Professional Documents
Culture Documents
Leipzig and Prague are two fascinating cities with Soviet backgrounds. Although with
different cultural backgrounds, both cities have successfully overcome the economic
and population decline since the fall of the Soviet rule. Another interesting aspect
is the economic, social and cultural growth of these cities. These are cities with a big
potential. People are fed up with overcrowded and expensive cities such as Berlin, Paris
or London. Cities such as Leipzig and Prague have now become the new cultural centers
for the young and enthusiastic.
However, the remnants left by the decline of industrialisation and communism is
evident in the urban fabric. We see several abandoned sites and buildings throughout
the city, rotting through time as the city is moving forward a new direction headed by
capitalist ventures.
Assuming low budget and minimal cost, the commons could be a suitable economic
solution through collective ownership and collective exchange, without capitalist or
private interference. Commoning is a bottom to top initiative which allow people a
gradual and steady inhabitation of sites which are deemed unprofitable in the eyes of
the capitalist.
The IG Fortuna, a former GDR youth cinema in Leipzig and the Karlin Barracks a
former military barracks are both monuments of the cities past which the people hve
mixed feelings about. The challenge of this research is to harness a context in which the
locals can relate to and be enthisiastic about.
This project has also led me to examine the role of the architect today. The aim is for this
research to be a mode for other commons and also provide a sustainable framework for
running these commons. The result of the project is not a final product, but a simulation
of situations, opportunities and possibilities allowing freedom of artistic creativity,
resourceful productivity, and social activity.
LEIPZIG COMMONS
WELCOME TO THE PRODUCTIVE
CINEMA
NEUSTADT
VOLKMARSDORF
SELLERHAUSEN
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PHASE 1
PHASE 2
RESTORE IG FORTUNA
STRUCTURE
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PHASE 3
PHASE 4
INHABIT GASOMETERS
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1870
1928
1870
1928
1870
1928
1946
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1987
1946
1946
1987
2015
2015
2015
ed
ed
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CEDRIC PRICE
Prices most notable design was the Fun Palace, a theater with an ever-changing
environment. Ahead of his time, he had a vision for this laboratory of fun to feature
moving walls and floors, with interactive panels and an inflatable coference centre. With
its lack of doors to control entry and no solid roof, the Fun Palace became referred to as
an anti-building, designed to be dismantled and re-assembled to fulfil different needs.
The concept of permanent flexibility was reflected in Prices second project Potteries
Thinkbelt, a new form of university based on the idea of reviving a post-industrial
region by transporting places of learning on rail. He portrayed using disused railways
with carriages as classromms with fold out workspaces and inflatable lecture theaters.
The activities designed for the site should be experimental, the place itself expendable
and changeable. The organisation of space and the objects occupying it should, on the
one hand, challenge participants mental and physical dexterity and, on the other, allow
for a flow of space and time, in which passive and active pleasures is provoked
(Cedric Price, A Laboratory of Fun, New Scientist, 14 May 1964)
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NOSTALGIA
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I chose a site within Leipzig-Ost which had very interesting layers of history- an
abandoned GDR youth cinema within a former gasworks complex. The cinema is facing
threats of demolition within the next two years due to disuse and extreme decay. There
is an organisation which is trying to prevent the demolition and its members are merely
doing this out of passion for what the cinema once was, and what the cinema could be.
The urgency of the situation and the passion of the people from the organisation made
this site more appealing to me, as it gave me a deeper sense of purpose.
After selecting the site, I started to delve into the history of the IG Fortuna and which
made me ponder about the communitys opinion on their GDR past. Is there some
nostalgia for the GDR times? Or is the nostalgia confined to their experience in the
cinema, eg: a young man watching his first movie in the IG Fortuna, or a young couple
experiencing their first kiss in this cinema?
I had the opportunity to listen to the stories from various stakeholders of the cinema,
(neighbourhood residents, politicians, former IG Fortuna cinema goers) thus adding
to my collection of information. The organisation also facilitated me with technical
drawings of the cinema and information about its structural conditions, as the cinema
is no longer accesible.
