Warrants dated March 1613 and July 1614. William Pickering was
Master of the Armourers' Company from 1608 to 1609. The former warrant
was issued under signed manual for the payment to Sir Edward Cecil of a
balance of ^200 due for armour to the value of ^450 made to the order of
The
latter,
rich
armour with
somme
all
of one
19
Painted
in 161
1.
On
Collection:
20
the
suit.
comparison.
page 56, Fig. 1137). So that we cannot say more than that
undoubtedly made by an armourer of the Greenwich school,
and that as William Pickering was one of the master armourers of that
school, the suit may be one of those made by him.
The
field that is
is
which radiate upon some of the principal plates. Between these bands, also
recessed and at given intervals, are formal arrangements of the seeded rose
of England, of the thistle of Scotland, and of the fleur-de-lis of France. Both
the bands and the various sunken forms are deeply etched and fully gilt with
strapwork and scrolls, introducing at intervals the letters H P crowned. The
edges of the various plates have been turned over to a cable-pattern border,
and the whole has been studded with hemispherically-headed rivets, each coated
with brass or latten. Apart from its small proportions the suit presents no
variation in construction from that of the harnesses illustrated in the Victoria
"
and Albert Museum MS. The breastplate, which is of " peascod form, has
right side the lance-rest attached by a staple; while in the centre is a
large staple and pin that secures in position the grand-guard. The breastits
plate
is
attached beneath the arms to the backplate by gilt steel straps and
The tassets are permanently fastened to a single tace, and
double hooks.
could be shortened at the third plate; their lower outline is escalloped. There
The pauldrons are complete, and somewhat
is a garde-de-rein of one plate.
accentuated in form, exactly corresponding with those on the Greenwich
suits referred to.
The remainder of the arm-pieces consists of rere- and
vambraces, turners, and elbow-cops. The leg-pieces are full, with cuisses of
eight laminated plates, knee-kops, jambs laminated in four plates at the
and square-toed sollerets to which are riveted the original spurs. The
helmet, which is of the close type with the skull-piece forged from one plate,
has visor and mezeil, the latter pierced with holes for breathing purposes
on the sinister side only. The lower edge of the helmet finishes in a
hollow roping into which fits the top plate of the gorget, ensuring a free
The gorget is high and consists of four
rotatory movement of the head.
Both the ordinary fingered gauntlets of the suit are missing, their
plates.
places being filled by a right-hand mitten gauntlet and a large left-hand
ankle,
tilting gauntlet,
both
made
21
Cumberland
suit in
Appleby Castle
it
the scale plates protecting the little finger on the gauntlet are apparently from
some other suit of the Greenwich school. The right-hand gauntlet reappeared
in the collection of Sir Samuel 'Meyrick, and is represented in a full-page
plate (PI.
tions."
LXXVIII)
in the
When
Fig. 1438.
Left-hand fingered
gauntlet
Fig. '439-
Right-hand fingered
gauntlet
No. 668)
might be replaced on the suit. Unfortunately the price then asked for it, about
;ioo, was considered too high, and so the gauntlet, separated from its suit,
came into the possession of Sir Richard Wallace, who purchased all the
finest possessions of the
Meyrick Collection en bloc. But though armourlovers may regret its absence from the Windsor
Armoury, they can find
it
in the
compensation
will find
it
Her
(Fig. 1439).
late
XVIIth
CENTURY
of Henry, Prince of Wales, with several other examples of armour from the
Windsor Armoury, to be exhibited at an exhibition of the art of metal work
held at the
o.ld
it
was
Aquarium it was
to a monograph on
at the
photographed
in
We
fact, because in
then was, badly strapped and leathered,
its original blued surface burnished so as to look like a mirror, and its
regilt
bands or ornamentation appearing as though they were fresh from the hands of
is
shown
as
it
the restorer.
These
defects,
desiring,
if
during which much of the new gilding came away, disclosing the original gold
beneath moreover, all the straps were velvet-covered in accordance, as far as
possible, with the suggestions given by the Vandyck portrait. In 1910 the
suit with its tilting-pieces in position was set upon a horse. This restoration
;
its
it
present blued
was
originally,
but also helps to protect it from the effects of our ever changing climate.
The additional tilt-pieces at Windsor (Fig. 1440) belonging to this suit are:
another form of close helmet, the grand-guard, the reinforcing plate for the
left elbow, the chanfron, a protective
chin-piece and the gorget plates, a
A third vamplate
reinforcing bevor to a helmet, and two lance vamplates.
for the lance
to
was formerly
in the
Tower
of
Windsor
attaching to it be true, was also one made for Henry, Prince of Wales. To
this suit is attached the story that it was presented to Prince Henry by the
Prince de Joinville; but this story, unfortunately, lacks corroboration, for
the only allusion to a gift of the Prince de Joinville in connection with any
figuring in the old
inventory of "the greate
suit
anno
inventories of
chamber
late
'
guilte graven
(")
(*)
<<)
(J)
(/)
Gr>
Fig. 1440.
The additional
illustrated in
(a)
(b)
(c)
<*>
(<)
tilt-pieces of
fig. 1435
(d) Protective chin-piece
(No. 799,
(e)
ibid.)
720, ibid.)
(h)
24
Vamplate (No
ibid.)
722, ibid.)
XVIIth
CENTURY
are
Henry,
lows
described
as
fol-
"
'
guilte
One
Arm"
Tilte
parcell
Compleate excepting feild headpeece one Poldron one vambrace, one gauntlett and one
vamplett given by S Henry Lee
r
to Prince
Henry."
The proportions
of the suit
just described at
same
have
Windsor, and
it
It
year.
is
Fig. 1441.
crudely
fashioned
Suit of armour
Joinville
(Class
II,
Fig. 144 i
No. 88)
25
art.
The author
Wallace Collection {ante, Vol. iv, page 234, Fig. 1306) inmedio bon faciebat "made at Bologna by
spacinvs
scribed: hier
means of aqua fortis etching, but by the medium of a graving tool, relieved
by gilding and blueing. Both in the case of the shield and in that of the suit
it is
very apparent that the subjects are not drawn at first hand, but are copied
from some engraving of earlier date. Any superiority in the decoration of
probably due merely to the fact that it copies a finer original.
Both decorative schemes appear to be founded upon the designs of Maerten
van Heemskerk (dated 1555 and published at Amsterdam by Hieronymus
Kock). In construction this little suit has no points of interest. Sir Samuel
Meyrick noted that before 1828 the figure of Edward VI, in the line of kings
in the Tower, was in armour, with scriptural subjects upon it. Since this suit
is the only one now in the Tower so adorned, it must be the suit in question.
Of suits that tradition assigns to the ownership of King Charles I, both
the shield
is
King and as Prince of Wales, one of the two harnesses in the Tower of
London has been handed down with corroboration of this attribution; while the
other suit, like the third suit at Windsor Castle, has always borne the legendary
ascription "said to have belonged to King Charles when Prince of Wales."
The suit in the Tower ascribed to the ownership of Charles when Prince of
as
Musee
26
Only
since
>>
3
jo
?!
9-8
H
Pi
s s
G
*
at
">
'
*->
(- .5
H
o^ 3
O
*-
3
.
27
>
_o
*>
it
We
FIG. 1443.
Belonging to the
of
RONDACHE OR TARGET
Formerly
in
the collection
tool
and
still
The
Castle
Windsor
Armoury
its
leather
and
XVIIth
CENTURY
we
at this
will
quarter suit of
since, in
in the
our opinion,
it
1904
the
is
work
is
King James
born
and
in 1619,
this
is
a full-sized suit
We
later
in that
year Charles,
Prince of Wales, would have been fourteen
years of age, and about of the figure to
fit
in
the suit.
the
Therefore
we have
Prince
little
belief
attribution to
the
Rupert
and
we
are
inclined
to
think
suit,
one time it may have been the
Windsor
that at
when Prince of
Wales. It is possible that it was once in
the armoury of Prince Rupert at Windsor
property
Castle,
name.
of
Charles
we can say
is
that
it
his
was
29
Fig. 1444.
Three-quarter suit ok
armour
name of Prince Rupert. Probably French, and of the Petit of Blois School,
about 1612-15. Collection: H.M. the
King, Windsor Castle
now
27.
Chanfron and
28.
Grandguard.
crinet.
Collection:
H.M.
29.
Reinforcing elbow-guard.
30.
Vamplate.
the King,
Windsor Castle
it
The
Charles
attribution
I
when Prince
exhibited in the
No. 677
the
to
ownership
of
in the
is
XVIIIth and
that in the
old
guard-room
in the
Round Tower.
In the
The
of Wales."
entire
surface
of the
suit
drawn
by
mermen blowing conch-shells and of the fulmen of Jupiter while at given intervals appears
;
Fig. 1446.
Suit of armour
3i
and
it
the early part of the XlXth century that some foolish person had the
surface brilliantly burnished, together with those of the other suits in the
castle.
The arms
used
in the tilt-yard.
are
full,
breastplate are staples for the attachment of the lance-rest; while in the
centre is a large staple and pin that secure in position the grandguard.
The tassets, now attached to the breastplate by a single staple and screw,
are full
and ample,
after the
with this particular tilting breastplate, the tassets being for special wear on
foot. The breastplate is attached beneath the arms to the backplate by gilt
and double hooks. The leg-pieces are full, with long cuisses,
knee-cops, jambs, and round-toed sollerets which have spurs with seven
steel
straps
pointed rowels riveted to them. The helmet is of the usual close type, with
visor and mezeil, the latter pierced with longitudinal breathing holes, and
having on its right side a screw and nut for the attachment of an extra reinforcing plate, though the visor has already reinforcing plates permanently
riveted to it. The skull-piece, as is often the case with the XVI Ith century
type of close helmet, is made in two halves, joined down the top of the comb,
which in this instance is high and flat, and finishes in a roping. As the suit
now
is
{ibid.,
The
set
No.
suit,
up upon a
and the vamplate for the lance {ibid., No. 35) are all extant.
which lacks its gauntlets, was shown as a mounted one in the
34),
32
XVIIth
CENTURY
We
of
now come
King Charles
to the
I that
make
a pendant
Tower
of
London
name
(Fig. 1448).
Looking
showy harness we feel quite sure that it was made for
Charles when King; but it appears never to have been worn. Nor can the
at this
34
ILLUSTRATED IN
32.
Chanfron and
33.
Grandguard.
crinet.
Collection:
statement that
it
was given
34.
Reinforcing
35.
Vamplate.
left
elbow-piece.
to the King,
The
it was
given by the citizens of London to the King
on the same occasion seems also to rest on no foundation of fact. However,
we know that in the 1660 inventory of the Tower of London, an inventory
made barely twelve years after the tragic death of the King, and therefore
gift.
tradition that
hardly long enough after the event to afford grounds for suspicion, there
v
P
33
is
Fig. 1448.
Of French
Tower
of
London
(Class
34
II,
No. 91)
"
XVIIth
CENTURY
horse, one Curasseer Armour richly guilt and engraven, made for his late
Majestie, of ever blessed memorye, Charles the first. The horse Furniture
being one shaffrone of the same and an old saddle." In the 1676 inventory there
"
is
again the mention of a gilded suit upon a like horse Curazeer Armour richly
guilt
for
u
the Horse
King Charles y
horse armour had been added
8t
We
1676 inventory, which refers to another suit made for Charles I: "Armour
e
Nt
Cappape richly guilt and graven made for King Charles y i w* Gauntlett
and Shaffron of the same and guilt Steele for a sadle," which would as well
describe the suit under discussion as the other entry. This leaves us in some
perplexity, which is increased by the fact that the 1683 inventory mentions no
armour that belonged to King Charles, only a gilt " shaffron," " said to belong
to King Charles the first's horse," and that in the inventory and valuation of
1688 there appears a suit of gilded armour that would seem to be the one which
we are endeavouring to trace, which is described, however, as " Armour Capape
e
de "
which with velvet trapParcell Gilt made for his late Ma tio K. Charles y II
holsters
and
to
it was valued at ^158.
ping pistol
pistols which were added
So we find the Charles I suit turned into that of King Charles II, and so it
remained entered in the subsequent inventories of 1691 and 1693. One
solid fact emerges, we fancy, from these entries, and that is that in 1660
there was a gilded and engraved suit at the Tower which had belonged to
Charles I, a suit which can be traced in a somewhat vague fashion dow n
to 1693, when it appears classed as the armour of Charles II. Two explanations of this change of attribution can be suggested. Either the suit was
worn by both kings, and so might reasonably be attributed to the ownership
of the latter;
or
it
horse were carved by Grinling Gibbons in 1686, or just two years before this
Charles I suit was first described as that of Charles II.
From the remarkable likeness in general outline and make which it bears
to the suit already described,
Blois,
we may
and credited
35
to the
Charles
workmanship of
suit as
Petit of
being of French
workshop
Although
it
massively constructed (the suit itself weighs 77 lb. 14 oz.) it has all that clumsiness of
form so very much in evidence in its brother suit: indeed, it would be hard
to imagine any defence, especially as regards the leg armour, more ungainly.
The long tassets reaching to the knee are shapeless, and might easily be
it is
merely half hoops of iron, so little skill being evinced in their forging. The
jambs, heavy and clumsy, have a peculiar and ugly feature, namely the
recessed band studded with a row of rivets, which run down the exterior
side of the front plate. These serve no possible purpose, but give the effect
of a meaningless interruption of the plate surface, an interruption which
is sufficient to mar the appearance of even the most shapely of greaves.
Notwithstanding our condemnation of the suit as marking the decadence
of the armourer's art, we are ready to admit that, quite apart from its
great historical interest, it has a charm of colour and a richness of effect
as a pageant suit that cannot wholly be disregarded despite its deficiencies
in make.
The whole surface is covered with a small design of tendril
tool,
The
suit
with
its
almost pristine in its freshness, despite the dirt and dust that adhere to it by
reason of its continued exposure to the London atmosphere. Poor suit! If
its freshness is to be retained it wants first of all a thorough washing and
then a good bath of oil. It still has its delicate lining of pink satin, which
is
around the near fore-foot bears the inscription: hvber le sveur [fe]cit.
1633 The beautiful pedestal is by Joshua Marshall, Master Mason to the
King. To the armour lover the statue is most interesting, presenting as it
does a faithful representation of a suit of armour of French fashion of this
date (Fig. 1449).
If the reader finds a considerable sameness in such suits of the XVI 1th
century as we have so far considered, if, too, he misses a classification into
national families in respect of shape and form, he must understand that by
Our
this time these national forms had fallen into absolute desuetude.
36
is
that, all
being
XVIIth
CENTURY
century,
Fig. 1449.
them
at Charing Cross
we dwelt upon
in detail before
37
distinctive
national fashion
is
that followed
by
French origin, not those to which we have referred, for they would
appear to have been made to order, but those French stock models which were
introduced in the reign of Louis XIII. We may even suggest that after the
production of this characteristic Louis XIII armour, armourers ceased to
produce individual types. True, we get the German and English copies at a
slightly later date; but they are poor and bastard reproductions, as debased
in style as ungainly.
There is a very considerable charm about fine French,
Paris-made suits of as late date as even 1630, and almost a dignity in their
general appearance. Another thing is also remarkable about the French suits
of this time, namely, that there are a few remaining examples in which the
horse is as completely armoured en suite as were those of the early years of
the XVIth century. These harnesses may be the result of the endeavour of
both Louis XIII and of his great minister, Cardinal Richelieu, to retain
companies of ordnance as completely armed as in the days of their grandIndeed, both King and Cardinal used their best efforts to succeed
parents.
suits of
In the
Musee
most powerful
in the construction
as the harness of a cavalry leader; whilst in the second (Fig. 1451) are represented the additional parts of the same harness, disposed for use as the
armour of an infantry officer or for wear mounted, but completed with buff
There is also the circular shield or target. A dim likeness can be seen
between the cavalry harness of this suit and that of the gilded Charles I suit
(Fig. 1448); but the Louis XIII harness is greatly superior in form. The
close helmet is of graceful outline, the centre of its crest being surmounted
by a fleur-de-lis. The arm defences would fit accurately; the gauntlets are
unusually good in form, so too are the jambs, and sollerets, and leg defences
generally. The chanfron of the horse armour is, of course, essentially XVI Ith
boots.
38
Fig. 1450.
1620.
The
124,
39
but
if
we
could disregard
workmanship might
production of the
XVIth
XVth
or of the early
There is just the pos-
century.
the body barding of the horse
that
sibility
fashioned from
at
purpose of
adapting it for an armour for the King.
The author is very much inclined to take
this view, substantiated as it is by the
Louvre,
for
expressly
the
upon the poitrel of this otherwise unmarked suit there appears an armourer's mark of an unmistakably North
fact that
Italian late
of
"
XVth
rom rom
"
in gothic letters,
and an
there
are
in
Fig.
nineteen
240,
Vol.
in
i.
In
suit
all,
the
body
armour of the horse harness of this
Louis XIII suit, irrespective of the full
crinet of the chanfron and its armoured
The surface of the
"straps and reins.
plates
Fig. 1451.
G
1
124,
Musee
Cf. the
Plate
Fig. 1014* in
chanfron ot Henri
p. 47), illustrated,
{ibid., p. 10,
d'Artillerie, Paris
bands, tooled with a very simple ornamentation and gilded. The interchange-
II,
1).
40
Fig. 1452.
XVIIth
CENTURY
to the crest of
which
is
an embossed
lion's
mask.
It is
New York
catalogue of the Musee d'Artillerie that this fine and complete historical suit
formed part of the collection of Napoleon III at Pierrefonds.
41
is
in the
Metropolitan
Museum
of
New York
such complete armament for man and horse of the Louis XIII period, and
of French nationality; but it is less elegant in form, and it is undecorated
save by a profusion of rivets. Indeed, it is altogether a poorer production,
but interesting, however, as conveying the same general feeling. The suit
for the
man and
collection of the
M. Adolph Lessels; but the bards. for the horse, though very complete,
have been associated with it from some other source. It has been suggested that the bards are not genuine armour of the time; but Dr. Bashford
Dean is not of this opinion. It is, moreover, the bards to the horse which
give character to the figure as set up. Upon the glancing knobs are recessed
Maltese crosses; whilst large shell ornaments of French origin of the
Louis XIII period embellish the cvottpierc on either side. The close helmet
artist,
presents a type which we have not yet described, that of a broadly fluted
The producskull-piece, the flutes tapering towards the apex of the comb.
XVIIth century
fluted helmets
even the faintest semblance of beauty of line, or elaboration of surface enrichment; but a proclamation of earlier time, dated February 4th, 161 8, which
1
restricted the use of gold and silver to "armour and ensigns of honour,"
must have done much to discourage workers in rare metals. The proclama-
"... and furthermore the better to keepe the gold and silver of this
kingedome not onely within the Realme from being exported, but that it may
also bee continued in moneys and coyne, for the use and commerce of his
Majestie and his loving subjects and not turned into any dead masse of Plate
nor exhausted and consumed in vanities of Building and pompous use of Gold
and Silver Foliate which have beene in the Reignes of divers kings of this
Realme
and the better to prevent the unnecessary and excessive waste
of Gold and Silver Foliate within this Realme; His Majestie doth likewise
hereby prohibit and forbid That no Gold or Silver Foliate shall be from hencetion runs:
S.P.
Dom.
Jac.
I,
cv,
42
XVIIth
CENTURY
ing.
in
even
in
was not
totally
however,
The
to.
of the
suits
possessing.
breastplate reduced to the
shortest possible length, clumsy, heavy paul-
drons and gigantically proportioned laminated tassets, converted the graceful line of
the
a
human
figure into
something resembling
dress. There is
brooks no dispute, and yet it is an interesting model as being entirely free from
restoration (Fig. 1453). It was found by the
late Mr. Burges in a town in the midlands
of England, and bequeathed by him at his
death, together with the remainder of his
collection, to the British
Museum.
Though
its
century.
Now
preserved in the
Musee
d'Artil-
Museum
123 (Fig. 1454), but formerly
exhibited in the Musee des Souverains, is a really well-finished suit of
armour reaching to the knee, made for Louis XIII at a late period of his
lerie of Paris,
It
Fig. 1454.
Armour of Louis
123,
Muse
Fig. 1455.
XIII
Suit ov armour
d'Artillerie, Paris
G
44
125,
Musee
at Brescia
d'Artillerie, Paris
the century.
is,
XVIIth
CENTURY
is
emin-
main
ently serviceable,
plates, exclusive of the reinforcing breastplate,
probably being proof against the firearms of the time. Great elaboration of
effect is lent to it by its having the edges of the various laminated
plates
its
armour
while the
field
of the
is
beauty of line. On the reinforcing breastplate of this suit are two bulletproof marks, made certainly after the suit was finished.
As we may
the
"
"
proofed
armour.
In later records
we
Edition 191
45
1,
p. 30.
suit
showing plainly that the bullet mark was there before the
engraver began his work. A similar mark at the back is made the centre of
petalled
rose,
a flower.
The
the last
Musee
the
d'Artillerie
Sonverains.
was
It
who worked
at Brescia in 1688.
all
more
condemn
the
We
we
In this suit
ungainly form, which for sheer ugliness surpasses that of any other harness with which we are acquainted. But it is well
and carefully made. The breastplate is flat, and somewhat longer than that of
the Louis XIII suit. The arm defences are large in circumference, but very
it
because of
its
From
The groundwork
We
is
is
brightened.
have noted
that,
46
XVIIth
CENTURY
We
Fig. 1456.
Half
suit
added
in the first
winged harpies, the double-headed Austrian eagle, and upon the breastplate
emblematical figures inscribed: roma, assiria, and the date 1609. The late
Herr Wendelin Boeheim mentions a late XVIIth century gunsmith named
47
Georg
that he
early
and speaks
XVI Ith
is
is
it
possible
Occasionally, on suits of
work
men
of such
as
as Peter
is
rule,
von Speyer.
easily recognized,
thinly bitten in
work
of the copyist
from that of
the
It is interesting to
originator.
compare the aqua fort is etching, as
seen on the suit just illustrated, with
work
is
clearly
marked
in the small
gorget, and
heavy triple-barred helmet, made for
backplate,
breastplate,
Charles II when prince, which, judging from its size, must have been
about 1640-50 (Fig. 1457). On the
panels crudely and
stiffly engraved with trophies of arms,
work executed with a graving tool
skull-piece
are
and backplate,
and gorget
Made
for Charles II
when
Prince.
English
London
(Class
II,
No. 92)
it is
of the
there so described.
"
Tower
lending
it
in the inventories
detail,
is
coated.
gilt;
for
XVIIth
CENTURY
"
armour made
small
Ma
ti0
Charles y
II'
for
1
his
wn
late
he was
and
gorget
gilt.
was
Headpeece
The
.'"
all
valuation of
Richly
it then
^"25.
is
of English
workunder
XVIIIth century
archs,
and
continued to be painted,
which they were represented, in
celebrities,
in
speak
later
the
XVIIth century
of pikeman's armour
Collection: Mr. S.
J.
VVhawell
ground
v
49
Mr. Whawell's
cavalier's half
suit
armour
is
of
a beautiful
be met with.
"
clothes
"
colour (Fig.
1457A).
or the accoutrement of the round-head soldier can
Fig. 1458.
Italian
russet
The
still
Gorget plate
But
all
of the time,
exist,
examples we have described: take, for instance, that very rich and complete
deep gorget in the Wallace Collection, Nos. 643 and 644 (Fig. 1458). Here
can be seen workmanship in the nature of embossing, of chasing, and of
damascening, as fine as any produced in the previous century. But there is
lacking in it the one most important quality which gives to the mid-XVIth
century armour enriched by such means a permanent position, and that is a
broadness and greatness of conception. The gorget is composed of two plates,
50
front
chest.
this
is
XVIIth
CENTURY
The
row
a town
in the distance.
ably dates within the second quarter of the XVIIth century. But, despite
"
"
"
"
the wonderful elaboration of the ornamentation, how
is
tight and
line-y
method
of its execution,
249 (Fig. 1459), once the property of Louis XIII, and another, an
excellent specimen of embossing in the medium in which it is made
silver,
or its equivalent in bronze gilt
now in a well-known Fnglish collection,
and formerly in the Bateman Collection (Fig. 1460). But these products are
not really armour, and must be classed with the minute gorget plates worn
5i
officers of certain
the cavalier and roundhead, there are certain national XVI Ith
century armaments of defence that have considerable interest even to real connoisseurs
Silver gorget
Worn by Louis XIII. French workman-
Fig. 1460.
Fig. 1459.
ship,
about 1630-40.
Musee
collectors
Copper-gilt gorget
249,
d'Artillerie, Paris
Now
in a private collection
they almost
tell
in
quarter of the XVI Ith century; one of them, indeed (Fig. 1461), bears
the date 1692 engraved on its central boss. Both are circular and quite flat,
fashioned of oak covered with dressed hide, the latter incised with a Celtic
last
type of ornamentation.
The
52
is
covered
XVIIth
CENTURY
with raw hide, to which is attached the leather arm-slings. This can be seen
in our illustration of a third (Fig. 1463), a somewhat later targe in the collection of Mr. W. C. Crewdson. As we have already discussed the true Scottish
claidheamJi-mor
in
volume
ii,
is
simple:
Scottish targe
Dated 1692. Collection: H.M. the
King, Windsor Castle
Fig. 1461.
"
Fig. 1462.
Early
XVII Ith
Scottish targe
century.
Collection:
H.M.
know n
is
well
general carry about with them are a broadsword, a pistol, and a dirk. The
broadsword is held not in the belt, but under the left arm, the scabbard being
thrown away in action; the dirk and pistol are worn in a belt on each side of
when they go
musket, and their mode of
their purses
distance,
to battle.
They
53
are also
Exterior
Interior
Fig. 1463.
Scottish targe
C.
Crewdson
the hands of steady troops. It was seldom that the dirk was used in battle,
unless against a flying enemy who had thrown away their arms from terror.
The
is
every person that had been killed by it; and being constantly worn about
the person, it was also usual to have a knife and fork annexed to it, when
those appendages to the table were not so common as at present. It may
a Highlander drew his
could not with any principle of honour be made use
it,
it
54
if
against
any
of the
XVIIth
CENTURY
present while
they continued
together."
They
are,
for the
their
make,
latter
artistic
part
in-
mail,
Camden
and
of about this period preserved in the Bodleian Library, Oxford, of Irish chieftains,
general outlines corresponding exactly with those seen upon the tombs of the Irish kings. Since we are
hilts, their
55
Museum, we
of
the
overstep the
chapter
mark
by giving the
was worn on
the fringe
of civilized
Europe throughout
and partly into the
XVIIIth centuries. Scale arm-
the
XVI Ith
our
is
Museum
mediaeval
mail was
in appearance.
still
Chain
much used
in
we
an early Jacobean
chest fitted to hold all the pieces
of a suit of armour. Has anyone ever come across such a
thing? Here is Charles I (Fig.
1465A); his hand rests on a
search
Fig. 1465.
Probably Polish,
late
XVI Ith
bequest, British
century.
Burges
Museum
for
on which are his helmet and gauntlets; in a case close by are the
other pieces of a suit, evidently of French workmanship of about 1620,
and much resembling the suit illustrated in Fig. 1450. Perhaps the "chest
held
lyned within and without with red cloth," and "the Truncke" which
table,
56
CENTURY
XVIIth
"
Recently,
in
the
rooms
of
Messrs. Sotheby, Wiland
kinson,
Hodge,
auction
the
ceedingly
heavy,
and
they appeared to be of
British
workmanship
XVIIth
centuries.
mounted man's
suit ap"
P " in
pears the letter
Fig. 1465A.
of
retainers'
amples
which
can be identified with any particular family or corporation,
armour,
are very rare. Mr. C. ffoulkes refers to certain pieces of armour marked
with a punch " New Coll," which were formerly in the possession of New
College, Oxford, and formed part of the college armoury for the contingent
v
l
57
by Charles
raised
of Oxford, 191 2,
brated
Pembroke
Fig. 1465B.
in
Volume
believed
is
this
sale
cele-
Helmet
early
(b)
Cuisses
the
Pembroke
suit
Of English workmanship,
(a)
At
63).
highest
armour. CD.]
(c)
F. H.
Cripps-Day
The
price paid
58
at
it
is
CHAPTER XXXVIII
XVIIth
'UR
We
do not
years of those two centuries.
intend to deal at any length with the sword and rapier when we reach
the third quarter of the XVIIth. century; for that would take us to the
the
transitional
The
art of the
worker
might be written;
pretty XVIIIth century toys, for in many cases they are no more than toys,
are marvels of ingenious design and unrivalled productions of the art of the
iron-worker and jeweller; but to describe such hilts is beyond the scope of
this work.
When we last dealt with the rapier of the early years of the XVIIth
century the hilt was developing, both in its English and in its Flemish
shape, into the true cup or bell-hilted form; but in its early stages it could
hardly be called the cup-hilt as
we employ
generation the
to the
perfectly safe, however, to affirm that no cup-hilted rapier belongs
XVIth, or even to the first quarter of the XVIIth century. True there is a
is
59
we
belonging to about 1615-20; but the characteristic Spanish cup, with its accentuated turnover edge and its long attenuated
The
quillons, most certainly are those of no earlier date than about 1630-40.
not
pierced cup first made its appearance about 1620; but even then it was
the sole protection of the hand, being associated with simple counter guards,
quillons,
as
and knuckle-guard.
In
We
M>-,i
FIG. 1466.
By
-^^
its first
CUP-HILTED RAPIER
tradition said to
FlG. 1467.
Of
have belonged to
CUP-HILTED RAPIER
Dutch workmanship,
English or
XVIIth
The
centre of the knuckle-guard and the ends of the quillons are chiselled in
the form of monsters' heads. The cup is circular and convex in section,
as
of bladesmiths"
have been in common use in England until well into the reign of Charles I.
It has been suggested that, although they are the popular and are of the
most ordinary form of English rapier hilt, they were seldom of actual English
make, and that nearly all of them were imported from Holland. This at least
may be said, that even in the case of the finest examples the workmanship is
of the roughest description; while the art of their adornment, if such almost
savage treatment of the ornamentation can be called art, is of the poorest
possible quality. But although we contend that this type of hilt was popular
to
England, we do not claim that this country monopolized its use. The
contemporary French duelling rapier, the flamberge, was closely allied to it
in form; though in the true line of evolution it appears to be little more than
the prototype of all the so-called dress swords of the latter part of the
XVIIth and XVIIIth centuries. We illustrate (Pig. 1468) such a French
duelling rapier of the period of Louis XIII it has a circular cup-like guard,
short quillons, and knuckle-guard, the whole coarsely chiselled with floral
ornaments. In this case the blade made for the hilt is slender and four-sided,
in
of exaggerated length,
stringing
cut
known
From
we
example
is
61
Fig. 1468.
Rapier (Flam-
berge type)
French fashion, about
Collection
Fig. 1469.
1630.
Rapier {Flam-
bekge type)
Fig. 1470.
Rapier [Flam-
berge type)
Ramsbottom
Fig. 1472.
Fig. 147 1.
The form
in
Rapier hilt
common
use in EngProbably of
Rapier
Fig. 1473.
form
in
Rapier
common
use in
bottom
Joubert
62
XVIIth
We
the characteristic so-called English rapier hilt of the type we have referred to.
In construction it practically resembles its French neighbour; but it has two
Fig. 1474.
English, about 1630.
Sword-rapier hilt
1
471) is now, as it ever was, russeted and covered with minute floral
decoration in hammered, pierced, and chiselled work, a decoration which is
(Fig.
generally regarded as raising the presumption that the provenance of the hilt
is Dutch. The date of the hilt is from about 1620 to 1650. The blade is inscribed sahagum.
give illustrations of two other rapiers of the same form
We
and make of
the collection
hilt
forged in one with the remainder of the hilt. This interesting English
weapon is in the collection of Mr. Herbert Graystone. Two other swordit
is
1630 to 1640.
When we come
Fig. 1475.
to turn to
Sword-rapier hilt
compared with their Spanish rivals of a few years later date, these Italian hilts
have the cup at once deeper and smaller in circumference; the pommel is
still oviform, if somewhat larger in proportions as compared with the flattened
another.
64
hilt.
It is
a remark-
XVIIth
the cup guard of these forms of rapier hilt, the author has only come
across one other genuine hilt in the enrichment of which gold, either in the
Fig. 1477.
The
hilt is
Cup-hilted rapier
probably North Italian, and may be dated as from 1630 to 1640. Its blade
is
inscribed with the bladesmith's name: Johannes tesche.
give
another illustration of a cup-hilted rapier of the same family, nationality,
We
and
date
which
is
now
in
the
Metropolitan
Museum
of
New York
It will be noticed that the proportions are still the same, and
(Fig. 1478).
that there are the same deep and comparatively small-diametered cup,
straight quillons, and fairly large oviform pommel. The pierced and chiselled
ornamentation on the shell of this hilt is not of a very uncommon type, the
strapwork panels,
etc.,
65
We
We
upwards
to
the cup. True we have seen a purely semithe arms of a Portuguese family; but we have
little hesitation in
asserting that Italy was the country of production of even
this particular hilt, and that the fashion of this
extending cup was Italian
and not Portuguese. This brings us to the consideration of the fact that
it
was originally
Italy
and
advantage of fixing
adopting this fashion to the exclusion of nearly every other type of rapier
hilt, and, indeed, resisting almost until the opening years of the XVIIIth
"
"
"
"
small sword which ultimately
century the introduction of the court or
seem as
met with
We
though of
late date,
Fig. 1479.
Italian, possibly
Collection:
Fig. 1481.
Author
The cup of
a rapier
Fig. 1478.
Author
Cup-hilted rapier
Fig. 1480.
The
Cup-hilted rapier
hilt is
probably Italian,
about 1630-40. Metropolitan
New York
Museum,
New York
67
may
We
have never come across any kind of main gauche dagger to accompany this deep cupped Italian rapier of say from 1630 to 1640; so we think
that the ordinary quilloned dagger of XVIth century shape was the weapon
used in conjunction with it, and not that unusual parrying weapon so often
made en suite with the Spanish cup-hilted rapier of some years later date.
The late Mr. Egerton Castle, in his admirable work " Schools and Masters of
The
cup, quillons,
The pommel
Ex
is
1630.
of an earlier date.
Bernal collection
Fence," put forward a theory that in our opinion affords an adequate explanation of the evolution of the solid cup-hilted rapier with its accompanying
have noted the use in the XVIth century of the
main gauche dagger.
We
small target as an auxiliary defensive weapon in sword fights (Vol. ii, p. 245,
Figs. 617 and 618); in the same way early in the XVIIth century the idea
may have occurred to some ingenious swordsmith of fixing a complete
hilt
XVIIth
shield
at arm's length,
Fig. 1483.
Of Spanish
Cup-hilted rapier
hilt to
Italian.
the
main
When we come
to hold both a
mid-XVIIth century
accompanying main gauche dagger made really as a twin to
to consider the
69
we
find that
family at La Cava, near Naples, and at one time were the property of
a Spanish Viceroy of Naples in the third
quarter of the XVI Ith century.
are
said
to have belonged to a
They
Viceroy of about 1618; but since,
Fig. 1484.
Made
as
there
Rutherford Stuyvesant
no evidence
in
XVI Ith
century
portraits of the existence of the true cup-hilted rapier before, we will say,
1640, some confusion must have arisen as to which Viceroy they really
belonged. Although these hilts are, as we said, of distinctive Spanish fashion,
we
are inclined to believe that they were chased in Italy, if not produced
directly under the influence of the so-called Brescian school. They are now
in the
XVIIth
bearing the
surprisingly late
1701.
It
will
cup of the
Bargello rapier
is
edge of the cup is rolled over in order to catch the point of an adversary's
weapon. The hilts of both the rapier and its main gauche dagger are very
finely chased and pierced with dragons, scrollwork, etc., and though the
Both
of high excellence.
the blades are Spanish, that of the rapier having inscribed on it:
design
that of
is
is
Fig. 1485.
Of Spanish
of Toledo.
The
Cup-hilted RAPIER
only fine rapier possessed by our national armoury, the Tower of London,
is a
very splendid weapon of the type we have just described. This rapier
(Fig. 1485) is of the very highest quality of workmanship; in fact, we are
inclined to think that just as its ornamentation is more ambitious in design
than that of the rapier and dagger now in the Metropolitan Museum of New
York (Figs. 1483 and 1484), so in the excellence of its execution it excels these
two weapons. It has a grip of steel, chiselled in accordance with the remainder
of
the
hilt.
It
is,
gauche dagger belonging to it. It is not known how the Tower of London
Armoury became possessed of it, but there is a tradition attaching to it
that it came from the collection of the Duke of York, which was dispersed
in 1830.
It was illustrated, after having been on exhibition at the famous
7i
Fig. i486.
rapier,
Cup-hilted rapier
Of
Fig. 1487.
Made
The
in Fig. i486.
two weapons are the deep cup form and oviform pommel
of the earlier XVI Ith century fashion combined with a decoration of scrollwork and coats of arms in the fashion of 1650, an interesting example of retention of form and advance in ornamentation. The shield of arms introduced
into the hilt seems to be of Portuguese origin but the fashion and workmanship of the rapier and dagger hilt are essentially Italian. The finest cup-hilted
rapier of mid-XVIIth century fashion which the Wallace Collection possesses
is of the Spanish fashion, No. 583 (Fig. 1488).
Although the hilt is of the
characteristics of the
we
Stuyvesant rapier and dagger (Figs. 1483 and 1484), Italian workmen were
The whole hilt is very accurately and
responsible for the enrichment.
72
XVIIth
adapted to
it.
It is
inscribed:
As may
^H
Fig. 1488.
Of Spanish
l^rsHtot^^-
Cup-hilted rapier
not only retains its scabbard and hanger. It is blued and as fresh and brilliant in colour as a modern key-ring. Many private collections abroad and a
few in England are also rich in this same type of cup-hilted rapier. Indeed,
one could hardly hope to see more delicately chiselled examples than the
two we select from the collection of Mr. G. H. Ramsbottom (Figs. 1489
and 1490).
strange that cup-hilted rapiers, Italian or Spanish, figure so
seldom in the portraiture of the time; when they do appear they are all
represented as of the latest type a type we are about to enumerate a family
It
is
XVIIth
V
it is
73
XVIIth
examples the cup has become even flatter, though still large in circumference, the pommel has dwindled to a small button-like form, the
quillons are
and
slender, while the knuckle-guard bows vary
long, straight,
greatly
1
1
and
The edge of the cup is no longer turned over to
1492).
(Figs. 49
catch the point of an
to
adversary's weapon, or if it is, it is turned over
only
FlG. I493.
The
design
is
ITS
Of Spanish
the smallest possible section. More often than not the exterior of the cup is
left in the plain burnished steel, occasionally relieved
by a little engraving.
In the specimens of the finer quality, that circular plate called the guardapolso, which fits within the cup, is often finely chiselled and pierced with
radiating or floral ornaments of the best possible workmanship. The gitardapolso, fitting as
it
does within the cup, disguises the ends of the pas-dane and
75
not
of exaggerated
length
hilt
appears to have
in section,
and
slightly
seen; indeed, the author knows of only two genuine examples in England,
one at Windsor Castle and the other in the Wallace Collection. These solid
Fig. 1494.
Cup-hilted rapier
The design on
hilts,
181 2
76
XVIIth
spherical, having its edge flanged outwards. In the interior is the inner shell,
the guardapolso. The grip, which is the
original one, is bound with silver
and
enriched
with
wire,
longitudinal iron bands. The blade is of
hexagonal
FlG. 1495.
The cup
is
CUP-HILTED RAPIER
diamond-shaped
section.
At the
hilt
there are
punched small dotted ornaments. The decoration of both the rapier and
dagger hilts is almost identical, the quillons, knuckle-guards, and edging to
the cup and guard being chiselled with conventional bands of laurel foliage
bound with ribbons. The cup of the rapier is chiselled with oval panels
77
more robust
in proportions,
steel, chiselled
The blade
is
composed
of
of
Fig. 1496.
Cur-niLTED rapier
and the two weapons belonging to His Majesty the King, are,
though Spanish, the work of Italian workmen. A solid cup, of a rare
type, but embossed and not chased out of the solid, we figure from the
collection of Mr. G. H. Ramsbottom (Fig. 1495).
Although belonging to
a century which is outside the scope of this work, we will terminate our
rapier,
78
XVIIth
"court
"
or
"
small
The pommel
"
sword was
resisted in that
country as well as in Italy.
cup
chiselled the
emblems
This rapier
of the Passion.
still
retains
its
original
tooled
leathern
rapiers,
widens out
its
and
most
interesting, the
art displayed in the decoration of its hilt
is poor. The
preservation of the original
servation,
is
scabbard on the
last
cup-hilted rapier
when
the rapier
slender leathern
sionally
retained,
Fig. 1497.
Early XVIIth
century.
Collection:
attachment was resorted to. The frog or carriage was a good way of slinging
the rapier; but the rapier hung loosely at right angles to the body, and could
not, despite guiding straps, be easily adjusted to the exact angle required.
But this was not so in the newly invented device to which we are about
to allude.
Our
illustration
tackle of Italian
(Fig.
workmanship,
all
The upper
Their working
is
extremely simple.
79
wearer.
means
working
in a socket,
in all cases,
was regulated by a
Fig. 1498.
Spring tackle
late
XVI Ith
century
compress the spring of the split-bar and jerking it forward, the scabbard,
either with its rapier or without, was at once released.
Our brief notes on the cup-hilted rapiers of the XVI Ith century have
We
taken us
down
prominence
80
XVIIth
variations of the swept hilt which were evolved in the earlier part of the
century, having left them, as far as we propose to deal with them in Volume iv,
on page 319.
We
say suddenly; for the author has been unable to trace the
developed.
form of hilt from any other type, unless it be the simple
of
this
evolution
cruciform dagger hilt of early XVIIth century date. The type in question
"
"
has been christened the
sword, a name derived from the circumpillow
stance that these short swords, with their simple forms of hilt and guard,
were hung by the householder at the head of his bed so as to be within
Dutch
the
Armoury
of
property of James
Windsor
I,
Wales
(Fig. 1499), an attribution, however, of which we entertain considerable doubt. The hilt is of French workmanship, and, according to an inscription on the blade socket, was made somewhere in France at the sign of la
roche d'argent, an interesting piece of information which enables us to
two other
hilts
known
to us,
However, both the other hilts are of later date, which leads us
to suppose that though the blade may be that of a sword once worn by
Charles I, the hilt now associated with it has been substituted for the
original. Before referring to the blade, which is the work of Clemens Horn
swordsmith.
of Solingen,
hilt
now
heart, but
we
associated with
is
fashioned
it.
in six facets.
The
surface
is
oval
section,
Fig. 1499.
By
"
pillow" type
tradition said to
82
The whole
surface
is
is
adorned
XVIIth
The
piety
crowned, the sun, moon, and stars crowned, the fleur-de-lis crowned, and
the rod of Aaron similarly treated. There is also to be noted the most
elaborate Latin inscription, which,
arranged and translated, reads as
follows:
Upon one
side:
Then
THE PART OF AM(E?)RICA FOR CHRIST AND COUNTRY FOR KING, LAW
AND PEOPLE LOVE TRUTH AND( )FIGHT FOR YOUR COUNTRY( )aLWAYS
AND WITH SINCERITY A MIND CONSCIOUS( )OF RECTITUDE LAUGHS AT THE
FALSEHOODS OF COMMON RUMOUR FORTUNE HELPS( )THOSE WHO PERSEVERE GLORY FOLLOWS VALOUR (OR VIRTUE) VALOUR (OR VIRTUE) SURVIVES
DEATH TO GOVERN ONESELF IS THE HIGHEST WISDOM BY HOPE AND
PATIENCE.
Upon
Then
83
'
Fig. 1500.
Sword hilt
Fig.
Made probably
The
d'Argent
These sentences,
'!'W
"
1
501.
d'Artillerie, Paris
we have endeavoured to
workman who was doubt-
appearing
upon the blade, it was really made either for James I or Charles I, and was
not one of the many stock pattern blades turned out in such large numbers
84
XVIIth
from the workshops of Clemens Horn. Shown with the sword is its
original
wooden scabbard, which is covered with black leather. There is a curious
spring at the chape fitting into a compartment on the under side. The ferrule
Fig.
"
i
502.
The
J 224,
Musee
d'Artil-
Fig.
503.
Sword hilt
lerie
The two
of russeted iron.
other sword
85
hilts,
Neither of
Martin Harvey, has a well-marked knuckle-guard (Fig. 1500).
these swords now possesses the blade originally fitted to the hilt. In the
Muse d'Artillerie of Paris are two examples of the "pillow" sword, J 223 and
224 (Figs. 1501 and 1502), the gift of the Baron des Mazis to that Museum;
both have
and possess
The sword
and scrollwork,
is
XVI Ith
century.
the XVI Ith century advances, sword and rapier hilts are to be
found in great variety, some of which vary so greatly both in form and in
decoration, that we find difficulty in placing them in any particular family of
As
weapon.
late type,
vice versa.
For instance, the rapier hilt in the Wallace Collection, No. 894
shows us a guard that might even be accepted as belonging to
(Fig. 1503),
the third quarter of the
XVI Ith
we know
of Turin,
gift of Philip II of
Spain
Emmanuel
Philibert of Savoy.
Many superb firearms and a few famous
swords by him are to be seen in the more important museums of Europe.
Take another example, the sword in the Royal Collection at Windsor,
to
No. 69 in the 1904 Catalogue (Fig. 1504). Here is a hilt which, from its form,
we should have judged not to have been earlier than 1680; yet we can detect
a very great likeness in the chiselling to that which enriches the hilt of the
"
splendid John Hampden" sword (Vol. iv, Pig. 1361). In fact, in our opinion,
it comes from the same hand, and, as such, must be of the latter
part of the
We
XVIth
86
XVIIth
some form
like
it,
of shell
Fig. 1504.
However, there
in the
ones
In the past,
when
the
a sword
much
Hilt ok a sword
is
pommel
(of
the King,
87
(^
XVI Ith
88
XVIIth
example is to be seen
and Albert Museum.
are,
In the
Fig. 1507.
Macomber
Sword hilt
The workmanship
Boeheim
Berlin.
is
ascribed by Herr
Leigebe of
to Gottfried
Imperial Armoury,
Vienna
its
whom we
v
is
89
good example
Fig. 1508.
is
to
Armoury
Fig. 1509.
Probably
of
Vienna
(Fig. 1507).
Hilt of a broadsword
Italian,
H.M.
Windsor Castle
Hilts are met with entirely fashioned of ivory, a useless medium for the hilt
of any sword. At Windsor Castle there is a specimen (Fig. 1508) in which the
whole
the pommel.
We
shall
make no comment on
90
this extraordinary
Pegasus
though
XVIIth
entirely
some
genuine
of higher
hilt.
artistic merit
XVIIth
than others.
same
period,
its
armoury
finished
posed
hilt
"mortuary"
worn by Royalists
I.
The term
is
sup-
form of commemorative
to describe a
King, Charles
type.
in
memory
of the Stuart
Broadswords, with
hilts of
Queen
one to answer.
We
was personal
to the
ENGLAND,
Collection
1650.
Mr. E. H. Litchfield,
New York
92
XVIIth
parties.
The most
ornate
hilt of this
said to be a
that
is
weapon
Commonwealth, the date 1650, and the inscription: for the common
WEALTH of England (Fig. 5 1). The author must confess that he has never
come across any contemporary use of the word "mortuary" as applied to
such a type of broadsword. We illustrate two other less elaborate hilts on
1
Fig. 15
12.
Ex collection:
Mr E. J. Brett
about 1650.
the late
Fig. 15 13.
E.
J.
Brett
which these crude portrait busts are chiselled both are of English workmanship (Figs. i5i2and 1513). Germany, Spain, and Italy had each its distinctive form of cavalry broadsword, varying but little from that of English
Large numbers of nearly every type are found, weapons being often
made in duplicate, triplicate, or even in scores; a circumstance which leads
"
us to suppose that they were the first " regulation
weapons handed to
regimental bands and troops. To France can be assigned a large family of
good serviceable broadswords of the type (Fig. 1 5 4) some are of admirable
workmanship, gilding and silver plating often constituting their enrichment.
origin.
is,
however, beyond
93
XVIIth
discussion
century.
the scope of our work.
first
half of the
XVI Ith
century
we meet
No. 681
in the
hilt
5 14.
Broadsword
blade
is
an excellent example
We consider
encountered.
to
be probably of
workmanship
quarter of the
is
it
French
of the second
XVI Ith
somewhat
of
undoubtedly eleventh
the
knuckle-guards,
the
shells,
the
quillon,
and
the
counter-guards.
is
94
Fig. 1515.
Sword
H.M. the
King, Windsor
Castle
XVIIth
mina damascening
is
utilized
Italian, or to
influence.
The
the grip and the knuckle-guard parallel to the single down-curved quillon, and
possibly a ring or a single counter-guard; but a bizarre appearance is lent to
(Fig.
of the
As
Sometimes we
Malay Archipelago.
medium
of bronze
gilt.
quarter of the
XVI Ith century, we will illustrate a few representative examples of the
"
"
small
or court swords, which, worn almost universally throughout the
last
XVI I Ith
French flamberge, the duelling sword of the earlier years of the XVI Ith
century. In the XVI I Ith century the form of the hilt remained the same;
but it became smaller, and the pas-d'dne disappeared until such a hilt as we
see on the modern court sword resulted. We are able to give, however, an
illustration of a hilt which is an intermediary link. It is on the sword which
was formerly
in the collection of
Napoleon
which was
This sword,
7).
only
be employed by the royal house of France, the form is most
interesting
because, though constructionally it resembles even the latest of the XVI I Ith
is almost
century court swords, the individual parts are larger. The
pommel
the
its
The pas-d'dne
but a youth.
period
in
The type
which
it
is still
XVI Ith
century
when
the
King was
96
is
XVIIth
had not yet been introduced. Although the German rapier is never marked
by much original design, for the Germans first adopted the Italian and later
on a combination of Italian and French styles, and utilized most forms of hilt;
"
"
but like the Spaniards, they resented the introduction of the
small sword
type. It is therefore somewhat remarkable that one of the earliest forms of
"
"
small swords was chiefly made in
triangular blade adapted to the hilt of
Germany. Between the years 1675 and 1690 there came into fashion a type
of blade known as Colic hemarde, which was very popular in France, though
in England it received a somewhat grudging welcome. Although these blades
were made for the most part in Germany, they were almost exclusively produced for exportation. Colichemarde is a curious phonetic rendering by the
French, the chief users of the blades, of Konigsmark, the name of its supposed inventor, the famous military leader known as the Marechal de Saxe,
created a Marshal of France by Louis
in question is of
triangular section, each face being very strongly hollowed; but its main
characteristic is the robust section at the hilt, which, remaining practically
of the same dimensions for about a quarter of the distance, suddenly tapers
and becomes excessively slender, though the section of the blade continues
the same its whole length. This pronounced and sudden difference in the
dimensions of the section half-way down a blade facilitated a rapid thrust to
an extraordinary extent without weakening the blade at the hilt where all the
parries are made. This form of blade was eminently favourable to scientific
fencing, and, as Mr. Egerton Castle so admirably puts it in his book,
"
Schools and Masters of the Fence," " is one of the rare instances in which
the form of the weapon was not the res-ult of the development of the theory,
but one in which the invention of a new shape ultimately altered the whole
system."
Before
"
"
allude perhaps to the typical
small or court sword, where
the form of the shallow cup guard is broken in outline. to a shell on either
we
Windsor
King
at
Fig. 15 18.
Which belonged
to Charles
of
Fig.
Sweden
By
Duke
5 19.
Sweden.
Royal Collection,
Stockholm
Marlborough, in 1707. The hilts of both the Stockholm and Windsor swords
have pommels formed as flattened oviform vases chiselled in high relief with
two subjects
in oval panels.
98
XVIIth
The
in
in
century
Fig. 1520.
The work
Collection:
doubt copied from, those depicted on the tomb of Ferdinand I de' Medici by
Pietro Tacca at Leghorn. The panels of the shells, both outside and inside,
contain elaborately chiselled battle scenes, which, however, it is impossible
to identify. The hilt of the Stockholm sword is mounted on a triangular
blade and possesses its original grip; while that at Windsor, in the opinion
99
Windsor
hilt is
Castle,
signed in
full,
it
was made
in Berlin.
part of a
in
made on
wedding
gift
William, Great
Prussia), to Louisa Henrietta, daughter of Henry Frederick, Prince of
Orange, and it is said that on account of this historical association King
George IV was induced to purchase it for his Carlton House Collection
from the London sword cutler, Prosser. The surface of the steel retains
its original blue-black colour, the whole hilt being chiselled with that
minuteness which is usually associated with the French court sword hilts
of late XVII Ith century date.
Each small portrait bust that appears
its
decoration
is
chiselled
of
arms are
substituted.
On
the
shells
there are
ten portraits,
from the year
"small"
its
final
XVIIth
J 383 (Fig.
1521).
Fig. 1521.
By
is
1667. J 383,
Musee
d'Artillerie, Paris
hilt,
"
Fig. 1522.
which
is
of gilded
About
1690. Collection:
the King, Windsor
H.M.
Castle
little
101
Colichemarde type.
We cannot leave the subject of the offensive arms of the XVI Ith century
without making an allusion to the various types of curved swords that, as the
century progressed, were produced in large numbers and in strange types. No
doubt very many of them were intended as weapons of the chase. Indeed,
large numbers are still to be seen with their original scabbards, in which
are partitions for holding eviscerating implements; but such weapons are
practically outside the scope of this work. The portraits of the middle and
subsequent years of the XVI Ith century often show us a nobleman in semiclassical attire armed with a short curved sword, hanger, or cutlass, especially
we
102
XVIIth
Fenton
(Fig. 1523).
terminal figures, amorini, etc., and, if we are not mistaken, these are probably
the work of the same hand that decorated the basket hilt of that superb
broadsword
Fig. 1523.
Fig. 1524.
in
W. H. Fenton
W. H. Fenton
it
back to the
unworked
stag's horn,
first
of
103
provenance
London, in which blades signed by a certain Johannes Hoppie were made.
blades' are occasionally met with; take for instance a fine slender
mid-XVIIth century blade in the collection of Mr. W. H. Fenton. In 1636
Hounsloe
of
Hounslow Heath,
own charge of ^"6,000, perfected the art of blade-making, and that he can
make " as good as any that are made in the Christian world." This factory at
Fig. 1525.
"Hanger" or
cutlass
Probably of German workmanship, about 1640.
Collection: the late
Mr. E.
J.
Brett
XVIIth
sionally on English
combating; but the
made examples
We
We
also represent a foreign variety of the hanger hilt (Fig. 1525), and a very
finer hilt of the same family, which was formerly in the de Cosson
much
Collection (Fig. 1526). This latter example is wholly fashioned of steel, and
is well made, and, for the
period, tastefully chiselled. On the interior of the
shell is a portrait bust of an electoral prince of Germany; while on the
is
signature in
we have
full
illustrated
may
We
We
illustrate
Musde
example
Museum
two very
fine
examples from
and another
c),
New York
(Fig. 1527
b).
which the two circular apertures in the wide thumb-plate of the blade were
also intended. It can be imagined that if by chance the point of the rapier
passed through one of these holes, by an upward twist of the wrist, a vicelike hold could be obtained of an adversary's blade. Collectors will find, too,
that the blade is generally back-edged, though not always on the same side;
for instance, in the case of these two parrying daggers illustrated, one has it
on one side, the other has it on the other. Both the Paris daggers are of
Italian workmanship of about 1640-50; but the example chosen from the
Metropolitan Museum would appear to be purely Spanish and of somewhat
earlier date.
Though these daggers were of course capable of inflicting a
mortal wound, they were not looked upon so much as weapons of offence as
v
105
v-
3&S3KIQKBa
.^l-.-.^JWA.*
B
Fig. 1527.
A.
B.
C.
Italian or Spanish.
J 850,
Musee
J 857,
d'Artillerie, Paris
New York
d'Artillerie, Paris
106
XVIIth
of defence.
They
were
worn throughout the XVIIth cenLike the swords and rapiers of the
still
tury.
pages 8 1 et seqq.
We
illustrate
an example
showing
and
half of the
XVIIth
century.
And
the story of
F07
We
sincerely hope, however, that a careful study of our illustrations will enable
armour-students to trace a real line of developing sequence. The author
knows too well that more erudite books have been written on the subject of
arms and of armour. No one realizes his lack of scholarship more than
himself, but he thinks that he can claim that no one has written on the
subject quite on the same lines as those of the present work. The author has
not attempted to deal with the theory of body armour and of offensive
weapons, but simply endeavoured to allow actual examples, the best of their
kind that the ravaging hand of time has left as witnesses, to relate their
history in picture form. From the middle of the XVth century to the third
quarter of the XVI Ith the author has aimed at illustrating the most representative of each particular class of harness known to him, giving his views
as to its approximate date, its possible maker, and, where attainable, its
provenance. The author has loved collecting, and his work has been his
pleasure.
