Photo 1 Midterm Review 2017

PHOTO 1
MIDTERM REVIEW!
THESE TOPICS
WILL BE ON THE EXAM & ARE
COVERED IN THIS REVIEW
1. Parts of the
Camera
2. Shutter speed
3. Aperture
4. Depth of field
5. Light metering
6. Bracketing
7.
8.
9.
10.
11.
12.
Equivalent exposures
Easels
Parts of the enlarger
Processing film
Darkroom chemistry
Principles of
Composition
parts of the camera
1.
3.
5.
6.
2.
4.
1. film advance lever

3.
5.
6.
2.
4.

3.
5.
6.
2. shutter speed dial

4.

shutter
release
3. button
5.
6.

4.

shutter
release
3. button
5.
6.

film
4. rewind

shutter
release
3. button
aperture
5. ring
6.

film
4. rewind

shutter
release
3. button
aperture
5. ring
6. lens

film
4. rewind
8.
9.
7.
12.
11.
10.
8.
9.
viewfinder
7.
12.
11.
10.
8. take up spool 9.
viewfinder
7.
12.
11.
10.
8. take up spool 9. camera back

viewfinder
7.
12.
11.
10.

viewfinder
7.
12.
11.
10. shutter

viewfinder
7.
12.
11. tripod mount
10. shutter

viewfinder
7.
rewind
release
12. button
11. tripod mount
10. shutter
shutter speed
What is this?
What is this?
shutter speed dial
What is this?
shutter speed dial
What does it do?
What is this?
shutter speed dial
What does it do?
controls how long the shutter is
open - in fractions of a second
What is this?
shutter speed dial
What does it do?
What does shutter speed TECHNICALLY control in
your photograph?
What is this?
shutter speed dial
What does it do?
your photograph?
how long the shutter is open - how much LIGHT gets in
What is this?
shutter speed dial
What does it do?
your photograph?
What does shutter speed CREATIVELY control in
your photograph?
What is this?
shutter speed dial
What does it do?
your photograph?
What does shutter speed CREATIVELY control in
your photograph?
a sense of MOVEMENT or MOTION
What does the B stand for?

bulb

bulb
What does it do?

bulb
What does it do?
lets you have complete control
over shutter speed

bulb
What does it do?
over shutter speed
How?

bulb
What does it do?
over shutter speed
How?
the shutter stays open as long as you are pushing the
shutter release button

bulb
What does it do?
over shutter speed
How?
When would you use this?

bulb
What does it do?
over shutter speed
How?
When would you use this?
if you want a REALLY long exposure time - maybe to
show city lights at night, or the movement of water over
a long period of time, etc.
What is this?
What is this?
a tripod
What is this?
a tripod
When do you use this?
What is this?
a tripod
at shutter speeds of 1/60 or below
What is this?
a tripod
What happens if you dont?
What is this?
a tripod
What happens if you dont?
it will be blurry and you will be disappointed. I promise.
If you wanted to take a picture of a running man so

that the action would be frozen - what shutter
speed might you try?
If you wanted to take a picture of a running man so

that the action would be frozen - what shutter
speed might you try?
1/1000
What if you wanted to show movement - how would

you do that?
What if you wanted to show movement - how would

you do that? the slower the better - try 1/15 or slower - even
1 second if possible (movement will look blurred)
You can also show movement using panning - what is

