Professional Documents
Culture Documents
ANALYSIS
SECTION
Heritage Coalition
No. of
VOCABULARY
possessing accomplishment or
requiring in achieving a
Flatten (13)- to make or become horizontal; level: flat ground, a flat roof.
Blurring (14) - to make or become vague or less distinct: heat haze blurs the
hills, education blurs class distinctions.
Irretrievably (14)- not able to be retrieved, recovered, or repaired.
Discarded (14) - to get rid of as useless or undesirable.
Rates (14) - relative quality; class or grade.
2
to free from
Excerpts (23) - a part or passage taken from a book, speech, play, etc., and
considered on its own; extract.
Freer (24) - able to act at will; not under compulsion or restraint.
Strive (25) - to make a great and tenacious effort.
Moods (25) -
the
Spell out (26) - to make clear, distinct, or explicit; clarify in detail: let me
spell out the implications.
Props (26) - something that gives rigid support, such as a stick.
Eschewed (30) to keep clear of or abstain from (something disliked,
injurious, etc.); shun; avoid.
Blanch (30) to remove color from, or (of color) to be removed; whiten;
fade: the sun blanched the carpet, over the years the painting blanched.
Frame (30) - the system around which something is built up: the frame of
government
the structure of the human body.
Fair (30) - free from discrimination, dishonesty, etc.; just; impartial.
Yields (30) - to give forth or supply (a product, result, etc.), especial by
cultivation, labor, etc.; produce or bear.
Tandem (33) -
Underway (36) - less than: under forty years; lower in rank than: under a
corporal Saint.
Smooth (38) -
Interweave (43) -
to make (a web).
SECTION
PUNCTUATION:
envision and
produce
5
the dance-choreographers
this
cases
is
perfect;
however, each
one
Use of semicolon.
(6) pre- and post-production
Use of dashes.
(8) if a documentation project is to
practice.
Use of quotations .
(8) It would be impossible to assemble, reconstruct, or imagine
the movement-the very
foundation
Use of
of dance.
dashes
for
archival
purposes,
do
not
ruse
preparation-the
happen unseen.
Use of dashes.
(24) Dancers; production
staff; music/sound score,
musicians, or accompanist (if
composer,
used);
Use of slash.
(28) The responsibility for cultural
priest/shaman/guru/community
continuity lies,
leader)
Use
of slash
such
spaces.
of documentation-to allow those who
performance.
Use of dashes.
(45) Most
of
Labanotation
been
documented by
Use of dashes.
SECTION 3 GRAMMAR:
(16) Technology
practitioners
is
most dance
Adjective or adverb. ?
(24) The creative process could lead to better not- saving, recording of
responses with dancers. Videotaping of choreography and other aspects
of process.
Is it doing a comparison? Is it a contradiction?
(25) A number of
intentional effort to
products are
generated even
when
there is no
market,
SECTION
4 EXPRESSIONS
AND
MEANINGS:
become
corrupted because
Time.
It talks about a visionary.
(36) His conclusions, including lessons
and what needed to be
further
learned in different
way
discovered
information.
Information can be
practical way.
SECTION
(8) Dance
confused if
it
is
not
FLOW:
Notation
It is
written in third person of singular. Paragraphs author makes
description
of past , present and future events about Labanotation
describing sequences. it projects strategies to be developed in practice .
It makes
comparisons. It makes researchers references . From
this
paragraph is
born
information to be
compared (Advantages
and
disadvantages).
Those develop facts; causes;
experiences;
events;
consequence connectors . There is coherency between paragraphs. They
are connected. Important words: codes; method; advantages- disadvantages;
as well as; then; jeopardize.
(27) TRANSMITION FRAMEWORK
8
CULTURE
DANCE
SACRED DANCE
PRESERVATION: DANCE
IN
AN DANCE
IN THE PERUVIAN
ANDES
SECTION
STRUCTURAL
MAP
OF THE
BOOK:
10