He
collector;
for
it
To examine
workmanship.
has wandered
that certain national collections are, alas, unknown to him. The contents
of the Tsarkoe-Selo of Petrograd have never been examined; neither has
the wonderful
mens, that we have found it quite impossible to take note of every extant
example.
Finally, the author desires again to thank all those who have
him
to compile this history of armour and arms.
helped
Many are his personal friends. To all he owes a great debt of
gratitude, not only for their
but
also
for
their
so
courtesy,
knowledge,
generously imparted to him. They
have spared no trouble to send him any photograph, pedigree, or
description
piece of armour or of
subject of this work.
of
any
08
in his
study of the
APPENDICES
I
NOTES ON FORGERIES
HERE
is
manner
the collector; others have worked to earn a living in this way to the orders
of their patrons, and again others have produced works of art in imitation of
the old for the purpose of decoration, of fancy dress, or for the theatre. But
no craftsman can produce a work of art, original in design, but in the style
of a past period, which can permanently deceive. There is something in the
spirit of the time which inspires the contemporary artist, and he alone can
He
must
interpret, be it in paint, metal, or stone.
false note the expert detects.
design but in style.
We
which have been responsible for these fabrications, and about those in which
they have found the most ready market. We think that Italy must take the
credit or discredit of first producing false armour and arms to meet the
requirements of the collector. Early in the XlXth century when every
wealthy and would-be cultured English gentleman, following the example
set him by his ancestors of the XVIIIth century, made the grand tour to
widen his knowledge and outlook, he was expected to visit Italy and to get
use the words
an insight into the works of the then popular old masters.
We
1 1
then popular" in the sense that though such names as Raphael, Correggio,
Michael Angelo, Titian, and Tintoretto were held in the highest estimation,
the works of Guido Reni, Sassoferrato, and their contemporaries enjoyed,
we may
meant but
little.
No
armourer's
cognoscenti of those days appreciated the fact that a great master had conceived the productions that were shown them. Therefore every elaborate
pageant shield, helmet, or suit of armour was attributed to the design either
of Cellini, or more often to that of Giulio Romano. Consequently, when
parade armour and weapons that could be ascribed to these masters failed
to be procurable in sufficient quantity to "go round," the Italian dealer of
the time turned his attention to fabricating them. And it was an easy task
in those early days of the XlXth century. The forgeries flourished like
plants in a virgin soil and were accepted without a murmur; for then there
and even public collections formed in the sixties of the XlXth century. In
their fabrications, German and Austrian forgers appear to have neglected
the flamboyant Renaissance types which their Italian colleagues imitated, and
to have turned their attention to the copying of complete suits of armour of
Maximilian and of so-called Gothic types. But while much of their work is
of very good craftsmanship, students are fairly conversant with their productions, owing to the output being so copious and the pieces bearing such a family
likeness to one another. These suits were put on the market chiefly between
the years 1865 and 1880.
FORGERIES
and most deceptive armour and weapons, forgeries which are
interesting because they showed originality and were made with much care
and thought. But in England at a rather earlier period in the XlXth
century originated a most peculiar school of forgery, which can only be
excellent
demand
mens begin
command high
prices, spurious
relic of
ancient English
is in
was not
^H
*~\
fl
any
FORGERIES
thing that strikes the eye is the impossibility of its actual use. Most
of the plates of which it is constructed appear to have been made out of
pieces of worn-out stove piping or from rolled sheet iron, in which latter
first
case the peculiar markings left by the rollers on the surface are
distinctly
traceable.
In nearly every instance the metal has never been
highly
polished, with the result that the remains of the black oxide appears in
specks all over it. The workmanship, too, is of the poorest: the pieces are
Fig. 1530.
Showing
attempts at decoration as are found might have been made by a savage from
Central Africa. Moreover, a puerile effort was made to disguise the carelessness of manufacture and to imitate the ravages of time by means of fire
exposed to the weather for a day or two (Fig. 1530). Yet, wonderful to
relate, as we have already said, for nearly forty years these miserable shams
were accepted as genuine by what were then considered the best judges in
the country, and were described and illustrated in the foremost publications
of the day; they were allowed to disfigure the best collections, not excepting
those of a national character. In our list of armour forgeries we will discuss the subject before us as we have discussed the genuine armour and
weapons, that is, in chronological order, or rather in the chronological
sequence to which they purport to belong. But in all instances, save those
in which the specimen happens to be national property, we will omit to give
the name of the present owner; at this time of day, however, nearly all
these examples are hopelessly discredited.
will start with the complete suits; as these from their very bulk
appear to claim first attention. The fabrication of the chain mail, of which
We
first
suits
Strange as
may seem,
a
fact
that
until
recent
suits
of
oriental
mail
yet
comparatively
years
could be seen exhibited in the European section of the Tower of London
it
European
original.
it
is
"
Armoury
labelled
more appropriate quarter. A suit of combined mail and plate purporting to be of European make of the latter years of the XHIth century
the now almost famous Saracenic armour for horse and man, said to
have come from Tong Castle long did service as "The Armour of a
Norman Crusader"; it was eventually removed to the Asiatic Armoury and
to a
subsequently to the British Museum. Some excuse can be made for the
mid-Victorian armour enthusiast who readily accepted the suit under the
116
FORGERIES
older label; for it was genuinely old and did appear something like an
early
harness of combined chain mail and plate. As a matter of fact it was a good
we have
century.
as genuine, should have been accepted, too, as they were by a very eminent
authority of his day, is more than astonishing. In the case of the first
suit
the links of the chain mail have an interior diameter of about half
an inch, and in section are triangular; they are not riveted, the ends simply
meeting one another. The scaled appearance of the metal certainly points
to the action of fire rather than to the oxidization of rust; so we may consider that that was the medium the forger made use of to lend to the mail
its ancient appearance.
The first suit on the list is the third suit referred to
catalogue of the famous loan collection held at the Ironmongers'
Hall in 1861, to which two other equally audacious shams of the same make
in the
117
lent.
The following
extract
is
instructive
as
in
and, at
for old
collection of antiquities."
century
however,
armour
"
in
known comprehen-
"
Gothic
that the majority
sively as
of blunders are generally made: for
the present day forgeries of such armour are very ingenious and plausible.
really
i.
Showing the
artificial
rusting
We
remem-
fashion
of
Royal Armoury of Vienna (see Vol. i, Fig. 212, page 177), with
variations, which include a visored bascinet head-piece. We, however, are not
prepared to regard it as a very convincing fake; as in our opinion it would
suit in the
not deceive the more astute armour collector of to-day. The skull-piece
of the bascinet is made in two halves which have been brazed together;
while the curious hairy rust on the exterior and the soft powdery rust
in
We
the
interior,
FORGERIES
size
in
which the
53
artificial
apparent (Fig.
many modern
harnesses
form three- of
many.
).
of
which are
some half-dozen
is
clearly
rusting
this
in
seen
particular
America and
in private collections in
Ger-
The example
we
of which
give an
structed with considerable pains. This particular harness is very similar to that attributed
to
Sigismund of Tyrol
in the
Ambras
Collec-
rather
is
defect
in
difficult
its
any actual
to point to
general
form
we can
but
pointed sollerets are purely imaginative in form. Again, if we examine the surface
that
its
of the metal,
and
lustreless,
we
it
is
of a colour that no
leaden
amount
of
plate.
Many
suits of this
particular
make
are
America,
Germany, and in
Fig. 1532. Bavarian forgery of
certain French collections: for the most part
a complete suit
as
one
Third quarter of the XVth century
accepted
genuine, they are, however,
and all forgeries, and in the author's opinion
all made by the same hand, or at least
supplied by the same factory. They
to be seen in
in
By some
curious accident the late Sir Guy Laking reproduced a view of this harness in
from
one
of the forgeries. The illustration of the suit on the left side of Fig. 212 (Vol. i,
profile
is
from
the
Vienna suit. It will be noticed that in this illustration the right tuille is placed
p. 177)
on the wrong side of the taces and vice versa. [C.-D.]
119
are not
all,
We
Fig. 1533.
Fig. 1534.
Tilting suit
Tilting suit
XVth
XVth
century.
Made
circa 1888
century
Munich
artificer,
The
is
the
work of Leblanc-Granger,
FORGERIES
maker of armour to the Paris opera, who, like Charles Rouget, constructed
harnesses on "Gothic" lines. They are so absurd in the forms they
represent that it is hardly necessary to
caution the amateur against them but
;
we are
known
bound
to confess that
we have
good or bad,
paid; but it
firm of Leblanc-Granger have turned
is
of the very
order.
He also
Musee
d'Artillerie display his handicraft. The
fluted Maximilian armour of the transitional years of the XVth-XVIth cen-
Fig. 1535.
Made
in Paris
Gothic suit
by Monsieur Leblanc-
armour
dispersed
for
its
provenance: "This
But
collection, there
fine
alas!
(*)
(a)
Fig. 1536.
(a)
(6)
Both these
Close helmets
the ocularia
downwards towards
has a section of concave grooves between each ridge evenly and carefully
rendered but in the false armour this section is simply flat, the appearance
of fluting being lent only by the ridges that run in a parallel manner over
;
We
the surface.
b).
Another variety of
false
FORGERIES
should beware, and of which the author has come across several examples
in private collections, is that founded on the original in the
bras Col"
"
This
of
Vienna.
sham
fluted
armour
was
lection,
particular
pattern
prob-
Am
er
(*)
Fig. 1537.
(a)
Maximilian suits
plain suit
XVIth
century
(b)
(circa 1530).
given intervals
tration (Fig. 1538).
strictly to
fluted suit
123
has
its
Three-quarter suit
the Maximilian style
Fig. 1538.
Forgery.
in
Fig. 1539.
An English
suit
Made by
periods
The
124
greater part of
it
is
the
work of a
FORGERIES
Mr. Francis, of London,
who was
appearance of age.
Fig. 1540.
In the process of being
A genuine
embossed and
The work
of Monsieur Trebuoj
always been sought for by the more wealthy collectors, and has from the
earliest days of collecting commanded a high price. Certainly some of the
reproductions made in the first half of the XlXth century call for scant
notice, being little better in workmanship than those English fakes of which
we have already spoken so disparagingly. But often it will be found that
a genuine though poor suit has been employed as a groundwork on which
to add an elaboration of etching, gilding, or even embossing. We illustrate
the cuff (Fig. 1540) of a genuine but plain gauntlet, actually in the process
of being enriched by the addition of skilful embossing and gold inlaying, the
125
work
and
Fig.
()
Complete
of the
(b)
Complete
suit
two which we
tion.
The
suit of
541.
Complete suits
XlXth
suit
modern decoration
century.
of 1600, consisting of a few genuine plates, but with the rest of the
decorated. English work of the XlXth century.
made up and
a and
are in an English private collecauthor has seen circular shields of the same make.
illustrate (Fig. 1541
Another half
suit of
b),
old,
has
FORGERIES
served
a foundation
as
(Fig. 1542). It is
ing to be of late
for
is
re-etching,
seen
in
XVIth
was recently shown two complete suits purporting to be of about the same date, but far
more elaborate, finer in workmanship, and excellent in the simulation of age
indeed most
is
extremely
difficult to
almost as impossible to do so as
ciate a rule
which
it is
to
it is
enun-
genuine painting by an
old master from a mere copy. There are very
varying degrees in the quality of modern work
collector to distinguish a
Fig. 1542.
With the
is
stitute
the decoration
of about
580
XlXth
century
by the acid
cover the groundwork are unequal in size and are not evenly disposed as
in etching found upon the
genuine plate armour of the XVIth and of
even the XVI Ith century. An example of bad modern etching can be
studied on the breastplate we illustrate (Fig. 1543). Occasionally the etched
ornaments found upon suits are gilded. They are even mercury gilt, often
with good effect for the gold, which is cleverly toned down in colour, helps
bitten
127
may be
it
is
if
we
allowed to use the term, of the greater number of the forged suits of
ployed in
in the seventies
Fig. 1543.
A genuine
Fig. 1544.
breastplate
mock
suit
Helmet
Composed of
Italian
workmen
or piece of armour. But just as in the case of genuine arms and armour he
thinks that he has succeeded, owing to the style of the work, in recognizing
and in grouping together the productions of certain armourers whose names
are
unknown
forgeries,
and
Munich,
this
means
forgeries to Nuremberg,
Innsbruck, Solingen, Lucerne, Brussels, Paris, and to several parts
The fabrication of false armour, more especially of complete suits,
he has succeeded
of Italy.
mid-XIXth century
By
in
tracing
128
{(I)
(<:)
XVth
XVth century.
Armoury of the Tower of
London
century.
of
(a)
Bascinet, late
XI I Ith century. Armoury of the Tower of London. (6) Great tilting helm, middle of the
XlVth century. Exhibited at a meeting of the British Archaeological
Association
in 1852.
Tower
of
Armoury of
London
the
the late
(t')'Helm, early XI I Ith century, said to have formerly hung in Long Wittenham Church, Berkshire. Ex collection
Sir Noel Paton, now in the Royal Scottish Museum,
Edinburgh. (/) Helm, late Xlllth century, said to have been found
at Leybourne Castle, Kent.
Ex collection: the late Sir Noel Paton, now in the Royal Scottish Museum, Edinburgh.
:
(g) Helmet,
Ex
Fig. 1545.
to
now
in the
in a coffin in Northumberland.
Royal Scottish Museum, Edinburgh
129
Fig. 1546.
9
10
1 1
Helm
12
13
14
15
16
I30
XlVth
century.
FORGERIES
however, greatly on the decrease, the craft being less lucrative than in the
past. To-day, too, there is a more general dissemination of a knowledge of
armour and of weapons, and the miserable fabrications which used to be
is,
made, we will say, for instance, in Venice, and disposed of to the tourist,
no longer have that ready sale which they formerly met with. Indeed, most
Fig. 1548.
Gauntlet, late
XIVth century
English forgery of the mid-
XlXth
of the
Armoury
Tower of London
century.
<)
(*)
Fig. 1547.
Said to be the only extant portion of a page's suit worn by the son of Sir John Hopton, when page to the
of Norfolk at Bosworth. The whole suit was discovered in a crypt of a church near the battlefield and was
broken up by a local blacksmith.
Ex collection the late Sir Noel Paton, now in the Royal Scottish Museum, Edin(a)
Duke
burgh.
right leg armour
Museum, Edinburgh.
Complete
(6)
Scottish
of the
XVth
century.
Ex
collection
now
in the
Royal
of these faked suits are sold to-day as confessedly modern suits of armour,
scarcely any attempt being made to foist them on purchasers as genuine.
even a
real
was elaborately enriched. Consequently the fabriknowing that the true XVI Ith century armour was not uncommon, and
it
131
XVI Ith
in existence;
century. Very many real pikemen suits of this period are
but there were not enough to meet the demand, with the result that many
forgeries
Fig. 1549.
in
England.
of the third quarter of the XVth century, recently on sale again in London as from the collection of
living in the country.
Solleret of the third quarter of the XVth century, now in the Armoury of the Tower of London.
(a) Solleret
two ladies
(b)
same source:
the
said,
I3 2
FORGERIES
formerly in the
workshop.
Tower of London
century.
Late
(6)
XVIth
will picture a
group
of
XVIth
century.
century.
(c)
1890.
and of various qualities of make. There are, howmore commonplace forgeries to be found in the market. Finally we will
ever,
we
Fig. 1550.
Mid-XVth
(a)
which
false
Fig.
Made by
55
i.
XlXth
century
pass to those higher class forgeries that were, and still are, most deceiving.
in
Gaggini of Milan, for instance, copied the Plus ultra shield of Charles
the Royal Armoury, Madrid, D 63 {ante, Vol. iv, page 229, Fig. 1301), with
133
This forgery
Fig. 1552.
is
1865,
of a shield
collection, Berlin
tions abroad, the makers of which are unknown to the author (e.g Fig. 1552).
About the time, too, when these shields were made, certain head-pieces were
constructed which are actual copies of existing helmets, such, for instance, as
the well-known casque a Fantique in the Turin Armoury, which was long
FORGERIES
others
at
originality of design,
either as
regards form or decoration, fail deplorably (Figs. 1554, a and b). It is much
to be regretted that we are unable to assign these forgeries to their
respective makers, and have to be content with surmising the country of
their provenance.
While these
and now
the
Casque a v antique
Armoury of Turin. Made in Germany about 1880
Fig. 1553.
copy of one
in
the
It
XlVth
date.
Our
next picture (Fig. 1557) shows a supin the Zeughaus, Berlin, which the curators
posed
135
w
Fig. 1554
Fig. 1554
Fig. 1555
BREASTPLATE OF THE LATE XVIth century. One of a very large number of Italian forgeries,
met with, (d) Chanfron, late XVIth CENTURY. An Italian forgery of 1875.
FIG. 1555. TILTING HELM, END OF THE XVth century. Viennese forgery of i860. Ex collection: the late Sir
Noel Paton, now in the Royal Scottish Museum, Edinburgh.
Fig. 1556. French forgeries OF about 1900. (a) Leg-piece of mid-XVth century, (b) Helmet, Xlth century. Now
FIG. 1554. (a)
frequently
in the
Zeughaus, Berlin.
I36
FORGERIES
on a
wc have already described (Vol. page 207, Fig. 241). This is the
a firm of the name of Nolden of Solingen, makers of certain military
suit
work of
i,
equipments, but
who
also copied
Before
Fig. 1557.
we
refer
to
the latest
XIVth century
A German forgery. Ex collection
Fig. 1558.
XVth century
:
By Nolden
of Solingen. Late
XlXth
century
Berlin
forgery that until recently puzzled even the most competent expert, we will
devote some little attention to forged weapons. Those of early make (Fig.
1559) are as puerile as the English boiler-plate helmets and armour already
Absurd ivory-hilted daggers and swords with scabbards of
referred to.
the same medium, decorated with bogus portraits and inscriptions, were at one
time eagerly bought up by the enthusiast. Swords, unwieldly and impracticable, furnished with impossible hilts and with blades little better than hoop
iron, met with a similar welcome (Fig. 1560, a and b). Certain weapons in the
137
Fig. 1559.
(a)
(6)
(r)
A grout
of forgeries
upon which ornamentations were added. Such rapiers and swords may be
seen in the Victoria and Albert Museum, at the Tower, and, as we have said,
in the Wallace Collection.
We figure two such hilts by way of illustrating
We
new
we have
alluded, have
138
all
been forged
in large
w
Fig. 1560
Fig.
561
Fig. 1563
Fig. 1562
Fig. 1564
Fig. 1565
Forgery of a maim gauche dagger. Unlike any weapon which ever existed, (b) Cup-hilted rapier.
English forgery, about 1870, in style unlike anything which ever existed
Fig. 1 561. Sword hilt. Italian forgery of 1S70, in the style of the early XVth century. In a private collection, New York
Fig. 1562. Two genuine HILTS with modern decoration. Now in a private collection
Fig. 1563. Chased and gilt hilt. A Milanese forgery of about 1865-70. In a private collection, New York
Fig. 1564. A CIITQCSDSA. Made at the end of the XlXth century by San-Quirine in Venice
Fig. 1565. A voui.ge of the mid-XVIth CENTURY. Munich forgery of 1880
Fig. 1560. (a)
139
numbers
(Fig. 1564).
Meyrick, brought together his collection within the first quarter of the XlXth
century. It would be safe to affirm that no other collection since formed has
been equally free from spurious or redecorated specimens. It was not so
much Sir Samuel Meyrick's technical knowledge that prevented him from
being deceived, as the fact that, as hardly any demand then existed for
amount
of skill; but
no attempt
at artificial
140
FORGERIES
the cup-form hilts which, belonging to the second half of the XVI Ith
century, were in the past nearly always described as Elizabethan, countless
forgeries have been made, some carefully copied, others ridiculous in their
Of
method of decoration.
that relies
forgeries.
upon embossing
Such
FIG. 1566.
An
Italian lorgery of
about 1880
and
purporting to be in this style will be found to possess ornamentation which is too heavy when it is cast work, and too light when it consists
of legitimate hand work. It will also be seen that in the modern cups that
sham
hilts
are chased by hand, on the inside of the cup where the reverse side of the
noticeable.
pattern appears, a burr around the edge of the pierced tracery is
141
This
is
the fabricated examples are of a heavy leaden colour. Occasionally variations on the usual fashion of decorating the cup hilts are indulged in, as
for instance in the case of the hilt represented in our next illustration
(Fig. 1566),
where an incrustation of
Fig. 1567.
A
Here the workmanship
is
Bascinet
hilt is
Perhaps the most dangerous of all forgeries are those emanating from
"
"
school of forgery to which we are about to allude.
the latest
We refer to a whole series of art objects for the fabricators in question
made no attempt to restrict their labours to producing armour and weapons
alone which as far as we have been able to ascertain emanate, or rather
used to emanate (for the supply ceased about 191 2) from a factory situated
some sixty miles from Paris. Armour, weapons, silversmiths' work, enamels,
carvings in ivory, and even types of furniture all came from this same
studio. Founded on the designs of skilled artists, executed by the most
"
"
expert of workmen, and
aged with the greatest cunning and in accordance
142
FORGERIES
with the latest chemical knowledge, some really wonderful examples of
armour and of weapons have been turned out from this atelier, which,
judiciously placed upon the market, at first deceived even acknowledged
The
brains were at the service of the makers of these latest works of art; for
works of art they certainly are.
Fig. 1568.
We
Our
first
H3
sell.
It is
only
who
is
full
no longer
alive, to
splendour of the display was bewildering: indeed it might have been the
contents of some cathedral treasury exposed to view. On the central table
in the room in which they were shown were tilting helms purporting to be
of the XlVth and XVth centuries, and swords
and daggers with historical attributions of about
the same epoch while at one side of the gallery
hung a half suit of superb German Gothic
;
salade
helmet, and
mentonniere.
The
Fig. 1569.
A Paris forgery ok
about 1890
hilt
We
are
decor-
FORGERIES
Fig. 1570.
(a)
(6)
(c)
H5
in
Germany.
on the
lower part of the visor. Now just such another bascinet helmet (Fig. 1567),
which turned out to be a clever fabrication, had been offered to and purchased
by the author some two years previously, a helmet coated with exactly the
same rusting, of the same admirable make, and stamped with the same
armourer's mark, which, however, was placed low down on the skull-piece.
In the same year another bascinet exactly similar was again on the London
market (Fig. 1568); this one also was impressed with an armourer's mark of
the
same
character, a
Fig. 157
1.
It
is
drawn from
mark appearing on
890-95.
Now
in
a private collection,
New York
146
FORGERIES
recognized. Ten years subsequent to this exhibition at the Paris dealer's
we saw the Gothic half suit, which we have described, in a well-known
collection in America; where also figured a bascinet helmet from the same
swords
is in
Museum
the National
we have recognized a
whilst
Of
some
similar
weapon
century inventory,
is
own
e.
Swordoftiie
xiVth century
Fig. 1572.
"
the
lection:
Pone de
Hal,
Brussels
H7
to
thousandfold.
for
it is
The
to his
most
words, and
would earnestly point out that every collection without exception has at
some time or other harboured a fabricated or a reconstituted specimen.
But even copies have their legitimate use. Indeed, we will go as far as to say
that certain fabrications, made not to deceive but to stand as faithful copies
of some fine models, are at times preferable to sixth-rate originals.
We
know
ourselves, indeed,
148
II
ON ARMOUR PRESERVED
IN
ENGLISH CHURCHES
II
ON ARMOUR PRESERVED
ENGLISH CHURCHES
IN
And hang
thee o'er
my
tomb,
when I am
("King Henry
dead!'
VI," Pt.
II,
act
iv,
sc.
10.)
the main purpose of this appendix does not call for any detailed discussion of the questions as to how and why our churches became the
still
to
be seen hanging
many members
expressed by testators that their helmets should be suspended in the churches where
"
"
they had worshipped, but gifts of armour as mortuaries were rare; moreover, there is
the mortuary gift should have been preserved. Mortuaries, or corseprcscnts, were in the nature of an ecclesiastical heriot, and were generally limited to the
second best horse of the deceased; in the laws of Canute the mortuary was termed a
no reason
"
soul-scot
why
"
{peattiia sepiilchralis).
By
removed by
c.
(still
in force!),
Church during
his
whole
life."
As
in
the
passed away, its spirit preserved and fostered, as it still preserves and fosters, the
sense of honour, and the traditional hanging in the church of the achievement of arms
the
sword, helmet, gauntlets, shield, spurs, and coat of arms survived during the
XVIth century as the recognized mark of respect due to the memory of an honourable
As the century advanced and the XVI Ith century dawned, the successful merchant, who had become landowner and local magnate, claimed the same tribute to his
memory. Thus it was that when armour fell into disuse, and was seen chiefly in the
life.
it
151
In the case
of helmets, old skull-pieces were frequently used with added gorget plates, visors, etc.
read in an
The merchant prince did not pay too much for the emblems of honour.
We
old manuscript that at the end of the XVI th century the coat of arms cost 26s. 8d., the
shield 6s. 8d., the helmet, "with crest and mantells," 20s. The custom long survived;
we have a few
XVI Ith
still
preserves something
the
We
them over the shrine at Brives, and of the French king, after the battle of Cassel
1328, presenting his arms to the neighbouring church. Did not Jeanne d'Arc offer
St.
won
before Paris
"
?
suit of white
armoury as
for a
man
in
to
"
The most
wanderer on foot who strays from the beaten track may not regret peranother mile or so to visit the little village church, where he will see
severing for
the crested helmet and sword, gauntlets and spurs, banner and coat of arms, hanging
over the monument to a Nevill, a Percy, a Greville, a Bolingbroke, a Penn, a Hervey,
a
Wadham,
or a Verney,
names
War
of the Roses,
the tournaments of
and Bloxam's
"
Henry VIII,
The
many
knew
armour was
made
it
ii,
still
preserved, has
i,
iii,
p.
266.
152
iii,
p. 156.
ARMOUR PRESERVED
the descriptions
efforts
to collect
Dorsetshire,
and
IN
ENGLISH CHURCHES
Mann
has personally visited the Oxfordshire and Berkshire churches and photographed the armour Colonel Mitchell has been equally kind in the case of Sussex.
The assistance of Mr. H. C. Archer, Mr. Fenton, J. P., Mr. H. Plowman, F.S.A., and
J.
G.
Probert, O.B.E., F.S.A., has been of the greatest help. Mr. S. J. Whawell
has given me his valuable opinion as to the probable dates of those helmets of which
Colonel
hope that the notes which I have now collected may serve
as a preliminary survey which others may hereafter add to, correct, and amplify.
I
had photographs.
The
late Sir
Guy Laking
previous four volumes of this work, and to these descriptions I have referred; but I
have felt that his "History of European Armour and Arms" ought to include as
153
BEDFORDSHIRE
BEDFORD.
(St.
Helmet (now
Tradition.
Paul.)
missing).
monument
CADDINGTON.
it
v, p.
358.
(All Saints.)
Close helmet, XVIIth century, circa 1625, crested, acock (Fig. 1573).
Tradition. Hanging in the chancel, associated with funeral of Thomas Coppin
of Markyate Cell, ob. 1662. Inscription: "Here lyeth interred the body of Thomas
Coppin of Markyate Cell, Esquire, sonne & heire of Sir George Coppin Kt having
issue by his wife Martha, one of the daughters of Luke Norton of Offley Esq. three
sonnes Thomas, John & George & fower daughters Ann, Elizabeth, Lettice &
Martha who died the eight day of December Ano Dmi 1662 in the 58" yeare of
1
his age."
Thomas Coppin,
Coppin
Cf. "Vic.
Fig. 1573.
Caddington
ob.
On
crest.
and
ii,
p. 319.
particulars.]
COPLE.
[Communicated by Mr.
(All SAINTS.)
Close helmet, XVIIth century, funerary.
Hanging over a hatchment, arg. a hunting horn sa. with its strings gu. (Luke.)
C. H. Crouch.]
1.
Tradition.
2.
bull's
head.
Hanging on the wall of the chancel, associated with the Launcelyn family, but probably a
Luke helmet, the Luke crest being a bull's head az. armed or, belw. two wings addorsed also or.
The Launcelyn family were great benefactors to the church. On one of the pillars are cut the Launcelyn
Tradition.
is
ob.
the brass of
1544,
(brass)
ob.
John Launcelyn,
i;
Nicholas Luke,
ob.
1435.
Anne, daughter of a
1563
The
iii,
p. 241.
The following expressions are used Funerary = made for a funeral Coal oj arms = the coat, generally in the form of a tabard
emblazoned with the arms of the deceased forming part of the achievement carried at the funeral and afterwards suspended in the
church. In this list the crest on the helmet is described simply, and where there is a tradition attaching to the helmet the heraldic
description of the family crest is given as evidence supporting the tradition. No comment has been made where the date of the
helmet does not support the tradition. In cases in which no details about the helmets, etc., are available, heraldic descriptions of
arms and crest are often given, in the hope that if the helmet is crested, or if there is a coat of arms or escutcheon, the achievement
may perhaps be identified with one of the monuments in the church.
1
154
BEDFORDSHIRE
ELSTOW.
(St.
Mary and
St.
Helmut.
i.
2.
Tradition.
[Communicated by Mr. W.
Helena.)
II.
Fenton, J.P.]
Coat of arms.
Thomas
Arms.
Cf.
Bloxam,
"
Fragmenta Sepulchralia,"
p. 136.
Fig. 1576
Turvey
Fig. 1578.
HUSBORNE CRAWLEY.
1.
(St.
Mary.)
Visor of a helmet.
Tradition.
2.
Turvey
Sword.
Thompson
Thompson and
peascod breastplate.
The manor
LUTON.
1.
(St.
Thompson
Tamily in 1597.
The
first
late
XVIth century
skull,
with early
XVIth century
visor of an
XVIth century
helmet
is
ob.
armet.
a).
Tradition.
into the
Mary.)
2.
of
155
(St.
Mary the
Virgin.)
Bascinet, only the skull of the original head-piece remains. Possibly English, first half of the XVth
buffe, which has been cut down and of somewhat later date, has been riveted to the
century.
i.
The
The
Tradition.
funeral of
Thomas Reynes,
ob.
145
1,
i,
XVIth
century, crested, a horse's head out of a ducal coronet. Gorget plates added.
"
in
Proc. Soc. Ant.," xxv, N.S., p. 164, Figs. 2 and 3.
Tradition. The tomb of Sir Thomas Snagge (Speaker of the House of Commons) over which it hangs.
Thomas Snagge, ob. 1594, his son Thomas, ob. 1626, who left a son Thomas, ob. 1642, whose arms were arg.
three pheons sa. quartering also arg. a chev. gu. fretty or, betiv. three
Close helmet,
2.
Illustrated
and described
(Decons) and Reynes (supra). Thomas was followed by Thomas, ob. 1687, Thomas, ob. 1698 (Snagge impaling
iii,
p.
312
(illustration of interior of
TURVEY.
1.
head
2.
3.
(Fig. 1577).
5.
Pair of spurs.
Pair of gauntlets.
6.
Iron coronet.
4.
Fig. 1579.
monuments of the
Mordaunt family.
There are four Mordaunt tombs: (1) Sir John, oh. ^04, a late
Gothic panelled tomb of Furbeck marble with effigies; (2) John, 1st
Baron Mordaunt, ob. 1562; (3) John, 2nd Baron, ob. 1571 and (4)
WELLINGTON
Saracen's head in profile, ppr., wreathed round the temples, arg. and
has been in the Longuet-Higgins family since 1742.
sa.
(Mordaunt.)
The manor
"
"
Harvey,
Cf.
WELLINGTON.
1.
its
Monuments."
Lawrence.)
large bevor and visor in one piece, on dexter side of visor large opening with protective
attached to bevor is a large gorget plate, with escalloped edge. On sinister side of gorget
affixed a hinge for attachment to breastplate. Early XVIth century. Crested, a griffin's head.
Helm, with
flange
The
is
plate
crest
Tradition.
2.
(St.
"
is
Worn by
The manor
who
156
in
BEDFORDSHIRE-BERKSHIRE
His son William (cr. Baronet, effigy in armour) d.
1630 (monument).
Crest. A grit/his head between two wings expanded gu. (Gostwick.)
Cf. "Vic. C. H." (Beds), iii, p. 266.
Edward,
rt r
5,
his son,
d.
FROM A CHURCH
IN BEDFORDSHIRE.
Londesborough sale, 1888, lot 269 (% %s.).
Botteler
Helmet
said to have
Sir
John
in Bedfordshire."
BERKSHIRE
BUCKLAND.
1.
(St.
Mary.)
1470-1500; the skull-piece has a slight ridge, with side pieces hinged. The skull
has a reinforcing piece.
There is a hole for a stem and rondel, both of which are missing. The
Italian, circa
Armet,
Fro. 1580*.
Buckland
Fig. 158a.
Fig. 158CM.
ocularium
There
is
is
(Fig.
1580
XVIth
Comb
The remains
Close helmet,
3.
There
is
John Yate,
hang
None.
century (Elizabethan).
a, b, c).
2.
Tradition.
1658, Sir
EAST SHEFFORD.
ob.
Edward Yate,
church
slightly roped.
1650.
is
part
(Fig. 1583).
(Holy Innocents.)
XVIth century
Buckland
Sir
Buckland
ob.
1648;
mural monuments to
Fig. 392).
Tradition.
Associated with the Fettiplace family.
ii,
157
to
John
The
De
Cf.
WINDSOR.
1.
(St.
George's Chapel.)
ii,
in the
Fig. 455).
Fig. 1583.
Fig. 1582.
2.
Buckland
Fig. 1583A.
3.
Bucki.and
ii,
in
East Shefkord
Fig. 481).
The sword
of
Edward
III
"
ii,
Fig. 708).
BUCKINGHAMSHIRE
AYLESBURY.
(St.
Mary.)
XVth
century, sold at the dispersal of the collection of Lord Londesborough in 1888, Lot 440,
price ^89 5*., now in the Metropolitan Museum of New York (vide ante, vol. ii, Fig. 486A).
Tradition.
Not known. The present sexton states that there has been no helmet in the church for the
Helm,
late
Nearly
Cf.
158
restored by Scott.
BUCKINGHAMSHIRE
BLETCHLEY.
(St.
Mary.)
Helmet, made up of parts of a XVIIth century helmet, partly gilt and coloured, with
comb of the skull and edge of mezeil are roped. The attachments of the visor and
spike.
rector.]
The
mezeil and
the rivets of latter for securing the lining are preserved (Fig. 1584).
None. Cf. " R. C. on Hist. Mon." (Bucks), ii, p. 65.
Tradition.
LThe
illustration
is
J.
T. Snelson.
Flo. 1586.
Chenies
Fir,. 1585.
Chknies
Fig. 1587.
Chkmes
BURNHAM.
Three helmets.
Tradition.
CHENIES.
1.
2.
3.
4.
Hanging
(St.
over,
and associated
with, the
monument
to
John Hastings,
ob.
1656.
Michael).
Close helmet, with heraldic bars and spike. Skull, reinforcing, and chin-pieces from an armet, circa
15 10, English. Bars and gorget plate added circa 1650 (Fig. 1585).
Close helmet, no spike, English, of elegant form, circa 1565-70 (Fig. 1586).
Close helmet, spike, English, of heavy make, a real piece, circa 1575 (Fig. 1587).
A funerary helmet with the crest of a goal statant, ars;., armed or, of the early XlXth century. The
helmet is of the poorest form, made of thin tin, gilded and decorated with designs of flowers, and
159
Fig. 1588.
C hemes
Fig. 1589.
Chen ies
l60
BUCKINGHAMSHIRE
With this helmet is a funerary sword. It is possible that both helmet
George's Chapel, Windsor, and were sent to Ctlenies after the death of
also possible that they were carried at his funeral. Now in the Agent's
Duke
in
in
It is
1839.
St.
office.
5.
Two
iron coronets.
Three escutcheons of the XlXth century, bearing Jiusstll impaling other coats; probably used at the
funeral of the 6th Duke, who died 1839.
Russell arms.
7. Two hatchments bearing the
All the above, except 4, 6, and 7, are in the Bedford chapel.
Tradition. All the pieces are associated with the Russell family, but there is no tradition associating any
individual piece with any particular monument.
There are altar tombs and effigies of John, Earl of Bedford, K.G., ob. 1555 ; Francis, Lord Russell,
ob. 1641; Francis, Earl of Bedford, K.G., ob. 1585; William, 1st Duke of Bedford, ob. 1683 (Figs. 1588 and
1589). Of the altar tomb of the 1st Earl it has been written: "The hands are folded in the old manner.
The figures are not represented as sleeping, but as in a trance, with the eyes wide open. The faces are
6.
Fig. 1590.
Chilton
Fig. 1591.
His head
Duke
Cf.
of Bedford.]
life.
(St.
MARY.)
Hanging
Two
in the S.
and
DINTON.
Helmet,
i,
interlaced,
p.
Tradition.
J.
G. Mann.]
(Fig. 1590).
1608.
and holding
in their
105.
[Communicated by Mr.
J.
G. Mann.]
None.
and brasses to Simon Mayne, ob. 1617; Francis Lee, ob. 1558; Thomas Greneway,
Richard Greneway, ob. 1551 ; and others of earlier date.
illustration is taken
Cf. "Vic. C. H." (Bucks), ii, p. 280; "R. C. on Hist. Mon." (S. Bucks), p. 123. [The
There are
ob.
lid
rests
CHILTON.
"
the
Dinton
1538
tablets
FULMER.
Two
(St. James.)
helmets.
Both said
Tradition.
to be funerary.
These helmets hang on perches on each side of an achievement over the monument
l6l
to Sir
Darell, Kt., ob. 1631 (effigy in armour), Lord of the Manor of Fulmer, in the
Elizabeth and afterwards cofferer to James I. He married Anne, daughter of John Lennard.
Cf.
church opposite
p. 159.
The helmets
158.
p.
HADDENHAM.
i,
Household of
(Our Lady.)
Close helmet, first quarter of the XVIth century, typically English. There are traces of
gilding. Hanging on a perch in the north chapel (Fig. 1592).
None.
Tradition.
There
is
monument
in the north
ob.
1627,
and a brass
to
ob.
Gylles Wodbryge,
1532.
Cf. "R. C. on Hist. Mon." (Bucks), i, p. 179; "N. and Q.,"
[The illustration is from a photograph kindly taken by Mr. Wickham.]
HITCHAM.
(St.
nth
series, ix,
p.
476.
Mary.)
Longevyle prisoner."
" R. C. on Hist. Mon."
(Bucks),
Cf.
i,
p. 204.
There
is
p.
204.
LILLINGSTONE DAYRELL.
1.
(St. Nicholas.)
Helmet, composed of a XVIth century skull-piece, the other parts being
XVI Ith
century, crested, a
goat's head.
Tradition.
Cf.
"R. C. on
MAR LOW.
Hist.
Mon." (Bucks),
ii,
The
crests are
p. 169.
(All Saints.)
Helmet, the skull-piece with a deep, roped comb is late XVIth cenBelow each side
tury, the remaining parts are XVIIth century.
of the comb are sunk bands. The remains of the lining strap
are preserved. The helmet once had a spike (Fig. 1593)Tradition. The helmet is associated with the monument to William
Willoughby, ob. 1597, and Katherine, his wife, but as the helmet hung
formerly in the porch, and the church was rebuilt in 1832, there
doubt whether the tradition is of long standing.
Cf. "R. C. on Hist. Mon." (Bucks), i, p. 252; vide ante,
p. 112.
[The
illustration
is
MIDDLE CLAYDON.
J.
G. Mann.]
is
some
vol.
iii,
Fig. 1593
(All Saints.)
Armet, circa 1520, the visor and mezeil are in one piece, which is pointed in a curiously quadrangular
form at the snout, crested, an arm grasping a staff. Hanging on a perch on the north wall of the
chancel
(Fig.-
1594, a,
b).
This church
is
in the private
tablets in
162
BUCKINGHAMSHIRE
Kt.,
bar,
and there is a monument to his memory near which the armet hangs on a perch with long horizontal
on which apparently once hung a coat of arms.
Fir. '595-
OllAINTON
Fig. 1594a.
Middle Ci.aydon
Fie. 1594/'.
Middle Ci.aydon
Arms.
An arm
Crest.
Pl>r.
QUAINTON.
coronet (Fig.
1595).
large
[Communicated by Mr.
J.
G. Mann.]
now
gauntlets
missing.
Tradition. Associated with the
to
Sir
monument
(Fig. 1596)
Ralph Winwood,
I,
Kt.,
o/>.
and Anne,
Mag.
[The
illustration is
taken
from a photograph
SAINT LEONARDS.
1.
3.
4.
A
A
2.
Two
gauntlets, funerary.
Fk;. 1596.
Quain rON
is
perch, which has the cross bar, upon which the coat of arms was formerly susplaced on the south wall of the church to the east of the monument to Colonel Cornelius
Wood.
Tradition. The monument to Colonel Cornelius Wood, ob.
1712, eldest son of the Rev. Seth Wood and
Elizabeth, his wife (tablet on the north wall). The monument to Colonel Wood portrays a medallion portrait
under a trophy of arms, and below the family crest and arms. The crest is in wood, the arms are in marble.
Arms.
Gu.
Crest.
On
Cf.
"R.
C. on Hist.
Mon." (Bucks),
i,
p.
163
ii,
p.
318.
(Wood.)
(St. PETER.)
Helmet, said to be funerary,
2.
Sword, heraldic.
3.
5.
Cartouche.
spur.
Tradition.
4.
[Communicated by Mr.
crested, a Saracen's head.
C. on Hist.
STOKE POGES.
Mon." (Bucks),
(St. Giles.)
late in the
ii,
The arms on
the
p. 271.
XVIth
Armet, altered
1.
J. P.]
None.
is
"R.
Cf.
Fenton,
a slab in the chancel to Charles Tyrill, ob. 1694, with his arms on a lozenge.
cartouche may be the same, and if so, the achievement would be that of Charles Tyrill.
There
W. H.
Fig. 445H).
ii,
Crest.
"R.
Cf.
p.
i,
or.
is
an achievement
(Hastings.)
288.
STOWE.
Helm,
X Vth
early
This helm
is
now
Tower
in the
of
vol.
ii,
p.
60).
(Class IV, No. 1). It was acquired in 1848 from the Duke
a hole in the keel for a spike and the helmet is deeply pitted with rust
London
It is
TYRINGHAM.
A
in
churches
(St. Peter.)
WESTON UNDERWOOD.
(St.
surcoat,
and
to
Thomas
Laurence.)
2. Coat of arms.
Helmet, crested, a bird.
wall
of
the
south
aisle.
on
the
Hanging
Tradition. This church contains many monuments to the Throckmorton family, whose crest was, a
1.
WHADDON.
(St.
Mary.)
late
XVIth
i.
Helmet,
2.
Part of a sword.
Tradition.
a falcon of the
The
last,
J.
crest of
ob.
38.
comb
Grey de Wilton
wings expanded.
iv, p.
1593,
On
is
In the church
and
his
dame.
is
[The
crested, a bird
and a hand
(Fig. 1597).
T. Snelson.]
WICHENDON, UPPER.
(St.
Mary MAGDALENE.)
now
disappeared.)
(Fig. 1598).
(?)
monument
(Fig. 1599).
to
rampant arg.,
on Hist. Mon." (Bucks),
" R.
C.
i,
p.
300.
[The
164
illustration
is
BUCKINGHAMSHIRE
WING.
i.
(All Saints.)
Helmet, the skull said to be
falcon
late
XVth
on a glove.
monument, over which it hangs, to Sir Robert Dormer, ob. 1552. Over the
bearing the arms of Dormer impaling Newdigate, Browne, Sidney, Catesby, etc.
sarcophagus are
five shields
WiiADnoN
Pig. 1597.
Fin. 1598.
Fig. 1599.
UlTEK WlCHENDON
Fig. 1600.
Upper Wichkndon
Crest. <A falconer's right-hand glove fesseivise arg., thereon perched a falcon, wings inverted also arg. belled
and beaked
or.
(Dormer.)
"
"R.
C. on Hist.
Mon." (Bucks),
ii,
"
Dame Dorothy
p. 335.
comb
(Fig. 1600).
165
now
in
J.
Thomhill
CAMBRIDGESHIRE
CROXTON.
(St. James.)
Helmet, triple-barred Cromwellian pott (Fig. 1601).
2. Breast- and backplate of mid-XVIIth century (Fig. 1601).
Tradition. Associated with the table-tomb in the church bearing the arms of Lode.
Arms. Arg a /esse gu. betiv. three eagles displ. sa. a bordure ivavy of the second. (Leeds of Croxton Park.)
Crest. A staff raguly fessewavs vert, thereon a cock gu., wings expanded.
Cf. Rev. C. H. Evelyn-White, F.S.A., "County Churches, Cambridgeshire," p. 56.
i.
FOWLMERE.
1.
2.
Mary.)
(St.
[Communicated
'>y
the Rev.
rector.]
Two
4.
(Mitchell.)
chancel.
Tradition.
All the
achievement
is
made up
is
of
asso-
family,
who
at,
is
1601.
Croxton
Carshalton.
The
Churches, Cambridgeshire,"
HARDWICK.
i.
(ST.
Tradition.
C/. Rev. E.
"
2.
Rapier without
None.
H. Evelyn-White, F.S.A.,
in
his
1745
p. 75.
Mary.)
Burgonet.
in
hilt.
191
1,
writes:
HASINOFIELD.
1.
(All Saints.)
Helmet, crested.
The
spurs, sword,
2.
Two
gauntlets.
and pennons, which formerly were suspended as parts of the achievement have
dis-
appeared.
Tradition. The armour is hung over the monument of Sir Thomas Wendy, K.B., ob. 1643, with which it
by tradition associated. He was nephew of Thomas Wendy, the court physician who attended H tnr )' VIII,
Edward VI, and Mary on their deathbeds.
Arms. Az. a chevron betw. three lions' heads erased or., a bordure 0/ the last. (Wendy.)
Crest. A lion's head erased az., gorged with a collar dancette or.
is
C/. Rev. E.
p. 93.
HORSEHEATH.
Helmet.
Tradition.
there
is
(All Saints.)
Hanging on the north
wall.
affixed a tablet.
166
1st
Baron Montfort,
ob.
165
1,
to
whose memory
CAMBRIDGESHIRE-CHESHIRE
Arms.
Crest.
or.
demi-lion
(Bromley.)
rampant
sa.,
holding a standard
vert,
Cf. Rev. E.
ISLEHAM.
(St.
Andrew.)
None.
Tradition.
SAWSTON.
p. 104.
to
2.
members
Mary.)
(St.
Helmet, probably funerary and late XVIth century. On a perch on the north wall of chancel.
Tradition. The helmet hangs above the monument to the Pole family, but there is no tradition connecting
the helmet with the family. Near this helmet hangs a shield bearing^/, a fret arg. (Huddleston) with various
quarterings. Gomm, in "Gents. Mag. Lib. Eng. Top.," XI, ii, p. 70, notes that there was formerly hanging
"
family, of the
WITCHAM.
Confirmation of a report received that there
is
armour
in this
CHESHIRE
BOWDON.
(St.
Mary the
Virgin.)
In the Billson sale at Christie, Manson, and Woods, 1897, lot 143 (jj
Bowden, Cheshire, a close helmet (visor wanting) with roped
comb,
Chas.
I,
From
LOWER PEOVER.
(St.
Oswald and
St. Peter.)
[Communicated by Mr. W.
1.
7^.):
Helmet.
Tradition.
2.
The monument
One
II.
Kenton,
J. P.]
spur.
1696.
MACCLESFIELD.
(All Saints.)
[Communicated by Mr. W.
II.
Fenton,
J.l'.J
{ob. 1.597),
2.
5.
Macci.kskielo
at this church.
and
placate.
Breastplate (altered)
gorget plate of a XVIIth century helmet.
3.
Pikeman's pott
4.
Pikeman's gorget.
NANTWICH.
(St.
F11;. 1602.
6th
the
SS.)
series, vol. v, p.
Wilbraham
138,
is
family.
167
(St.
LAWRENCE.)
crest, out
of a ducal
coronet
Sir
ob.
1647.
ROSTHERNE.
(St.
Tradition.
MARY.)
Helmet.
i.
2.
The above
Two
gauntlets.
are said to have been
dug up near
by,
and
Venables
family.
In the window at the head of the chancel are the arms of Venables.
"
H. Hulme,
members
CORNWALL
BREAGE.
(St.
Breaca.)
1.
2.
3.
One
of the hel-
Fig. 1603
EGLOSKERRY.
(St. Petrock.)
2. Gauntlets.
Helmet, of the period of Henry VIII.
Tradition. Unknown. Perhaps connected with the Specott family
1.
(crest,
an
which
KILK HAMPTON.
i.
Helmet.
pt.
iii,
p. 93.
[Communicated by Miss
(St. JAMES.)
Miller,
Helmet.
3. Gauntlets.
the Granville chapel where they were placed in 1859.
2.
All hanging in
Tradition. Associated with the
monument
ob.
He
PAUL.
1.
3.
(St.
Paul.)
2.
"
1633-"
168
Breastplate.
16.
CORNWALL-CUMBERLAND
The armour is associated with William Godolphin of Trewarveneth, squire of the
whose memory there is a mural monument.
Devon and Cornwall N. and Q.," x, pt. ii, p. 124.
Tradition.
parish,
1689, to
"
ob.
ST.
MAWGAN-IN-MENEAGE.
(St. MOGUN.)
[Communicated by Mr. \V. J. Stephens and Sir C. Vyvyan, Bart.]
with
2.
Sword,
Burgonet,
probably late XVIth or early XVIIth century.
ear-pieces.
Tradition. Associated with Sir Richard Vyvyan, 1st Baronet, Master of the Mint at Exeter, ob. 1655.
The Vyvyan family have resided at Trelowarren in the parish since the middle of the XVlh century.
1.
Hannibal Vyvyan, grandfather of Sir Richard Vyvyan (supra), is buried in St. Dunstan's in the East, London, but
the burial-place of his son, Sir Francis Vyvyan, is unknown. There is no documentary evidence in the possession of the family to prove that this armour is part of the achievement of Sir R. Vyvyan.
In the possession
of Colonel Sir Courtenay Vyvyan, the present baronet, is the inventory of the property of Sir Richard Vyvyan
1655), but it contains no mention of armour or arms.
(ob.
ST.
MELLION.
(St.
2.
The
ST.
[Communicated by Mr. W.
MELANUS.)
Helmet.
i.
Arms.
Arg. a saltire
Crest.
lion
sa.
(Coryton.
also a
monument
ob.
J.
Stephens.]
shields.
1.
passant gu.
MICHAEL CAERHAYES.
Helmets.
1.
is
Three
3.
(St.
Michael.)
Sword.
2.
3.
Other armour.
in the chancel.
Hanging
Tradition.
Hugh Trevanion
Bickleigh.
The
Arms.
Arg. on a /ess.
Crest.
"
N.
Cf.
ST.
as. betw.
and
(Trevanion.)
arg.
series, x, p. 276.
TUDY.
(St. Tudy.)
2. Other armour.
Helmet, funerary.
3. A dagger.
Tradition. None.
There are monuments and memorials to Humphry Nicoll of Penrose, ob. 1597
1658 (effigy); and to members of the Billing family, 1579-1624.
1.
ob.
(effigy);
Anthony
Nicoll,
,136
\os.,
Seymour Lucas sale of 1903, lot 60, an armet, illustrated in the sale catalogue, was sold
and is described as having formerly been suspended in a church in Cornwall.
CUMBERLAND
CALDBECK.
(St. Kkntigern.)
armour formerly in the church
A. G. Loftie, "Great Salkeld," p. 61.
The
Cf.
parish
is
now
in Tullie
169
House,
Carlisle.
for
(St.
Peter.)
Cf.
p. 61.
SALKELD, GREAT.
(St.
Cuthbert.)
type.
basket-
The tower of the church was built as a place of defence for refuge for the inhabitants of the county in
the forest of Inglewood, probably by Ralph, 6th Baron Nevill of Raby, Earl Marshal of England, b. 1364,
the other two being Burgh-by-Sands and Newton-Arlosh.
d. 1425. It is a fortified church, and is one of three
^P
Fig. 1604.
Langwathby
Fig. 1605.
On
Cf.
[The
ft.
Great Sai.keld
7 in.
wide.
five
p. 60.
DERBYSHIRE
BARLBOROUGH.
(St. James.)
a memorial to Sir Richard Pipe: "Hie jacet Ricardus Pipe miles, civis quondam et
major, London, et hujus rectoriae solus patronus, qui ultipium diem clausit 19 Die Mensis Sept. a.d. 1587; et
aetatis suae 72."
In this church
is
Bassano, an heraldic painter of Derby, who visited this church in 1705 records in his notes that "within
the altar rails, south above Pipe's tomb, hangs a helmet with Pipe's crest upon it."
This has long dis-
appeared.
Cf. J. C.
BONSALL.
Cox,
(St.
"
Derbyshire Churches,"
i,
p. 57.
Previous to the restoration of the church there hung over the monument to Henry Feme a helmet crested.
In 1877 the helmet was suspended over the entrance to the north aisle. The Feme crest is a mount of fern
ppr. thereon a garb or banded gu.
"
Cf. J. C. Cox,
Derbyshire Churches,"
CHESTERFIELD.
There
is
(St.
no armour
in the
ii,
p. 422.
Saints.)
church.
"
Godfrey Foljambe of Walton, by his will (23 Hen. VIII), directed my carcase to be buried in the
Chapell of St. George beside my lady my wife in Chesterfield ... my funeral mass & dirge with all other
Sir
170
DERBYSHIRE- DEVONSHIRE
suffrages
the head
& obsequies to be done & ministered for my soul ... my sword, helmet,
& my coat of arms to be hanged over my tomb & there to remain for ever."
Cf. J. C.
"
Cox,
Derbyshire Churches,"
HARTINGTON. (St.
A pair of gauntlets.
HATHERSAGE.
"N. and
In
(St.
p.
i,
167; Bloxam,
"
Fragmenta Sepulchralia,"
[Communicated by Mr. W.
GILES.)
II.
Kenton, J.P.]
Michael.)
ii,
p.
73, there
is
bow
formerly in the
church.
REITON.
There
(St.
Wystan.)
now no armour
is
in the church.
"
the following entry:
1590. A note of the armoure of Repton receaved
In primis ij corsletts w"'. all that belongeth unto
into the handes of Rycharde Weatte, beyinge Counstable.
them ij swordes iiij daggers and ij gyrdells ij calevers w'\ flask & trige box ij pryckes and ij halberds
for the
Tr'bande
1620.
souldiar
notte of ye
is
...
Towne armour viz towe
.
&
Cf. J. C.
Cox,
S TAVELEY.
"
(St.
The monument
&
a beawe."
w" towe
1
corslets,
pickes,
one muskett,
w lh bandde
a Scowerer, towe calivers, one flask, & Trig boxe, six Head-pieces, three of them
for ye Mouldes
were delivered to Gilbt Browne, 4 sowrdes, three sowrdes
&
...
Derbyshire Churches,"
iii,
in
p.
keepinge
&
keepinge
439.
John
is
still
preserved.
"
Pennon & streamer, spurs, gauntlets, helmet & crest with
Formerly there was hung over this monument
tassels of silk, bossed with gold; with all
achievements
of Sir P. Frecheville Kt who was knighted at
ye
Musselborow
See
battle, in
C. Cox,
"
WINGEWORTH.
(All Saints.)
In 1816 there was hanging against the north wall of the chancel a sword, a helmet, and other pieces of
armour.
There
is
Cf. J. C.
now no armour
Cox,
"
in the church.
Derbyshire Churches,"
iv, p.
488.
DEVONSHIRE
BICKLEIGH.
(St. Mary.)
Helmet and gorget.
2. (launtlets (now missing).
Tradition. These pieces are associated with the monument to Gamaliel Slanning, killed in a duel with
John Fitze of Fitzford, in 1599; but by some it is believed that they belonged to Nicholas, his son,
1.
Sir
St.
Michael Caerhayes).
171
Trans.," 1887,
x, pt.
ii,
W.
Jones, "Slan-
xi, p.
92.
(St.
XVI Ith
Tradition.
is
Q.,"
Thomas Drewe,
Solicitor-General to
James
I.
or.
xi, p.
92.
illus-
taken.]
CHAGFORD.
(St. Michael.)
Helmet, said to have been made
issuant from a coronet.
for the
the helmet
Crest.
2.
XVIIth
is
CHARDSTOCK.
1.
occasion of a funeral,
(All Saints.)
aisle in right of the lordship of the manor of Tytherleigh which the family
acquired in 1729.
The helmet was restored through the help of the Rev. F. E. W. Langdon.
" Devon and
Cornwall N. and Q.," x, pt. ii, pp. 86, 175; xi, p. 92.
Cf.
CHULMLEIGH.
Helmet,
Fio. 1606.
"
Bk:>adhembury
late
(St.
Mary Magdalen.)
XVIth
century.
Hanging on a perch in the north aisle of the chancel.