panning?
You can also show movement using panning - what is

panning?
using a slow shutter speed (1/30 or below), move
(pan) your camera to follow the moving subject
as you take the picture
aperture
What is this?
What is this?
aperture ring
What is this?
aperture ring
What does it do?
What is this?
aperture ring
What does it do?
controls the size of the aperture,
measured in -stops
What is this?
aperture ring
What does it do?
measured in -stops
A low -stop number = a _______ size aperture.
What is this?
aperture ring
What does it do?
measured in -stops
LARGE size aperture.
A low -stop number = a _______
What is this?
aperture ring
What does it do?
measured in -stops
What does aperture size TECHNICALLY control in
your photograph?
What is this?
aperture ring
What does it do?
measured in -stops
your photograph?
how large an aperture - how much LIGHT gets in
What is this?
aperture ring
What does it do?
measured in -stops
your photograph?
What does aperture size CREATIVELY control in
your photograph?
What is this?
aperture ring
What does it do?
measured in -stops
your photograph?
What does aperture size CREATIVELY control in
your photograph?
DEPTH OF FIELD
depth of field
Depth of Field
/2
/8
/16
Depth of Field
the wall of focus
/2
/8
/16
Depth of Field
the wall of focus
how much (forwards and backwards of your subject)
of your image will be in focus
/2
/8
/16
Depth of Field
Depth of Field
Depth of Field
If you want a great
depth of field, what
size aperture should
you use?
Depth of Field
If you want a great
you use? SMALL
Depth of Field
If you want a great
you use? SMALL
Such as?
Depth of Field
If you want a great
you use? SMALL
Such as?
/16
Depth of Field
If you want a great
you use? SMALL
Such as?
/16
Depth of Field
If you want a great
you use? SMALL
Such as?
/16
If you want a shallow

you use?
Depth of Field
If you want a great
you use? SMALL
Such as?
/16

you use? LARGE
Depth of Field
If you want a great
you use? SMALL
Such as?
/16

you use? LARGE
Such as?
Depth of Field
If you want a great
you use? SMALL
Such as?
/16

you use? LARGE
Such as?
/2
A POINT TO EMPHASIZE
SHUTTER SPEED
SHUTTER SPEED
Physically/Technically controls:
SHUTTER SPEED
Creatively controls:
SHUTTER SPEED
AMOUNT OF LIGHT
SHUTTER SPEED
AMOUNT OF LIGHT
(how long shutter is open)
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
(blurry or sharpness)
SHUTTER SPEED
APERTURE
AMOUNT OF LIGHT
MOVEMENT
SHUTTER SPEED
APERTURE
AMOUNT OF LIGHT
MOVEMENT
SHUTTER SPEED
APERTURE
AMOUNT OF LIGHT
MOVEMENT
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
APERTURE
AMOUNT OF LIGHT
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
APERTURE
AMOUNT OF LIGHT
(size of aperture)
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
APERTURE
AMOUNT OF LIGHT
(size of aperture)
DEPTH OF FIELD
SHUTTER SPEED
AMOUNT OF LIGHT
MOVEMENT
APERTURE
AMOUNT OF LIGHT
(size of aperture)
DEPTH OF FIELD
(the wall of focus)
light metering
Remember that your camera can not guess how you

want the picture to come out.
sorry.
sorry.
Meter directly from your subject. Its a good idea to
get UNCOMFORTABLY CLOSE to your subject,
meter, then back up and re-compose the frame. This is
always important - but especially if your subject is
backlit (has a strong source of light coming from
behind it.)
hi!
How does the camera talk to you?
hi!
What does that look like?
hi!
What does that look like?
That depends on what KIND of LIGHT
METER your camera has.
4 Categories of LIGHT METERS:

1. Goldilocks

1. Goldilocks
these settings have TOO MUCH light!

these settings have TOO LITTLE light!
these settings are JUST RIGHT!

1. Goldilocks

1. Goldilocks
too much light (overexposed)

too little light (underexposed)
just right (well exposed)

