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https://en.wikipedia.org/wiki/C_(musical_note)
C (musical note)
From Wikipedia, the free encyclopedia
Contents
Middle C
Play .
1
2
3
4
Middle C
Designation by octave
Graphic presentation
Scales
4.1 Common scales beginning on C
4.2 Diatonic scales
4.3 Jazz Melodic Minor
5 B sharp
6 See also
7 References
Middle C
When the A440 pitch standard is used to tune a musical instrument, Middle C has a frequency
around 261.6 Hz. Middle C is designated C4 in scientific pitch notation because of the note's
position as the fourth C key from left on a standard 88-key piano keyboard.
Another system known as scientific pitch assigns a frequency of 256 Hz but, while numerically
convenient, this is not used by orchestras. Other note-octave systems, including those used by some
makers of digital music keyboards, may refer to Middle C differently. In MIDI, Middle C is note
number 60.
The C4 designation is the most commonly recognized in auditory science, and in musical studies it
is often used in place of the Helmholtz designation c'.
While the expression "Middle C" is generally clear across instruments and clefs, some musicians
naturally use the term to refer to the C note in the middle of their specific instrument's range. C 4
may be called "Low C" by someone playing a Western concert flute, which has a higher and
narrower playing range than the piano, while C5 (523.251 Hz) would be Middle C. This technically
inaccurate practice has led some pedagogues to encourage standardizing on C 4 as the definitive
Middle C in instructional materials across all instruments.[1]
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https://en.wikipedia.org/wiki/C_(musical_note)
In vocal music, the term Soprano C, sometimes called "High C" or "Top C," is the C two octaves
above Middle C. It is so named because it is considered the defining note of the soprano voice type.
It is C6 in scientific pitch notation (1046.502 Hz) and c''' in Helmholtz notation. The term Tenor C
is sometimes used in vocal music to refer to C5, as it is the highest required note in the standard
tenor repertoire. The term Low C is sometimes used in vocal music to refer to C2 because this is
considered the divide between true basses and bass-baritones: a basso can sing this note easily
while other male voices, including bass-baritones, cannot.
In organ music, the term Tenor C can refer to an organ builder's term for small C or C3
(130.813 Hz), the note one octave below Middle C. In stoplists it usually means that a rank is not
full compass, omitting the bottom octave.[2]
For the frequency of each note on a standard piano, see piano key frequencies.
Designation by octave
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https://en.wikipedia.org/wiki/C_(musical_note)
Scientific
designation
Helmholtz
designation
Bilinear
music
notation
Octave
name
Frequency
(Hz)
Octocontra
4.088
Play
8.176
Play
Other names
Audio
C-2
C or C
or CCCCC
C-1
C or C or
(-uC)
CCCC
Subsubcontra
C0
C or C or
CCC
(-vC)
Subcontra
16.352
Play
C1
C or C or
CC
(-wC)
Contra
32.703
Play
C2
(-xC)
Great
65.406 Low C
Play
C3
(-yC)
Small
130.813
C4
(zC)
One-lined
261.626 Middle C
C5
(yC)
Two-lined
523.251
N/A
Bass C, Tenor C
(organ)
Tenor C (vocal),
Treble C
Play
Play
Play
C6
(xC)
Three-lined
Soprano C
(vocal), High C
1046.502
(vocal), Top C
(vocal)
C7
(wC)
Four-lined
2093.005
Play
C8
(vC)
Five-lined
Play
C9
(uC)
Six-lined
8372.018
Play
C10
(tC)
Seven-lined
16744.036
Play
Play
Graphic presentation
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https://en.wikipedia.org/wiki/C_(musical_note)
Scales
Common scales beginning on C
C Major: C D E F G A B C
C Natural Minor: C D E F G A B C
C Harmonic Minor: C D E F G A B C
C Melodic Minor Ascending: C D E F G A B C
C Melodic Minor Descending: C B A G F E D C
Diatonic scales
C Ionian: C D E F G A B C
C Dorian: C D E F G A B C
C Phrygian: C D E F G A B C
C Lydian: C D E F G A B C
C Mixolydian: C D E F G A B C
C Aeolian: C D E F G A B C
C Locrian: C D E F G A B C
B sharp
Twelve just perfect fifths (B) and seven octaves do not align as in equal temperament.
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https://en.wikipedia.org/wiki/C_(musical_note)
See also
Piano key frequencies
A440 (pitch standard)
C major
C minor
Root (chord)
References
1. Large, John (February 1981). "Theory in Practice: Building a Firm Foundation". Music Educators
Journal. 32: 3035.
2. Wakin, Daniel J. (2007-09-09). "The Note That Makes Us Weep". New York Times. Retrieved
2007-12-12.
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