Tradition By some said to have been found in a field in the parish, but this
tradition seems unlikely to be correct, as in 1830 it was described as having
a ducal coronet upon it," and as being associated with the funeral of General Molford,
of a ducal coronet or, a demi-swan, wings expanded arg., beaked gu.
"
Devon and Cornwall N. and Q.," x, pt. ii, p. 84; xi, p. 92 " N. and Q.," 5th series, vol. xi, p. 375.
Cf.
part of a crest,
whose family
COCKINGTON.
(St.
George and
St.
Mary.)
Helmet, early XVIth century. Skull-piece and visor appears to be that of a late armet; the skull has a
small comb. The visor has probably been cut down. It is escalloped over the skull. The mezeil is
a later addition, probably funerary, the chin-piece is also later. The mezeil is decorated with a
painted design.
On
23 October 1914 was found, under the stones with which the squint from the parvise was blocked, a
single spur of the time of the Civil War.
Cf. "Devon and Cornwall N. and Q.," x, pt. ii, p. 124; xi, pt. Hi, p. 92.
Cross.)
circa 1575.
An
1.
Helmet, Elizabethan,
2.
Rapier.
5.
3.
elegant piece in
4.
Stirrups.
p.
85;
172
good
state.
p. 92.
DEVONSHIRE
DENBURY.
(St.
Mary.)
Helmet.
i.
2.
The sword
Tradition.
is
Sword.
Cf.
DUNSFORU.
(St.
Q.,"
x, pt.
85;
p.
xi, p.
J.
92.
Mary.)
1.
ii,
Guy Laking
illustra-
ERMINGTON.
(St. Peter.)
Helmet, XVIth century.
Helmet, XVIIth century, funerary.
1.
2.
Gauntlets.
3.
a coat of
Cf
"
EXETER.
There
a note in
is
"N. and
in
Farleigh-Hungerford.
HARTLAND.
A
(St.
Nectan.)
is
armour
in the
church at
Hartland.
RINGS NYMPTON.
(St.
James.)
Helmet.
Associated with the tomb of Sir Lewis Pollard, Kt.,
Tradition.
over which
Arms.
Crest.
"
Cf.
it
hangs.
Arg. a chevron
(Pollard.)
MARYSTOWE.
(St.
Mary the
Q.,"
x, pt.
ii,
86;
p.
xi, p.
Fig. 1607.
93.
Dunsford
Virgin.)
Cf.
PLYMOUTH.
Helmet and
(St. Andrew.)
gauntlet, both of
wood.
Tradition.
Arms.
Crest.
Out of a ducal
ob.
(Skelton.)
STOWFORD.
1.
Helmet.
2.
Gauntlets of wood.
monument
hang.
crescents within
a bordure arg.
Q.,"
x, pt.
ii,
(Harris.)
p.
85;
173
xi, p.
93.
(St.
Peter.)
armour traditionally said to have been worn by the retainers of the Earl of Bath. Much
of this armour was stolen some years ago.
" Devon and
Cornwall N. and Q.," x, pt. ii, pp. 85, 86 Murray, " Guide to Devonshire," p. 246.
Cf.
pieces of
WEMBURY.
(St.
Werburg.)
Helmet.
Associated with the monument to Sir Warwick Hele.
Arg. five fusils in pale gu., the middle one charged with a leopard's face
On a chapeau gu. turned up erm. an eagle's claw or.
Tradition.
Arms.
Crest.
"
Cf.
Q.,"
x, pt.
p.
ii,
85
xi, p.
93
Murray,
"
or.
Guide
(Hele.)
to Devonshire," p. 240.
DORSETSHIRE
DORCHESTER.
(St. Peter.)
Sword, blade 17^ in. long; hilt, 3 in.; quillons, 3$ in.
Tradition. This sword is reputed to have come from Spain, and
Netherbury
Fig. 1608.
Williams of Herringstone,
removed.
Cf.
G. C. Niven, "
oh.
161
7.
is
on the
Fig. 1609.
The sword
Short Guide to
effigy in
armour of
Church,"
John
Netherbury
St. Peter's
Sir
and cannot be
p. 22.
NETHERBURY.
(St. MARY THE VIRGIN.) [Communicated by Mr. Wallis Cash, who kindly supplied the photographs.]
Close helmet, 1570, crested, a bird ducally gorged (Fig. 1608).
Tradition. Associated with the More, or Moor, tomb in the south aisle of the church (Fig. 1609), over
which it is placed.
The Moor,
More, family owned Melplash manor, which came into the family through the
More, of Marnhull, with the heiress of Melplash. Among the descendants was Sir
Thomas More, who was Sheriff of Dorset in the reign of Henry VIII. Local tradition relates that after a
duel in which the knight buried in the chancel was victorious, a dove settled on his helmet, thus
showing that
his cause was just.
or
marriage of Walter
sa.
(More.)
74
A
I
Fig. 1613.
Fig. 1610a.
Winterborne Came
Fig. 1610^.
Shroton
Fig. 161
1.
Wimborne
Fig. 1612.
175
Wimborne
Shroton
SHROTON.
(St.
monument
Tradition.
secured to a
pillar
Crest.
head couped
bull's
sa.
STURMINSTER MARSHALL.
Helmet, made
Tradition.
church during
used as a coal
for a funeral,
None.
its
It
hangs
restoration.
and
scuttle,
(Freke.)
century.
(St.
ob.
161
1,
above which
it is
Minster.
visor,
in
The helmet
2.
is,
now hangs over the tomb of John Beaufort, Duke of Somerset (Fig. 161
however, of a date considerably later in the XVth century than 1444.
XVIth
missing).
Tradition. The helmet hangs over the tomb of Sir
Arms. Arg. a cross moline gu. (Uvedale.)
Crest.
On
WINTERBORNE CAME.
Close helmet,
Tradition.
effigy
late
XVIth
an
century.
Cap
Edmund Uvedale
in
the chancel,
ob.
[Communicated by Mr. C.
There
is
1606
is
1), ob.
probably
(Fig. 1612).
(St. PETER.)
and that of
Cf.
placed.
slight keel,
attachment to
1444.
was being
a bellows visor hinged to skull on each side with pins, ringed at top for
which there are holes near the top rib. Spring catch to visor preserved.
small plate covers the junction of visor and chin-piece. Weight, 14A lb. (vide ante, vol. ii, p. 157,
Helm, with
it
CANDIDA.)
1.
WHITECHURCH CAXONICORUM.
in
Some
this is
these
Mary.)
(St.
XVIIth
or.
among
J.
Cornish-Browne.]
always been associated with the tomb of Sir John Mellor, which bears his
dame.
" Dorset Field Club
Proc,"
his
xii, p.
50.
176
DURHAM-ESSEX
DURHAM
WITTON LE WEAR.
(SS. PHILIP
AND THOMAS.)
[Communicated by Mr. R.
Blair,
F.S.A.]
in the
5).
Fig. 1614 a
Fig. 1614 i
Fig. 1615.
Tradition.
The D'Arcy
family.
Witton le Wear
In the church
is
tomb reputed
to be that of a D'Arcy.
The
family
2nd
series, viii, p.
444.
ESSEX
BARDFIELD, GREAT.
Two helmets.
(St.
Mary the
Virgin.)
Both described as early XVIIth century in the " Report of the R. C. on Hist. Mon." (Essex), i, p. 107.
Tradition.
None.
There is a monument to William Bendlowes (ob. 1584), who left a son, William, ob. 1613, who in turn
was succeeded by his son Edward, born 1602, a minor writer and poet, ob. 1676 in poverty. In "N. and Q.,"
6th series, vol.
BARKING.
v, p.
(St.
58,
it
is
suggested that the helmets are associated with the Lumley family.
[Communicated by Mr. C. R. Beard.]
Margaret.)
177
AA
(St.
Mary the
Virgin.)
Oswald
brass to
Cf.
None.
to
John Stocker
Jekyll, ob.
1598
Thomas
" R.
C. on Hist.
Mon."
(Essex),
i,
p. 32.
BRADWELL.
(HOLY TRINITY.)
Helmet, XVIIth century.
Tradition. The tomb of Sir "William Maxey, born
it is
suspended.
Arms. Gu. a /esse betw. three talbofs heads erased arg. (Maxey.)
Crest. 'A talbofs head erased arg. collared and ringed gu.
CRESSING. (ALL
SAINTS.)
XVIIth
1. Helmet, early
century, crested.
Tradition. Associated with the monument to
2.
Helmet.
DAGENHAM.
Two
(SS.
by Mr.
W. H.
Fenton, J.P.]
helmets.
None. There
Tradition.
is
monument
to Sir
century judge.
BANBURY.
M.A., the
1.
John THE
(St.
Helmet,
Tradition.
rector.]
late
XVIth
by Maria
BAPTIST.)
Humphry Mildmay,
to
(sister of
Queen
Queen
ob.
16 13,
Elizabeth)
Elizabeth)
his wife.
Crest.
2.
EARLS-COLNE.
(St.
ANDREW.)
years ago.
Helmet, end of XVIth century, or beginning of XVIIth century (Fig. 161 5 a).
This helmet is no longer in the church.
Tradition. Associated with the funeral of Colonel William Harlakenden, of Colne Engaine, ob. circa
whom
1659, removed from the chancel of the church during its restoration in 1862 by Henry Carwardine, by
it
The helmet
is
(ALL SAINTS.)
Helmet, crested, a boar's head and
Crest.
boar's
FAULKBOURNE.
head
(St.
erect,
hang
feathers.
in the Tyrrell
2.
Helmet.
4.
it is
sword, 24
in.
J. P.]
long.
that name.
tail,
ppr.
(Tyrrell.)
Germans.)
whom
pair of gauntlets.
Tradition. All the above
3.
no longer
traditionally associated.
I
78
Sir
Edward
Bullock,
ob.
1644, with
ESSEX
Arms.
Crest.
De Cosson and
Cf.
Burges,
p. 88.
HALSTEAD.
An oak
Tradition.
"R.
Cf.
C. on Hist.
Mon."
HATFIELD PEVEREL.
Helmet,
1.
XVI Ith
(Essex),
(St.
i,
tomb).
Andrew.)
4. One spur.
3. Sword.
of
arms
to
Coat
have
5.
(said
disappeared recently).
Tradition. This complete achievement is associated with the tomb of Sir Edward Alleyn,
Gauntlets.
2.
Edmund
Arms.
Sa.,
Crest.
ob.
1635, or
HEDINGHAM, CASTLE.
Helm,
1.
(St. Nicholas.)
circa 1513, with crest, a blue boar {vide ante, vol.
"
2.
of the
Cap
tomb
Crest.
is
" R.
C. on Hist.
"
N. and Q.," 5th series, x, p. 130; Inman,
i, p. 50 (tomb illustrated)
18
"Excursions
ii, p. 120;
19, ii, p. 183.
through Essex,"
The Baron de Cosson in a letter of the nth of July 192 1 wrote about this helm: "It was in 1879 or so
that it was for sale in London, I think at Wright's in Wardour Street, who had been commissioned to part
with it, and I went to see it with my friend William Burges. ^100 was the price asked for it.
It was
purchased soon after by Signor Ressman, then an attache at the Italian Embassy in London, who formed a
fine collection of ancient arms and armour.
Much later, in fact shortly before he died (1899), he ceded it to
Carrand in exchange for the German tilting helm, formerly in the Meyrick Collection (ante, vol. ii, Fig. 459,
p. 118), which is now also in the Bargello in the Ressman bequest. After Ressman's death, with other papers of
his on arms, I was given the description of this helm, which was with it when it was for sale in London. It was
there stated that it came from Castle Hedingham and was supposed to have belonged to John de Vere, 13th
Cf.
Mon."
(Essex),
Earl of Oxford. Hedingham Castle was the chief seat of the de Vere family, John, the 13th Earl, espousing the
cause of Henry, Earl of Richmond, commanded the archers at Bosworth and restored by Henry VII and
Henry VIII to all the family honours. He died 1512. My note says that the arms of de Vere are painted
above the decorations above the front of the helm, and a large O is to be seen on either side above the
scrollwork. The outline of this painting is still visible for where the paint was the surface is very slightly
rusted. I think that there is much reason to believe that the attribution given to the helm is correct."
'
HEMPSTEAD.
(St.
'
Andrew.)
Close helmet, period Charles I, believed to be funerary; crested, a hand holding a crescent (Fig. 1616).
Tradition. Associated with the monument to Sir William Harvey, ob. 17 19. There are monuments to
Sir William Harvey, the great physician, ob. 1657; Eliab Harvey, ob. 1661; Sir Eliab Harvey, ob. 1698; his
sons, Eliab, ob. 1681,
Cf.
Matthew,
ob.
1692.
Crest.
dexter
i,
179
it
(Harvey.)
INGATESTONE.
1.
3.
Tradition.
Crest.
The
Petre family.
heads erased
Two lions'
and
addorsed, the dexter or, collared as., the sinister as., collared or. (Petre.)
n
Fig. 1617.
RAYNE.
1.
3.
V
Fig. 1618.
Ingatestone
Fig. 1616.
Ingatestone
Hempstead
(All Saints.)
2
Helm, 1510-25 (vide ante, vol. ii, Fig. 492).
Armet, circa 1520 {vide ante, vol. ii, Fig. 445^)Close helmet, XVIth century, now in Saffron-Walden Museum, presented by Mr. Charles Probert
Elizabethan.
4. Close helmet, XVIth century,
(Fig. 1620).
-
Fig. 1619.
Tradition.
All the
Ingatestone
Fig. 1620.
in the church.
until
Ravne
Capels, Earls of Essex, and was associated with Sir Giles Capel, the famous jouster in the time of Henry VIII.
The other three are probably Capel helmets. When the church was pulled down all the helmets were removed.
The Baron de Cosson has described them in "Helmets and Mail," p. 73 (Fig. 78), and in "The Capels
of Rayne Hall."
RIVENHALL.
(St.
SAINTS.)
ob.
l8o
ESSEX
STEEPLE BUMPSTEA1).
Helmet,
(St.
Mary the
Virgin.)
other parts 1590, crested, a talbot's head rising from a crown (Fig. 1621).
THEYDON MOUNT.
1.
3.
Tradition.
The
Fig. 1621.
Smith, Bart.,
ob.
2.
Helmet.
5.
Shield.
Steeple Bumpstead
Fig. 1622.
Thomas
Thundersi.ey
1668, but are probably the achievement of his father, Sir William Smith, ob. 1631; the coat
of arms quarters Smith and Charnock, which is the escutcheon on the tomb of Sir William.
Arms. Sa. on a /ess dancettee betw. three lions ramp, each supporting a castle arg.
field.
Sir
(Smith.)
Crest.
Cf.
salamander
Bloxam,
"
in
flames ppr.
Fragmenta Sepulchralia,"
THUNDERSLEY.
p. 136.
Mr. Wallis
Cash, Wincanton.]
[Communicated by
PETER.)
2. Heraldic sword, funerary (Fig. 1622).
1. Helmet, with spike, probably funerary (Fig. 1622).
Tradition. It is said by some that the above were placed in the church seventy years ago, and by others
that they were found in a grave in the church which was opened.
WETHERSFIELD.
(St.
(St.
Mary Magdalene.)
Helmet, XVIth
l8l
first.
(Wentworth.)
GLOUCESTERSHIRE
ALMONDSBURY.
AMPNEY
Jeffcoat,
M.A.]
vicar.]
or, enfiled
Helmet.
Tradition.
Associated
with,
BRISTOL.
(St.
Mary
Redcliffe.)
[Communicated by Mr. F. T. Pritchard.]
W. Penn. Sword, breastplate, tassets, gaunthelmet with the Penn crest and banners, a demi-lion
Achievement of
spurs,
lets,
Sir
(Fig. 1623.)
On
a crescent for
difference.
Tradition.
MDCXXI
at Bristol
in
maritime
originally
affaires
member
Fig. 1623. Redcliffe, Bristol
Anno
MDCLXIV was
chosen
&
leave of the sea, his old element, but continued still his other employes till MDCLXIX att which
time through bodily infirmities contracted by the care & fatigue of publick affaires he withdrew prepared
& made for his end & with a gentle & even gale in much Peace arrivd & anchor'd in his last & best port at
Wanstead in the county of Essex the XVI Septemb r
being then but forty nine yeers & seven
his
months
MDCLXX
old."
Marble"
i,
p. lx.
CIRENCESTER.
In
"N. and
x, p.
11, there is a
182
GLOUCESTERSHIRE-HAMPSHIRE
IRON ACTON.
i.
TORTWORTH.
2.
Close helmet,
Close helmet,
3.
Close helmet,
1.
XVIth
XVIth
XVIth
Tradition. These
Throckmorton tomb.
Jeffcoat,
M.A.]
century, Elizabethan.
WESTBURY-ON-TRYM.
(HOLY TRINITY.)
Jeffcoat,
M.A.]
There are monuments and brasses to Miles Wilson, ob. 1567; Richard Harris, ob. 1583; Richard Hill of
ob. 1627; Sir Richard Elsworth, ob. 1686; and Giles Hungerford, ob. 1689.
Redland,
FROM A CHURCH
IN GLOUCESTERSHIRE.
piece of large ringed mail {vide ante, vol. ii, Fig. 513).
The custom, at the funeral of a great person, of a chival de dule being led before the corpse, and of the
claim by the church to retain it as a mortuary, dated from very early times. The claim was converted by
Hen. VIII) into a money payment. In the will of William de Beauchamp (ob. 52 Hen. Ill) the
body to be buried in the church of Friars Minors, at Worcester, and ordered that coram corpore
meo unum e</uum, ferro copertum should be led. This piece of mail is made up of such large rings, that it may
have been part of the mail used to protect a horse, and its preservation in a church may perhaps be explained
by the custom referred to.
"
"
Cf. Bloxam,
Fragmenta Sepulchralia," p. 132; De Cosson and Burges, Helmets and Mail," p. 121,
statute (21
Fig. 179.
HAMPSHIRE
ALDERSHOT.
(St.
is
monument
to Ellen,
and on the south wall is a monument to Mary, ob. 1640, wife of Sir
Walter Tichborne, leaving seven sons and six daughters. Both were co-heiresses of Robert White, who died
seised of the manor of Aldershot.
Arms. Per /ess az. and or, a pale counterchanged, three plates, two and one, each charged with two bars
wavy vert, and as many lion's heads erased, one and two gu. (White.)
Crest. A lion's head erased quarterly or and az.
ob.
1606,
Cf.
first
" Vic.
C. H." (Hants),
iv, p.
2.
183
3.
5.
(St.
MARY.)
6 and
8.
2.
4.
a single gauntlet,
all
funerary.
All the above hang on the walls of the Bolton chapel (Figs. 1626 and 1627).
mound, therefrom a falcon rising or, charged on the fieart with an estoile gu., gorged with a ducal
and holding in the beak a salmon ppr. (Bolton.)
Tradition.
Crest.
coronet as.,
Cf. "Vic. C.
H." (Hants),
CHRISTCHURCH.
iv, p.
126.
Druitt.]
is
Fig. 1624.
or early XVIIth century, rough from the hammer. The comb (1 J in. at
There are two occularia with lower edges roped, 3} in. by ]- in. There are
XVIth
roped.
Aldershot
Kig. 1625.
Aldershot
two small breathing holes on each side of visor. The mezeil has roped edge and four breathing
holes on each side. Chin-piece has roped edge. There are front and back gorget plates, the lower
is roped and turned over a wire. The heads of the rivets securing the visor and
mezeil are plain and circular. The pin of the visor is in position, as are two hooks on the dexter side
of chin-piece. The hook to secure
chin-piece to mezeil is lost, but the eye on the mezeil is preserved.
of
1
in.
helmet,
Height
if
helmet is hanging in the north-east angle of the eastern chapel of the north chancel aisle, close to the
The
tomb
of Sir John Chidiock, ob. 1450 (effigy in armour), and Katherine, his wife, ob. 1461, which tomb
was formerly situated in the north transept. Formerly the helmet hung in the chapel on the south side of
altar
aisle.
it
a Berkeley.
EAST TYTHERLEY.
(St. Peter.)
Helmet, crested, a hand holding flowers.
Tradition. The helmet hangs over the monument to Richard Gifford,
son of Sir William Gifford, Kt.
Crest.
cubit
arm
iv, p.
and
ob.
1568
(effigy in
armour), second
518.
184
(Gifford.)
HAMPSHIRE
(St. Mary the Virgin.)
Close helmet, circa 1600, the gorget plates added at a later date, crested, a
burning tower (Fig. 1628).
Formerly there were also suspended a pair of gauntlets and a coat of arms. These disappeared twenty
ELING.
years ago. The iron bar for the coat of arms still remains.
Tradition. Hanging near the monument to Gilbert Serle, ob. 1720, with which the helmet is
traditionally
associated. On the monument is the same crest.
" \
1C C. H. (Hants), iv, p. 557.
Cf.
[The illustration is taken from a photograph kindly forwarded by the Rector.]
'
FROYLE. (Assumption
Cf.
Kig. 1626.
GODSHILL.
1.
ii,
p.
504.
Basing
Fig. 1627.
Basing
(All Saints.)
skull-piece 1510, buffe, a
Helm,
little later,
crested, a hind
Fig. 1629).
2.
monument
to Sir
it
hangs.
in the church.
Helmet, circa 1570, with XVI Ith century gorget plates added, crested, a wolfs head (Fig. 1630).
Gauntlets, funerary.
Tradition. Associated with the monument to Richard, ob. 1567, son of Sir James Worsley (ob. 1536) and
Anne, only daughter of Sir John Leigh. Richard Worsley was Captain of the Wight.
3.
4.
Crest.
5.
(Worsley.)
Armet, skull-piece, reinforcing piece for skull, visor (of which only part remains), and chin-piece, circa
1446-50, buffe circa 1500. A piece between the buffe and chin-piece has been added for church
purposes.
The
neck-plates are
63 1 a and b).
Tradition. None.
Cf. "Vic. C. H." (Hants),
(Figs.
XVIth
century additions.
The stem
for
the rondel
is
preserved
185
"
Fragmenta
BB
(HOLY ROOD.)
S. Oriel.]
Helmet.
None.
Tradition.
TICHBORNE.
Andrew.)
XVIth century,
(St.
Close helmet,
elaborate design.
It is
There
is
Fig. 1628.
skull.
The helmet
Eling
is
chased with an
another perch, but the second helmet has disappeared since 1879.
Each
iron bars.
Within the memory of many of the villagers there was a banner attached to one of the bars.
the achievement is missing.
Tradition.
in the
&
Baronet
&
of
In an old
Dame
MS.
in
"Anno Umi
rest of
Benjamin Tichborne:
The
1621 erected
Sir
&
..."
Tichborne muniment room
r
.
Benjamin Tichborn Kt
the helmet
is
referred to as
" the
jousting helm of Sir
Benjamin Tichborne."
WARNFORI).
Two helmets.
These helmets are kept
Tradition. There is no
in
Ilarting, Sussex,
a stone locker.
186
monuments
to Sir
W. Neale
HAMPSHIRE-HEREFORDSHIRE
1601, auditor to Elizabeth, and Sir T. Neale, ob. 1621, auditor to
Treatise of Direction how to travell safely, etc., 1643."
The Neale family acquired the manor of Warnford 1577.
ob.
author of
James
I,
whose
son,
"A
all gu.
(Neale.)
Crest.
SOUTH WARNBOROUGH.
Andrew.)
(St.
Thomas White,
XVIth century.
Hen. VIII;
Sir
ob.
betiv. three
ob.
(White.)
Crest.
A popinjay's
betiv.
two wings,
Cf "Vic.
C. H." (Hants),
iii,
p.
378.
WICKHAM.
(St. Nicholas.)
Helmet, XVIth century.
Tradition. The helmet and spurs
William Uvedale, ob. 161 5.
2.
1.
"Surrey Arch.
Cf.
WOOTTON
1.
ST.
Helmet.
3.
Coll.,"
in
p. 121,
iii,
LAWRENCE.
(St.
Spurs.
is
rails
enclosing the
monument
to Sir
illustrated.
Lawrence.)
2.
pair of gauntlets.
4.
Spurs.
dagger.
The above hang over a bracket on which are the initials T. H., those of Sir Thomas Hooke,
to whose memory is a monument.
He acquired Tangier Park in 1660, and built the house in 1662.
son who sold the property in 17 10.
Tradition.
ob.
He
1677,
left a
Crest.
"
Cf
An
Vic. C.
H." (Hants),
iv, p.
242.
HEREFORDSHIRE
HEREFORD.
(The Cathedral.)
is
now
in the
Cf "Noel Paton Catalogue," No. 315 Gough, "Sepulchral Monuments," i, pi. LTV; Dingley, "Hist,
from Marble," cxliv; De Cosson and Burges, " Helmets and Mail," p. 67, Figs. 72 and 73.
;
WALFORD-ON-WYE.
Cavalier and
Roundhead.
Cf De Cosson and
"
Burges,
p. 88.
187
HERTFORDSHIRE
ALDBURY.
i.
2.
Tradition. None.
There are monuments to Sir Ralph Verney,
" R. C. on Hist. Mon."
(Herts), p. 31.
Cf.
ob.
1546;
Thomas Hyde,
ob.
ob.
1580.
ALDENHAM.
1.
Armet
Fig. 1633.
Aldbury
BALDOCK.
(St.
Fig. 1635.
Berkhampsteau
Mary.)
" About
twenty years ago the South Porch was enlarged by removing the floor of the parvise. This Chamber
had been closed for years, and when it was broken into, it was found to be filled with armour, helmets, pikes,
lances, and other weapons. The then Rector threw a large quantity down a well to get rid of it, after allowing
the labourers to take as
much
"
(" N.
BERKHAMPSTEAD.
(St. Peter.)
Close helmet, circa 1560-70 (Fig. 1635).
Tradition.
hanging on a
Chauncy
pillar in the
(circa
church
700) records that the helmet, with crest and sword of Sir Adolphus Cary, were
in his time, but that his banners had long since been removed owing to
decay.
Sir Adolphus Cary lived at Berkhampstead Place, which was built by his brother, Sir Edward Cary. Sir
Adolphus died in 161 o and was buried not far from the spot above which the helmet now hangs (the east
" 1610.
wall of the north transept). In the registers this entry is recorded:
Ap. 10. Sir Adolphus Carye,
of
this
towne
was
buried."
benefactor
to
a
most
ye poore
loving
Knighte,
His great-nephew, Lucius Cary, was killed at Newbury in 1643. He had spent his boyhood at
Berkhampstead Place.
BISHOPS HATFIELD.
(St.
Etheldreda.)
Helmet.
Tradition. Associated with the funeral of
Crest.
stag lodged
sa.,
ob. 1598.
(Brockett of Herts.)
John Brockett,
or.
188
HERTFORDSHIRE
FURNEAUX PELHAM.
(St.
Mary.)
Cf.
None.
on Hist. Mon." (Herts),
p. 91.
ALBANS.
ST.
None.
Tradition.
Cf.
"N. and
SAWBRIDGEWORTH.
(St.
x, p.
199;
"
p.
194.
Mary.)
1.
it is
suspended.
Hertfordshire
Mr Thornhi .s collection)
Fig. 1637.
Fig. 1636. St.
Albams
Albans
(In
2.
Thomas
Hewitt,
ob.
hang.
3.
they hang.
Arms.
G11.
STANDON.
(St.
[Communicated by the
Mary.)
late Sir
1.
A. Vicars, K.C.V.O.]
Helmet.
2. Helmet.
4. Stirrups.
3. Sword.
Halberd.
6.
5.
Spurs.
7. Standard of u banner, said to have been captured by Sir Ralph Sadleir from the King of Scotland at
Musselburgh.
Tradition. The above are suspended over the monument of Sir Ralph Sadleir, ob. 1587, on the south
wall of the chancel. There is a monument to Sir Thomas Sadleir, ob. 1606, on the south side. Certain other
pieces of armour, including a breastplate, a helmet, spurs, a wheel-lock pistol, and a crossbow lever were
formerly preserved in the church, but were sold in 1840. The present owner was willing to restore them
to the church on receiving a guarantee that they would not be again sold. These pieces are still in his
1.
possession.
8.
189
down
in
memory
of William Coffyn,
Kt., of the
az.
Stoney, 1877.
WATFORD.
There
is
Mary.)
(St.
now no armour
now
in the collection of
Mr. P.
J.
Thomhill
(Fig. 1637).
HUNTINGDONSHIRE
ST.
NEOTS.
There is in the possession of Mr. W. B. Redfern at Milton Hall, Cambs, a church helmet, which was
formerly suspended in a church near St. Neots.
STAUGHTON, GREAT.
James Beverley,
ob.
J.
W. Wragg.]
monument
of
1670.
KENT
ADDINGTON.
(St.
Margaret.)
The
ASHFORD.
1.
Helm
(St.
Marv.)
The
ii,
funeral of Sir
Cf.
now
shamefully neglected)."
Close helmet, XVIth century, now in the collection of Mr. P. J. Thomhill (Fig. 1639), traditionally
said to have once hung in this church, over one of the Smythe monuments, where there is an emptyperch.
3.
Tradition.
The
last
4.
to the
Smythe family
in the
I.
Smythe
chapel.
John Smythe,
Smythe, Kt.,
Crest.
An
to
whose
son, Sir
1628.
ounce's
pelletce, collared,
chained
sa.
(Smythe.)
AYLESFORD.
1.
2.
(St. Peter.)
Close helmet, XVIIth century, funerary, with a spike (Fig. 1640).
Sword.
3. Gauntlet.
Tradition.
1
Reg.).
Banks, Bart.
7 19,
The
Friary
came
monument
to
He
See infra.
Heneage Finch,
Close helmet,
Italian,
sa.
(Finch.)
190
Crest.
gryphon passant
sa.
KENT
Tradition.
At Aylesford
still
tomb
of Sir
Thomas Colepepper
"T.C'and
Fig. 1638.
Fig. 1640.
a date
(effigy), ob.
upon
it.
A Thomas
Colepepper was a
Addington
Aylesford
Crest.
5.
with
7i'ings
or.
sword.
7.
pair of gauntlets.
Tradition. Associated with the burial of Sir Paul Rycaut, ob.
6.
manor from
Cf.
Sir
ends ppr.
(Rycaut.)
Crest.
8.
gti.,
lion's
Tradition.
ob.
1699
This
Sir
Aylesford
Fig. 1644.
Ayleskord
Caleb Banks, and was created a baronet, 1661, and married a daughter of Sir John Dethick. He left a
daughter, Elizabeth, who married Heneage Finch, 1st Earl of Aylesford. See ante.
but Burke gives the Banks crest as: on a mound vert, a stag statant,
Crest. A dragon's head erased arg.
;
attired
and unguled
There
or,
behind a
an old engraving
is
tree ppr.
in the vestry
of the church showing the armour and banners, which latter have
disappeared.
Fielding,
" Memories of
Mailing," pp. 69, 82.
BARHAM.
XYIth
and gorget
F. B.
Harper of Otford.]
BIRLING.
(All Saints.)
Helm, circa 15 12, crested, a bull collared
2. Close helmet, with roped comb, 1560-75,
Both pieces hang in the chancel.
1.
Tradition.
Crest.
I92
a and
Manor
is
b).
the
Lay Rector.
KENT
is buried George, Lord
Bergavenny, ob. 1536, who married firstly, Joan, daughter
Earl
of
and
Lord
Arundel,
Fitzalan,
secondly, Mary, daughter of the Duke of Buckingham.
who
in
a
Cornwall
under
and
in
was
France
under
soldier,
VII,
distinguished
fought
Henry
Bergavenny
Henry VIII. He had sons (a) Henry, Lord Bergavenny, ob. 1586, also buried in the vault, and (b) Edward,
of
Thomas
friend
jouster,
who
tilted at
Greenwich
in
1 1
as Joye ux Penser,
figures in the Heralds Coll. Tournament Roll; he also took part in the great tournaments in Paris in
1515, and at the Field of the Cloth of Gold; he lived at Addington, near by; beheaded 1538.
and
"Arch. Cant.,"
Cf.
xxxii, p.
p. 126.
BRABOURNE.
(St. Mary.)
skull-piece is reputed to be part of a bascinet, with a plate added at the back. The piece
above the buffe appears to resemble a reinforcing chin-piece. The buffe is that of a tilting helm of
The
1.
The
2.
six brasses,
Fig. 1647.
Brabourne
Fig. 1648.
Brabourne
same
this family
family.
p. 270).
Cf.
May
(Scott.)
CANTERBURY.
A.
The Cathebral.
crested.
2. Gauntlets.
3. Surcoat.
Part of sword scabbard and part of sword belt.
The sword, dagger, and another shield are missing.
These pieces are the remaining parts of the achievement of the Black Prince.
1.
Helm,
4.
Shield.
5.
559. 5 6 . 5 fil
B. St.
1.
2.
i,
ii,
p. 207.
STEPHEN.
Close helmet,
and
b,
Gauntlet.
Figs. 184, a
3.
193
Sword.
CC
Fig. 1649. St
Stephen, Canterbury
Fig. 1651.
Fig. 1650.
Cobham
Chislehurst
KENT
Hanging over the monument to Sir Roger Manwood (ob. 1592), Fig. 1649, with which this
Sir Roger was created Lord Chief Baron of the
Exchequer in 1578. He was
the south transept. Succeeded by his son, Sir Peter, ob.
also
buried
in the church.
1625,
Tradition.
achievement
buried in
is
associated.
Crest.
"N. and
Cf.
x, p.
or.
gardant
(Manwood.)
73.
C. St. DUNSTAN.
of Sir
John Roper, Attorney-General, died 1524, leaving a son William, who married Margaret, daughter
1578, and it is over the monument to this William Roper that the achieve-
Fig. 1652.
Fig. 1653.
ment hangs
of
Cranrrook
Fig. 1653A.
"
(" Hasted,"
p. 592).
iii,
all
CHART, LITTLE.
"
William Roper was the author of
Thomas More"
The
Life
Cranbrook
and Death of
that Mirrour
(pub. 1626).
Helm, English,
1.
Cranhrook
late
XVth
ii,
p. 153, Fig.
491 a).
2.
Tradition.
The
family
of Darell.
John Darell
(brass), ob.
He
married (1) Valentine Barret of Preston, near Faversham, and (2) a niece of
was
He
buried in the chancel of the church and was succeeded by his son, William,
Archbishop Chicheley.
ob. 147 1, who in his turn was succeeded by John, attached as a Squire of the body to Hen. VII, knighted in
Little
1497,
Crest.
round
and
as.,
az.
(Darell.)
Cf.
" Proc. of
the Soc. of Ant.," xxxi,
p.
196.
195
and frettv
the shoulders
(St.
Nicholas.)
Close helmet, second half of the XVIth century, with a visor belonging to an armet, crested, a
head ducally gorged out of a mural coronet (Fig. 1650).
Tradition.
ob.
The Walsingham
Thomas Walsingham,
family.
"N. and
COBHAM.
1.
and
Sir
Thomas Walsingham,
(Walsingham.)
Mary Magdalene.)
quarter of the
of the chancel.
first
Tradition.
1562,
(St.
Helm,
or,
ob.
tiger's
Sir Nicholas
XVth
Hawberk,
1407, to whose
vol.
ii,
there
memory
is
wall
1).
a*|
I
Fig. 1654.
2.
Helm,
first
KlNGSTONE
Fig. 1654A.
XVth
quarter of the
Helm,
early
XVIth century
ii,
p. 104, Fig.
ii,
p. 146, Fig.
486D).
is
451).
Kingstone
wall of the
Armet, the skull-piece is South Italian, circa 1480, with buffe of the XVIth century added; crested, a
Saracen's head (vide ante, vol. ii, p. 89, Fig. 442D).
Hanging on the north wall of the chancel
(Fig. 1651).
Tradition.
Crest.
Cf.
ment,"
Associated with the tomb of Sir George Brooke, K.G., 8th Lord Cobham,
Saracen's head ppr., wreathed about the temples or and gu. (Brooke.)
De Cosson and
p.
54
"
Burges,
(illustration).
The
the vicar.
196
is
1558.
55, 69,
church
ob.
KENT
CR AN BROOK.
i.
2.
(St.
Dunstan.)
is
missing.
The neck
plates
Close helmet, late XVIth century, skull-piece, mezeil, chin-piece, and gorget plates, with a visor
earlier date added, probably that of an armet cut down, crested, an eagle (Fig. 1653).
ot
3.
Close helmet, with genuine XVIIth century skull-piece, with funerary additions, crested, an eagle
4.
Coat of arms.
(Fig. 1653A).
5.
Gauntlet.
6.
Spurs.
The
William Roberts, ob. 1522 ; Thomas, his son, ob. 1557: the latter was succeeded
1580, leaving a son, Sir Thomas Roberts, ob. 1627, etc. See the pedigree on the monu-
ment
ob.
in the church.
<"
Fig. 1655.
EASTWELL.
(St.
JP
Lullingstone
Mary THE
Fig. 1656.
Lullingstone
VIRGIN.)
Helmet.
Tradition.
Sir
ob.
1614.
Moyle
afterwards created Viscountess Maidstone, and subsequently Countess of Winchilsea, ob. 1633, whose son, the
1st Earl of Winchilsea, succeeded her (ob. 1614), leaving a son, the 2nd Earl (ob. 1689) who had four wives
and twenty-seven children.
Crest. A pegasus courant arg. ivinged, maned and hoofed or, ducally gorged. (Finch.)
HAYES.
Helmet (missing since about 1850).
Tradition. None.
HERNE.
(St.
MARTIN.)
Helmet.
tablets,
prominent.
197
etc.,
among which
(St.
Helmet,
LEONARD.)
vicar.]
late
Tradition.
but
it
is
to
KINGSTONE.
(St. GILES.)
The skull
and
1.
Close helmet.
2.
3.
4.
Two
1570 added,
all
(Fig. 1654).
5.
sword.
6.
Two
gauntlets.
ob. 1739.
He was one of three brothers who helped
" Diet. Nat.
to introduce the silk trade into England. See
Biog.," s.n.
Arms. As. two combs in fess behveen a broken lance bartvise or, one piece in chief, the head respecting the
LAMBERHURST.
It is
LULLINGSTONE.
1.
2.
3.
4.
(St. Botolph.)
Skull-piece and buffe of a great helm, 1510-15
(Fig. 1655).
I98
KENT
Lullingstone passed by marriage from the Peche family to the Hart family towards the end of the reign of
Sir Percival
monument
(over whose
to Sir
Hart, ob. 1580 (Fig. 1658); Sir George Hart, ob. 1587 ; and Percival Hart, ob. 1738
are forty-four different shields of arms which he quartered in his own and his wife's
right).
MARGATE.
(St.
John.)
monument
to
ob.
(Cleybroke.)
" N. and
Q.," 6th series, vol.
MILTON REGIS.
p.
i,
466.
(Holy Trinity.)
Helmet.
One
of the
manor of Northwood.
.
ii,
p.
632
[2]).
MONKS HORTON.
(St. Peter.)
S.
K. Lockyear.]
and Rooke.
There
is
a hatch-
ment of Morris.
Arms. Arg. on a chevron engr. betw. three rooks
sa.,
as
many
Fig. 1658.
Lullingstone
(Rooke.)
the
arm
"N. and
OTFORD.
(St.
x, p.
130.
Bartholomew.)
Close helmet, late Elizabethan, crested, out of a mural crown a hind's head (Fig. 1660).
Tradition. None, but there are several Polhill monuments in the church.
Crest.
or,
PEMBURY.
vert,
199
(St.
Close helmet,
Tradition.
now
in
tilting,
XVIth
Monks IIorton
Fig. 1659.
This helm
is
known
as that of Sir
Harry Sidney.
ii,
Fig. 1661.
Probably
it
was formerly
Pembury
in this church.
It
Penshurst Place.
Crest.
Fig. 1662.
PLUCKLEY.
Armet,
Now
Baptist.)
English, early
Oxford
Fig. 1660.
is
John the
quilled collared
and chained
Sandwich
Nicholas.)
1500 (vide ante, Vol.
or.
(Sidney of Penshurst.)
Fig. 1663.
Shadoxhurst
(St.
circa
ii,
Fig. 445).
a private collection, said to have hung in the Surrenden chancel of the church.
Tradition. Associated with the Bering family of Surrenden Dering, a family of Saxon origin. Richard
Dering died in 1481 and was succeeded by his son John, whose direct descendant in the fifth generation was
Sir
in
Edward Dering,
Kt.,
and
first
baronet,
ob.
1644.
200
KENT
RAMSGATE.
(St. Pkter.)
Close helmet, probably funerary.
JclTcoat,
M.A.]
SANDWICH.
(St. Peter.)
Close helmet, Elizabethan, circa 1570 (all belonging), crested, an antelope's head (Fig. 1662).
Tradition. Carried at the funeral of one of the Mennes family. " In the south-east angle of the north
aisle is a vault built originally for the family of Mennes whose achievement, helm and crest are
suspended
above " (Hasted, iv, p. 282, note v).
Arms. Gu. a chevron vairy or and as. betiv. three leopards' faces of the second. (Mennes.)
Crest. An antelope's head gu. tufted and armed or, issuing out of rays of the last.
Vide ante, vol.
iii,
SHADOXHURST.
p. 112.
(SS.
B. D. Evans,
M.A.]
Close helmet, XVIIth century, funerary, crested, a greyhound under a tree (Fig. 1663).
4. Gauntlets.
Spurs.
3. Sword.
1.
2.
Tradition.
Crest.
On
THANET.
"
(St.
Peter Apostle.)
TONBRIDGE.
(SS.
Close helmet,
late
ob.
26 August 16
TUNSTALL.
15, aet.
54 (Fig. 1665).
[Communicated by Mr. W.
2.
1.
ob.
1655
II.
Fenton,
J. 1'.]
Gauntlets.
(effigy in
Arms.
Gu.
Crest.
An arm
second,
three
broad arrows
embowed
in
arg. headed
of the
WALDESHARE.
a fret az.
crowned
or,
(Bertie.)
20I
DD
202
KENT-LANCASHIRE
2.
Close helmet, XVIIth century, funerary, crested, a talbot sejant, with which are hung two gauntlets
and one spur in the north transept (Fig. 1668).
Associated with the tomb of Sir Henry Furnese, ob. 17 12, who died leaving issue, Sir Robert
Furnese, Bart., 1687-1733, who was married three times: (i) Ann Bolarn; (ii) Lady Arabella Watson, daughter of
Lewis, Earl of Rockingham (issue, Henry, third baronet, ob. 1735, ar>d Katherine, who married (a) her first
Tradition.
cousin the Earl of Rockingham, and (b) Francis, Earl of Guildford); (iii) Lady
married Edward, son of Sir Edward Dering, Bart.). On the panels of the tomb are
Arms.
Crest.
sa.
Ann
many
(Furnese.)
LANCASHIRE
CHORLEY.
1.
2.
(St.
Lawrence.)
Tradition.
Arms.
Cf. "Vic. C.
the
XVIIIth
LEYLAND.
H." (Lanes),
vi, p.
(Standish.)
century.
(St.
Andrew.)
2. A jack.
Close helmet, circa 1550-60.
The above were formerly in the ffarington chapel in this church.
1.
Cf.
De Cosson and
Burges,
203
H."
(I,ancs), vi, p. 4.
Helmet.
2.
MIDDLETON.
1.
Spear.
(St.
LEONARD.)
Fig. 1669.
Fig. 1670.
I,
a and
b).
2.
Sword.
Chorley
Chorley
Fig. 1671a.
Middleton
Fig. 1671*.
Middleton
Three spurs (of which one pair was purchased to replace a pair stolen in 1868).
4. A banner (not earlier than 1739).
Tradition. The helmet is by tradition associated with the funeral of Sir Richard Assheton, the soldier of
Flodden, but it is generally supposed to have been used at the funeral of Colonel Assheton, ob. 1650, who
commanded some of the Parliamentary forces during the Civil War, and was a member of the Long Parliament.
Crest. A boar's head couped gu. (Assheton.)
3.
"Soon after the Restoration, in the year 1667, Sir William Dugdale, then Norroy King of Arms, asserting
the rights of his office in defacing several achievements hung up in many churches. ... He also commenced a suit at law against one Randle Holme, a painter in the city of Chester, who had invaded his office,
204
LANCASHIRE-LEICESTERSHIRE-LINCOLNSHIRE
by preparing achievements for the funeral of Sir Ralphe Ashton, of Middleton; at the trial at
he recovered damages to the amount of ^20" (Bloxam, " Fragmenta Sepulchralia," p. 142).
"Vic. C. H." (Lanes), v, p. 157; T. S. Jones, "A Sketch of the parish church of St. Leonard"
as Norroy,
Stafford, 1667,
Cf.
" Hist, of
Middleton," p. 141.
PENWORTHAM.
MARY THE
VIRGIN.)
Burgonet, Elizabethan, with a plate riveted to the umbril. On a perch to which are also attached
part of a coat of arms and a tassel from a pennon. Another coat of arms and two swords of the
spadroon type were formerly also suspended here, but they disappeared fifteen years ago.
1.
2.
(St.
Close helmet, temp. Charles I, crested, a tail of a wolf. To the visor is affixed a plate, added for a
funeral. Underneath is a coat of arms {per pale nebuly az. and or six martlets counter-changed,
Fleetwood).
"
Cf
" Vic.
C.
H." (Lanes),
SAMLESBURY.
1.
3.
(St.
vi, p.
(crest,
a wolf regardant
arg.).
is
a small shield to
wife, 1595."
53.
Leonard the
Less.)
2.
sa.,
Heraldic sword.
counter-changed.
vi, p.
312.
LEICESTERSHIRE
STOCKERTON.
(St.
[Communicated by Mr. W.
Peter.)
J.
W.
Stocks.]
Helmet.
WYMONDHAM.
(St. Peter.)
De Cosson and
LINCOLNSHIRE
BOTTESFORD.
In
"N. and
(St.
Mary.)
HORNCASTLE.
(St.
x, p.
277,
it is
[Communicated by Mr.
Mary.)
J.
G. Mann.]
to
205
War
(the battle of
vi,
is
held by
many
in the
pp. 1-3.
MABLETHORPE.
Armet,
circa
(St.
Mary.)
Earls
"
The armet
who
in a
fought
small stream on the main road leading from Mablethorpe to Maltby,
which divides the two parishes. Ever since the combat, so the story
"
"
"
Earls' Bridge." Both
Earls were
runs, the bridge has been called
killed in their combat, and the villagers are said to have seized their
Fig. 1672*7.
Mablethorpk
^
Fig. 1672A.
Mablethorpe
LINCOLNSHIRELONDON
STALLINGBOROUGH.
(SS.
[Communicated by Mr.
J.
G. Mann.]
Helmet.
Tradition. Associated with the
tomb
Ann Askew,
THEDDLETHORPE-ALL-SAINTS.
(St.
1.
of Sir
Edward Ayscoghe,
ob.
1612
(effigy in
[Communicated by Mr.
Helen.)
XVI Ith
II.
Bocock.]
Perhaps funerary.
Coat of mail (now missing).
Hanging on a perch on the south wall of the chancel. There are two other perches on which were hung
other pieces of the achievement which are now missing.
Tradition. Associated with the monument to Charles Bertie, ob. 1727 (son of Robert, Earl of Lindsey,
Lord Great Chamberlain of England), on the north side of the chancel. On this tomb is now lying a crowned
and bearded head in wood with a hole in the base. It may be the crest of the helmet. The late Mr. Wilson,
2.
is
or,
when
(Bertie.)
LONDON
ARTILLERY COMPANY, HONOURABLE.
In the Great Hall of Armoury House there is a complete suit with grand-guard and extra mezeil. This
suit is of the finest quality and of about 1560-65 (Fig. 1674). The records of the Company, previous to their
removal in the early years of the XVII Ith century to their present quarters, have been lost, and in the subsequent records there is no mention of any presentation or purchase of armour. The suit is deeply pitted with
The decoration is of deep, flat, longitudinal channels, varying from half to an inch wide, cut square,
connected together by channels a quarter of an inch wide, slanting upwards at an angle of thirty degrees. All
rust marks.
gilt.
the smaller to admit of the play of the lance. Each pauldron has had a guard, now
breastplate has an attachment for a lance rest, and there is a pin three inches below the left
missing.
In the centre of the breastplate is the bolt for the attachment of the grand-guard. The
to
the
left.
pauldron
top of the breastplate is roped with a central ornament. The gussets are roped with the same central ornament.
and the
right
pauldron
is
The
backplate has a flange turned at right angles, to which is attached an escalloped garde-de-rein decorated
with the channelling, referred to above, and roped on the border. The helmet has a plume-holder at the back,
on the left of the comb. The knee-cops are roped and channelled. There is no armourer's mark on the suit.
The
has been ascribed to the Greenwich School (vide ante, vol. iv, p. 1), and the best expert opinion is
not of that school, it was made at Innspruck, whence, it is said, armourers came to work at GreenBut it is to be remembered that this suit is earlier than all the extant Greenwich suits illustrated in the
The
suit
that
if it is
wich.
Jacobe MS.
The Company
in the
XVIIIth
century.
tradition that of
an
armour
to the
officer of the
Company
during the
XVIth
century.
The following is not church armour, but it is convenient to insert it here under
may be of use to students, who might not otherwise know of its existence.
1
it
This armour was never returned. This sole remaining XVIth century harness
207
The
rest of the
the heading of
armour
its locality,
and
in the
it is
is
by
Hall
hoped
that
208
LON DON
consists of (a) officer's pikeman pott, with one ear-guard ; (/>) officer's pikeman breast- and backplate, with
escalloped edge to tassets j (c) plain pikeman breast- and backplates and tassets; (d) two fluted pikeman
potts ; (e) a large number of pikes engraved with the names of certain officers and sergeants of the Company,
BISHOPSGATE.
(St.
Helen.)
Cf. Fairholt's
Miscellanea Graphica,"
Fig. i675.
CHELSEA.
pi.
Thomas Gresham.
"Tilting heaume"
Chelsea
Kir,.
XVIth
Tradition.
1675/'.
Chelsea
[Communicated
late
is
XVIth
century, crested, an
l>y
Miss A. F. Burnett.]
head
(Fig. 16750).
eagle's
painted and decorated with gilded designs, apparently
century.
EAST HAM.
xxxv.
(St.
Crest.
An eagle
tomb
rising ppr.
of Gregory Fiennes,
Lord Dacre,
ob.
1594, in the
More
(Dacre.)
Mary Magdalene.)
FULHAM.
The Heigham
Crest.
horse's
(Heigham
(All Saints.)
Armet, English,
two tail plates. Obtained by Sir S..R. Meyrick from the church.
Helmets and Mail," p. 57 Skelton, " Engraved Illustrations," ii, pi.
Cf De Cosson and
family.
"
Burges,
209
EE
76.
(St. John.)
Helmet, XVIIth century, with spike (Fig. 1677).
This helmet was formerly hanging in the old church, now pulled down. It is now suspended in the
south vestibule at the west end of the present church, near the staircase leading to the gallery.
.
Tradition. None.
The funeral of Francis Tyssen, Lord of the Manor of Hackney, took place at the old parish church on
November 1716. The funeral cost .2,000. By order of the Earl of Suffolk, Deputy Earl Marshal, the
.
was
following notice appeared in the Gazette of 23 November 17 16: "The corps of Francis Thyssen
carried in great procession with four of the King's trumpets, etc., with a led horse in a velvet caparison and all
the trophies proper to a gentleman on that occasion to Hackney.
This is therefore to satisfy the public,
11
made
His Majesty's
and marshal the
said funeral, they were ready to consent thereto. But
the manner in which the body was set forth and also
a led horse, trumpets, guidons and six pennons with a
that application
servants,
having been
officers of arms,
to
to
direct
right place;
which licentious
" Environs of
London,"
MIDDLE TEMPLE.
ii,
p. 504).
In the Hall are: (1) Seventeen breast- and backplates (some of the finest peascod form) with pauldrons
and other parts of arm-pieces, thirty-eight morions,
mitten gauntlet.
In the middle
Fig. 1676.
period;
XVIIth
pistols,
Charles
James
XVIth
XVIIth
century;
(//)
a pair of
period.
of the cabassets
is
engraved with the story of Mucius Scaevola above a scroll with the letters
mvcio," and with this cabasset must have been associated one of the shields, engraved with the same subject
One
"
Chelsea
and
partly
gilt.
of the head-pieces is a burgonet of about 1590, with the skull-piece of two parts; it has been
described as of Flemish make. It is engraved with a design of branches of briar, rooted in a heart, supported
by two hands issuant from clouds. The briar blossoms with heraldic roses, and amongst the branches are
One
'
See Footnote
2IO
LONDON
woman
chained to a
tree, at
dexter side a lion rampant, on the sinister side a dragon. All these devices appear to refer to Leicester's
expedition to the Low Countries in 1586. In De Cosson and Burges, "Helmets and Mail," p. 66, it is
suggested that these pieces may be parts of a suit, which belonged to Leicester.
The
attaching to
"
Cf.
ST.
Temple contain no
no
tradition
MARTIN-IN-THE-FIELDS.
In 1598 town armour was kept in the parish church of that time.
coate of mayle, corslettes, leather buckettes, hoockes with their cheynes."
Fig. 1677.
ST.
is
it.
Hackney
An
"one
Mary Woolnoth
PAUL'S CATHEDRAL.
In the old cathedral there hung over the
shield,
and lance
ii,
Figs.
monument
to
John of Gaunt
his
Cap
of Maintenance, crest,
"
"
Fragmenta Sepulchralia (p. 146), notes: "At the funeral of Viscount Nelson in 1805 the
standard, guidon, and banner of the deceased were carried by the Poursuivants, and the great banner, gauntlets
and spurs, helme, and crest, sword and target and surcoat, were severally borne before the body by York,
Somerset, I^ancaster, and Chester Heralds, habited in close mourning with tabards. Norroy, in the absence of
Clarencieux, carried the coronet. At the funeral of Pitt in 1806 the standard, guidon, and great banner were
carried before the corpse, and the helme, crest, sword and targe and surcoat, were borne by the heralds."
Bloxam,
in
WESTMINSTER.
1.
2.
fessor's
3.
Shield of
Chapel.
The helm,
a and
4.
5.
6.
Helm
shield,
ii,
Figs.
449 (a and
and 595
iii,
Fig. 963,
Pyx Chamber, circa 1475-90 (vide ante, Vol. ii, Fig. 456, a and b).
Pyx Chamber, first quarter of the XVth century (vide ante, Vol. ii, Fig. 640).
Helmet, XVIIth century, in the Pyx Chamber, a real piece. The skull in two parts, the mezeil bent
Sword
in the
in the
b)
b).
in the
Pyx Chamber, a
21
Two XVIIth
made
for funerals, in
the Pyx
Chamber.
10.
metal,
roughly
made
for a
funeral,
now
in
the
triforium, where the old Bath heraldic helmets may be seen, which were probably made about 1824
for the second installation of the knights.
WOOLNOTH,
ST.
MARY.
1.
Helmet, funerary,
2.
Gauntlets.
Spurs.
Tradition.
late
XVIIth century
(Fig. 1678).
4.
of
London
3.
Banners.
5.
Coat of arms.
The above
are traditionally associated with the family of Sir Martin Bowes, Kt., Lord
1545, Deputy Keeper of the Royal Exchange 1530, Sub-Treasurer of the Mint; died 1566.
Mayor
(Bowes.)
MIDDLESEX
HAREFIELD.
(St.
Mary the
Virgin.)
3.
Salade, circa 1460-70 (vide ante, vol. ii, p. 42, Fig. 391).
Close helmet, late Elizabethan or early Jacobean, with spike (Fig. 1679).
Close helmet, with spike, funerary (Fig. 1680).
4.
1.
2.
6.
5.
212
MIDDLESEX-NORFOLK
HAYES.
Two
(St.
Mary the
Virgin.)
NORWOOD OREEN.
1.
Helmet,
late
(St.
Mary
fifty
[Communicated by Mr. W.
THli VIRGIN.)
XVI th
century.
Tradition. Associated with the funeral of
2.
Edward Cheeseman,
II.
Fenton, J.P.]
Sword.
op.
1547, Cofferer to
NORFOLK
BEIGHTON.
crest,
J.
Johnson.]
and
[Communicated by Mr. F.
(ALL SAINTS.)
in
Lincoln Hall.
BLOFIELD.
[Communicated by Mr.
(St. Andrew.)
Helmet, circa 1540-50 (Fig. 1683).
Suspended on the north wall of the chancel.
Associated with the monument to Edward Paston (buried 1630), over which the helmet hangs
Edward Paston married Margaret Berney. On the monument are shields of arms cut in marble.
Or six fleurs-de-lis az., three, two, and one, a chief indented arg. (Paston) impaling Berney.
Tradition.
(Fig. 1683).
Arms.
Crest.
F. J. Johnson.]
A griffin
sejant,
wings addorsed
or, collared
gu.
213
is
CROMER.
There
(SS.
is
(SS.
town armour
no armour
Fig. 1683.
in this church.
De Cosson and
Fig. 1685.
East IIari.ing
Fig. 1686.
East Ravniiam
Blofielu
(St.
Fig. 1684.
p.