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SUSTAINABLE DESIGN
PHYSICAL
FACTORS
URBAN FARMING
LEIPZIG
COMMONS
Commoning advice
Investment & Funding advice
Formal Education: workshops & lectures
Informal Education: information & knowledge sharing
COMMONING
Historical collections
CULTURAL
FACTORS
URBAN REGENERATION
IG FORTUNA
BOTTOM-UP INTERVENTION
Community Gardening
Ceremonies & Events
Art Exhibitions
Movies / Concerts
SOCIO-ECONOMIC
FACTORS
FACTORS
NETWORKING
Casual Meetings
Exchange Programmes
TOPICS
ACTIVITIES/PROGRAMME
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NEIGHBOURHOOD RESIDENTS
COMMONING ENTHUSIASTS
OFFICES
GARDENING ENTHUSIASTS
IG FORTUNA NOSTALGICS
ENTREPENEURS
RESTORED CINEMA
VISITORS
COMMUNITY GARDEN
CINEMA GOERS
LIBRARY
INVESTORS
CAFE
USER GROUPS
SPACES
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PRAGUE COMMONS
SVEJKING OUR WAY TOWARDS
THE CARNIVAL OF THE COMMONS
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KARLN
PRAGUE 8
The thriving story of a once
declining neighbourhood
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Jan & Zuzi are Prague locals who run a food tour Taste of Prague
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Image & text source: http://www.tasteofprague.com Prague Off the Beaten Path: Karlin District
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KARLNSK
KASRNA
The Karlin Barracks and a series of
unfortunate events
1844 1845
1920
20th century
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2002
2014
today
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Source: http://www.urbandictionary.com/define.php?term=svejking
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CEDRIC PRICE
An actual Svejker?
Source: http://www.independent.co.uk/arts-entertainment/architecture/cedric-price-the-most-influential-architect-youve-never-heard-of-9852200.html
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IMPERMANENCE
In the event of another flooding, would the barracks be able to survive the
damages and implications? Would Karlin (according to Jan and Zuzi), sink
into the ground like a fallen Atlantis?
Cedric Price designed around the philosophy of impermanence, and said
that buildings should serve the needs of those that use them and be either
transformed or demolished when they no longer served their purpose.
The Karlin barracks is a place which can allow the said transformation. Imagine
a place with no rules- a place where we could easily bring objects of our desire
to inhabit, to tear apart when we no longer desire it, and maybe put it together
again as something new. And this process shall repeat itself.
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PHASE 1
PHASE 2
- EXHIBITION SPACES
- EXPERIMENTAL STUDIOS
- OFFICE SPACES
- CAFE / RESTAURANT
- EXERCISE SPACE
- FOOD LAB
- WORKSHOPS
- EDUCATIONAL CLASSROOMS
- LIBRARY
- COMMUNITY GARDENING
- MATERIALS COLLECTION
- MATERIALS SORTING
- MATERIALS REPURPOSING
- MATERIALS ASSEMBLY
- FABRICATION LAB
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PHASE 3
PHASE 4
COURTYARD COLONISATION
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PRAGUE COMMONS
Part 1:
Svejking up the Karlin Barracks
In the spirit of The Good Soldier Svejk, the Karlin Barracks is itelf a serious
monument waiting to be annoyed, maybe even frustrated. Once a stately
military complex, the barracks is now ageing and decaying along with its
promise of miitary sovereignty and power.
Karlin Barracks should be, like the adventures of Svejk, a place for random
occurences within a rigid system.
Svejks Anti-War attitude in line with Cedric Prices Anti-Architecture and
Non-Plan, is a fun and satirical way of dealing with the series of unfortunate
events that has occurred to the barracks.
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NECESSITIES
With the provision of main services such as an elevator core, washrooms and
pantry, access and comfort of the users can be ensured. This also allows the
main spaces to be changed over time depending on the needs of the user with
the availability of these services in each wing of the barracks.
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ARTIST STUDIOS
20 x 13 meters module
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DANCE STUDIOS
I never understood
modern dance. Call
me old-fashioned but I
much prefer ballet.
28 x 13 meters module
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20 x 13 meters module
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FOOD LAB
28 x 13 meters module
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LIBRARY
28 x 13 meters module
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CLASSROOMS
14 x 13 meters module
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WORKSHOPS
20 x 13 meters module
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OFFICES
20 x 13 meters module
28 x 13 meters module
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RECYCLING DEPOT
What happened at Rohansk ostrov...