1. Goldilocks
Goldilocks PRO


1. Goldilocks
Goldilocks PRO

too much/little... by exactly THIS MUCH

1. Goldilocks
Goldilocks PRO
2. Aperture Priority


1. Goldilocks
Goldilocks PRO

YOU select aperture, then:

camera suggests a good shutter
speed

1. Goldilocks
Goldilocks PRO
3. Shutter Speed Priority

speed

1. Goldilocks
Goldilocks PRO

speed
YOU select shutter speed, then:
camera suggests a good aperture

1. Goldilocks
Goldilocks PRO

speed
4. Multiple options/combination

1. Goldilocks
Goldilocks PRO

speed
the camera gives you a

choice
(see
above
4. Multiple options/combination
options)in how it light
meters
hey you. listen. you

are a total photo
rock star. everything
is going to be
GREAT.
bracketing
What is bracketing?
What is bracketing?
taking the same photograph at different exposures
What is bracketing?
Why would you do this?
What is bracketing?
to make sure you get a good exposure - especially in
situations that are challenging to meter, or for
photographs that are really important to you
What is bracketing?
How do you bracket?
What is bracketing?
How do you bracket?
1. light meter
What is bracketing?
How do you bracket?
1. light meter
2. choose which setting you want to keep (aperture
or shutter speed)
What is bracketing?
How do you bracket?
1. light meter
or shutter speed)
3. identify the 3 settings you will use when bracketing
(the one directly across from the keep, and also
one up and one down.)
What is bracketing?
How do you bracket?
1. light meter
or shutter speed)
4. take the three photographs
How do you bracket?
How do you bracket?
How do you bracket?

1. light meter
How do you bracket?

1. light meter
250
/8
How do you bracket?

1. light meter
or shutter speed)
250
/8
How do you bracket?

1. light meter
or shutter speed)
250
/8
How do you bracket?

1. light meter
or shutter speed)
250
/8
How do you bracket?

1. light meter
or shutter speed)
500
250
/8
How do you bracket?

1. light meter
or shutter speed)
500
250
/8
125
How do you bracket?

1. light meter
or shutter speed)
500
250
/8
125
How do you bracket?

1. light meter
or shutter speed)
500
250
125
/8
/8 at 1/500
/8 at 250
/8 at 125
equivalent exposures
Equivalent Exposures
What are equivalent exposures?
different combinations of aperture/shutter speed
settings that give you the same exposure (range of
light/dark values)
light/dark values)
Why do they matter?
light/dark values)
Why do they matter?
to help you make use of your CREATIVE controls
(depth of field and the sense of movement) while still
getting a properly exposed image
light/dark values)
Why do they matter?
to help you make use of your CREATIVE controls
(depth of field and the sense of movement) while still
getting a properly exposed image
to help you NOT use a tripod but still get a clear and
properly exposed image
USING Equivalent Exposures

Lets say you are asked to shoot a
photograph of a pinwheel in motion,
for the OMG its SPRING!!! issue
of a local magazine.


You find a pinwheel that is moving,
and your cameras light meter tells
you that you should use 1/500 and
/2. This is the picture you get:


/2 and 1/500 sec

/2 and 1/500 sec

Youre really happy with the
exposure (the range of light and
dark values) but it totally doesnt
show motion. Like at all.

/2 and 1/500 sec


/2 and 1/500 sec

What should you do?

/2 and 1/500 sec

What should you do?
/2 and
1/500 sec

What setting was responsible for
freezing the motion of the
moving pinwheel?
/2 and
1/500 sec

moving pinwheel?
shutter speed
/2 and
1/500 sec

moving pinwheel?
shutter speed
What could you do to create the
sense of motion in your
photograph?
/2 and
1/500 sec

moving pinwheel?
shutter speed
photograph?
lower the shutter speed
/2 and
1/500 sec

moving pinwheel?
shutter speed
photograph?
/2 and
1/500 sec
Since you got the EXPOSURE right, that means youre happy with
the relationship between your settings, you just need to use the
lowest possible shutter speed you can.

moving pinwheel?
shutter speed
photograph?
/2 and
1/500 sec

moving pinwheel?
shutter speed
photograph?
/2 and
1/500 sec
Use an Equivalent Exposure chart to figure out what aperture and
shutter speed pair you could use which would give you the same
LIGHT as the original settings, but let you use the lowest possible
shutter speed.
Equivalent Exposure Chart

camera, what settings
should I use?

should I use?
2 & 500

should I use?
2 & 500
hey friend. you can use any

pair of settings you want, so
long as they are equivalent.

should I use?
2 & 500


should I use?
2 & 500


should I use?
2 & 500

2
500

should I use?
2 & 500

more light
2
500

should I use?
2 & 500

more light
2
500

should I use?
2 & 500

more light
2
500
more light

Use an Equivalent Exposure chart to figure out what aperture and shutter
speed pair you could use which would give you the same LIGHT as the
original settings, but let you use the lowest possible shutter speed.