East Harling
Fig. 1687/1.
Fig. 1687s.
CROSTWICK.
A report has
Burges,
Norwich
Norwich
Peter.)
is
armour
in this
church.
EAST HARLING.
inscription
lieth
buried Syr
Thomas
214
Lovel, Knyght,
& Dame
NORFOLK
d
godly mariage 29 years &r hadde issue, 9 sonnes & 6 daughters, the say Sir Thomas
decessed in the year of Our Lord God 1567, the 23' of March, & Dame Elizabeth decessed in the year of Our
Lord God 1591, the last of Marche. Pray God to joyn their Soules together in Heaven."
in
He
on the north side of the sanctuary and bears Lovell, arg. a chevron az. betw. three squirrels sejant gu., quartering Muswell, vert two chevrons arg., each charged with three cim/ue/oils gu., impaling Ashfield.
Helmet, now missing.
probable that the two helmets
3.
It is
still
Cf.
xviii, p.
62.
[The Rev. B.
II.
graphs.]
EAST RAYNHAM.
Mary.)
J. Thomhill is a helmet made up of a skull-piece
end of the XVth century, and a buffe of the early years of the XVIth
(St.
century (Fig.
church.
HANWORTH.
Two
This helmet
1686).
(St.
is
said to
in this
Bartholomew.)
hang
in the
pieces used by soldiers of the Trained Bands of the end of the XVIth century.
Cf. "Gunton and Hanworth Parish Magazine," February 1907.
NORWICH.
[Communicated by Mr. F.
A.
The Treasury
B.
Church
1.
Helmet, crested, a
of the Cathedral.
Six pikeman's pott helmets and some old matchlocks
J.
Johnson.]
(Figs. 1687 a
and
Fiu. 1688.
/>).
Salle
of St. Gregory.
talbot's head,
now
missing.
2.
ob.
monument
to
1657.
Arms. Arg. on a /ess engrailed betw. three escutcheons gu. three mullets or. (Bacon.)
A talbot's head erased per /ess sa. and arg. holding a sheep's /oot in his mouth
Crest.
REDENHALL.
Helmet,
late
Tradition.
(St.
REEPHAM.
Mary.)
XVIth
Hanging
Illustrated in the
or.
century.
in the
monument
to the
Gawdy
family.
(Nativity of St.
Mary the
Virgin.)
Helmet.
SALLE.
is
215
(St.
George.)
WOODRISING.
(St.
is
armour
in this church.
NICHOLAS.)
Helmet.
Tradition. None.
The
family of Southwell was the most important in this place. From the time of Henry VI to a date
the manor remained in the family, when it was sold by Sir Thomas Southwell to Sir
Crest.
FROM A CHURCH
IN NORFOLK.
Armet, Italian, with a later addition of the mezeil (vide ante, Vol.
ii,
Fig. 442^).
NORTHAMPTONSHIRE
BRAYBROOKE.
(ALL SAINTS.)
BRINGTON, GREAT.
(St.
Mary the
illustration.
Virgin.)
John Spencer and his wife Isabella (0/1. 1522, altar tomb).
William
Sir
Spencer and his wife (ob. 1532, altar tomb).
(b)
Sir
John Spencer and his wife (ob. 1586, altar tomb).
(c)
altar tomb).
(</) Sir John Spencer and his wife (ob. 1599,
(e) Sir Robert, Lord Spencer (ob. 1627, altar tomb).
(/) Sir Edward Spencer, ob. 1655.
(g) Sir William, 2nd Lord Spencer (ob. 1636, altar tomb), and others of the
(a) Sir
The
family.
i,
p. 94,
pub. 1822-30.
CANONS ASHBY.
1.
2.
3. Shield,
4.
On
The
2l6
and gold
Dryden arms
NORTHAMPTONSHIRE
On
5.
7.
A
A
8.
An
6.
iron brackets
crest,
fringe
pair of spurs.
Crest.
gamb a
is
sphere or.
Fig. 1689.
first
Sir
Erasmus Dryden,
baronet.
E ASTON
1.
Bravurooke
2.
3.
Sword, heraldic.
4.
Escutcheon, bearing arg. three lions rampant and a chief gu. (Yelverton), which can be faintly
identified.
5.
Banner, bearing per pale dexter, gu. a lion rampant ivithin a bordure engrailed or (Talbot); sinister
(Yelverton).
217
FF
6.
7.
The
Tradition
Associated with the funeral of Talbot Yelverton, Earl of Sussex, born 1692, married
Lucy,
HARRINGWORTH.
Helmet,
(St.
whom
JOHN THE
BAPTIST.)
a visor of an earlier date (placed on a
[Communicated by Mr. W.
sill
J.
W.
in
Stocks.]
of a window).
formerly a chapel (All Saints) between the churchI have come across this note of
yard wall
1720, 'against the
south wall are the remains of a stone monument, a helmet with a chaplet over it, and on each side foliage
work, with hanging tassels at the end, with the inscription:
" Here
lyethe the body of the right honourable Lord George Zouche who decayed the 19*. day of June
Tradition.
'
in the
God
"
1569.'
Fig. 1690.
Great Brington
HEYFORD.
HIGHAM FERRERS.
1.
Pikeman's
(ST.
MARV THE
pott.
MARHOLME.
[Communicated by Major
VIRGIN.)
(St.
tassets.
2.
4.
Two
GuTHLAC.)
3.
Spur.
4.
Gauntlet,
5.
Sword, heraldic.
6.
Markham.]
gorgets.
2.
i.
C. A.
tassets.
made
for a funeral.
ments).
2l8
Fig. 1691.
Great Brington
Fig. 1692.
Great Brington
219
(St. PETER.)
Pikeman's pott.
3. Pikeman's breastplate.
The above is all Town armour.
i.
RAVENSTHORPE.
A report has been
(St.
2.
There
is
tassets.
Denys.)
is
armour
in this
church.
STEANE.
i.
Tradition.
Crest.
Out of a ducal
Wooden
5.
Tradition.
coronet or a lion's
gamb
erect arg.
helmet.
ob. 1721.
NORTHUMBERLAND
BAMBURGH.
(St.
AlDAN.)
Fig. 1693.
vicar,
who
Bamburgh
Tradition. Associated with the mural tablet to Sir Claudius Forster (Fig. 1694), to whom Bamburgh
Castle was granted by James I in 1610, but the more strongly supported tradition assigns the achievement as
Ferdinando Forster (youngest son of Sir William Forster, born 1636, died 1674), who is buried in the
M.P.
for Northumberland, born 1669, killed in 1701. Readers will recall how Walter Besant in
crypt,
"
"
"
Forster
family sat beneath the
Dorothy
paints the scene in the church, and the pride with which the
"
helmet of some other Forster long since dead and gone.'
that of
'
Crest.
220
(Forster.)
NORTHUMBERLAND-NOTTINGHAMSHIRE
BOLAM.
(St.
[Communicated by Mr.
ANDREW.)
II.
I'lowmnn, K.S.A.
i.
in the
neighbourhood.
Fig. 1694.
HEXHAM.
Bam burgh
(The Abbey.)
Salade, late
XVth
Scott,
ii,
Rokeby."
NOTTINGHAMSHIRE
LANG A R.
1.
(St.
Andrew.)
Helmet, crested.
Hanging
2.
Sword.
in the transept.
and
there
is
a third
221
" N. and
Q.," 5th
SELSTON.
and
(St.
series, x, p. 296.
Helen.)
1.
2.
Banner (fragments
I,
crested,
an owl
(Fig. 1696).
only).
Tradition. Associated with the Willoughby family. In the chancel is a monument to William Willoughby
On the north wall is a tablet (Fig. 1697) to this William Willoughby, erected by his
Fio. 1696.
father.
The
Fig. 1697.
Selston
"
was the father of a pair of female babes, besides his infant
SHKLFORD.
1.
(SS.
Selston
(Willoughby.)
Helmet, crested.
2.
Gauntlets.
Associated with the Stanhope family, probably with the burial of Sir Thomas Stanhope,
to
whom
there is a monument now at the east end of the south aisle, formerly in the chancel.
1596,
Arms. Quarterly erm. and gu. (Stanhope.)
tower az. a demi-lion issuant from the battlements or, ducally crowned gu. holding betw. the paws
Crest.
Tradition.
ob.
"N. and
x, p.
222
p. 183.
OXFORDSHIRE
OXFORDSHIRE
BLOXHAM.
[Communicated by Mr.
Mary.)
(St.
J.
G. Mann.]
i.
Close helmet, of poor workmanship of XVIIth century, probably funerary, with spike and gilded, the
skull in two pieces (Fig. 1698).
2.
Pikeman's pott.
Breast
backplate,
The above
Cf.
"
Bloxam,
Fragmenta Sepulchralia,"
Fig. 1699.
BROUGHTON.
1.
3.
Bloxham
Bi.oxham
(St.
Fig. 1700.
Tradition.
The
F'iennes family.
to the 1st
Broughton
[Communicated by Mr.
MARY.)
was
p. 135.
Fig. 1698.
to
2.
members of
J.
G. Mann.]
pair of gauntlets.
BURFORD.
CROTREDY.
(ST.
MARY THE
[Communicated by Mr.
VIRGIN.)
in this
J.
G. Mann.]
Pikeman's
Wickham.]
223
Fig. 1701.
Bkoughton
Fig. 1702^.
Fig. 1702a.
Burford
Burford
Close helmet, skull-piece, mezeil, and chin-piece of XVIIth century, visor of XVIth century, roped
comb, which is pointed. On each side of comb are sunk bands, lower edge of ocularium is roped,
gorget plate roped, crested, a fleur-de-lis, painted black and gold (Fig. 1705).
Close helmet, probably funerary, with spike, Charles I period (Fig. 1 706).
Cuff of gauntlet, XVIIth century, with roped edge, studs, and lining strap.
Cuff of gauntlet,
XVIth
224
still
preserved.
OXFORDSHIRE
Tradition. Associated with the Cope family. Sir Anthony Cope, ob. 1614, was buried in the church. He
was the son of William Cope, Cofferer to the Royal Household. The Cope family lived at Cope Castle,
which is connected by an underground passage with the aisle of the church built by them.
The family name was formerly spelt Coope.
Crest.
HASELEY.
(Cope.)
Peter.)
(St.
MILTON, GREAT.
1
helm
is
associated.
(Al.L SAINTS.)
Helmet, of the second half of the XVIth century, decorated with bands of gilding along the border of
down the side openings, etc., crested with a white horse or hart.
with
sword,
straight quillons, the ends of which are round and
3.
The remains
flattened.
manor
Greene family
OXFORD.
to
Sir
Michael Greene
in 1588.
crest of the
is
monument.
ffoulkes,
Cf.
"
in
the University of
ROTHERFIELD GREYS.
(Holy Trinity.)
edges of the ocularium, upper edges of visor, and chin-piece roped. The
mezeil has seven breathing holes on the dexter side. The upper borders
of visor
plates have
sunk bands.
The
rivets for
FlG
I7 3
Cropredy
On
in the church,
STANTON HARCOURT.
(St. Michael.)
Helmet, 1580-90, crested, a bird rising out of a coronet (vide ante, vol. iv, p. 115,
Coat of arms (now missing, reported to have been hung formerly in the church).
1.
2.
Banners.
3.
('rest.
On
4.
All the
Tradition.
"
coronets.
Bloxam,
Cf.
Two
Fragmenta Sepulchralia,"
Fig. 1202).
family,
(Harcourt.)
p. 135.
SWALCLIFFE.
r.
225
GG
Tradition.
Cf.
Bloxam,
Fio. 1704.
SWINBROOK.
1.
2.
"
Monumenta
Sepulchralia," p. 136.
Hanwell
(St.
Hanwell
Mary.)
Fig. 1705.
bird's
bird's
head
head
monument
beaked gu.
(Fettiplace.)
OXFORDSHIRE-RUTLANDSHIRE
WROXTON.
(All Saints.)
no armour in this church, but
Lord North, removed from Windsor in 1790.
There
is
in
Abbey
Thame
RUTLANDSHIRE
(a)
Fig. 171
1.
Exton
EXTON.
1.
[Comnuinicated-by Mr.
227
W. H.
Funtun,
J. 1'.]
4.
and
1715).
6.
7.
Close helmet, XVIIth century, barred and crested (Figs. 1712^- and 1715).
5.
and
9.
1 1
12.
13.
funerary
(*)
Fig. 1712.
10.
mezeil,
7 13).
()
8.
with
(d)
Exton
Close helmet, circa 1610, with spike (Figs. 1712^ and 1714).
Pair of gauntlets, funerary (Fig. 17 16).
Heraldic sword and pair of spurs (Fig.
Two
Two
7 16).
coronets.
(Noel.) (Figs. 17 14
Tradition. All these pieces are traditionally associated with the Noel
buck at gaze arg. attired or. (Noel.)
"
Cf. J. Wright,
History and Antiquities of Rutland."
Crest.
228
and
and 1715.)
allied families.
Fig. 1715.
Fig. 1713.
Exton
Exton
Fig. 1714.
Exton
Fig. 1716.
229
Extox
SHROPSHIRE
ACTON BURNELL.
i.
(St.
[Communicated by Mr.
Mary.)
Helmet, XVIth
Tradition.
Crest.
(Lee
2.
ob.
gauntlet.
Fiu. 1717.
(S'T.
G. Mann, B.A.]
HODNET.
J.
1MBMM
Acton Burnell
[Communicated by Dr. G. C. Williamson, F.S.A.]
LUKE.)
Helmet, apparently the skull of a pott helmet with the brim cut off and a piece in the shape of an umbril
added. It is believed that formerly there was a second helmet in this church.
Tradition.
The helmet
is
p.
51;
230
"N. and
v, p.
138.
SOMERSETSHIRE
SOMERSETSHIRE
BARRINGTON.
church.
CHURCHILL.
1.
Fig. 1718.
Fig. 1720.
2.
Cromwellian
(Fig. 1719).
Hanging
Barrington
Enmore
peascod breastplate.
None.
Tradition.
There
is
monument
ENMORE.
i.
(ST.
"
to
Thomas
Latch,
ob.
ob.
[Communicated by Mr.
MICHAEL.)
IT.
On
the photograph.]
M. Vaughan, F.S.A.]
Helmet, with umbril, barred, and crested, a wyvern's head (Fig. 1720), suspended on the north side of
the chancel arch.
Tradition. Associated with the family of Malet of Enmore. Of this family Elizabeth (ob. 1681), daughter
of John Malet, the heiress "la triste heritiere," married John Wilmot, 2nd Earl of Rochester (1647-80),
the poet, who was educated at Burford and Wadham.
Crest.
2.
XVIth
(Malet.)
century, suspended over the pulpit.
photograph.]
231
Tradition.
There
a large quantity of armour still left in the chapel (Fig. 1721), consisting of helmets, body armour,
swords (including a double-handed sword), and hafted weapons. Originally there were 140 helmets, many of
which were burgonets. There are now 43 cabassets, 5 morions, 3 casques, 20 pikes, a number of halberds,
is
breastplates, tassets,
Thomas Hungerford
a portrait of Sir
is
(ob.
1398) wearing a
bascinet.
ILMINSTER.
1.
2.
(St.
November
"A
Mary.)
Close helmet, 1575-80, with gorget of 1620 added; crested, a cock (Fig. 1722a).
in the south transept and is painted gray with gilt mezeil.
Close helmet,
Combe
Tradition.
made
of wood,
XVIIth
in the
aisle.
3.
4.
Close helmet,
late
XVIth
XVIth
in the
Combe
family.
south transept.
Tradition.
illustra-
Wadham
Wadham, who,
The
first
Wadham
College, Oxford; the second with that of John Wadham, whose will was proved 1577/8, the father of Nicholas.
is a place in the wall which is supposed to have once held a tablet to the memory of John Wadham,
There
John Wadham
The
inscription
Wadham
is
"
:
Here
lyeth the
Wadham
College in Oxford,
who departed
thys
Catherston Leweston, a place of no present interest near to Whitchurch, was for long the seat of the
Sir Nicholas Wadham lived at Merefield
"His house was like an Inn at all times, and like a Court
Wadhams.
at
Christmas."
Arms.
Crest.
KITTISFORD.
1.
2.
3.
4.
8.
(St.
gilt
(17250").
5, 6,
Two
Tradition.
9.
in
a lead
coffin,
and
7.
Pieces of a helmet.
Part of a visor.
in
enlarged, according to the report of an inhabitant of eighty years of age, but it is clear that the helmets with
spikes once had crests and are church helmets, and the tradition is probably without foundation.
Members
232
1\
Fig. 1721.
(a)
Fairleigh Hungerford
(b)
<
()
<*)
Fig. 1723.
(rf)
(a)
I.MINSTER
[()
it)
233
H H
(ALL SAINTS.)
armour is reputed
complete
suit of
tion of the fabric, circa 1876, together with other objects of interest, such as banners, etc.
the walls some remnants of banners
Cf. Collinson, "Hist, of Somerset," vol. ii, p. 300:
insignia of Sir Hugh Smyth, Kt. {ob. 1680), are suspended."
"On
and other
NORTH CADBURY.
Ewens
The funerary helmet carried at the funeral of Matthew Ewens, who made his will 2 April
1628 as "Matthew Ewens, the Elder, of North Cadbury, Esquire," in which he expressed his wish to be
buried in this church, and was so buried 1629. He married Katherine Hales, and was the son of Alexander
Tradition.
Fig. 1726.
ob.
1585.
Fig. 1727A.
North Cadbury
Fig. 1727B.
Rodney Stoke
Over the Ewens tomb, cut in stone, is a helmet with a shield bearing
or (Ewens), impaling gu. three arrows or feathered and barbed arg. (Hales).
Crest. On a mount vert a curlew rising ppr. (Ewens.)
Cf.
"Heraldry
in
Rodney Stoke
"
(" Proc.
as.
QUEEN CAMEL.
(St. Barnabas.)
There was within the memory of the present generation a helmet in. the church; it is no longer there.
There are monuments to the Mildmay family, including one to Sir Humphrey Mildmay, ob. 1690.
RODNEY STOKE.
i.
2.
Armet,
Sword,
(St.
LEONARD.)
typically English, circa 1520, with gorget plates added (Fig. 1727A).
made for a funeral, with a pommel of the end of the XVIth
century or
XVIIth century
commencement
of the
(Fig. 1727B).
The helmet hangs over the Rodney monument in the side chapel, and is associated with
Thomas Rodney, ob. 1478, but there is also a tradition that both helmet and sword came from
Old Rodney Manor House."
Sir Thomas Rodney had a son, who was buried in the
chapel, but there is no monument to him.
Tradition.
TRENT.
i.
(ST.
ANDREW.)
Close helmet, of the end of the XVIth century, with gorget plates added.
skull to suspend it (Fig. 1728a).
234
ring
is
attached to the
SOMERSETSHIRE
2.
3.
A
A
monuments
to Sir Francis
Wyndham,
it
(Fig. 1728/').
in
II
was
in hiding.
(<>
to
to
Fig. 1728.
(d)
(<")
Trent
1.
2.
3.
(St.
(b)
(J)
Whitklackington
to
Fig. 1729.
WATCHET.
to
Fig. 1730.
Watchet
[Communicated by Mr. H.
DECUMANS.)
St.
Close helmet, 1565-75, crested, a lion's head erased within a fetterlock (Fig. 1729a).
Close helmet, early XVIIth century, crested as in (1) (Fig. \-]2^b).
Officer of pikeman's pot,
Hanging
XVIIth
and on the north and south walls of the nave. A fourth helmet disappeared
in
and
"N. and Q.," vol. viii of the nth series, p. 155, it is noted that there were
memory,
in the chancel
within living
three empty perches.
Tradition.
Crest.
/ion's
head erased
or,
Wyndham
family.
within a fetterlock of the same, the arch compotiy counter compony, or and
(Wyndham.)
235
az.
[Communicated by Mr. H.
St.
"
1582/3, expressed a desire to be buried in the
He
of White Lackington
Church
in the
tomb
have prepared
Cf.
pt.
i,
pp. 39-40.
STAFFORDSHIRE
BIDDULPH.
(St.
LAWRENCE.)
2. Two spurs.
Helmet, on a perch.
Gauntlets
3.
(now missing).
Tradition. The above were suspended formerly over the family pew of the Biddulphs, and erroneously
associated with the Bowyer tomb moved to the north transept in 1873. " Biddulph " is the name of the family
"
formerly called
Bowyer."
Crest. A tower arg. issuant from the top a demi-dragon gu. (Bowyer.)
1.
A drawing in the William Salt Library dated 1837, where the helmet, gauntlets, and spurs are seen
over
the altar tomb of Bowyer of Knydersley Hall, ob. 1640.
hanging
Cf.
BLITHFIELD.
(ST.
[Communicated by Mr. S. A.
LEONARD.)
There
II.
Burne.]
also a lambrequin.
Tradition. Associated with the monument to Richard (effigy in armour) and Mary Bagot (ob. 1596).
Crest. Out of a ducal coronet or a goafs head arg. armed of the first. (Bagot.)
"
Cf.
is
is illustrated.
LICHFIELD.
In Lichfield there are preserved in the
museum
(1) a
composite
suit of
and legs of 1580, pauldrons and gauntlets circa Charles I, arms circa
two
I.
is
in
The
parts and that of a common trooper; (2) Landsknecht Nuremberg armour
James
burgonet
of
consisting
burgonet, gorget, breastplate and taceplate, gauntlets temp. Charles I, with modern tassets and
legs; (3) composite suit of Elizabethan helmet, gorget, breastplate, tassets, cuisses, and knee-cops, with XVIIth
century pauldrons and brassards. The jambs and sollerets are forgeries; (4) the fourth suit, engraved, is all
breastplate,
It is not known
mail, probably XlXth century, Eastern; (6) some good halberds.
into the possession of the city, but these suits and the halberds have been used since the
"
Bower " was revived after a short period of disuse in the
century, at all events when the
some chain
modern;
(5)
when
armour came
this
tassets
XlXth
of arms."
This ceremony commences with the attendance of the Mayor and Sheriff in the Guild Hall, when the
"
combat the common enemy." The
Clerk reads a proclamation calling upon the citizens to be ready to
Dozeners of each ward attend, each carrying a halberd. A procession is then formed preceded by citizens
"
"
wearing armour, some wearing the museum suits; this procession is the Bower and proceeds round the city
and close to the Bower on Greenhill, an open space in the city near St. Michael's Church, where tradition has
" Bower " comes from the
it that the halberds were once
people's games of mediaeval
kept. It is said that the
Town
236
STAFFORDSHIRE
times, which were to be
compared
to the
of incorporation.
"
i,
It
316 (where
p.
it is
museum
contained
MALVEYSIN RIDWERE.
1.
3.
(St. Nicholas.)
2. Pauldrons.
Helmet, crested, a wolf's head.
An escutcheon, bearing as. a sling or hand boiv between two broad arrows
arg. (Cawarden), quartering arg. three bends gu. (Malveysin.)
"
This aisle, the hallowed cemetery of
in the north aisle.
its
erection in the
XVth
century, con-
bones of many a
hardy Knight and gentle
dame." Beneath an arch
on the north side is the
tains the
effigy of
in
Hugo Malveysin
to
mail,
this
tomb
the west
of
that of Sir
the
bury,
centre
Cawarden,
demi-wolf's head.
Crest. A wolf passant holding in the mouth an
arrow, the point embrued, all ppr. (Cawarden.)
Cf. E. Reynolds and H. Heywood, "The Three
Redwares," 1839-48 (a MS.); Shaw, "Hist, of Staffs,"
pub. 1798, i, p. 194, where it is stated that the armour
was said to have been recently placed there. The
armour
Thomas
is
illustrated
Barritt,
(11.
3).
STAFFORD.
Fig. 1732.
Stowe
by
STOWE BY CHARTLEY.
Helmet, early
and
XVIth
(ST.
JOHN THE
century, circa
Tradition.
Chartley
BAPTIST.)
1825 skull, with
[Communicated by Miss E. B.
Miller.]
of mezeil, chin-piece,
731).
tomb
237
SUFFOLK
BARDWELL.
(St.
PETER.)
Tradition.
In 1859 there was exhibited at a meeting of the Suffolk Institute of Archaeology a piece of mail found in
Bardwell, but there was no evidence connecting it with the church.
Cf. "Proc. Suffolk Inst, of Arch.," 1859, vol. ii, p. 277.
BARKING.
(St.
Mary.)
Cf "N. and
vi, p.
138.
BRAMF1ELD.
1.
(St.
Fig. 1734.
Brightwell
Andrew.)
Helmet.
2.
Breastplate.
Tradition. There
Helmet.
Breastplate.
tradition associating these pieces with the
4.
3.
is
one
Coke family
according to another
BRIGHTWELL.
(St.
JOHN THE
BAPTIST.)
The above
3.
4.
A
A
are on perches.
small heraldic sword and ferrule of scabbard (Fig. 1734).
pair of gauntlets (Fig. 1734).
5. An escutcheon.
Tradition.
The
first
helmet
is
6.
spur.
238
(cr.
1663),
SUFFOLK
the first person to have the
the Restoration.
Arms.
name
of "
Roundhead
"
applied to him.
The
family
came
to Brightwell
As. a /ess dancettee erm. betw. six crosses crosslet arg. (Barnardiston.)
stork or among rushes ppr.
[The illustrations are taken from photographs kindly
Crest.
sent
soon after
BURY
i.
museum
In the
there
DEBENHAM.
Helmet,
is
Mary
[Communicated by Mr.
(St.
MAGDALENE.)
circa 1570-80, crested, a lion's head.
J.
DENSTON.
(St. Nicholas.)
Helmet, early XVIIth century, crested, a stag.
A coat of arms, bearing vert on a chevron between three stags statant
(Robinson.)
Sword.
1.
2.
3.
the north
Crest.
Robinson
altar, several
family, in
mural
ERWARTON.
(St.
Mary.)
1.
Close helmet.
3.
or,
as
many
effigies
gu.
on
tablets,
(Robinson.)
comb and
trefoils
spike.
2.
Close helmet.
4.
piece of
J.
Utten Todd.]
body armour.
One
gauntlet.
Tradition. The above are not suspended; all are associated with funerals of the Parker family held in the
church, but the particulars of such funerals are not available.
5.
When
the chancel was being altered in 1821, a heart-shaped casket in silver was found (as foretold by
embedded in the wall. These relics, together with some old banners, were then placed
tradition
EYE.
1.
Cf
"
1.
239
in the
Crest.
Michael.)
ii,
p.
This helm is associated with the tomb of the third Duke of Norfolk, ob. 1554 (Fig. 316), at
was carrried by Windsor Herald.
a chapeau gu., doubled ertn., a lion statant, tail extended, or, gorged with a ducal coronet,
Tradition.
whose funeral
(St.
it
On
(Howard.)
arg.
Cf. C. Ganz,
HAWSTEAD.
"Proc. Suffolk
(All Saints.)
Armet, crested, a talbot (vide ante, vol. ii, p. 89, Fig. 442A), weight 7| lb.
2. Pair of
gauntlets (now missing).
Tradition. The armet hangs over the monument to Sir William Drury, P.C. to Mary.
1.
Crest.
Cf "Proc.
(Drury.)
Suffolk Inst, of Arch.," xiii, p. 233.
KEDINGTON.
(SS.
[Communicated by Col. W.
Helmet (Fig. 1736).
2. Gauntlets
These pieces hang upon the chancel screen.
1.
Tradition.
G. Probert, O.B.E.]
(Fig. 1736).
Thomas
Barnardiston,
1619; the family of Barnardiston resided in this parish for twentyseven generations in direct line, and the church contains five effigies
ob.
MENDLESHAM.
1.
2.
Fig. 1735.
(St.
3.
Two
4.
Demi-suit, circa
Eye
Mary.)
(Fig. 1740).
5.
6.
8.
10.
14.
15.
Two
16.
18.
19.
brassard, circa
1610
Powder
flasks.
(Fig. 1743).
This armour
is
now hung
in the Priests'
finding y tymber."
When the existence of this
through his
efforts that
MILDENHALL.
(St.
[Communicated by Mr.
Mary.)
XVIIth century.
Suspended
it
was
it
monument
to the
240
North family.
S.
G. Fenton.]
Fig.
1736.
Kkdington
Fig. 1737.
Fig. 1742.
Fig. 173S.
Mbndlesham
Fig. 1740.
Mendi.esham
FlO. 1743.
Kemngton
Menm.esiiam
llENDLESHAM
241
Fig. 1739.
MENDLESlfAM
Fig. 1741.
Mbkdlkshah
1 1
2.
3.
(St. Pf.TER.)
Breastplate of Elizabethan period.
All the above pieces were preserved in the parvise until sixty years ago, when the floor of the parvise was
taken away to give space to the porch. At this time the armour was taken away. In 1897 the late Sir Francis
G. M. Boileau, Bart., took great interest in the matter, and through his endeavours the breastplate was
restored, and it now hangs over the south door, where it was placed by the present rector, the Rev. E. G.
Savery.
REDGRAVE.
1.
Helmet,
Tradition.
Mary.)
(St.
late
XVIth
or early
XVIIth
2.
to Sir Nicholas
Sword.
Bacon,
ob.
associated.
I
Fig. 1744.
Great Wenham
Fig. 1745.
' WKtk
Great Wenham
RUSHBROOKE.
1.
(St. Nicholas.)
Helmet, XVIIth century.
Tradition.
2.
WENHAM, GREAT.
Tradition.
Crest.
Cf.
"Proc. Suffolk
WINGFIELD.
(St.
sa.
(East.)
Inst, of Arch.,"
xiii,
p. 234.
Andrew.)
a tilting helm of wood, crested, suspended over the tomb bearing the wooden effigy of John de
Duke
of Suffolk, ob. 1491. It is an interesting example of an heraldic helm, but is part of the monuPole,
There
la
horse passant
is
ment.
Cf. F.
H. Crossley,
WOODBRIDGE.
1.
2.
4.
(St.
F.S.A., "English
Church Monuments,"
[Communicated by Mr.
Marv.)
Close helmet, XVIth century, engraved with vertical bands and foliated designs.
Close helmet, XVIth century, engraved.
3. Two vambraces.
Two
elbow-cops.
5.
242
breastplate.
J. IS.
Redstone.]
SUFFOLK SURREY
Tradition.
The above
tomb
in the chancel.
are suspended on the east wall of the south side of the chancel, where they have
Prior to this they were placed with other pieces of armour under the slab of an altar
There was formerly in the church a wooden crest, a cock's head, the crest of the
Seckford family, which owned the Priory from 1580 to 1672. In the chapel at the east end of the north
aisle is a vault of this family in which Thomas Seckford, Master of the Requests, was buried in 1587.
He
died s.p., and was succeeded by his nephew Sir Thomas Seckford, Kt. (1582-1610), who was also buried in
Sir
His uncle,
sixteen, in 1624.
Sir
A SUFFOLK CHURCH.
"
j\o2
From
185.,
a church in Suffolk," an armet was sold at Christie's in the Seymour Lucas sale, 1903, lot 50,
S. G. Fenton.
It is illustrated in the sale catalogue.
purchaser Mr.
SURREY
Al )I)INGTON.
[Communicated by Mr. L. C.
Mary.)
3.
5.
1.
2.
Tradition.
ob.
(St.
the armour
Crest.
breast with
"
Cf.
1878, vol.
is
ob.
Price.]
associated.
On a mount
an annulet
vert,
sa.
lion couchant
guardant
(Leigh.)
"
arg.,
charged on the
Leigh of Addington
"),
77.
UEDDINGTON.
Fig. 1746.
Addington
Saints.)
Helmet, circa 1560-70; in the centre of the comb is a hole, where a spike was once fixed (Fig. 1748).
(St.
Now
in the Royal Female Orphan Asylum, once the old Beddington Manor House, built by Sir
Nicholas Carew.
Tradition. This helmet is said to have belonged to Sir Nicholas Carew, ob. 1539, whose portrait in
armour is still preserved. He was beheaded. His estates were restored to his son, Sir Francis, by Mary.
many memorials
to the
Carew
is
no
church, although it is evident that it is a piece once fitted with a crest, and therefore probably
the Royal Female Orphan Asylum courteously supplied the photograph.]
formerly suspended in a church. [The Secretary of
was once
in the
CHARLWOOD.
(St. Nicholas.)
Helmet, hanging on the east wall of the sacrarium.
There are brasses in the church to Nicholas Saunders, ob. 1553, and William Jordan,
Crest. A demi bull holding a floiver.
(Saunders.)
"Vic. C. H." (Surrey), iii, p. 188.
Cf. Morris, "County Churches, Surrey," p. 48;
243
ob.
1625.
Fig. 1747.
Fig. 1748.
Addington
Fig. 1749.
Beddington
Cheam
mm
Fig. 1750.
Chipstead
Fig. 1751.
244
Chipstead
SURREY
CHEAM.
(St.
Dunstan.)
1609, in the
Lumley
Fig. 1752.
skull in
rivets with
decorated bosses.
Fig. 1753.
Croydon
Croydon
tomb
No
longer in the
Fig. 1754.
Croydon
()
Cf.
"N. and
"Surrey Arch.
Q.,"
nth
CHIPSTEAD.
Coll.,"
series, ix, p.
(St.
Fig. 1757.
xxxii,
p.
153 (illustration);
Morris,
"County Churches,
Merton
Surrey,"
p.
48;
410.
[Communicated by Dr. G. C. Williamson.]
MARGARET.)
Helmet, period Charles I, crested, an eagle with outstretched wings (Figs. 1750 and 1 751).
2. Coat of arms,
bearing or, on a chevron betw. three demi-lions ramp. gu. as many cross crosslets arg.
(Stephens) impaling another coat (Fig. 1750).
3. Banner, bearing Stephens only (Fig. 1751).
Tradition. This achievement does not hang over any monument. It is associated with the family of
Stephens of Epsom. Four members of the family are buried in the chancel. The dates of their deaths are
1660, 1693, 1695, 1755. On each gravestone are cut the Stephens crest and arms.
Crest. An eagle's head bctiv. two tvings expanded erm.
f Miss M. G. Morris courteously supplied the photographs.]
1.
245
(St.
John the
Baptist.)
i.
2.
3.
converting
it
None.
N. and Q.,"
Tradition.
"
Cf.
4.
it,
ith series,
IX, p.
410.
I'.WELL.
1.
church.
There is a tradition that the pieces were taken out of a tomb in the chancel of the old church
There may be an association with the Lewen family.
"N. and Q.," nth series, i.\, p. 410. [Mr. H. C. Archer courteously supplied the photographs.]
Tradition.
in
881.
Cf.
LEATHERHEAD.
1.
(St. Nicholas.)
Helmet, XVIth century, with
strip of leather
for securing
the lining
still
in
position,
crested,
goat's head.
2.
Breastplate.
On
Tradition.
an inscription on brass.
157
Crest. Out of a ducal coronet, a goat's head sa. armed and bearded or. (Gardner.)
Cf. "Vic. C. H." (Surrey), iii, p. 300; "Surrey Arch. Coll.," xxix, p. 133.
Elizabeth, ob.
There
1.
is
LINGFIELD.
2.
MERTON.
(St.
Mary.)
MICKLEHAM.
(St.
Michael.)
Close helmet, crested, a wolfs head erased, formerly on a perch over the door (now removed) near the
organ gallery on the north wall of the nave; now hanging in the chancel.
Tradition. Associated with the Stydolf family, of whom there were buried in this church: (1) John
Stydolf, ob. 1576; (2) Sir Francis Stydolfe, Kt., ob. 1655,
aged twenty-five.
Arms. Arg. on a chief sa. two wolf's heads erased
Crest. A wolf's head erased ppr.
Cf.
P. F. Robinson,
"Some
or.
(Stydolf.)
246
(3)
Thomas
SURREY
REIGATE.
(St.
Mary MAGDALENE.)
(5)
Fig. 17580.
Fig. 1758a'.
Reigate
all
Fig. 1758/'.
XVIIth century
Keigai
(Fig. i758<").
Fig.
758.%
Reigate
Reigate
Fig. 1759.
Stoke d'Abernon
in the
church to Lord Howard of Effingham, E.G., Admiral, ob. 1624 the Skinner
Sir Thomas Bludder, ob. 1618, his son, ob.
1655,
;
"
1584;
177.
STOKE D'ABERNON.
II.
C. Archer.]
247
ob.
John Norbury,
SUTTON.
(St.
Nicholas.)
[Communicated by Mr. L. C.
Price.]
"N. and
Cf.
Q.,"
nth
(St.
Mary.)
WIMBLEDON.
410.
series, ix, p.
i.
"
cap upon
XYIIth century
2.
met
(Fig. 1760*7).
Armour
Tradition.
gorget (c) breast- and backplate and gardede-rein; (d) lobster tassets of fourteen laminae and
of pauldrons, turners,
knee-cops
(c) arm-pieces
;
(/>)
roughest
make
(Fig. 1760).
Tradition.
The
cavalier suit
in
the
Cecil
by tradition
is
worn by Sir Edward Cecil, Viscount Wimbledon, third son of the fourth Earl of
Exeter by his wife Dorothy Nevill, and grandson of
Lord Treasurer Burleigh. Tradition says it was
hung there some years after the death of Lord Wimsaid to have been
bledon.
In
the
chapel
is
the black
"Here
resteth Sir
marble
altar
Edward
&
Baron
ol
'.
LaLimer
Fig. 1760.
Wimbledon
Sir
."
&
Edward
"
The Fortunes of Nigel."
referred to in
pulled down, the scene of the scandal
Richard Betenson of Scadbury, Kent, Kt. and Bart., married Albinia,
Also buried in the chapel
daughter of Sir Christopher Wray of Ashby, Lincoln, Kt., ob. 1677. He lived at Eagle House, now the
:
residence of Sir
248
SUSSEX
SUSSEX
ARUNDEL.
{ob.
(Holy Trinity.)
There is a perch (Fig. 1 761) in the Fitzalan chapel above the tomb of Thomas, Earl of Arundel, K.G.
16 Hen. VIII), who married Lady Margaret Woodville, sister of Elizabeth Woodville, wife of Edward IV;
Fig. 1761.
Arundei.
Earl of Arundel, ol>. 1543, who married Anne, daughter of Henry Percy, Earl of
helmet
has been missing, certainly since 1825, as a drawing in the William Salt
Northumberland. The
W. B. Allison of Arundel courteously supplied the photograph.]
evidences.
[Mr.
Library Stafford,
and of
ASHBURNHAM.
1
4.
(St. James.)
Helmet, crested, a
Four spurs.
tree.
2.
Two
5.
Three coronets.
gauntlets.
249
3.
Two
swords.
K K
Tnuiition.
family,
and hang
in
the armour.
BATTLE.
(St.
Mary.)
Abbey Church."
The
"Sussex Archaeological
Sir
Anthony Browne,
is
monument
Purchaser,
17^. od.
Collections," \\,p.
Rev. E. Turner.
where there
Sir
"
Harding."
following extract may be quoted from
12s. od.
Ashburnham
Fig. 1762.
Purchaser,
^75
Kt., standard-bearer
to
Henry VIII
ob.
May
to him.
xxxiijj.
iiij</.
xxxiij^. \\\)d.
iiij/?'.
250
SUSSEX
Item a Cote of Armes,
a Crosse with Mantells
,,
,,
a Targe
Sword,
xxx*
&
Helmet,
v //.
of armes,
xxs .
XSi
Brasses of iron
banner staves & a hamper
iiij//.
xii.f.
iiij//.
ij//.
v jj^
'
,,
,,
vj
xs
to trusse the sayd stuffe in,
iijs.
x'riid.
at
Armes,
"
The
xl*.
xlr.
vs."
everye daye,
" the
"
solemnities as follows:
standards, banners, etc." are directed to be borne in
" The banner of armes between
the Standard
the corps,
" At the
the two Gwydons,
iiij corners the ij Pennons
"
&
&
And
without that,
iiij
Tapers, borne by
iiij
poore men,
in
gownes
&
Scouchens of armes.
"The
&
Guydons,
to be holden
"The
corps to be covered over with the paulle after the buryall; with
divyne Service.
"
The next daye to come to the Masse of the Communyon in lyke order, as before placed.
" At the
offerynge tyme,
"The Cheffe mourner with the nexte pryncipall " is directed "to offer the cote of" armes, the
herauld going before to knowe whether they shall offer to the aulter, or to the crosse."
"Then
" Then
" Then
"Then
ij
&
&
there to stand."
creste."
etc., etc.
BROADWATER.
(St.
late
XVth
i.
Helm,
Mary.)
century {vide ante, vol.
ii,
p. 147, Fig.
487, a and
/')
now chained
2.
Sword
to the tomb).
(which was stolen from the church).
The helm is traditionally associated with the tomb of the eighth Lord De la Warr (Fig. 1763),
once served as a poor box attached to the pulpit.
"N. and Q.," 5th series, x, p. 130; nth series, p. 289; "Arch. J.," xxxvi, p. 78; Harrison, "Notes
Tradition.
o/>.
1526.
Cf.
It
on Sussex Churches,"
J. S.
and
is
that of
[Mr.
p. 59 and frontispiece.
Combridge's Library the copy of the photograph
reproduced.]
CUCKFIELD.
1.
(HOLY TRINITY.)
Helmet, skull-piece of c. 1625 with chin-piece,
Banners.
Tradition.
The
monument
contributor suggests that these are the perches for the achievements.
251
an
Thomas
Springett, of Broyle,
Sussex.
Arms.
as.,
orle
of eight martlets
or.
Crest.
(Hendley.)
martlet rising or.
Cf "Sussex
Arch. Coll.,"
EASEBOURNE.
(St.
xlii,
p. 52.
Mary.)
[Communicated by Mr. W.
II.
Fenton,
J.
P.]
Viscount Montague, oh. 1592, recentury from the vault of the family
in Midhurst church. In "Sussex Arch. Coll.," viii, p. 315, it
is recorded that at an exhibition at Chichester in 1853 there
Sir
Anthony Browne,
moved
in the
1st
XlXth
EAST GRINSTEAD.
(St.
SWITHIN.)
Helmet.
Tradition. Associated with
the
Fig. 1763.
monument
to William,
Lord
Abergavenny.
Broadwater
xxvii, p. 16.
ETCHINGHAM.
Helmet,
Tradition.
Sir
(SS.
Mary and
Nicholas.)
XVIIth
late
kindly taken by
Colonel Mitchell.]
FLETCHING.
(SS.
1.
Helmet, XVIth
2.
3.
Two
Spurs.
Tradition. Associated with the Nevill family.
"
Cf Harrison, Notes on Sussex Churches," p. 90.
4.
5.
252
Sword.
Fig. 1765.
Etchingham
Fig. 1767.
Fig. 1768.
KiF.TcHiM
Lewes
Fig. 1770.
Fig. 1769.
253
Lewes
Slaugham
(All SAINTS.)
Helmet, Elizabethan.
2. Helmet, late XVI Ith century,
funerary.
Hanging on a beam above the chancel arch.
i.
Tradition.
Cf.
Associated with the Pelham family; forty-two members of the family are buried in the vault.
Crest.
"N. and
(Pelham.)
x, p.
Fig. 1771.
LEWES.
(St.
p. 115.
Slaugham
Michael.)
Helmet, skull-piece
first
half of
XVIth
century, visor
and
XVIth century
(Fig. 1768).
Tradition.
monument
to Sir Nicholas
Pelham,
ob.
it
is
placed
(Fig. 1769).
"
Cf.
by Mr. J.
S.
series, X, p. 130.
[The
illustrations are
North.]
MAYFIELD.
(St.
Dunstan.)
"
254
III.
SUSSEX-WARWICKSHIRE
MIDHURST. (SS. Marv Magdalene and Denis.)
A report has been received that there was formerly armour
PETWORTH.
Helm,
circa
Tradition.
(SS.
in this church.
ob. 1527,
Thomas a Becket.
The Baron de Cosson
of St.
has called the editor's attention to the absence of rivets in this helm, as in the
case of the helm sold in June 1921 at Messrs. Sotheby's, now in the collection of Mr. R.
Scott, and writes:
" I am inclined to think that these helms were
bought for the funerals from armourers and unriveted, he
perhaps keeping them so in case they need alteration to make them lit a purchaser."
SLAUGHAM.
(St.
in this church.
MARY.)
1.
2.
3.
monument
(Fig.
7 7
).
4.
These helmets are associated with the family of Covert, and are suspended over a Covert
Tradition.
leopard's face
(Covert.)
or.
series, x, p.
1.
WITHYHAM.
"Sussex Arch.
is
now
missing.
A CHURCH IN SUSSEX.
Beardmore Catalogue of 1844, No. 12:
church
in
"A
suit of
in
Sussex."
WARWICKSHIRE
ALCESTER.
[Communicated by Mr.
(St. NICHOLAS.)
Helmet, funerary.
Tradition. None.
ASTLEY.
(St.
\V.
H. Fenton, J.P.J
Mary.)
Armet, English, with wrapper, circa 1500, crested, the head of an ass, below an escutcheon bearing^, an
escutcheon arg. within an orle of eight mullets or (Chamberlayne) (Figs. 1772, a and b).
Tradition. The Chamberlain family.
The manor of Astley was granted to Edward Chamberlain of Sherborn, Oxford, temp. Queen Mary. Richard
Chamberlain was in possession 1600-7. 'I he manor descended to Richard and then to Edward (ob. s.p. circa
1656). There is no existing Chamberlain tomb or record of a Chamberlain burial, but there are no records of
any burials prior to 1676. A Sir Richard Chamberlain is believed to have died 1654.
255
ob. 1501, is buried here, and also Thomas Grey, Marquess of Dorset,
"
"
statues in alabaster excellently cut remain (Dugdale,
Warwickshire," ed 1765,
"whose
p. 80).
Crest.
Cf Bloxam,
ASTON.
(SS.
Bloxam
refers to a
Tradition.
Kic. 1772/^.
Asti.ky
Kig. 1773.
42
Eliz.,
"made
Leamington Hastings
knight and baronet, and built Aston House, he died 1654" (Dugdale, "Warwick-
Bloxam,
Cf.
COLESHILL.
Monumenta
Sepulchralia," p. 133.
Bloxam records
helm was there
The
is
no longer
in the
illustration in
Bloxam bears a
helm
in the
be of English workmanship and of circa 1515. This helm is fully described in Laking,
Fig. 479, and in the Wallace Catalogue (1920), No. 78 (illustrated).
The provenance of the Wallace helm is unknown.
Sir
church. (The
in 1850.)
ii,
pp.
There are many effigies in the church to the Digby family: Simon Digby, ob. 15 19; John Digby,
George Digby, ob. 1586; and Reginald Digby, ob. 1549.
"
" N. and
Q.," 5th series, x, p. 73 (helmet in situ
Cf. Bloxam,
Fragmenta Sepulchralia," p. 134;
138-140,
ob.
1558;
in 1841).
COMPTON WYNYATES.
2. Coat of arms.
4. Spurs.
3. Gauntlets.
5. Escutcheon.
There is a mural monument to Sir William Compton, d. 1663, third son of the second Earl
of Northampton, an eminent Cavalier leader, and an effigy of 3ir William Compton, d. 1528 (which was re1.
Helmet.
Tradition.
covered from the lake), who was present at the battle of the Spurs.
Arms. Sa. a lion passant guardant or, between three esquires' helmets arg. (Compton.)
Crest. On a mount a beacon fired ppr., behind it a riband, inscribed with the words nisi dosiixvs.
Cf.
p.
136.
256
Fig. 1774.
Fig. 1775.
Fig. 1777.
MlDDI.ETON
Fig. 1776.
Newiiold-on-Avon
Fig. 1778.
Stratford-on-Avon
Newhold-on-Avox
Stratford-on-Avon
257
L L
St.
Mary's Hall
the salade described in ante, vol. ii, p. 26, Fig. 363. All the armour is civic and
and breastplates, three cabassets and breastplates, and a few odd pieces, bills,
All the breastplates have taces.
is
and halberds.
The
inventory of 1589 records "Ten new corselets, with head-pieces, vambraces and collars, eight almain
and morions, flasks, touch-boxes, bandeliers, halberts, black-bills, salters, partizans, sculls, staves, with
41 pikes, and 23 callibers, 22 bows, 24 sheaves of arrows, maches, swords, and daggers."
:
corselets
LEAMINGTON HASTINGS.
1.
The monument
to Sir
Thomas Trevor
near which
it
hangs.
2.
3.
4.
Two
gauntlets
hangs.
(1).
it
(1).
(1)
Crest:
p.
137 (illustration).
MIDDLETON.
1.
2.
3.
Sword of wood.
Associated with and hanging over the monument to Lord Edward Ridgeway,
son of the Earl of Londonderry, but by some said to have been dug up out of a pool in the parish.
Tradition.
Cf Bloxam, "Fragmenta
NEWBOLD-ON-AVON.
vicar.]
ob.
1638,
Sepulchralia," p. 137.
(St.
Botolph.)
There is a monument (Fig. 1776) of Sir VV. Boughton, ob. 1716, erected by his second wife, Catherine,
and a monument showing four generations from Edward Boughton, ob. 1583, to William Boughton, ob. 1660.
William and Edward are portrayed in armour.
Crest. A stork's head erased, chevronny of four sa. and arg., in the beak or, a snake ppr. (Boughton.)
[The Rev.
J.
STRATFORD-ON-AVON.
1.
The
quarterings
I.
same
(Fig. 1778).
Tradition.
monument
The arms on
is
(Carew.)
258
ob.
1629.
The Carew
WARWICKSHIRE
Per pale, gu. and erm., a
II.
saltire cottntcrchanged.
(Stephenson.)
(Eaglesfield.)
(Tute or Tuit of Ireland.)
vert.
(Dygow.)
VI. Gu., a maunch erm. in the hand ppr. a fleur-de-lis or (represented as a
VII. Vair, a chief chequey or and gu
(Fleming.)
(Mohun.)
trident).
Lowe
or Seint Pier.)
(Courtenay.)
XV.
XVI.
On
tomb
are these
(2).
On
sa.
(? Huddersfield).
following arms are on the sinister side: Clopton impaling Griffith, Griffith impaling^//., on a fess
dancetty arg. between six lions rampant or : three martlets sa. (Griffith of Wigmore). Clopton impaling sa., two
bars arg. on a chief of the last three torteaux.
label for difference (....?)
The
The uppermost
"Thomas
inscription
Stratfordius strenuus militum ductor in Hibernia et merito suo
:
Annae
ibus
et
" D. 0 M.
et
Memoriae Sacrum.
Qui
in
spem
immortalitatis
hie deposuit
Georgius Carew
aeq. ortus prosapiae eadem scilicet mascula stirpe qua illustrissima Giraldinorum
in Hibernia est. / Windesoriensium in anglia familiae a Carew Castro in agro Pembrochiensi cognomen sortitus /
est ab ineunte Aetate Bellicis studiis innutritus ordines in Hibernia adhuc Juvenis contra Re / Bellum
antiquissimae nobilis /
Mag/
Desmoneae Comitem primum duxit Postea Elizabethae felicissimae memoriae Reginae nee / dum regno ConTormentorum Bellicorum Praefectus fuit. Quo etiam munere in var / expeditionibus in ilia praesertim
celeberrima
qua Gades Hispanae expugnatae sunt Anno / mdxevi Faeliciter perfunctus est Demuni cum
longe
siliarius et
Hibernia universa domesticae Rebellionis et / Hispanicae invasionis incendio Flagraret Momoniae praefectus
per integrum triennium contra Hostes tarn internos quam externos multa fortiter fideliterq gessit Tandem in
Angliam Revocatus a Jacobo Magna Britanniae Rege ad Baronis de Clopton dignitatem coectus Annae Reginae
Procamerarius et Thesaurarius Tormentorum Bellicorum per totare Angliam Praefectus Gam / seiae Insulae
Gubernator constitutus est jacobo deinde ad Caelestem Patriam evocato Carolo filio usq adeo clarus fuit ut
inter alia / non Vulgaria Benevoli affectus indicia ab eo comitus de Totnes Honore Solemni / Investitura
exornatus fuerit / Tantus vir natalium splendore illustris Belli et Pacis Artibus ornatissimus cum ad Plenam et
adultam senectutem / Pervenisset pie placideq animam Deo Creatori Reddidit Londini in aedibus / Sabaudiae /
Anno Dominicae Incarnationis Juxta Anglicanam computationem mdcxxix die martii xxvii / vixit annos lxxiii
mensis fere dec."
The
"
et haeres
Clopton cujus effigies hie cernitur ex antiqua Cloptonorum familia / filia primogenita
Gulielmi Clopton de Clopton Armigeri / conjux maestissima viri clarissimi et optime merito cum
Joisia
et ser'issim'
259
in
spem
Ilia
felicissimae Resurrectionis /
M D C."
ULLENHALL CHURCH.
(St.
Mary,
in
In Ullenhall
is
Fig. 1779.
Fig. 17S0.
Warwick
Fig. 1781.
Fig. 1782.
Some
Warwick
old inhabitants
still
Warwick
Warwick
(1920) remember the armour. There are entries in the records of the church of the
The balance now is paid to repair of roads under a scheme of the
charity commissioners.
WARWICK.
(St. Mary.)
There are four helmets in the chantry chapel and two helmets in the chapter house.
1. Great helm of circa 1520, with added visor piece and bars in XVIIth century.
Partly gilded for
church purposes; weight, 8 lb. 10 oz. (Figs. 1779, 1780, 1781, 1782, and 1783a). The Figs. 1780 and
1783a show the fine keel and opening on the dexter side.
260
WARWICKSHIRE
2.
Skull-piece and part of a visor of an armet of English workmanship of circa 1525, to which has been
added a backplate, chin-piece, and frontplate in the XVIIth century. The piece is partly gilded
(Greville.)
Sir
Fulke Greville,
1st
Baron Brooke,
Fig. 1783.
is
is
monument
to him.
He
Fio. 1784a.
Wootton Wawen
Fig.
Wootton Wawen
1784/'.
died
Warwick
to
Queen
Elizabeth:
Counceller to King
1783).
5.
1783).
7. One gauntlet (Fig. 1782).
1783).
of the achievements of (1) William Parr,
Marquess of Northampton, ob. 1571; (2) Robert Dudley, Earl of Leicester, ob. 1588; (3) Ambrose Dudley,
Earl of Warwick, ob. 1589. Dugdale has written " On the north side of the quire towards the upper end lyeth
interred William Parr, Marquess of Northampton, as by his Atchievements, viz. Coat of arms, Sword, Shield,
Helme and Crest, which I have seen there hanging, appeareth " (ed. 1765, p. 320).
Cf Bloxam, "P'ragmenta Sepulchralia," p. 135; "Churches of the Deanery of Warwick"; "Black Book
of Warwick." [Photographs courteously taken by Mr. Christopher Cash.]
:
26l
PETER.)
(St.
XVIth
rector.]
comb, reputed to be a
in
1881
where
it
now
a
and b).
hangs
(Figs. 1784,
tilting piece, weight 5J lb., placed
Tradition. The burial of Francis Smyth, ob. 1606, son of John Smyth and Agnes Harewell. The great
grandson of Francis Smyth, Charles, was created the first Baron Carrington.
i.
Close helmet,
2.
Helmet, funerary.
Tradition.
ob.
1620
ob.
it
hangs, but
it
probably
570Cf.
armour being
at that
WESTMORELAND
KENDAL. (HOLY
TRINITY.)
II.
Helmet.
Tradition.
Devil
(W.
have belonged
Rokeby," canto vi, 33).
It is said to
"
Scott,
"
to
ORMSHED.
(St. James.)
armour, found in the churchyard.
Cf. A. G. Loftie, "Great Salkeld," p. 61.
Town
WILTSHIRE
BROAD HINTON.
(St.
PETER AD VlNCULA.)
1.
2.
Sword.
3.
Gauntlets.
4.
Cartouche.
Tradition.
House of
Arms.
Az. three
Crest.
On
BROMHAM.
1.
2.
3.
saltires or.
mount
(Glanville.)
vert a buck statant ppr. with difference.
[Communicated by
NICHOLAS.)
Armet, English workmanship, circa 1520 (Fig. 1785a).
Close helmet, Elizabethan, circa 1570 (Fig. 1785^).
Close helmet, XVIIth century (Fig. 1785c), crested, a griffin's head.
(St.
4. Pair of gauntlets,
Tradition.
and brass
who
ob. 1661,
to Sir
the Rev. E.
H. Goddard, M.A.]
hang
in
altar
tomb
to Sir
Arms.
Crest.
(Baynton.)
262
(*)
(<)
Fig. 1785.
Fig. 1786.
((.)
Clyffe Pipard
Fig. 1787.
High worth
Bromham
Fig. 1789.
Longisridge Deverill
Fig. 1791.
Lydiard Tregoze
Fig. 1792.
Lydiard Tregoze
to
Fig. 1793.
263
it)
Mere
[Communicated by the Rev. E. II. Goddard, M.A., and Mr. J. G. Mann, B.A.]
(St. PETER.)
Close helmet, made up of pieces of two real helmets. The skull-piece and chin-piece are possibly Italian
of about 1560-65, made for the Spanish market, and the visor is of the XVIIth century (Fig. 1786).