Look! We can salvage
the steel trusses from
here for the Depot at the
barracks.
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CONVEYOR BELT
Usable and clean objects are then placed on the conveyor belt to be transported
around the site. Much like a sushi conveyor, users can pick up which items they want
to use. An additional structure can be added to the depot once the collection grows.
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PRAGUE COMMONS
Part 2:
The Carnival of the Commons
The courtyard of the Karlin Barracks is where the Carnival of the Commons
can be established, allowing the users to freely inhabit, colonise and take over.
The next level of colonisation at the Karlin Barracks is a juxtaposition against
the rigid background of its former military past. Once the barracks has been
occupied, and new modules have been created from the depot collection
programme, it is inevitable for activity to spill out to the courtyard.
The other courtyards in the neighbourhood seem to be where the inhabitants
express themselves, by building informal structures, or growing their gardens,
to fulfill additional needs.
The formation of the Commons Carnival at the courtyard is a physical and
social resistance against capitalism and planned architecture which has often
failed the masses.
By participating in the commons at Karlin barracks, we are able to slowly
collect the resources needed for the colonisation process.
The Carnival of the Commons is acollection of everyday objects- donated,
found, or salvaged.
With impermanence in mind, these objects can be transported to site, adapted
to suit the needs of the user, and also can be taken down whenever the user
sees fit.
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ROHANSK OSTROV..
KARLNSK KASRNA
A former industrial site which now sits derelict by the river Vlata is located only 3
kilometres away from the Karlin Barracks. At the time of construction of the Prague
metro, Rohansk ostrov served as a dumping ground for storing material from
excavations. In the year 1999 an extensive cleaning work for the recovery of the
island was launched and the site has been a target for many new developments due
to its strategic location.
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A series of industrial buildings in the site which await demolition by future developers
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The fall of industrialisation and the Soviet Union has left Czech
Republic with several abandoned sites. A partially damaged
structure could find new ways of usage.
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The energy carousel produces and stores enough energy to power lights during the
night
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Anybody
smoothie?
fancy
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Many Prague residents have a small cottage outside the city. These cottages, called Chata are
treasured both as getaways and ongoing projects. Each reflects its owners character, as most of
them were built by unorthodox methods. Chata owners used the typically Czech its whom you
know chain of supply to scrounge materials and services. This barter system worked extremely
well, and still does today.
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LIST OF REFERENCES
1. Cedric Price, Re:CP, edited by Hans Ulrich Obrist,
Birkhauser (2003)
2. Elinor Rostrom Governing the Commons: The Evolution
of Institutions for Collective Action, 1990 Cambridge
University Press
3. Ivan Kucina, Commoning of the Uncommonness:
Developing Urban Commons in Post Socialist City (2015)
4. Sheila R. Foster, Collective Action and the Urban Commons,
Fordham University School of Law (2011)
5. Prof. Dr. Regina Bittner, Elective Lectures from Architecture
of the Everyday, 2015-16
6. http://www.metamute.org/editorial/articles/non-planningchange
7. http://www.czechjournal.cz/karlin-barracks-repeatedly-failsto-sell/
8. http://www.re-tooling-residencies.org/resources/research/
pragues-independent-art-spaces-by-vyara-mlechevska
9. http://www.archdaily.com/486943/energy-carouseldordrecht-ecosistema-urbano-architects/?utm_
source=feedburner&utm_medium=feed&utm_
campaign=Feed%3A+ArchDaily+%28ArchDaily%29
10. http://www.telegraph.co.uk/books/authors/the-good-soldiervejk-jaroslav-haeks-comic-masterpiece/
11. http://www.expats.cz/prague/article/czech-culture/lostbuildings-of-prague/
12. https://www.private-prague-guide.com/article/life-duringthe-communist-era-in-czechoslovakia
13. Re-Imagining the Karln Viaduct: From Paris to Vienna and
now Prague, city viaducts are becoming cultural centers:
http://www.expats.cz/prague/article/art/re-imagining-thekarlin-viaduct/
I
Dessau International Architecture School
Anhalt University Department 3
2016