/2
500

/2
500

500
/2
/2
500

500
250
/2
/2
500

500
250
/2
/2
500
125

500
250
/2
/2
500
125
60

500
250
/2
/2
500
125
60
30

500
250
/2
/2
500
125
60
30
15

500
250
/2
/2
500
125
60
30
15

500
250
/2
/2
500
125
60
30
15

1000
500
250
/2
/2
500
125
60
30
15

1000
500
/2
250
/2
500
125
60
30
15

1000
500
250
/2
/2.8
/2
500
125
60
30
15

1000
500
250
125
/2
/2.8
/4
/2
500
60
30
15

1000
500
250
125
60
/2
/2.8
/4
/5.6
/2
500
30
15

1000
500
250
125
60
30
/2
/2.8
/4
/5.6
/8
/2
500
15

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/2
500

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/2
500

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
these images are

/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
these images are

/2
500
/22
4

1000
500
250
125
60
30
15
/2
/2.8
/4
/5.6
/8
/11
/16
/22
these images are

/2
500
USE A
TRIPOD
/22
4

camera, what
settings should
I use?

camera, what
settings should
I use?
8 & 125

camera, what
settings should
I use?
8 & 125

camera, what
settings should
I use?
8 & 125

camera, what
settings should
I use?
8 & 125
8
125

camera, what
settings should
I use?
8 & 125
more light
8
125

camera, what
settings should
I use?
8 & 125
more light
8
125

camera, what
settings should
I use?
8 & 125
more light
8
125
more light

camera, what
settings should
I use?
8 & 125
more light
8 5.6
125
more light

camera, what
settings should
I use?
8 & 125
more light
8 5.6 4
125
more light

camera, what
settings should
I use?
8 & 125
more light
8 5.6 4
125
more light
2.8

camera, what
settings should
I use?
8 & 125
more light
11
8 5.6 4
125
more light
2.8

camera, what
settings should
I use?
8 & 125
more light
16 11
8 5.6 4
125
more light
2.8

camera, what
settings should
I use?
8 & 125
more light
22 16 11
8 5.6 4
125
more light
2.8

camera, what
settings should
I use?
8 & 125
more light
22 16 11
8 5.6 4
125 250
more light
2.8

camera, what
settings should
I use?
8 & 125
more light
22 16 11
8 5.6 4
125 250
more light
500
2.8