The helmet is etched with bands of decoration and picked out with gilding. The brass-headed rivets to
It
church.
the
left
Tradition.
it
On
had hung
Close helmet.
2.
the
holder.
plume
manor house
its
kind
in
after
HIGHWORTH.
(St.
Close helmet,
Goddard replaced
Hungerford.
MlCHAEL.)
made
it
rivets inside to
Close helmet.
split-pin
England.
FARLEY.
Cf
There are
It is
is
DRAYCOTT CERNE.
1.
side
LAYCOCK.
(St. Cyriack.)
There are now no helmets
1.
ii,
Helmet,
monument
in the church.
Tradition.
is
Arms.
Crest.
gu.,
in the
crested.
2.
3.
scorpion palewise or, tail in chief betw. two elephants teeth, each per ess chequey arg.
zvith
charged
charged with a
(Sherington.)
a cross formee
and
az.
and
sa.
Helmet, crested, tabard, cartouche, sword, and pennon of Colonel Sherington Talbot.
Funeral pennon of Montagu impaling Baynard.
Gu. a lion rampant within a bordure engrailed
Arms.
On a
Crest.
LONGBRIDGE DEVERILL.
(SS.
lion, tail
or.
(Talbot.)
extended
or.
2.
[Communicated with drawings and photograph by the Rev. J. W. R. Brocklebank, the vicar.]
Close helmet, XVIIth century, barred, made for a funeral, crested, a stag (Fig. 1788).
Close helmet, XVIth century, gilded, a real piece with gorget plates of later date added (Fig. 1789).
3.
Armet
1.
(Fig. 1790).
Tradition.
4.
Two
5.
Sword.
Worn by
crowns,
A-
Sir
John Thynne
in. in
hung
in
547.
above hang on the east side of the west wall of the Bath chapel. The
armour cleaned and varnished to protect it from rust.
All the
Crest.
(Bath.)
264
had the
Fig. 1794.
Stourton
Fig. 1797.
I'll'..
1796.
TlSBURV
Fro. 1795.
26s
Grbat Wishkord
TlSBURV
-M
1.
2.
3.
first
MERE.
(St.
1.
Close helmet,
3.
Two
made up
for a funeral,
1793c).
ob.
May
13
one of which
gauntlets, funerary,
is
shown
1695.
STOURTON.
(St. Peter.)
Armet, of about 1500 {vide ante, vol. ii, p. 93, Fig. 445 J, where it is described).
Tratiition. The tomb of Edward, Lord Stourton, ob. 1535, who succeeded his brother William,
The effigy on the tomb is in fluted armour (Fig. 1 794).
1.
ob.
1523.
2.
Tradition.
TISBURY.
None.
(St.
JOHN THE
late
BAPTIST.)
XVIth
century, to
(Fig. 1795).
in the chancel (Fig. 1796).
Hanging
Tradition.
nine),
who
is
buried
in
first
(ob. 7
November
Lord Arundell fought in the service of Rudolph II of Germany, against the Turks, and is said to have
own hands the Turkish standard at the battle of Gran in 595.
Rudolph II conferred on Lord Arundell and his heirs the title of "True Count and Countess of the
Holy Roman Empire," much to the displeasure of Queen Elizabeth, who, like James I later, refused to
recognize the title. James I created him Lord Arundell in 161 5.
In the possession of the Dowager Lady Arundell is a portrait of the first Lord in armour, showing, it is
said, the helmet, now in the church ; if this is so, it is the only known case of a church helmet being
represented in an existing portrait.
There is a tradition that all the armour formerly in
London.
Tower of
TOLLARD ROYAL.
WISHFORD, GREAT.
1.
2.
(ob.
made
1
there.
for
Tradition.
last
no longer
(St. GILES.)
The
is
266
WILTSHIRE-WORCESTERSHIRE
Sir
to Sir
Thomas
Georges,
who became
Queen
Crest.
head couped
boar's
or.
Lady Gorges.
Grobham
is
(Grobham.)
WORCESTERSHIRE
BESFORD.
i.
2.
3.
[Communicated by Miss A.
(St. PETER.)
Close helmet, XVIIth century, crested, a tiger sejant (Fig. 1798).
Sword (said to have been suspended since 1702).
Banner
(said to
Used
Tradition.
F. Burnett.]
Edward
702.
"
on the Sebright monument
In memory of Sir Edward
nd
2
of
Lord
this
son
of Sir Ed. Sebright, Knight,
Bart.,
Sebright,
Manor, only
and 1" baronet, and I^ady Elizabeth, daughter of the Right Honourable, the Earl
The
inscription
age 34 years."
BREDON
cinquefoils sa.
(Sebright.)
or.
(ST. GILES.)
Helmet.
Associated with the
Tradition
and
monument
to Giles
Reed,
ob.
161
(Fig.
1799),
Arms.
Crest.
A griffin
'z.
Fie. 1798.
(Reed.)
Besford
segreant sa.
ELMLEY CASTLE.
(St.
[Communicated by Miss A.
Mary.)
F. Burnett.]
monument
and
1616.
gamb
sa.
crescent
for
armorial escutcheon bearing eleven quarterings which include Arg. six lions
Over the shield is a crest Out of a ducal coronet or, a lions
:
difference (Savage).
erect sa.
HOLT.
(St.
Martin.)
or (Clifton).
Associated with the family of Bromley. Sir Thomas Bromley, the Lord Chancellor, who died
seised of the manor of Holt, 1587, leaving an heir, Henry, ob. 1615. Henry was succeeded by his son,
Tradition.
Thomas, ob. circa 1627, who left a son, ob. before 1657, and he in
There is a mural monument to Sir Henry Bromley, ob. 1615.
Crest.
Cf "N. and
(Bromley.)
"
130; "Vic. C. H. (Worcs),
x, p.
267
iii,
404.
Henry, ob 1683.
Egwin.)
(St.
2.
3.
Two
i.
coats of arms.
The same
(b)
4.
griffin.
griffin.
One
Gauntlets.
The above
fitche'e
gu. (Craven).
shown
Swords.
in
Fairfax, ob. 3
sixteen.
Fig. 1799.
Crest.
On a
Bredon
chaptau gu. doubled erm. a griffin statant winged erm. beaked and fore-membered
(Craven.)
In the church are
Sir
or.
monuments of the Bygg family: Thomas Bygg, ob. 1581 Sir Thomas Bygg, ob. 1613
Thomas Bygg, Bart., ob. 1621.
The only interment of a Craven in the Registers is that of Elizabeth, daughter of Sir William Craven.
;
SPETCHLEY.
1.
2.
Hanging
in the chancel.
Tradition.
(arms
(All Saints.)
two
cottises gu.).
268
ob.
161
1,
WORCESTERSHIRE-YORKSHIRE
There are monuments
judge; (3)
Thomas
to: (i)
Berkeley,
ob.
Rowland Berkeley
1693
(2) Sir
Robert Berkeley,
STOULTON.
(St.
ob.
1656, a
in 1606.
a chevron between ten crosses patee, six in chief and four in base arg.
bear's head arg. muzzled gu.
G11.
1.
1611
(effigy), ob.
is
well illustrated,
(Berkeley.)
Edmund.)
2. Sword.
crest, an arm holding a sword.
These pieces hang above a hatchment bearing the Acton arms and over the monument
Helmet, funerary,
Tradition.
(ob. circa
Fig. 1800.
to
1679).
Norton
Arms.
An arm
arg.,
t/ie hilt
William Acton, son of John Acton, died 1615 seised of the manor, leaving a son Thomas,
William, supra.
Cf. "Vic. C. H." (Worcs), iii, p. 536.
ob.
enfiled
before 1657,
YORKSHIRE
ALDBOROUGH.
XVth century (vide ante, vol. i, Fig. 301).
over
the effigy of Sir John de Melsa (or Meaux).
Hanging
Cosson and Burges, " Helmets and Mail," p. 39.
De
269
John de Melsa,
ob.
with
1377.
(The Minstkr.)
Armet, circa 1470, in perfect condition (Fig. 1S01).
2. Close helmet of the end of the XVIth century (Fig. 1802).
Hanging in the Percy chapel (Fig. 1803).
Tradition. The armet is traditionally associated with the fourth Earl of Northumberland,
other helmet is also associated with the Percy family.
i.
ob.
1489.
The
The fourth Earl was confined in the Tower from the death of his father until 27 October 1469, when he
was released by Edward IV. He was killed in a conflict with the mob near his home, 28 April 1489, and
was buried in the Percy chantry.
Fig. 1803.
BRIDLINGTON.
Wooden
Marv.)
BUBWITH.
Bkverlky
l>y
(All SAINTS.)
Hanging
2.
Sword.
in the chancel.
Tradition.
Arms.
Or a/ess
Crest.
GISBOROUGH.
is
Fig. 1802.
[Communicated
Helmet.
There
Hf.vkri.f.v
helmet.
Tradition.
1.
(St.
Hkyeri.ky
Fig. 1801.
now no armour
in this church.
27O
or.
Collier, F.S.A.]
YORKSHIRE
HARPHAM.
HEMINGBROUGH.
i.
(St.
Mary.)
Helmet.
Hanging
2.
in the
Tradition.
Two
Collier, P.S.A.]
gauntlets.
aisle.
None.
KIRKLINGTON.
(St.
MlCHAEL.)
1.
2.
S.
Gowland.]
pair of gauntlets.
3.
vambrace.
4.
Two
banners.
arch.
Tradition. Locally associated with the burial of Sir John Wandesford, ob. 1 503, but probably connected
with the funeral of Sir Christopher Wandesford, ob. 1590 (effigy in the church).
Arms. Or a lion rampant, double queued az. armed and langued gu. (Wandesford.)
Crest.
There
is
The Wandesfords
of
Kirklington"
LONDESBOROUGH.
(All Saints.)
2.
Tradition.
3.
4.
Two
is
first
a son, Charles, afterwards created Baron Clifford, who died 1694, age fifty-five. He quartered Boyle and
The banners are by tradition those used at the funeral of the first Earl of Burlington (1) Per bend
Clifford.
crenellee arg. and gu. (Boyle) impaling chequey or and az. a /ess gu. (Clifford); (2) Clifford impaling Barry
:
of ten arg. and az., over all six escutcheons sa., each charged with a lion rampant of the first (Cecil)
(3) Arg.) a cross between four fleurs-de-lis sa. (Fenton) impaling erm. a martlet gu. on a chief az. four bezants
or (Weston) and (4) Boyle impaling (?) Fenton.
Crest. Out of a ducal coronet or a lion's head erased per pale crenellee arg. and gu. (Boyle.)
Cf. R. C. Wilton,
"The
Cliffords
MARR.
r.
(ST.
HELEN.)
XVIth
(Fig. 1805a).
Burgonef with buffe, XVIIth century, with a similar crest (Fig. 1805^).
Both helmets hang in the chancel.
Tradition. Associated with the Lewys family (crest, out of a coronet or a plume ofJive feathers alternately
2.
or
and sa.
Arms. Sa. a chevron between three trefoils slipped or.
The crest was granted to Robert Lewys, 22 October 1580.
27I
Oswald.)
(St.
Helmets.
Swords.
2.
Gauntlets.
3.
An
oivl arg.
RIPLEY.
1.
2.
(All Saints.)
Helmet, XVIIth century,
[Communicated by Mr. T.
3.
(4
(a)
Fig. 1804.
Tradition.
Hanging
Arms.
Sa. an
Crest.
RIPON.
1.
Tradition.
(<D
banner
(b)
(rf)
Londesborough
SS.
erect arg.,
armed
or, in the
month an
estoile
of the
last.
3. Coat of arms.
Associated with the Blackett monument over which they hang, and said
2.
Edward
Gauntlets.
Blackett,
o/>.
(Sr.
Three helmets,
sa.,
Sword.
as
many
at
(Blackett.)
PETER.)
all
4.
to
8.
SHEFFIELD.
(Cathedral of
Helmet.
Gowlaod.]
at the north-east
estoile arg.,
boar's
S.
Collier,
F.S.A.]
in the
Shrewsbury chapel.
Herald's funerals of Francis Talbot, Earl of Shrewsbury, 1560, and of Gilbert Talbot, Earl of Shrewsbury,
hanging
272
etc.
of Sheffield," 18 19 (from
Peck,
YORKSHIRE
" Desiderata
Curiosa," pp. 252 et
to
se,/.),
pp. 56 et
se</.,
77 et
se,/.
Few
be read.
" N.
Cf.
SOUTH COWTON.
(St.
[Communicated by
Mary.)
1.
On
2.
Tradition.
None.
Fig. 1805.
THORN HILL.
1.
gauntlet.
Michael.)
(St.
Helmet.
Tradition.
Makr
2.
Gauntlets.'
None.
to
and
effigies
of
many members
historical
('rest.
An
owl
sa. three
(Savile.)
arg.
YORK.
(1) St.
Michael
i.k
Belfry.
Church of
St.
273
N N
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INDEX
Church armour.
See
Additional
ACHIEVEMENTS.
(Interchangeable)
of
pieces:
of
Genouilhac
234;
harness of Charles V,
1839, 284; of "K.D.
304 ; of Charles V Negroli suit, 307 ; of Philip II
Kolman suit in New York, 312; of Philip II
Kolman
wich
Agilulf,
suit in
Madrid, 324
for
some Green-
in
at,
iii.
i.
iv.
302.
iv.
Ailettes: first
in
Liege, 148;
compared
de,
i.
lxi
in,
iv.
168.
i.
i.
of,
blazonry on shield, 77
Anne^y, armourers of, i. lxii.
of shield,
31.
iv.
1723,
140
i.
kidney dagger,
2.
etching,
Aqua-fortis
iv.
v.
241,
170,
British
Walker, 271
in
collection
188.
presented to
Arbalestes Ribaitdequins,
Arbalcte. See Crossbow.
iii.
131.
in,
236.
Ambras, Schloss,
The
find the
Ferara,"
name
iii.
142.
illustrating
of,
iii.
Arendrup,
iii.
i.
lx.
"
191.
i.
Arfo, I.,"
bladesmith,
iii.
iii.
ii.
81.
50.
Editor has sometimes given the reference to the illustration as being perhaps more convenient to the reader,
of the illustration <|Uoted in the text. (F. H. C.-D.)
who
number
305
127
brace
Madame C,
of Mr.
Arba/ele-a-jalet,
i.
also
on, 267; in
i.
Museum, 270;
See
279.
iii.
XlVth
iii.
to Bogislaw
by Pope, ii. 340.
Algardi, Alessandro, burgonet in style of, iv. 1S0.
Alia Levantina. See Ear- pommel daggers.
Andrew
42 el se/q. the
Greenwich MS. exhibited by Mr. Virtue at, in
century,
"
ib.
ib.
Aldenham church,
umbo
238.
i.
Due
to up-
Alburquerque,
125, 165.
305.
use of, i.146; position of, 147; onafigure
Awans church,
iv.
99.
Aiala, T.,
351
58
133.
iii.
:
led tablet
of,
bascinet
66.
iii.
RR
will
Aringhieri,
Arltfs,
M. Chabrieres.
Armet8,
ii.
See Collections,
72 et Uff.
v.
ii.
lluckland church,
v.
abled
Camail
of,
ii.
Churches,
185,
92
ii.
v.
Rondel
v.
88;
ii.
200,
206,
209,
239,
234,
89
ii.
in,
71
v.
19(1.
ii.
93
180.
v.
v.
ii.
82.
234.
ii.
of,
v.
189.
94.
90.
180,
Tower
of London,
ii.
Trapp
Collection,
in,
Uccello, portrayed
ii.
93
ii.
93;
v.
164.
266.
v.
93.
ii.
83.
i.
pictures,
in,
197.
197.
''
ii.
ii.
85.
Visor, division of, of,
72.
Wallace Collection,
Warwick,
ii.
76
type
dom
cuffs of,
Etching on
ii.
ii.
of,
ii.
i.
v.
XVIth
v.
ii.
suit,
on,
i.
"
iv.
in, v.
Lee
ii.
137
of tilting
i.
xxxiii, 218.
Company: mark
iv.
mark
of,
first
not on
adopted
/'/'.;
suit, 17, 61
suit said to
suit,
have been
94;
ii.
ii.
v.
iii.
I, v. 33.
See also liladesmiths.
Armourers.
209.
;
Ixii.
Annecy,
ii.
98.
240.
221.
of,
Diiiago, A.,
i.
204.
i.
Itolchega, Antonio,
Hordeau,
81, 87.
93.
Cainpi,
of,
i.
i.
204.
Ixii.
llartolonimeo,
iii.
iv.
Mahlcthorpe church,
of tilting helm,
lirasiers'
1631,
;
124.
points,"
44
84, 90.
ii.
in,
82
88, 96.
17,
209
ii.
ii.
l6l, 293.
Arming bonett
helmet,
209.
Keasby Collection,
Kolman, by, ii. 95.
Macomber
gorget
90.
of,
"
"Arming
century,
ii.
76 type
helmets adapted from,
I'diiI?
make
sel-
by, in
Henry VIII
id.
239.
91
Armourers' and
94
visor of,
French type
of,
97.
Italian, of early
Bye church,
75-
Venice,
Earliest
Italian
7 r-
84.
Spanish, type
95.
197,
196,
church,
Crests on, ii. 96.
Derivation of term,
Misuse of, iii. 211.
ii.
to,
Seuscnhofcr, by,
76.
ii.
Cmnbrook
Muted
ii.
239.
86.
73,
81, 83.
ii.
ii.
ii.
84.
church,
87.
of, suit,
ii.
Polish,
Cobham
skull
in English,
188,
85.
157.
at,
ii.
of,
Charles V,
270.
262.
86.
ii.
ii.
190.
91.
to,
Edmunds,
comb
York,
i.
92.
75, 94.
Burke Collection,
St.
ii.
in, v.
ltromham, Wills,
Bury
94.
in, v.
Beverley Minster,
ii.
New
ii.
181.
i.
showing,
of,
204
i.
on, at Turin,
suit,
Montefcltto, portrait
Murrieta Collection,
255.
Harry Collection,
Bascinct type of,
Buffe of,
Missaglia
188.
Astley church,
s.n.
continued.
in, v.
Collection,
ii.
in, v.
204.
Canobio, Jacques de,
Ambrosio
called
Caradosso,
264.
i.
206.
223 ; v. 87.
Caron, Ambroise de,
iv.
87.
ii.
81.
306
i.
204.
Poppa,
iii.
282
INDEX
Armourers
I
Armourers
continued.
Champdamour, Kcnc
taussonne, Esrienne,
iv.
14
30S. 37
220.
i\.
i.
larbagnaner, Franz,
"n'li'ii/; in,
r.lnsis,
ihisis,
lxj
i.
of,
iv.
Grilnewalt of Nuremberg,
i.
rleyralde, Jacques,
Holland,
iv.
Jacobi,
Keiser,
</
Kolman,
iii.
Iviii
iii.
31a, 317,
320;
Lockner,
214;
iv.
lonrad,
\lix.
London, of,
Louvre School of,
95;
ii.
iii.
218;
ii.
243, 160,
iv.
Iviii
ioo.
(I
269
se</</.
iv.
iii.
147,
A,"
i.
208;
liii,
"
iii.
-04;
liii,
de,
Misaaglia, Antonio,
iii. 228.
iii.
Stt
230.
LoyS
''
I.
228,
'
'.
7.
.'|o,
.5.5.
163
i,
204.
i.
I,
iv.
isaglia,
Missaglia,
7(1,
181
n><>,
3i 85,
[38,
[v.
Petrajolo,
Tomato,
i-m),
u. 4,
1,
33, 132
i.
170,
159. 215
iii.
190,
Mondrone,
'.
di,
i.
iv.
275
('.,
iv,
102
\.
25.
164,
[66,
r66,
1,
86.
176,
181,
133
204
iv.
v.
124.
109, 170.
iv.
172.
18, 7*1,
-,
204.
i.
Iv,
ii.
|
216.
189.
ii.
Iii,
317
'
88, tSI.
IV.
'
208
of, h/.
'>.
"
of
'lover leaf,
i.
lift
1
points
'om|iass,
205
Iii,
in a,
iii.
iv.
i.
332.
Su
145.
194,
on Louis XII,
'rossliow,
205.
lampl),
78.
a possible,
i.
i.
B.O.,"
(Bartolommeo
l!.( '.I''."
Cross keys,
307
7'
130.
i.
193,
133.
120.
ii.
Crescent,
186,
i,
"i!.e.,"" B.G.,"
200, 215.
<
iv.
si7, si8,8so,
120.
ii.
"CM.,"
329.
1.
i.
i.
273;
iii.
su,
191,
6.
iv.
Baton,
164,
I,
bfissaglia, Francesco,
17.
Serabaglio.
iii.
Armourers' Company,
"
i.
Misaaglia family,
94
lialsaiin de,
A.M.,"
Ave,
Thomas
v.
305, 318,
iii.
and
J.
"Ail.ois,"
de Lacques,
Milan,
iii.
Worms, Wilhclm,
1.) 1.
i.
158,
iv.
Armourers' marks.
1'.
|.
de, i. 204.
Gabrielle and Francesco,
Merveilles, Jean,
Iv,
13,
Ixiii.
i.
346
77.
'
\ledieis,
1.
Geronimo,
327
of Edinburgh,
l.\al,
Meckcncni, Isralul van,
Mci.itc,
iv.
Spacini,
Wetter, Othmar,
iii.
2<)S-
.</</.,
204,
i.
i.
iv.
i.
ii.
TreytZ, Adrian,
|.
121.
t,
275,
ct
114;
7, S,
Sm a/w
Topf,
104, 165
Sft Mcrvcilles,
294
Sicilian,
TretS,
204.
i.
iv.
Seusenhofer, J6rg,
tai.
114;
1.
tic,
iii.
iv.
330
193,
C,
Speier, Peter
rottfried, v, 89,
<
teigebe,
214
i.
137.
194.
156
1.;.
Ii,
iii.
114
iii.
iii.
iv.
-'>)i,
"5. 'S3
350.
delta Chiesa,
Seusenhofer,
.-ii.
iviii,
.;
353, 557.
i.
ii.
325, 327.
Ambrose de,
Serebei,
I<orenz,
acquis, l.oys
131,
Serabaglio,
hi.
I'iripe, iv.
103.
i.
family,
Pickering,
Pompeo
I.
Kolman
Stt Ayroldo,
204.
liii,
65, 218.
ii.
47.
iv.
Knopf, tieinrich,
iv.
210;
i.
ttff,
v,
lans,
Kirkener, Iv,
ttstff.,
204.
Ii,
i.
iii.
'
do, 223.
8,
Pi.iia,
Italian, in France,
hi.
|i,
i>
104, 214;
Pioinino, Lucio,
l\ii.
1.
of,
-3
Iv.
i\ii.
i.
in
Grenoble,
if.
;.
1
Peril of
Greenwich armourers,
40, nji
.',
46.
of,
Peffenhauser,
230.
204.
i.
Jehan,
iii.
1,
ii.
iv.
Nuremberg,
tonlinutd.
tlic,
Negrolis,
204.
i.
Frawenbrys, M.,
230.
iii.
de,
l.xiv
iii.
iii.
165,
i.
]
16
iii.
pi
179.
continued.
Armourers' marks
"
Crown: with
compass,
iii.
265
ii.
Frawenbrys, M.,
of, iv.
cross,
i.
205.
i.
81.
ii.
ii.
over bascinet,
of,
i.
iii.
250.
208
i.
of,
ii.
of,
iii.
Negroli family,
Pineapple,
lvi
i.
of,
6,
5,
27, 36,
8,
84,
159.
of,
iii.
iii.
265
iv.
Avanzi
205
iii.
Voys, Jacques,
of,
of,
134.
ii.
iii.
153, 178.
346.
a,
i.
205.
trefoil, iv.
95
the
bardische,
Scottish
in
Ii,
88.
204.
16
297.
Kolman
har-
321.
Musee
d'.
See
Museums,
use
>
194.
5.
241.
134.
106.
Azsiminia:
iv.
iii.
ii.
ii.
iii.
family, of,
of,
ness,
76.
i.
10, 120.
Ravynbill,"
Armure aux
Artillerie,
"
Valencia, of city
ib.;
ii
216.
Worms
241.
327.
Vreland, Paul
"
W.," iv. 88.
of,
241.
Tripod,
iv.
liv.
i.
ii.
ii.
v. 40.
88.
museum,
bascinet
104, 107,
Trefoil,
of,
178.
98.
at,
126.
ii.
S"
Tours, of city
ii.
303.
Rom-Rom,''
iv.
effigy in,
327.
Stag,
61.
255 chanfron
Auchinlek, M., armourer-silversmith,
145.
106.
ii.
iii.
"R.N." on helm,
"
190.
132,
265.
and crown,
Peffenhauser,
v.
191.
ii.
liv, lviir;
'59-
iii.
Attila
"N.I.,"
ii.
74.
iii.
Missaglia family,
" P.
A."
ii.
Ashwelthorpe church,
demi-,
iii.
44, 194.
Merate Brothers,
Milan,
of,
205.
273, 322.
180.
i.
"L.B.,"iii. 250.
Lion of St. Mark,
iii.
iii.
family, of,
"M,"
236
i.
"I.S.,"iii. 322.
Kolman
s.n.
32.
iii.
Museums,
215;
ii.
241.
Globe surmounted by a
"
See
ii.
Fleur-de-lys,
Hon. Co.
Artillery,
P.A,"
s.n.
308
INDEX
query if worn when breastplate
145; of 1480, 203; of 1493, 2I 3!
of 1470, 216; of Henry VIII foot-combat suit,
iii.
223; by Negroli, 292; by Heinrich Knopf,
357 ; of the Compton Greenwich suit, iv. 66 of
Backplates, Gothic
came
first
Bascinets
Coburg,
Cracow,
i.
in,
Crest
Scudamore Greenwich
Earliest
Baldung,
Effigies,
136.
Burges' theory
of, in
Vienna,
iii.
Fluted,
i.
Bardac, Mr.
S.,
iii.
tuille tassets,
Bards.
162
i.
Horse
See
ii.
Museum.
tuille,
i.
in picture by,
Poitrel,
i.
Berne, on suit
at,
Brasses,
British
i.
in, v.
s.n.
Chapel-de-fer,
at,
ii.
XVth
century,
in,
ii.
suit,
i.
of,
159
252.
156.
177;
by,
i.
255.
Museum,
i.
i.
226.
231.
ii.
158.
Collection,
in,
Venice,
in,
Vienna,
in,
in,
i.
xxxvii, 250.
234.
i.
i.
i.
Visor, always
253.
249;
worn
ii.
158.
with, in XI Vth century
and
after,
i.
spherical, 242.
Warwick
76.
ii.
61.
on
i.
in,
235.
i.
i.
v.
228.
iii.
effigy,
Turin,
193.
small,
261;
i.
229, 234.
worn over
i.
232.
Poldi Pezzoli
Trapp
1,
194.
227, 259.
i.
25
i.
227, 231.
Museum,
234,
146.
178, 214.
i.
Brabourne church,
230,
239.
138;
i.
i.
Nasal-guard
ii.
i.
of,
Henry VIII
Croupiere,
i.
255 ; v. 269.
Armet-, of 1460, in '/.eughaus, i. 264.
"
Armourer's mark of " R on, i. 263.
i.
225.
253.
Museums,
d', in,
v.
of,
Marston-Moretaine church,
Musee
229,
70.
247.
Keasby Collection,
Londesborough Sale, ex, i. 243.
Aldborough church,
Artillerie,
i.
227,
ii.
163.
armour
Bascinets
166.
i.
ii.
armour,
See
12 14,
156,
of,
Jewelled,
225.
Bargello
Bark, or
Vienna,
234.
i.
in
Dennington church,
effigy of,
showing English armour of 1430, with
Suffolk,
in
230.
i.
Guard-plates
Lord,
Bardolf,
251
Cracow,
of, in
i.
Gorget-plate with, in
See Axe.
115, 119.
i.
Collection.
68
on,
i.
255;
Fourteenth century,
270, 289.
Collection,
mention
Forgeries
of, 72.
with, at
274.
Barbute
233.
Florence,
suit, 70.
240.
i.
of, in
i.
in,
Crown worn
the
continued.
in,
Castle,
i.
Wilczek Collection,
ii.
Zeughaus,
70, 176.
in,
i.
i.
230, 246
249, 254.
250, 264.
309
i.
258.
iv.
277.
See Collections,
s.n.
ii.
68.
Collection,
1 1
s.n.
ii.
Effigies, on,
ii.
Fish-tailed
25
et seqq.
ii.
ii.
XVIIth
ii.
ii.
in,
ii.
252, 260.
Bergen Museum.
di,
Abbey: sword
William II
to,
of,
"
Battle sark
"
or byrnie,
i.
sword
ib.
Bill:
scaled leather
in, 39
hauberk depicted on, 40, 42 helmets shown on,
42 securing of the helmet, 57 primitive camail
;
in,
stirrups on,
Bayonet
plug-,
name
made
of,
at Shotley Mill,
lxii
i.
borne Minster,
ii.
156;
v.
iii.
24.
ii.
45
iv.
51.
XlVth century,
144; as in frescoes of
Painted Chamber of Westminster, iii. 1 1 1
deXVth and XVIth century forms, ib.;
scribed, ib.
of
i.
i.
204.
of
i.
of Somerset, helm
s.n.
lxiii.
Duke
Museums,
Beaufort, John,
showing nasal-
Freiburg,
axe
H. Lee,
leg-piece of, in
in, ib.;
See
at
for,
made
Siena, 47
finest early
2.
122.
Sale.
with salade,
10.
ii.
i.
ii.
of
254.
Martino
of,
Besague, or rondel,
ii.
of,
38.
Berchtoldus, effigy
guard, i. 228.
Bemal
in,
v.
Musee
253, 257.
century,
century rapier in
frog
80.
Bemberg, or demi-jamb,
XVIth
285
253.
204.
Prince, 152; of
253.
ii.
of,
i.
88.
iv.
Norman
257.
Battle
35, 156;
ii.
visor,
d'Artillerie, iv.
of,
on Caesar Borgia
ii.
Belt
ii.
Battista,
Bellows
253.
pommel
pommel
Fig-shaped
ii.
243.
de,
sword,
of, at
bas-
See
Wim-
50
3IO
Castle, 155
XVth
effigy of,
Windsor
176,
ib.
i.
century
141
bits in
effigy
sword attributed to
ruby worn
in bascinet,
of,
in
232;
INDEX
helm
Bladesmiths continued.
Magnolino, Jacopo,
Montlucon, of, i. Iv.
helm
ii.
of,
fashion
165;
gauntlets
name
of inscribing
of,
of,
207; v. 193;
on swords, ii.
Miinsten, Andreas,
2 93]!
lades:
i.
Passau,
XVth
Scandinavian,
i.
xliii.
Serravalle, of,
i.
lx
Shotley Mill,
Solingen,
iv.
302.
iv.
v.
107.
Belluno,
of,
G.,
lx
i.
lx.
v.
of,
i.
iv.
i.
v.
Ferrara, Giandonato,
Formigiano, L. da, i.
of,
Gron,
lx.
of,
H., Maister
S.
Hernandez, Pedro,
Hoppie, i. lxiii;
Horn, Clemens,
iv.
i.
iv.
v.
dei,
i.
lx
v.
i.
of,
i.
Kennet,
104.
v.
Kindt, Johann,
i.
104.
99
99.
ii.
i.
283.
ii.
307.
ii.
307.
98.
of,
Moon,
i.
S,"
ii.
i.
ii.
283.
xlv.
v.
iv.
Steyr,
104.
329;
v.
v.
104.
104.
i.
lxiii.
99.
on blades from,
338.
289.
44.
lxiii.
iii.
liv.
i.
Toledo mark,
Scorpion,
339.
329;
iv.
ii.
Milan,
"
lxii;
lxiii;
Maestre, Domingo,
of,
130.
i.
104.
305.
von,"
lxiii;
100.
lxiii.
99.
Unicom,
Hounslow,
65.
xliii.
lx.
i.
i.
lx.
iv.
340.
"I,"ii. 320.
v. 81.
i.
lxi,
i.
Helm,
Stars,
M.
i.
of,
Heart,
Lion,
"
"
lxiii.
i.
i.
ii.
339.
xlvii.
i.
i.
v.
Tenth century,
of,
ii.
de,
Tesche, Johannes,
Crown,
74.
78.
Fernandez, Sebastian,
"
iii.
Greenwich,
Hieronymus
Cross,
v. 77.
Duvivier, Hennequin,
Ferari,
lxi.
329.
Dedios, Haonra,
312.
lxiii; v. 104.
i.
of,
iv.
298, 329.
Claidheamh-mor, on,
71.
for,
Iv.
Coel, Heinrich,
61, 63.
Bladesmiths' marks:
lix.
Caino, Pietro,
Catalan,
v.
319.
Sutri,
Toledo,
104.
v.
iv.
Angelino di Domenico,
Vans, Hew,
lx
iv.
Villaseca sword,
who worked
Brescia, of,
xliii.
Daniele da,
Sutri,
Venice,
i.
i.
lxii.
i.
of,
M.
of,
100.
i.
i.
258;
Stone, B.,
305.
319.
lxiii.
i.
of,
ii.
Steyr,
Thomas,
Battista,
iv.
century,
Aguado, Lopez,
iv.
i.
also Bladesmiths.
Bar-le-duc,
iv.
Bladesmiths
Aiala,
282.
XVth
265; curved, of
of
XVth
iv.
258
ii.
Picinino, Federigo,
Iv
i.
of,
Picinino, Antonio,
flat
263, 269;
339.
single
88;
ii.
iv.
ii.
258;
iv.
319.
298.
Boabdil: bladesmiths
40; sword
321.
311
of,
of,
283.
i.
lxi;
salade
of,
ii.
13, 15,
Boar spear,
iv. 351.
See Buckler.
Boce.
Boeheim,
W.:
house
identified
of
in
Missaglias
that of,
to,
i-
iii.
208.
i.
126;
Bordeaux: armourers
of,
armourers
i.
Basilard dagger,
iii.
Cyclas,
at,
now
in Turin,
iii.
i.
i.
Greaves,
Ambras, 249.
in
i.
4; of
Bowes,
helmet
M.
173.
Quillon daggers,
iii.
3, 4, 5.
Rondel daggers,
iii.
ii.
i.
149.
148
i.
23.
2,
iii.
Brasses
of, v.
sword
of, at York,
ii.
316; church
212.
Bacon
iii.
ii.
Sir R.,
Corp,
J.,
iii.
Cray,
J.,
v. 192.
See Cod-piece.
Braguette.
Brancepeth church, effigy of Neville family in, ii. 2.
Brander MS., with inventory of arms at Westminster,
ii.
iii.
Creke, Sir
Cressy,
J.,
312
de,
iii.
31.
ii.
178;
178.
18.
iii.
9.
4.
i.
J.,
iii.
D'Aubernoun,
Daundelyon,
230.
17.
Sir
J.,
Sir J.,
Dixton, Richard,
197.
textile, 159.
17.
Cobham,
iii.
149;
147.
T., Earl of Warwick,
i.
i.
family,
145.
149, 159.
W.
Aldeburgh, Sir
Cerne,
Brabourne, helm-bascinet,
i.
(Persons)
Beauchamp,
:
164.
147, 159.
i.
long, 146.
Sir
i.
Textile defences,
Norman,
i.
143.
i.
Surcoat,
183.
178.
31, 32.
147, 149, 186.
Pennon,
Spur,
iii.
ii.
iii.
147.
i.
Sollerets,
145.
147, 149.
147, 149;
i.
Pauldrons,
Salade,
209;
147.
i.
Knee-cops,
Palettes,
149.
Kidney dagger,
at,
iii. 167.
Bouclie de la lance of shield, ii. 227.
Bougons, or bolts of crossbows, iii. 144.
at,
i.
Hauberk,
192.
174.
i.
235.
at
9,
60.
ii.
114.
i.
i.
Hacketon,
i.
1 1
149.
Gambeson,
79.
Bascinet, fluted,
Coif of mail,
xlvi; Italian
depicted on)
147.
i.
Elbow-cops,
museum
197.
204.
Vienna, once
XVth
144.
iii.
i.
iv.
formerly attributed
175-
Ailettes,
Teutonic order,
i.
Tower
84; suit in
iii.
Brassards of late
Bois, Sir
for
ii-
228.
83.
showing gauntlets,
207.
Brandistocco, hafted weapon, known as, iii. 107.
Brandon, Charles, Duke of Suffolk: lance known as
Boete of lance,
in,
ii.
i.
iii.
214.
iii.
18.
INDEX
Brasses
{Persons)
Felbrigge, Sir
J.,
i.
continued.
214.
186.
Parys, R.,
Breaker, sword,
XVth
5.
31.
Brasses
Windsor,
iii.
ii.
23.
Aldborough, Yorks,
iii.
Awans,
i.
iii.
Charles
ii.
Dodford,
16.
Norton,
i.
31.
Bridle,
192
ii.
ib.
i.
of,
iii.
178
of,
ii.
in
89
i.
of,
et seqq.
ii.
17.
78.
in
Meyrick Collection,
Polish, of
XVIIth
v.
century,
56.
ii.
279.
322.
Museum.
iii.
164.
iii.
18.
i.
230.
of,
at
Cobham,
104;
ii.
Bromham
"
See Cod-piece.
earliest
pommel:
appearance of,
Xllth and XHIth century sword, 83, 87,
196.
Brazil nut
of,
74.
Westley-Waterless,
v.
century,
149.
9.
XVth
136; forged
16.
iii.
of
lerie, ib.
Brigandine,
114.
Seron, Forvalle,
Playford,
213.
Saint Denis, iii. 265.
i.
of, lx
Brett Sale.
18.
Shottesbrooke,
suit, 307
tilting,
313; of Farnese Picinino suit,
Lucio Picinino, ib., 338, 339; of
Negroli
described as
ii.
Thame,
299
Kolman
of
naner
22.
Sheppey, Isle
Armnre
iii.
iii.
suit,
17.
60.
iii.
forged embossing,
iii.
of the
Gorleston, i. 147.
Green's Norton, i. 186.
Lingfield,
335; by
Greenwich
23.
214.
ii.
Hildersham,
124,
XVIth
Draycot Cerne,
ii.
ii.
123,
tilting,
132;
131,
207.
4.
iii.
129,
Castle Donnington,
Chartham, ii. 203.
Cirencester,
128,
127,
284, 286;
31.
146.
iii.
2;
ii.
5.
Brandesburton,
Chinnor,
of horse,
ib.;
globose in
Maximilian armour, iii. 212, 243; unchannelled
Maximilian, 243 channelled Maximilian, 246; introduction of peascod form of, 270 ; by B. Campi,
125,
3.
21.
iii.
in
1480
{Places):
Aveley,
Elsing,
at Zurich,
16.
iii.
Sir W.,
Vernon,
77.
v.
ii.
i.
62; of
Brown,"
Bruce,
91, 99.
313
ii.
147;
Robert,
swords
in
found
fashion
XVIIth
at
v.
v.
251.
262.
Sudbury,
iii.
of inscribing
century,
ii.
115.
name
293.
s s
of,
on
Duke
Brunswick,
v
suit
of,
to'
to,
Dino Collection,
3-
Brussels,
triptych
English,
Museums
Forman
Collection,
French,
iv.
chapel-de-fer'm, Gallery,
(Brussels).
Bryan, Sir G., effigy of,
braces,
i.
See also
66.
ii.
showing studded
vam-
textile
Buckingham, Duke
of,
example,
earliest extant
243
rectangular buckler of XVth
century, 245
of
Louis XIV,
London
riveted to "great
Madrid,
"
bascinet,
260
i.
and armet,
75,
94;
tartsche,
ii.
breastplate and
Morosini family,
Stech-
Munich,
Burgkmair, H.
Newall Collection,
Musee
d', iv.
Basilewski Collection,
Breadalbane Sale,
British
Museum,
180.
iv.
in, iv.
Burges Collection,
70.
iv.
iv.
of, iv.
iv.
J.,
Tower
145.
Benvenuto, design
Colbert, the,
Topf,
158,
164, 183,
187,
187.
171.
64.
135.
158, 161.
iv.
iv.
Collection,
145.
164.
iv.
by,
iv.
128, 130.
iv.
iv.
159.
170.
Vienna,
135.
of, iv.
in, iv.
iv.
iv.
180.
163, 167.
125.
Whawell Collection,
134, 145.
168.
iv.
Wolf, by,
Burial with sword and horse,
187.
iv.
172.
of London,
Triple combed,
iv.
H5-
129.
iv.
141,
in, iv.
142.
Cloth covering
125, 165.
iv.
iv.
by Negroli,
Cellini,
iv.
Morgan
Salade-shaped,
by,
for,
iv.
Buffe,
Picinino, by,
Pierpont
Pisan,
iv.
in, iv.
Petrograd,
Papal guard,
at, iv.
Nuremberg,
Burgonets
154.
191.
See Collections.
147.
ii.
129.
169.
iv.
Negroli, by,
water helm,
at, iv.
of, iv.
161.
iv.
ex,
of, iv.
Missaglia School,
232
161.
iv.
Meyrick Collection,
135.
Mondrone, by Caremolo
Collection, 188.
Buffer of leather between
131.
r.
of, iv.
Medici's guard,
falling,
iv.
ex, iv. 16
183, 192.
127, 141, 181.
iv.
Magniac
177.
Louvre School,
workmanship, 249.
Buffe
of, iv.
Londesborough Collection,
seqq.
Brigittae,
161.
iv.
et seqq.
ii.
160.
sanctae
181
of, iv. 4,
of,
177 et seqq.
iv.
159.
celestes
iv.
180.
Burke, Sir H.
Burr,
3H
iii.
86.
176.
F., Collection.
See Graper.
i.
94.
See Collections,
s.n.
INDEX
Sir
Burton,
ii.
Bury
brass
Thomas,
hauberk,
showing
of,
178.
Edmunds, armets
St.
at
Tours,
i.
204.
church
in
92
ii.
at,
v.
i.
hauberk
i.
2,
of
same
the
Norman, 37
of,
152;
ditto,
i.
193
of
63.
as the
also
in
ii.
v.
223;
el seqq.
275
i.
142; shield of
193; helm and crest of
gauntlets of ditto,
Duke
ii.
207
ii.
316
effigy
iii.
3i-
influence
ditto,
v.
Bymie: of Anglo-Saxon,
chain-mail
i.
Black Prince,
effigy of
Canterbury:
2 39-
Saxon,
i.
iron
bands of Anglo-
58
ib.,
at Essen, 24.
174.
v. 180
De
armet, ii. 93, 155
v. 180; close
154; helm of, ib.
Elizabethan helmet of, ib. ; helmet of, in Saffron
Cabassets
Musee
Artillerie,
213, 215.
iv.
213.
iv.
Wallace Collection,
Walden Museum,
in, iv.
iv.
Cable decoration
212.
axe
of,
ii.
213
211;
ii.
iii.
Camail
Hugh.
primitive,
ii.
248
Casque (el,
salade,
tapestries,
i.
at-
57;
suit of classical
showing make
inscriptions
in life of, il>.; iv.
138;
252
on
287;
iv.
iv.
136.
and pauldrons
136; pauldron
armour
in
by,
iii.
De Cosson
ib.
284;
135, 136;
on,
iv.
in
s.n.
s.n.
129.
s.n.
ii.
23.
iii.
in Bargello by,
iii.
New York
iii.
by,
on the
cup-hilt, v. 68.
ii. 140; v.
179.
Cattaffratto, a horse clad in chain mail, iii. 147.
Cawne, Sir Thomas, gauntlets on effigy of, ii. 212.
Benvenuto
lviii
ii.
3.
formerly ascribed
ascribed to, 298.
tion, 176.
iii.
99 absence of horse armour
chanfron in ditto, 185.
Museums,
Castle
277
iv.
See
See Effigies.
Campi, Bartolommeo
Castle, Egerton,
Bayeux
s.n.
204.
270.
183
66.
in
i.
in ditto,
ditto,
Cassel.
/'/'.
See Collections,
196, 213.
216.
ib.
Calveley, Sir
o.
of,
Cosson on,
Ceremony, swords
of,
of, iv.
to,
shields
to,
ii.
311
of,
et seqq.
iii.
7.
i.
m,
113; early
See Mail.
284,
Chain-mail.
284;
315
125
origin,
iv.
296.
Champion
at
coronation
Tower
Champ/eve enamel,
283;
ii.
282
iii.
13, 161.
iii.
153, 178.
in, iii. 188.
Collection,
on
iii.
early,
151.
iii.
iii.
188.
i.
iv.
42.
iii.
of,
v.
iii.
ii.
151.
Spike
iii.
ii.
i.
205
iii.
205
v.
Stockholm,
Vienna,
iii.
iii.
iii.
Chapawe.
of,
century,
176.
295.
59, 60.
ii.
half,
2.
ii.
in,
i.
115
ii.
i.
210
58.
65.
engraving of Maximilian
I, ii.
of,
90
represented
spurs associated
;
with, 106.
Charles
iii.
Armure anx
iii.
ii.
148.
Lions,
Tower
Tower
XVIIIth
49.
352.
Chantilly, Arsenal
ii.
of,
v.
118.
i.
186.
180.
at,
115, 118
i.
in,
65.
40.
333.
57, 66.
64.
ii.
Sculptural representations
in,
152, 154.
55.
suit, of,
de, a,
66.
ii.
66.
334.
of,
Mojitauban, chapeau
ii.
iii.
ii.
59, 61.
ii.
47.
in,
steel,
40.
193.
Commonwealth
illustrating,
Picinino, by,
Radzivil suit,
"
v.
148.
iv.
60.
ii.
64.
ex,
ii.
depicted on,
Effigies,
205
176; v. 145.
Gothic Maximilian style of, iii. 187.
Greenwich: Hatton suit, of, iv. 33 Smythe suit, of,
41; Lee suit, of, 47; Clifford suit, of, 55; Henry,
Prince of Wales suit, of, v. 9.
Henri II, of, i. 205 ; iii. 354.
Sessa
65.
66.
iii.
of,
Miniatures
63.
ii.
in,
Leather,
ii.
Barry Collection,
Burgundian,
Greenwich
Forgeries
Astor Collection,
200.
148.
Chessmen, as carved
Cox
of Lincoln ceremonial
iii.
Clifford
26
13,
Chapel-de-fer:
Barry Collection,
Celtic,
iii.
of French
Bascinet,
"Attila,"of,
iii.
of dagger,
Chanfrons:
Blind,
iv.
suit
iii.
sword, 318
have
worn by Sir H.
300;
iv.
Dymock as,
29, 32 ; Smythe Greenwich suit,
said to have been worn by, of George II, 44.
Chape
with
at,
during
suits
rapiers,
Charles II
See Chapel-de-Jer.
v.
16
35
of,
armour
33
chest,
33
;
statue
56
iii.
213;
Windsor, 29;
suits of, at
of, 36
portrait of,
mortuary swords and
;
64
suit in
INDEX
V of France,
V of Spain
Charles
Charles
crossbow
men
in army of,
armour of, i.
collection of
iii.
128.
i.
263; to salade, ii. 35; to
armets opening down centre, 74 of Kolman 1550
suit of Philip II, iii. 313; of close helmet of
Chin-piece: to bascinet,
xxxviii;
man
95; motto
ii.
for,
of,
223; v. 133;
sword
217;
presented
96;
iv.
258;
suit
of,
Miihlberg"
276; "K.D."suit
Hatton
.S<?<r
du roy Charles,
in
miniature
xlv;
i.
Sales, s.n.
armour
317; classical
suit
suit
La fails
showing a
iii.
154.
of,
of, iv.
Church armour
303; Negroli
of,
Marlborough,
v.
ii.
338.
243;
reference
to
mace,
reference
106;
glaive,
94; reference to
iii.
to
whalebone or ivory
saddles, 176.
v.
of,
ii.
Beverley Minster,
Birling Church,
Earldom
Chesterfield,
armour,
Earl
iv.
iii.
two swords
of:
of,
Compton
ii.
suit
332.
of Greenwich
brass
v.
ii.
showing
quillon dagger of
4.
3r7
ii.
in),
147;
v.
158.
270.
v.
150;
192.
v.
v.
251.
262.
ii.
82.
ii.
v.
212.
v.
225.
v.
240.
v.
140;
43;
ii.
179.
in),
i.
280;
v.
187.
221.
Petworth Church,
Pluckley Church,
Rayne Church
Chinnor church,
1392,
of,
188.
v.
89;
ii.
v.
255.
Hexham Abbey,
arranged in counties,
of,
Hedingham
240.
Chester,
154 ttseqq.
Aldenham Church,
Astley Church,
England.
list
Bromham Church,
98.
in
II, alphabetical
ii.
ii.
119;
93
v.
255.
200.
v.
(formerly in),
ii.
iii.
v.
116;
164.
v.
225.
v.
180.
in
Stourton Church,
England. continued.
93
ii.
Wimborne
ii.
Minster,
Museums
Cinquedeas,
ii.
of,
ii.
Londesborough
Louvre, in the,
i.
of,
iii.
d',
in,
iii.
iii.
in,
effigy
centuries,
Quillons, usual,
31.
See
iii.
71.
iii.
Collection,
in
74.
iii.
277;
67.
iii.
iii.
66;
iii.
picture
Vienna, 294
ib.
Lions, 297
ib.
ii.
302.
76.
61; at Windsor,
Muse"e
Museum,
ib.;
Chiesa,
Pompeo
Christie's
Claidheamh-mor,
d', iv.
107, 109.
iv.
ii.
Churches,
in, iv.
ii.
iv.
318
249.
in, iv.
iv. 119.
115, 116. See
Church armour
in
s.n.
five,
on,
iv.
103.
3S-
iii.
92, 97.
1839 Sale,
England,
Combs,
96.
of, suit,
62, 71.
Bruce
Armure anx
71.
252.
Cirencester church, brass in, ii. 215.
Ciseaux, or bolts of crossbows, iii. 144.
"
"
Clackmannan
Tower
ously known
Close helmets
71.
of,
suit
iii.
65, 79.
v. 112.
iii.
Hoplite salade,
Charles V
270
picture
British
iii.
276; a
of,
showing
80.
Artillerie,
in,
iii.
76.
74.
205.
Canterbury,
iii.
Madrid,
suit in
Tower
in,
ii.
at
effigy,
the schiavona,
Wallace Collection,
Windsor, at, iii. 62,
of,
67.
ii.
ib.
73.
suit at
76.
of,
Duke
Clarence,
ii.
76, 79.
of,
ib.
of
Collection, ex,
iii.
in
the,
specimens,
of, 307
secondary guards on,
293.
67.
Crip, usual, of,
Langue de bxuf blades
iii.
iii.
in,
Bruce,"
ib.
fine
Venice,
Seafield,
176.
iii.
Lady
Cluny
the Clan
"
156.
at,
v.
(Brussels).
Arundel Castle,
Turin,
ib.
v.
Museum,
Mus^e
Ressman
the, in collection of
the
Clackmannan Tower
the
305
Castle,
157;
iii.
65 et seqq.
"
Armourer's mark of " P on,
Artillerie,
ib.
Menzies,
ib.
iii.
Bruce,"
Drummond
the
149;
ii.
ib.
Castle,
"
Coll
iv.
the
name
of
in collection
Willington Church,
with
McLean
si 1,
v.
266.
v.
iii.
270
tilting,
INDEX
Close helmets
continued.
of, v.
Forgeries
Close helmetscontinued.
121.
of, iv.
Escuffa
22.
German
Ilaute-pike
255;
Prince
Henry,
229.
iv.
Tilting,
iv.
iii.
iii.
iii.
Grotesque,
II, of,
110.
el
95
v.
iv.
of,
114;
v.
8,
13,
iv.
Kennedy
iv.
Collection, ex,
Kolmans, by
"Will Somers,"
112.
iv.
104,
iv.
1056, 108,
Worms, Wilhelm,
293
iii.
in,
iv.
by,
by,
iv.
iv.
88,
France
in
armour,
iii.
104 v. 122.
Maximilian II,
iv.
ex,
13.
Cobham
iv.
Medici's
120.
of, iv.
264
iii.
suit, of,
leaf,
i.
See
178.
in,
ii.
ii.
103;
v.
103.
v.
v.
104;
iv.
at Berne,
Armourers' marks.
114.
iii.
m,
108,
343.
mark on helmet
Magniac Collection,
88,
10.
93, 101,
118.
no,
107,
Clover
iv.
19.
10.
44
7,
97.
120.
122.
104, 121.
303, 313
iii.
the,
10,
Whawell Collection,
121.
iv.
iv.
in,
346.
of Wales,
I).,
109.
299; Greenwich,
iii.
suit, of,
grotesque,
se</</.
120.
iv.
iv.
Tower: Lion
17.
21.
Hopfer,
264.
iii.
105 ; tilting,
Speier, Peter, decoration of, by,
Stibbert Collection, ex, iv. 113.
122.
tilting, iv.
Greenwich School,
Henri
iv.
of,
of, iv.
Spanish type
196.
Sir R. de, brass
Cobham,
s.n.
Cockerell, Mr. S.
Montmorency, Anne
Munich,
New
at, iv.
Nuremberg,
de, of,
at, iv.
iii.
Quilted lining
Rondel
229.
enriched
by
181
ii.
tow packing
316
by Rabelais, i. xxxiv
Henry VIII double suit,
to,
of
in,
of Philip II
237
suit,
bladesmith,
Cceur,
silversmith
91.
Speier,
of
iii.
on Bargello Wolf
in Jacobe MS.,
323
Jacques,
tilting,
v.
of
77.
Set
Charles
worn by Normans,
i.
42
Blade-
VII,
i-
sewn
to
iv.
steel,
109,
or
calotte,
descendant of chapel-defer,
66.
Colbert, Comte,
iv.
119.
Seusenhofer, by Conrad,
reference
259Coif: of mail,
103.
iv.
Collection.
Coel, Heinrich,
smiths.
123.
C,
iv. 9.
270.
iv.
suit,
101.
iv.
to, iv.
iii.
236
99, 118.
to,
Cod-piece
mail,
Collection,
l'icinino, by,
270.
94.
Odescalchi Collection,
Pembroke
iii.
at, iv.
York,
264.
iii.
iii.
18.
102.
Collection.
I, i. 43.
Set Collections, s.n.
319
iii.
helm
87.
in, v.
256.
ii.
Pig-faced bascinet,
Hedingham helm,
248.
i.
104.
iii.
Bascinet,
i.
"Holy-water sprinkler,"
Mace, iii. 90.
238, 243.
62.
ii.
Chapel-de-fer,
"
suit, v. 10.
Helm:
tilting,
funeral,
Henri II
286;
i.
iii.
suit,
ii.
Bascinet,
127.
Gesso
Mace,
95.
Maximilian suit,
Pole-axe,
iii.
ii.
Sword,
iv.
iii.
Horse
104.
319.
Mail,
ii.
{Bachereau, Monsieur)
Chanfron of Radzivil suit,
ii.
Tilting breastplate,
Burr
iii.
plate,
Henri
55;
iv.
63.
iii.
344.
ii.
Bascinet,
i.
Gauntlets,
ii.
Lance,
82.
iii.
ii.
i.
i.
2,
i.
ii.
305.
73.
iv.
Burgonet,
i.
Gothic
196.
Helm,
22.
suit,
153.
14, 142.
Scroo
i.
142.
Catalogue
of,
i.
i.
102;
MS.
45.
279.
in, iv. 9.
MSS.,
256.
261, 281.
ii.
{Cockerell,
{Baleman):
Kidney dagger,
32, 35.
iii.
Picinino burgonet,
45.
ii.
281:
ii.
180, 201.
{Basilewski):
iv.
ii.
suit,
Swords,
196.
i.
140.
ii.
Salades,
L.):
262.
i.
Bascinet,
196.
Ear-pommel sword,
Burgonet,
i.
215, 219.
Vambrace, Gothic,
Swords,
iii.
Cinquedea,
217.
Iron helmet,
27.
229.
64.
Missaglia elbow-cop,
Swords,
ii.
Claidheamh-mor,
iii.
Elbow-cop by Missaglia,
Solleret,
ii.
Shield,
{Carmichael, Lord):
Chapel-de-fer,
Salade,
Salade,
93.
Chanfron,
55.
Armet,
v.
174;
171.
II suit,
174.
127.
319.
ii.
ii.
127.
iv.
229.
202.
ii.
20.
128.
ii.
iv.
mail,
Jack,
ii.
124.
227.
iv.
shield,
Helmets,
251.
Tilting suit,
i.
Burgonet,
342.
iii.
Salade,
halberd, iii.
{Surges, the late W.)
179.
C):
iii.
"
Sempach
v.
140;
ii.
{Boissonnas, Monsieur
Halberds, iii. 120, 122.
{Astor, Viscount):
Axe,
continued.
Collections
Collections
{Aries, Monsieur Chabrieres):
Buffe,
iv.
344;
suit
iv.
now
in
182.
Astor Collection,
Chanfron,
265.
iv.
C):
187.
iii.
Henri II
ii.
117.
i.
Casque,
S.
de)
159.
{Colbert, Comte):
50.
44.
Mr.
iv.
iii.
188.
303.
Targe,
320
v.
53.
iii.
344.
INDEX
Collections
-continued.
Mr. D. M.):
{Currie,
by Picinino,
Breastplate,
Fifteenth-century sword,
iii.
Wooden pageant
iv.
294.
162.
iv.
339;
iii.
iv.
(Benton,
i.
iii.
Dagger,
Hauberk,
i.
13.
ii.
ii.
i.
ii.
161.
i.
century,
213.
centuries,
i.
Spear head,
Due
(Dino,
Armet,
ii.
ii.
iii.
Francis
iv.
Casque, Colbert,
Chanfron,
Hammer,
suit,
war,
iii.
iii.
iii.
suit,
Leather shield,
Kolman
Linstock,
iv.
of, iv.
Bourbon,
Tilting cap,
ii.
261, 286;
Tilting suit,
Wolf
suit,
ii.
iii.
{D'Istre,
Dagger,
Dagger,
iii.
ii.
v.
iii.
Pommel,
ii.
Victorious,"
iii.
iii.
232.
41.
30.
ii.
Edmond):
30.
ii.
269.
292.
i.
136;
ii.
279, 292.
(Galitzine, Prince):
Mace,
iii.
92.
238.
100.
Kidney dagger,
321
iii.
2,
176.
234; of Charles de
iv.
12.
for, iv.
i.
270.
136.
Swords,
275.
(Dreger, Major):
Court sword,
iii.
Falchion,
171, 172.
316.
Corvin shield,
"
century,
(Foulc, Monsieur
Bill, iii. 112.
158.
iv.
273.
293.
(Figdor, Dr.):
127.
Due)
ii.
249.
316.
iii.
176.
iii.
190.
iii.
249; pageant,
Kidney dagger,
239.
iv.
iii.
Topf worked
Swords,
XVth
Shield, of
256.
Picinino burgonet,
Pisan suit, iv. 77.
ii.
i.
176, 214.
i.
214;
i.
Montmorency, Anne
42, 244.
313.
iii.
289.
352.
Philip II suit,
suits,
Milanese harness,
87.
iv.
258.
iii.
273.
Jazerant by Negroli,
42.
Kolman
iii.
Inventory of 1583-96,
183.
34, 53.
iv.
344;
iv.
205;
i.
iii.
Daggers,
iii.
I suit,
iii.
of, type,
245.
Burgonets,
helmet
Classical,
243, 262
i.
101, 104.
273.
321.
85.
Bascinets,
Boce,
de)
iv.
v.
273;
26.
i.
suit, v. 50.
lxiii;
iv.
104.
182.
45.
21, 24.
lxiii
Pikeman's
i.
188.
Swords,
Two-handed sword,
72.
H.)
ii.
Hounslow swords,
97.
IV.
227.
XVth
Elbow-cop,
Gauntlets,
30.
101.
v.
Hanger,
iii.
S. G.):
iii.
Duelling gauntlet,
279.
George):
248.
i.
Mr.
Pole-hammer,
159.
(D'Ar/incourt):
Bascinet,
Mr.
(Durlacher,
continued.
339.
ii.
36.
T T
continued.
Collections continued.
(Kuppelmayr, Herr)
Bastard sword, ii. 256.
(Gayeski, Monsieur):
Salade,
ii.
32.
hilt
English sword-rapier
c.
1630,
Miniature armour of
63.
Fluted Maximilian
(Ludlow, Lady)
(Hastings, Lord):
Maximilian
iii.
suit,
251.
Bascinet,
i.
Gauntlet,
Gothic
ii.
ii.
Falchion,
Hammer,
iii.
war,
Helmets: puffed,
Mail,
iv.
Schiavona,
Swords,
326.
84;
i.
275, 287;
268,
ii.
iv.
271
3 26
Monsieur E.):
(Juste,
(Keasby,
Armet,
iii.
suit,
Maximilian
ii.
Coif of mail,
iii.
ii.
253, 256.
63, 66.
ii.
ii.
Kidney daggers,
Mail, coif
of,
ii.
ii.
i.
i.
iii.
iii.
iii.
Helms,
279;
i.
ii.
Mail,
iv.
73.
216.
iv.
222.
ii.
22.
v.
177.
97, 103.
118, 140.
ii.
15.
iii.
iii.
38.
shield,
iv.
250.
175, 177.
ii.
suit,
iii.
252.
Picinino
iv.
suit,
iii.
i.
Saddle
(Kenyon, Lord):
Buckler, ii. 249.
Salade,
steel of
ii.
279.
iii.
322
172.
4.
suit, v. 13.
341.
iii.
Hatton Greenwich
Seventeenth century
(Kitchener, Earl):
285.
337.
268.
iii.
202.
Pembridge helm,
253, 256.
125.
339.
Maximilian
20, 26.
by Picinino,
gilt,
iv.
86.
iii.
Morion,
20;
84.
202.
ii.
Mace,
33.
steels
iv.
Louvre School
Saddle
ii.
Helmets,
Lance,
59.
4, 7,
v.
38.
Kidney dagger,
44, 59-
217.
173.
Quillon daggers,
Rondel dagger,
century,
iii.
Landsknecht dagger,
Hauberk,
Jack,
173.
XVth
r.
La Roche d 'Argent,
"Holy-water sprinkler,"
Elbow-cops of
Swords,
247.
i.
Chapel-de-fer,
Daggers,
G.)
32
246.
Mr. H.
1,
Duelling gauntlet,
ii. 222
315.
iii.
suit,
Bastard sword,
Salade,
iii.
Gauntlets,
93.
Bascinet,
at
iii.
64.
Kolman
made
hilt
(Meyrick,
Sir J. )
62.
v.
329.
188.
ii.
Rapiers,
v.
89.
iv.
iv.
Ma rtin-Harvey,
Sword
268.
ii.
F. B.):
176.
122.
iv.
206.
iii.
(Lepage, Monsieur)
Kolman suit, parts of Philip II,
F.):
iv.
Burgonet,
Escuffa,
Swords,
170.
Mr.
(Joubert,
167.
;
ii.
87.
Chapel-de-fer, ii. 16.
Hilt by Leigebe, v. 89.
63.
213.
i.
suit,
17
Armet,
170.
Chapel-de-fer,
iv.
ii.
102.
i.
(Macomber, Mr.
225.
iv.
Burgonet,
Cinquedea,
Stirrups,
201.
de)
251.
iii.
tilting knight,
(Labanoff, Monsieur
iii.
suit,
66.
ii.
Chapel-de-fer,
v.
iv.
250.
INDEX
Collections (Meyrick,
Slashed
suit,
Swords,
iv.
263, 279;
ii.
(Migieu, Monsieur
Henri
continued.
262.
iii.
279.
M.
de)
iii.
354.
Mut rieta)
The
ii.
55;
ii.
The Nieuwerkerke)
Barbuta, ii. 69.
Kurgonet,
iv.
166.
Gauntlets,
ii.
212.
Horse armour,
iii.
2,
i.
187.
315.
166.
iv.
Salades,
Swords,
14
(Osma,
ii.
suit,
ii.
Duke
(Osuna,
Sessa
iii.
XVth
iii.
iv.
118.
38.
iii.
Marquis de)
century sword
Helm,
i.
(The Renne):
iii.
202.
iii.
saddle,
iii.
Gauntlets,
in,
ii.
286.
316.
62.
ii.
277
ii.
iii.
7,
Helms,
11 8, 155, 156.
ii.
Wolf
Philip II
Pommels,
261.
iii.
i.
Swords,
323
7.
i.
155.
iii.
21, 26.
168.
Spurs,
Stafford helm,
121.
iii.
ii.
Rondel dagger,
279.
316.
v. 70.
Rayne helm,
303.
iii.
suit,
62.
iii.
Quillon dagger,
Rapiers,
211, 213.
ii.
Helmets,
1.
ii.
330.
Claidheamh-mor,
Hauberk, ii. 177.
321.
Daggers,
ii.
iii.
104.
Chapel-de-fer,
104, 119.
11
v.
Brayette,
i.
Bills,
(Ramsbcttom, Mr.)
(Ressman, Signor)
Armet, ii. 85.
294.
Bascinet,
241.
Battle Abbey sword,
of Philip II,
29.
Cinquedeas,
Axes,
2.
Tournament
(Pallavicino,
Spanish
267.
267.
151.
of)
iii.
iii.
48.
iii.
i.
Rapiers,
118.
Signor)
135
i.
279.
iv.
Tilting helmet,
Swords,
100.
^,
12, 17,
ii.
i.
Spurs,
53, 80.
iv.
iii.
in,
iii.
Cutlass,
Grotesque helmet,
Dagger,
80.
iii.
Due
Kolman armour
of, v. 59.
Daggers,
250.
Dagger, ear,
Chanfron
246.
194.
Cinquedea,
4.
(Bickert, Herr)
Horse armour, iii. 181.
The Bierrefonds)
(
Christie's
210.
iv.
iii.
134.
i.
Mr. W.J.):
Man-at-arms, suit
Bascinet,
51.
Montmorency, Anne
182.
iii.
suit,
iv.
ii.
Greenwich
(Nolivos, Monsieur)
Morion,
261, 304.
Quillon dagger,
151.
Kolman
ii.
Montpensier,
iii.
iii.
iv.
Swords,
Sword,
104, 119.
51.
(Bavyer,
suit,
ii.
108.
Morion-cabasset,
Kolman
Salade,
(Napoleon III),
Maximilian
iii.
91.
iii.
Pole-axe,
Tilting salade,
Armet,
Partizan,
ii.
102;
156.
ii.
279, 281;
v.
68.
Tilting suit,
Wolf
127.
Mr.)
(Reubell,
iii.
Spurs,
iii.
170.
ii.
279.
Sword,
York)
W.
Museums (New
See also
H.).
ii.
Brigandine,
ii.
suit of,
iii.
iv.
of, iv.
19.
suit,
289.
iii.
century,
166.
Helm,
XVth
Campi
stirrups,
de)
ii.
276.
44.
Kidney dagger,
Pommel, ii. 279.
(Sangarren, Baron)
ii.
286.
iv.
Buffe,
Signor Man/redo)
iii.
iii.
iii.
F.)
i.
xxxvii,
250;
ii.
105.
Warwick
Castle)
260.
i.
iii.
249.
ii.
283.
152.
suit,
iii.
251.
( We atherby, Mr.)
iv.
281.
iii.
stirrups,
319.
48.
ii.
Dreux sword,
230.
iv.
Escuffa,
162, 167.
iii.
69.
Fifteenth century composite suit,
Gauntlets,
213.
Helmet, ex Magniac Collection,
iv.
Falchion,
iii.
Helm,
184.
iii.
245.
iv.
ii.
iii.
207.
122.
270.
funeral,
i.
285.
ii.
Pisan
i.
145.
Burgonet by Negroli,
Dagger of Saxon guard, iv. 207.
Daniele di Serravalle sword, iv. 312.
Cinquedea,
iii.
286.
iv.
321.
suit,
century,
Bascinet, reconstructed,
Maximilian
Bevor,
356.
221.
Mr.
(Stibbert,
Louvre School,
Philip II suit,
Tonnlets,
ii.
Chanfron,
Maximilian
ii.
305.
F. P.):
(Soltikoff, Prince)
Kolman
Sword,
steels of
XlVth
iii.
187.
(Settala,
Saddle
ii.
Campi
(Seguier,
century sword,
xxxvii, 250.
tilting,
Bascinet,
century sword,
(Seafield, Countess of)
Mr.
i.
XVth
Claidheamh-mor,
XVth
281.
iii.
Spanish
34.
iii.
135.
Miss Alice
Mr.)
250.
century sword,
(Salting,
iii.
( Uboldo, Ambroglio)
Suit of Milanese Maximilian armour,
(Roach-Smith, Mr.)
Standard of mail, ii. 182.
(Rothschild,
ii.
Gauntlets of
I^ate
Salade,
iii.
Bascinets,
292, 295.
ii.
103.
283, 285.
(Trapp, Count)
Armets, ii. 83.
248.
iii.
Swords,
i.
Spanish
Sessa
XlVth
Helms,
121.
Negroli breastplate,
v.
Franz):
Crossbow,
137.
204.
Seventeenth century
Stafford suit of Maximilian armour,
248.
(Thill;
Campi
Spur,
79.
suit, v. 15.
176.
Knee-cops,
Maximilian
103.
195, 199.
i.
iv.
Morion,
248, 262.
i.
v.
325;
70.
Main-gauche,
Maximilian suit, iii. 250.
316.
Bascinet,
Mr. R.)
iv.
v.
Mr
{fi'ggs >
continued.
Broad-sword,
2,
iii.
Collections
(Stuyvesant,
Daggers,
continued.
114.
Milanese helmets,
246.
Morion,
324
iv.
203.
iv.
112.
214.
INDEX
Collections (Whawell, Mr.
Negroli, helmet by,
Pikeman's
Salades,
sword
1). di,
iv.
Spinola, sword
v-
Coronation
suit
Burgonet,
iv.
208;
v.
310, 312
Bascinets,
i.
Mr.
IVillson,
i.
S.)
ance
See s.n.
in treasury of,
ii.
334.
of rectangular section on salade, ii. 41 triple,
on burgonet of Muhlberg suit, iii. 311; quintuple,
on close helmet, iv. 103; triple, of German bur:
gonets, 167.
Combination weapons of
iv.
late
XVIth and
early
XVIIth
i.
lix.
"
British
Museum,
of, iv. 4,
Coventry
mony,
from,
ii.
at,
23,
4.1
cathedral
sleeping knights,
of,
ii.
of,
ii.
Creke, Sir
J.
de, brass,
Capita, or chanfron,
iii.
degke
on
267.
swords of cere-
s.n.
i.
iii.
135.
230.
MS.,
ib.;
of
Black
effigy, ib.
on bascinet,
152;
Prince,
of
on Black
bronze ornament
finger-ring guard,
128.
ib.
148.
258
"
letter
iii.
of,
i.
44,
Crescent, and
292.
i.
101
Cranequin," of crossbow,
Cray, John, brass of, iii. 4.
59.
96,
ii.
"
carved statuette of
with
v.
s.n.
v.
appear-
Stockholm, 98;
129.
Conyers
salade
at
97;
of,
first
143.
d'Artillerie,
ii.
Musee
in
17, 63.
Constance,
ib.
iii.
at Windsor, 98, 10 1.
Courval Collection. See Sales,
ib.
"
suit
340.
ib.
knuckle-guards,
Court swords:
centuries,
of, as
Colichemarde blades
Comb
47.
156; Maximilian
ii.
first
of
45.
249.
iii.
Tower
suit
249, 256.
Kidney dagger,
i.
300
156.
Visor, pig-faced,
iii.
See Partizan.
Corseque, a form of spetum, iii. 110.
Corvin, Matthias shield of, ii. 236 ; sword presented
by, to Duke C. of Bavaria, 334.
Count Hans)
Wilczek,
332
ii.
at,
worn by
29; Smythe Greenwich
at,
"
Coronel, Cornel, Crownal," or
Crownackle,"
lance, iii. 83 ; in Vienna, ib.
Corporation swords. See Swords of ceremony.
310.
122.
iv.
and champion
"
of. iv.
Sir
312.
233.
95-
Tilting helmet,
iv.
by,
ii.
lion suit
7,
Shield, Pisan,
Swords,
J.) continued.
S.
292.
suit, v. 49.
ii.
Serravalle,
iii.
55;
in
Xllth
century helmets,
325
XlVth
short history
of,
in Scotland, ib.
162;
extant
in
Bardini
century, 164;
Collection and Madrid Armoury, 165 in Vienna
on helmet, 166; on horse chanfron and knight's
;
helm,
iii.
148;
funerary,
on close helmets,
iv.
on
See Collections,
traits of,
Cup hilt
s.n.
56 ;
in armour,
of,
decorated suit
star
ib.
helmet
v.
of,
60
53;
por-
114.
of,
59 Spanish and
;
Italian,
ib.
York, 70 two dated specimens, /Z'.; inWallace Collection, of 1701, ib.; by P. Willems, 73; Windsor
Crinet
third quarter of
XVth
Crossbow: introduction
iii.
133
bolt
of,
of,
26
i. 1
i.
218.
i.
century,
125;
126;
stirrup of,
of, ib.
Castle examples,
ib.;
141
of,
form
pistol
of, ib.
"
1914, 195
made
Maximilian
for
Crown Regalia
I,
in
armour
;
on
;
203
Henry VIII
of horse
Cuisses
124
i.
Richard
effigy,
uses
i.
169
early, in
Zouche
Wallace Collection,
suit,
suit,
iii.
at,
Ashmolean Museum,
Astor Collection,
Basilard: order
flattened
Bemal
iii.
iii.
iii.
Collection, ex,
iii.
225;
for the
1540
326
8.
iii.
44.
26.
iii.
26.
iii.
iii.
3, 4, 5,
Museum,
Carlton
iii.
House
in,
n.
iii.
Inventory, referred to
in,
iii.
61, 63.
iii.
80.
Ckampleve", enamelled,
Cinquedea,
iii.
65
Composite type
iii.
13.
et seqq.
iii.
of,
13.
Cuir
bouilli, sheaths,
iii.
Dino
Collection, ex,
Dirks,
iii.
iii.
iii.
13.
34, 53.
30, 38.
Earliest specimens,
of,
236.
11,
8,
diamond form,
Sale, ex,
74.
50.
iii.
in,
of,
44.
v. 105.
73.
in,
in,
Museum,
Bargello
76
iii.
d',
Burke Collection,
in
c.
of foot-combat
Arundel Castle,
British
Musee
1480
on Crosby effigy, 218; of
Henry VIII suit, iii. 234 reinforcing, 238 in
Rotunda of Bayard suit, 248 ; of Maximilian suit
of ten plates for back of leg, 252 ; in two parts
of Wolf 1554 suit, 316; of French Henri II
smallness of, on Greenwich suit,
suit, 353 ;
v 35
f Smythe Greenwich suit, 41.
>
Artillerie,
Bateman
Culette
ct seqq.:
Bellunese make,
See Leather.
Windsor, 216; of
ib. ;
with ridges
associated, 234.
on Beauchamp
iii.
234.
277.
is
Cuir
iv.
v.
i.
of
Daggers,
Henry VIII,
Tower, ib.; a
century, in
ib.
103.
Cyclas on brass of 1325, i. 149; period of, 221.
Cylindrical helmet: no extant specimen of, i. 109;
on effigy, ib. ; development of, into flat cap, in.
Compass."
265.
the guarda-polvo,
Cutlass,
New
ib.
of,
i.
75
Curtana,"
Curved swords,
bolts
suite, at
and main-gauche en
rapier
portrayal
iii.
on, 69
Lyons, 354.
Crosby, Sir J., effigy illustrating complete armour of
59, 64,
on an
effigy,
i.
124.
65
earliest
representation
INDEX
Daggers
-continued.
Ear-pommel, order
Daggers continued.
on
Effigies as represented
9,
",
3i> 3 2
English,
et
i.
Venice,
ser/i/.
124, 173,
iii.
Flemish type
Forman
iii.
of,
Collection,
Foulc Collection,
Francois
iii.
iii.
62, 71
iii.
Guildhall
iv.
Whawell,
69, 76.
41.
8,
80.
iii.
iii.
Zayas, damascening
30.
59,
iii.
at,
Zeughaus,
in,
iii.
24, 38.
Windsor,
30.
iii.
21, 24,
1,
312.
iii.
iv.
by,
of,
335.
28.
2,
rr
iii.
of,
3,
13, 40.
Fideli,
175;
make,
of,
48
iii.
of,
Museum,
iii.
iii.
300
of,
iii.
Keasby Collection,
n,
3, 4,
iv.
Daggers.
Dague
8, 57.
iii.
n,
Londesborough Collection,
ex,
iii.
London Museum,
u,
iii.
Landsknecht,
oreilles.
ct
Danish axes
ib.
6, 7,
Landsknecht,
310.
Darell,
59.
iii.
4,
6,
16,
1,
53, 76.
18,
34, 5-
in,
ii.
196.
Daundelyon, Sir
Meyrick Collection,
Milan,
at,
iii.
ex,
iii.
iii.
7,
Pavyer Collection,
iii.
iii.
Quillon, order
v.
Davis, Charles.
103.
Dawtrey, Sir
of,
iii.
2 et seqq.
iii.
iii.
of, iv.
J.,
helm
of, at
Petworth,
2,
i.
iii.
of,
174; order
of,
iii.
16
i.
21
on
ii.
19;
v.
255.
See also
En-
iii.
48.
iv.
XHIth
century sword,
i.
94, 101
ii.
iii. 1,
early
XVIth
century swords,
iv.
261.
s.n.
Bills,
i.
250.
76.
i.
57 et seqq.
69.
of,
of,
to
65, 124.
iii.
Thirteenth century,
iii.
10.
26.
71.
of,
284.
Stibbert Collection,
1,
i.
on
iii.
of,
Arabesques: on
44.
iii.
iv.
on Vlth
of:
Animals, designs
79-
Use, as to early,
204.
i.
iii.
Anglo-Saxon helmet,
207.
Seventeenth century,
Transitional order
99, 232.
Italian armourer,
iii.
helm, and
crest,
ii.
Aqua-fortis etching,
in the,
for
2.
iii.
et seqq.
Tower,
at
effigy of 1460,
of,
Henry V,
Debden
4.
Saxon guard,
of,
gravers, etc.
Collection,
on
80.
Reubell Collection,
Rondel
34, 53, 65
53, 80.
iii.
Ressman
38.
Daussonne, Estienne,
Odescalchi Collection,
at,
Margate,
Daunt, Thomas, charges
53.
Prague,
1,
J.,
22.
iii.
etching on,
Bits, of,
65.
327
iii.
iii.
161, 162.
2.
B.,
ii.
court sword, 99
83.
of
XlVth
century, 161.
ii.
chapel-de-fer,
227.
of,
Cloisonne",
derius,
iv.
"K.D."
iii.
suit,
i.
suit,
206; of
305.
embossed
flowers,
i.
i.
151.
Etching, Engraving,
Negroli, Campi,
B.,
Louvre School,
for,
iii.
iv.
by,
Mercury, use
284.
53; of Maximilian
iv.
helmets,
241,
91
247;
219;
gauntlets,
German,
close
ib.;
-
i.
21.
Missaglia:
of, in,
"
306;
Partizans, iv. 346
iv.
iii.
Negroli,
Pewter,
of,
ii.
Genouilhac
suit, of,
125, 131.
1537,
iii.
iv.
142
Ghisis,
v.
244;
17.
Grotesque
helmets,
Helmets
silver,
plate,
i.
50
of
iv.
XVIth
century,
iii.
254
et seqq.
of
95.
of Maximilian period,
iv. et
seqq.
See
328
92
et seqq.
etched and
ii.
gilt
38, 88.
81.
et seqq., 219.
et seqq.
iii.
iii.
326.
331
et seqq.
iv.
17.
Plates, distinguished
from superimposed,
i.
lvi.
332.
Puffed armour,
231, 237.
iv.
51.
Picinino, by the,
forgeries of, v.
r.
89.
iv.
i.
of,
Pisan armour,
222
v.
Vienna,
21
lviii.
i.
2 1 1
fluting on, of XI Vth century, 212;
on
XlVth century, 213; Gothic tracery
cabling
on, 216; Maximilian fluting, 219; embossing of,
ii.
in
ii.
240 etseqq.;
iii.
of,
v.
250;
century,
iii.
Pickering, by,
xxxvii,
XVth
342;
iii.
of,
effigy,
i.
272;
late
bascinet,
suit of late
iii.
on
Louvre School,
iii.
of,
armour,
299;
ii.
German
to
of,
Maximilian armour,
69, 77.
i.
Milanese,
swords,
273
ii.
on XVth century cuisses, 175 of FrancoItalian Gothic suit, 206; of bascinets, 231
of
ii.
120,
et seqq.
Fluting:
salades,
iv.
212; of gauntlets
Leigebe, G., of swords by,
s.n.
iv.
305, 314;
318;
310,
104, 167.
borders
or
Picinino,
dei, by,
353, 356.
iii.
lvi.
Embossing.
iii.
of,
See Embossing,
Ercole
iii.
borders
Forged,
of, v. 47.
Diamond
Fideli,
s.n.
Keiser, Hans,
Landsknecht
See
Jewels.
iii.
286
of
et seqq.
iv.
Kolman: Koloman,
et seqq.
Classical type of
276
69
iii.
et seqq.
59
et seqq.
Knopf, Heinrich,
Cinquedeas,
v.
of
ct seqq.;
270
ii.
infra, Salades.
XVth
century swords,
of rapiers,
enamel, on, 283
Castellated design,
and
Hilts: of
gauntlets,
Campi,
iii.
262
iv.
iv.
103.
Sadeler,
Salades
i.
lvi
See
also
Campi,
B., Picinino,
s.n.
s.n.
INDEX
Decoration of armour and
ro;
etching
Louis XI, 43
arms continued.
on,
slashing, of,
Seusenhofer
suit by,
of,
fluting
on,
53;
95
of
engraving on armet
218; of close helmet
iii.
ii.
by,
234
"
"
Spanish armour,
Speier, Peter,
v.
302
109, 170.
of
XlVth
of:
of
Xlth century,
etc., ib.
Swords,
century,
i.
iii.
280
iv.
260
21; ofVIIth
12, 14,
of.
granulated,
v.
59
Topf,
J.
312;
et seqq.
Leonardo
iv. 76,
172.
on French Gothic
suit of 1480,
270;
ii.
iv.
131,
140, 284.
Wolf of Landshut,
of,
Lisle
iv.
family,
iii.
Missaglia,
iii.
Negroli,
27;
v. 3.
314.
iv.
249;
Lucio,
Picinino,
18,
129.
249.
iii.
331,
336,
338,
340;
137-
Collections,
iii.
294.
iii.
iv.
316, 328;
107, 176,
128
ii.
Nuremberg,
ii.
iii.
and swords, i.
wore armour, Iii; on the Warwick effigy, 164;
on the Dino Gothic suit now in New York, 201
on staples of bascinet, 239; on the German
make of the Dino bascinet, 263 on archer's
on barbutes, 67; on armets, 76;
salade, ii. 32
on Lindsay helm, 106; on Rayne helmet, 155;
on Wimborne helm, 157; on tournament helm,
162
on XVth century sword in Carrand Collecon ear-pommel sword in Bargello
tion, 261
281
on voulges, iii. 107
on crossMuseum,
bow of Ulrich V, 129; on Wilton suits, 269;
on work of B. Campi, 284
on Alessandrino
on the so-called armourer " Seracolour, 285
on Henri II suit, 350 on Greenbaglio," 294
wich armour, iv.
on the so-called armourer
on
"Piripe," 134;
Hedingham Castle helm,
v. 179.
See also De Cosson, Sales and Collec;
tions.
Turin,
Venice,
iii.
333.
v. 15.
v.
48.
131.
Whawell Collection,
at, v. 3,
v.
iii.
II,
11.
iii.
248.
II, v. 48.
of, iv.
Martinengo, Antonio,
Maximilian I, ii. 124.
Philip
Emmanuel
Philip III,
Sessa,
336.
Bourbon, C. de,
Charles
3'4. 336, 33 8
49.
(Historical association)
Alfonso
78, 137.
47.
287.
ii.
ii.
Duke
of,
(feriods
and
iii.
iii.
v.
3,
11.
18.
iii.
287.
of Savoy,
340;
Worcester, Earl
Classical,
329
v.
Windsor,
iv.
248, 331
125, 132;
Tower,
333.
iii.
Stuyvesant Collection,
ii.
Pompeo
Cesa,
New
243-
De Cosson, Baron:
ii.
251.
v.
Spain, temp.
or C.| by,
Vinci,
XVIth
of
Warr,
Kolman
164, 206.
la
in
311.
helm of family of, at Broadwater,
(Armourers)
silver,
iii.
Demi-suits
et seqq.
iii.
iv.
Spurs
Charles V,
250.
5.
of,
275;
iii.
of rapier of 1701,
iv.
hilt
78.
lierreruelos,
147;
De
102.
iv.
by,
De
De
/'/>.
v.
v.
v.
14.
14.
331.
Styles)
u u
iv.
side of
Styles)
Diamond
decoration,
Embossed,
Milanese
iv.
graved,
v.
Pikeman,
Pisan,
iv.
129.
248
iii.
iv.
classical
137.
(supra)
en-
78.
78.
14, 15
German,
German,
Tilting:
Italian, v.
n,
124,
128;
127,
125,
of,
i.
92
ii.
134.
forged incised slab
iii.
265.
et seqq.
305
iii.
17.
II suit,
helm-bascinet
iii.
iii.
at,
Eord
on
Canterbury,
217
iii.
Due
Two-
See
seqq.
iii.
98.
brass
in,
showing rondel
v.
264.
Drummond
of,
on
St.
George
at,
museum
at,
in
ii.
70,
145
157, 176;
camail on
collection of
M. de
354.
the helm of the Black Prince at
i.
275
Tower armoury,
curator of
on Greenwich armour,
de, Collection.
mail,
iv.
iii.
43.
ii.
in
ii.
specimens
Durand
Diirer, A.
drawing
ii.
drawing
of,
moulds used
armour,
in
191;
manufacture of poor
in,
iii.
in,
ii.
drawings by, of
238.
tilting
D'Uzes,
Duchesse,
armour
168
suit,
iii.
188.
iii.
i.
30, 38,
215.
ii.
Dobbles,"
Laking Collec-
344-
helms,
Due.
in
2, 9.
ii.
ii.
"
Madrid,
7.
Dress
Duelling gauntlet
129.
ii.
ct
iii.
reversed on,
D'Istre,
at
346.
Migieu
iv.
Poitiers,
Dijon: statuette of
Dino,
153.
269
Diane de
Henri
Dillon,
iv.
Duclercq, reference
Designers.
Diamond
helm
iv.
Draguignan, three-quarter
Draycott Cerne church
dagger,
120,
ii.
inventory
48
47.
ii.
Italian,
v.
English,
v.
of, iv.
Double-handed sword,
handed swords.
Douce MS.
49.
Seventeenth century
Denis, St.
iii.
fluted,
iii.
Dymock,
in,
i.
liii
iv.
in,
i.
277.
Collection,
iii.
128.
Genouilhac
suit
of
iv.
29.
230.
worn
by, as
"champion,"
i7-
Doge's Palace:
formerly in
formerly
129.
effigy
in,
in
i.
21.
Donatello
forged
name
Donati, Manno,
Door:
of,
effigy,
230.
to bevor of salade,
ii.
ii.
63
of Picinino
morion,
336 of cabasset of Pisan armour,
iv. 78 ; of burgonet of 1540, 141 ; of burgonet by
iii.
271.
i.
55;
in side
of helms,
330
of France, 209.
INDEX
" Ear "
daggers,
et
48
iii.
se</</.
Effigies (Names)
Gothem, G. de,
Astor Collection,
Bargello
Museum,
Daque a
ore/lies or,
Date of
earliest,
iii.
51.
Collection,
c.
1450,
pommel
iii.
in,
iii.
50;
50.
53.
wearing,
at, iii.
iii.
iii.
Odescalchi Collection,
Ressman
iii.
ex,
iii.
54.
53.
Nevill, R.,
53.
Schwarzburg, G.
51, 53.
Shrewsbury, Earl
Suffolk: Earl
iii.
53.
280.
in,
ii.
42
v.
157.
lance at, 86
i.
at,
lxiii
silversmith,
Museums (Royal
Museum, Edinburgh).
Scottish
346. See
ii.
Bardolf, Lord,
Berchtoldus,
Blanchfront,
163;
i.
150;
i.
i.
ii.
ii.
Sir J.,
ii.
Duke
Cornwall, Earl
Crosby, Sir
J.,
iii.
253.
of,
i.
i.
iii.
274, 225.
229, 274.
i.
i.
174.
160; Duke
i.
ii.
i.
215
Ash,
ii.
236;
i.
ii,
219.
207.
Ashwelthorpe,
Awans, Liege,
Brancepeth,
Brussels,
iii.
Bunbury,
ii.
i.
2.
236.
iii.
32.
178.
148.
2.
ii.
31.
232
i.
Canterbury,
i.
iii.
150;
i.
9.
ii.
207;
iii.
31.
163, 253.
227.
i.
i.
229, 274;
iii.
10.
i.
iii.
Hertford,
iii.
ii.
207.
31.
Holbeach,
9.
i.
Hughenden,
Ightham,
31.
London
156.
ii.
i.
Louvre,
173.
331
121.
227.
159.
112.
i.
212.
(Temple),
i.
219.
i.
of,
178.
229.
Gloucester, i. 112.
Gosberton, i. 121.
219.
Gattamelata, General,
of,
227.
i.
Arundel,
Freiburg,
212.
of,
271.
112.
i.
of,
i.
Alvechurch, Worcs,
Gothem,
iii.
Frankfort,
32.
227.
i.
215;
234.
Cawne,
ii.
229.
i.
Black Prince,
236;
203.
Fersfield,
i.
ii.
Denningtoh,
51.
Effigies (Names)
Arundel, Earl of,
122;
Valence,
dagger,
3.
no.
of,
50, 53.
ii.
iii.
159.
i.
v.,
iii.
Edward III:
i.
v.,
in,
Ear-pommel sword,
229.
Duke
R.,
Pembridge,
Sachenhausen, A.
53.
iii.
156, 227
i.
161.
i.
Normandy,
50.
iii.
Collection,
Wallace Collection,
172, 218.
m,
Sir R.,
iii.
i.
Donati, i. 230.
Montfort, R. W. de, i. 113.
Montmorency, the Constable, A. de,
Nevill family, of, ii. 2, 23.
51.
53.
31.
229.
Manno
iii.
of.
in,
iii.
i.
i.
Longespee, W., i.
Magnaville, G. de,
50.
London Museum,
Landschaden, V.,
Littlebury, Sir H.,
iii.
Francois
1
31.
de,
48.
c.
iii.
and G.
J.
Hohenlohe, A. V.,
Hungerford, Lord,
50.
iii.
in,
made
ceased to be
Decoration of
De Cosson
iii.
in,
Heers,
continued.
in the,
iii.
271.
no;
Great
St.
Helens,
Padua,
i.
Reepham,
i.
i.
Salzburg,
3.
ii.
i.
204.
Whitchurch,
Whitworth,
Wingfield,
Salade,
156;
i.
ii.
Shield,
59, 205.
160, 219.
148.
Taces
9.
226.
of
steel,
of 1230,
Chapel-defer,
ii.
i.
m,
230,
i.
59.
1 1
r,
1 1
i.
no;
of
XlVth
Elbow-cops
2.
i. 122
;
decorated, of 1376,
of
151;
1415, 160; heart-shaped inside plates of
1430, 163; of exaggerated form of 1445, 174;
showing arming points, 218.
Elbow-cops: of 1220-60,
i.
i.
159.
113; of Maximilian
218.
iii.
297.
in,
i.
195.
174.
Charles V, ex Christie sale of 1839, from suit of,
iii.
Cuir
i.
306.
bouilli,
Dean, Dr.
of
XI Vth
century,
B., Collection,
i.
121.
161.
i.
Greenwich School,
ii.
Henry V, 162
Italian harness, of
XVth
no;
9-
that of
i.
pattern,
paw
113.
Xlllth century,
of 1490, of bear's
Cap
242.
of mail of early
174.
151.
236
ii.
i-
i.
2.
of 1376, 151
220.
267.
Ailette, of 1229,
ii.
Sollerets
174.
i.
159.
252.
i.
i.
Westminster,
of
with
169.
i.
165.
i.
HIS.
of 1425, ib.\
267.
Wertheim,
l6t
161, 252.
i.
Lance-rest, of 1440,
230.
Warwick,
i.
iii.
122, 172.
1,
229;
i.
i.
Tewkesbury,
i.
170.
Schonthal,
Slaindrop,
227;
156,
1
of
213.
i.
Salisbury,
Wells,
1337. 5 6
173, 230.
ii.
Play ford,
Turin,
229.
i.
century,
i.
Inside
of,
of, iv. 2,
plate on, of
Interchangeable
for
XVth
foot
century,
25'-
Introduction
of,
i.
332
i.
175.
and mounted
121, 124.
i.
163.
182,
64.
217.
Keasby Collection, of 1450,
Kolman, by, iii. 306, 313, 315, 324.
180,
use,
iii.
INDEX
Elbow-cops continued.
Missaglia, by
on Turin
different in size,
Reinforcing,
i.
Size of right
BrioSCO, Andrea,
Burgmaier, H.,
Cellini, B.,
York,
iii.
varying,
left,
of, in
178.
i.
Tower,
iii.
Zouche
suit,
iii.
315.
i.
iii.
257.
316.
217.
i.
in,
in,
iii.
iii.
in,
ii.
iv.
52, 137,
Ercole dei,
273;
ii.
iv.
Holbein,
57;
ii.
270;
ii.
iii.
213.
show-
Rizzo, Paolo,
iii.
iv.
Salamane
Sesso,
327
iv.
i.
60;
Vittoria, A.,
of
"
Brown
4i.
iii.
"bill,
14
14, 15,
5,
42,
19,
20, 21,
23,
25,
47;
pole-axe, 103;
chanfron, 187, 205; of Green-
43>
;
45.
et
iv.
setji/.;
v. 17 ; hilts
basket-hilted
316;
sword, 325
92
partizan, iv. 347
complete
miniature suit of 1640, v. 43; pikeman's armour,
49; gorget of 1650, 52; of man-at-arms, 58;
"mortuary" swords, 91;
rapiers, 60 et set/t/.
;
v.
103;
Hounslow swords,
cenes,
etchers,
embossers,
and designers:
183.
iv.
155.
iii.
350, 357.
Norman
epoch,
i.
"
"
tooled
work on
52; of
and Engraving.
Ensinas, Juan de, crossbow maker,
Epee-de-passot, iii. 66.
Epie de Religion, iv. 289.
Escuffa: of armet of K. Kolman,
Philip II D.
Kolman
iii.
ii.
138.
97; of helmet of
suit of 1550,
iii.
313; by
K. Kolman of Charles V helmet, iv. 121; of
tilting close helmet in Whawell Collection, 122.
"
Eskirmye de Bokyler," ii. 243.
Espada
ii
283;
Engravers,
iii.
270;
ii.
>
270;
ii.
36
iv.
ii.
da,
of
lxiii.
Leonardo
Vinci,
35.
292.
iv.
i.
Verrocchio, A. del,
248; daggers,
283.
121.
155.
de.
Vans, Hew,
shields,
26.
iv. 4,
251.
on Norman
69, 77.
v.
Mola, Gasparo,
332.
Pirckheimer, Hans, iv. 102.
XHIth
220,
iii.
i.
295.
Enarmes, or straps
iii.
235
iii.
346.
Mielich, Hans,
Embossing.
Enamel on
241, 269.
270.
Heemskerk, M. van,
Leis, A.,
iv.
270.
iii.
305; iv.
Antoine
de, ii. 270.
Jacquart,
Keiser, Hans, v. 47.
Laune, Etienne de, iii. 350.
175.
313
ii.
Hopfer, Daniel,
in,
lviii;
ii.
168;
i.
Fideli,
Zouche Collection,
ii.
321.
279.
243, 269.
ib.
removable,
of,
Diirer,
in
263;
iii.
i.
Donatello,
256.
iii.
ii.
Caldara, Polidoro,
New
and
Collection,
iii.
195, 313.
Slashed armour:
Wolf, by,
178;
337.
suit, of, at
Wings,
i.
307.
iii.
Picinino, by,
on,
suit,
iii.
Negroli, by,
Scroo
left
Montmorency
damas-
embossers,
etchers,
cenes, and designers continued.
Engravers,
and
right
damas-
la
Gincta
only
"Boabdil
"
sword, 285;
Espaliers:
nine
a Hispano-Moorish sword,
specimens
or "Villaseca" sword,
Don Fernando
suit,
iii.
ib.
ib.;
ii.
the
the Luynes
sword, 286.
replacing pauldrons in
German Maximilian
333
known,
1490,
251.
i.
219; on
Estoc: of Francois
iv.
cr
264
iii.
i.
lix; described,
of Henri II, ib.
ii.
v.
196.
260; early
before
practised
ib.;
Diirer's
the armour
completely covering
on cinquedeas, 69
hofer suit of
ii.
Henry VIII,
lviii;
XVth
on daggers,
; on Seusen-
211.
of,
for Philip II
Swedish,"
of leather, 144.
1400,
xxxviii
i.
lix;
iv.
in,
232
decoration
92;
burgonets,
iv.
i.
bard,
of,
iv.
XVIth
century,
century,
iii.
294.
i.
185.
100.
i.
suit in
iv.
Madrid,
305.
v.
15.
iii.
v.
57-
ii.
of, at Berlin,
iii.
Nevill
at,
146.
See Collections,
on
s.n.
"
hilt
"
iii.
century, 287
iv.
on swords showing
transition to
260.
specimen
Flamberge,
Flanchards
v.
:
in
Edinburgh,
ib.
6i, 96.
of 1420, in a miniature,
iii.
154; Gothic
270.
334.
iv.
116.
i.
ii.
127;
XlVth
of,
i.
127; on
iii.
Fauchard, of
sword
battle
his collection,
centuries,
239.
234; of Greenwich
of
the
Colbert
179;
burgonet, 187.
Tower,
282.
ii.
Lobera
adapted to
blade, i. 100 portrayed on a picture of close of
XVth century, ii. 253 ; single, of sword of early
of, iv.
of,
Finger-ring guards
"Falling" buffe:
sword
s.n.
at,
XlVth
214.
Fernando, Infantado,
Figdor, Dr.
v.
XVth
Falchion: in Xlllth and
Edward
138.
ii.
of,
at,
i.
Evelyn, John,
ii.
86
iii.
time, ib.;
88; on
et seqq.
Feather:
to
surface,
285, 338;
114.
"
iii.
186.
ii.
figures of
delicate
Faitlde, of mail,
armour
Estival, or leg
French,
Uom-
21.
i.
192.
Flat wheel
107.
334
INDEX
and rock
XVth
139; on
crystal,
century swords,
Wheel pommel.
F/ei/r-de-lys: armourer's mark of, ii. 64, 133, 197, 270;
embossed on Kolman suit made for Francis I, iii.
273; on Munich cabassets, iv. 217; on swords,
See a/so
259, 287.
ii.
Gothic
helm worn
Field,
at,
v.
152;
ii.
of bascinets, 231
Milanese origin
of,
the
Stafford
ib.
Milanese half
Wallace Collection
91 etseqq.; forgeries
English,
v.
id.
Museum,
tilting suits,
249
of, ib.
example
close helmets,
of,
iv.
and
Italians,
20
of,
v.
la,
Foot combats:
for,
114.
ii.
silversmith,
of 1490,
193.
208;
i.
100; Lirer Swabian Chronicle showing, 100; reto, by Olivierde la Marche and G. de Chas-
suits of
reference
Henry VIII
for,
Henry VIII
ib.
224,
102,
for,
237
Foulc, Monsieur
251;
Medici, 264;
See also Champ clos.
"
"
Forbidden gauntlets, ii. 220;
suit of
iv.
in
iii.
213
of early
iii.
66
v.
of,
iii.
iv.
possessions of 1560,
i.
176.
at,
138
of cinquedeas
of halberds, iii.
XVth
335
Due
d'Orleans by,
176.
French armourers
at,
Freiburg, effigy
i. 228.
Crown
50.
of
"Donatello" sword,
sword in Madrid Armoury, 286
by San-Quirine,
181.
i.
name on the
271; Spanish XVth centuryii.
s.ti.
Frankfort, effigy
gauntlet in Tower,
bascinet in
used on, 249
funeral helm, ex Thill Collection,
a circle
33.
iv.
in
points
ii.
See Collections,
47.
Tower, 255
Edmond.
iii.
Albert
Paris, of 1890,
1515 for a
of Negroli School for, 265.
de Lalain,
J.
Windsor
at
brayetle of suit of
of
to,
bascinet
ferences
of cup-hilts, 141
estoc used
telain, 101
Wallace
and
ii.
for,
in the
Victoria
helms
ib.;
the
in
Fontaine, Etienne de
suit
106;
ii.
ib.
123, 124.
Collection,
typical
suit of,
252
by Germans,
of,
of,
Solingen,
various examples
Rotunda
fine breastplate in
//'. ;
241, 247
features of
;
121
Nuremberg
iii.
285
of
Zuloaga,
227
241.
Florence, frescoes
223
19
armour
274.
Hodden
in
suit,
of,
i.
lviii
iii.
wood
helms
of,
rondel dagger
curved sword
of,
268
iii.
damour,
ib.
d'Artillerie
Henri II
suit,
347
helmet
f)
no;
of, iv.
v.
53;
57-
hammer, 342;
Barry Collection,
87, 88,
hilts,
forgeries
188;
i.
v.
iii.
of, at
tury specimens
ditto in
hagen, 1/1.
;
i.
281; ex
Astor Collection,
See
ib.
Church armour.
borne
of
at,
Duke
of Norfolk,
ii.
i.
154.
94
helm
See also
Church armour.
Fiirstenwalde Arsenal, schallern
Black
l'rince,
in,
ii.
3.
on
Duelling,
iii.
i.
brass,
i.
ii.
ii.
214.
H., in collection
\V.
"Forbidden,"
220;
ii.
XlVth
161;
i.
of,
Greenwich School,
i.
xxxvii,
122,
ii.
213.
47.
250;
159,
ii.
II suit, of,
"Hour-glass,"
ii.
iii.
53;
v.
22.
ii.
213.
348.
209, 214.
217, 219, 222.
ii.
Madrid,
Mail,
i.
of,
Manefer,
Gothic,
ii.
Maximilian,
ii.
217.
no, 115;
ii.
219;
ii.
iii.
212, 243.
Meyrick Collection,
ex,
c.
1430,
ii.
215.
222.
ii.
205,
216;
of
XVIth
century,
219;
Pickering, by,
of,
on,
Nieuwerkerke Collection,
Plate, early
336
iv.
el seqq.
iii.
century,
v.
ii.
Nails, representations
329.
212
216, 217.
ii.
late,
ii.
231, 239;
iii.
188.
ii.
of,
i.
lvi, 220; iii. 183; effigy of, i. 173; portrait
wrongly ascribed as that of, ii. 39; suit of armour,
by Wolf wrongly attributed as that of, in Venice,
Gatterburg-Morosini.
213.
Laking Collection,
233; of fluted
XVIth
ii.
18S, 220.
ii.
Fenton, Mr.
Henri
206.
ii.
effigy, 169.
ii.
151
i.
of*,
Gothic,
champ
207,
Brasses, on, ii. 203, 205, 207, 209, 213, 214, 215.
British Museum, i. 159
ii.
209.
Cable decoration on, of XlVth century, Ii. 213.
Gadlings
Gambeson
ii
214.
burial with
204.
161
ii.
212, 215.
79.
Funeral
Bayeux
Kffigies, on,
257Frog, of rapier,
also
175;
ii.
211, 213,
ii.
in,
215, 219.
ii.
iv.
57
examples
v.
of,
ex,
ii.
ii
22.
i.
122.
214.
212.
iii.
ii.
316;
INDEX
Gauntlets
continued.
Pointed cuffs
Prince of Wales
57;
iii.
Glaives: a Welsh weapon, iii. 105; in Wallace Collecor fauchard, ib.: processional, of
tion, 107;
243.
by Greenwich School,
suit, of,
iii.
of
332.
Collection,
Twelfth century,
first
i.
214;
appearance
Velvet covering
of, in
XlVth
Castle,
Wolf, by,
iii.
ii.
combats,
century,
ii.
iii.
ii.
Gavin
Sale.
Gay, Victor.
ii.
57.
149.
s.u.
Sutri,
of, ib.
i.
iv.
mid-XVth
XVIIth
Duomo
of,
v.
century,
50;
from,
v.
in
Tower,
of
XlXth
falsely
century,
reputed to have
Gostwick, Sir
Gothem,
come
J.,
helm
in,
of,
effigy of
in,
showing
147.
i.
i.
effigy of 1260,
show-
121.
149; v. 156.
Gerardus de Gothem at, showing
iii.
of plates to
117.
160;
i.
52-
196.
of
iv.
230.
of Castelfranco porcentury Italian suit of armour,
ii.
204.
230.
340.
ii.
197.
classical suit,
i.
Tours,
di,
341.
Campi
traying
ii.
339.
Domenico
the
ii.
di,
di
Angelino
Trunck, Lorenz,
iii.
i.
ib.
for,
Genouilhac,J.Gourdonde:
liii;
230;
suit probably by Loys de Merveilles of Tours, ib.
description of by Dr. Bashford Dean, 239; extra
pieces of, ib.; horse armour of, ib.; date of suit
at
185; armet,
i.
made
v.
helm,
Giovanni, Simone
suit
See Knee-cop.
Genouilliere.
143
i.
See Collections,
See Goat's-foot lever.
Geis/uss.
of Mr. Whawell
209.
Gayeski Collection.
in collection
for
225.
208.
217.
i.
iii.
204.
316.
form
Windsor
in
by Seusenhofer, 245.
131.
fitting inside,
v.
of, in,
'
2x6.
ii.
XVth
our,
i.
in,
343.
Globose breastplates
Trapp
on
211, 213.
238.
iii.
suit, of,
ii.
iv.
century,
Glancing knobs
Collection,
Rondel, on,
XVIIth
iv.
22.
v.
Ressman
Sessa
215
ii.
of,
ii.
337
x x
171,
165,
paintings and
188,
189,
172; a cuisse
statues,
in
Missaglia suits
id.;
New
suits in
in Turin,
Collec-
at
ing suits,
helmets
in the
212;
pauldrons
of,
of verging
and Salades,
Bascinets, Helms,
"
"
Graffle
of crossbow,
iii.
i.
ing knee,
Prince of Wales
two pieces,
in
Great
"
bascinets
iv.
176;
suit,
248;
d'Artillerie,
ib.
v.
269
at
Norwich,
i.
258
Vienna,
i.
in British
262
in
i.
/.eughaus,
quet,
ib.
v.
156
showing buckler,
St.
in,
effigy,
ii.
century,
242.
Crosby,
1475,
of G. Pauilhac,
mid-XIIIth
'
showing complete
2l8
dagger,
26; of
38
of
iron of
of ear
XVIIth century
court swords,
59
v.
et seqq.
in collection
ib.
258
cinquedea, 74 ; highly decorated, of XVIth century swords, iv. 282 et seqq. ; granulated, of Serravalle sword, 310; of Henri IV sword, 311
of
at Venice,
ii.
pommel
church,
136.
s.n.
ii.
s.n.
Company,
Artillery
on Missaglia
Musee
in
Museums,
207.
"
See
of one
186.
suit, v.
Green's Norton
of, in
at
suit
of,
54; of Pickering
suit,
i.
Grenoble Museum.
made
114; shield
lviii.
Cumberland Greenwich
of exist-
described, 19-76;
formerly ascribed to
207.
of
list
suits
by Pisanello of
Grand-guards portrayed
i.
stechtartsche
1438,
187 ;
shaped like, ii. 126 ; of
with grill
great suit of Henry VIII, iii. 232, 235
on right side, 238 of Kolman suit of 1550, 310;
of Greenwich armour
14; existing
of,
mistaken association
in picture
of,
of,
s.n.
140.
suits
feature
unknown
of armour
183,
of
208,
177,
compared with
Vienna,
Missaglia suit
213;
211,
the Zouche
in
chapel-de-fer,
to be
in,
66.
ii.
175;
tion,
190,
effigy of Sir J.
English armour of
338
et seqq.
iii.
Museum,
iv.
Burges Collection,
iv.
102.
97.
Lion
Maximilian, fluted,
297.
iv.
96.
iii.
298.
96.
iv.
97.
iv.
102.
INDEX
Grotesque helmets continued,
Scroo
on,
suit,
iii.
Hans Sloane
iv.
298;
iii.
in,
10 1.
iv.
Seusenhofer, by,
Tower,
"Hannibal's head-piece,"
"Hanoverian Porte,"
256.
iv.
97
formerly
I in
Vienna,
Hatfield Broad
ii.
Collection, 222.
i.
239.
by B.
shields,
i.
Hauberks
Xllth century, 66
See
Museums,
texture
s.n.
XVth
XlVth
cen-
i.
143; of
in
theGodendag, 144;
centuries,
iii.
at,
ii.
to,
in Stuttgart
Gusset of
plate, in
of mail,
Gwennap
ii.
i.
55.
Beauchamp
effigy of 1440,
i.
169;
186.
v.
Sale,
d'amies,
Hache
Museum,
Sempach
types
iv.
10 1.
of,
of,
207, 348
104;
ib.
;
type of,
the English,
j
ib.
Saxon guard,
Voulge.
Halstead church, shield
ii.
46
XVth
century, 185.
or standard of mail,
ii.
298.
See Grand-guard.
in, v.
ii.
89,
v.
240.
Heart, bladesmith's mark of, ii. 307.
Heater-shaped shields of Xlllth century,
;
i.
124;
76, 79,
in
v. 179.
of, iv.
Hefner-Alteneck, on Peffenhauser
Helms
See
Spetum, and
suit,
235
iii.
v.
26.
327.
"
:
i.
S,"
ii.
else////.
179.
178; of
century,
XVIth
98
iii.
"
121
XlVth
103; types
coif
becomes longer
in one piece, 68 ;
i.
and
117.
iii.
of chain mail,
of,
70 et se////.; breastplate over, 145;
century, 148 et seqq. ; of St. Wenceslaus,
burgh, of late
Sale.
34
i.
tapestry,
in
"5-
now
Bayeux
60.
Giiltlingen, conical
Gurney
in
examples of
39
Museum, London.
show-
121.
35; an under-
i.
287.
in,
i.
hauberk, 36.
Norman
Guige, of
Guildhall
Oak
114.
of,
s.n.
225.
s.n.
Guidobaldo,
probable breastplate
v.
in Lairing
188;
82.
218.
ii.
332.
iii.
ehapcl-de-fer of suit
ib.;
65
gauntlets by,
Guantidi Presa: lined with mail,
by,
in,
ii.
Earldom of Chester
ii.
1.
Maximilian
138.
Collection, sword of
Hansle, of lance,
its
iv.
161.
iii.
pistol
at,
Artillerie,
Musee
d',
ii.
339
v.
190.
Helm s continued.
Attachment
and backplate,
to breast-
of,
121
n8,
ii.
Museum,
Bargello
Bascinet
285
in,
into,
compared
with,
278
i.
of,
Bourg-en-Bresse,
at,
worn
with,
i.
265
iv.
Cap
277
i.
side,
v.
285
i.
Meyrick Collection,
Mezeil
padded, worn
in-
Capel, the,
portrayed on,
Chertsey tiles,
Church, i. 277, 280;
H7>
3 8 >
i53>
S6
i5 6
112, 114,
>
192, 193, 195, 196, 198, 212, 225, 240, 251, 256,
259-
Norfolk, the,
Nuremberg,
ii.
a,
i.
119.
159.
192.
in,
v.
152;
ii.
240.
Pembridge,
Comb
Petworth church,
on
119
i.
early,
at,
284;
117
ii.
v.
ii.
ii.
ex,
255.
at side of,
ii.
of,
Richard
ii.
with, 137.
Edward IV,
Effigies, on,
so called, of,
267, 268.
ii.
10, 138,
141
v.
158.
i.
English:
Fogge,
Forgeries
of,
266;
i.
161
ii.
Fourteenth century,
of,
Framlingham,
152
French,
ii.
Funerary,
ii.
at,
in,
i.
i.
v.
190.
v.
early,
i.
Godshill church,
Haseley church,
ii.
in,
160.
late,
ii.
ii.
138;
v.
v.
Sigmaringen Schloss,
i.
ii.
ii.
in,
119.
ii.
ii.
162.
156.
ii.
160.
in,
ii.
i.
i.
of,
267, 274.
ii.
140;
of,
i.
v.
179.
126, 136, 158, 162; crest of,
66.
Visor, miniature,
340
161.
129.
283;
in,
ii.
160.
ii.
cen-
156.
of,
in,
XlVth
Vienna,
179.
272, 273.
116.
i.
tury,
Venice,
225.
i.
no.
ii.
seal of,
Tower, in,
Truncated form
119.
in,
139.
ii.
185.
ii.
Stafford, the,
144.
275;
v.
ii.
187.
255.
Tower,
"General Service,"
v.
118;
ii.
240.
285, 286.
of, in
on
v.
ii.
Spanish,
113, 129.
27 $et seqq.
I,
102;
ii.
151.
275.
145.
i.
Gaunt, John
German:
v.
106, 114;
ii.
i.
129.
ii.
279;
xlii,
Pranck, the,
127, 144.
i.
ii.
145.
Dino Collection,
the,
Penshurst, the,
v. 196.
i.
of,
Dawtrey,
Door
by
I,
121, 126.
i.
Dijon,
Richard
118.