camera, what
settings should
I use?
8 & 125
more light
22 16 11
8 5.6 4
125 250
more light
2.8
500 1000
8 & 125
camera, what
settings should
I use?
more light
22 16 11
60
8 5.6 4
125 250
more light
2.8
500 1000
8 & 125
camera, what
settings should
I use?
more light
22 16 11
30
60
8 5.6 4
125 250
more light
2.8
500 1000
8 & 125
camera, what
settings should
I use?
more light
22 16 11
8 5.6 4
15
125 250
30
60
more light
2.8
500 1000
8 & 125
camera, what
settings should
I use?
more light
e q u a l
22 16 11
8 5.6 4
15
125 250
30
60
more light
2.8
500 1000
8 & 125
camera, what
settings should
I use?
more light
22 16 11
8 5.6 4
15
125 250
30
60
more light
2.8
500 1000
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
e q u a l
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
what do I
want to DO?
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
what do I
want to DO?
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
what do I
want to DO?
I cannot decide for you.
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
22 16 11
8 5.6
15
125 250
500 1000
30
60
2.8
camera, what
settings should
I use?
5.6 & 60
camera, what
settings should
I use?
5.6 & 60
camera, what
settings should
I use?
5.6 & 60
5.6
camera, what
settings should
I use?
5.6 & 60
5.6
60
camera, what
settings should
I use?
5.6 & 60
more light
5.6
60
camera, what
settings should
I use?
5.6 & 60
more light
5.6
60
camera, what
settings should
I use?
5.6 & 60
more light
5.6
60
more light
camera, what
settings should
I use?
5.6 & 60
more light
5.6 4
60
more light
camera, what
settings should
I use?
5.6 & 60
camera, what
settings should
I use?
more light
5.6 4
60
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
5.6 4
60
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
5.6 4
60
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
11
5.6 4
60
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
16 11
5.6 4
60
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
16 11
5.6 4
60
125
more light
2.8
5.6 & 60
camera, what
settings should
I use?
more light
16 11
5.6 4
60
125
more light
2.8
250
5.6 & 60
camera, what
settings should
I use?
more light
16 11
5.6 4
60
125
more light
2.8
250 500
5.6 & 60
camera, what
settings should
I use?
more light
16 11
5.6 4
30
60
125
more light
2.8
250 500
5.6 & 60
camera, what
settings should
I use?
more light
16 11
15
30
5.6 4
60
125
more light
2.8
250 500
5.6 & 60
camera, what
settings should
I use?
more light
16 11
8
15
5.6 4
30
60
125
more light
2.8
250 500
5.6 & 60
camera, what
settings should
I use?
more light
e q u a l
16 11
8
15
5.6 4
30
60
125
more light
2.8
250 500
5.6 & 60
camera, what
settings should
I use?
more light
16 11
8
15
5.6 4
30
60
125
more light
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
e q u a l
16 11
8
15
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
16 11
8
15
8
30
5.6 4
60
125
2.8
250 500
the easels
Easels
Easels
This is a ________ easel.
Easels
This is a ________
CONTACT easel.
Easels
This is a ________
CONTACT easel.
It is used when making:
Easels
This is a ________
CONTACT easel.
contact sheets
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________ easel.
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
PRINTING / MASKING easel.
This is a __________________
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________
enlargements from negatives
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________
It helps your prints have:
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________
neat, white borders
Easels
This is a ________
CONTACT easel.
contact sheets
pinhole positives
collage negatives
photograms
This is a __________________
neat, white borders
regular sizes
parts of the enlarger
Parts of the Enlarger
lamphouse
lamphouse
lamphouse
lamphouse
bellows
lamphouse
bellows
lamphouse
bellows
lamphouse
bellows
lens
lamphouse
bellows
lens
lamphouse
negative carrier
goes here
bellows
lens
{
{
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
{
{
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
lamphouse
negative carrier
goes here
bellows
lens
easel goes here
(but which easel??)
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
lamphouse
negative carrier
goes here
bellows
lens
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
easel goes here

(but which easel??)
grain focuser
lamphouse
negative carrier
goes here
bellows
lens
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
easel goes here

(but which easel??)
grain focuser
lamphouse
negative carrier
goes here
bellows
lens
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
easel goes here

(but which easel??)
grain focuser
used to get the sharpest possible print
lamphouse
negative carrier
goes here
bellows
lens
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
easel goes here

(but which easel??)
grain focuser
lamphouse
negative carrier
goes here
bellows
lens
{
{
height
adjustment
knob
moves EVERYTHING
up and down
fine focus
moves the bellows
up and down
easel goes here

(but which easel??)
grain focuser
processing film
Loading Your Film:

What goes into the changing bag?
Loading Your Film:

tank (including lid & post)
Loading Your Film:

Loading Your Film:

2 reels
Loading Your Film:

2 reels
Loading Your Film:

2 reels
can opener
Loading Your Film:

2 reels
can opener
Loading Your Film:

2 reels
can opener
your film
Loading Your Film:

2 reels
can opener
your film
Processing Your Film (the SUPER condensed version)
1. Water Rinse
1. Water Rinse
2. Developer
1. Water Rinse
2. Developer
3. Stop Bath
1. Water Rinse
2. Developer
3. Stop Bath
4. Fixer
1. Water Rinse
2. Developer
3. Stop Bath
4. Fixer
5. Water Rinse
1. Water Rinse
2. Developer
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
1. Water Rinse
2. Developer
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
1. Water Rinse
2. Developer
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
1. Water Rinse cleans off dust

2. Developer
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
oxidizes the silver that got exposed

light (makes it dark!) - dependent
2. Developer to
on TIME and TEMPERATURE
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent

2. Developer to
3. Stop Bath
4. Fixer
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent
stops the developing process

2. Developer to
3. Stop Bath
4. Fixer
removes unexposed silver from the film

(allows there to be clear / light areas in your
negatives!) dont pour it down the drain!
5. Water Rinse
6. Perma Wash
7. Water Rinse
8. Wetting Agent

2. Developer to
3. Stop Bath
4. Fixer

5. Water Rinse cleans off chemicals

6. Perma Wash
7. Water Rinse
8. Wetting Agent

2. Developer to
3. Stop Bath
4. Fixer


6. Perma Wash cleans off fixer even more
7. Water Rinse
8. Wetting Agent

2. Developer to
3. Stop Bath
4. Fixer


7. Water Rinse cleans off Perma Wash
8. Wetting Agent

2. Developer to
3. Stop Bath
4. Fixer


7. Water Rinse cleans off Perma Wash
prevents
water
spots,
protects
8. Wetting Agent negatives
darkroom chemistry
sink
sink
name:
sink
name:
developer
sink
name:
developer
sink
name:
developer
stop bath
sink
name:
developer
stop bath
sink
name:
developer
stop bath
fixer
sink
name:
developer
stop bath
fixer
sink
name:
developer
stop bath
fixer
water
sink
name:
developer
stop bath
fixer
water
sink
name:
developer
stop bath
fixer
water
what do I do?
sink
name:
developer
what do I do?
stop bath
fixer
water
develops the paper

(oxidizes silver)
(pH 11 or 12 = base)
sink
name:
developer
what do I do?
stop bath
develops the paper

(oxidizes silver)
fixer
water
stops the
developing
(low pH = acid,
neutralizes the
developer)
sink
name:
developer
what do I do?
stop bath
develops the paper

(oxidizes silver)
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
water
stabilizes
the image
(removes unexposed
silver from the paper)
sink
name:
developer
what do I do?
stop bath
develops the paper

(oxidizes silver)
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
sink
name:
developer
what do I do?
stop bath
develops the paper

(oxidizes silver)
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
I should be
replaced when...
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
if I am a dark
yellowish orange
color, sort of like
this but not exactly
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
if I am a dark
yellowish orange
color, sort of like
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
if I am a dark
yellowish orange
color, sort of like
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
if I am a dark
purple color
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
if I am a dark
yellowish orange
color, sort of like
stops the
developing
(low pH = acid,
neutralizes the
developer)
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
if I am a dark
purple color
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
if I am a dark
yellowish orange
color, sort of like
stops the
developing
(low pH = acid,
neutralizes the
developer)
if I am a dark
purple color
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)
if I get cloudy when

you drip hypo check in
sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
if I am a dark
yellowish orange
color, sort of like
stops the
developing
(low pH = acid,
neutralizes the
developer)
if I am a dark
purple color
fixer
stabilizes
the image
(removes unexposed
water
cleans the print
(washes off all
the chemicals)

sink
name:
developer
what do I do?
develops the paper

(oxidizes silver)
I should be
replaced when...
stop bath
if I am a dark
yellowish orange
color, sort of like
stops the
developing
(low pH = acid,
neutralizes the
developer)
if I am a dark
purple color
fixer
stabilizes
the image
(removes unexposed

water
cleans the print
(washes off all
the chemicals)
N/A
sink
snapshot vs. composed

and
principles of composition
What is the difference between a snapshot and a

composed photograph?