Cobham
Crests
132
118, 140.
ii.
seal of
156-
in,
Hi,
4>
272.
i.
ii.
v.
150;
180.
v.
154;
ii.
ii.
Neville, the,
136.
279
ii.
116.
i.
of,
on
by Antonio,
Missaglia,
147.
i.
ex,
as portrayed
of,
ii.
ex,
198.
Manuscript representation
Maximilian I, of, ii. 126.
193.
in, v.
133; crest
ii.
at,
153; v. 195.
ii.
Londesborough Collection,
Madrid,
161.
ii.
Little
158.
106, 109.
ii.
Lullingstone church,
14.
144.
Canterbury Cathedral,
tournament,
Lindsay, the,
v. 193.
ii.
164.
v.
109;
ii.
128.
ii.
Leather, for
ii.
226;
iii.
ii.
ii.
developing
274, 285;
i.
et seqq.
273.
INDEX
Helms
continued.
Warwick,
Weight
of,
ii.
275, 281;
i.
Westminster,
Willington church,
in,
Wimborne,
157
the,
ii.
108.
ii.
99, 112
ii.
in,
ii.
149;
v.
211.
v.
v.
charter to Chester,
appeared, iii. 218.
156.
in,
ii.
26.
suit of, at
ib.;
176.
Windisch-Graetz Collection,
of,
ii.
261.
at, v.
attributed to without
v. 158.
evidence, ii. 106, 109, in
of
VII
cost
of
salade in time
Henry
England
106.
ii.
suit of,
Tower
dis-
178; Seusenhofer
i.
bascinet-helms
146 et seqq.
Helmets, early: of Anglo-Saxon Thegn,
i.
8;
Norman,
in
109; the
steel cap,
hemispherical, of
cylindrical form,
See also
lerie,
iv.
346
Musee
of, in the
the,
Louvre
of, iv.
suit,
185, 256
iii.
354;
shield
iv.
of, in
185; shield
ess Rothschild,
"
Henry
in collection of
parade maces
of,
Henri IV of France
to,
226; estoc
of,
264;
sword of, i. lx sword and dagger presented to, on marriage with Marie de
Medicis, iii. 300; iv. 312; sword presented to,
by Clement VIII, iv. 306 partizan of, 346.
:
Henry III
Henry IV
V of England helmet in effigy of 1425 resembling that of, i. 162 ; missal showing arming
of, 1 86;
ruby in bascinet worn at Agincourt,
Henry
232; helm
of,
ii.
99;
v.
211
shield
of,
ii.
230;
gonfanons,
133
335.
"
Cellini
"
Heraldry
collection of Baronof,
later
Louvre, 349 ;
and of
d'Artil-
suit of,
date,
and Salades.
344
ib.
Maximilian type for, 190; "Burgundian" bard presented to, by Maximilian, 191 date of the Seusenhofer suit of, iii. 217; foot-combat suit of, 224;
tion,
of,
crests
"
gundian
of
on
d'armes,
chin-piece,
breastplate,
elbow-cop, gauntlet, and saddle steels of D. Kolman suit in New York, 312; on escutcheon on
Philip II chanfron by Wolf, 317 ; ragged staff of
made
Beauchamps on
sculptures
of, in
for, iv.
319.
341
Leicester Greenwich
suit, iv.
19
spear
38
suit,
boar-
fried
Parma, 351.
Quillons.
Heralds' College
iv.
tournament
roll at,
sword,
and helm of
effigy
mony
of,
102;
ii.
313
iii.
century sword
;
mace
Hernandez,
of,
ii.
102
in,
late
Hohenlohe, A. von,
nasal-guard and
Hexham Abbey,
i.
lxiii.
in Milan,
pair of
iii.
XlVth century
159.
belts by,
iii.
Vienna, 276.
Lacy, Greenwich suits formerly at, iv. 65.
"Holy-water sprinkler," iii. 123; of Eastern origin, 124;
in
Tower
collection,
ib.
305;
iii.
Augsburg,
"
121.
iv.
type of salade,
Wallace Collec-
in
i.
329; v. 81.
Horncastle church, scythe blades in,
Horse, burial with sword and, i. 94.
iv.
265
et seqq.
century,
iii.
Bossoirs,
iii.
Cattaffratto,
XVIth
of court swords, 97
i.
lxii
by Gott-
342
Chanfrons
Charles
329;
iv.
v.
205.
192.
iii.
See Chanfrons,
of.
iii.
197.
147.
s.n.
34.
iii.
203.
Colleoni, B., 1476 statue
See s.n.
Crinet.
Croupiere.
Rupert,
iii.
of,
XVIth
178.
I, of, v.
Charles V,
v. 104.
183.
Brussels, at, possibly for the legs,
swords, 92
by,
"
iv.
lxiii;
242.
Augsburg
Boutreaux,
tuary
iii.
147 et seqq.
Muse"e d\ complete, of end of
Artillerie,
289; designs
of end of
ii.
Horse armour,
Hoplite
tion, 4.
swords,
drawings
suit, in
XVIth century
Holme
ii.
of
270
ii.
fingered
example, 59.
Holenlandsberg, Lazarus Schwendi, Freiherr von suit
of, in Vienna, iii. 275; portrait of, wearing the
seqq.
ear-
205.
sword, 280
on
54.
effigy of,
Hilliard, Nicolas
Madrid,
tilting suit in
228.
i.
gauntlets,
v. 221.
salade in, ii. 42
Heyralde, Jacques, Italian armourer at Tours, otherwise Ayroldo, armourer of King of France, i. Ii,
on
iii.
289.
Astor
ii.
Hew
in
Ludlow Col-
late
in,
iv.
salade
stirrups in
salade by Negroli, 40
pommel daggers
92.
Pedro, a bladesmith,
on
on
British
XVth
13, 18
ii.
lection, ex
v.
Hermitage, Petrograd
i.
45 Xlllth century sword
decoration
Hispano-Moorish
Collection,
227, 280;
"
137
320.
Hereford:
13
ii.
See
s.n.
of,
has no,
iii.
183.
Count
INDEX
Horse armour continued.
Cuir
iii.
bouilli, of,
Flanchards
iii.
of,
176.
Archduke Maximilian,
of
Hunting swords,
by Maximilian,
to,
10, 14.
1
12 (spelt
Hitchenden
218.
iii.
T95-
on minia-
192.
of,
i.
i.
ib.
in text).
Seusenhofer,
by
190;
154,
iii.
"Triumph,"
197.
iii.
191,
211.
v.
102.
Hourt,
198, 201.
iii.
i.
ii.
157.
iii.
196, 197.
on, iii. 181.
of,
Madrid,
in,
Ingham church,
Mail,
147, 174;
ii.
iii.
204.
iii.
191.
iii.
190.
ex,
iii.
182.
iii.
See
Poitrel.
of,
iii.
of,
iii.
189.
203.
229, 232.
Statues of horses of
XVth
183.
in,
iii.
Tournament,
Tower,
in,
iii.
iii.
Wolf, by,
Horse
185.
in,
i.
iii.
suit in,
iii.
See Poitrel,
2.
s.n.
209.
iii.
104;
letters
and em-
ii.
v. 104
of, i. lxiii
Hoppe,
Benjamin Stone, ib.\ Kennet, ib.; Kindt,
ib.
swords, in Fenton Collection, ib.
"Hour-glass" gauntlet, on brass in S. Kelsey church,
ii.
v.
178.
203.
Hounslow, bladesmiths
ib.
/'/'.;
147.
198.
breastplate, or piciere,
blades,
125
189, 232.
iii.
in,
Hounslow
s.n.
Schwanzriempanzer
textile
in, showing curious
showing early quillon dagger,
3.
Inscriptions
brass
157;
203.
iii.
i.
212.
2.
ii.
Piciire,
iii.
iii.
of,
iii.
Nieuwerkerke Collection,
Philip II, of suit of,
defence,
196.
ii.
198; specimen
of,
in
Vienna, 199;
343
in
in
Inventories
"
on " Spanish General's shield, 245 ;
"
"
on
Cellini
shield, Windsor, 248 ; on Louvre
shield in Wallace Collection, 252; on Spanish
With century sword, Windsor, 304; on Henri IV
229
sword, 312
on Charles
on Henri
in
II
statue, v. 35
Dresden, 335
dagger
on Nuremberg breast;
plate
6 10,
271.
the
Jack,
i.
iv-
238.
214;
ii.
2 94J
iv.
132;
iii.
189,
344;
iii.
iv.
317;
Infantado,
Louis
le
xxxv,
Due
de,
i.
liv
Madrid, of 1652,
Mendoza, R. de,
iv.
340.
iii.
330.
Henry Lee,
2,
6, 12
iv.
iv.
i.
v.
jack,
ii.
plain,
inside sol-
fit
suit,
suit,
255
of
Kolman
suit
ii.
ib.
of
and
portrayed
ii.
190.
81.
i.
12,
138
ii.
167.
Julius II,
Jarmxc, coup
;
iii.
84,
124,
145,
190, 194, 212, 218, 222, 224, 225, 227, 236, 298
195,
men-
225
et seqq.
xliv.
98,
iii.
23.
77.
iv,
lerets,
42, 194;
ib.
extra pieces of
the name of, 8 ;
in wax, i. Ii
early, of plate, 122,
149; absence of buckles or hinges on, on Black
Prince effigy, 151; on the Beauchamp effigy, 169;
247
35. 49-
him described,
270.
of, v.
23, 42,
attributed to
on grotesque Scroo
iii.
Saffres, J. de,
MS.
Jambs: modelled
liv, lv.
ii.
298.
Jacquart, Antoine de, designs of sword hilts by,
Greenwich,
of
i.
re-
167,
133,
149.
Norman
linen pourpoint of
quilted
232.
i.
iv.
lxi
i.
ii.
de,
at,
117.
3i3Isle of
Alburquerque, Due
Ambras,
at, v.
of
Isle
iv. 2
Inventories
87.
iii.
82.
Interchangeable pieces.
iii.
shield,
continued,
Westminster,
244;
v.
17,
23,
26,
Javelin: of Anglo-Saxons,
"
ib.
344
352;
by Pope
de, v. 61.
to,
344.
Jasper:
31,
ii.
men,"
i.
of,
on sword of
INDEX
Jedburgh axe: specimen in Musee d'Artillerie, iii. 119;
type of, the one carried by Household Cavalry,
120.
Jester,
iv.
Henri
the, of
English
II,
279.
106; on
XlVth
century swords,
138; on bascinets, 232; of ruby on helmet of
century spurs,
Henry V, 233
on salades,
inventory,
coloured
Denis
249;
of,
of,
":
helm so-called
wearing
Tower,
ii.
160;
Prince of Wales,
v.
presented
by, to
iii.
iii.
iii.
34, 46.
34.
Henry,
iii.
48.
iii.
44.
23.
See Collections,
Joubert, Mr. F.
See Tournament.
Jousts.
iii.
227.
Joinville,
in
Collection,
40, 48.
34.
iii.
iii.
of,
36, 40.
-?5,
ii.
"John of Gaunt
Ivy-root grip
Laking Collection,
type
41.
iii.
in,
of,
34.
31.
XVIth century
London Museum,
in St.
iii.
ex,
111.
Keasby
43; on cinquedeas,
ii.
iii.
69; on hilt of schiavona, iv. 327.
Joan of Arc: armour of, i. xxxvi; sword of,
salade,
175;
Figdor Collection,
s.ti.
James IV,
Windsor,
ii.
at,
Kind, Keindt,
344-
Set Surcoat.
Jupon.
i.
Effigies,
iii.
iii.
24, 37.
44, 48.
J.,
i.
lxiii
v.
104.
"King John"
" K.D." harness of Charles V: in
Madrid, iii. 303;
drawing of, in the inventory of Charles V, ib. ;
extra
its
pieces,
etching on, by
to be
304
I).
dentated
ib.
Hopfer,
edging, 305 ;
embossing on,
suit of 1550,
iii.
>
Kitchener, Earl.
193.
See Collections, s.n.
Kennet, bladesmith,
armour of 1610
in,
showing
i.
lxiii;
iv.
by,
v.
47.
"
"
hour-glass
Knee-cops
Artillerie,
Reepham, showing
Kidney daggers,
iii.
30
et seqt/.
"
on,
effigy,
iii.
iii.
Musee
189.
d',
ii.
175.
picture,
188.
Brasses,
Cuir
i.
boi/ii/i, of,
Decoration
of,
i.
of
XlVth
on, i. 121,
i7> i73> 2I 9-
Effigies,
44.
ii.
i.
159-
3.
iii.
designs on,
of XHIth
ib.;
of, at
58
104.
XlVth
ib.,
i.
See Collections.
camail,
of Normans,
century,
on slab
Kenyon, Lord.
66.
Keasby, Mr. H. G.
iv.
Kirkener, E.,
Kite-shaped shields
312.
Katar,
123, 150,
Fifteenth century,
36.
345
Y Y
suit of
mark
Henry VIII,
v.
of, i. 121;
Fourteenth century,
Forgeries
iii.
131, 136.
Greenwich School,
v.
i.
186; of Greenwich
of,
on,
fringe of,
of,
iii.
on,
ex,
i.
imitation
of,
i.
first
i.
i.
helm
to breast-
ii.
Laking, Sir G. F.
121.
163.
51,
218.
Sales, s.n.
XVth
century,
i.
i.
iii.
353, 357.
of,
ii.
294.
'"
ib.
now
referred to
Koloman Kolman.
iv.
125.
century, 104; of XlVth century, 142; the different parts of, iii. 81 ; of XVth century, 82 ; the
"
"
coronet, 83 ; the
bourdon," 84 ; the Brandon,"
i.
ii.
174.
appearance
s.n.
112; of camail to
i.
century,
186.
on,
of,
by,
New
Ii
feather,"
iii.
ib.
Wallace Collection, 87
33iLance-rest
ib.
on
of
86
iii.
ex Meyrick Collection,
i.
York,
1550
312 his suit in portrait of Philip II and portrait
by Velasquez, ib.; embossing on Philip II suit
and "K.D." suit, ib. ; reinforcing pieces of suit not
at
XVIth
folding-,
ib.;
Eastnor Castle,
or
century, in
"
Swedish
breastplate
Beauchamp
iv.
effigy
(1430),
embossed,
i.
by, 239.
i.
214;
armet by, ii. 95; escuffa by, 97; iv. 121; Maximilian unchannelled suit made for Von Sonnen-
Landschaden, U.,
effigy at
Nechen-Steinach
of,
show-
suit in
339.
ii. 86,
97 ;
mail gussets, and brayette to leather foundation,
186.
iii.
ii.
276;
plate,
121.
of cuir bouilli,
i.
XlVth
coif,
of exaggerated form in
Zouche Collection,
257.
170.
in,
Wallace Collection,
Windsor, at, i. 218.
Knuckle-guard,
Vandyked lambrequin
Wings
of Philip II,
>
208.
i.
i.
175
ii.
iii.
always Italian,
suits,
of,
97.
Kreuzenstein.
353.
163, 188;
i.
i.
by, at
323.
on plate
I,
Kuppelmayr, Herr.
Louvre School,
:
1493, *^J
sult
iii.
suit of
of suit,
Charles V, 303;
166.
Kolman,
suit of
lvi.
i.
of, iv.
"K.D."
214; Maximilian
i.
273;
of,
225.
346
swords in Vienna,
of,
in
Musee
ii.
187;
sword
inWhawell
298;
London Museum,
d'Artillerie,
ib.
and De
INDEX
Cosson Collections, 301 et set/a. ; dagger, iii. 59 et
complete suits, 272 eise////. suit of Kolnian
se</</.
Musee
type in
iv.
"
273; helmets
d'Artillerie,
Lewis,
England,
iii.
on manteau
pattern:
of
1550 of
Leather
harness
de
284
to
saddle-bow,
162
ii.
Linstock,
loop
ii.
of, for
52
Lion,
helm
sheaths
of,
ib.
of,
armourer,
iv.
letter
2, 6,
of,
12
121.
Leg
i.
xlix.
iii.
154.
Leicester, Earl of:
XVth
s.n.
36.
v.
ii.
10, 20.
ii.
Henry,
in,
ii.
247.
in collection of, v.
v.
153;
195.
i.
effigy of,
159.
14, 62.
of early sword,
ii.
i.
24, 62,
94
of
XVth
267.
iv.
121.
i,
four
swords of ceremony,
sword,
"
buckler,
313;
the
ii.
"
249;
Pearl
ib.;
"
the
"
Sunday sword, ib. suit of armour in Armof
Honourable
Artillery Company in, v. 207;
oury
armour in Middle
church helmets in, 208
;
Temple Hall
Le Sueur,
to
said
century scabbard,
181.
10;
Locket mount
iii.
French
in
v.
Littlebury, Sir
of,
style, ib.;
ib.;
93Little
1607,
Litchfield,
16, 17 ;
of, 44 ; portrait of Count
Sten Bielka in the second suit of, 51; the third
61; helmet
decadent
to be
of,
suit of,
iii.
300
ib.;
L'Isle
v.
the Tower,
in
238.
Prince of Wales:
suit of
of daggers,
iv.
s.n.
pears
of,
cabassets
Museums,
of,
in fine but
of,
25, 27,
brace
124.
iv.
98.
Lion"
297
of,
mark
i.
"
attachment of helm
tournament
iv.
352.
Linz Museum. See
gauntlet
XVth
of
165
in,
close helmet,
Cobham
of,
35Staffs," or
140.
Lindsay, Capt.
d' amies
20, 99.
72.
Lattice
i.
1.
of, type,
105, 107.
Latter).
on early swords,
W. G. B., on mail,
Lettering
in,
210.
347
Lorin, Musee.
Louis
and emblems on
letters
early
See
Museums,
XI armet carried
on
XII:
miniature
of,
armet,
bow made
for,
iii.
II,
i.
205
Bayeux
d', iv.
v.
the,
iii.
iii.
94;
iv.
tapestry, on,
Dino Collection,
Eastern form
French,
255
suit
of
IX
Charles
Masuels,
Munich,
Parade,
Pistol,
Musee
189
56
J.
;
iii.
of,
handed sword
48
of, iv.
chanfron
of,
176
See Sales,
by,
89.
iii.
of,
92.
iv.
century,
iii.
ex,
in,
iii.
93;
iv.
337.
90.
90.
in, iv.
333, 336
34, 63.
iv.
333
in,
et seqq.
iii.
combined
92.
with,
iv.
term applied
340.
to,
iii.
89.
of, iv.
iv.
338.
333.
i.
104.
double-
273.
See Collections, s.n.
iii.
i.
s.n.
104.
iii.
Spheroidal head
"Luzern" hammer,
94.
89.
morion, 208.
Lucas,
91.
Louvre, 186,
d'Artillerie,
i.
Qtiadrell, a
in,
Petrograd,
in
iii.
Norman,
in
iii.
338.
iii.
of,
iii.
357; iv. 186; the backplate of the Duke
John George of Saxony at Dresden, iii. 357
burgonet of Henri II, iv. 182; shield at Turin,
shield
XVIth
London Museum,
of
of,
94.
335, 337.
Laking Collection,
Stockholm
iv.
Italian, of
the
iii.
of, iv.
lviii;
269, 342;
185; the first undoubted suit of,
iii.
342; portrayed in the Clouet portrait, id.; the
Henri II suit in Astor Collection possibly made
338.
34, 63.
by,
to,
iv.
344
346
i.
in
206.
in, v.
95.
94.
Cosson, de, in Collection
i.
with
iii.
Civic, the,
iii.
in,
Chaucer, reference
205
44
133.
iii.
is
Baton,
iii.
Henri
Musee
Astor Collection,
97;
ii.
iii.
Artillerie,
wearing
of,
with crown,
of,
medallion
armourer's mark
crescent, 194.
s.n.
before,
Louis
M"
Mace
20.
i.
"
s.n.
Wood,
of,
iii.
94.
348
of,
INDEX
showing early helmet, and mail gauntlets part
s.n.
i.
in,
Mail continued.
Norman
87.
Artillerie,
Bayeux
6.
i.
Musee
frescoes
ii.
d',
Brasses, on,
i.
Brayette
ii.
of,
187.
de Hal,
Burges Collection,
ii.
ii.
ii.
Camail
i.
Shirts of,
kinds
72
i.
of,
Standard
ii.
167.
Tippets
Tower
i.
of,
5,
helmet,
Duelling glove,
Effigies, on,
Kenton,
W.
172.
of,
imitation
of,
Hausse-col,
Horse: of
i.
of,
ii.
i.
v.
179;
ii.
179.
ii.
of, of,
i.
79.
i.
145.
suit,
iii.
Irish,
of,
147,
ii.
century,
ii.
ii.
Keasby
ii.
Collection,
imitation
of,
53
iii.
ii.
Laking Collection,
in,
in,
ii.
175;
154,
iii.
179, 182.
ii.
ii.
in,
ex,
ii.
iii.
ii.
See
to,
iii.
iii.
175;
257;
Henry VIII
66
iii.
hilt of,
ii.
i.
349
attachment
ii.
220; of Genouilhac
suit,
suit,
iii.
suit
at
New
i.
ii.
York,
58, 60;
149.
[C. iv],
Cott. Titus [D. xvi],
i.
5, 25,
i.
i.
iii.
6, 9,
2.
2, 27.
24],
38, 41, 70, 77, 113, 128.
viii,
i.
Trojte,
116.
i.
iv],
Nero
Harleian,
175.
274
119.
Douce, Bodleian,
174, 178.
i.
Museum,
De Ruina
173.
s.n.
to,
312.
Cockerell Collection,
Cott.
175, 177.
i.
69
Museums,
of,
v.
4, 31.
ii.
173.
belt,
Manuscripts
287.
Meyrick Collection,
i.
47, 181.
Berlin,
Manuscript representation
47.
portrayed in MS.,
of,
of dagger
on, 287.
London Museum,
i.
of,
116.
v.
179;
ii.
in,
of,
at,
British
188;
i.
ii.
179.
173.
fringe to,
ii.
in,
187.
183.
188.
Joubert Collection,
Knee-cops:
ii.
engraved,
of, by,
19.
234.
Woolwich,
iii.
use
184.
287.
181.
ii.
10,
in
185.
;
iii.
Worker
229; of
XFVth
182, 188.
ii.
on Campi
196.
Imitation
London,
Main-ganclie
117.
of,
no;
257
of
i.
ii.
replacing a buckler,
H., Collection,
ii.
i.
257
i.
ii.
of,
Zeughaus,
186.
Fourteenth century,
Gauntlets
ii.
76.
149, 190.
167
164.
188.
ii.
of,
i.
no, in,
i.
ii.
of,
Forgeries
179, 185
i.
of,
Vandyked edging
iii.
of, to
i.
ii.
167, 183.
Twelfth century,
Faulde
ii.
Sollerets of,
173.
different
in,
Curtain
shirt of,
Wenceslaus,
Stuyvesant Collection,
2,
149.
178.
174.
Byniie,
ii.
170.
ii.
Brussels, in Porte
118;
i.
of,
7,
St.
i.
7,
Polish, v. 55.
Bishops' mantles,
i.
of,
Mail:
Anglo-Saxon,
period,
64.
i.
f.
i.
69.
257.
99.
114;
iii.
154.
continued.
Hastings,
armour
Hyde Abbey
Register,
Laking Collection,
i.
Leipzig,
i.
130;
i.
56.
ii.
ii.
Medals
141.
60;
iii.
129, 152.
238;
64,
101.
iii.
101.
See Armourers'
i.
261
v.
Martel defer.
156.
See
Martin-Harvey, Sir
catalogue of
116
church,
v.
162.
"great"
bascinet
in,
J.
:
604 of the
288
iii.
to
mail,
i.
76.
iii.
Mentonniere
picture
264.
armourer
il
at
Lyons,
i.
armour
Gottoso,
204.
iii.
of,
portraying
basilard
49,
ii.
46; to
tournament, of armet
Museum
New
of
York.
See
Museums
s.n.
54; helms,
puffed and
iii.
240;
54
slashed,
I
portrayed with sword of Charlemagne,
Merate brothers of Arbois, armourers to,
sword by Griinewalt in Vienna of, 210;
:
iii.
201
to,
Mgowo
to
interchangeable,
Artillery
Company,
v.
ii.
76
264;
suit,
iv.
Honourable
208.
of
suit
iii.
s.n.
i.
i.
285
salade from, in
33.
and daggers,
iv. 292.
signature on Spinola sword, iv. 311.
Migieu Collection. See Collections, s.n.
Milan falchion at, i. 132 the armour of the Earl of
"
Weiss Kunig,
251.
ii. 201.
York),
Poland,
illustrated in the
iii.
channelled, 246
dagger
suit at,
in picture of,
133-
94 ;
208;
S. P.
(New
254; close helmets, iv. 89, 91, 92, 93, 94, 95,
96, 101, 102; forgeries of, v. 122, 123, 124,
i.
of
M. Visconti,
of Charles V, 97.
Merate, Gabrielle and Francesco, Milanese armourers
218, 222.
Maximilian
suit,
P. de, Italian
J.
Metropolitan
"Masqueing" armour,
iii.
ib.
44
ii.
of F.
by Picinino reputed to be
338 burgonets of guard
suit
of, ib.
plain,
de':
"
Gentile,
iii.
285.
36.
Massi,
Cosimo
armoury
"
Mascled," a term applied by Meyrick
1
Medicis,
War hammer.
Martinengo, Antonio
ii.
foot-combat
Moretaine
319.
smiths' marks.
Marston
iii.
Malatesta, by Pisano, 72
by Pisano, 73; of Domenico Malatesta, 74; of
Grati, by Sperandio, 96.
Medicis Armoury, divers pieces from, iii. 285.
79.
in, iv.
suit,
305.
an armourer of Nuremberg,
Israhel,
ii.
of L. di Gonzaga, by Pisano,
Medicis,
i.
Marks of armourers.
di
i.
S.
iii.
of Coll
247.
173.
iii.
showing Kolman
in collection of,
McClean
235, 240.
Meckenem,
ii.
Library,
i.
i.
14.
85.
Nuremberg
Royal,
97, 100.
iii.
horse
350
M. I. F.,"
:
Warwick,
armour
;
make, 164
armour
of,
of early
XVth
of Missaglia
drawing
style of
house
of
at,
195
198 iv.
Missaglias
the home of armourers, i. 204 ; the brothers
century,
329
of,
187;
at,
INDEX
bom
Merate
mail,
ii.
88
356;
steels,
armour
281
Botticelli,
tion.
as portrayed in pictures by
"
i.
of, 181
drawing by Pisanello of
probably by, 193; as portrayed in drawing by
Brera of Milan, ib.; house at Milan of, 198;
breastplates
329.
Mitten gauntlets
in the
18
iii.
227
di,
ii.
chapei de,
Mourning,"
"
161
iii.
swords of Charles
v.
I, v.
133.
the,
Bristol,
Miihlberg
ii.
316
V: dated
harness of Charles
of Glou-
1544,
iii.
s.n.
57;
271;
armour by Schrenk,
(Artillerie,
portraits
effigy
Armet,
ii.
of,
in
of,
ib.;
en-
ib.
Lions,
iii.
Bill,
iii.
s.n.
289, 295.
d')
33.
i.
ii.
158.
113.
Blind chanfron,
iii.
201.
Buckler of horn,
century, 243.
351
ii.
Musee
87.
Armure aux
de, 66.
three
d'Artillerie,
154.
145.
cester, 326.
"
334
graving of
of, iv.
iv.
in the
Musee
16; burgonet,
in
ii.
Archer's salade,
Frederico da
iii.
forgeries of,
Museums
i.
133.
ii.
83.
i.
2 4;
iii.
64, 92.
in
Mondrone, Caremolo
of,
Mortuary: of saddle,
"Morris" bow,
123
salade,
See Sales, s.n.
154.
et seqq.;
ated,
iii.
Morosini, Gatterburg
suit
iv.
star,"
186.
effigy,
Morning
1.
24.
2I 5-
129.
by, 4> 11. 27, 33, 36; armet, 85; tilting harness,
Missaglia, Francesco,
iii.
iv.
198;
of,
i.
et seqq.
"
Morgenstern, or
morning star,"
of,
of
iii.
283
de, suit
Earl of Pembroke,
268.
in collection of
1 1 1.
Missaglia
Bourbon, Due
de
Montpensier, Louis
at,
171
ii.
242
buckler of early
XVIth
Museums
(Artillerie,
iv.
Burgonets,
(Artillerie,
iv.
Cabasset,
Rapier,
Saddles,
iii.
Salades,
ii.
Court sword,
v.
iv.
109.
ii.
266.
Shields,
of,
ii.
53.
Gothic
i.
suit,
Helmets,
i.
iv.
v.
40.
179.
by Negroli,
Spetum,
iii.
Swords,
i.
108.
142;
82,
(As/unolean)
Cinquedea, iii.
Swords, i. 16
(Bargel/o)
Aquamanile,
I"',
iii.
Mail,
iv.
Bascinets,
272.
Crests,
207.
i.
i.
ii.
345.
147.
250.
iii.
iii.
Diamond
Ear-pommel sword,
XlVth
Jester's sword,
iii.
Morion
249.
268.
of Louvre School,
Helms,
36.
iii.
iv.
208; of cuir
boulli,
iii.
suit,
helmet,
iii.
iii.
354.
266; burgonet,
i.
iv.
iii.
150.
10.
136, 137.
v.
70.
suit, iv.
ear daggers,
ii.
century,
iii.
53.
211, 213.
v.
70.
ii.
iii.
(Bergen)
321.
Puffed-armour
suit,
iii.
century,
iii.
iii.
62.
Emblems and
3.
XVIth
pommel,
141.
44.
Parchment chanfron,
Partizan,
iv.
ii.
Norman
ii.
280
ii.
Salade,
35.
Siculo- Arabian decoration on
215-
Negroli
284;
63.
Missaglia salades,
suit,
316.
iii.
129.
Gauntlets of
suit,
iii.
suit,
Campi,
i.
Daggers,
ii.
Montmorency
274.
251.
Cup-hilt of rapier dated 1668,
suit, v. 46.
ii.
iv.
86, 96.
Cinquedea,
Maces,
76;
Breastplate, etc., by
of, iv.
v.
74.
iii.
Brayette of Philip II
XIV
ii.
Louis
266.
iii.
(Artillery,
Jousting salades,
53, 55.
Knee-cop with mail, ii. 175.
Francois
suit
v.
ii.
Honourable Company)
Suit of armour of XVIth century, v. 207.
107, 109.
ii.
suit of
236
ii.
51.
Kolman
209.
44, 108;
63.
97.
iv.
3.
Shirt of mail,
Slashed
55
172.
2,
ii.
Scliallern,
ii.
261.
iv.
213, 215.
Chanfrons, iii. 151, 201.
d')
102.
i.
xliii,
lettering
on early swords,
20.
(Berlin, Zeughaus)
258, 263.
352
treatise on,
INDEX
Museums
{Berlin, /.eughaus)
continued.
ii.
knecht,
formerly
(
at,
Berne)
Missaglia
Lands
340.
178, 188.
Mail,
176.
(Bourges)
iv.
Aquamanile,
Bascinet,
i.
i.
162.
iii.
Museum)
(British
ii.
ex,
230
iv.
ii.
of,
305.
ii.
Kidney dagger,
iii.
Mail,
ii.
MS.
50 et
seqq.
Pommels, i. 20,
Rondel dagger,
14.
ii.
ii.
Swords,
Yataghan,
13;
iii.
ii.
i.
244.
196.
(Dresden)
Blind chanfron,
ii.
ii.
Bascinet,
279.
Battle
201.
iii.
ii.
341.
279, 341;
126.
ii.
iv.
281.
iii.
iv.
Forgeries,
:
iii.
31.
pistol,
iii.
v.
iii.
ii.
ii.
261.
ii.
246.
148.
303.
ii.
Helms,
280;
178.
v.
Pig-faced bascinet,
353
124.
Hauberk,
i.
293.
112.
Flail, war,
49.
353, 357-
241.
i.
Chanfron, Celtic,
Claidheamh-mor,
;
iii.
ii.
Abbey sword,
Buckler with
230.
70, 176.
23.
(Brussels, Cinquantenaire)
Effigy
Bills,
iv.
303.
ii.
in,
suit, v. 43.
199.
25, 26.
230
iv.
Tilting suits,
Coburg)
298.
91, 138;
iii.
161.
132.
Swords, i.99;
iv.
iii.
ii.
182.
Picinino morion,
Salade,
i.
of,
Shields,
i.
35.
ii.
century,
(Dijon)
Helm-bascinet, ii. 145.
Statuette of St. George,
202.
Landsknecht sword,
ii.
91.
register,
i.
Brigandine
Hyde Abbey
in,
248.
i.
Pig-faced bascinet,
332.
Jack,
339.
153.
(Darmstadt)
iv.
ii.
XlVth
Swords,
97.
Maximilian,
i.
at,
Bit of
7.
199.
Claidheamh-mor,
iii.
ii.
century,
Daggers,
126.
ii.
(Chartres)
Falchion,
ii.
197.
(Cluny, Musee)
Bascinet visor, i. 245.
XVth
Burges Collection,
iii.
XVth
Surcoat,
270.
Bridle plaques,
Brigandine,
(Cassel)
Pig-faced bascinet,
227, 259.
ii.
horse, so called,
173.
Spanish
197.
ii.
(Bologna)
Shield of 1553,
130.
201.
ii.
Tilting suit,
i.
iv.
147.
Leg armour of
i.
Hal)
251.
v.
Forgeries,
28.
suit,
i.
Pomeranian,
(Brussels, Portt Je
Bascinet,
iii.
Daggers,
of ceremony, 339
Museums continued.
129.
i.
241.
Z Z
286.
Pole-axe,
Salade,
iii.
ii.
Swords,
Shields,
51.
ii.
Tilting salade,
(Grenoble)
51.
Swords,
of copper or bronze,
(Lins)
i.
54.
i.
Daggers,
iii.
16.
Landsknecht dagger,
203.
iv. 127; by
Negroli,
French, 181.
Campi, B., harness by, iii. 277.
Chanfron of Charles V suit, iii. 186 of Francis I,
141
59.
21.
187.
i.
Charles V: armet
4, 5.
ii.
of,
95
chanfron
Saxon, i. 28.
Brace of archer, iii. 145.
Ferdinand, sword
Maces,
Mail,
iii.
ii.
Crests,
i.
iii.
272.
Rondel dagger,
ii.
Swords,
i.
13, 18;
Helms,
ii.
ii.
of,
Italian
Charlemagne, sword
IX
Cinquedea,
Dagger,
Helmet
iii.
shield
iii.
of,
early
i.
XVIth century
sword,
of,
and
187.
133.
302, 305
iv.
armet by,
iii.
304
iv.
239.
v.
60.
iii.
203.
suits, v. 14.
208, 252.
suit,
Philip II harness
290.
of Charles IX, iv. 208.
95
iii.
Picinino
303.
suit of
Peffenhauser
iv.
ii.
Charles
77, 79.
59, 79
294
120.
no,
XVIIth century
Kolman
90.
and helmet,
;
ii.
241.
220.
279.
Charles
iii.
of,
and
ii.
iv.
Hilts,
299.
Briosco, design
chanfron
ii.
iv.
Helmets,
iii.
28,
or
163, 165.
30;
Stirrups, i. 28, 104; iii. 154.
Stirrups, Saxon, i. 28.
Spurs,
iii.
25.
286.
iv.
i.
made
the Catholic,
Spear heads,
i.
of,
4, 6.
6.
of,
316.
iii.
i.
276.
165.
Francois
175, 177.
Seax, Saxon,
iii.
90.
Quillon dagger,
ii.
Isabella, 344.
299.
ii.
Bit,
Landsknecht sword,
186
iii.
of,
11.
iii.
iii.
II suit of
Basilard knife,
275, 279.
3, 4, 6.
iii.
Quillon dagger,
iii.
105.
Bit of
34, 46.
iii.
ii.
i.
(Madrid Armoury)
Kidney dagger,
90;
i.
170.
iii.
iii.
(Lyons)
286.
Helm, funerary,
Helm, from Traum, i. 282.
(London, Guildhall)
iv.
ii.
Helmet
103.
iii.
iii.
331.
iii.
270, 308.
306; burgonet
by,
shield by,
iv.
by,
iv.
141;
326.
by Kolman,
iii.
318.
iii.
340; shield
354
of,
i.
iv.
100; spurs
by,
226.
of,
106.
INDEX
Museums
{Madrid Armoury)
continued.
Saladcs,
12, 18, 40;
127.
Shields: of Xllth century, i. 81
Museums {New
iv.
ii.
Burgonets,
;
by Negroli, iv.
236; by Kol-
Kolman,
iii.
318.
Swords,
iv.
100;
i.
302, 305
ii.
Tilting suit,
Wooden
ii.
265,
134.
{Malta Armoury):
Buckler of iron with pistol,
Pisan
ii.
Bascinet,
247.
i.
ii.
258.
in.
iii.
iii.
Pisan helmet,
Louis
suit,
iii.
201
helmets,
iv.
90,
Salade,
Swords,
ii.
ii.
iii.
26.
XVth
iii.
97.
{Neiv York)
Armet, ex Dino Collection,
:
Aylesbury helm,
ii.
147
ii.
85.
v.
158.
Bascinets, i. 243, 248, 249, 262.
Bit of XlVth century, iii. 161.
Bourbon fluted demi-suit of Missaglia School,
;
Brigandine,
ii.
286.
iii.
311.
iv.
191.
suit,
ii.
156.
iv.
164.
352.
burgonet,
iv.
183.
175.
v.
103.
suits,
iv.
331;
iii.
137.
XlVth
Salades,
180, 203;
Sessa
iii.
i.
century,
ii.
suit,
Shields,
iv.
iii.
iii.
170, 171.
24.
331.
ii.
183.
192, 200.
Saddles of
Sjcudamore Greenwich
248.
Brayette of mail,
289.
126.
ii.
ii.
century, 286.
War hammer,
iv.
XIV
Picinino
Tilting suits,
103.
20, 34.
7,
v.
ii.
in.
iv.
69.
Main-gauclie dagger,
o.
Rondel dagger,
iii.
iv.
65.
34, 52, 65
7,
suits,
Linstock,
iii.
Kolman Spanish
92.
iii.
v.
131.
Partizan,
182.
iv.
Hispano-Moorish sword,
65, 66.
iii.
64.
249.
Bastard swords,
137.
205, 333.
ii.
Colbert burgonet,
Fluted
13, 38.
{Munich)
iii.
Chapel-de-fer,
Daggers,
235.
i.
Bascinet,
Bills,
ii.
35.
ii.
Chanfrons,
iv.
Cup-hilted rapier,
Salade,
60.
v.
York) continued.
106.
i.
iv.
Stafford helm,
ii.
ii.
245.
355
iv.
67.
iii.
250.
York)
continued.
;
iv.
275, 286,
325Tilting harness,
128.
ii.
221.
iii.
Wolf
Wolf
ex Christie 1839
iv.
shield,
sale,
iii.
i.
v.
Brigandine,
ii.
Gothic
i.
suit,
for
Borgia sword,
Campi, B.,
Cinquedea,
121, 125.
90, 95, 100, 108.
90, 95.
Daggers,
Saddle, tournament,
iii.
202.
Jacobe MS.,
Augsburg make,
saddle,
ii.
202.
iii.
Henri
IX helmet and
Hopfer drawings,
I.uynes sword,
Swords,
Epie
ii.
iii.
Dagger,
Helmets,
Mace,
iii.
Salade,
ii.
Swords,
i.
45
284;
iv.
2.
iii.
ii.
ii.
ii.
279.
272.
239.
263.
:
buffe, chanfron,
iv.
of
17,
44;
portrait
and leg
Count Bielka
iv.
351
iv.
(Stuttgart)
iii.
Armet,
202.
Bards,
ii.
iii.
Bascinet,
ii.
Gothic pauldrons,
iii.
247.
190, 194;
i.
243.
179; standard
iv.
239, 255;
ii.
241.
v.
of,
iii.
209.
16, 24.
129.
254.
ex,
ii.
i.
239.
with pistol,
;
245
246.
248.
ii.
ii.
93.
65.
iii.
ii.
251.
at,
337-
135.
Bastard sword,
ii.
ib.
135.
78.
shirt,
iv.
Breastplate, fluted,
Mail:
284;
saddle,
iii.
282.
279.
iii.
71.
1,
(Tower of London)
ii.
218.
iii.
(Rotunda, Woolwich)
Leg-piece,
iii.
102;
Chapel-de-fer,
and Albert)
i.
39.
Brocas helm,
century,
swords, v. 97.
wearing Lee Greenwich suit, 51
Louvre School suit of Charles IX of Sweden, iii.
289.
iii.
iv.
armour,
92.
(Ratisbon)
ii.
iii.
(Stockholm)
13.
i.
Tournament
Armet,
Sword,
353.
348.
289.
helmet by,
B.,
iii.
Shield of 1450,
Campi,
XVth
272.
285.
iv.
22.
305.
de, iv.
285
ii.
iii.
iii.
ii.
iii.
shield,
Religion,
55.
162.
44, 46.
Picinino burgonet, iv. 159.
Pommel of XVth century sword,
120, 126.
Charles
ii.
Kidney dagger,
34.
Orleans)
i.
ii.
stirrups by,
iv.
Tournament
196.
218.
47.
ii.
Tilting suit of
187, 248.
tournament,
Helmets,
Maximilian helmets,
ii.
iii.
100.
iv.
Grotesque helmet,
Salade,
243.
81
Kolman,
170.
Burgonets,
Demi-suit of 1570, decorated 1610,
Fluted helmet, iv. 95.
iv.
(Sigmaringen)
Helms
249.
tilting,
iii.
9, 28,
ii.
243.
iv.
Helm,
Pauldrons, Gothic,
Rhodes armour,
Collection,
315.
87.
suit,
Museums
ii.
Burgonet,
of,
iv.
180.
Chanfron: Gothic-Maximilian,
182.
356
iii.
188; of Henry
INDEX
Museums
(Tower of London)
continued.
Museums
suit, v.
48.
iii.
Cinquedea,
iii.
Corset/ue,
part
suit,
suit,
iii.
Stowe helm,
194.
v.
iii.
138.
Swords,
iii.
Tonnlets, formerly
by,
iii.
iii.
205.
217.
Curator
C.,
of,
217
iii.
catalogue
of,
iii.
iii.
190.
Foot-combat suits of
i.
in,
Forgeries,
Gaunt, John
Gauntlets,
of,
Henry VIII,
255
helm,
;
v.
ii.
v.
iii.
19, 24,
115.
Bronze,
227
suits, 224,
great suit
iii.
of,
189, 232.
Lance, Brandon,
Leather croupiere,
Lee Greenwich
iii.
297
suit,
Lochaber
Mace
axe,
iii.
with pistol,
Mail:
shirt of,
iv.
167.
197.
of, iv. 17,
Poitrel,
ii.
116.
Salades,
ii.
ii.
century,
ii.
Sword,
of, iv.
126.
iii.
185, 256.
i.
176, 180.
ii.
ii.
palace,
iii.
Attila,"
iii.
ii.
153, 178-
129;
ii.
suit,
327.
iii.
294, 344.
Barbarigo
suit,
Bascinets,
i.
85.
80.
iii.
270, 289.
249.
Blind chanfron,
357
161.
287.
iii.
Rapier, v. 71.
iii.
iii.
74.
271, 279, 292, 344
suit, i. 176, 181.
254.
"
i.
v. 23.
214.
292.
33.
"Spanish" armour,
190.
iii.
98;
Venice Arsenal)
Cinquedea,
246.
iii.
256.
85,
Jousting: helm,
28.
Ranseur,
Swords,
Chanfron of
of, v.
iii.
iv.
i.
Bascinet,
340.
to,
13, 38.
179; forgery
Meyrick, Sir S. R., and the, iii. 216.
Missaglia helm, ii. 159.
Norfolk Greenwich bard, iv. 16, 24.
Pistol with buckler,
ii.
Shields,
9.
ii.
124.
three, 250.
XlVth
Archer's salade,
v. 10.
v.
iii.
287.
44.
221.
helmet
suit,
Leicester Greenwich
" Lion "
iii.
iii.
iv.
York,
removed from,
steels
234;
i.
of
gilt bits
Salades,
84.
iii.
small,
228.
See s.n.
Inventories.
Castle, saddle
New
in
201.
Horse armour,
now
iii.
saddles,
(Turin Armoury)
71.
in,
195.
Bascinets
Guisarme,
131.
245.
Wooden
224, 227.
ii.
ii.
iv.
Windsor
il>.
Flanchards,
254
ii.
Tournament
236.
16, 39.
160.
ii.
Croupiere,
ffoulkes,
262.
iii.
suit, iv.
o.
iii.
ii.
of,
Crossbow,
Cuisse-plate,
32, 50.
8, 9, 25, 29,
ii.
Slashed
167.
236.
1 1
ii.
Smythe Greenwich
Henry VIII
Criniere of
iv.
76.
iii.
Cod-piece,
Salades,
Shields,
Christie's
iii.
Seusenhofer: armet,
Charles II
(Tower 0/ London)continued.
Saddles,
iii.
201.
131.
Museums
Burgonets,
Cap
ii.
V:
ii.
Topf
suit
222;
iii.
of,
ii.
i.
Helmets
45, 52
Xllth century, 108; grotesque, iv. 96, 102.
Helms, i. 283; ii. 126, 136, 158, 162, 166.
of
Battle-axes of
iii.
-barbute,
i.
230;
ii.
253, 257.
XlVth
century,
118.
iii.
115.
spear, ex
Buckler,
ii.
Chanfron,
iii.
Meyrick Collection,
XVth
century,
i.
iv.
351.
175.
249.
iii.
205.
16.
ii.
Chapel-de-fer,
62, 71.
Cinquedeas,
Crossbow, iii. 136, 138.
275iii.
189, 203.
Jazerine,
Cuisses, Gothic,
i.
for
Maximilian
iii.
Milanese
iii.
suits,
i.
294
iv.
of, in,
suit,
Saddle,
171.
i.
213; equestrian
iii.
ii.
iv.
iii.
ii.
158.
Kidney dagger,
Kolman
iii.
249;
iv.
iii.
i.
iii.
iii.
v.
57.
178.
34, 40.
218.
suit by,
iii.
273, 313
helmet by,
sword,
ii.
295
dagger,
iii.
256.
Maces,
358
iii.
iv.
106.
86.
Lances,
Landsknecht
54.
of,
late, suit,
122.
Horse armour,
63.
289.
ii.
v. 57.
119, 138.
Knee-cops,
213;
107.
iii.
183, 211,
234;
55
312.
271.
260.
iii.
iv.
178.
Helms,
33, 315.
iv.
138.
212, 216
ii
iii.
Halberds,
ii.
ii.
175.
89.
232.
Glaives,
i.
the,
in, v.
Gauntlets,
275.
iii.
i.
iii.
v.
iii.
203.
suit,
Missaglia
213
133.
i.
216.
iii.
I,
i.
1,
Elbow-cops,
iii.
Daggers,
45, 52.
191.
Shields,
68;
ii.
iii.
Horse armour,
Salades,
230, 245;
Hilt,
P. Speier,
86, 90.
i.
Brassards of
iii.
256, 258.
conical, of Norman period,
276,
68.
Boar
215, 218.
suit,
ii.
Bastard sword,
177,
i.
Bill,
Grotesque
iv.
333;
Bascinets,
215ii.
ii.
Armets,
98;
94,
Wallace Collection)
Archer's shield, ii. 241.
258;
of,
166.
ii.
i.
333.
65.
tonnlets
281, 294.
ii.
of,
i.
suit,
65.
Swords,
201.
iii.
Chapel-de-fer,
Charles
ii.
137.
Ceremony, swords
"
" the
Wealthy
Sigismund
249.
for tilting,
Chanfron,
iii.
91
iv.
335, 338.
59.
of, iv.
140.
INDEX
Museums
{Wallace Collection)
Mail, shirt
on a
of,
brass,
continued.
iii.
164.
Main-gauche, v. 73.
Maximilian: suits, iii. 246, 252; helmets,
103, 106, 107,
ii.
iv.
92, 101,
10, 119.
151, 321
of hemi-
i.
of,
285.
Negroli
Necken-Steinach,
bascinet,
Pole-axes,
iii.
iii.
142.
of,
iii.
v.
of, iv.
iii.
iii.
Salades,
ii.
iv.
Shields,
ii.
165.
iv.
323-
Vamplate,
iii.
iii.
iv.
on
124.
ii.
83.
sword
of,
iii.
285.
Whitehall, United Service)
Cabasset, embossed,
iv.
of, iv.
Bascinet,
Merate
i.
formerly
in
v-
signed,
New
179.
245.
York.
i.
in,
See
Museums,
i.
of,
in
s.n.
s.n.
of,
248.
ib.\
359
ii.
152;
v.
i.
armour
ii.
214.
Nancy, pig-faced bascinet at,
Brancepeth
helm
i.
144; armour
described by Mr. C. ffoulkes, F.S.A.,
Duke
Norfolk,
207.
240
Nails, finger, represented
132.
at
23
2.
i.
of,
2,
57
Norman
century,
1543,
323.
suit
Nieuwerkerke Collection.
dated
burgonet,
effigy
(Neville) family
church, showing salade, ii.
in,
ii.
ii.\
Nevill
cuisse,
220.
ii.
New
in
3 2 9-
Tilting: salade,
now
1545, 143
burgonet in Musee d'Artillerie by,
buffe by, signed, 145; armourer's mark of,
134;
3 2 8,
il>.;
i.
piece
234.
Holy water,"
"Sprinkler,
Swords,
iv.
iv.
108.
iii.
Spetum,
265
249, 250.
Spacini shield,
iii.
12,
de-rein
235,
lvi
ii.
ex Magniac Collection,
21, 24.
172.
Salade-burgonet,
i.
of,
Madrid,
ical type,
Saddles,
in
Muse
103.
Rondel dagger,
showing nasal-guard to
40, jazerant
in Vienna by, 191 ; perhaps maker of C. de
Bourbon's demi-suit of Maximilian armour, iii.
249
260; helmet
at,
armourer's mark
shield, 223.
95.
Prodd of crossbow,
Rapiers,
200
iv.
morion,
effigy
229.
i.
59;
tapestry, 44,
Padua:
62
of,
of, iv.
16, 23.
suit by
Frederick, Count, of the Rhine
mitten
i.
on
suit of,
176;
Missaglia of,
gauntlets
"great"
ii.
also
1460,
Odescalchi, Count.
of
See Collections,
Kolman
Papal guard
Parham
Park,
ii.
cester,
of,
found
in
Phoenix
179.
for
iv.
47.
in,
basilard dagger of
iii.
d'.
See
Museums.
Tower from,
Osma,
Signor.
Osuna, Duke
Ottone,
the
ii.
border of
latten
II.
or
i.
i.
163.
164; glaive
of,
343.
iii.
150.
See Sales (Zouche).
d'Artillerie,
to
by Shakespeare,
no;
carried to-day
centuries,
Pas
of,
iii.
31.
Pauldrons
on Beauchamp
of R.
Quatremayne
effigy,
i.
on brass
32.
brass
Griinewalt,
tuille,
of
applied
Collection.
109; in Musee
176.
Musee
hol-
statuette of
et seqq.;
1400, iii. 1 1.
Orle: on bascinet of effigy of Black Prince, i. 150 ; on
bascinet of effigy of Earl of Suffolk, of 141 5, 160;
on bascinet of effigy of Earl of Westmorland, of
Orleans,
120
Pauilhac, Georges.
suits,
of, iv.
badge of family
on French
on
Madrid, 324.
burgonets
Parchment, chanfron of,
Ordinances
suit in
York, 202
29; on tilting
ii.
Partizan
s.n.
in visor, 92
189.
147
liest
slit
i.
New
suit in
245;
of salade
26, 27, 28; of barbute salades, 7, 8, 9
between edge of skull and top of visor, 37, 51 ;
of early armets, 79; of English armets generally
iii.
of great bascinet,
215.
effigy of 1430,
116; of pig-faced
2.
ii.
at,
Palatine,
bascinet, 258;
MS.,
230
at,
chap^
112.
i.
Donati
George's
of Gattamelata
effigy
Manno
to
210.
360
suit,
and on Barbarigo
for, on D. Kolman
pieces
suit,
270;
suit in
New
reinforcing
York, 313;
INDEX
curious overlapping
on Wolf
suit in
suit
Venice,
329; by
137; Gothic, in Mendles.
Campi,
ham church, v. 241.
Pavia, tomb of Gian Galeazzo Visconti at, ii. 75.
of,
iv.
15.
i.
Pavois.
first
seen
c.
151
o,
i.
lvii.
W.
Pavyer, Mr.
"
See Collections,
J.
London,
shield
war
weapons:
sprinkler," *2.
iii.
flail,
"morning
123;
"holy-water
the scythes
star,"//'.;
v.
at,
iii.
Petit-Nesle,
v.
151;
two-handed
200;
Picinino, Lucio
French armourers
at,
iii.
Museums,
manners
J.
Dawtrey,
by>
ib.
the only
by, in
suit
New
34;
in
style of,
Henri II
Musee
in
suit
named
See
Museums,
253
Pike,
iv.
suit,
17;
Desiderius
chamber
at
Greenwich
at,
iii.
iii.
137.
151, 321.
See Collections
iv.
134.
i.
352.
:
of Charles
276
v.
after, 23.
Pig-faced visors,
s.n.
by,
203
158;
d'Artillerie,
257, 258.
Philip the Fair
triptych showing, wearing chapel-de-
iv.
iii.
iii.
Pikeman
54-
fer,
Earl
in
by,
iii.
armoury
(Napoleon III).
119;
255.
See Sales, s.n.
Peucker, Baron.
rims to aiglette holes,
Pewter: rim to salade, ii. 51
Pezzoli, Poldi,
ib.
of,
Pierrefonds-,
v.
Museum.
steels
school
s.n.
the
350.
Petrograd.
s.n.
saddle
Armure aux
297;
iii.
by,
Pickert, Herr.
129.
See
76.
will
143.
John,
See Cap,
Antonio
York,
ii.
v.
7S; Picinino
226.
Phrygian cap.
i.
of,
Picinino,
187.
d'Aubernoun,
helm
Penshurst
340;
iii.
of,
for, iv.
176, 241
Phillips, Sir
the Constable of
Pembroke, Earl of, Collection
the Montpensier suit
France suit in, iii. 268
Baron de Cosson on the date of the
in, ib. j
Wilton suits, 269; the Greenwich suit, iv. 7, 16,
35 retainers armour of family of, v. 58.
Pennon, unique example of, on brass of Sir J.
iv.
suit
Picinino
Bristol,
322.
Peasant
ii.
of Spain:
Philip
316; of
Kolman
in
by Titian,
316, 317;
241.
III
s.?i.
ii.
suits of,
portrait of,
152.
312;
Wolf
of,
suit, ib.;
in
churches,
170,
361
armour
suit
Wimbledon, 248.
"Pillow" sword, v. 81; specimen
Kolman
in
Cecil chapel,
of,
at
Windsor
3 a
century,
showing sword
by,
picture
ii.
of
K.D."
XVth
Poland
253.
Pole,
Tacito,
armourer,
mythical
134. 137Pisa, fresco at, showing grip of bastard sword, ii. 252.
Pisan armour, so called, iv. 77 ; suit in New York, ex
Dino Collection,
85
in
ib.
in
186; drawing
of, in
Louvre by,
in
ib.
ii.
44
"
339.
burg,
Placate: known as early as 1420,
Duke
of Branden-
i.
168
extended,
Plug bayonet,
made
inscribed,
96
on
Poitrel
i.
iv.
223
ii.
93
v.
200.
first
62;
beehive,
St.
Charles
;
heraldic, of
260;
337
253, 265; pear-shaped, 254; wheel
ii.
138
i.
jasper,
ib.
ii.
ii.
wheel,
flat
on early
wheel, on
all
on armet,
iii.
of late
85.
ROM ROM
in
milian style
century, 295
chain-pattern
of,
I sword, v. 8r
of John
not by Caradosso, 85.
Pompeo della Chiesa, armourer of Milan, iv. 77.
Pontormo, Jacopo da, portrait of I. de' Medicis show-
ciated,
of
Charles
Hampden sword
"
XVIth
as armourer's
339.
14; Xlth century, decorated
with gold and silver, 16; origin of early, 18; early,
in British Museum, 20 ; jewelled, of Domschatz
three-lobed,
punch mark,
Maniege du Roi,"
ii.
i.
lxiii.
shield,
i.
the, sword,
sword
See Buffer.
mark,
words, v. 133.
"
Pluvinel, Antoine de,
Poire.
iv.
shaped, of
of, in
motto of
the
Pomeranian,"
fish-tailed,
mid-XIIIth century,
on
brass
of Sir J. d'Auearly example
introduction
ii.
Viscount
Edinburgh, ib. ;
XVIIth cen332
hammer.
of Egyptian porphyry,
213.
and
in
in
274.
XlVth
84.
Plus oultre
1542, ib.
bernoun, 147.
ii.
chiselled,
339.
See War
sword, 91; of
131
of,
brazil nut,
armour
century,
\
sword, 2
in
iii.
ii.
Pommel:
ii.
i.
XVth
Wallace Collection of
Greenwich Inventory of 1
Collection,
104;
by,
Plate
tury form
Pole-hammer.
iv.
56.
218.
in
XVIth century
shields, 233.
armets, 73.
Plane/tons,
v.
medal
drawing
effigy
Astor's
193.
suit,
:
in
i.
by,
i.
la,
of
wings to helmets,
d'Artillerie, ib.; of
at Malta,
54
ii.
Stibbert Collecib.
John de
:
helmet
helmet in Whawell Collection, 1 1 1
Munich Museum, 112; burgonet, 164; morion,
Pisanello
Pisano
suit
as portrayed in portraits,
make,
of,
mail of
1490,
Pole-axes
iv-
tion, 81
armet
associated, 234
39, 41.
102.
iv.
Pifanio
Piripe, alias
101
is
gundian
Porphyry pommels,
362
i.
138.
iii.
260.
INDEX
Porte de Hal.
Posen
i.
Museums
See
Museum
order continued.
(Brussels).
Fffigies, as
in,
seen on,
Fifteenth century,
56.
iii.
3.
8.
iii.
of,
Poulaine, a
solleret
la,
stirrups,
178; forgeries of
i.
Fourteenth century,
Guildhall
Bayeux
tapestry,
i.
iii.
Mtihlberg
Ressman
of St. Ferdinand,
i.
106
XlVth
in
"Pucci" sword,
Puffed armour
ii.
haps by F.
265
iii.
i.
of Viking
;
drooping, of
87, 100; of
14
drooping,
straight, of
swords, 141
straight, of Battle
263; ribbon pattern, 277;
;
ii.
and Bladesmiths'
marks.
in,
ii.
funeral helmets
of,
showing
106,
in, v.
late
in; sword
323;
sword, v. 81.
Quilted defences
174.
XVIth
ii.
representation
of,
on
effigy
of
207.
Radford, Mr. H. G.
Radzivil, N. C. von,
straight, of
style,
distinctive, of
century, 328
212.
Gothic
of Spanish
lection,
Duke
8.
Scroo of Brussels,
iii.
6.
ib. ;
page's suit at
the
suit
Vienna, 258 ;
Rogendorf
by Kolman, ib.
suit in Wallace Collection, 260 ; and slashed
i.
iii.
275.
suit at
of Seusenhofer,
in,
of,
7.
to,
"Prodd": a
found
iii
iii.
cen-
tury, 149.
Punch marks.
7.
129.
4, 6.
iii.
XlVth century
Abbey sword,
163
in,
15.
7.
164.
Prata,
iii.
iii.
in,
4, 7,
4, 6,
v.
Collection,
Venetian, of 1480,
Quillons
ii.
in,
in,
iii.
iii.
sei/</.
3, 4, 6.
iii.
308.
sword of
helm, 284;
in,
London Museum,
Keasby Collection,
194.
iii.
suit,
in,
Faking Collection,
39.
Powle,
Museum,
3 et
iii.
of,
Ranseur.
Rapiers
363
See Partizan
transition
of,
seqq.
Ratisbon
of 1480,
about
lviii
i.
centuries,
iii.
"
24
in
at,
202.
Rawcon. See
iii.
95.
l'artizan.
bascinet-helm
formerly
helmet formerly
in,
now
in,
in,
at
ii.
v.
93;
180;
154; v. 180;
Saffron Walden, ii.
ii.
embossing,"
first
iii.
showing
ii.
18,
iii.
suit, of,
Grand-guard,
iv.
33
v.
iii.
54;
313;
iii.
Hip, to protect,
50, 54
ii.
135
iii.
v. 24,
ii.
236.
of suit of 1470-80,
late
XVth century,
"
suit,
210; on Kolman
132,
century,
ii.
135
iii.
v.
1 1
ditto in
Richard
II,
ii.
287.
ii.
312, 316;
Riggs, Mr.
W. H.
offensive
Roche
276.
ditto
227;
suit,
135;
iii.
suit
ii.
30, 33,
313.
232, 235;
the Wealthy
Genouilhac
121, 122.
iv.
147
on statue of
239.
232, 235
Pouldermitton, called,
Tilting, for,
"
mund
i.
of,
52
casques, breastplates,
24, 208.
208.
iii.
shields,
50; French,
copper,
iv.
97;
of
as portrayed
XVIth
232. 235;
of,
v.
in
344.
Genouilhac
century,
Dutch or English
silver,
171
313;
iii.
XVlIth
1
34 et seqq.
Rerebraces early form
27, 33.
ii.
Italian, of
239;
3.
Reinforcing pieces
forgeries
poses,
seen
o, lvii
on Peffenhauser
in
iii.
"
also called
Pauldron,
155; v. 180.
Recessments on decoration of blade, ii. 270; on
decoration of helmet of Franz Scroo suit of
Escuffa,
lvi
iv.
i.
Ravynbill axe,"
dagger,
198.
Museum,
at,
iii.
tournament saddle
for, 77.
flourished
crafts
165
ii.
d' Argent,
swords made
Rock
364
crystal
iii.
pommel on XlVth
83.
century sword,
INDEX
pommel on
138:
i.
pommel
in picture
bastard
by Bouts,
sword,
Rogendorf,
iii.
v.
by K.
von," suit
\ r .Museums,
Rouget, Charles, forgeries by, v. 121.
Rotunda, Woolwich.
260;
ii.
ii.
Rowel
234.
Kolman
spur, of
XHIth
century,
for,
Kolman
258.
a.
See Kidney dagger.
of
edge
tilting salade, ii. 52.
fresco by Masolino at, ii. 76.
iii.
suit,
S.H.
iii.
164.
in
the
iv.
319.
II
Prado
I).
312.
Rognons, dague
Running
Roller, at
Rome,
"rom rom":
chanfron
iv.
wolf,
mark
258
ii.
of,
14.
v.
i.
II,
40.
See Partizan.
Roncone.
v.
28.
Sachetti, F.,
Rondel daggers,
16
iii.
et seqq.
of,
iii.
170
iii.
171.
Appleby Castle,
,
iii.
26.
Back-edged blades
Bernal Sale, ex,
Berne,
Cuir
iii.
Forman
Grip, hollow,
of,
iii.
iii.
Keasby Collection,
Laking Collection,
London Museum,
Munich,
in,
iii.
knotted Burgundian
in,
of,
iii.
29.
iii.
21, 26.
in,
XVth
to,
55.
ii.
125;
52.
156.
century,
iii.
iii.
70
et seqq.
170.
Kitchener Collection,
suit, of, in
iii.
341.
Madrid,
iii.
322.
169; of the,
iii.
iii.
18.
iii.
i.
of,
175.
Collection,
Reubell Collection,
iii.
23.
iii.
century,
17, 21.
20, 26.
iii.
iii.
of,
Italian, of
26.
Reinforced point
Ressman
iii.
in,
171.
iii.
bow
158.
171.
iii.
of,
carried at
Kolman
Museum,
of,
Helm
Ivory plate
like
176.
18, 29.
30.
175.
iii.
iii.
ex,
iii.
175.
iii.
iii.
29.
20
iii.
iii.
in,
staff, 26.
Guildhall
Henry V,
Collection,
52.
74.
Foulc Collection,
ii.
172.
iii.
29.
German XVth
26, 28.
iii.
of,
iii.
d',
Fourteenth century,
22.
iii.
in,
i.
Musee
Fifteenth century,
Museum,
Effigy, on,
bow
carried at
Artillerie,
Dino Collection,
28, 29.
26.
iii.
Armet
et seqq.
28.
iii.
at,
iii.
of,
289.
xxxi.
i.
in
housing
et seqq.
iii.
of,
iii.
iii.
26.
171.
i.
Picinino, steels
24.
by,
iii.
341.
iii.
170.
of,
28.
Rope
365
iii.
172.
Steels: of
Tournament,
Tower, in the,
Vienna,
iii.
iii.
171.
202.
iii.
171.
Visconti statue, as portrayed on,
Wallace Collection,
Wenzel
I, of, iii.
iii.
in,
160.
ii.
176.
Disuse
ii.
155
v.
265.
in
of,
Madrid,
100; spurs
i.
Maurice
sword
Vienna, 98
of,
in Turin,
of,
138;
ii.
171
Salades,
ii.
1-56:
44;
i.
of,
mail shirt
85
i.
sword
of,
Wenceslaus: helmet
ii.
ii.
of,
Diirer,
ii.
ii.
n,
6,
v.
ii.
in,
ii.
21, 24.
54.
of,
ii.
6.
ii.
2,
i.
by,
Ear-piece of,
East Shefford church,
Effigy on,
258.
54.
drawing
ii.
167
42
ii.
of,
v.
32, 52.
157.
ii.
of,
17.
ii.
23, 47.
Enamelled decoration
English type
ii.
201, 206;
i.
of,
i.
12.
171
ex,
German, type
171
5 2 et
sword
of,
i.
167.
of,
ii.
9,
29.
ii.
3,
18,
28,
30, 40,
Archer's,
ii.
Artillerie,
ii.
d', in,
2,
in,
2,
with,
ii.
Brocas Sale,
in,
Hispano-Arabian decoration,
55.
ex,
Burgonet-,
iv.
of,
ii.
ii.
Malta,
23.
26.
ii.
6.
ii.
14, 20.
ii.
in,
ii.
40;
12, 18,
of,
of,
ii.
47,
35.
lion of
ii.
St.,
Missaglia, by,
i,
Morosini family,
366
14, 20.
127.
181
imitation of mail
ii.
6.
48.
iv.
53.
Mark, bearing
127, 130.
ii.
beneath slashing,
Maximilian,
ii.
ii.
2, 4.
ii.
Madrid, at,
Mail, bevor
25, 26.
ii.
Burges Collection,
212.
v.
7, 8, 15.
Laking Collection,
Lion scalp metal covering to, ii.
ii.
ex,
221.
v.
ii.
39.
Museum,
43
ii.
at,
Lafontaine, the,
36.
ii.
48,
35.
22.
ii.
43.
Joust, for the, ii. 49, 54.
ii.
Bevor worn
ii.
Jewelled,
Museum,
i.
3.
33.
6, 33, 41.
Musee
of,
ii.
of,
ii.
se//t/.
Hoplite, form
17, 18.
Bargello
Fiirstenwalde, in Arsenal
Gayeski Collection,
Hexham,
British
41.
47-
23, 41
ii.
at,
of,
Dresden,
in,
in
ii.
20.
ii.
of,
106.
St.
of rectangular section,
Coventry,
iii.
Ferdinand: sword
76.
55-
Sahagun, bladesmiths
St.
32, 35.
180.
of,
ii.
ii.
ex,
3, 11,
Copper-gilt covering
172.
iii.
Chalcis, at,
ii.
St.
of,
Comb
171.
Saffron
Ce/ata type
iii.
in,
Carrand Collection,
183;
of,
ii.
ii.
4.
6, 7, 8,
4, 11, 27,
12, 16.
3^
36
INDEX
Salades
continued.
Munich,
Salades continued.
in,
ii.
7,
Negroli, by,
ii.
20, 33.
Nieuwerkerke Collection,
ii.
ex,
41, 55,
165.
ii.
at,
Ocularium, use
and top of
180, 203;
i.
iv.
Peucker
ii.
in,
of,
25
127;
ii.
in,
ii.
half-,
ex,
ii.
Saddles,
51.
Salade,
38.
and medals,
ii.
9.
9,
10,
Museum,
suit, of,
ii.
23,
on
pictures,
seals,
48;
32,
ii.
at,
13, 38.
38.
227, 239.
(Bernal Sale)
Archer's shield, ii. 241.
Bastard sword,
Falchion,
ii.
tilting,
ii.
254.
Kolman
182
i.
ii.
33-
i.
in,
ii.
172
19, 47.
2,
ii.
suit,
on,
i.
210;
ii.
"Southwold, Jack
Statuette, ex
Vischer, showing,
ii.
i.
214.
16.
in
172
by
British Museum, showi.
28.
"Tailed,"
Tilting-,
ii.
Tower,
in,
ii.
Shields,
241.
Swords,
ii.
254, 269.
(Breadalbane Sale)
8, 9, 25, 29,
iv.
329;
(Brocas Sale)
Bascinets,
v.
i.
in,
12, 17.
183, 211,
Visors: bellows,
ciple,
ib.,
41
iv.
49.
214;
ii.
in,
Burgonet,
iv.
Stirrups,
Wolf
23.
iii.
suit,
iv.
ex Warwick Collection,
iii.
Sword from,
340.
134, 145.
315.
(Courval Collection)
367
55.
Kensington Museum,
5 2 > 55-
ii.
Breastplate by Picinino,
34.
341.
55.
(Christie's
ii.
Woolwich, 56.
Wallace Collection,
ii.
239.
32, 49.
Vienna,
93.
93, 104.
Venetian,
ii.
Salade,
ii.
v.
Venice,
61.
iv.
Swords,
19, 23, 26, 33, 40, 47.
8.
ii.
Cutlass, v. 104.
Collection, showing,
ib.
96.
312.
ii.
Buffe,
ii.
iv.
Basket-hilted swords,
26.
ii.
o'," on,
Hardy
at,
iii.
suit,
34-
269.
v. 68.
Salade,
54.
340.
ii.
tilting,
ii.
iii.
26.
iii.
Grotesque helmet,
52.
ing,
ii.
Dagger, rondel,
55.
Saxon
175.
n,
Breastplate by Picinino,
Poldi Pezzoli
on
84.
Radzivil
iii.
ii.
Shields,
ii.
Sale, ex,
189.
Bascinet, i. 250.
Crest of helm, ii. 164.
165.
iii.
between skull-piece
iii.
Paton Collection,
Petrograd,
24.
19, 34.
Odescalchi Collection,
Pageant,
ii.
iv.
287.
iii.
283.
167.
now
in
South
continued.
Sales (Laking
Lance head,
Campi stirrups
(De Cosson
Armets,
Sales
and
Collection)
iii.
281.
Maces,
Chanfron,
v.
Cutlass,
36, 50.
iii.
50.
mail,
ii.
iii.
Salades,
ii.
6,
n,
Spanish sword,
Stafford suit,
Swords,
iv.
iii.
v.
Tilting, helmet,
ii.
Bascinet,
301.
iv. 2 95>
{Laking Sale)
Bishop's mantle,
i.
113.
287.
272.
i.
ii.
iii.
iii.
ii.
Kolman
254.
76.
ii.
Swords,
188.
(Lucas,
ii.
245.
tion)
Cup-hilt, v. 67.
Swords,
Dagger,
222.
Duelling gauntlets,
French close helmet belonging to a suit in Madrid,
no.
88, 89,
Kidney daggers,
iii.
iii.
321
cup-,
v.
iv.
270.
Sale
and
i.
lxiii;
i.
iv.
Breastplate,
iii.
Sessa
368
suit,
56.
273.
155, 289.
Embossed helmet,
i.
lxiii.
XVIth century
289.
67.
Collec-
176.
302.
48.
iii.
Classical
274.
no.
iv.
270, 302.
i.
313.
iii.
Hounslow sword,
138.
ii.
Kolman,
340.
Chanfron,
4, 6, 7,
iii.
century sword,
iv.
ii.
313.
shield, iv. 238.
254;
"Wifle," two-handed,
115.
56;
2.
Spanish XVIth
pommel,
iii.
Picinino breastplate,
Salade,
iv.
147.
suit,
ii.
53, 76.
1,
Pageant wooden
bill, iii.
iv.
ii.
243.
i.
"
Helmets,
134;
14, 133,
Cinquedea,
Helm,
17.
iv.
century,
117.
{Gurney,/., Sale)
iii.
century,
iv.
Hatton Greenwich
Daggers,
XVth
Daggers,
Crystal
of
166, 207;
104.
Sale)
Burgonet, iv. 161.
"Brown
143.
302.
ii.
iii.
23.
XVth
Bastard sword,
89.
arbalete,
(Londesborough Sale)
250.
(Forman
i.
Visor, miniature,
133, 142
i.
302, 325;
Swords,
154.
36.
Landsknecht sword,
Mace, iii. 91.
iv.
;
167.
Steel cap of
174.
Kidney dagger,
iii.
ii.
179, 183;
of,
347.
Rondel dagger,
Horse
iv.
Partizan,
188.
iii.
Ear-dagger,
174; shirts
ii.
188.
of,
250.
104.
iii.
Daggers,
iii.
176.
iii.
141.
head, i. 63.
Bastard sword, ii. 257.
Bourbon, Charles de, suit,
ii.
93
iii.
tippet
Axe
Camail,
continued.
iv. 337.
Mail: early examples of.
ii.
Sale)
i.
helmet
iii.
343.
iv. 1 14.
of,
iii.
334.
iv.
134.
breastplate,
iii.
INDEX
Sales
continued.
armour purchased
Zoffany,
century)
by, at,
iv.
Salade,
12, 16.
(Zschille Site)
iii.
Burgonet,
ii.
285.
and
Bascinet,
Sale)
Cinquedea,
:
Salade,
iii.
201.
iv.
Saddle,
71.
(Spitser Sale)
head,
i.
iv.
153.
by Scroo,
iv.
iv.
Saddle,
19:
iii.
iv.
Helm,
i.
Saxon guard
238.
iv.
Kidney dagger,
Rondel dagger,
Salade,
ii.
Swords,
of
of, suit
XVIIth
cen-
iv.
of,
ib.
163;
morions, 206;
i.
21
Duke
ii.
of,
by
iii.
353, 357.
century, of Domschatz
XHIth
54.
of armour
of, suit
century, 88
sword
at
of Charlemagne
iii.
24.
of Constable of France,
197.
ii.
and
Collection)
i.
325.
iii.
263.
seal
i.
217.
of
William
cathedral, 42
i.
217.
rerebraces of 1470,
Rerebrace, Gothic,
iv.
175.
72.
ii.
iv.
24, 37.
Elbow-cops, Gothic,
Salade,
probably by,
Cuisses, Gothic,
i.
hilt
iii.
iii.
Mail,
201.
v.
s.n.
84;
(Zouc/ie Sale
and
170.
15.
burgonets
Xth
Essen,
10, 15.
14,
116;
343. 348.
Scabbard
241.
i.
Espalier
254.
Shield,
v.
Saxony, John-George,
Heinrich Knopf,
250.
ii.
Emmanuel
iii.
i.
i.
de,
tury in Madrid,
156.
Bastard sword,
in, iv.
See Collections,
suit,
of,
xlvi.
Savoy, Brince B.
333.
iv.
cathedral
in
Lord Hungerford,
296.
Maximilian
in,
(Stafford Sale)
ii.
effigy of
Guilhem
Sauveterre,
282.
170.
Shield, pageant,
Swords,
W. Ix>ngespee
205;
ii.
in;
suit
buffe,
209.
256.
170.
344, 349.
iv.
11.
2! 6.
175.
Sangarren, Baron.
332.
Rapier, sword-,
Scroo
iii.
14,
333.
Bartizans,
Bole-axe,
iii.
iv.
59
iv.
effigy of
Salzburg, effigy
Mace,
76.
172, 218.
Salting Collection.
332.
suit
iii.
Salisbury
Grotesque
iii.
Leather cabasset,
(Spiller Sale)
Axe
iii.
199.
216.
9.
Cinquedea,
ii.
iv.
Cabasset,
247.
i.
Brigandine,
154.
(Peucker Sale)
Saddle, tournament,
ii.
continued.
Sales
XVIIth
(Media's Sale in
i.
217.
41 ;
Bolish, of
on
II,
figure
XVIIth
century,
12.
type of salade,
Collection,
ii.
as portrayed
3"9
in
ii.
i.
v.
iii.
in Sir E.
in
Musee
202.
Barry's
d'Artillerie,
56.
xliii.
Londesborough Collection,
on apiciere
on
on Rheims
ib.
ib.
;
as bascinet,
Schiavona
worn
in
same period
ib.
ii.
302
326 distinguished
from English basket hilts, 327 ; distinguished
by characteristic pommel, ib. hilts of, set with
iii.
See also Serabaglio.
294.
Seron, near Forville, brass of Ystase de Seron showing
rondel dagger of 1382, iii. 16.
Serravalle
iv.
ib.
fitted with
never
back-
Sehloss
i.
Schwartzburg, G.
See
Claidheamh-mor,
302
ii.
et seqq.
v. 53.
of.
Patrick, Earl of
no; v. 205.
See Collections, s.n.
i.
Dunbar, 291,
1
I, ib.
Henry
iii.
Peffenhauser,
Seguier Collection.
ii.
iii.
of,
in
Anglo-Saxon,
Archer's,
Artillerie,
ii.
i.
of,
to,
by,
iv.
ii.
129.
iii.
102;
of,
showing
a/so Buckler.
2.
237, 241.
d', of
XVth
Musee
century,
ii.
236
with
British
Museum,
X tilth
iv.
229;
ii.
century
IX
Charles IX
Charles
s.n.
Cheney
Collection,
Corvin, Matthias,
Dino Collection,
203.
mentioned by Boeheim as an
294; iv. 139, 233, 281.
370
240.
ii.
in,
ex,
III, of,
ii.
i.
ii.
236.
iv.
244.
of,
Durlacher Collection,
Edward
v.
Circular, of Anglo-Saxons,
iv.
58.
237.
223, 227.
of,
i.
231.
Charles
Battista,
armourer,
Tower
armourer employed
Senet, Laurnes, French
by
Francis I, iii. 230.
Septvans, brass of Sir Robert de, showing early XlVth
century gauntlet,
Vienna
in
III, 164.
by
erroneously attributed
suit
326.
Serabaglio,
by
iii.
Sheppey, brass
iii.
Seax, of Anglo-Saxon, i. 5.
Sebastian, King of Portugal, suit
"Sempach
94;
in
forgeries of
iii.
ii.
1.
iv.
Sforza, Cardinal
Edward
s.n.
presented
Seusenhofer, Jorg
ib.
suit
of William II,
161
See Collections,
armet of
219; suit
horse armour, ditto, iii.
milian,
42 ; William I, 43 Henry I,
Richard
I, 109, 119; ii. 163;
;
75; Stephen,
i. 1 io;
de
Bohun, Earl of HereJohn,
Humphrey
of
ford, 119; Edward, Prince of Wales, 1300, ib.
of
Plantagenet kings wearing salades, ii. 45
:
Conrad
220; breastplate
by Picinino of
330.
See Fideli, Ercole dei.
Signor Manfredo.
of,
302.
Countess
iv.
iii.
191, 217 ; iv. 1 ;
in Innsbriick referring to the suit,
archives
191
218; engravings in Berlin resembling the suit by,
Museums
of, suit
da,
weapons
ii.
Duke
Daniele
(Edinburgh).
Claymore,
di.
lx
i.
ditto,
Royal, Edinburgh.
of,
i.
Museum,
Scottish
Solomone
Settala,
v.
effigy of, showing nasal-guard
228; showing truncated helm, 274.
Schwanzriempanzer, a piece of horse armour, iii. 203.
Scimitar, in Wallace Collection, ii. 293. See Falchion.
Scottish
iii.
Seusenhofer,
to bascinet,
about 1560,
Sesso,
(Wilczek, H.).
bladesmiths
312.
Sessa, G. F. de Cordoba,
28.
iv.
253
78.
INDEX
Shields
con tinned.
A. Mantegna,
Fifteenth century,
of,
228,
ii.
231, 233,
234, 238,
242.
of, v.
Forgeries
133, 134.
Fourteenth century,
Frawenbrys, by,
Gaunt, John of,
iv.
Ghisi, by,
ii.
of,
iv.
of,
Halstead, Essex,
iii.
Gothic, 241
227.
iii.
at, v.
40
iv.
ii.
ii.
of,
iii.
351
iv.
XVth
234, 236.
81; pageant,
i.
in,
iv.
58
XVth
Pageant, of
iv.
Picinino, by,
Pisan School,
iv.
Pistol, with,
iv.
227
ii.
218
iv.
et sent/.
245
z8
in
245.
pageant,
century,
53, 54.
ii.
264.
work
iv.
of,
323.
Sigmaringen Museum.
of
iv.
i.
of,
XVth
79, 81
ii.
century,
Auchinlek, M.,
223.
233
ii.
iii.
249
XVth
iv.
century,
ii.
Westminster Abbey,
in,
ii.
Museums,
s.n.
223
ii.
241.
et
ii.
i.
ii.
ii.
193.
346.
Skirt:
241.
set/</.,
of,
346.
Size of
230.
Leis, A.,
235, 238,
ii.
See
Silversmiths:
lxiii
ii.
237, 238.
plug bayonet
at, ib.
in,
306.
church,
brass
in,
showing
basilard
iii.
9.
dagger,
Shoulder, of early swords,
Shoulder-guards
iii.
made
ii.
316.
mezeil of helmet of Julian de
239.
234.
Wallace Collection: of
Shottesbrooke
suit,
174.
at,
v.
i.
233.
Vienna,
exaggerated form,
to
sliding,
Medicis
Shutter,
Montmorency,
century,
XVIIth
Scottish, of
suit in
century, 79.
Shrewsbury, Earl
238.
of, iv.
on Kolman
40,
223;
in, iv.
suit,
rudimentary
i.
Shrenck, Jacob von, illustrations of armour in collection of Grand Duke Ferdinand of the Tyrol,
253. aSS-
Norman,
238.
of,
169
244.
179.
fully
Negroli, 266;
of,
effigy,
ii.
Heater-shaped,
58, 79;
Henry V, of, ii. 230.
Leather,
on Beauchamp
i.
Louvre School,
241.
231.
Greenwich School,
167
i.
picture
i.
96.
in
armour depicted by
371
of
armour by Carracci,
iii.
260
origin
rudimentary
of,
armour,
ib.
ii.
Musee
of suit in
d'Artil-
of Jacobe MS.,
wich bard,
ib.;
of
Sling, of
Anglo-Saxon,
i.
in, iv.
116;
v.
Kolman
Wolf
179,
suit,
i.
i.
2.
of chapel-de-fer,
ing
248
suit,
iv.
243
of
Rotunda Bayard
v.
hilts, v. 7
o'
Southwold
348
Musee
Kolman
"
See
iv.
109;
275; en-
iii.
decoration of
Musee
in
ib.
Collection,
crest,
ii.
d'Artillerie,
;
of late
iii.
108;
in
Wallace
iv. 351.
See Partizan.
See Sales, s.n.
centuries,
handed sword,
"
figure in,
ii.
in,
iii.
ii.
252.
Spinola, A., sword of, in Whawell Collection, iv. 310.
Spiraculwn, as shown on helms of aquamanile, i. 268.
Spirarde, Caries
62.
(?
iv.
267
iii.
the
pseudo-splinted
Spurs
shield.
iii.
302; the
suit of
372
iv.
breastplates
suits,
of
306, 318.
Attachment
252.
suit of 1539,
Charles V, 308 ; the
Miihlberg
suit of 1550, 312; the Kolman suit as
"
i.
Spinelli,
s.n.
rapier
Spirituality,
ii.
of Anglo-Saxon,
Spiller Sale.
salade from, 26 ;
tournament leather helm from, 161.
Spacini, Geronimo, of Milan: shield by, iv. 234;
certain
for
also Lance.
Spetum
French name
a,
61.
96.
305
Spear
132.
16, 22.
Souverains,
v.
blades,
joust-
el seqq.
lames
Spalu/e,
Lord, Collection, at
Sonnenburg, Count
Maximilian suit of armour of, iii. 243.
Soudanese helmets, i. 57.
South Kensington Museum. See Museums,
helm, 164;
Somers,
suit,
for
broad toe-caps of
court, 97
suit,
swords of
XVth
suits,
ii.
Maximilian
148.
225
escuffa,
V, 219,
1415,
iii.
120;
iv.
of Charles
of
318; Peffen-
in
suit in
255.
4.
317; Wolf
suit,
New
Philip II in
iv.
to sollerets,
i.
170, 203;
iii.
304,
of
XlVth
Bargello,
in,
328;
INDEX
Spurs continued.
Bronze, of XlVth century, iii.
Decoration of XHIth century
Dreux
iii.
106,
i.
pair of,
191
iii.
tion,
i.
iii
as depicted in pictures by
in portrait of F. da Montefeltro,
203
suit,
in
Laking Collec-
178.
Stature of
attached to sollerets
suits,
Jewelled, of
Kolman
suit,
century,
attached to sollerets
Laking Collection,
iii.
ex,
London Museum,
i.
in,
of,
iii.
30
163, 164.
106.
i.
in,
"
iii.
Prick,
106;
i.
Radford Collection,
i.
attachment
colour
i.
of,
iv.
Stibbert,
iii.
ex,
Rowel: as portrayed on
of Xlllth century, ib.
167.
of
Henry III,
XlVth century,
iii.
164;
55-
165,
Bayeux
Campi,
ib.
206.
St.
Ferdinand,
Tenth century,
of,
106.
i.
Thirteenth century,
of,
106;
i.
iii.
i.
257
types
in, iv.
115
v.
Statues of
225.
Hardy
men
in
armour
v.
St.
at Dijon,
Collection,
ii.
XVth
of,
century figure,
by Fischer,
i.
XVth
Southwold,
ii.
16, 22.
iii.
344
iv.
319.
s.n.
Greenwich armour,
i.
iv.
133.
206.
iii.
154.
ii.
17.
of,
Cumberland
of,
i.
suit, 55.
28.
28,
as seen
ii.
in
104;
iii.
154.
17.
picture
by P. Bordone,
245.
Saxon,
Shoe-,
i.
i.
78.
105.
i.
i.
iii.
282.
28.
178.
172.
century,
of,
'
"Jack
of,
172.
o'
of
Norman,
36.
I] suit,
Missaglia shoe-,
by Le Sueur, London,
Henneburg, Otto IV
i.
50
iii.
3.
probably by
iii.
iii.
Collection, ex,
Maximilian,
iii.
George,
126;
17;
Staples,
Charles
ii.
Leather, early,
of,
of,
282.
i.
i.
of,
Greenwich
181.
ii.
iii.
Fourteenth century,
iv.
326.
Henri
Forman
Stafford Sale.
258
ii.
Castle, of Clifford
Fifteenth century,
163.
ii.
of, suit
See Collections,
F.
Enamelled,
of Pembridge
Crossbow,
28, 30.
i.
of,
Mr.
Stirrups
Appleby
seal of
of,
iv. 2.
Ressman
Riggs Collection,
123,
18, 76.
19.
ii.
See Saddles.
Topf,
29.
breastplate,
hardness
in
in
126.
suit,
xl, xlix
of,
281.
xlii,
i.
107.
Collection, ex, iii. 168.
Richard I, as shown on seal of, i.
ii.
to
of,
iii.
164.
iii.
Steels.
horses
for
198; specimen
iii.
helm,
in,
Steel
304.
289.
29.
Iii.
i.
135; on Wallace
165, 167.
28,
Madrid,
201
106.
i.
ii.
Stechtartsche
XHIth
iii.
Vienna,
199; illustration of in the Triumph of Maximilian
by Burgmaier, ib.; on miniature figure in Munich,
48,
d',
tournaments,
106.
i.
continued.
armour
176.
Stechkissen
165.
Greenwich
Due
Orleans,
166, 207.
of,
189
on late Gothic
Pisanello,
in
men
Statues of
167.
i.
28, 106.
Stockholm Museum.
373
See
Museums,
s.n.
Stoke
iii.
dagger,
ii.
sword so
in,
ii.
93
160;
v.
164.
Stuyvesant, Mr. R.
iii.
at,
lance,
of,
iii.
60
s.n.
(Armourers)
84.
i.
B.,
also Demi-suits
and
v.
29.
277.
v.
Griinewalt, H.,
Innsbruck School,
7-74
v.
7,
75 ; v. 208.
Jacobe (part of Lord Worcester suit),
Kolman
i.
family,
3 IO 3 l8
>
208.
213, 215
iii.
Picinino, Lucio,
iii.
iii.
iii.
iii.
264.
326.
Sigman,
J.,
Topf,
C,
iii.
iii.
Speier, P.,
iv.
iii.
275.
75.
v.
39, 44iii.
iii.
Berne Museum,
i.
Museum,
Christie's
iii.
Tower,
iii.
the,
1839
345.
310.
43.
Sale,
215.
iii.
iv.
30.
v. 25,
298;
27, 34.
182.
i.
Venice,
iii.
Vienna,
i.
328.
177, 183,
Windsor,
i.
iii.
iv.
iii.
242, 247,
75.
232, 262;
iii.
iv.
31
iv.
207.
Charles
Charles
IX
iii.
270, 289.
iv.
G. de,
Genouilhac,
J.
Hatton, Sir
C,
Henri
II,
iii.
iv.
315.
374
iii.
i.
177.
229.
31.
347.
Henry VIII,
iii.
Louis XIII,
Louis XIV,
v.
Maximilian
I,
v.
iii.
275.
60.
iv.
39.
44.
i.
213.
Medicis, G. or L.
179.
v.
36.
351.
193, 219.
318.
Astor, Viscount,
i.
iv.
255.
British
Stockholm,
Cumberland, Earl
Sigmaringen Museum,
Compton,.Earl,
334.
Seusenhofer, Conrad,
Scroo, Franz,
253, 262.
266, 307.
Peffenhauser, Anton,
iii.
(Historical association)
i.
iii.
Zurich,
iii.
310.
Wallace Collection,
iv. 25.
Negroli family,
iii.
iv.
171.
208.
84.
Turin,
211.
i.
v.
44.
Garbagnaner,
Greenwich School, iv.
i.
52.
iv.
New
effigy of
Three-quarter suits
Campi,
178.
iii.
iv.
Malta,
of,
79.
Company,
Artillery
and
(Collections
iii.
iv.
115.
184, 244;
iii.
Honourable
Madrid,
iii.
See Collections,
found
Duke
Suffolk,
266.
v.
cap-a-pie
Hothfield, Lord,
Sudbury,
armour,
104.
of
Museums) continued.
Dino Collection, ex, i. 201
Florence,
9.
Suits
de',
iii.
264.
Montmorency, Constable
Anne
Montpensier, Due
267.
de,
iii.
de,
iii.
267.
72.
INDEX
Suits of armour,
Suits of armour,
continued.
of Spain,
Rogendorf, W.
XVIth
21.
iv.
North, Lord,
Pembroke, Earl
I'hilip II
iii.
von,
iii.
Sir J.,
Scudamore,
iv.
"Spanish,"
259.
J., iv.
portrayed
manifer,
84.
Count
(Styles)
Classical,
Eitel F. von,
iii.
v.
17, 25.
German,
Italian,
English,
French,
iii.
iii.
German,
German,
French,
iv.
German,
334
iii.
iv.
XVIIth century
English,
French,
298;
v.
Grotesque,
iii.
Landsknecht,
iv.
Bargello
75.
Louvre School,
Maximilian, plain,
iv.
261,
iv.
303.
ii.
277, 280,
265, 274,
iv.
Museum,
Basket-hilted,
17-74;
v. 17,
208.
305, 307,
i.
i.
17;
319.
102 ;
ii.
ii.
345;
iii.
279, 281
74.
iii.
63:
iv.
iv.
325
v.
i.
i.
in,
102;
ii.
15, 140.
279.
93.
247,
250. 253Pisan,
10.
140.
86, 96.
347, 351.
iii.
i.
i.
274, 275.
iii.
Corona-
280, 344.
iii.
v.
Astor Collection,
Greenwich School,
of,
of,
Ashmolean Museum,
iii.
iv.
76;
312
208.
v.
at
Iv.
79, 84.
v.
i.
Artillerie,
347, 351.
iv.
Italian,
of,
Antiquaries, Society
iii.
Coronation,
332.
Anglo-Saxon Thegn,
1-74
ii.
Abbeville,
347.
iii.
at
33 2
tion,
iii.
267.
iii.
Italian,
184.
307.
iii.
87.
263.
Swords.
Mid-XVIth century
French,
iii.
229, 232.
iii.
Italian,
iii.
226, 326.
iii.
English king
upon or, of
XVIth century
Early
"
177, 179.
i.
i.
iv.
iii.
277, 298.
i.
ib.;
of,
French,
origin
316.
first
247.
ii.
124;
ib.
Swedish Feather,"
Swept-hilts,
iii.
ib.\
in,
i.
"
century,
242.
iii.
Zollern,
at
39.
iv.
223.
iii.
326.
211.
i.
J. de,
iii.
XHIth
Surcoat: of
70.
iii.
Smithe, Sir
century, English,
Verdelain,
303.
79, 84.
375
See Bladesmiths.
ii
265, 275;
Swords continued.
Boabdil,
i.
of,
Brazil-nut
lv, lxi
pommel
Breakers on,
Brescia, of,
Brett Sale,
on,
62, 83.
i.
Fifteenth century,
v. 77.
lix.
i.
13
i.
ii.
ii.
Flamberge,
279.
298, 332
iv.
281.
Flemish,
xxxv, 90, 94
i.
of,
I, of, v.
of, v.
of, v. 98.
ii.
of,
ii.
at,
iv.
iv.
Collection, ex,
ii.
ii.
i.
257
iv.
133, 142
;
v.
318.
ii.
257, 275,
i.
lxiii
XVIIth
iv.
275.
ii.
279
v.
100.
I, of, iv.
iv.
Sale,
Landsknecht,
Essen,
i.
Estocs,
at,
i.
Falchions,
12.
ii.
260;
128, 130;
of, iv.
Ealsaguarda
Fenton Collection:
double-handed,
v.
i.
i.
20;
84
268.
ii.
ii.
253, 256.
ii.
i.
256.
102.
134;
iv.
297;
i.
ii.
ex,
14, 133,
ii.
i.
62.
ii.
P.
13,
ii-
287.
273, 314.
ii.
iv.
310.
299.
95.
i.
J.
i.
lxiii
iv.
273-
283.
iv.
264.
ii.
269.
Madrid,
344
Hounslow,
i.
iv.
Maidstone,
270.
iv.
Mr.
Lucas,
23.
lix;
i.
xliii,
289.
ii.
104.
104.
Londesborough Sale,
"
London," sword by
253.
i.
v.
iv.
F., Collection,
Louvre, in the,
of,
329
lxii
315, 320.
la Gineta,
260,
century, v. 56.
London Museum,
Louis XIV, of, v.
Espada a
iv.
295;
seqq.,
272, 326
Laking
iv.
ii.
iv.
v.
iv.
281 et
277.
Epee de religion,
v. 86.
289.
i.
Labanoff Collection,
ii.
Eleventh century,
320.
ii.
lxiii
i.
by,
Keasby, Mr.,
99;
279, 341 ;
293.
Dublin, Thegnic, found near, i. 20.
iv.
J.,
Joan of Arc,
Joubert, Mr.
104.
261, 268;
ii.
Diisack,
et seqq.
271.
i.
iv.
313
298
iv.
81.
James
287.
"Donatello,"
iv.
Windsor,
in, iv.
Hispano-Mauresque,
Hounslow,
294.
Collection, ex,
at,
Hernandez,
Irish, of
97.
Dresden,
Heralds' College,
v.
Dino
at
292.
De Cosson
61, 96.
Hampden, John,"
Hoppe,
267.
Courval Collection,
282.
Currie Collection,
ii.
328.
98.
Court,
99;
i.
268.
ii.
"
v.
294.
et seqq.
82.
of,
251
i.
135; ii. 269, 279, 292.
Forgeries: of signature on Donatello, ii. 271, 279;
of Spanish, 286 ; with finger-ring, 292.
94.
i.
Charlemagne,
v.
iv.
ii.
Foulc Collection,
Charles
ii.
281.
of, iv.
Museum,
British
283, 286.
ii.
i.
lxiii
v.
104;
273.
376
100, 135;
302, 305
at,
i.
285.
iv.
ii.
328, 329
v.
89.
v. 60.
84.
INDEX
Swords continued.
Swords continued.
Meyrick Collection,
Milan,
i.
"
v.
Iv.
P.,
258
ii.
at,
blade
Hispano-Moorish,
Names: romance,
New York,
ii.
at,
on,
310.
xxxv
i.
293; of places
ii.
iv.
Odescalchi Collection,
Osma
Collection,
Paris,
Bibliotheque
14;
ii.
ii.
294.
135;
i.
Musee
Passau,
Iv
i.
of,
258
ii.
iv.
Penshurst,
at, iv.
Petrograd,
at,
i.
273.
101
ii.
ii.
of
W.
i.
Reubell Collection,
ii.
Ricasso
v.
287
Riggs Collection,
iv.
Maurice,
Wenceslaus,
Sc/iiavona,
of,
i.
liv.
Scottish, early,
iv.
102
ii.
century,
Spinola, in
iv.
iv.
302
ii.
254.
279, 28r
v.
iv.
ii.
309.
iv.
Wallace Collection,
84,
i.
14,
323.
133;
iv.
ii.
253,
257,
blade
155
i.
of,
v.
ii.
ii.
273.
iv.
319.
265, 329.
v.
276.
96;
i.
ii.
of
84;
ii.
ii.
299.
Canterbury,
ii.
Carlisle,
at,
ceremony
ii.
Bristol,
171.
14,
299.
Zurich, Xandsknecht,
63.
i.
325.
Swords
ii.
iv.
Collection, ex,
68.
325.
et seqq.
i.
by,
lx
260
iv.
316.
316.
299
iv.
v. 53.
iv.
Chester,
312.
et seqq.
century,
ii.
Cologne,
iv.
ii.
Coventry,
263.
280, 286
of
XVIth
Collection,
Dresden,
Edward
iv.
Exeter,
310.
ii.
ii.
of,
377
ii.
of, of,
332.
312, 320.
at,
ii.
341.
III,
ii.
329, 330.
ii.
armoury
334.
312.
Ferdinand and
in
Coronation,
et seqq.
Whawell
20;
16, 18,
138;
i.
XVth
of
i.
Weatherby
279.
100.
"Small," v. 97.
South Kensington Museum,
:
104.
85, 98.
Sixteenth century,
Spanish
283.
ii.
Cassel,
ii.
I), di,
Serravalle,
ii.
of,
98
94,
Waved
268.
ii.
seqq.
ii.
of,
302
ii.
74.
294, 344.
i.
in,
Zeug/iaus,
i.
ii.
in,
iii.
280.
ii.
Westminster Abbey,
283
Sahagun, by, family,
St. Ferdinand, of, i. 99, 100.
St.
264.
"Viking,"
of,
ii.
Scimitar,
Venice,
278.
St.
283.
i.
at,
Vienna,
292, 295.
Rothschild, Miss Alice de, Collection,
Sabres,
iv.
82 et seqq.
iv.
254; v 71.
ii.
261, 304.
B., Collection,
Collection,
of,
London,
from,
Rapier, development
v. 59. See Rapier, s.n.
ii.
283
319.
of,
Ressman
ii.
Collection,
Redfern, Mr.
lxi
i.
Venetian,
ii.
275.
Ramsbottom
23.
290.
279.
"Pucci,"
iv.
275.
266.
iv.
ii.
2,
iv.
285
ii.
supra.
d',
68, 103.
279.
Nationale,
xliii,
xliv,
Turin,
i.
i.
of,
Toledo,
Tower
275, 286,
129.
i.
v.
iv.
Tucks,
falchion,
319.
v.
325-
Norwich
iv.
iv.
325
263 et seqq.
Swiss double-handed, iv. 275.
liv.
i.
275.
Tenth century,
Munsten,
258
ii.
at,
iv.
Swept-hilted,
286.
on,
made
Stuyvesant Collection,
64, 92.
bastard,
Steyr,
Stradiot,
i.
of,
Mortuary,"
Munich
279.
132.
lix,
Montlucon,
iv.
263, 279
ii.
Isabella, of,
ii.
344.
3 c
ii.
338.
ceremonycontinued.
of
Foreign,
ii.
Gloucester,
of
ii.
"
ii.
to,
burgonet,
345.
ii.
263, 328.
ii.
ii.
Kingston-on-Hull,
Kurbrandenbt/rgische,
Leo X, presented
ii.
by, to
ii.
346.
Beauchamp
313, 316.
on
Lynn,
316.
Newcastle,
"
ii.
Pressburg,
Saxony,
Vienna,
the,
ii.
at,
ii.
99
Westminster,
Windsor,
in,
Worcester,
at,
ii.
ii.
ii.
of,
Wurzburg,
Yarmouth,
ii.
337.
ii.
316.
329.
"
125.
picture of 1480 of
of,
ii.
151.
Count
Wales
made in two
XVIIth century,
suit, v. 7
32
of pikeman's
49
suit,
of
lobster,
suit, 58.
242.
appearance as early as
i.
36,
i.
160; on
iii.
208.
effigy in
Textile defences,
church
189-202
ii.
plate
of
andines,
XVth
and jacks,
ii.
covering
of 1560 in
i.
47.
157
covered breast-
New
jousting
breastplate
of
Lorenzo the
iii.
285.
Magnificent,
Thame church, brass of R.
Quartremayns
v. 79.
i.
159.
as depicted in brass in
of,
century,
332.
Tewkesbury,
c.
ii.
141 5 of,
on Missaglia suit of
165
"
Frederick " the Victorious like a tonnlet, 176; of
of three plates of
early Maximilian suit, iii. 242
effigy,
P. Hinckaert, 224.
iv.
Beauchamp
iii.
shape,
40.
Taces
taces,
337.
iii.
tuille
to
Swyn Feather,"
iv.
313.
ii.
i.
on
and of
for
330.
Wiirtemberg,
to garde-de-rein
341.
338.
ii.
effigy
343.
ii.
and two
Kolman
of D.
339.
Duke Maurice
i.
effigy of 1455,
tuille-,
316.
Pomeranian,"
wearing
ii.
XIV
333.
334.
ii.
Norwich,
ii.
192.
ii.
of,
i.
See Shields.
ii.
ii.
213.
tuille-like,
London,
Munich,
"
iv.
Lincoln,
Maximilian,
94
Targes.
Tassets
339.
Henry VIII,
i.
Tapul
345.
King's Lynn,
ii.
ii.
ii.
helm from,
castle:
in ruins of,
346.
Hessian,"
339.
James IV of Scotland,
of:
XlVth century
Tannenburg,
Tang, bend
et seqq.
333
ii.
Thorpe, Sir
Edmund
in,
iii.
in,
i.
74.
Ashwelthorpe
Talhoffer, H.,
48.
378
dyked edge,
ii.
178.
INDEX
Three-quarter suits
of
armour
Missaglia,
Museums, and
Musee
Artillerie,
d', v.
Sales)
44.
II,
iii.
345.
Henry, Prince of Wales,
Louis XIII,
v.
iii.
v.
v. 7.
Styles)
lets in,
iii.
in,
d' Artillerie,
ib.
in
ii.
portrait of Charles
of armour,
iii.
309
V
;
wearing "Miihlberg"
portrait of Philip II
of
suit
Henry VIII,
227
bats,
use,
flexible
as
suit,
commounted
tilting
tilting suits,
plates, for
ib.
forbidden gaunt-
locking gauntht,
shields,
iv.
38, 55
ii.
249
ii.
220;
lance
iii.
of,
coronel heads,
198;
liourt
and
199; blind
used in
stechkissen in,
figures
of,
I, ib. ;
saddles, ib. ;
extra pieces for, of Kolman Philip II suit, 313;
extra pieces for, of Greenwich School, iv. 3 et
Tours
century, 187 ; and bishops' mantles, ib.; as portrayed in the "Triumph," 188; in Laking Collection, ib.
47
Brussels,
170; of XVIth
iv.
for,
seqq.
of St. Wenceslaus,
220;
;
iii.
suit
now
69.
Titian:
124-128; Italian
2 3'.
tilting suits,
wooden and
ii.
136.
Tilting suits: the Wallace, of 1500, described in detail, ii.
120; of Maximilian I in Vienna, 126;
Tippet of mail
XlVth
49
ii.
345
Musee
xlvi
i.
salades,
at,
Tilting cap,
the
helms, 280
29.
Wallace Collection,
in
tilting
Italian, v. 13.
of,
at
German
in
Seventeenth century
French, v. 7, 9, 29, 44
Thun, Count
44.
and
{Periods
Embossed,
century
Rupert, Prince,
172.
Tournament
29.
{Historical association)
Henri
by Jacob Topf,
for
Draguignan Museum, v. 9.
Meyrick Collection, ex, v. 13.
Wallace Collection, v. 13.
at, v. 7,
v.
i.
Windsor,
Archduke Carl
Torbido, Francesco
129.
{Collections,
made
iv.
Jacobe,
{Armourers):
Italian
suit
230.
30;
Genouilhac
of,
liii
iii.
s.n.
to helm, 108,
135-
Trapp, Count.
i.
275,
282.
i.
24 ; Byzantine influence at, ib.
Treytz of Miilhan armourer, i. 178; clover leaf mark,
ib. ; harness perhaps by, in Van der Goes picture,
379
turies,
195; armour
made
49
ii.
196
hourt or
i.
Trundlets.
Tsarskoje-Selo.
"Tucks," or estocs,
Museums,
iv.
s.n.
Turin Armoury.
Museums,
of, iv.
of,
216.
ii.
the claidheamh-mor,
302
ii.
et
271;
Italian,
ib.
practice,
blunt,
English, 273;
called wifles,
German,
ib.
213
pictures by, i.
salades and armets
ii.
pictures of,
iii.
253
Medicis
suit,
196;
See Collections,
ii.
66,
44,
73,
s.n.
I, iii.
in,
i.
ib.
suits,
in
Collection
245
of,
Collection, 246
Wallace
engraved and
Vienna,
suit, ib.
gilt
Under
a suit
suit of,
by
See
i.
Museums,
169
flat for
in
Vandyked
picture,
ib.
ib.
war, por-
Greenwich
mail,
s.n.
ii.
Venice
tion, ib.
Kolman suit of
by M. Tachaux,
of, ib.
plates,
of
iii.
School,
77.
breastplate in Whawell
Italian suit of, in Wallace
ib.
suit,
ib.
by Grand
Kolman,
Tower, 263
Greenwich, restored
64; laminated inside, of boy's suit of 1605,
v. n; ditto in French Charles I suit of 1610, 32.
Vamplates for war and the joust, iii. 85 extant war,
285.
"Umbo"
puffed, in
overlapping elbow-cop in
trayed
iv.
Duke Francesco
puffed, 256
1540, 315
185;
185.
Uffizi Gallery,
fluted
264
by,
fitting
Swiss,
tures by,
of
for
275-
Tyrol,
account
205.
the
ib.;
lvii
ii.
letter
s.n.
Count de
See
Two-handed swords
of,
Petrograd.
264.
See Tassets.
Tuilles.
of,
See Tonnlets.
See
Westminster Abbey
stech-
and sword of
armour
ii.
kissen, 199.
Trunck, Lorenz
goldsmith, ii. 341
Duke Maurice of Saxony, ib.
Valencia,
de, effigy in
75
Aymer
ii.
of knee-
280
ib.
XVth
cen-
38o
s.n.
in,
INDEX
Vere, de
effigy of
ob.
22
i.
salade,
40, 41
35,
probable division
mechanism of, 86
armets, 90
v.
de,
25.
hilts by,
ii.
i.
198
iv.
329.
See Collections, s.n.
Vianna, swords from, i. xliv. See Vienna (France).
Victoire, name of sword of Charles VI of France,
lxiii,
Museum.
South Kensington Museum.
Albert
i.
See
Museums,
s.n.
Voulge
iv-
ceremony,
ii.
338.
i, 12 ct seqq. ;
swords,
"Viking"
decoration of, ib. ; quillons
MS.
illustrating,
14;
1447.
73'
Visigothic
bit, in
160.
iii.
showing sculptures
of,
medal
Wales,
Madrid,
i.
113;
bascinet at
i.
of
83, 84.
centuries,
of,
on Porte de Hal
iii.
350, 357.
chanfron of Greenwich
Italian suit,
300
114
297;
suit,
Pickering Greenwich
v. 3,
17 et seqq
suit
by
Greenwich
8; Italian half
suite,
suit
of,
10;
suit
of,
described,
iii.
87
in
Dino, Laking,
76
worn with
coif
appeared end
two kinds of attachment
to bascinet
Cluny Museum,
Count Wilczek's Collection,
272;
Prince of:
iii.
Windsor
106.
at
ib.
Henry,
School,
showing armet of
of,
bascinet
107
iii.
of,
iv.
i.
century,
pauldrons,
cerveliere,
bascinet in
inner and
1-
War hammers
75.
over
in Bargello
"
on " Pisan
XlVth
chanfron en
ii.
35
144.
in
of buffe to armets,
grotesque, 96 et seqq.
iii.
Vischer, Peter,
century,
Viretons,
XlVth
56
of
tury type
xliv.
saddle of
288
de Cosson,
sword blades
in France,
iii. 144.
or
bolts of crossbows,
Viroux,
set///.
Campi pauldrons
i.
lection,
Victoria and
different, for
92;
outer, 104.
XXXV.
Visor
et
and hinge
on Spanish
pin
of,
Visconti,
88
iv.
peculiar fluting
bellows, to helm,
270;
of armet, 82
ally altered,
of,
ib.
249
of salade,
ii.
pig-faced,
;
War
pistol,
342.
i.
222
in
unique, to
" Great "
of
iv.
miniatures
in,
iii.
100.
381
of Battle
Whitchurch church,
ii.
suit,
of pieces of
suit, iv
Wenceslaus,
i.
138;
Wenzel
I,
i.
XlVth century
Wertheim, Count
of,
and bascinet,
i.
saddle
effigy
ii.
of,
i.
sword
of,
iii.
showing
on helm
crests
in,
showing fluted
i.
118, 127;
ii.
242;
in
v.
211
effigy of
W. de
Valence,
chanfron
saddle of
ii.
211.
Wetter, Othmar,
to bascinet of 1425,
i.
252
ii.
iv.
97.
Messrs., armet of
c.
79.
:
Armour
2.
transferred
of,
i.
155.
Broadsword,
v.
90.
Brunswick, suit of
Duke
"
ii.
of, v. 3.
246.
Cinquedea,
iii.
iii.
382
Tower
to
Daggers,
289.
by H.M. King
George V, iii. 238 iv. 27.
Armoury, contents of, in 1742, v. 2.
Black Prince, sword erroneously described as that
"
147;
on
Westmorland, Earl
156.
of Painted Chamber,
94.
v.
149;
in
v.
Wilton
in
trayed
so called,
of,
" Will
Somers " helmet,
s.n.
ii.
iii.
106,
170.
230.
ii.
Willson,
167.
252.
7 1
s.n.
showing early
ii.
ii.
effigy in,
267.
helmet, i. 44 ;
171; mail shirt of,
ii.
Windsor,
suit of close of
showing
effigy
"Wifles,"iv. 271.
St.
at
flat-topped helm,
on
XVth
effigy of
Wells Cathedral,
sword, 263
332-
Worcester Greenwich
Abbey
mors, 307;
Ii.
i.
261
ii.
XVth
early
XVIth
i.
18.
iii.
Wax
pair of
207.
Whawell, S. J. See Collections, s.n.
178; showing
ii.
of,
iii.
spurs,
of,
ii.
v.
158.
INDEX
Windsor Chapel and Castle continued.
Gauntlet,
ii.
Greenwich armour
Hatton suit, iv.
55
chanfrons,
iii.
205
216.
Christopher
suit, iv. 7,
53; Pickering
16, 29,
i.
Wood
17 et seqq.
v.
217.
v.
possible suit
miniature
iv.
315
Horse armour,
iii.
Kidney dagger,
iii.
v.
317;
i.
v.
299
of, 6.
237. 238.
See
et seqq.
iii.
188.
v.
Windsor,
attributed
ii.
of,
i.
318.
iv.
v. 52.
v.
to,
suit,
iii.
ii.
317
helmet by,
88.
iv.
75, 97.
German XVth
century,
65.
of,
ii.
337.
York,
of
Sigismund
suit
i.
liv
Wolf,
perhaps by,
308
iii.
316.
century, 218.
to
of Polish origin, iv. 101.
helmets,
Wings,
Witton le Wear church, salade in, v. 177.
of,
ii.
XVth
Duke
in,
in, v. 71.
148.
effigy
for,
Wingfield church, Suffolk: effigy in, showing development of plate armour in early XVth century, i.
ii.
302
270.
horse
204 ; Miihlberg
K. Kolman suit
formerly at
suit
Charles
179; part of
18.
armour
suit,
Wrapper of armet,
ii.
4, 9, 16,
of,
v. 3.
Worms, Wilhelm
17 et seqq.
313.
iv.
burgonet of
160;
made
ii.
suit
73.
Targe, Scottish,
iii.
Museums ( Rotunda).
Woolwich.
158.
suit, v. 29.
155;
statuette in T. B.
44, 48.
24; portraits
Rapier,
232.
Main-gauche, v. 75.
Maximilian chanfron,
Prince Rupert
iii.
88.
v.
v.
of,
o'
"Jack
158.
Hilts,
i.
IV
of Otto
138, 141
of,
"
ii.
Anglo-Saxon shield
Hardy
iv.
333.
s.n.
iv.
20.
383
ii.
173.
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