Snapshot

Snapshot
A casual record of some event, person, object or place.

Snapshot

Snapshot
Usually a very quick response to a situation.

Snapshot

Snapshot
Unorganized, no attention has been paid to details.

Snapshot

Snapshot
Only the photographer has an emotional connection to the photo

Snapshot
vs. Composed Photograph

Snapshot
An artistic interpretation of an event, person, object, or place.

Snapshot

Snapshot
A process where care is taken to consider the elements and principles that exist
within the frame of the composition.

Snapshot

Snapshot
Organized frame, where attention has been paid to expressing an emotion or

telling the viewer something about its subject.

Snapshot


Snapshot

A universal appeal or sense of interest - ability to connect to many viewers
Principles of Photographic Composition
1. Light
1. Light
2. Rule of Thirds
1. Light
2. Rule of Thirds
3. Using the Edges of the Frame
1.
2.
3.
4.
Light
Rule of Thirds
Using the Edges of the Frame
Frame Within a Frame
1.
2.
3.
4.
5.
Light
Rule of Thirds
Line
1.
2.
3.
4.
5.
6.
Light
Rule of Thirds
Line
Point of View
1.
2.
3.
4.
5.
6.
7.
Light
Rule of Thirds
Line
Point of View
Fill the Frame / Cropping
1.
2.
3.
4.
5.
6.
7.
8.
Light
Rule of Thirds
Line
Point of View
Fill the Frame / Cropping
Pattern / Texture
Principles of Photographic Composition:
LIGHT
RULE OF THIRDS
RULE OF THIRDS
USING THE EDGES OF THE FRAME
FRAME WITHIN A FRAME
LINE
POINT OF VIEW
FILL THE FRAME / CROPPING
PATTERN / TEXTURE
THE END!
email me with any questions you might have!
caroline_appel@hcpss.org

Photo 1 Midterm Review 2017

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PHOTO 1

parts of the camera

1. film advance lever

1. film advance lever

2. shutter speed dial

1. film advance lever

2. shutter speed dial

1. film advance lever

2. shutter speed dial

1. film advance lever

2. shutter speed dial

1. film advance lever

2. shutter speed dial

8. take up spool 9. camera back

8. take up spool 9. camera back

8. take up spool 9. camera back

8. take up spool 9. camera back

What does the B stand for?

What does the B stand for?

What does the B stand for?

What does the B stand for?

What does the B stand for?

What does the B stand for?

What does the B stand for?

What does the B stand for?

If you wanted to take a picture of a running man so

If you wanted to take a picture of a running man so

What if you wanted to show movement - how would

What if you wanted to show movement - how would

1 second if possible (movement will look blurred)

You can also show movement using panning - what is

You can also show movement using panning - what is

If you want a shallow

If you want a shallow

If you want a shallow

If you want a shallow

Remember that your camera can not guess how you

4 Categories of LIGHT METERS:

4 Categories of LIGHT METERS:

4 Categories of LIGHT METERS:

these settings have TOO MUCH light!

4 Categories of LIGHT METERS:

4 Categories of LIGHT METERS:

too much light (overexposed)

4 Categories of LIGHT METERS:

too much light (overexposed)

4 Categories of LIGHT METERS:

too much light (overexposed)

4 Categories of LIGHT METERS:

too much light (overexposed)

4 Categories of LIGHT METERS:

too much light (overexposed)

YOU select aperture, then:

4 Categories of LIGHT METERS:

too much/little... by exactly THIS MUCH

3. Shutter Speed Priority

YOU select aperture, then:

4 Categories of LIGHT METERS:

too much/little... by exactly THIS MUCH

3. Shutter Speed Priority

YOU select aperture, then:

4 Categories of LIGHT METERS:

too much/little... by exactly THIS MUCH

3. Shutter Speed Priority